Category: Television

  • Star kickstarts triple play mission with 7827 expansion

    Star kickstarts triple play mission with 7827 expansion

    MUMBAI: Star India is beefing up its “response mechanism”, 7827 – the short code – to explore the burgeoning mobile entertainment market in the country.

    Starting today, the website www.star7827.com will sport a new look as Star expands the 7827 services from television-focused interactivity to entertainment, specially created and aggregated for the mobile screen.

    In another major foray, Star India will launch a dedicated multi-lingual mobile audio channel, Star Voice in July. The mobile-based interactive voice system will offer consumers entertainment and other personalised updates.

    “We would like to be the first player going at the property,” says Star Entertainment India CEO Sameer Nair indicating the growth plans Star India has conceived to tap the mobile entertainment sector. “Star 7827 will be one of the key focus areas of our business and is expected to contribute significantly to our revenues over the next three to five years. Our proven programming and marketing abilities should ensure that we become one of the key players in this space.”

    “Since the last three years, we had been doing a detailed study on the subject and the expansion of the short code 7827 is one of the results,” says Star senior VP, Interactive Services, Viren Popli.

    As part of the revamping, www.star7827.com has been completely redesigned to reflect the new push in content aggregation. A special section to help visitors learn more about their phones, talk about mobile content and services as exchange views and experiences has also been created. In accordance with the 7827 revamp, a WAP site for mobile internet users has also been created from where visitors will soon be able to access a range of mobile content including videos.

    When queried on Star’s strategies to explore the segment, Nair said it was a learning process which still continue. “We have more questions than answers. These are early days and we are looking at a difficult and different market. We will continue pushing our television content on the mobile platform. We will have variations as it progresses. Once we start producing separate content for the mobile platform, we will definitely switch to a subscription model,” says Nair.

    “As the first step towards creating properties in-house, Star will be unveiling a game on its popular Channel [V] character Chimpu,” adds Popli.

    The revamped 7827 will offer community based content services: personalised products such as ring tones, wallpapers; entertainment products in the range of games, video and audio; information products like news, astrology and jokes. The cost of downloading games from the website will range from Rs 3 to Rs 350, while other services such as ring tones and wallpapers will be available in the range of Rs 3 to Rs 6.

    Speaking on Star’s association with digital content producers and its plans to accomplish self-sufficiency on this front, Nair said the company was looking to associate with as many companies as possible. “We want to do the products of our own. But, even then, we will be keeping these producers in the loop. We want to rope in as many partners as possible. This is a give and take process as we can learn new things out of our associations,” he says.

    Star 7827 in its new avatar will be creating, distributing and marketing content through tie-ups with Indian and International companies. “We will be taking the platform abroad. We are in talks with various international companies for technology and other solutions,” says Popli.

    Star India has also finalised a major publicity overdrive to promote the new initiative. The first set of creatives, promoting 7827 breaks across media platforms today. The company has also entered into a product placement arrangement with cell phone manufacturer Motorola for the promotions. As per the deal, the 7827 promotional creatives will be sporting a Motorola branded cellular phone.

  • Star Movies gets caught in ‘The Triangle’ over the weekend

    Star Movies gets caught in ‘The Triangle’ over the weekend

    MUMBAI: English movie channel Star Movies will air a three part sci-fi adventure mini series The Triangle this weekend.

    The show will air from 2 to 4 June at 9 pm.

    The six hour hour mini-series focuses on a disparate group of professionals, who investigate the dangerous truth behind one of the greatest legends of our time, the Bermuda Triangle.

    The series has been executive produced by Bryan Singer (X-Men, Superman Returns) and Dean Devlin (Independence Day). The show stars Eric Stoltz Catherine Bell, Michael Rodgers, Bruce Davison, Lou Diamond Phillips and Sam Neill.

    With his crews and cargo ships disappearing at an alarming rate around the Bermuda Triangle, a billionaire, Eric Benirall (Neill) hires a crew full of specialists to understand why. Hand picked by the man himself, the crew consists of a skeptical tabloid journalist Howard Thomas (Stoltz), ocean resource engineer Emily Patterson (Bell), scientist/adventurer Bruce Gellar (Rodgers) and psychic Stan Latham (Davison).

    Pulled together with the promise of unlimited funding for their research and the chance for once-in-a-lifetime riches, the team sets out to solve this most daunting of anomalies. When a jetliner disappears over the Triangle, bizarre, unexplainable occurrences begin to affect each member of Benirall’s team.

    When the government takes an alarming interest in their work, the crew is drawn into something far more dangerous than they had believed possible. A research expedition with the promise of riches soon becomes a frantic, head-turning ride through the unstoppable force, that is, the Triangle.

  • Sarma retires in June; govt. yet to move on replacement

    Sarma retires in June; govt. yet to move on replacement

    NEW DELHI: Indian pubcaster Prasar Bharati would soon be headless unless the government, too busy with other issues like reservation for backward classes in educational institutions, hurries up.

    On 30 June 2006, Prasar Bharati CEO KS Sarma retires after serving an over five-year term that can be easily termed a roller-coaster ride.

    Following Sarma to the revolving door – sooner rather than later – is director-general of Doordarshan Navin Kumar whose term as a bureaucrat in Delhi ends in August. After that he has to revert to his parent state of Bihar.

    Kumar was appointed as the DG of Doordarshan in February of 2005. Prasar Bharati, an autonomous organization, manages pubcasters DD and All India Radio.

    While the CEO of Prasar Bharati is selected by a three-member panel headed by the vice-president of India, the DG is shortlisted by the board of Prasar Bharati that includes the chief executive and chairman.

    The present chairman of Prasar Bharati, veteran journalist MV Kamath, was appointed during the tenure of previous government, headed by the right-wing Bharatiya Janata Party.
    Prasar Bharati sources said that apart from Sarma and Kumar, there were several other senior officials who are on their way out and would have to be replaced.

    Meanwhile Sarma, a veteran of Prasar Bharati (he officiated as the DG of Doordarshan when he was a joint secretary in the I&B ministry in the mid to late 1990s) has seen over five ministers at the information and broadcasting ministry, which controls the purse strings for the publicly funded Prasar Bharati.

    Despite allegations of nepotism during a time when DD used to outsource marketing of big events, including the money-spinning cricket matches involving India, a wily Sarma has come out unscathed.

    It was during Sarma’s tenure as the CEO that DD floated its subscription-free DTH service, which raced ahead of the country’s first pay TV DTH service, Dish TV, in terms of subscribers.

    For the financial year ended march 2006, for the first time Prasar Bharati clocked a gross revenue of Rs 12.38 billion with Doordarshan clocking Rs 9.68 billion and All India Radio 2.7 billion that signified a growth of 67.67 per cent.

    Some of the achievements during Sarma’s tenure included the following:

    1. Increased focus on pro-active in house marketing of properties.
    2. Successful execution of media campaigns on behalf of government departments.
    3. Rationalization of rate cards to suit the changing market conditions.
    4. A strategic shift from Sponsored Programmes to Self Financing Scheme.
    5. Introduction of blockbuster Hindi Feature Films on DD National and marketing them in-house.
    6. Leveraging AIR’s vast network and unprecedented reach.
    7. Narrowcasting programming strategy.
    8. Publicity support for programmes to create awareness, especially among C & S audience.
    9. Improved billing and housekeeping efforts.

  • ‘Zee Telefilms to see ad revenue growth of 12 – 15% in FY07’ : Rajiv Garg – Essel Group CEO of corporate strategy and finance

    ‘Zee Telefilms to see ad revenue growth of 12 – 15% in FY07’ : Rajiv Garg – Essel Group CEO of corporate strategy and finance

    Cable and direct-to-home (DTH) is where Zee Telefilms Ltd (ZTL) chairman Subhash Chandra is planning to put the accelerator on. Wire and Wireless India Ltd (WWIL), the cable outfit, will enjoy an investment of Rs 5 billion to lay out a digital platform, gear up for triple play and expand in value-added services. And to fight Tata Sky in the DTH business, he will pump in Rs 2.5 billion over two years.

    Zee News Ltd. (ZNL), which will have news and regional channels under its umbrella, is looking at a turnover of Rs 2.5 billion this fiscal. The listing of these demerged companies is expected to be in September-October.

    In an interview with Indiantelevision.com’s Sibabrata Das, Essel Group CEO of corporate strategy and finance Rajiv Garg talks about the reasons for the demerger and the expansion plans of these separate entities.

    Why did Zee Telefilms Ltd (ZTL) decide to demerge its businesses into separate entities?
    The driving argument for demerger was that all these businesses had become big in themselves. Huddled together under Zee, they were not given the right strategic focus as the company was very broadcast-oriented. In cable, for instance, we felt that we were not doing justice to its growth potential. Also, in certain lines of activity the government regulations were impinging upon the growth prospects of the company. The idea was to see if we could create that focus and comply with the government guidelines. With so many technological advances taking place, we felt it was the right environment to carry this out. We decided to create independent governing structures and managements, delink cable from broadcasting, and put together certain news-bearing channels into an independent entity.

    Why was the direct-to-home (DTH) business housed in complex structures which did not allow for tax efficiencies?
    The idea was to provide specialist services in specific entities. As the competencies lay in them, the DTH business was spread across three outfits. Integrated Subscriber Management Systems Ltd, for instance, has an expertise in such areas like subscriber billing. Siticable has been negotiating content from the time the cable industry began in India. New Era Entertainment formed the marketing and ad sales arm. The aim was to create a revenue-sharing arrangement with ASC Enterprises Ltd (Ascel), the DTH license holder. When we did this structuring, there was no service tax applicable to the industry which was introduced later. We did not anticipate taxation developments to happen so quickly and cause financial inefficiencies. Besides, demerger will provide clarity of structure and add value to shareholders.

    Since regulation allows for a broadcast cap of 20 per cent, why didn’t ZTL hold stake in the DTH business?
    It would have happened in due course. We were in no hurry as we wanted to present the DTH platform as broadcast neutral. The internal intention was to acquire equity once the key relationships came in.

    What does the demerger process in the DTH business involve?
    In the first stage, Siticable will hive off its cable TV business into Wire and Wireless India Ltd (WWIL). The residual Siticable and its wholly owned subsidiary New Era Entertainment Network Ltd will then merge with Ascel, thus consolidating all the DTH operations under one company. Zee Telefilms shareholders will get 23 shares of Ascel for every 10 shares held.

    How did you arrive at this exchange ratio and why did you prescribe for a subsequent cancellation of shares?
    It is the independent valuer (Deloitte Haskin & Sells) who came up with this ratio. As for cancelling three of every four shares held in Ascel, this is to bring back the capital base to the pre-merger level. The paid-up equity of Ascel would have bloated to around Rs 1.66 billion after the merger, up from the base of Rs 411 million. This would have been too large an equity for a company of this size. So we wanted to compress the capital base. We could have given a predetermined base, but didn’t know the ratio the valuer would arrive at.

    DTH revenues will touch Rs 8 billion in FY08 as subscribers rise to 3.15 million and ARPU to Rs 310

    Zee’s operating revenues from the DTH line of business was Rs 818 million in FY06 while losses stood at Rs 790 million. What is the investment plan and how do you see subscribers and average revenue per user (ARPU) size up over the next two years?
    The net expense for DTH operations so far is Rs 3.8 billion. We are planning to pump in a further Rs 2.5 billion over the next two years. But we are sitting on a dynamic model and if Tata Sky and us are aggressively competing, there is a possibility of the subsidy amount further increasing. It is a factor of what strategies we adopt to develop our subscriber base. By the end of FY06, we reached close to one million subscribers. We project a gross revenue of Rs 3.2 billion in FY07 on a subscriber base of 2.4 million and an ARPU of Rs 250 (up from Rs 190) mainly because of the launch of value-added services. And in FY08, we see ourselves growing to a revenue of Rs 8 billion as subscribers rise to 3.15 million and ARPU to Rs 310.

    When do you expect to sign up with Sony and how do you see content growing?
    We expect Sony to happen within a month. Gradually, the content kitty is filling up. We are also looking at creating new DTH channels. Our plan is to expand to 200 channels.

    Will transponder space be a limitation?
    We will have to find space. We may have NSS when Doordarshan’s DD Direct vacates the satellite to move to Insat 4B. We are also talking to Isro (Indian Space Research Organisation) to launch a dedicated satellite for us.

    Are your Korean set-top vendors planning to set up a manufacturing facility in India?
    I don’t think it is viable at this stage. The volumes are too small for us to ask our STB vendors to manufacture in India. When we scale up to five million (boxes a year), then it may be a feasible project.

    Which do you think will attract investors first, the DTH or cable company?
    Both have attractive growth paths. We are looking at a mix of debt and funding coming from strategic or private equity investors.

    Are you looking at a small dilution initially of up to say 26 per cent?
    It all depends on what is the offer. Yes, if you initially dilute a small stake you have the advantage of discovering value as the company grows. But we have a flexible approach and it all depends on how lucrative the proposal is.

    Have you started talking to investors?
    We have been approached by many, but nothing is imminent yet.

    Will WWIL infuse massive capital towards digitisation of cable and triple play?
    We know the cable business has a lot of undiscovered value and will be giving it a big push. WWIL has a business plan which would take in an investment of Rs 5 billion over three years to drive digitisation, broadband and triple play rollout. It is a classic example of how the focus has been lacking and we have not taken advantage of the technology advances. We are looking at a million digital cable subscribers in the first year as we bundle service and hardware together in some form of subsidy. We also plan to make the network available to telecom operators for voice. Valuation of the cable business can only go up as the industry is badly suppressed. Conditional access system (CAS), digitisation and triple play will liberate the industry and growth in revenues can be rapid.

    How much debt you will raise to fund the expansion?
    We are looking at a debt-equity ratio of 1:1. The net worth of the company currently is not that strong to support that size of debt. We are, after all, planning to pump in Rs 5 billion to expand the business.

    What was the need for restructuring Zee News again?
    The restructuring started a couple of years ago when the uplinking guidelines were changed. Since we had a substantial foreign holding in ZTL, broadcasting of news and news-bearing channels were placed on a separate footing. Gradually as a response we shifted news gathering and uplinking to a separate company, Zee News Ltd, which was in compliance with the guidelines.

    But in the last few months, we have been mutilating this model as we found that there is a lot of strategic gap or clarity between the thinking of the producer (Zee News), the distributor (Zee Telefilms) and the team that exploits the commercial rights (Zee Telefilms) to such channels. So we thought we would close the gap and put everything in an entirely separate entity. All strategic decisions should be taken in an integrated manner by one team – be it production, news gathering, programme slotting, distribution or commercial exploitation.

    So what were the strategic gaps?
    The differences sprung because there was a revenue sharing arrangement between the two, but I can’t give you the minute details. It is not a good idea tactically to unite even if both of them are part of the same family.

    Zee news and regional channels had a combined turnover of Rs 2 billion in FY06. Were regional channels brought under Zee News Ltd (ZNL) because they could add to the company’s topline growth?
    The main reason for this kind of arrangement is that they are news-bearing channels; the regional channels have a strong component of current affairs and news programming. One of the consequences of this combination, of course, can be fattening of the topline. We are projecting a revenue of Rs 2.5 billion in FY07 and Rs 2.9 billion in FY08.

    As part of the restructuring, 137 ZNL shares will fetch 100 shares in ZTL. But with the total foreign shareholding in ZTL at 54.69 per cent, how does ZNL fall within the regulatory cap of 26 per cent?
    ZTL chairman Subhash Chandra will be transferring his foreign holdings (22.77 per cent is foreign promoters holding in ZTL) to an investment company in India. Also, foreign institutional investors (FIIs) will be given preference shares to bring the cap under limit (FIIs hold 31.51 per cent in ZTL).

    When are you planning the launch of Tamil and Malayalam language channels? How much are the new southern channel launches consuming as investments?
    The two channels should see launch in the current fiscal and in FY08. Along with the Kannada launch, the total investments would be in the region of Rs 350 million.

    With the demerger, won’t the topline of core Zee Telefilms see an erosion?
    Even after physically transferring the topline out, there is enough of a mandate to register growth. We have the number two and three (Zee Cinema and Zee TV) channels in the country. If they continue to focus on the products they have, their growth path is mandated. The flagship channel, Zee TV, is seeing a surge in ratings and ad rates.

    For core ZTL (after demerged businesses), we expect an advertising revenue growth of 12-15 per cent in FY07. While international business will sustain its 10-12 per cent growth (adding of channels and gain from Middle East), domestic subscription will stay steady. Overall, the core ZTL (after demerged businesses) will see a growth of 10 per cent in the current financial year.

    Will the bottomline look healthy after hiving off the loss-making businesses?
    The pullout is of minor loss-making businesses. The impact will largely even out as Zee News and the regional channels were profit-making. Still, there will be some positive outcome.

    How will Zee Sports play out on ZTL’s bottomline, particularly after bagging at a whopping price of $219.15 rights to 25 offshore cricket matches over five years?
    Zee Sports is at a development stage and there will be investments made for the long term development of the channel. There is a particular sequence in which we have to pay and the outgo for the first year will be $5.04 million per match. That will give us reasonable time to drag on the investments and build the channel. Besides, we will be bidding for other major sports properties including the ICC World Cup which is coming up for grabs.

  • Intel Capital exteds Wimax investments worldwide

    Intel Capital exteds Wimax investments worldwide

    BANGALORE: Intel Capital, the venture capital investment arm of Intel Corporation, announced new Wimax (Wireless Interoperability for Microwave Access) investments today in Orascom Telecom Wimax Limited. Both deals underscore Intel Capital’s continuing support for the deployment of low cost broadband internet access through Wimax networks around the world.

    Orascom Telecom Wimax Limited is also the first investment from the Intel Capital Middle East and Turkey fund announced in November of 2005.

    Both deals are collaborations between Intel Capital and established telecommunications companies which will bring significant experience of network deployment, marketing and operations to the newly formed joint ventures. Orascom Telecom Wimax Limited will focus its efforts on working with governments and companies throughout the Middle East and parts of Asia to obtain suitable spectrum licenses for the deployment of Wimax services.

    Enertel Wimax N.V. is targeting the deployment of Wimax services in the Netherlands. In addition to funding and personnel, Enertel is also contributing an existing 3.5 GHz spectrum license to support this new joint venture.

    Both new companies will be majority owned by Orascom Telecom and Enertel respectively, with Intel Capital as the lead investor. Intel Capital will also provide access to the significant technical and marketing resources of Intel Corporation.

    “Intel Capital is a leader in promoting the deployment of low cost Wimax based internet access” said Arvind Sodhani, president of Intel Capital. “These latest agreements build on the foundation of existing Intel Capital investments to bring the benefits of low cost, high bandwidth internet access to consumers around the world and support the vision of a World Ahead that Intel CEO Paul Otellini outlined earlier this month at the World Congress on Information Technology”

    Over the past year, Intel Capital has announced investments in a number of Wimax and wireless broadband service providers around the world including: PIPEX Wireless in the UK, DBD in Germany, Unwired Australia, Neovia in Brazil, and MVSNet in Mexico. Intel Capital has also been active in supporting Wimax infrastructure through investments in Navini, a provider of Wimax base stations and modems and Beceem, a provider of mobile Wimax chipsets.

    “We see the creation of this new wireless service provider as an incredible opportunity to provide new services to major cities in the Netherlands,” says Enertel executive chairman Cees Meeuwis. “Enertel Wimax N.V.will offer wireless access and services through a wholesale relationship with a number of resale channels. This wireless broadband access service will uniquely complement the existing fixed line Broadband Access services already offered in the Netherlands.”

    “Orascom Telecom Wimax Limited is an exciting first step towards bringing the advantages and opportunity of internet connectivity to the people of the Middle East, and beyond, many of whom have never had such an opportunity before” says Orascom CEO Franco Grimaldi. “Together with Intel Capital, we will work closely with governments and companies in the Middle East and Asia to make this vision a reality.”

  • Fremantle scoops Hew Award for ‘Punk:Attitude’

    Fremantle scoops Hew Award for ‘Punk:Attitude’

    MUMBAI: Fremantle Home Entertainment (FHE), the home entertainment division of FremantleMedia, has scooped an award for the 2005 feature length film Punk:Attitude.

    FHE walked away with the award for Best Music and Stage Show at the Home Entertainment Week (HEW) Awards of Excellence 2006 held in London, beating competing nominees Jerry Springer: The Opera (Pathe) and Concert of Bangladesh (Warner Vision). Punk:Attitude was also highly commended in this year’s Best Extras category.

    Punk:Attitude is a 90 minute Don Letts Film, which documents how the punk revolution ignited onto the streets of London and New York in the mid 1970’s. It portrays how classic teenage rebellion, combined with the musical and social environment of the time, created the punk movement, as well as how its unique identity of independence and D.I.Y. (Do It Yourself) ideology has continued to define youth culture. The movie takes a highly original look at this movement and has sold-out to rapturous audiences at both the Tribeca Film Festival and the Cannes Film Festival in 2005.

    It is distributed internationally by FHE and is available on double disk DVD, which features over two hours of extras including featurettes on women in punk, fashion, fanzines, record companies and much more. The set also comes complete with a replica of Sniffin Glue magazine.

  • FremantleMedia closes Latin American deals as La Screenings begin

    FremantleMedia closes Latin American deals as La Screenings begin

    MUMBAI: Fremantle International Distribution (FID), the distribution arm of FremantleMedia, announced a raft of recent sales in the Latin American region as it kicks off its LA Screenings campaign.

    FID vice president sales and development, Latin America and Hispanic USA Sheila Aguirre brokered the deals with a number of key broadcasters in the region.

    Discovery (People & Arts) acquired season four of Mark Burnett’s The Apprentice, which tests competitors’ survival techniques in New York City’s corporate jungle as the candidates face weekly business challenges and strive to reach the top. The winning candidate is awarded an apprenticeship with top tycoon Donald Trump. Discovery (People & Arts) also picked up the new series of Project Runway, the reality fashion hit hosted by Heidi Klum in which talented fashion designers get the opportunity to show their designs in front of the global fashion community in New York and displayed in the pages of Elle magazine.

    As the FIFA World Cup draws ever closer, football fever continues to grip the world and viewers in Colombia and Brazil will soon be able to learn about the History of Football: The Beautiful Game (13 x 1 hour), to be broadcast on Colombia City TV and TV Cultura in Brazil. Narrated by Terrance Stamp, this series tells the definitive story of the game that generates more excitement, passion and wealth across the world than any other sport.

    The History Channel signed a deal for a package of five key factual documentaries, including Holy Warriors (2 x 1 hour), which documents the struggle between the English King Richard the Lionheart and the Muslim leader Saladin for control of Jerusalem.

    In The Real Face of Santa (1 x 1 hour) Dr Franco Introna delves into the history of Santa Claus to discover the real story of St Nicholas. Although the image of Santa as an old man with a white beard is recognised all over the world, the truth is much stranger. Combining facial reconstruction technology with top secret Vatican documents, Dr Introna and his team unravel the mystery of St Nicholas.

    Catherine The Great (2 x 1 hour) also goes to the History Channel. The life of one of Russia’s brilliant rulers is the subject of this drama documentary, telling the story of Catherine’s reign, and how she strove to modernise Russia, with new ideas on health and education and waged wars in her ruthless quest for expansion. Catherine The Great brings to life one of history’s most powerful and passionate women.

    In The Story of 1 (1 x 1 hour) Terry Jones (of Monty Python fame) goes on a humour filled journey to discover what tale lies behind the simplest number we have. Using computer graphics, ‘one’ is brought to life for the programme, in its various guises. The story reveals where our modern numbers came from and how the invention of zero saved us from having to use Roman numerals today.

    Rounding out the History Channel’s package is Khubilai Khan’s Lost Fleet (1 x 1 hour). Marine archaeologist Kenzo Hayashida’s discovery of a ship from a Mongol fleet that sank in 1281 AD, leads to new insights into the empire of Khubilai Khan. This documentary sheds light on the mystery of the fleet that sank on its way to fight the Japanese samurai.

    In further agreements, viewers of GloboSat in Brazil and Cosmopolitan Television Latin America will soon see Godiva’s (19 x 1 hour), where the high-pressure, fast-paced world of the restaurant business is revealed, as are the equally entwined private lives of the young, urban tribesters who populate it.

    In a final deal, the first of its kind as brokered by FID, Canal 10 in Uruguay has signed a format deal to produce 13 episodes of Distraction locally. The gameshow, created by FremantleMedia’s talkbackThames, combines ridiculously simple trivia questions with hilarious concentration-breakers and will be produced by Canal 10.

    FremantleMedia Enterprises CEO David Ellender said, “The breadth of the deals closed in the Latin American market by Sheila Aguirre provide a very positive note on which to enter the LA Screenings, and certainly bode well for a successful market ahead.”

  • Cannes Diary: Adlabs lounge gives indies a leg up

    Cannes Diary: Adlabs lounge gives indies a leg up

    CANNES: The Adlabs Indpendent Producers Lounge is proving to be a hit of sorts. Located in the basement of the Palais des Festivals, it has been a busy spot with almost anyone interested in Indian films dropping in over there from whichever country in the world.

    The booth, manned by AdLabs Films boss Sunir Khetrapal, has Aditya Bhattacharrya steering it most of the time. Other individuals using it quite frequently include: Grey Cells Entertainment’s copromoter Rashmi, Ruchi Narain, Amit Khanna, Sudhir Mishra.

    The stand is also being used to promote the Filmkraft new production Krishh. In a big way.
    Dharma disappointed, Johar pushes hard

    The team Dharma Productions distribution team of Vishal Patel and Cherian expressed disappointment at the way the market has been proceeding. “There have been very few footfalls,” says Cherian. “We expect an improvement by tomorrow.”

    The big title being promoted at the stand is Kabhi Alvida Na Kehna.

    Karan Johar spent many a hour at the stand today. The Johar box office magic may rub off on Dharma’s Cannes performance as well.
    Indian unity shows up at Cannes

    What is amazing about this Cannes festival is how the independents have been propping up each other. The Adlabs stand has brochures and promotional materials from almost every Indian film maker in the Palais. Handmade Films’ Sunil Doshi who has a stand in a prime location in the Palais des Festivals basement even lent a hand to the indies by stocking their promotional literature at his stand. A pat in the back for the indie Indians. In fact, a bash for the indies was planned for the evening at the Irish Quays pub.

  • BVITV showcases 7 new & 10 returning series at upfront

    BVITV showcases 7 new & 10 returning series at upfront

    MUMBAI: Buena Vista International Television (BVITV) will be launching a total of 17 new and returning network series for the ’06-’07 season.

    This follows a year in, which BVITV has seen the success of Desperate Housewives, Lost and Grey’s Anatomy.

    BVITV’s sixth annual international upfronts event was held on 21 May. The event was hosted by Buena Vista Worldwide Television president Laurie Younger and BVITV EMEA executive vice president and managing director Tom Toumazis.

    At the event, BVITV launched four new one-hour series, two new half hour series, and one new reality series/format. The new one-hour series are Betty the Ugly (with Salma Hayek as executive producer), Brothers & Sisters, Day Break, Six Degrees (all in production for ABC), and the two new half-hours are In Case of Emergency and Let’s Rob… Its new reality series/format is How to Get the Guy.

    The company’s returning one-hour series are Desperate Housewives, Grey’s Anatomy and Lost (all returning for a third season), plus Criminal Minds, Ghost Whisperer and What About Brian (moving into their second season).

    The returning half-hour series are Scrubs (sixth season), and According to Jim (sixth season). The three-time Emmy-winning reality series/format The Amazing Race will also return for a ninth season, along with America’s Funniest Home Videos, which will return for a 17th season.

    In addition, BVITV will be previewing to clients at LA Screenings the new one-hour series Kyle XY, Lincoln Heights and Three Moons Over Milford, all of which are in production for ABC Family.

  • Prime Focus announce IPO plans; price band Rs 450-500

    Prime Focus announce IPO plans; price band Rs 450-500

    MUMBAI: Leading Indian post-production company for television and films Prime Focus is gearing up for its first Rs 1.15 billion equity issue in the primary market. The company promoted by Namit Malhotra has filed its draft red herring prospectus with the Securities and Exchange Board of India (Sebi).

    Prime Focus has fixed a price band of Rs 450 to Rs 500 per equity share of face value Rs 10 for the issue.

    According to the draft prospectus, the net proceeds raised from the issue would be deployed towards the following:

    Domestic Expansion
    Los Angeles Studio
    London Studio
    Hyderabad Studio
    Long term working capital
    Dubai Studio Setup
    Prime Focus was recently in the news after it acquired a 55 per cent stake in European media service company VTR Group for $ 8.47 million.

    It was in January-end that the Anil Ambani controlled Adlabs Films acquired a six per cent stake in the company.

    Prime Focus is a Mumbai based company that provides post production services such as editing, sound and special effects, graphics to the ad and film industry. The company is better known for the post-production of music video Jalwa and of the Coke ad film showing an Aamir Khan double.