Category: Television

  • Inox acquires six new films for distribution

    Inox acquires six new films for distribution

    MUMBAI: The multiplex player Inox Leisure Ltd., has acquired six new films for distribution in the Bengal, Mysore, Rajasthan and Mumbai territories for the next one month.

    The films – Gangster, 36 Chinatown, Ankahee, Tom, Dick & Harry, Killer and Jaaneman will be released in the above territories.

    Inox Leisure Ltd head distribution Aroon Sharma says, “Inox entered the distribution business in September 2005 and since then we have steadily associated ourselves with quality banners in bringing popular content to the theatres. Thanks to our professional approach most film makers prefer to deal with Inox for their distribution requirements. We hope to strengthen our distribution foray in the coming months.”

    The company had earlier acquired exclusive distribution rights to heavyweight titles such as Garam Masala, Rang De Basanti, Apharan, Ek Khiladi, Ek Hasina, Hamko Deewana Kar Gaye, informs an official statement.

  • Animax to launch in Korea on 29 April

    Animax to launch in Korea on 29 April

    MUMBAI: Sony Pictures Television International (SPTI) and Korean satellite TV broadcaster SkyLife will be launching their joint venture channel Animax in Korea on 29 April.

    The announcement was made by SPTI international networks president Andy Kaplan and SkyLife CEO Dong-Koo Surh.

    Animax in Korea will be a 24-hour local program provider focusing on animation programming that will be carried exclusively on SkyLife’s DTH platform, which has a subscriber base of about 1.9 million in Korea.

    Unlike other animation channels in Korea, which focus mainly on programming for young children, Animax will air programs for teens and young adults. With various genres from anime producers, Animax will offer a wide variety of programming choices, including comedies, science fiction, action, dramas and thrillers.

    God Save Our King!, Monkey Typhoon, The Count of Monte Cristo, Otogi Zoshi, The Adventures of Tweeny Witches and Galaxy Angels, are among the first-run programs airing exclusively on Animax in Korea. Additionally, Animax will air popular local Korean animation programs such as Yorang-Ah and Black Rubber Shoes.

    Animax in Korea is part of SPTI’s expansion plans for its international network portfolio which now includes over 40 channels around the world.

    Animax Korea representative director Marty Hong said, “Animax Korea will be differentiated by a line-up of high quality programs and sophisticated graphic design elements. We will lead a new trend among animation channels and we also hope that by leveraging the distribution network of Sony, we will be able to contribute to the local animation industry.”

    “Sony Pictures Television International is committed to growing its international networks group, and Korea figures prominently in our plans. We launched our AXN channel in Korea on SkyLife last year and we’re thrilled to be working with them again on launching Animax in Korea. We now have Animax channels in Japan, South and Southeast Asia and Latin America, and the channels have been embraced by audiences everywhere. The thirst for quality anime programming is apparent and we’ll strive to make sure Animax in Korea offers the best anime shows,” said Kaplan.

    Surh added, “We are pleased to launch such a global channel as Animax, which will create a buzz in the animation industry. We think that the addition of Animax will add great value in terms of content differentiation of SkyLife and we will continue our efforts to secure strong content in various ways in the future.”

  • Asianet gears up for summer season with new initiatives

    Asianet gears up for summer season with new initiatives

    MUMBAI: Asianet Communications has announced a slew of new initiatives for its main channel Asianet and the youth channel Asianet Plus. These include prime time soaps, sitcoms and talent hunts.

    Asianet will unveil a sitcom Sanmamasullavarkku Samadhanam, starting 24 April. The serial will run Monday through Friday at 10 pm. Directed by K V Sasikumar, the serial features Suraj Venjaramood, Mayamaushmi and Narayanankutty in title roles.

    In the comedy genre, Asianet has already launched a talent hunt show Minnum Thaaram (Shining Star) for Sundays at 8:30 pm. Anchored by popular film actor Jagadish, the one hour show is the search for the best of comedy talent in Malayalam. The channel is also bringing the popular cartoon serial Turtle Island to Malayalam for the first time. The show will attempt to lure the kids on Sundays at 9:35 am.

    A wide ranges of programmes are being launched in Asianet Plus to keep viewers glued to the television during the summer holidays. The half hour show Crazy TV is hosted and woven together by the popular comedy talents Sabumon, Prajod and Joy. The show will have three primary segments in Crazy Records, Funny Games and Sukumaran Reporting. There will be assorted segments by Joy in a pantomime where he is this innocent man who goes about doing things in his simple way but unknowingly set off a chain of accidents and other funny consequences.

    Romance and humour are the two themes of film feast that will feature clippings from Malayalam films. The five minute programme Reel News is targeted at ardent film buffs who want to be in tune with all the latest gossip and happenings in mollywood.

    Another show Screen Test is a acting talent hunt programme, as the name suggests. The winners will get a chance to act in a serial produced by Asianet Plus.

  • Animal Planet’s contest looks to unearth talent

    Animal Planet’s contest looks to unearth talent

    MUMBAI: This is a piece of news that should interest aspiring filmmakers who are passionate about animals.

    Animal Planet is searching for the next great wildlife filmmaker globally. The four-part reality series Unearthed will follow six contestants on an intensive training course as they learn the essential skills and realities of creating a natural history documentary.

    The budding directors and animal enthusiasts will carry out their challenges at the award-winning Shamwari Game Reserve in South Africa in July 2006, competing to ultimately have their film chosen the winner.

    Industry experts and wildlife filmmakers Lyndal Davies and Andrew Barron will guide the contestants through their tasks on the course. The tutors will provide invaluable inside knowledge to help the students each shoot and edit their own short wildlife film.
    An international panel of experts will judge the final documentaries, and the winner will have his or her film broadcast on Animal Planet in 160 countries throughout Europe, Asia, Latin America, Africa and the Middle East.

    To apply for one of the six places on this amazing course all participants have to do is to go to www.animalplanet.co.uk/unearthed and download the application form and send it in by 5 May, 2006 to the following address:

    Animal Planet – Unearthed
    Discovery Networks India
    9/1 B Qutab Institutional Area
    Aruna Asaf Ali Marg
    New Delhi-110 067, India

  • BCCI to launch portal in association with TCN

    BCCI to launch portal in association with TCN

    MUMBAI: With a view to building a stronger brand for the bat and ball game The Board of Control of Cricket in India (BCCI) has signed an agreement with The Cricket Network (TCN) to design, build and operate the BCCI’s cricket web-portal.

    The initial phase of the web-portal is anticipated to soon go live. When fully functional (scheduled to coincide with the ICC Champions Trophy in October, 2006) the web-portal will enable cricket internet users around the world to access various levels of news, highlights, archival footage, statistics, streaming video, merchandising and mobile phone content.

    BCCI VP Lalit Modi says, “Our vision is to embrace the entire Indian community worldwide and over time we will make available the web-portal to all Indian cricket associations with multi-lingual capabilities.
    “The BCCI will promote this portal on all TV channels that broadcast the Indian home games through branding, which will be prominent on BCCI’s live TV feeds around the world. This will help it to become one of the most prominent portals in the world”.

    Through TCN, BCCI’s cricket portal will bring together media, content (Sportsbrand), technology and sporting expertise from around the world to launch what is slated to become the leading global sports network.

    TCN has selected as its preferred technology partner Sun Microsystems to provide IT infrastructure solutions and support for the implementation of the company’s digital asset management system that will power the BCCI’s web-portal. This approach will facilitate multi-distribution by way of cable & satellite, audio, hand-held and future devices of the web-portal’s cricket and lifestyle content.

    TCN director Luke Reinehr says, “We aim to provide cricket content to fans as they want it, when they want it and how they want it. We consider that this sports network has great application to all cricket fans around the world.

    “We are proud to have chosen Sun Microsystems. The Sun people from India, Australia and the US have been superb in understanding the joint vision of the BCCI and TCN and in developing the right solutions. We chose Sun because of their world-class architecture that supports millions of businesses across the globe, and in particular their work with the enormously successful sports site MLB.com”.

    Sun’s global VP for media and entertainment Juan Dewar said, “Sun Microsystems is very pleased to work with TCN to create the BCCI web portal for cricket in India. We are able to leverage our award winning digital asset management reference architecture to provide a flexible infrastructure that provides compelling content to millions of cricket fans everywhere. Our approach and focus on this industry segment has helped us to work with TCN and BCCI to understand their joint vision and develop a scalable, robust infrastructure to support their needs.”

  • Nielsen US’ research council to study ways to improve TV measurement

    Nielsen US’ research council to study ways to improve TV measurement

    MUMBAI: US television ratings service provider Nielsen has announced that The Council for Research Excellence will soon begin its first detailed study into one of the fundamentals of television audience measurement — the quality of the research samples from which the ratings are drawn.

    The Council for Research Excellence was created by Nielsen last year via a dedicated $2.5 million R&D fund, and renewed for an additional $2.5 million earlier this year. The Council serves as an independent forum for Nielsen to gain greater insights and to ensure that client priorities are reflected in Nielsen’s R&D spending.

    The Council’s first study will explore “non-response bias” in Nielsen’s national and local samples, including People Meters and Diary methodologies. The study will seek to understand if there are differences in viewing behavior between those households or persons that agree to participate in Nielsen’s samples and those that refuse to participate.

    Do these differences have a material impact on reported ratings? The study is expected to take two years to complete at a cost of more than $1 million. A panel of experts will provide independent analysis and interpretation of the research that will be conducted by Nielsen Media Research.

    This study will try to measure all non-responders,.Nielsen says that this is a first step in understanding if the television viewing among cooperators differs in any material way from viewing habits among people who refuse to participate in Nielsen’s samples. Since the ratings are used as currency for more than $70 billion in television advertising, we need to make certain that these estimates are as accurate as possible.

    The chair of the Council is Ford global media manager Mark Kaline. He says, “This is an important subject and I am very proud of the work that’s been done already to dimension the scope of this research project. This is a great example of how the Council will work to benefit all who rely on audience research.”

    Nielsen senior VP and chief research officer paul Donato says, “This proposal shows that the Council will produce research of the highest quality. This research has the potential to bring significant improvements to audience measurement. Results could offer new models for recruitment as well as improved sample representation.”

    The research project will use questionnaires to collect responses. Incentives will have a key role in the study.

  • ‘Alias’ celebrates 100th episode this week in the US

    ‘Alias’ celebrates 100th episode this week in the US

    MUMBAI: US broadcaster ABC has anniounced that its action packed show Alias will air its milestone 100th episode on 26 April 2006. In India the show airs on AXN.

    In late February, cast members from the present, as well as the past, gathered together with the “Alias” crew to reminisce and celebrate the landmark occasion on the APO set at the Disney Studios. Creator/executive producer J.J. Abrams, along with Stephen McPherson, president, ABC Entertainment, made humorous-yet-touching speeches about working with everyone involved with the show for the past five seasons.

    In the 100th episode, Sydney’s maternity leave is cut short when she learns that Will has been abducted by her nemesis, Anna Espinosa. Meanwhile, Sloane finds himself one step closer to obtaining the cure for daughter Nadia. The lead characters is played be jennifer Garner.

  • Sun TV has big bang debut on BSE; closes 68% higher at Rs 1466.05

    Sun TV has big bang debut on BSE; closes 68% higher at Rs 1466.05

    MUMBAI: The Kalanidhi Maran promoted and Chennai-headquartered broadcaster Sun Television Limited got listed on the bourses on Monday with a huge bang. The scrip has been greeted with a lot of excitement and closed the day’s trading 67.55 per cent higher at Rs 1466.05 on the Bombay Stock Exchange (BSE).

    A total of 5,298,695 shares were traded on the opening day.

    At the National Stock Exchange (NSE), the scrip had an overall gain of 67.39 per cent and closed the day at Rs 1464.65. A volume of 11,585,515 shares have been traded on day one.

    Just how bullish the bourses are is about the scrip can be garnered from comments made by market analyst Rajesh Jain of Pranav Securities to CNBC TV18, where he said Sun TV should be part of every investor’s portfolio.

    Said Jain, “I would ride this Sun TV story. I might add on declines, if the strip does give that opportunity. Sun TV is a super pedigree media stock. It has been the leader in the south for almost a decade.

    “I think it would even rate better than some of the older plays available in the media space.”

    The scrip, which was offered through initial public offer (IPO) early this month at a tag price of Rs 875 per share, listed at Rs 1,111 on the BSE and Rs 1,000 on the NSE. Its BSE ID is 532733 and its NSE ID is SUNTV.

    In its IPO, Sun had come out with a fresh equity issue of 68,89,000 equity shares of Rs 10 each for cash, made entirely through the book building route.

    The issue constituted 10 per cent of the fully diluted post issue paid-up capital of the company. Following the issue, the shareholding of Sun TV Ltd principal promoter Kalanithi Maran has reduced to 89.99 per cent from 99.99 per cent (61,999,969 shares).

  • ‘With all the new delivery platforms, we are at the doorstep of a very interesting phase’ : Pradeep Hejmadi – Tam Media Research vice president

    ‘With all the new delivery platforms, we are at the doorstep of a very interesting phase’ : Pradeep Hejmadi – Tam Media Research vice president

    He has been associated with a wide variety of assignments in the domain of media planning and broadcast management. Now he’s buried into hardcore research.

     

    It’s been just over six months since Tam Media Research vice president Pradeep Hejmadi joined the company and when we mention that to him, he seems shocked at how time has flown.

     

    His last assignment was with the kids’ channel Nick. His experience traverses through various media organisations like Turner International, Discovery India, HTA and The Times of India.

     

    Speaking to Indiantelevision.com’s Hetal Adesara Hejmadi dwells on the various issues that concern the television industry today and also on the exciting phase that it entering.

     

    Excerpts:

    It’s been just over six months since you joined Tam, how has the journey been so far and what was the mandate given to you when you joined?

    The journey has obviously only begun but it’s been good fun. Being on the broadcast side, you see one view of the world. There I was doing a whole host of stuff that is quite different from what I’m doing here. So from that point of view it is a refreshing change to come to audience research and to help people to converse with data.

     

    In terms of mandate, the idea was simply to focus on two areas: one is on the needs of the broadcasters and to keep the system abreast in terms of the areas that are emerging as interest areas for the industry per se.

     

    The other mandate is to get people to make decisions on the basis of the information that they have. Some people tend to have a biased approach towards numbers as research sounds like such a difficult animal to manage and tame. Our focus has been to try and make sure that people are able to read audience behaviour and act on it. And hopefully start seeing some response on the basis of what they are doing so that they can get far more structured in the way they go about their businesses.

     

    The environment is pretty crazy as we are operating in a very heterogeneous market and it is not easy to use any information and just act on it. Many a times the devil is in the details so our focus is really to find that devil and help people tame it.

    Can you throw light on the new initiatives that Tam is or will be undertaking and in which areas?

    Not too much of what we do is an industry secret, so I’m sure that you know pretty much everything. The Elite panel is something that is going to be launched and the current panel expansion is also underway. The panel expansion is a nine month process that we started in the beginning of this year. By the fourth quarter of this financial year, we should be ready. We have consulted the industry and many people have told us not to make a mid-year change in the measurement science. So after consensus from the industry, we are looking at January 2007 to switch to the new universe.

    What about the launch of the Elite panel and what according to you will be the data thrown by it in terms of viewership patterns? How much of importance will it hold in the coming days in terms of tracking viewership?

    The Elite panel will be up by July this year.

     

    The way that we have crafted the panel has not been to bring out any nuance but to focus on a segment. Everyone wanted to have an audience profile, which is the top end of our entire market structure. So in Mumbai and Delhi, we are now going to have a panel, which will represent the behaviour of the top three or four per cent of the population.

     

    Our focus has been to use all the quantitative data that we can get and construct that profile in such a manner that it robustly segments the elite from the national panel. Again we have a whole set of variables through which we have been successful in bringing that point out.

     

    In terms of behaviour, once the panel is up people will see what happens. There are a lot of myths and that is a constant in any industry. But once the panel is up people will be able to see the reality as it is.

     

    Obviously, given that the elite are the top three or four per cent of the population will have a different lifestyle and it will reflect in their media consumption as well. Right now we don’t have the panel up so I can’t even force a guess as to what the panel will throw up. But it should be very interesting and the industry is very keen on getting that kind of information.

    Which are the broadcasters who are specifically interested in the elite panel?

    Surprisingly, all the broadcasters are interested. For the Hindi general entertainment channels, the aim is to talk to everybody and they don’t want to exclude the elite. English entertainment channels are also very keen because they feel that the core component of their viewership is the elite. But a lot of these feelings and aspirations that broadcasters have at present are driven by perception. But as the data comes out we will be able to find out the reality.

     

    A few of the things that we have seen is that for the elite the segmenting elements in terms of defining them differ by market. For example, in Delhi, the definition for elite was a much trickier one than it was for Mumbai. But now for both the markets we have been able to arrive at variables that describe that segment very well.

    ‘In the digital age, numbers will keep rapidly changing so we needed to find ways of being able to pull out from a large sample a very robust estimate of DTH penetration as it stands’

    So the elite panel will be only in Delhi and Mumbai?

    Currently we are looking at only these two cities for the elite panel.

    With new delivery platforms like IPTV and mobile TV coming in this year and also keeping in mind the new DTH platforms launching, is Tam undertaking any research in these areas?

    We have just done a penetration study, which has brought out estimates of what the DTH number is for households, the small number of the addressable conditional access boxes that are there and also what the current incumbent players have in terms of market share.

     

    Those numbers are already in place. The fact is that in the digital age, numbers will keep rapidly changing so we needed to find ways of being able to pull out from a large sample a very robust estimate of DTH penetration as it stands. The large sample needs to be touched, collected and reported in a very short period of time. We were able crack that by using the IMRB household panel, which has shown very interesting numbers. As things pan out, we will be working towards getting the universe estimates updated more frequently. We will also be able to understand the rollout of this phenomenon in different markets in a very different manner.

    Is this a difference of viewership of people watching DTH and those watching C&S?

    At the moment we don’t know because we are not measuring DTH. To us the mandate from the industry was to measure any phenomenon which had a market share of five per cent and above. If any phenomenon was below five per cent of a market then there is no point in measuring that.

     

    So from our point of view we have been doing establishment surveys to measure a phenomenon. So if CAS or DTH becomes five per cent of the market then we will have to report on it.

    So are you saying that DD Direct and Dish TV DTH subscribers do not add up to five per cent of the market?

    No it is not five per cent of an individual market.

    Once Tata Sky and Reliance launch their DTH, will Tam begin measuring viewership on DTH?

    Once DTH arrives and reaches a five per cent critical mass, we will begin measuring it. Now whether it is pre or post the launch of Tata Sky DTH is immaterial.

    If you get 300 channels as against 100, will you watch three times the TV? It will be interesting to find out

    What will be the difference in the backend infrastructure for measuring DTH?

    There will be a difference because these signals are digital. Currently, primarily because the market is analog is nature, we had meters which worked on analog. Now we’ve brought in state-of-the-art TVM5 meters which can measure DTH and any digital and IPTV signals. These are the meters that we will be deploying for measuring viewership on DTH.

     

    So the elite panel will be on TVM5 meters and also all the metros will be moving to TVM5 meters.

    What according to you is going to be the impact on programming content after the launch of these new platforms?

    This is a very interesting question you raised. There is one aspect of what DTH providers will do to justify a person to shift from cable to DTH. And there is another part of the picture, which is what the consumer will do once the new DTH platforms are launched.

     

    DTH platform players have already realized that to drive people to take a box or dish and to go through the motion of having a one on one relationship with the service provider, they will have to add some value over the basic tier. So from their point of view, they are trying to build and aggregate as much content and provide as much variety as possible. Whether consumers will watch or not, we will know once we know what content has been aggregated.

     

    It will be a game of wait and watch to find out whether tastes will change. But the fact is that tastes changed when we shifted from terrestrial to cable and satellite. So going by that, tastes should change with DTH coming in but how much and by what measure will have to be seen.

     

    Obviously some rules of the game will change. For instance, currently distribution does play a very critical role. At that time, the kind of TV sets will not matter because all these households will be remote households by default because they will switch channels off the set top box (STB). All of these households will get all the channels on the STBs provided they pay for them. So it will become television neutral and also cable bandwidth neutral.

     

    In one sense it becomes a level playing field across consumers. Now if you get 300 channels as against 100, will you watch three times the TV? It will be interesting to find out. I have a feeling that over a period of time people and their tastes change. So you will see a change in behaviour but over what period of time and will it be an easy or painful switch-over will be ascertained by various constituents.

     

    From our perspective, we need to have measurement that is representative and precise. We need to have people understanding what is coming out of this system so that they can then funnel it back.

     

    We are actually at the doorstep of a very interesting phase. In six to eight months’ time we will start seeing some things changing.

    What are your views on conditional access system (CAS)? How is it going to impact the industry if and when it comes into place?

    From a long term perspective it is obviously good for the industry. Nothing happens very easily. We know the resistance to change that we as human being have. On CAS it has got into a kind of a mess and has had a bad history. It also got much politicized and hence because of that and a whole host of things, it has made life difficult for CAS.

     

    But I think once DTH rolls out and channels announce their pricing for DTH, it will help CAS. It is very good that we have a body like the Telecom Regulatory Authority of India (Trai), which has put in certain norms to help platforms iron themselves out. So in their regulation the ‘must provide’ clause has been put in and pricing parity has been brought in so that channels can’t have different pricing for different platforms. This will help CAS and DTH.

     

    Intrinsically there are some issues with CAS. One of them is inter-operatibility. As far as CAS is concerned, if you stay in Chembur and then move to Churchgate, you might not be able to use the same box. Whereas this problem does not arise in DTH.

     

    In Chennai, for example CAS did not fly because the tastes of that market is very different. Also the popular regional channels are all free to air. So the number of people who were ready to pay for that box was very small. But in a lot of other markets, most of the Hindi entertainment channels are all pay. As long as they don’t buckle because of advertising revenue pressures and stay pay, they could fuel growth of CAS.

    Tam has been tracking viewership in Chennai, where CAS has been implemented. What have been the learnings from there?

    CAS penetration is very low in Chennai. The pricing is very exorbitant. For instance, initially, the channels that were on STBs and were of interest to the mass population were kids channels and English entertainment channels. If you added up all those channels on an a la carte rate, the cost of the box was four times the cost of annual subscription for these channels. Now that’s prohibitively expensive.

     

    In that market, it was a first launch, so it is understandable if Sumangali might have adopted the strategy of not wanting to price it down that much. But obviously the value proposition was not that compelling. This is not the case with a lot of northern and western markets. In these markets a lot of Hindi content is pay, which has appeal. Therefore it might drive the box much faster than it did in Chennai. So Chennai is really an exception.

    Going forward, what according to you are the issues that broadcasters will face in the coming years with new technologies launching? Do you have any words of caution for them?

    I don’t have any word of caution for them mainly because of one reason – I don’t see any threat, I only see an opportunity in the way things are happening. Consumers have consumed channels for a while and they like the programming they watch. The positive thing that is happening now is that a broadcaster is seeing an opportunity in a disguised form of various distribution routes.

     

    If broadcasters see that as an opportunity and seize it, it might be a lot more good news for them than what it seems to be, with certain reservations. If you get your pricing right; if you make sure that as a broadcaster you are not biased towards a distribution platform, it is only going to be better because there are issues with the kind of TVs in a household and in what kind of analog frequency band is there with cable. Plus there are issues with the number of people you can serve with one cable system. All of these will cease to exist with DTH.

     

    A consumer will start making a choice and give their preferences, whereas broadcasters will be able to solidify the product over a period of time. So that revenue line will become a far more solid line.

     

    Obviously, there will be a painful and uncertain phase but that is there everywhere. People will have to learn to deal with it but it will take a slightly longer time. Consultation can work much better than confrontation in many a situation. At this stage people in the industry need to communicate more effectively… forget strategy and that’s what will help them.

    Do you see any other major event impacting the television industry this year?

    If I say yes, I might be wrong. If I say no, I might be wrong too. I really don’t know. I think the days ahead are going to be fun as all the different genres are reinventing themselves in order to get a lion’s share, whether it is music, kids, regional or Hindi general entertainment channels, all of them are rethinking their approach.

     

    I don’t know what else will be big this year, but religious channels are catching up big time. Sports is going through the roof in terms of the number of events. With so much of cricket, I’m not sure whether it will have that novelty value. It will have mass appeal but whether all masses will run for it will be worth watching.

    What are the genres that will work this year? Will reality shows still rule the roost?

    Reality is a very broad term, it’s like saying – serials, which brings everything under one category. But within reality we have seen only a few things happening. Reality has its pluses and minuses, you can’t overdo reality and start running it like a soap as it tends to become boring. It needs to have that ‘Wow’ factor.

     

    Also notable is the fact that unfortunately all the sequels of reality have not done that well. So it also tells you something about such programming. But there is a growing appetite for it from the consumers’ side. So from that point of view it will stay… in what form and format, we will have to see.

     

    If you see the number of people going to Mipcom from India, you know that reality is not going anywhere. Over a period of time things will start ironing out in the reality genre.

     

    In reality a unique concept, which is executed well gets you walk-ins faster than a soap. For anybody who wants a shot in the arm, reality is the quick fix solution. But then, they need to have a solid strategy to retain that new audience and capitalise on it.

  • Alan Johnston to host BBC’s ‘From Our Own Correspondent’

    Alan Johnston to host BBC’s ‘From Our Own Correspondent’

    MUMBAI: Alan Johnston, the BBC reporter who was kidnapped in Gaza last year, is the new presenter of From Our Own Correspondent (FOOC) for BBC World Service.

    During his career, Alan has written a series of dispatches for the long-running BBC Radio programme from the Middle East as well as Central Asia and Afghanistan.

    In one of the pieces that he wrote in Gaza before he was kidnapped, he admitted that the possibility of being taken hostage terrified him.

    During the 114 days he was kept prisoner by the Army of Islam, he spent hours working out how, once free, he would tell his story on FOOC. In October last year, an entire edition of the programme, some 27 minutes, was given over to Alan’s story.

    Commenting on his new job, he said, “I hope that the show might benefit from having a regular presenter, and one who has both contributed to it and been a fan for many years. The structure of the programme will stay the same however – the extraordinarily successful FOOC formula would be very hard to improve.”

    In a world where the correspondents’ stories must often be condensed into a minute or less, or perhaps confined to a single answer to a programme presenter’s question, FOOC gives them an opportunity to say a little more – to provide some of the context to the stories they are covering, to describe some of the characters involved and some of the sights they see as they watch events unfold.

    The show’s producer Tony Grant said, “I am delighted to be working more closely with Alan. In the past, most of our conversations were down crackly phone lines. He may have done loads of pieces for our programme, but I never got to meet him until after his kidnap ordeal. It will be great now to work side by side with him; he’ll make a really terrific presenter.”