Category: Television

  • Adelphia closes asset sale to Time Warner Cable & Comcast

    Adelphia closes asset sale to Time Warner Cable & Comcast

    MUMBAI: US cable television company Adelphia Communications Corporation has completed the sale of all of its assets to Time Warner Cable and Comcast Corporation for the aggregate consideration of approximately $12.5 billion in cash and approximately 16 percent of the equity of Time Warner’s cable subsidiary.

    As a result of the sale, Adelphia will no longer operate as a U.S. cable company. Its approximately 4.8 million customers will be distributed between Time Warner Cable and Comcast.

    Teams from the buyers and Adelphia have worked together for months to ensure an orderly transition for customers, communities and the almost 13,000 Adelphia employees who will transfer to Time Warner Cable and Comcast, states an official release.

    Concurrent with the closing of the sale, Adelphia also consummated a plan of reorganization for the former joint ventures with Comcast (Century-TCI and Parnassos), resulting in the repayment in full of approximately $1.7 billion of indebtedness. Adelphia will hold the remaining sale proceeds for distribution to its creditors through a Plan of Reorganization as it seeks to resolve its Chapter 11 bankruptcy case in the US Bankruptcy Court for the Southern District of New York.

    On 24 July 2006 Adelphia announced an agreement on a framework for a Plan of Reorganization intended to result in a fourth quarter 2006 emergence from Chapter 11. The agreement enjoys widespread support among Adelphia’s major unsecured creditors, including the Official Committee of Unsecured Creditors, though several constituencies do not support it. Adelphia’s obligations under the agreement and the reorganization plan envisioned by it are subject to approval by the Bankruptcy Court.

    UBS Investment Bank and Allen & Company LLC served as Adelphia’s financial advisors for the sale transaction. Sullivan & Cromwell LLP served as Adelphia’s legal advisor for the sale. Willkie Farr & Gallagher LLP continues to serve as Adelphia’s legal counsel for the Chapter 11 bankruptcy process.

  • A ‘Rendezvous’ with the ‘Khan’daan

    Mumbai, February 22, 2006… The name ‘Khan’ evokes a certain charisma in Bollywood. This Khan Khandaan lives big, dreams big, their lifestyle, everything about them is grand. Meet Sanjay & Zarine Khan along with their son and Bollywood’s hottest new sensation Zayed Khan on ‘Rendezvous with Simi Garewal’. Amidst all the bigness and grandeur, Sanjay Khan speaks his heart out of the near-fatal accident he experienced on the sets of Tipu Sultan, the mid-life crisis the couple faced, Zayed’s notorious pranks and his road to stardom this Sunday, February 26th at 9: 30 p.m. only on Star World.

    Excerpts from the interview:

    Simi: Could you both have done without each other?
    Zarine: No
    Sanjay: No, I don’t think I would have been the man I am, if she was not the woman she is.

    Simi: But then came the trials, the crisis that crescent your marriage, did you realize that your marriage was under stress?
    Sanjay: I don’t think it was under stress.
    Zarine: My marriage seemed to be in a lot of stress… especially to a lot of other people … but not to me
    Sanjay: I was taken for granted by somebody else… there was no such thing from my side… there was no betrayal of trust.

    Simi: But, you did get temporarily involved with your leading lady?
    Sanjay: I would say, it could have happened.
    Zarine: I knew my husband, may be he did falter, a little bit, but again being an actor’s wife you got to have that much of patience and at the same time the conviction that he will come back to you.

    Simi: Sanjay, you have been literally, physically been through hell when the fire took place on the sets of Tipu Sultan?
    Sanjay: That was the biggest challenge of my life… I was in debt… I owed money to people… and this happened… Tipu sultan was my biggest gamble… 13 months I was in hospital… first 2 months I was in coma… the 3rd, 4th and 5th month I was sleeping on a plastic sheet of blood.

    Simi: Pain must have been …
    Sanjay: It was excruciating pain…

    Simi: You went through 65% burns.
    Sanjay: And I had 72 surgeries!
    Zarine: It was terrifying, the doctor had given only 10% chances of survival and when I walked in the hospital I couldn’t believe this was my handsome husband.

    Simi: Sanjay, do you see yourself in Zayed?
    Sanjay: Very much, my mirror image. From the head to toe, but his eyes are his mother’s eyes
    Zayed: I think I am mix of both

    Simi: After these 3 girls who were like dolls, were you ready for the firecracker that arrived?
    Zarine: He was an absolute firecracker from the day he was born…

    Simi: What did you do Zayed?
    Zayed: Oh my god! Everything from dropping ink on her Persian carpets to breaking her very expensive things at home.

    Simi: So Sanjay, when he told you that he seriously wanted to become an actor, what did you tell him?
    Sanjay: He used to smoke so much; he was skinny, looking gawky. I told him, look at yourself in the mirror first, build your muscles, go to a gym, stop smoking, put some discipline, when you walk into a room you should look like a gladiator… heads should turn.

    So this Sunday don’t miss Sanjay, Zarine and Zayed Khan on Rendezvous with Simi Garewal on Star World, Feb 26th at 9.30 p.m.

    About Star
    STAR is a leading media and entertainment company in Asia. STAR broadcasts over 50 television services in nine languages to more than 300 million viewers across 53 Asian countries. STAR channels cover all genres including general entertainment (Star Plus, Xing Kong, Star Chinese Channel, Star One, Star Utsav, Star World, Vijay, Phoenix Chinese), sports (ESPN, Star Sports), movies (Star Chinese Movies, Star Gold, Star Movies), music (Channel [V]), and news and current affairs (Star News, Star Ananda, Phoenix InfoNews Channel). STAR controls over 20,000 hours of Indian and Chinese programming and also owns the world’s largest contemporary Chinese film library, with more than 600 titles, featuring superstars including Jackie Chan, Chow Yun Fat and Bruce Lee. In partnership with leading companies in Asia, STAR businesses extend to filmed entertainment, television production, cable systems, direct-to-home services, terrestrial TV broadcasting, wireless and digital services. STAR is a wholly owned subsidiary of News Corporation. www.startv.com

    For further information please contact:
    In Mumbai
    Zeenat Khan Shiraz Bhavnani / Aditi Chada
    Communications Department Vaishnavi Corporate Communications
    STAR (India) Ltd. Tel: 91-22-5656 8787
    Tel No. 91-22-56305555 Fax: 91-22-5656 8788
    Email:sbhavnani@vccpl.com / achada@vccpl.com

  • Madison Media Group CEO Punitha Arumugam.

    Madison Media Group CEO Punitha Arumugam.

    Life is not measured by the number of breaths you take, but by the moments that take your breath away.

    It is a brave and determined person who decides to move out of his or her comfort zone into a job having a profile alien to him or her. And in the competitive world of media and advertising it requires steely courage. But there are many who do so and the net benefit for them: a more rounded view of the industry.

    Take, for example, Punitha Arumugam, the CEO of the Sam Balsara- founded Madison Group, arguably one of the three most powerful media agencies in the country. Punitha – as everyone calls her – has switched from being a media planner to managing the business of media and advertising, and so far, she has enjoyed the journey, smooth or bumpy, to the hilt.

    In 1990, she joined O&M (Chennai) as a trainee, moved to Lintas’ Initiative Media soon after as media manager and moved out as media director. Then she joined Madison as Media Services director (West) in 2000, and in a six year span, has risen from COO (West) to CEO (West) and is currently Group CEO for all India.

    Early Years in Media
    Born, raised and educated in Chennai, Punitha’s father was in business and her mother is a housewife. She completed her graduation in BSC (Physics) and went on to study management from Madras University. Punitha started work in media right from the start and adapted to it like a fish to water. While doing her MBA, she was assigned a summer project with Chennai- based ad agency RK Swamy and it was there that her tryst with advertising began. She hopped on to O&M on completing her education and stayed on there for a full five years soaking up all she could in her media planning job, even though her heart was in servicing.

    “I realized that I liked advertising – primarily its servicing aspect. But, back then, the opportunities were rare for servicing and I joined the agency hoping to get a backdoor entry into servicing,” says Punitha.

    The protective environment at O&M gave her ample scope to learn the fundamentals of media. Says she, “O&M groomed me”.

    She recalls working on some small accounts. The head of O&M Chennai R. Lakshminarayan taught her one important lesson. “I learnt from him how simplicity works and arrogance does not, however brilliant you may be at your job.”

    But, after four-five years, the sense of security at O&M was a little stifling. “One just felt protected from harsh realities.”

    A call from the head of Lintas Chennai, came through, dangling an opportunity to get rid of the ennui that was creeping in. She grabbed it with both hands. In those days Lintas was the agency of choice for many; the experience of working in a larger role with a larger agency was something very few could say no to. With the proliferation of media outlets and increasing spread of satellite television, the media planner/buyer was coming even more centrestage in advertising as compared to earlier. And Lintas’ was at the cutting edge of media. Agencies had started setting up specialist media units to service growing client budgets effectively. The disintermediation of media was just about beginning.

    “I was raring to test new waters, so moved to Lintas as media manager,” she recollects.

    The water proved testing indeed as the culture in Lintas was very different from the one she had been used to. There was a lot of new learning, and some unlearning too. “I was thrown into the waters and had to learn to swim. I learnt how to service a client at Lintas,” she says.

    By nature, Punitha is unafraid to push the boundaries. She has all the qualities needed to be a successful media planner: strategic understanding, ability to grasp industry knowledge and expertise across all media. Additionally, over the years she has developed a comprehensive understanding of marketing communications which can be effectively translated into developing media goals, objectives and strategies.

    Punitha moved to Bangalore from Chennai solely because the latter had limited clients, whereas Bangalore offered much more in terms of learning experience and growth. She started in Lintas’ Initiative Media handling the Britannia account; five years later when she moved out she was heading the Bangalore office.

    It was the first time that she was handling sizable accounts. And she climbed steeply up the learning curve. She explains: “Britannia was a favourite client. I learnt a lot from Sunil Alagh, Vikram Kaushik, Atul Sinha and many others there.”

    She recalls an incident. “The team had prepared a huge presentation to convince Alagh not to associate with a program titled “Britannia All The Best” as it was not working. But, even before he saw the presentation, he asked us, ‘Give me an option if we aren’t using this.’ And, I had no answer. We had been so busy trying to convince him to disassociate, that, we realised that there is no point in highlighting a problem without having a solution in hand.”

    She adds: “I came into my own handling the Britannia account. I got great work done in terms of strategy and media innovations. And, after that it was sheer word of mouth from people who worked with me, my clients and the media sellers who made me known in the industry.”

    She decided to quit when Lynn DeSouza moved out of Initiative Media. She explains: “I look upon her as my godmother. I idolize and worship her and I felt unsettled when she left.”

    Plus, Punitha felt she had nothing more to offer or do in Bangalore, so the move to Mumbai was inevitable.

    “In Mumbai, I joined Carat for a month and then had a call from Sam Balsara and moved to Madison.” Her enthusiasm for the medium made her the “perfect” choice when Balsara needed someone as Media Services director (West) and Arumugam joined Madison in 2000.

    She elaborates: “Generally, the skills needed are quite different. Media agencies demand individuals who are strategic thinkers, diplomatic and prepared to work long hours. And those employed by media owners tend to enjoy a sales-based environment, like to see quick results for their efforts, and will usually earn more money.”

    Madison

    Punitha talks at breakneck pace, barely pausing for breath, whether she’s discussing the controversial subject of commissions or winning at Cannes.

    “My growth in Madison has been phenomenal and the learning has not stopped,” she points out. At Madison, all the pitches that she led and won have made people take notice of her. “When I joined, the Mumbai office was just handling Godrej and Proctor & Gamble. Today, we have most of the blue chip accounts like Asian Paints, Cadbury’s, Essel Group, TVS, Tata Tea, General Motors, Mother Diary, Mcdonalds, Marico, Airtel, Tata AIG, Radio Mirchi, Kotak among many others.”

    Punitha has helped Madison Media grow more than treble in growth from a mere Rs 3 billion in billings to Rs 10 billion in the space of just five years.

    “When I first joined, we were concentrating on consolidating our current businesses like Procter & Gamble, Coke and Godrej, then over a period of time realized that we need to grow. So, we focused on new businesses and started participating in pitches. We had to grow for our own learning experience and as a confidence building measure for our existing clients.”

    This passion for looking after advertisers’ interests has an air of poacher turned gamekeeper about it, given her time on the agency side of life. There’s no doubt however, that it has given her a keen understanding of the industry, and she still tries to bring that “service” aspect to Madison.

    She agrees that the best thing about agencies is that one is surrounded by very bright people and one gets to see the thinking that goes on behind different clients. On her achievements in Madison, she says, “Retaining our existing clients and keeping them happy is my first achievement. When we grow, we tend to lose perspective of all who help us in our initial stages, and it’s all because of the client one expects to gain in the future. For me, it is important to hold on to our current businesses as we grow.”

    Considering her current job as her ideal job, she says, “Work is the only thing that matters to Sam. Managing this organization is great as it’s a place of great integrity. There is no conning, inside and outside the system, neither with clients. When one works in such an healthy environment where there is no politics and no pressures to make money at the cost of someone else, and, all we need to know is how to do a good job, there is very little scope of going wrong.”

    Says she, “The toughest part about becoming senior is having to let go of the fun that one gets when you handle the nitty-gritties of media planning and buying on a client… I would rather be a media planner than a CEO at heart… but, guess one needs to move up to let others who work with you grow. Even today, the toughest thing for me is to let someone work on a presentation or plan or analysis instead of pulling it and doing it myself.”

    Punitha has been ranked amongst the top ten influential persons in media for the last two years in The Brand Equity Agency reckoner. Her motto for success is straightforward. She says: “Apart from working hard, we don’t play games. As a corporate philosophy, we don’t pitch with rates. We work within a set framework and at times, and we often refuse clients whose philosophy and expectations are so different from ours. She gives importance to honesty and fairness and strongly believes in “letting others around you succeed and grow so that you automatically grow.” And to keep herself on her toes, she surrounds herself with people who challenge her.

    “I am very clear that if I am in the agency business in India, then there is no place to be in other than Madison,” says Punitha emphatically.

    Among her best moments so far, she says, “Not losing a business that I have directly worked on and winning the Media Lions at the Advertising Festival in Cannes this year. But, I think, managing people, clients, media owners and egos everyday and being able to deliver to keep them happy is a constant high by itself.”

    She admits that days of being a complete workaholic and leaving office at 2-3 am are a rarity as she makes it a point to leave office at 7 pm to make time for family and friends. Says she: “Lynn used to always say that as great it is to have a career, its that important to have other interests, too.”

    On decisions at a career level, she says, “Sam did offer me the opportunity to head Madison (all India) a few years back when CVL Srinivas had left. But, I took the decision of not going for it, as I felt I was not ready for it and thought it was not in the larger interest of the organisation. So, we gave others in our system the opportunity to grow up to that level. As tough a decision it was for my personal career, but, I think looking back it was the right decision, as today, I am a better professional and Madison a stronger organisation because of it. Sam and I have always been able to discuss anything.”

    And, speaking of lessons learnt dealing with clients, Punitha says, “At times when a client was being unreasonable I took a stance so that it become confrontational. Over the years, I have realised that one must never reduce any situation to a confrontation but always make it a dialogue.”

    Any career decision is a combination of personal, business and timing issues. She believes there are benefits in working both sides of the fence. Punitha sums up her experiences in all three agencies as having “learnt media basics” in O&M, “learnt to manage media and clients” at Lintas and “learnt to manage a business” at Madison.

    Punitha considers herself lucky to have worked with the best media minds in India like Roda Mehta, Lynn Dsouza, Ambika Srivastava, and now Sam Balsara. She holds them in high respect and speaks of what she has learnt from them.

    Roda Mehta: “Everybody looked up to her. I never really worked with her except when I was sent to Mumbai for a training session and I was exposed to her style of working. “

    Lynn DeSouza: “The credit of my becoming the media professional I have solely goes to her. She gave me tremendous freedom. She was always there when if a problem arose. “

    Ambika Srivastava: “I admire Ambika’s analytical skills.”

    Sam Balsara: “He has taught me to be a great manager. One can’t ask for a better boss. There are no secrets between us. He would never take a step concerning me without taking me into confidence and likewise, I trust him with everything. Madison matters to both of us and we both work to see it grow.”

    She lists a few current issues that are on top of her agenda:

    • Paucity of people: To overcome this, we go to institutes and recruit freshers as trainees.
    • Data vs Instinct: Too much dependence on data that we are losing our instincts.
    • Break boundaries: There is a sense of doing the same thing better and better over the years instead of attempting to do them differently. We need to create a competitive difference that works in the market as media plans across agencies have all started looking similar.
    • Breaking the 3.5 per cent barrier in terms of commission: The traditional split of the 15 per cent commission between the creative agency and the media agency is 11.5 per cent and 3.5 per cent. However, over the decades, media has become a lot more expensive in terms of people, databases, systems, infrastructural requirements etc and this industry benchmark of 3.5 per cent commission makes operating the media business profitably a little difficult. A creative agency needs minds whereas a media agency needs minds and infrastructure.

      Punitha says it is a pleasure to be a woman in this industry as “it sometimes makes it difficult for the others to say a ‘NO’. Adding that, today, the males have it tougher in media as they fight the increasing female dominance in the industry.”

    In these times of increased viewer choices and audience fragmentation, she says that it is the best time to be in media as it has never been more challenging or confusing. She says, “The chaos will increase, disruptive thinking is the way of the future. More than numbers it will be consumer media insights that will drive the media decisions in future.”

    Punitha likes to be extremely low profile and hates to be quoted in any Madison press releases. She is known to give the right angle to any story and guiding journalists when asked for stories or quotes, rather than seeing her name in print. She explains: “I would rather Sam and the others in the team take the limelight rather than me. As long as I know that I have contributed to the success am happy, I don’t feel the need to prove myself to others outside the system.”

    She also credits Sam Balsara with getting her to socialize and attend corporate dos. “Before coming to Madison, I would always duck all the media sellers’ bashes. Sam has been instrumental in making me change as he believes that when a person takes the effort to invite you, it is courtesy to accept and attend the do.”

    She agrees that it has helped make her a more extroverted person and, more importantly, has helped her in building strong relationships.

    Though good at managing the agency’s finances, she admits to have very little sense managing what she earns. She whispers: “Sam is aghast and has threatened to keep away a part of my earnings. All I had were a few LIC policies. Even today, I am broke at the end of the month. As I was when I was a fresher… just don’t know where the money goes.”

    She used to hate traveling (“I need my bed at the end of a long day and there is no concept of home when one is on the move”) but, she has learnt to enjoy the frequent and long journeys as “they give her time to reflect, relax and meet new people.”

    She is a Hindi movie buff and makes it a point to regularly go to a multiplex – and forget about the intricacies of media and running a business – and get involved with what’s happening on the big screen – a catharsis of sorts. Says she: “Every Saturday night is spent watching a Hindi film with a friend, however trashy it may be.”

    Punitha is a hopeless romantic. Though she avoids reading business magazines, she is an avid reader of fiction and non-fiction books, especially of the romantic genre. That explains her desire to one day set up a bookshop with a café where couples can sit, listen to music and read romantic bestsellers.

    When asked why she has not tested any other medium, she says, “The reason I stick to media despite all the pressures and daily crisis, is because it makes my adrenaline pump all the time. I would not know how to handle a non-pressure job. I probably will wilt away due to boredom I think.”

    With 16 years in this field, she has both the experience and the confidence to have her own fully developed take on a wide range of issues. Balsara’s instincts about her taking on a managerial role proved right as she has shown that she has the skills to work on both sides. Getting to where she is by doing the right thing, the right way is what matters most professionally to her. “I would prefer to compromise on success and fail knowing that I have tried hard…knowing that I have not had to resort to any hanky-panky to reach where we are,” she points out.

    She shares close ties with her entrepreneur sister and her 12 year old niece Priyanka (in pic above), who she says, ‘is the most pampered brat in the whole world.’

    “Chatting with my mother, sister and niece, music and reading trash romances, meeting with my friends, gyming and swimming are what I enjoy doing.”

    Punitha is currently working on overcoming all her fears. “I have a fear of water so am learning swimming. I also have a fear of pets so am currently getting a Yorkshire Terrier and am planning to learn flying and driving on Mumbai roads.

    Another stress buster for her is shopping. “I can shop forever for trinkets, clothes and yes diamonds.”

    She is not one to hold grudges, She forgets and forgives easily. “I am the first to say a sorry when I am in the wrong, irrespective of how young or old, the other person is.”

    On her single status: I moved very fast in my career and marriage just did not happen. Today, I love my space too much.

    Pet peeve: Getting no time to relax and can never hold onto my maid and driver for long.

    Dream gizmo: The treadmill.

    Favourite holiday spot: Currently Egypt and home in Chennai.

    Worst nightmare: Boredom with nothing to do.

    How you view India today: The best place to live in and work.

    One drawback: We are so much better than what we project ourselves to be.

    What makes you laugh: Anything and everything when I am in a great mood, Sometimes nothing can.

    Two guests you would love to dine with?
    On my recent visit to Egypt, I met this amazing Egyptologist called Shref. Meeting him made a difference to my life as he made me reset priorities in my life. He has inspired me to live life to the fullest. My niece because in her company, she makes me feel young and behave like a twelve year old too.

  • ‘With cricket action coming up, Sony has initiatives lined up in the digital space’ : Kaushal Modi – Sony Entertainment Television India head licensing & telephony

    ‘With cricket action coming up, Sony has initiatives lined up in the digital space’ : Kaushal Modi – Sony Entertainment Television India head licensing & telephony

    After establishing its digital platform 2525 with a slew of activities in 2004, Sony India’s 2005 plan was to take it to the next level to turn it into a substantial revenue generating model. To drive the strategies, it needed an experienced hand in this space to head the division. The search ended in Kaushal Modi, who was then a key player in arch rival Star India’s digital strategies. Thus, in February 2005, Modi switched to Sony India in the capacity of head, licensing and telephony.

    Going into the second half 2006, Sony’s game plan now mainly revolves around the game of cricket and Modi is banking on the bonanza to contribute significantly to the growth of his digital activities. “With cricket action coming up, Sony has got lots of initiatives lined up in this space. The action will start ticking from October 2006 onwards. We are still working on our plans,” he says.

    On the licensing front, Modi is exploring new markets and under his leadership, Sony has even entered the arena of format sales. “Sony used to sell its shows in the international markets and was never into selling formats. This year, for the first time, we have tried exploring this space with soaps ‘Kaisa Yeh Pyaar Hai’ and ‘Yeh Meri Life Hai’ and the experiment has generated an encouraging response,” says Modi. And he is betting big on new content platforms such as Video on Demand (VoD) and IPTV to drive the growth in this sphere.

    In an interview with Indiantelevision.com’s Bijoy A K, Modi explains the market scenario, the strategies and the game plan for the year.

    Excerpts:

    This year’s MipTV witnessed the trend of TV producers investing in buying formats as against just broadcasters doing so. Would it make a negative impact on the syndication strategies of broadcasters?
    Yes. Earlier, broadcasters used to drive these activities at MipTV. But, now, the scenario has undergone a change. There are many international format companies, which are very keen on the Indian market. While bigger companies such as Endemol and Fremantle do have direct access to the Indian market through their offices in the country, some of their smaller counterparts — who don’t have direct access to India — depend on markets such as MipTV and Mipcom. This is the international scenario right now.

    Coming to the second part of your question, this trend doesn’t make a difference to our business strategies. We are content aggregators and not content creators. The format owners are never in a position to squeeze money out of their clients. It is up to the broadcaster (buyer) to pick up a format or not.

    Sony has taken its two shows – Kaisa Yeh Pyaar Hai and Yeh Meri Life Hai, which are not game shows – to MipTV in Cannes this year for the purpose of syndication and formatting. How was the experience? Have you struck deals with international companies?
    Earlier, Sony used to sell its shows in the international markets and was never into selling formats. Now, this year, we have kicked off our format syndication activities. We tried exploring this space with soaps Kaisa Yeh Pyaar Hai and Yeh Meri Life Hai and the experiment has generated an encouraging response. We haven’t signed any buyer yet, but there are enquiries from various foreign broadcasters. Some of the Asian and European (Germany and Poland) have expressed interest in the format. They want to recreate the content, giving it a local treatment. The talks are still going on.

    Please comment on the demand for our homegrown properties abroad? Do you keep the international market also in mind, while developing original formats?
    The advent of new technologies is changing the face of the international content syndication market. In the international market, new content platforms including Video on Demand (VOD) and IPTV have been boosting this business segment. The new technology helps the content aggregator to target niche consumer segments, however small in size they are.

    For example, if you have 5000 Indians living in a certain area in Japan and you want to target them with your content, you can do that with the help of these new technologies. Thus, you have a viable business model in hand. This has opened up new markets across the globe.

    Speaking about the potential of Indian properties in the international markets, there is a significant Indian diaspora – though not critical enough to drive the business — supporting the trade. Genre-wise, I would say there is a stress on movies.

    South East Asia has always been the strong traditional market for Indian content. But now, with the advent of new content platforms, Europe and Africa have also started showing interest in our content. European channels such as RTL2 (Germany) have been showing a lot of interest in Indian content. As I mentioned earlier, there is a demand for movies. But, at the same time, some of these European channels now want to try shorter series as well.

    Hence, developing homegrown properties, which can be saleable in the international markets also, sounds a lucrative idea. But, our main focus continues to be India and the strategy has always been to leverage on the original Indian content. For us, the Indian viewer always comes first while conceptualising ideas.

    What will be the size of the content syndication market with regard to Indian television? Please speak on the market dynamics including growth potential and competition.
    It is a highly fragmented market in India and it will be very difficult to put any number to it. Apart from the three or four big players, there are several medium-sized companies and then hundreds of smaller players including sub-brokers. The traditional syndication market is stagnant. New content platforms will drive the business. This will be driving almost 50 per cent of the revenues in the near future.

    Competition is there in all forms, whether it is producers or broadcasters. Speaking about Sony’s content syndication plan, I would say we haven’t yet exploited the segment to the full extent. We have just started. Healthy competition definitely helps. With competition, you have new markets opening up across the globe. Players keep moving, looking for greener pastures.

    The advent of new technologies is changing the face of the international content syndication market

    How much does the content syndication business contributes to Sony India’s kitty?
    It is definitely not a topline driver for Sony. It is more of a bottomline driver. Though it contributes a miniscule compared to other revenue streams, it plays a significant role in the total scheme of things. It creates a market value for the channel. It creates added revenue opportunities through an existing property. We have to keep in mind that, here the channel is not making any new investments.

    Speaking about the future potential, content syndication & licensing will contribute well to drive exponential growth.

    Star India recently revamped its short code 7827 and looks very aggressive on its interactive and digital plans. What can we expect from Sony this year in this space?
    With cricket action coming up, Sony has got lots of initiatives lined up in this space. The action will start ticking from October 2006 onwards. We are still working on our plans.

    Speaking about our digital presence, Sony already has a Wap site. But we haven’t been promoting it much since the Wap technology is still in its nascent stage of growth in India. Hence, we haven’t been banking on the Wap site much to drive user downloads. A good percentage of our content download happens through the telecom operator sites. We are also weighing options to launch a mobile voice platform.

    Please elaborate on your digital and wireless strategy
    The entire department has been created to leverage the opportunities this space offers. Sony envisages that, the future is going to be digital. New technologies driven by mobile phones, iPods and other handheld devices will spearhead an exponential growth. The atmosphere is very encouraging since mobile connectivity in the country has really picked up. Keeping the changes in mind, we are closely working to build a digital content bank and making our programming and content available across all the available platforms. The thrust will be on creating a dedicated mobile and internet community.

    Convergence of television and portals appears to be the latest mantra for entertainment. Please elaborate on Sony’s plans and the progress in this segment.
    We have our online presence in setindia.com. To offer content through broadband, we have tied up with SifyMax. This association helps us to offer some of our popular shows such as Fame Gurukul and Indian Idol through broadband. This way, we are able to capitalise on the significance of SifyMax as a popular destination for online content. This is a win-win situation for both of us. We also have content associations with Indiatimes and Tata VSNL.

    How do you plan to leverage Set India’s programming portfolio with the mobile initiatives? Are there plans to make mobisodes out of your popular soaps?
    I would say, the Indian market is yet to see a proper mobisode. The mobisode revolution is still bit away in the horizon as the technology is not yet ready to accommodate it. What we all have been doing is, repurposing our content for mobile phone. And the advantage: you can target different audience segments with various niche products made out of a single programme.

    Globally, most of the mobile companies are getting out of the content sector to focus on their main areas of strength. In India also, should mobile operators have to move out of the content space? Please offer your take on this.
    The international market has been witnessing lots of alignments between content providers and the technology companies. Internationally, we have entertainment companies sticking on to content operations, while technology companies concentrating on the technical aspects. Obviously, you can’t lay your hands on both the businesses because it is difficult to focus on these diverse segments. The same applies to the Indian market as well.

    Are you looking to partner international companies in the digital space? What is your take on the global scenario?
    Sony in talks with some of the players for digital distribution of content and we have already got Jump TV on board in this space. We are in advanced stages of talks with some of the European and US players and an announcement in this regard will be made soon.

    What are the issues that will foster an even faster mobile market growth in India?
    What is critical is creating best practices and formula for the industry. Industry practices should be standardised so that, it will encourage the players to roll out a variety of services. There should be flexibility in pricing. There is huge potential in areas such as voice offerings and subscription services. By working together as a team, we can capitalise on the huge growth potential the space offers.
    Will web streaming as a concept catch up in India?
    Web streaming is yet to catch up in the country because of the bandwidth issues. But, with falling broadband prices, it has got a huge potential to deliver, especially in the area of interactivity. If the government’s bandwidth targets for the fiscal are met, the market would undergo a tremendous change.
  • Draft Broadcast Bill: Big brother wants to do more than just watch

    Draft Broadcast Bill: Big brother wants to do more than just watch

    The draft broadcast regulations that the government is trying to put in place has its merits and demerits, but what is shocking is the way the lawmakers are going about the whole thing, most of which is shrouded in secrecy.

    That the draft Broadcasting Services Regulation Bill 2006, doing the rounds of ministries for feedback, is restrictive — to put it mildly — and draconian in parts is a story itself. But what is a bigger story is an attempt by the Congress-led coalition government to steamroll legislation through without taking industry stakeholders and others into confidence, thus making a mockery of democratic norms.

    It is a calculated effort to muzzle the media in general and incapacitate the electronic medium, which has its own powers because of the impact of visuals, in particular.
    _____****_____

    The attempt of the information and broadcasting ministry to quietly draft regulations for the Cabinet’s consideration, while denying at the same time that anything of that sort even exists, amplifies that the blustering of I&B minister Priya Ranjan Dasmunsi is not all gas. It is a calculated effort to muzzle the media in general and incapacitate the electronic medium, which has its own powers because of the impact of visuals, in particular.

    Cross media restrictions, powers bestowed on authorities to take action against the media and TV channels on the flimsiest of grounds, content censorship (which is being drafted separately, but could be made part of this Bill or legislation at a later stage) are all aimed at strangling the media.

    What make things scary is that the proposed autonomous Broadcast Regulatory Authority of India (Brai) has been given powers that permit it to run amok if interpreted incorrectly by it. Especially when Brai’s chief executive would be a serving government official of additional secretary’s rank, drawing a salary from the government and, naturally, having allegiance to the government.

    The flip side is that not all the clauses in the draft Broadcast Bill 2006 are new. Some of them do exist in some form or other in the Cable TV Network (Regulation) Act and other pieces of media legislation. References to cross media restrictions were made in the Broadcast Bill of 1997 too. And remember that never got past a joint parliamentary committee set up to examine it after being tabled in Parliament.

    The 1997 Bill stated that a person or a company will be allowed to hold licences in only one of the following category of services: Terrestrial Radio Broadcasting, Terrestrial Television Broadcasting, Satellite Television or Radio Broadcasting, DTH Broadcasting, Local Delivery Services and any other category of services, which may be notified by the Central government.

    In 1997, restriction of monopolies was more targeted towards newspaper houses. The Bill then had said that no proprietor of a newspaper will either be a participant with “more than 20 per cent interest in or control a body corporate, which is the holder of a licence to provide a licensed service under this Act.”

    Without criticizing a government’s right to make a law, what needs to be seen in a broader context is the way that right is used in a democratic setup.
    _____****_____

    This time round, the government has allowed interest in various segments of the media business, but capped them so low that effective concentration of power is totally neutralised to the extent of threatening to destroy various business models.

    Without criticizing a government’s right to make a law, what needs to be seen in a broader context is the way that right is used in a democratic setup.

    If we examine the draft of the content regulation, prepared by a sub-panel of a 30-member committee overseen by I&B secretary SK Arora, it hints at stringent content regulation, particularly for news channels. If okayed by lawmakers in its present state, it could well be the end of sting operations and coverage of issues where high profile politicians and personalities are involved.

    Sample this part: “TV channels must not use material relating to a person’s personal or private affairs or which invades an individual’s privacy unless there is an identifiable public interest reason for the material to be broadcast.”

    Who decides what constitutes an individual’s privacy? The government or the regulator? What this means of course is that it’s all up for interpretation.

    It is this scope for interpretation that is the most fearful aspect of this bill. More so since the onus of proving identifiable public interest lies with the TV channel and not the other way round.

    Additionally, the flat-footedness of the media industry and lack of consensus on important issues amongst the various stakeholders is incomprehensible, to say the least. The surprise that the draft Broadcast Bill 2006 — even if it’s an early draft for argument’s sake — has sprung on the TV industry, shows that people have been caught napping. Or, the industry thought the government was just talking gas.

    Either way, Delhi seems to be having the last laugh. Hang on, maybe not yet. There may still be some time left for saner voices in the government to stand up.

    But for that to happen, the media industry needs to project a united stand. Something like what was demonstrated when the Rajiv Gandhi government in 1988 had attempted to bring in a piece of legislation to muzzle the media. It took weeks of concerted opposition from Indian journalists to scupper an initiative to revise the law on defamation. It may be recalled that the government had rushed the Defamation Bill through the lower house of Parliament in August of that year.

    When we last commented on the ramifications of the Broadcast Bill, we expressed the view that there is a feeling of déj? vu that it may be another exercise in futility.

    It could well be in the industry’s collective interest to ensure that the draconian aspects of the Broadcast Bill suffer the same fate as the Defamation Bill of 1988.

    There are several ways of voicing their grievances and making sure that the industry voice reaches the powers-that-be. Indiantelevision.com believes it can function as a forum for debate, and would love to have comments from various constituents of the industry on the Broadcast Bill 2006.

    Send in your mails to editor@indiantelevision.com. And let’s work towards building a more robust television sector – keeping in mind the government, the industry and foremost of all, the consumer.

  • MTV charts a Viacom growth path for India

    MTV charts a Viacom growth path for India

    MUMBAI: Freeing of cash flow and focus. That primarily is what the split of Viacom into two entities at the beginning of the year means in practical terms for the MTV Networks India team headed by Amit Jain.

    What Jain has before him is a five-year growth plan that sees India contributing “significantly” to the global revenues of Viacom Inc. That Viacom president and CEO Tom Freston is an “Indophile” seems to be a huge plus as far as Jain is concerned, particularly because India, South America and Europe (in that order) are seen as the key growth markets for the media conglomerate over the next five years.Questioned as to how and where he saw revenues coming considering that music channels have been steadily losing share of voice and mind in the broadcast space, Jain had this to offer.

    According to Jain, broadcast would remain the key revenue source for his network in India but its share would go down to two thirds in the course of the next five years. The remaining one third revenues will come from new media platforms like mobile and broadband and also from the movies business (Paramount’s acquisition of Dreamworks will mean significant ramp ups on the animation side as well, particularly as India is seen as a strong outsource hub).
    MTV BRAND TO BE LEVERAGED

    The three channels that MTV has launched in India will pretty much set the template as far as the network’s broadcast script unfolds.

    First there is Brand MTV, which will be at the centre of a slew of undertakings ranging from market activation, creative solutions, youth understanding, client branding. The central premise of all this is that “Viacom brand solutions can be devised and tailored to unique brand needs”.

    NICK TO GET MAJOR PUSH

    From a long term channel growth perspective, it is Nick that will provide the momentum, not MTV. And while Jain admits that the kids channel in his network, despite early mover advantage, has singularly failed to make an impact, he believes that is all about to change. And sooner rather than later.

    The first task, according to Jain, is to get back to the basics and get the programming, scheduling, packaging and distribution on track. Once these issues have been sorted out and “cleaned up”, then budgets for driving the channel forward will not be an issue, he asserts.

    The fact of the matter though is that a home grown channel like UTV’s Hungama and an international powerhouse like Disney, despite having entered the Indian market years after Nick first made its debut, have all gone ahead. So its going to require a committed and sustained effort for Nick to be anywhere in the reckoning. Whether Viacom will seriously show Nick the money is the moot point.

    VH1 WILL ULTIMATELY BE A DTH STORY

    It’s been 18 months since international lifestyle and music channel Vh1, which targets an older TG, launched in India and the management is more than satisfied with its performance, asserts Jain. Vh1 is on target both as regards advertising and distribution revenues, he points out. “By the end of the year (Viacom has a January to December fiscal) Vh1 will hit break even,” says Jain.

    But Jain does admit that Vh1 and other niche offerings from the MTV Networks stable like Comedy Central, CMT: Country Music Television, Spike TV and the like can only offer any real returns if they are on addressable platforms. For these channels therefore, it will be the rollout of DTH in the country that will likely determine their arrival.

    MOVIES AND NEW MEDIA

    Jain’s reference to the movies ties in with what Freston had to say while speaking at the Ficci Frames media convention in Mumbai earlier this year. Which was that Viacom was looking to co-produce films in India instead of merely exporting its films in to the country through its partner United International Pictures (UIP).

    The India movies picture remains a hazy one at present though, considering that about the only products of note have been the spoofs dished out by MTV’s movie making unit (and aptly titled) Fully Faltoo Films. Its most recent offering Ghoom, which was a spoof on last year’s action hit Dhoom from the Yash Raj Films banner, only serves to emphasise the quirky nature of MTV India’s movie offerings.

    As for mobile and broadband, it will depend again on bandwidth capacities that telecom players in particular will be able to roll out.

    While MTV Asia Pacific has been able to enter into a collaboration with Korean multimedia developer Wizmax to launch a customizable on-demand music and entertainment broadband and mobile community platform in Korea called MTV BoomBox, something similar in India looks to be a while away.

    Having said that, it is MTV BoomBox that will serve as a model for customisable MTV platforms in the broadband and wireless content services arena in India as well.

  • HTMT divests stake in Hutchison Essar for $450 million

    HTMT divests stake in Hutchison Essar for $450 million

    MUMBAI: Hinduja TMT Ltd. (HTMT) will be divesting its entire 5.11 per cent stake in Hutchison Essar Ltd (HEL) to Hutchison Telecommunications (India) Ltd. for $450 million.

    The company, with its two wholly owned subsidiaries InNetwork Entertainment Limited (INEL) and Pacific Horizon Limited (PH) and Hinduja Group’s Mauritius based company Kumbat, have entered into a definitive agreement for the stake sale. IndusInd Telecom Network Limited, an SPV (special purpose vehicle), held the shares. Hutchison Telecommunications is an indirect wholly owned subsidiary of the Hutchison Telecommunications International Ltd.

    IndusInd Investment Bank acted as the sole financial advisor to the deal.

    Prior to this sale, HTMT completed the acquisition of the entire shareholding of Sumitomo Corporation in Pacific Horizon. HTMT’s effective shareholding in HEL, thus, increased from 3.45 per cent to 4.68 per cent.

    “The Board decided to monetize its investment in HEL to unlock the value for its shareholders and accepted the offer made by HTIL. The proceeds from the divestment of this stake sale will not only help the company to aggressively pursue its growth path in its businesses but will also enable it to explore opportunities in new lines of businesses,” HTMT executive chairman Ashok P Hinduja said.

    HTMT’s board, which met today, also announced the consolidated results of its media and telecom subsidiaries and IT / ITES-BPO operations. A dividend of Rs 7.50 per share (75 per cent on the par value of Rs 10 per share) for FY06 was recommended, amounting to an outgo of Rs 306.8 million.

    HTMT’s consolidated operating income for the year increased by 37 per cent from Rs 3.18 billion in FY05 to Rs 4.37 billion in FY06. The global IT/BPO revenues increased from Rs 2.02 billion to Rs 3.01 billion during this period.The consolidated total income for the year was Rs 4.69 billion as compared to Rs 6.13 billion during the year-ago period. The previous year income included an extra-ordinary income by way of capital gains of Rs 2.79 billion arising out of swap of shares in Fascel with shares in HEL in the books of its subsidiary IndusInd Telecom Network Ltd. HTMT’s share of profit from the said swap booked during the year was Rs 1.73 billion.

    “The consolidated net profit for the year after considering minority interest was Rs 259 million, which is not comparable with previous year for these reasons,” the company said in a release.

    HTMT’s standalone total income during the year rose 50 per cent to Rs 2.51 billion as against Rs 1.67 billion a year ago. Net profit for the year, however, was lower at Rs 402 million as against Rs 700.5 million. “The performance was impacted mainly due to loss of a US based telecom client during the previous financial year, for which HTMT was operating an inbound call centre at Bangalore at minimum guaranteed volumes. This was coupled with large set up costs on account of furious ramp-ups in the company’s newly started domestic BPO operations,” the release said.

  • AOL announces nominees for 2006 ‘TV’s Top 5! Viewer Awards’

    AOL announces nominees for 2006 ‘TV’s Top 5! Viewer Awards’

    MUMBAI:AOL announced the nominees for the 2006 TV’s Top 5! Viewer Awards honouring television’s most talked-about moments from the past year in unique categories such as Best Trainwreck Moment, Best Steamy Smooches Moment and Best Creature Comforts Moment.

    The finalists and winning moments are determined solely by fan voting, which opens today at 6 PM (EST) on the web at AOL.com/television (http://www.aol.com/television).

    Beginning today at www.aol.com/television, fans can view all the nominated moments and vote for their favorite in each category. The five finalists, one from each category, will be announced on 7 August. Voting will then re-open to determine the season’s best moment of all. The winning clip will be revealed on 21 August. This is the fifth year that AOL Television has celebrated the year in TV by letting the fans pick the best moment.

     
    The following are TV’s Top 5! Nominated Moments for 2006:
    BEST TRAINWRECK MOMENT:

    — Mrs. Perrin has a meltdown on “Trading Spouses”

    — Andre sobs uncontrollably on “Project Runway”

    — Isaac Mizrahi gets hairy on E!’s “Live From the Red Carpet”

    — Donald Trump flirts with his own daughter on “The View”

    — Paula goes off on Simon “American Idol”

    BEST OH SNAP! MOMENT:

    — Nate has a seizure on “Six Feet Under”

    — Edgar dies of nerve gas on “24”

    — Tony gets shot by Uncle Junior on “The Sopranos”

    — Michael kills Ana Lucia and Libby on “Lost”

    — Chris Daughtry is eliminated on “American Idol”

    BEST CELEB DID WHAT?! MOMENT:

    — Ellen flips a bird on “The Tonight Show With Jay Leno”

    — Reese feuds with Biff on “The Late Show With David Letterman”

    — Jennifer Garner accidentally reveals her baby’s sex on “The Tonight Show With Jay Leno”

    — Letterman tears apart Bill O’Reilly on “The Late Show With David Letterman”

    — Star gets hit by a football on “The View”

    BEST CREATURE COMFORTS MOMENT:

    — Leno gets bugged out on “The Tonight Show With Jay Leno”

    — The world’s ugliest dog shows up on “Last Call With Carson Daly”

    — A family of super dogs wow the crowd on “Live With Regis & Kelly”

    — A dog catches a Frisbee while on his hind feet on “The Late Show With David Letterman”

    — Ellen gets a great big puppy hug on “The Ellen DeGeneres Show”

    BEST STEAMY SMOOCHES MOMENT:

    — Kate surprises Jack with a kiss on “Lost”

    — Carlos makes a tantalizing offer to Lynette on “Desperate Housewives”

    — Jim lets Pam know how he feels on “The Office”

    — Derek and Meredith give into their passion on “Grey’s Anatomy’”

    — Joy smooches Meredith before she leaves “The View”

    The nominees have all been featured on TV’s Top 5!, AOL Television’s daily recap of the best five moments of the previous day based on fan response and input from AOL Television’s editors. Fans can view these moments at aol.com/television and give feedback on their favourite clip of the day. The nominees are among the most viewed and highest rated moments from the past year, according to an official release.

  • MobiTV announces availability of its mobile TV Service on Windows mobile platform

    MobiTV announces availability of its mobile TV Service on Windows mobile platform

    MUMBAI: MobiTV, Inc., a global player in television and digital radio services for cellular, WiFi and broadband enabled devices, has announced the immediate availability of the MobiTV service for Windows Mobile powered phones and devices. Windows Mobile 5.0 Smartphones feature full-screen viewing, a home-like electronic programming guide and much more.

    “We already support over 100 different mobile devices and are excited to offer this new version for Windows Mobile powered devices,” says MobiTV product management director Ben Feinman. “Windows Mobile is particularly well-suited for multimedia and the experience is amazing. We think everyone needs to see it to believe it.”

    “Windows Mobile enables people to have a single device that goes beyond email and can be customized to suit their active lifestyle,” adds Microsoft Corporation lead product manager James Pratt. “The combination of Windows Mobile and MobiTV delivers a rich multimedia experience empowering people to take their favorite entertainment with them wherever they go.”

    “At Handango, our customers expect to find the latest and greatest mobile content for their devices, which is what our exclusive release of MobiTV’s Windows Mobile applications provide,” says president and chief executive officer of Handango, Randy Eisenman. “The MobiTV subscription application, which utilizes the Handango Mobile Billing API, is a great way to stay entertained while on the go. We are excited to partner closely with MobiTV by powering its storefront with the Handango Commerce Engine, as well as providing our customers with yet another outstanding Windows Mobile product.”

    MobiTV and Microsoft recently demonstrated the MobiTV service on Windows Mobile-powered devices, as well as on the Microsoft Windows Media platform for the launch of MobiTV’s new PC service, states a release.