Category: Television

  • Shemaroo Umang brings new show ‘Kyunkii Tum Hi Ho’

    Shemaroo Umang brings new show ‘Kyunkii Tum Hi Ho’

    Mumbai: Kyunkii Tum Hi Ho, Shemaroo Umang’s third big original show is about to premiere. The show will air every Monday to Saturday at 9 p.m.

    Kyunkii Tum Hi Ho is a romance drama that explores love’s unspoken feelings.

    Amar Upadhyay, who has a unique connection to ‘Kyunkii’ will reprise his role as the show’s principal actor and producer. He co-stars in the romantic drama with Harsh Nagar and Priyanka Dhavale.

    Set in the tourist capital of Madhya Pradesh, Gwalior, Kyunkii Tum Hi Ho follows the lives of Kavya (Priyanka Dhavale), Ayushmann Bhargav (Harsh Nagar), and Karan Pratap Singh (Amar Upadhyay). Kavya, a simple middle-class girl, finds the love of her life in Karan. But things take a drastic turn when reality hits and the true colours are exposed.

    Shemaroo  COO of broadcasting business Sandeep Gupta said, “It is a proud moment for us, as within a short span of four months, we have released three diverse shows with some of the most renowned faces in the television industry. Kyunkii Tum Hi Ho is a feel-good romantic drama, and viewers will enjoy its simple yet engaging narrative. Viewers have endowed us with immense love and support, and we will stay true to our promise of entertaining them in the future as well.”

    Kyunkii Tum Hi Ho marks the debut of Amar Upadhyay as a producer and is co-produced by Suhail Zaidi. The show has an ensemble supporting cast, including Saptrishi Ghosh, Manish Khanna, Rohit Aggarwal, Deepti Kamat, and Keerti Adharkar, among others, in pivotal roles.

  • Sony Pictures Networks India renews partnership with the Australian Open

    Sony Pictures Networks India renews partnership with the Australian Open

    Mumbai: Tennis Australia has announced that Sony Pictures Networks India will continue to have the Australian Open’s exclusive broadcast rights starting in 2023. The broadcaster will now have exclusive TV and internet rights for the international athletic event throughout the Indian subcontinent, including Afghanistan, Bangladesh, Bhutan, Nepal, the Maldives, Pakistan, and Sri Lanka.

    The Grand Slam will continue to be broadcast on SPN’s sports channels and streamed live on SonyLIV.

    The Australian Open will begin airing on 16 January, 2023, and the Adelaide International will begin airing on 9 January, 2023 on Sony Sports Network.

    The Australian Open, one of the most prestigious international sporting occasions, is renowned for establishing the background for the tennis season. The elite competition’s 110-year history has seen luminaries break records and the ascent of the legendary Rod Laver.

    Sony Pictures Networks India  chief revenue officer of distribution & international business and head of sports cluster Rajesh Kaul said, “The Australian Open has consistently been the most watched tennis Grand Slam in India over the past few years. During 2022, close to 23 million viewers watched the live coverage of the event on Sony Sports Network. We hope to repeat this success as well as continue to build the steadily growing tennis fanbase in India. With this broadcast rights renewal, we will become the home for major Grand Slams in India including Roland Garros and the US Open.”

    Tennis Australia CEO Craig Tiley said, “Sony Pictures Networks India has been the home of the Australian Open in India for the past nine years, and this renewal will solidify its position. India has long been a key market for us, and over the years, the tournament has seen steady growth in viewership there. Sony Sports Network has played a huge role in driving this growth, and we hope to build on this success in the coming years.”

    For nine years, Sony Sports Network has served as the tournament’s official broadcaster in India. The broadcaster will launch in 2023 with the coverage of the Australian Open and Adelaide International tournaments after successfully establishing itself as the home for tennis in India through the broadcast of multiple Grand Slams in 2022.

    In the first Grand Slam of the year, Novak Djokovic will compete against players like Rafael Nadal, Daniil Medvedev, and Carlos Alcaraz in an attempt to capture his tenth Australian Open championship. Iga Swiatek, a fan favourite, is in the lead for the women’s title, followed by Naomi Osaka, Coco Gauff, and Ons Jabeur.

  • Red Arrow Studios International inks deals for new formats

    Red Arrow Studios International inks deals for new formats

    Mumbai: Red Arrow Studios International has signed a wave of international deals for titles in its latest format slate, including the relationship format Love for the Ages, the new social experiment series Old People’s Home for Teenagers, and the new factual entertainment format Hold the Front Page.

    Love for the Ages, a new take on the relationship format originally produced by Kinetic Content for Tplus (US), has been optioned by ZPR Media (Poland) and Banijay in a multi-territory deal covering the Nordics, Portugal, Italy, the Netherlands, and France. The show sees three middle-aged married couples, each at a crossroads in their relationships, attempt to inject some youthful energy back into their lives by swapping their spouses for partners 20 years younger. Love for the Ages premieres on Tplus on 15 December, 2022.

    Additionally, the format of Old People’s Home for Teenagers, the new social experiment series originally produced by Endemol Shine Australia for ABC Australia, has been optioned by Banijay for Spain and by Klima Media for Poland. The series, one of the most successful factual entertainment series for the ABC in Australia this year, is a spinoff of the multi-award-winning series, Old People’s Home for 4 Year Olds, a CPL Productions format that has already been adapted by Banijay companies in territories including Spain and Australia and has just received a commission in Poland, where it will be produced by Klima Media for PULS TV.

    The fun new factual entertainment format, Hold the Front Page has also been optioned by Aller for Finland and Nexiko for Sweden. Originally produced by CPL Productions for Sky Max and NOW (UK), the format sees two celebrities set off around the country in search of scoops, scandals, and surprising stories as they explore the unique and often sensational world of local news. Hold the Front Page will premiere in the UK in 2023.

    Red Arrow Studios International MD Tim Gerhartz said, “As we continue bringing noisy, edgy, and unique content to the market, it’s fantastic to have secured new homes with leading broadcasters and partners for some of our latest titles. We’re looking forward to seeing new local partners bring their own versions of our buzzy format Love for the Ages, the compelling social experiment Old People’s Home for Teenagers, and the fun new factual entertainment format Hold the Front Page to viewers around the world.

    Banijay global head of content development James Townley said, “We are eager to bring Love for the Ages to the Nordics, Portugal, Italy, France, and the Netherlands, with each of our talented local teams able to add their own feel to this format, as they explore intergenerational relationships and offer fresh insight into relationships at all stages. It is also great to see our territories, such as Spain, build on the success of Old People’s Home for 4 Year Olds with its teenage spinoff.”

  • &pictures to premiere film ‘Sherdil – The Pilibhit Saga’

    &pictures to premiere film ‘Sherdil – The Pilibhit Saga’

    Mumbai: “Tu Sher hai, toh bhi Sherdil hoon!” adapted from a true story – Sherdil – The Pilibhit Saga follows the adventures of a fearless and courageous Jundao sarpanch who devises an absurd scheme to protect his community.

    Set for its world television premiere, the film consists of an eclectic cast led by Pankaj Tripathi, and is intertwined with a hard-hitting theme and one man’s determination to bring about change.

    Sherdil – The Pilibhit Saga is set to premiere on 10 December at 10 p.m. on &pictures.

    Gangaram, who is prepared to sacrifice his life for his people by being murdered by a tiger, is the subject of the movie. This dramatic tale of life and death was enhanced with comedy and sympathy for the community’s condition as they were forced to take drastic measures to survive. As the clumsy Sarpanch and magnificent saviour, Pankaj Tripathi plays a part unlike any other, combining epic one-liners with traditional charm and the brave but helpless Gangaram. Neeraj Kabi and Sayani Gupta will also appear at crucial times.

    In the film, we see the actor say, “Baagh ko maarne nahi gaye the jungle mein, hum toh baagh se khud ka shikar karwane gaye the!” That demonstrates his love for his people and the innocence that Gangaram professes. Neeraj Kabi and Sayani Gupta also play important roles in the film.

    Written and directed by National Award winner Srijit Mukherji, Sherdil – The Pilibhit Saga perfectly balances some significant themes with unexpectedly philosophical bits rooted in everyday humour.

    Talking about the world television premiere, Tripathi said, “Since I have lived in a village, I can understand the roots of Gangaram. But what took time was understanding my character’s specific behaviour. I played a very intriguing and layered character that helped me explore a different facet of myself as an actor. I always wanted to be a part of a film that shows the man-animal conflict; I was always concerned with the man-animal conflict, and Sherdil gave me that opportunity. Moreover, Sherdil helped me understand the emotions and vulnerabilities of my character. Working with talented actors like Neeraj Kabi and Sayani Gupta was a great creative experience. We intended to make a good film and thoroughly enjoyed working together and discussing the craft. Sherdil is a film that deserves to be seen by a larger, especially younger audience, and we’re thrilled that &pictures is giving this film the platform.”

  • BBC Board names Damon Buffini as deputy chair

    BBC Board names Damon Buffini as deputy chair

    Mumbai: BBC chairman Richard Sharp has announced the appointment of Damon Buffini to the new role of deputy chair of the BBC board, in his capacity as BBC Commercial Board chair.

    Buffini was a founding partner of the international investment firm Permira, where he was managing partner from 1997 to 2010. He has been the Royal National Theatre chair since 2015 and has held multiple non-executive directorships across various industries.

    Buffini joined the BBC board as a non-executive director in November 2021 and was appointed chair of the BBC Commercial Board in March 2022. His appointment to deputy chair reflects the importance of the BBC’s commercial activity to the overall success of the organisation.

    Talking about the appointment, Sharp said, “I am incredibly pleased that Buffini will take on the additional role of deputy chair of the BBC board, reflecting the integral part that the BBC’s commercial activity plays in the organisation’s overall success. As chair of the BBC Commercial Board, Buffini brings vast experience and expertise to the oversight of our commercial operations at a time when the BBC board is looking for significant and sustained commercial growth.”

    Buffini has made three new non-executive director appointments to the BBC Commercial Board.

    Gary Newman, Ian Griffiths, and Claire Hungate will all join the BBC Commercial Board as non-executive directors, following approval from the BBC board, with effect from 1 April 2023 for an initial term of three years.

    Newman was Fox Television Group chairman & CEO, which included Fox Broadcasting and Twentieth Century Fox Television, until its acquisition by Disney. During his tenure at Fox, he oversaw the development and production of such shows as 24, Glee, Modern Family, Homeland, 911, and The Masked Singer.

    Ian Griffiths was the deputy CEO and CFO of market intelligence agency Kantar from 2020 to 2022. Between 2008 and 2019, he served as ITV CFO & COO and was previously EMAP CFO.

    Hungate has held the roles of Warner Bros. TV Production UK CEO, Shed Media COO, and Wall to Wall MD. Today, she is Team Liquid’s president and COO. This is an established esports organisation with a global audience reach of around 40 million.

    Buffini stated, “The BBC’s commercial subsidiaries, already successful, have been tasked with a further step-change in performance. The appointment of three new non-executives, with spectacular industry experience, reinforces the Commercial Board’s commitment to support and challenge the executive in achieving these stretching goals.”

    The new non-executive appointees join to replace non-executive directors Steve Morrison and Dame Elan Closs Stephens, whose full terms on the BBC Commercial Board are due to expire in March 2023.

    He added, “I also want to record my sincere thanks to both Elan and Steve for their service. It has been a pleasure to work with them both; their commitment to the BBC’s commercial mission is deeply held, and they step down knowing that the BBC’s commercial activities are in excellent health.”

    The BBC Commercial Board oversees the delivery of the BBC’s commercial activities. These are primarily made up of BBC Studios, a global company across production, distribution, licensing, channels, and streaming, and BBC Studioworks, which provides studios and post-production services to the UK’s broadcast and production industry.

  • Travelxp joins Polsat Plus Group; expands its global network

    Travelxp joins Polsat Plus Group; expands its global network

    Mumbai: Travelxp has expanded into Poland. Thanks to its cooperation with Polsat Plus Group, viewers in Poland will get to enjoy its premium travel and lifestyle content on Polsat Box (satellite, IPTV, and OTT TV with set-top boxes), Netia (IPTV), and the Polsat Box Go streaming service.

    The broadcaster said that it is known for freshness and originality and that it has come up with many interesting shows even during the covid lockdown. Through shows like The Gypsies and The Savvy Nomad, which are in keeping with the changing nature of travel, the channel has stayed relevant. This has led to partnerships with broadcast platforms in the North and South American, African, South Pacific, and European regions. A partnership with the European pay TV giant, Polsat Plus Group, has expanded the channel’s reach in Europe.

    Travelxp MD Europe Sumant Bahl said, “The year 2022, the very first after the lockdown, has been an excellent year for Travelxp, and it is ending on a high note with a crucial partnership. Launching the premium HDR content of Travelxp 4K in HLG HDR, 10-bit REC 2100 colour space, and 50 frames on the largest digital platform in Poland is just the feather in our cap that we needed, after establishing a strong foothold in over 20 countries across Europe.”

    With 1000+ hours of premium travel and lifestyle content, Travelxp is distributed in over 100+ countries. It also claims to be the single-largest producer of travel content and a global innovation leader in 4K HDR technology. With a diverse programming mix, all Travelxp shows are original in-house productions filmed across 60+ countries with multi-cultural hosts from across the world. The channel launched its own OTT app in 2021, currently available in India, that hosts the largest HD library for travel content. Along with travel content, it also hosts booking services on its platform.

  • Colors launches new show ‘Durga Aur Charu’

    Colors launches new show ‘Durga Aur Charu’

    Mumbai: Through their daughters in Colors’ new show Durga Aur Charu, the late Bondita and Anirudh Roy Chowdhary’s legacy from one of the most adored television sitcoms, Barrister Babu, continues.

    Durga is her mother’s shadow, whereas Charu is her soul. The show follows the lives of two sisters who are related by blood but who had quite different upbringings as a result of being split up when they were young. The program, which is made by Shashi Sumeet Productions, will debut on 12 December and air every day at 8:30 p.m.

    For the starring roles as two sisters, Durga and Charu, the channel has cast well-known performers Aurra Bhatnagar and Vaishnavi Prajapati.

    Viacom18 Hindi Mass Entertainment chief content officer Manisha Sharma said, “Delivering stories that strike a chord with our viewers has always been our focus at Colors. Such was the story of Barrister Babu, a show that enjoyed incredible success and love from the audience. Continuing its legacy, our new fiction show Durga Aur Charu traces the heartfelt journey of Bondita and Anirudh’s daughters, who are raised in two different environments, resulting in having contrasting personalities. As we present a fresh chapter and the continuation of the popular show, we hope to receive the same love and appreciation with Durga and Charu.”

    Durga (Aurra Bhatnagar), a modest and pessimistic child, and her street-smart older sister Charu are the subjects of the film Durga Aur Charu, which is set in the period before and after independence (Vaishnavi Prajapati). The two sisters are living separately and are unaware of one another. Due to their varied upbringings, they are as different as chalk and cheese. While Charu, Durga’s sister, is fierce, loud, and excels in academics, Durga is reserved, quiet, and depends on doing acrobatics to support herself. The former is raised by con artists, whereas the latter is adopted by wealthy parents.

    Producer Shashi Mittal said, “Durga aur Charu is a period drama set during the British colonial era that traces the journey of two siblings who not only lose their parents but also get separated at a young age. But eventually destiny brings them together, and their relationship is tested through several emotional adversaries. With our shows, we always aim to deal with various themes that impact our societal thinking in some way or another. Our association with Colors has been a fruitful one, we have had the opportunity to work with the best team with creative freedom, and we hope that with Durga Aur Charu, we deliver yet another compelling story to the viewers.”

    Excited to be playing the role of Durga, Aurra Bhatnagar said, “As young Bondita, I have received immense love and support from the viewers, and now I am super excited to step into the new role of Durga. She is the exact replica of her mother, who excels in academics but is socially awkward due to her upbringing. After making my debut with Barrister Babu and Colors, I’m thrilled to be associated with the channel again to start a new chapter.”

    Set to be seen in the role of Charu, Vaishnavi Prajapati said, “Essaying the titular role of Charu is a big opportunity for me, and I am thankful to the entire Durga Aur Charu team and Colors for giving me this chance. What I love about Charu is that she is feisty and fearless like her mother Bondita. I’m positive that Charu will win the hearts of the viewers as a confident girl, who knows how to take control of her life.”

  • Watcho original announces a new crime thriller ‘Aarop’

    Watcho original announces a new crime thriller ‘Aarop’

    Mumbai: OTT platforms Watcho has announced the premiere of Aarop, a heartbreaking crime thriller series. Written and directed by Subhash Jangid and Vinay Bhola, the 10-episode web series is available in Hindi language. 

    The series is packed with mystery, suspense, drama, and thrill, which results in a recipe that makes it absolutely gripping for the viewers.

    The show also features an ensemble of the cast, including Ram Mehar, Akansha Juneja, Raj Singh Verma, Muskkan Sayed, Vikas Mehta, Mukesh Musafir, Chandrani Baidya, Hiten Tank, Supriya Priyadarshani, and Alka Chatwal.

    Aarop is a powerful, character-driven crime thriller set in contemporary India. It revolves around two cops, Anuraag and Shantanu, who successfully apprehend a local goon, Jethiya, but the mounting political pressures force them to fight against each other. The turn of events will take viewers through strange and intriguing scenarios with every episode. 

    Commenting on the launch, Dish TV India Ltd. corp. head of marketing for DishTV & Watcho Sukhpreet Singh said, “Watcho endeavours to keep our viewers engaged with interesting content across varied genres. Aarop is one such story, with a gripping plot and outstanding performances by actors that make the story even more realistic. With the premiere of Aarop, we try to further strengthen our programming slate and viewing experience for our Watcho family.”

  • Bharat24 closes 100th advertiser within 100 days of its launch

    Bharat24 closes 100th advertiser within 100 days of its launch

    Mumbai: Bharat24, a Hindi news channel, has reached an unprecedented milestone by bringing 100 advertisers on board within 100 days of its launch.

    The channel, which created much anticipation and hype before its foray into the national news space, has managed to grow at a steady pace and live up to its promise of being a disruptor news brand.

    Revenue has never seemed like a challenge for the channel’s visionary Bharat24 CEO and editor-in-chief Dr Jagdeesh Chandra and chief business officer and strategic advisor Manoj Jagyasi, who joined the board in the leadership role, as the channel has taken successful first steps in the already crowded and highly competitive Hindi news space with finite ad revenue.

    Bharat24 currently boasts 100+ clients from across the national spectrum, which have shown keen interest in the channel’s pitch to them and have responded positively by placing their campaigns on the channel.

    Speaking on the development, Jagyasi said, “We are delighted to gain the trust of over 100 clients in such a short span of time. I must credit my team of dedicated professionals who are relentlessly in pursuit of growth. We are committed to adding value to the clients who are trusting us to deliver on their campaigns by constantly innovating and implementing seamless integrations.”

    “We have announced quite a few big-ticket IPs, namely, Super Indians, for which for the first time on any news event, we have huge film star Govinda as the celebrity host. With our motto of ‘States make the Nation’ we have instituted Shikhar Samman in various states to give a platform to those contributing towards a vision of New India. We have also recently announced ‘Swastha Bharat Health Conclave’ putting the spotlight on excellence in healthcare,” he elaborated further.

  • Addressable TV and Beyond summit: Scalability is the biggest issue facing CTV

    Addressable TV and Beyond summit: Scalability is the biggest issue facing CTV

    Mumbai: While CTV has potential for advertisers, it is still at a nascent stage in the country. Scale is the biggest issue it faces. Transparency is an issue in measurement, as is the fact that the industry is facing fragmentation. There are lots of players. But if the stakeholders work together, magic can happen.

    These points were made on a panel discussion during GroupM’s division Finecast India and Kantar’s “Addressable TV and Beyond” summit. The discussion looked at the issue of measurement in CTV. While the moderator was GroupM chief strategy officer South Asia Parthasarathy M A, the speakers were Sensara Technologies India CEO Bharath Kumar Mohan, Airtel Ads head of business Vignesh Narayanan, Mondelez director of consumer experience Anjali (Krishnan) Madan, and Pubmatic country manager India Amit Kumar Yadav.

    Madan noted that Mondelez obviously looks for new ways to connect with its consumers. If that is where the consumer is going, there is opportunity. But the company is sitting on very low numbers when it comes to connected TV. “We are using it experimentally across our brands, which are premium and cater to a much younger audience. While we are doing test and learn, it is pretty much at a nascent stage, which is where digital used to be when it first started out. It is ‘wait and watch.’ We are learning from what is working and not working.”

    Narayanan said that the problem on the consumer’s side is serving the right ads with the right content. On the publisher’s side, it’s about getting a better ROI. Right now, the industry is on the cusp of something big. On one side are advertisers who are looking at OTT. But the challenge is that the CTV industry is very fragmented. On the other side, linear TV is huge, but the right tools are not available to make it addressable. His company is looking at how to capture a large part of the media and make it addressable. That way, there is a high ROI for everybody. “That is the challenge that we are looking to solve. On the publisher’s side, broadcasters need to be aware of how CTV is working, how it can be scaled up, and how they can make their offerings more addressable. On the consumer side, people wonder if CTV will be as good as digital. It could be. How do we make that happen? If everybody from broadcasters to distribution partners to technology companies and brands comes together, I think we can make magic happen.”

    The space is interesting, as many partners need to come together to make the movement come alive. Yadav agreed with Madan that CTV is still at a very nascent stage. Scale is an issue. Transparency is an issue, and the media buyer may want the same transparency that one gets on linear TV. RTechnologies is coming up to help in this area. Flexibility in running ads is also coming up, but it is not as prevalent as a media planner and buyer would like it to be. Having said that, he also noted that his company has been part of CTV across various markets. Addressability in other markets is not yet solved but is more advanced compared to what is going on in India. He gave the example of Australia. There are multiple things being tried, like Finecast ID. Then KSR is done by OEMs. More and more adoption will happen across the industry. Another point made was that TV is getting distributed across many mediums like YouTube and Firestick, and the issue is that there is no one medium for measurement. This is a fundamental challenge. TV is available in many places, and if each partner brings their own measurement system, it will be a challenge. The question is, “How do you have one measurement system to measure TV wherever it is being consumed?” Currently, we are not set up for it. The measurement is in place for traditional TV, but it does not take into account the other ways in which TV is consumed.

    Mohan said that there is no better measurement if it can be done on the glass itself. That is the final frontier before it meets a viewer’s eye. The next best way is the set-top box. His company looked at measurement from the point of view of it being perfect. That means that everything the consumer does with the TV should be measured. Also, every moment should be measured, including when a viewer switches away from an ad. Working with OEMs is a great way to do this, and his company works with Airtel, whom he called a thought leader. There has been a lot of learning. Linear and OTT apps can both be measured.

    “Technically, we know how to measure what is being watched inside OTT. We know if certain ads are being played because they can be measured at different levels of technical difficulty. Various forms of measurement can be done, like fingerprinting or something on the cloud. It is all getting there. There are 20 million homes coming up. A good number of them will be with Airtel, Jio, and Tata Sky. All of them are bullish on the hybrid box. It means that you can get viewership patterns for both linear and OTT as well. This has been a minefield. The patterns we have unveiled in terms of how people switch from linear to OTT and back are just mind-boggling.”

    He noted that Barc’s unit of measurement is one minute, but a lot can happen in a minute. An ad can be skipped, for instance. “A lot happens inside a minute. We know how the dropoff happens every second the ad moves on. We also know where the dropoff happens. People do so many things and then come back. Nobody knew what was happening because measurement was not happening at that granular scale. There are fantastic patterns that we have seen in terms of how traffic goes in and out and comes back. We are also coming up with new strategies. Should I start doing new content placements? What is the ROI for that? Is there a link between an in-content placement and switching to something else if the first ad shown is for the same brand? We have fascinating data. It is a playground.”

    Narayanan said that more granularity in the data is available. So if somebody is watching in a household, traditionally you would target them based on who owns the box, and that is not enough. There are five individuals in a home. So viewing goes from a kids channel in the afternoon to a news or sports channel in the evening. “There are five different user personas in the household. That itself is something we can segment and target. Being a telco, we understand our users in terms of affluence, age, and gender, and their interactions within our ecosystem help us deliver a much, much richer cohort of data that we can cross-tabulate between different mediums. This is something that we have never done before, but it is definitely possible now. The phone number is the unique identity number for all of us.”

    Madan noted that scale is a very important thing because this is not just in terms of getting to the sizeable number that her company wants to target. It is also a fact that there aren’t enough audience insights for Mondelez to target to the extent that it can drive personalisation. “For brands, driving personalisation is very, very important.” When CTV reaches scale, the company can look at addressable audiences that can be divided into cohorts that make sense for its brands and businesses. That is the trade-off. She concluded by saying that, as more clients begin to collect their own data, they will consider how connected TV can supplement that in terms of audience insights.