Category: Television

  • Print media -survival of the fittest

    Print media -survival of the fittest

    MUMBAI: Though media baron Ruport Murdoch believes that digital is the future, Malayala Manorama executive editor Jacob Mathew believes that newspapers will put up a strong show and co-exist in the digital age.

    India Today Group CEO and editor-in-chief Aroon Purie also graced the occasion to speak on the Future of Print Media in a morning session at the Ficci Frames today.
    Mathew begins by narrating an experience he encountered recently with his editor friend. “I had always considered him a sober man but this time he had a wild look in his eyes, when I asked why? He said he was chasing skirts. As he had freshly entered his fifties, I thought it was a case of male-menopause. He brushes aside my instant diagnosis and explained that he was editing fashion pages and he was constantly working and thinking about skirts, frills and pleats.

    “He entered journalism with the idea of making a difference to society, but, there he was condemned to writing about frilly, silly nothings. I disrupted his ranting and pointed out that he was actually facing crisis of content. There are serious stories and entertainment stories to be told, but they go reported in a fizzle form of fashion.
    “It is all a matter of choice. Instead of digging for in-depth stories, editors like him are content with presenting ravishing visuals, of mass cloying words. This goes true not just for soft stories; fashion or glamour but also of hard stories; politics, economics, business, sports and human relationship,” he says.

    Citing that even stories of pathos and cruelty are put under the glittering glares of glamour. Content remains the greatest challenge in the newspaper industry today.

    Circulation being key, he says that it has saturated in many developed countries and advertising growth rate there is negligible. In contrast, India presents attractive windows of opportunities because of increasing literacy and purchasing power.

    “Indian newspaper industry has a turnover of Rs 12,000 crore in 2005. It is expected to touch Rs 13,500 crore. Indian’s figure is just five per cent of Asia pacific region, even the Koreans are double our size. Paradoxically our size is our strength. We have a tremendous potential to grow as we are small right now.”

    On the potential that newspapers have, he says, “India reaches only 35 per cent of our adult population even though adult literacy is about 65 per cent. To build this gap between readership and literacy, and due to the competition the publications kept its prices low and depended entirely on advertisers to subsidise the reader.

    “This model probably was viable in India because it simultaneously developed the vibrant advertisement industry. The industry aggregate for the years 2002 to 2004 indicates that 60 per cent of our revenues come from advertising sales. While the circulation revenue accounts for 38 per cent, other incomes account for about 2 per cent. This percentage varies between the English and the vernacular publications.

    “Circulation revenue covers about 70 per cent of our variable costs. The first 25 per cent of the advertising revenue goes towards covering the variable cost and the balance 75 per cent is available for fixed cost and profits. Obviously advertising drives the print media.

    “When the ad revenue grows at a healthy pace, publishers invest in increasing their circulations. With bigger circulations, they are able to command higher ad rates. This business model demands that the momentum be provided by growing ad revenues. Though some say that with lower cover prices, one chases artificial numbers of circulation to justify high ad rates.

    Asking if this model is sustainable and fair, he continues, “This is being debated as some believe that there is ample scope for further cover price increase. The expanding economy has brought into the market a host of new advertisers and this has made it possible for us to increase the ad rates as well.”

    Looking ahead, Mathew says, “The prospects to 2006 look fairly good. With the economy of the country continuing to grow at 7.5 per cent, we may reasonably expect at least 15 to 20 per cent growth in ad revenues. This will drive the circulation at an eight per cent growth in the turnover and then can be expected to grow by 12 to 14 per cent.

    “The main challenges come from Internet. Websites like Shaadi.dot come, Naukri.dot com have made major inroads for jobs and matrimonial. Real estates and second hand vehicles are two other classified ad category waited to be snapped by us webpreneurs. Baazi.dot com, now taken away by eBay has already proved its potential of internet shopping. Sensing this pattern, several newspaper publishers have forayed into the electronic media. Some have succeeded and some have bit the dust.

    “Eventually, major newspaper groups will emerge as multiple media enterprises combining the strengths of electronic and print media.”

    Mathew sums up, “We know the strengths of our medium, yet our challenge is to aggressively convey to our local markets nationally and internationally and in particular to opinion makers whose decision impacts our collective future.”

    Quoting US comedian Jerry Seinfeld’s accidental observation on newspaper as being bang on the dot, “It is amazing that the amount of news that happens everyday always just exactly fits in the newspaper.”

    Concurring with Jacob, the India Today Group CEO and editor-in-chief Purie had some interesting anecdotes as well as high points of the space and the future trends.

    Purie recalls an incident that took place thirty years ago at a printing conference in Venice, the questions asked were pertaining to the future of print and will print vanish. There were printers who raised their concerns on whether the business would last or not last, as computers had started creating its presence.

    Narrating the incident, Purie adds, “One of the speakers Robert Maxell, the owner of The Mirror Group in his opening statement said, “I know print will survive because you can’t take the computer into the toilet.” But now, of course, one can take the computer to the toilet.

    He says, “But still print survived, it actually prospered and thrived. The eternal question keeps coming up every few decades when new technologies comes, will print survive?”

    He points out an instance where Bill Gates offered his opinion on the Indian print media recently. Bill Gates, who is considered the biggest enemy of print and quoting him as saying, “I m sure, it will be more than fifty years, that somebody is still printing a newspaper and taking it to someone, somewhere.”

    He continues that Gates is fifty and in all probability, newspapers will out last him. He adds that surprisingly Gates in the interview stated, “Newspaper readership is still growing in India.” Purie remarked, “This is something when a man like him has obviously noticed and has not declared the demise of newspaper or print media.”

    Throwing some light on various figures, he says, “Last fifteen years, the ad revenue share in print of the total ad pie has shrunk from 70 per cent to a humbling 46 per cent due to the advent of cable and television. Internet and radio has compounded its misery. People thought that print has completely lost out. Any kind of change of this kind would have destroyed any other industry in my opinion.”

    “The readership grew by 28 per cent with newspapers leading the pack; Hindi newspapers grew by 68 per cent, Telegu newspaper 63 per cent, English newspapers grew by 36 per cent. Quietly, but clearly the new growth has been in the Indian language print media.”

    Citing a recent study conducted by an industry journal, he says that it estimated that the highest growing print media companies included Jagran Prakashan that grew at 26 per cent; Bennett, Coleman & Co at 17 per cent; Bhaskar publishing group at 16 and my own company Living Media at 12 per cent.

    Referring to growth in advertisement with respect to last year, he highlights that the ad business grew by 15 per cent to about Rs 12000 crores setting a new trend; the print share has increased 48 per cent from being 46 per cent while the television share remained at 42 per cent. Although television has grown but one can see that there is a slight change in the trend.

    “The print media has in fact staged a comeback to define all forecasts and international trends. The ad revenue growth can be attributed to the significant increase in ad spend by educational institutes, retail, real estates, consumer durables, automobiles. The revenue growth in television has been powered by FMCG sector,” says Purie.

    Speaking about growing consumerism, he says, this trends will throw up new opportunities for special interest publications. The mass circulated dailies and magazines will also benefit by adding special interest both genre wise and geographically.

    He cities the example of the India Today Group wherein, “We grew the topline circulation by 30 per cent from the previous year by using innovative marketing strategies including news focus offerings. The innovations included usage of digital media such as SMS and Internet besides, strong subscription campaigns.

    “At present, India Today has an add -on free magazine every week, from city magazines to lifestyle to education. All this has come on the back of the cover price increase from Rs 15 to Rs 20, a whopping increase of 33 per cent. And in just one year India Today English and Hindi editions over too The Times of India and Nav Bharat Times’ national readership by over 5 million.”

    Speaking on the future trends, he says, the print media will see an area of super fragmentation. It will virtually expand in every genre. While players will work towards super niche positioning, consumers will have to pay more for their newspaper and magazines. The trend may also see that the publishers will have to reduce their dependence on advertisement revenue to drive their successful models.

    But, with caution he also says, “While, it may not be the accurate predictions for India. It validates opinion that fragmentation may not affect mature medium like print to the extent it affects relatively newer medium like television.”

    Pointing another trend -the access to capital, he says, “The print media will be powered by many media companies tapping the financial markets, by ways of IPOs, inflow of capital by private equity and by going public enabling expansion and reducing any barriers that in the past were big constrains for any news entrants. The trend has already started and will become bigger for the businesses.

    At present, the government has permitted 26 per cent foreign direct investment in news and current affairs publications, which has led to Financial Times picking up stake in Business Standard, BBC and Times of India in a joint venture company WWM.

    But, Purie believes regulations are still too restricted and should be opened up and even the policy for facsimile editions and foreign publications coming here is really very confusing and unnecessary.

    Picking up on another trend is digital opportunities. He says, “The 300 pound gorilla, which I think publishers don’t know what to do with it. Internet does not have to be a competitor like radio and television. It can be partner to the print media. It can only supplement the distribution of content and leverage the print brand.

    Narrating yet another recent incident at Dow Jones where The New York Times publishers Sulzberger was asked, “aren’t you worried about the decline in readership and ad revenue being threatened by the Internet”.

    Sulzberger explains, “In the newspaper business there are basic costs– paper, distribution and people. If Internet comes, I will get ride of the first two as I do away with the problem of paper and distribution. I still have the brand, the content and the ability to sell the advertsiment. I’m not worried.”

    No wonder every newspaper may have an online presence, the challenges for the publishers is to monetise this and to appreciate unique qualities of the Internet interactivity and immediacy.

    He agree with the point made by the global media barron Rupert Murdoch who opines that today newspaper is just a paper, tommorrow it can be a destination.

  • Players in mobile entertainment value chain need to work together to grow business

    Players in mobile entertainment value chain need to work together to grow business

    MUMBAI: One of the sessions on the last day of Frames dealt with Mobile Entertainment. The session was moderated by Hungama.com CEO Neeraj Roy. The speakers were Mauj CEO Arun Gupta, Indiagames CEO Vishal Gondal, Qualcomm’s Vishal Gupta, Nokia Asia Pacific director rich media, music and games Jawahar Kanjilal, Tata Teleservices VP content and applications Pankaj Sethi and Mobile Entertainment Forum Asia chairman Stefan Rust.

    Rust says that for the mobile business to fulfill its potential the various stakeholders – the network infrastructure providers, the content aggregators, gaming publishers – must work together. Engineering resources must work with studios to figure out the best devices to reach consumers.

    Kanjilal said that while Nokia is known as a provider of mobile phones, to enable communication, it has developed a phone that can store 3000 songs and has a three mega pixel camera. In India, the company will introduce Visual Radio in the coming months . This allows a user to listen to radio stations. In this way there is a convergence of electronics and communication.

    Sethi points out that Tata Indicom caters to both the premium segment and the lower end of consumers. “On the high end side, we have introduced audio and video streaming capabilities. We are looking by the end of the year to have a full length music delivery service.

    Digital video delivery on the mobile will come to pass. Our low end customers have voice and SMS capabilities. So, we have introduced a voice station. Here, we take content from films, the stock exchange and reconfigure it in such a way that it sounds like a radio station. Gaming is a huge area. Even Tata Indicom’s prepaid customers download games like hell.”

    Gondal stressed on the role that gaming will play on the mobile platform. “People from the Indian entertainment industry underestimate the potential of gaming. Every month a million games are downloaded in the country. Contrary to perception in some quarters, price is not the determining factor. In fact, users perceive a high priced game better. That is why our new Harry Potter game at Rs15 a play did so well. Gaming is being more in the smaller towns compared to the major metros. It is played during office time, college time and dinner time. The fact that it is played during dinner means that it is taking away time from television, movie viewing and internet surfing.

    “The problem is that Bollywood movies are not conducive to making games from their films. We need to work out a creative way for this. India has an opportunity to provide services for international firms looking for ideas and execution of them. Our low cost and talent gives us an edge.”

    Arun Gupta pointed out that the mobile is slowly becoming the third screen. It is a Rs 6 billion business. It is expected to grow to around Rs 45 billion in 2010. However, there are challenges. One of them lies in the fact that outside the CDMA network the number of handsets that provide ruich media content is limited. On the GSM side, the data network is weak. So it takes time to download a game. Another important area that needs improvement is customer care and customer education. In the UK, a study said that 60 per cent of mobile users want to access mobile content but do not know how to go about it. In India, the problem can be multiplied many times over.

    Therefore mobile service providers and content publishers need to come out with ad campaigns to spread awareness. “I don’t know if a game has ever been pushed. In South Korea, due to clever marketing some game developers are celebrities.”

    Rust says that there are issues to be sorted in the arena of digital rights management (DRM). “I do not think of DRM as an anti-piracy measure. I think of it as enabling consumers to purchase music digitally. I don’t see why a person who has bought a piece of music digitally cannot play it on his iPod, computer and other devices. If it can be done with a hard copy then, why not with a digital one? Music companies needed to go beyond selling an album of 20 songs. They need to see how they can sell single songs and maximize each song’s revenue potential.”

    Gondal said that Indian mobile firms are more intent on pushing the consumer. “We must focus on pulling the consumer in through killer content. That is what Apple did with its iPod and iTunes. It got killer content and did innovative marketing. The iPod is seen as cool to have. If this pull factor is not created then there is no incentive for the consumer to go in for handset that enables rich media features. When the photo scam came about there was a sudden demand for Bluetooth.

    Pull will help the customer to go beyond just using the mobile as a voice tool”

    As far as mobile TV is concerned, Kanjilal pointed out that DVB-H trials being done abroad by Nokia show that television on the mobile is often consumed at home. This helps channels to be seen. In the future, one might have a situation where there are five television screens at home. He noted that standardisation on the DVB-H system has helped. It is an open system. Therefore it is cost effective as a distribution medium.

  • Sportel Asia attracts 658 participants

    Sportel Asia attracts 658 participants

    MUMBAI: 658 participants, representing 324 companies from 43 countries worldwide, attended the recently concluded sports television market Sportel Asia 2006.

    The event took placeat the Pudong Shangri-La Hotel in Shanghai, China.

    Following on the heels of last year’s inaugural Sportel Asia in Hong Kong, the Shanghai market featured a 60 per cent increase in the number of stands and an increase of almost 25 per cent in terms of participants.

    Sportel executive VP David Tomatis says, “Shanghai and in particular the Pudong Shangri-La Hotel proved to be a wonderful venue for our clients. The decision to move to Mainland China encouraged many Chinese companies to join our ranks for the first time, affording new business opportunities for our clients.”

    “We also wish to extend our special thanks to Shanghai Media Group president LI Ruigang, and his staff for their invaluable partnership and Rai trade president Roberto DI Russo and his team, for sponsoring our opening cocktail.”

    Sportel Asia 2006 brought together executives representing broadcasters, cable and satellite services, new mobile technologies, professional leagues, programme distributors, sports marketing agents, event organisers, satellite services, producers, hardware/software and facilities providers, sponsorship and investment groups, sports federations, new media and international press from around the world.

    Sportel’s next event is Sportel Monaco 2006, which will take place from 16 to 19 October 2006 at the Grimaldi Forum in Monaco. Last year, Sportel Monaco 2005 included a total of 1,884 participants, representing 868 companies from 65 countries worldwide.

  • BBC to show World Cup, Wimbledon in high definition

    BBC to show World Cup, Wimbledon in high definition

    MUMBAI: UK pubcaster The BBC has announced that it will broadcast its 2006 World Cup coverage and major Wimbledon matches in high definition (HD) as part of its pioneering trial.

    The BBC HD trial will kick off with the BBC’s share of World Cup matches up to and including the 9 July 2006 final. World Cup 2006 will be the first major sporting event to be broadcast in HD in the UK. The BBC’s summer of HD sport will continue with Wimbledon matches from Centre Court and Court One.

    The BBC explains that HD is a new kind of television which delivers more detailed pictures and sharper shots of fast-moving action than conventional ‘standard definition’. The HD format will be an extra stream alongside conventional analogue and digital broadcasts.

    It will only be accessible to viewers who have all of the following: HD Ready televisions, HD set top boxes and HD services from satellite or cable providers. News about the World Cup and Wimbledon in HD follows finalisation of the technical and partnership arrangements for the trial.

    The BBC’s HD trial will last for about 12 months. It will enable the BBC to test technical delivery of HD and to understand how the audience values a BBC HD service. Any ongoing BBC HD service will be subject to approval by the BBC Trust.

    BBC director of sport Roger Mosey said, “High definition works particularly well for sport. It gives fantastic picture quality, from the blades of grass that are being played on right to the back of the stands, and although only limited numbers of people will be able to see this trial we hope it will be a glimpse of the future.”

    BBC HD TV head Seetha Kumar said, “We believe that in the long term the BBC can help provide the benefits of HD to everyone, free to air, in the same way that we backed colour, stereo, widescreen and online in the past. With this trial, the BBC is taking the first crucial steps to support the development of HD broadcasting in the UK.”

    BBC HD will start broadcasting on 15 May with a test stream previewing forthcoming programmes. The first live HD programme will be the opening World Cup match Germany Vs Costa Rica on 9 June.

    BBC commentary and studio coverage in HD will wrap up the HD feed from German host broadcasters HBS (Host Broadcaster Services). Standard definition digital and analogue BBC One coverage will also draw on high definition images, both for the World Cup and for Wimbledon where the BBC is the host broadcaster.

    The BBC HD trial will run for about a year. It will feature BBC shows such as natural history series Planet Earth and Galapagos, drama documentary Hannibal and some BBC Proms concerts including the First and Last Nights, in HD quality.

    The amount of new programming each day will vary, averaging between one and two hours. Some programmes will be simulcast with BBC One or, in a few instances, BBC Two.

    Others will be time-shifted or offer another chance to view past highlights such as dramas Bleak House and Hotel Babylon in high definition for the first time.

    The BBC will provide its HD trial stream on all technically capable platforms, including satellite and cable, once available, from commercial providers. It is not currently possible to provide HD transmissions on Freeview because of limited space on the airwaves. The BBC will run a simultaneous technical trial of HD on digital terrestrial television (Freeview). That trial will be confined to few hundred trial households in London, which will be chosen shortly.

    Freeview could accommodate some high definition broadcasting after switchover between 2008 and 2012. Ofcom’s Digital Dividend Review later this year is deciding how that spectrum should be used.

  • BBC’s new campaign features network’s achievements

    MUMBAI: UK pubcaster The BBC is launching a brand new television marketing campaign in the UK. This will demonstrate the extreme lengths its staff experience daily to produce quality programming for its audience.

    The campaign – the first of its kind since 1997’s Perfect Day – will feature real life examples of BBC achievements, large and small. Each trail will feature a different story demonstrating the passion and commitment of individuals working for the organisation – punctuated by the simple endline – This is what we do.

    Four trails will launch tomorrow 25 March. Kabul tells the story of John Simpson and his news team’s struggle to broadcast the fall of the Afghan capital when a lorry carrying satellite equipment broke down in the mountains.

    Instead of assuming defeat the team dismantled the satellites and put them on donkeys – enabling them to arrive in Kabul 20 minutes before they were due to go live on air. The Office asks the audience: “Who would commission a sitcom from someone who had never written, directed or acted in one before?”, before showing a clip from the hit BBC Two sitcom.

    Wall shows a BBC cameraman in action during a conflict between Iraqi and British troops. Snow Leopard tells the story of the search for an animal rarely caught on camera – and the efforts that were made to get it on film for BBC ONE’s Planet Earth.

    BBC head brand and planning Helen Kellie said, “What truly sets the BBC apart is the extraordinary lengths our people go to to get great content for our audience. This campaign shows the public some of that magic.”

    The campaign, which was developed for the BBC by Fallon, uses existing behind-the-scenes footage – no director or production company was required or involved.

  • Mobile phone entertainment is about making dead time alive: Sandip Das

    Mobile phone entertainment is about making dead time alive: Sandip Das

    MUMBAI: One of the special addresses on the final day of Frames – The convention for the business of entertainment was made by Hutchison Essar MD Sandip Das.

    He pointed out that the mobile is an effective entertainment tool as it makes dead time alive. It could be while one is travelling in a bus, car or sitting on a beach watching the waves.

    “The mobile does not compete nor threaten other media.

    It complements them. Its portability and unobtrusiveness provide opportunities for engagement. At the same time it cannot match the scale of Imax. Yet, one cannot carry an Imax or a movie theatre as one does a mobile.”

    He praised Ericsson’s 0,1,2,3 phase of developing the mobile. 0 means that no user manual is needed. It is self explanatory. One means one button to remove the complications of different controls. Two refers to the two seconds it takes for a screen to appear. Three refers to getting to an online destination within three clicks. “It is important that the mobile service providers think in this manner. The mobile is all about customised and personalised entertainment. The more mass it becomes the more important it is for mobile operators to provide distinctive services.”

    He said that for content providers looking to tap the mobile it is important to think of the mobile first and not see it as an appendage. “Unique content needs to be created for the mobile that does not involve merely shortening the length of a film. Mobisodes are a step in the right direction. The good news is that data is getting compressed into smaller formats.”

    He stressed that no other media had as much user capability as the mobile. Location based services will help make the mobile more timely. He quoted Bill Gates who once said that knowledge was more profound than information. The reason why some channels consistently get excellent viewership even though there are more choices available is because those few channels understand their viewers.

    He went on to state that the jury is out on the mobile entertainment eco system. There is land grabbing going on. For instance Apple is selling music, Sony has bought a bank, HP sells TVs. There are also challenges that the mobile entertainment industry is facing. “The first is that we need more data friendly mobile phones. There is no point in buying a Ferrari if you drive it on pot holed roads. More bandwith is necessary for the mobile. It is important for more spectrum to be freed up. There also needs to be a change in terms of how our filmmakers and television serial makers view the mobile. Their antennas go up when the word mobile is mentioned.

    “M Night Shyamalan for one has said that he would not like to make a film which can be viewed by someone in a toilet who has a mobile. I think that with our stories there is scope to make great content for the mobile.”

    He noted that open source software is enabling collaboration and content is increasingly being created by users in the form of blogs and communities. It is becoming less and less the privilege of technology geeks. He mentioned that revenue sharing is one area that needs to be sorted out. That is why Digital Video Broadcast Handheld (DVB-H) is facing a problem. It is not that the technology is not upto speed. He praised Nokia who through the N Series has revolutionised MP3 and e-mail among other functions.

    The consumer experience is key. If one develops services but does not allow the experience to be as good as it should, then one is doomed. In mobile as in other media, content is king. There are four sectors – video, imagery, gaming and music. While music has 70 per cent revenue share this will change in the coming years.

    “The challenge for providers of mobile entertainment will be to bridge the gap between the early adopters who saw the potential in the medium and the huge mainstream market that wants to enjoy its benefits but does not want to get caught up in the gory technological details.

    “Seamlessness in mobile technology will enable us to move seamlessly from one media to another. For instance, you watch a football match at home. In the middle of the match you have to leave for the office.

    When you leave home, the mobile picks up the signal and the match gets switched on the mobile. When you reach the office, the PC has the match on. I got a demonstration of this from Motorola yesterday.”

  • Star pact with Harrah’s, Keppel for Caesars Singapore

    Star pact with Harrah’s, Keppel for Caesars Singapore

    NEW DELHI: Further developing their world-class entertainment vision for Caesars Singapore, Harrah’s Operating Company, Inc (a subsidiary of Harrah’s Entertainment) and Keppel Land today announced they had joined forces with Asia’s leading media and entertainment company Star group.

    Under terms of the agreement, Star will work with Caesars Singapore to create a wide range of entertainment attractions at the Marina Bay integrated resort based on the broadcaster’s popular media brands and assets, according to an official statement.

    Star, a fully-owned subsidiary of News Corporation reaching 300 million people across 53 countries in Asia, will also have access to live entertainment and events hosted by Caesars Singapore on a year-round basis.

    “Our agreement with Star is another significant step toward the creation of an experientially compelling entertainment destination at Singapore’s Marina Bay,” Richard Mirman, senior vice president of business development for Harrah’s, was quoted in the statement.

    “We believe having a powerful media partner will help drive tourism and build awareness for the integrated resort throughout Asia and specifically the countries of China and India,” Mirman added.

    Star, Harrah’s and Keppel will create a state-of-the-art broadcast studio, a Channel [V] club, a Star-branded attraction within the iPort, and will integrate broadcast capabilities into all the live entertainment venues.

    The broadcast studio will be the home of Star in Singapore and will be a high-energy area of the integrated resort with activities throughout the day. Caesars Singapore will also provide viewing space outside of the studio so that visitors will be able to watch their favourite shows being broadcast live.

    Star, Harrah’s and Keppel will also create a Channel [V]-branded club that will feature eye-catching live productions. The partners will work with leading record labels and promoters to source talent for performances at the club.

    Star Entertainment chief operating officer and president Steve Askew said, “The agreement with Caesars Singapore provides us an unique opportunity to extend our popular media brands and assets into a whole different realm, where visitors to Singapore can experience the magic of television productions firsthand.”

    The announcement comes less than two weeks after Harrah’s and Keppel announced that Hollywood icon James Cameron had signed on as executive producer of iPort – a 16-story, one million-square-foot immersive entertainment experience.

    Star plans to create a themed attraction within iPort, giving visitors the opportunity to watch their favourite shows being recorded; to participate in live and taped shows, such as quiz shows or sporting events; and to visit famous sets used in popular shows.

    Entertainment Media Ventures president Sandy Climan represented Harrah’s Entertainment in its discussions with Star. Climan also represented Harrah’s in the James Cameron, iPort experience unveiled at the Colosseum at Caesars Palace in Las Vegas.

    Harrah’s and Keppel have assembled a creative and cutting-edge talent lineup as they pursue this premier project in Asia. Previously announced players include world-famous gallery Centre Pompidou, renowned architect Daniel Libeskind, Anschutz Entertainment Group, Inc.’s AEG Live Division, convention promotion and management specialist SMG, Suntec Singapore International Convention and Exhibition Centre, retail giants Taubman Asia Ltd., Gordon Group Holdings (Taubman/Gordon) and celebrated luxury-retail designer Peter Marino.

    Harrah’s Entertainment, Inc. is the world’s largest provider of branded casino entertainment through operating subsidiaries. Keppel Land is the property arm of the Keppel Group, one of Singapore’s largest multi-national groups with key businesses in offshore and marine, infrastructure and property.

  • Essel, Intel partner on digital content

    Essel, Intel partner on digital content

    NEW DELHI: The Subhash Chandra-promoted Essel Group has launched DMCL (Digital Media Convergence Ltd) as a company that will facilitate the availability of digital content in India.

    Infotech major Intel will partner the Essel Group in this digital venture, according to senior Intel company executives at the ongoing FICCI Frames event in Mumbai.

    DMCL, to be headed by Zee Telefilms president Abhijeet Saxena, will concentrate on acquiring, digitising and making available on various platforms a wide variety of content.

    This content could be special interest content sourced from outside India for the Indian audience as well as Indian/Bollywood content for use in India and outside.

    DMCL will also engage in creating special interest /niche content that will be of immense value to select audiences in India.

    Announcing the initiative, Saxena said, “We have always been very conscious of offering the best in entertainment to our consumers. Keeping our sights on the future of entertainment in the digital new media scenario, we will be at the forefront of providing both new and existing content across various consumer gadgets.”

    Dwelling on shaking hands with Intel, he added, “While selecting the technology and partner for implementation, performance and expertise in successful implementation was given prime consideration. As Intel is a domain specialist, we are very happy to collaborate with them for this effort. We are confident that we will have mutually beneficial partnership with Intel for this gigantic strategic initiative.”

    Intel Corp launched its Intel Viiv technology platform for home entertainment devices at the CES show California in January 2006.

    The Intel Viiv technology is designed to make it easier for people to download, view, manage and share digital entertainment on a variety of viewing screens and networked devices such as portable media players, digital TVs and routers.

    The company is working to bring the Intel Viiv platform to India in the near future.

    DMCL and Intel will work towards offering digital content over the Intel Viiv platform in India. DMCL will offer an agnostic platform, by being an aggregator (including doing re-purposing) for other content owners, starting with Zee Telefilms Ltd.’s content.

    Intel will work with other players in the industry to introduce DMCL as an Intel Viiv content service provider in India. This joint industry supporting effort means that the consumers who procure Intel Viiv will get a ready service available on the platform for them to access information, entertainment and other services.

    Essel Group has diverse national and global business interests, encompassing media programming, broadcast and distribution, specialty packaging, entertainment and trading.

  • Zee to rejig; mulls Siti Cable hive-off

    Zee to rejig; mulls Siti Cable hive-off

    NEW DELHI: The Subhash Chandra-promoted Zee Telefilms, which is planning a restructuring of its businesses, is toying hiving off its distribution activities as a separate company.

    On being specifically asked whether Siti Cable, the distribution arm of the company and the country biggest MSO, would be hived off as a separate company, a senior executive of Zee Telefilms admitted, “There is a possibility.”

    However, the executive was quick to point out that such an initiaive would not be done overnight. “We’ll have to take the shareholders’ nod for any such restructuring,” he added.
    Yesterday, Zee Telefilms Ltd informed the Bombay Stock Exchange (BSE) that its board of directors would meet on 29 March 2006 to consider restructuring the company’s businesses.

    Few days back, Zee Telefilms finalised a deal for distribution of some family channels in Afghanistan where the flagship is now available on cable networks. Applications for landing rights in China too were made, but the chances are slim as China has stringent laws for non-Chinese broadcasting companies.

    According to information available with Indiantelevision.com, Zee Telefilms — India’s largest vertically integrated media company with its flagship Zee TV now inching back to the No. 2 position ahead of Sony — is toying a de-merger of its businesses.

    At the moment, all aspects of the broadcast business like content generation, marketing, distribution and syndication are carried out under the Zee Telefilms umbrella with different divisions.

    The DTH business of Subhash Chandra is carried out by another concern, ASC Enterprise, which has a content supply agreement with Zee Telefilms for country’s first private sector DTH service Dish TV.

    And, on Thursday Zee Telefilms announced at Ficci-Frames in Mumbai that the group’s digital media initiative will be carried out through a separate company called DMCL (Digital Media Convergence Ltd) that will facilitate the availability of digital content in India in association with Intel.

    In the past, Chandra has gone on record saying that the company would explore opportunities of unlocking shareholders’ value by hiving off Siti Cable as a separate company and possibly listing it also.

    Zee Telefilms subscription revenue (mainly garnered through distribution of TV channels; in India, Siti Cable is the vehicle) has been on the upswing with the company clocking Rs 1,751 million for the third quarter ended 31 Dec, 2005, signifying an increase of 7.8 per cent as compared to the corresponding period last fiscal.

    Out of the total subscription revenue, domestic subscription amounted to Rs 716 million for the Q3 2006.

    Meanwhile, the senior executive of Zee Telefilms talking to Indiantelevision.com said that the company in 2006-07 hoped to do better than the annual average advertising industry growth of 9-11 per cent.

    Buoyed by good ad revenue (Q3 revenue: Rs 1,698 million, an increase of 12.3 per cent YoY), Zee Telefilms is set to increase ad rates across all channels by 30-40 per cent from the next financial year starting 1 April 2006.

    In the last one month, shares of Zee Tele have been heading northward rising to over Rs. 250 during the intra-day trading on 23 March from being quoted at Rs 168.15 on 22 February on the BSE.

    On Thursday, the Zee Tele scrip closed at Rs 242.70 after opening the day at Rs. 238.50.

  • Ready for the future or face customer desertion: Chandra

    Ready for the future or face customer desertion: Chandra

    MUMBAI: “It’s the end of TV, the way we know it.” That was Zee group chairman Subhash Chandra introducing his keynote at the plenary session today – Digital Entertainment Living.

    The thrust of Chandra’s presentation could be said to be the common strand running through most of the sessions on Day 2 of Ficci Frames 2006, which is that the future was the consumption of content would be according to individual requirements and on the go as it were – how you want it, when you want it, where you want it.

    Chandra spoke of a five point agenda that his company had laid out as its course into the digital future.

    These included the need for segmentation of content; innovation in pricing; experimentating with new content ideas; seamless delivery across various platforms; and fourthly, essentially extending the preceding points, the absolute need to prepare for the future if loyalty of consumers was to be preserved.

    Said Chandra, “We have to segment our content. Segmentation will become very important. Content needs to be individualized, personalized.” He also pointed to the possibility that it would not just be programming that was customised but advertising as well. Advertising directed at individuals rather than a mass audience will become possible, the Zee head honcho averred.

    Expanding on the point of seamless delivery across platforms, Chandra made a strong case for the need to move towards opens standards rather than focusing on proprietary control.

    Chandra warned that it was essential that broadcasters “prepare for the future otherwise consumers will desert us.”

    Chandra said that the huge effort that was currently on to digitise Zee’s entire content library (1,500 movies, 50,000 hours of TV) in partnership with IBM was part of that effort. Chandra estimated that it would be another year before the process was complete.

    Another key initiative in that direction, announced earlier in the day in partnership with chip maker Intel, is a separate company Digital Media Convergence Ltd (DMCL) to be headed by Zee Telefilms president Abhijit Saxena, Chandra said. DMCL’s brief was to acquire, digitize and make available on various platforms, a wide variety of content, he pointed out.

    Speaking to Indiantelevision.com on the sidelines of another session, Saxena said that DMCL would become fully functional only after Zee’s content offering had been completely digitised. The interim period (one year) would be spent in acquiring content from a variety of vendors across the globe, Saxena said.