Category: Television

  • NGC unveils ‘Planet Football’ this month

    NGC unveils ‘Planet Football’ this month

    MUMBAI: With the Fifa World Cup scheduled to kick off in Germany in a little over month’s time, certain channels are doing specials around the game. One of those is the National Geographic Channel (NGC).

    The initiative called Planet Football kicks off on 21 May. The different shows look at various themes from history, to cultural significance to beauty.

    Kicking off proceedings is History of Football on 21 May at 9 pm. The special documents the cultural history of the world’s most popular sport and seeks to understand its lure, its power and its passion. By tracing football’s history from the year 2000 BC to the present day, it examines the evolution of a sport that is now an international phenomenon.

    The special explores the attraction of the ball in the country with the most important fan culture; examining football as a substitute for war in England and as a work of art in Italy, as a religion for the South-American fans and as a well-oiled marketing machine in modern times. State-of-the-art re-enactments from the European Middle Ages, Ancient China and the Aztecs, as well as historic matches in Italy and England take viewers on a voyage of discovery into the cultural history of football.

    Up next is World Cup Stadiums on 22 May at the same time. FC Barcelona Confidential airs on 23 May at 9 pm. In June 2003 a group of professionals and dotcom millionaires, led by lawyer Joan Laporta, took over FC Barcelona – one of the biggest football clubs in the world. Their starting point couldn’t have been worse.

    The club was technically bankrupt, the team had been humiliated on the pitch, and for four seasons they’d won nothing. They were living in the shadow of the glamorous all star success of their eternal rival, Real Madrid. Youth, ambition, Catalan nationalism, dotcom expertise, commercial aggressiveness, a break with the old mafia-style ethos of football management, a commitment to Barça’s 100,000 membership to open up the club, and, last but not least, a passion for football combined into an almost messianic mission.

    With access to the inner workings of the club, this film observes Laporta’s team in their first year in power. Usually only seen through a glare of media coverage, we get to see the real issues as they unfold behind close doors. This is a tale about not only football but also power, ambition and identity.

    In the Heart of Amazonia: Peladao airs on 24 May. The Peladão is a unique soccer tournament that takes place in the middle of the Amazon rain forest in Brazil. It involves thousands of footballers and hundreds of beauty queens. The sprawling city of Manaus is the backdrop to a competition to find the best amateur team in an area the size of Western Europe. Yet this is just the half of it. Every club – and there are hundreds who enter – must also submit a candidate in a parallel beauty pageant whose winner is declared Peladão Queen.

    In Brazil, beauty involves competition and football involves artistry. With all its wondrous absurdities, its beauty queens and footballers, the Peladao offers a look at Brazilian soccer.

    Then NGC will kick off a 12 part series World Cup Cities. This presents the host cities of the 2006 Fifa World Cup. They include Munich, Nuremberg, Berlin and Hamburg. Each episode will give viewers a glimpse of the cities’ traditions, their histories and the stadium where the matches will be held.

    The series includes interviews with the key figures from the cities, the organisers of the World Cup event, and some of the most admired and well known football stars of all times, including players from the famous Bundesliga. The episodes will feature personalities like Germans Kevin Kuranyi and Cristoph Metzelder, Brazilian Marcelinho Carioca and Vinicius Bergatin.

    On 9 June 2006 Munich will host the opening ceremony of the 2006 Fifa World Cup and six matches to follow. Munich is the largest city in Germany and is famous for its beer. Home to the most successful team in the Bundesliga, Bayern Munich, this beautiful and easy-going city is now the capital of German football. World Cup magic will begin on the luxurious stage of the new Alliance Arena.

    The outside façade of this stadium is made up of almost 3,000 panels that light up in blue and red creating a spectacular display of team pride. Bixente Lizzerazu and Jose Paolo Guerrero give their insights on the spectacular city, the new stadium and their expectations about the upcoming World Cup games.

    Another episode focusses on Stuttgart which is famous for its wine, cars, parties and football. Located in the hills of southwest Germany, its landscape is covered in beautiful vineyards, which is one of the country’s greatest wine-producing regions.

    The cultural center, Mercedes Benz and Porsche museums, the Old Palace, Opera House, and the Television Tower are some of the main attractions in Stuttgart, but one of the most popular is the massive Gottlieb Daimler stadium. Home to the popular team VFB Stuttgart, the Gottlieb Daimler is one of the most fascinating structures in the city. It seats 56,000 spectators and features two of the largest video screens in Europe so the fans never miss a beat.

    In addition to the six World Cup matches to be held in Stuttgart in June and July, a youth World Cup festival will take place during the last week of matches for all young people to enjoy. Andreas Hinkel and other team members give their insights on the uniqueness that surrounds this city.

  • A R Rahman to feature on CNN-IBN

    A R Rahman to feature on CNN-IBN

    “The last I want to do is put my voice in a song”- A R Rahman
    Watch the media shy celebrity on Sunday, May 7th at 9:30 p.m. and repeat telecast on Monday at 11 am only on CNN-IBN

    New Delhi, May 3, 2006: He needs no special introduction…He entered the film industry with Roza and created a history. From thereon, A R Rahman has elevated himself from a prodigy to a legend now.

    With his latest blockbuster Rang De Basanti, Rahman is back with a bang on Hindi film scenario. This week CNN-IBN’s Entertainment Editor Rajiv Masand catches up with music whiz kid who turned 40 years this year.

    Following are the excerpt from the interview:

    Rajeev Masand (RM): Rang de Basanti, your most recent work, is a film which really marked a milestone, isn’t it? Apart from the fact it has great music and it’s a great album, it is one of those rare soundtracks where the theme is blended perfectly with the music. Your earlier work Bombay and Taal were also examples of that. Do you agree?

    AR Rahman (ARR): Yes, I think so. The process with Rang De Basanti started when Rakeysh (Rakeysh Om Prakash Mehra, the film’s director) told me the story, which had freedom fighters in it. I was working on Legend of Bhagat Singh with Santoshji at that time. So I said that I would not do another film like this. Of course Rang De Basanti happened four years later. When I started with this film last year, what we decided to do was not to have anything which is preachy and going to bring people down. We wanted to go abstract and go counter point, like people and children are dying there and we have a happy soundtrack, which is Ru ba ru and going to the light and there is more positivity rather than going along with the film.

    RM: You have just signed up as World Ambassador for World Space; tell me this is not the first time that you have endorsed a brand. How long does it take or how do you decide as to what is it that you want to get attached to and don’t?

    ARR: I probably was the first one to get the radio of World Space. I just wanted to check it out first. I was really impressed with the variety and the manner World Space had put up their advertisements. I did not know that here was a policy of not having any hassle in it, which is brilliant. I remember 20 years back, I used to go all the way to Bangalore to pickup my favourite music, and here we have every thing on the touch move button – jazz, classical, pop. So when they ask me I said “Yes, let’s do it!”

    RM: Have you ever been embarrassed by the way a song has been filmed?

    ARR: Yes, a lot of times. But, I guess, the people are intelligent enough now to know all that, what is personal and what is not, and what is done for the movie.

    RM: Do you think Roja is your best work?

    ARR: It’s probably my first good work. Like I said about Mani Ratnam who gave me my first good work. It brings back all those memories. It gave me the urge to go further and maintain quality work, crossing over to the North Indian audience with the film, lyrics which were never imagined before.

    RM: Gulzar saheb once said, “A R Rahman’s greatest achievement is that he didn’t mess around with my lyrics.” Is that something you like to elaborate on?

    ARR: Yes, I do. And where is the need to mess around with the lyrics when somebody writes them so perfectly?

    RM: You have often confessed that you are not so familiar with Hindi.

    ARR: (Laughs) Yes, I can’t talk but my vocabulary is better than what it used to be. I have been learning Urdu. I can’t talk but I can read now and I can understand most of the vocabulary. The thing about words, certain words give you a sound and meaning, if you get the right kind of balance, the song becomes a hit and everybody takes pride in it.

    RM: Let me put you in a tough situation. What do you think of Aamir, Shah Rukh or Amitabh who’ve been singing their own songs? What do you think of them as singers?

    ARR: I think they are intelligent enough to choose songs which go along their own voice. You can’t expect classical songs being sung by kind of actors like Shah Rukh. They don’t want to torture people like that.

    RM: Over the years you’ve sung many songs yourself. Like, Ye jo des hai mera, in Swades, Chale chalo from Lagaan, or Ru ba ru from Rang De Basanti. How do you know when a song requires your own voice?

    ARR: Sometimes I’ve worked from the scratch using my own voice. Like in Dil Se, Mani said why don’t you sing it in your own voice. Or when I did Ye jo des…Ashutosh Gowarikar suggested that I should be singing this song. Initially I was supposed to sing Ek taara but it didn’t match Shah Rukh’s voice.

    RM: Please tell us what do you like when you are not working? What kind of a husband are you? What kind of a father are you?

    ARR: Good question (laughs). I think you should be asking this to my wife and children. My mother, my kids are very supportive of me. They always know what I’m going through. I also try to play my role as best as I can within the limitations of my schedule.

    Complete text of the interview will be available on www.ibnlive.com post the telecast of the episode.

    GBN, a TV18 Group Company, is a 74:26 joint venture between the TV18 Group and professionals – Rajdeep Sardesai, Sameer Manchanda and Haresh Chawla. GBN’s charter is to launch channels in the general news space under the editorial leadership of Sardesai, one of India’s most reputed TV journalists. The TV18 Group is India’s leading and most successful business news broadcaster, in both English and Hindi.

    For more information contact:
    Prachi Deshpande
    Hanmer & Partners
    New Delhi
    Tel: 011 2921 4793/ 4

  • Optibase provides SmartVideo to Verizon & Cingular cell users in US

    Optibase provides SmartVideo to Verizon & Cingular cell users in US

    MUMBAI: A provider of advanced digital video high-end solutions, Optibase Ltd has announced that its IPTV streaming platforms are enabling SmartVideo to provide full motion TV to Verizon and Cingular mobile subscribers in the United States. SmartVideo is a provider of management and delivery solutions of content to mobile and cellular devices.

    Georgia-based SmartVideo is using the Optibase MGW 5100 TV streaming platform to encode and transmit live video received from satellite provider Crawford Communications over a dedicated network to SmartVideo’s facilities.

    At SmartVideo, the video is decoded using Optibase’s MGW 200 decoders and transmitted using SmartVideo’s proprietary technology to cell phones and other smart handheld devices. The content offering includes news, weather, sports and children’s programming from ABC news, NBC Universal, Fox Sports, The Weather Channel and others, informs an official release.

    “We are excited about the prospects in the cellular streaming market and this opportunity to take part in an innovative broadcast service that provides high quality live television directly to mobile devices,” said Optibase Inc president Adam Schadle. “SmartVideo benefits from the combination of our encoding and decoding offerings that yield a high quality, end-to-end video streaming solution.”

    “SmartVideo has distinguished itself from other service providers by its ability to deliver high-quality, reliable interactive video, audio and graphics simultaneously,” said SmartVideo president David Ross. “The Optibase platforms provide 24×7 services ensuring our customers receive the best possible service.”

  • Water Kingdom rolls out Summer Fiesta

    Water Kingdom rolls out Summer Fiesta

    Mumbai April 03: Water Kingdom, Asia’s largest theme water rolls out a never before summer fiesta this season. Celebrating eight happy years of enthralling crowds from all over India who make Water Kingdom their “must see, must do” destination place, fun and frolic is the anthem for this years celebrations. In keeping with its 8th Anniversary celebrations which rolled-out in mid-April with “Nach Le”, a musical extravanganza with a host of popular celebrities, Water Kingdom has outlined eight week-long week-ends of singing and dancing. So in the midst of all the water splashing there’s some trendy music to gyrate to, promising Water Kingdom patrons a respite from the heat and dust of city life.

    So much for beating the heat this hot summer season!

    Come May 7th and Water Kingdom has popular artist Mikka stir up an emotional frenzy, with loads of surprises. At Water Kingdom it’s not only the musical concerts that promises to be entertaining……it’s also the sheer delight of splashing around the many, many theme water rides with family and friends.

    An entire calendar has been outlined to make this entire summer season a truly family break-away package. There are great live performances from the artists like Bombay Vikings, Mikka, Saru Maini and Avdhoot Gupte to name some, over the next couple of Sundays.

    We invite you to join in the fun at Water Kingdom and have your readers accordingly informed, through your engagement columns and have outlined the calendar of events for this fiesta:

    Date
    Name of Artists

    7th May
    Mikka

    14th May
    Meet Brothers, Shabani Kaashyap

    21st May
    Bombay Vikings, Deepa Chari

    28th May
    Band of Boys, Sonu Kakkar, Crazy Cat

    4th June
    Kailash Kher, Kainaz

    ***********************************

    For media passes and for added information for print, do get in touch with the undersigned:

    Samanta Singh Khumanthem
    Brodeur India
    Tel: 022 2659 2222

  • Govt ultimatum to channels on downlink norms

    Govt ultimatum to channels on downlink norms

    NEW DELHI: The Indian government has issued an ultimatum to all TV channels that those failing to adhere to downlink norm deadline of 10 May will not be allowed to downlink into the country.

    In a statement issued on 3 May, the government has said, “It is clarified that (television) channels for which even complete applications, with processing fees, are not received on or before May 10, 2006, shall not be permitted to be downlinked thereafter.”

    The information and broadcasting ministry has come out with clarifications on various queries on the policy guidelines for downlinking of television channels in India on its website.

    The guidelines stipulate a time of 180 days from 11 November 2005 for completion of all formalities of registration under downlinking guidelines.

    On queries relating to foreign direct investment (FDI) permitted in television ventures, the government statement states that 100 per cent FDI is permitted in the broadcasting sector, which is not under the automatic route and all such proposals will have to be routed through the Foreign Investment Promotion Board (FIPB).

    The government has also clarified that as on the date of submission of application for permission under downlinking guidelines, the applicant company must have requisite net worth and continue to satisfy the requirement thereafter.

    The information and broadcasting ministry had earlier stipulated different net worth of television companies as per categories, namely entertainment, news, etc, in an effort to differentiate between the serious and non-serious players.

    The downlink guidelines state that all TV channels wishing to be downlinked into the country would have to get themselves registered with a designated authority and also establish a permanent establishment, amongst some other stipulations that have been dubbed stringent by some media companies.

    For example, the government reiterated on Wednesday that an applicant company is required to provide a facility where online monitoring of content being beamed into India is possible.

    Also, the system should have the capacity to store data for 90 days, which should be available to the government at any point of time in India at a pre-designated place.

    The companies need not set up new facilities for this purpose, but could authorize any of their multi service operators (MSOs) or head end operators to provide this facility, the ministry has clarified.

    The government has shot off letters relating to various queries on downlink norms to the Indian Broadcasting Foundation, Star Group and Time Warner, according to information posted on the site of the I&B ministry.

    Earlier in March, the government had turned down a request from the Indian Broadcasting Foundation to extend the 180-day deadline for fulfilling newly-formulated downlinking norms by broadcasting companies.

    Indiantelevision.com has learnt from government sources that Star group, for instance, has applied under downlink norms for various family channels separately.

  • Business TV host Louis Rukeyser passes away

    Business TV host Louis Rukeyser passes away

    MUMBAI: Business television host Louis Rukeyser died of cancer on Tuesday. He was 73.

    Rukeyser hosted Wall $treet Week With Louis Rukeyser on public TV from 1970 until 2002. His speciality has been the ability to convert complicated finance and economics news to simple news, which can be easily understood by ordinary viewers and investors.

    Louis Rukeyser quit Wall $treet Week and moved to CNBC in March 2002. Rukeyser’s last appearance on his CNBC show was 31 October 2003.

    Later that year, Rukeyser asked CNBC to end production of his show due to a back problem. Rukeyser also found time to publish many best-selling books and newsletters.

  • Miditech inks deal with Strix Television for 40 shows

    Miditech inks deal with Strix Television for 40 shows

    MUMBAI: Until now it was the mighty broadcaster who was going out and acquiring rights to international formats and then roping in a production house to localise the show. But now the tables seem to have turned with Miditech signing a production and licensing deal with Strix Television AB, which are the format owners of shows like Survivor amongst others.

    As per the terms of this deal, Miditech will have exclusive Indian licensing and production rights to the entire Strix format catalogue in India, which tot up to 40 odd shows.

    This deal, Miditech CEO Nikhil Alva believes, will open up new revenue streams for the production house from areas like mobile telephony, licensing and merchandising.
    “The tie up will let Miditech localise the formats – a key factor that contributes to the success of international shows in an Indian context. And a lot of the shows in Strix’s catalogue are what the next step in reality programming in the country is. It will also let us offer products in cost effective packages to broadcasters. Products that have a proven track records in many countries worldwide,” Alva added.

    However Alva refused to divulge the terms of the deal or the cost of acquiring the format rights. “We have taken over their catalog of shows to localize in India. There is a financial arrangement between us but it is a complicated one, which involves down payment, license fees, etc and I won’t be able to divulge any numbers,” he said.

    Some of the shows that Strix has are Ruth 66, Paradise Lost, Floor Filler, 24th, The Farm, The Bar, Expedition Robinson, Casino, Backtrack, Kerrys Getting Married, The Control Commission, Insider, Solidarity, Club Goa, Harem, A Chef in the Family, Fat Resort, Tearing Down the House, No Smoking, Fame Factory, Villa medusa, 24 Hours, Class of 07, My Best Friend, Zoo Kitchen, Home Delivery, Did you get it?, I O U, Showdown, Mother & Daughter, Revenge.Com, Sybarite and Fight Club.

    Strix CEO Robert Aschberg added, “We are delighted to enter into a fruitful and long-term alliance with Miditech since we have seen demand for Strix formats increase exponentially in India over the last few months. Miditech is a perfect fit for Strix with its great ability to produce high-quality programming for the Indian audiences and we are confident that Strix’ catalogue will suit the Indian TV market splendidly.”

    The deal with Strix will also give Miditech an access to Strix’s clients in the international market. “We will be able to market our own shows that we have made here to the international market via Strix. That will increase our presence internationally. We will also be producing pilots jointly with Strix and working with each others’ ideation teams in order to bring out new formats,” Alva added.

    Some of the shows that Miditech has done recently are Indian Idol, Fame Gurukul, Deal or No Deal, Dance Dance, Playhouse Disney, MTV Bajoed! and MTV Roadies. It is also in the process of producing Galli Galli Sim Sim – the Indian version of Sesame Street for Cartoon Network and Pogo and Extreme Makeover for Sony Entertainment Television (SET) India.

  • BSkyB 3Q net up by 8 per cent to $277.5 million

    BSkyB 3Q net up by 8 per cent to $277.5 million

    MUMBAI: British Sky Broadcasting Group (BSkyB) has reported an 8 per cent increase in the third quarter net profit. The company said net profit for the three months ended 31 March rose to 151 million pounds ($277.5 million), from 140 million pounds a year ago.

    BSkyB revenue went up by 11 per cent to 1.06 billion pounds ($1.9 billion). The company also revealed a steep drop in subscriber growth ahead of the launch of new products later this year.

    The company said it recorded net subscriber growth of 40,000 in the quarter, significantly less that the 95,000 increase in “direct-to-home” customers in the first quarter of 2005. Analysts had predicted growth of 30,000 to 50,000 new subscribers.

    The broadcaster now has 8.1 million subscribers, it has a target of 10 million by 2010, and forecasts adding 600,000 in the final quarter of this year following the rollout of new products.

    BSkyB chief executive James Murdoch said, “The business is performing well and is delivering on the plan we laid out for 2006. Our focus during the quarter was to successfully implement our new customer management systems, complete the final preparations for the launch of Sky HD, and continue to ready the business for the launch of residential broadband services in the summer. Operational achievements in the quarter were outstanding. We achieved our goals, continued to grow our customer base and increased the number of products they choose to take from us.”

  • Garnier Fructis Jodi No 1 climbing up the ratings charts

    The black and white round of GARNIER FRUCTIS JODI NO.1 really did a number for Vijay TV with their chart-busting ratings performance. The studio performance on 28 October fetched Star TV’s regional channel a whopping 13 TVRs (CS ABC 15+F; 2000-2130 hrs, Oct 28th; Chennai; Source: TAM), rocketing it to the one of the most favored shows on Tamil television. Vijay TV is known to provide differentiated content has yet again showed its supremacy in executing format shows with GARNIER FRUCTIS JODI NO.1.

     

    What was quite remarkable about the numbers is that the ratings have climbed steadily over the weeks as the competition becomes stiffer. The channels shares read 14.9, 20.3, 20.8, 26.9 in TN for week 40 41, 42 & 43 respectively. (CS ABC 15+F; 2000 hrs – 2100 hrs; Saturday)

     

    The competition’s shares for the above TG and time band read 1.4; 2.8; 12; 4.9 on Jaya TV; while Raj TV clocked 1.7, 0.3, 0.2, 1.3 in Tamilnadu.

     

    Ravinath Menon, General Manager Vijay TV remarked, “The fever has just started. The show is hugely popular across the state, a clear indication of the changing preferences in TV viewing. We anticipate a substantial increase in share on the wild card episode and the finals.

     

    He further said, “Jodi No.1 is a clear driver. It also helped us to drive viewer attention to other weekend formats like Alive Koffee with Anu and Hutch Kallaka Ppvadhu Yaaru -2 while functioning as a launch pad for the four new shows we launched last week in prime time. The fact that Vijay is now available in Singapore and Japan and the plans for Malaysia and Middle East make us work harder to provide international quality content to the discerning Tamil viewer.

     

    The property round episode that concluded on Nov 4th saw the 4th couple being eliminated (Chetan and Devadharshini), so that leaves us with 2 real and 2 reel life couples (Vijay Adiraj & Rachna; Raghav & Preetha; Pooja & Prem; Deepak & Tharika) Two of these 4 couples will reach the finals and all other eliminated couples will come back in the wild card round and one among them will gain entry to the finals. Viewers will have to decide which couple from the wild card round will go to the final by voting for them through Reliance Mobile, 7827, indya.com and BSNL platforms respectively.

  • Hip hop superstar ‘Jay-Z’ on CNN’S Talk Asia

    Hip hop superstar ‘Jay-Z’ on CNN’S Talk Asia

    MUMBAI:Superstar rapper and music mogul Jay-Z tells the story of his remarkable rise from street hustler to one of the world’s most influential entrepreneurs in this weekend’s TALK ASIA.

    The multi-millionaire and five-time Grammy winner is known for his hard-hitting and streetwise rhymes and remains unapologetic about the ‘vulgar lyrics’ which saw him banned from China earlier this year. “The Rolling Stones had to take like five songs out. So, I’m in good company! I don’t feel so bad, I feel like a rock n roll star! It’s an honor to be next to the Rolling Stones.”

    With a business empire that encompasses his own musical comeback, his leadership of the influential Def Jam records and his recent association with the New Jersey Nets basketball team, he tells Anjali Rao how the worlds of sport, music and business are intricately linked. “My passion is music, and music influences cultures, influences lifestyle…It’s really all one field…it all comes from the music. All ball players want to be rappers and rappers want to be ball players. That’s just how it is!”

    Jay-Z also recalls the harsh realities of everyday life growing up in New York’s notorious Marcy Houses, his time spent as a street hustler where he was a self-proclaimed ‘ghetto celebrity’ and his recent and much publicized fallout with the makers of Cristal champagne, formerly the star’s drink of choice.

    As for his relationship with fellow music superstar Beyonce, he explains his reluctance to talk about it, saying “You put so much out there, so much of yourself into your music, you need some type of refuge…you’ve got to have some part of yourself you just don’t talk about.”