Category: Television

  • Nickelodeon launches live-action interactive series ‘The Upside Down Show’ in the US













    MUMBAI: Preschoolers will “just press play,” as Noggin, the commercial-free, educational preschool network from Nickelodeon, introduces a new form of interactive viewing for preschoolers, on its new, original, live-action series, The Upside Down Show.


    Starring comedy duo, The Umbilical Brothers (David Collins and Shane Dundas), the 13 episode half-hour preschool series developed by Sesame Workshop, the nonprofit educational organization behind Sesame Street will debut on Noggin on 16 October with two back-to-back episodes from 11:00 am – 12:00 pm (ET). Beginning Friday, November 10, The Umbilical Brothers can be seen performing in Manhattan at The New Victory Theater with their comedy show Speedmouse.


    Noggin will premiere a new episode every Monday, Wednesday and Friday at 4:30 pm (ET) for four weeks straight through Friday, November 10. The Upside Down Show will air regularly on Noggin weekdays at 11:00 a.m. and 4:30 pm (ET), informs an official release.



    The Upside Down Show provides a fresh new way for preschoolers to interact by learning critical thinking skills, rich vocabulary and relational concepts and life skills through pretend play. The series elevates the concept of imaginative play to a new platform in which children build valuable reasoning skills, develop creative problem solving abilities and enhance their understanding of and joy in the world around them. The remote control featured on the series becomes a fun tool to help children learn unique vocabulary and relational concepts, as well as to play along with these completely original, imaginary stories.


    Set in a fantastical living room with more doors than walls, The Upside Down Show stars David and Shane, two brothers who live with their fun-loving sidekick Puppet, their invisible pet fly Fido, and the Shmuzzies, adorable fluff balls who speak “Shmuzzish” and love to rhyme. Each episode begins as the brothers “hand” an imaginary remote control to the viewers at home so they can “control” the duo‘s physical motion by fast forwarding, rewinding or pausing their movement. Breaking “the fourth wall” of the television set, the brothers encourage their audience to participate in their antics and accompany them on their excursions.


    Every week, the duo will embark on a journey to explore new infinite worlds like the Very Hairy Room, Wind Room or Puppy Room, and everyday destinations like the beach, the airport or the movies. But Shane and David need help from their friends and viewers at home, as they don‘t know where their destination is or how to get there! They take detours through magical doors in their apartment which allow the brothers — and the preschoolers playing along — to investigate the world around them, adds the release.


    “David and Shane may be the two funniest men on the planet. They are silly, spontaneous, ridiculous, amazing and on the perfect wavelength for preschoolers,” said Nickelodeon Preschool Television executive creative director Brown Johnson. “The Brothers make ordinary things extraordinary — from taking a trip to the art museum or the beach to visiting wacky places like the sticky room, the no-room room, or the sandwich room, where they achieve ‘total sandwich.‘ They make me laugh every time!”


    “We‘re very excited about the debut of The Upside Down Show, which is very different than other preschool shows,” said Sesame Workshop‘s executive VP/Creative Director Liz Nealon. “Pairing the irresistible antics of the Umbilical Brothers with the Workshop‘s understanding that young children learn best through imaginative play has created a special kind of alchemy. We‘ve worked hard to make sure that this offbeat and funny show also serves up serious school readiness — teaching and reinforcing cognitive thinking and language skills, and fostering a sense of mastery and self- confidence, all while keeping kids laughing and engaged.”


    Noggins‘s website http://www.noggin.com will feature a variety of content to complement the premiere of The Upside Down Show, including an online game where preschoolers can personalize an imaginary play experience with Shane and David by creating their own interactive video. The site will also feature downloadable clips from the series and several activities including The Upside Down Show printables, crafts, E-cards and more. Nick Jr.‘s website http://www.nickjr.com will also launch The Upside Down Show interactive game and activities, in addition to featuring a dedicated playlist of clips from series on Nick Jr. Video.

  • ICC starts meetings with broadcasters, agencies

    ICC starts meetings with broadcasters, agencies

    MUMBAI: The International Cricket Council (ICC) today began meetings with broadcasters and agencies in Dubai, marking the latest stage of its sale of media and sponsorship rights for ICC Events from late 2007 to 2015.

    Included in the eight-year period under discussion are 18 ICC tournaments with two ICC Cricket World Cups, in Asia (2011) and Australasia (2015), and a minimum of three ICC Champions Trophy tournaments. Also included are the first two ICC Twenty20 World Championships, in South Africa (2007) and England (2009), the latter taking place in the ICC’s centenary year.

    And there are Cricket World Cup qualifiers, four ICC U/19 Cricket World Cups, and for the first time, the Women’s Cricket World Cup, with two tournaments scheduled for 2009 (Australia) and 2013 (India) in the eight-year time frame.

    Potential commercial partners that meet the ICC’s criteria for bidding have been invited separately to Dubai.

    The ICC’s team of negotiators include former President Ehsan Mani, who played a key role in securing the current agreement with the News Corp owned Global Cricket Corporation (GCC) through News International Limited.

    Further details and updates of the sales process will be announced in due course.]

  • AETN to showcase 300 hours of programming at Mipcom

    AETN to showcase 300 hours of programming at Mipcom

    MUMBAI: AETN International reaches Cannes for Mipcom with over 300 hours of new programming, featuring real-life series from the A&E Network and documentary series and specials from The History Channel.

    The new real-life family series Gene Simmons Family Jewels (13 x ½ hr) follows Kiss. Mom is Shannon Tweed — former Playmate of the Year, actress and model. And their kids, Nick and Sophie, are, well…surprisingly charming, well-behaved teenagers dealing with the trials and tribulations of adolescence, even though Mom and Dad are like no one else’s parents. Gene and Shannon have been happily UNmarried for 23 years and have no plans of getting married any time soon. Gene is a rock star, and a multi-media magnate. He is also the kind of dad who brings Gatorade to his daughter’s soccer games and stands in the front row of his son’s rock band when they play gigs.

    Gene Simmons Family Jewels reveals the side of Gene that he has kept hidden until now, and shows how the most non-traditional, traditional family in America manages to make it work under the oddest of circumstances. Produced by The Greif Company/A Day With, Inc and the Gene Simmons Company for A&E Network, informs an official release.

    A high-speed real-life series, Driving Force (14 x ½ hr) stars racing legend John Force and his three drag racing daughters. John Force is the most accomplished and dominant figure in the sport of drag racing, a form of auto racing, with 119 career victories and an unprecedented 14 team championships in 16 years. The hook of the show: John is the father of four beautiful daughters – 36-year old Adria who has managed the finances for John Force Racing corporate headquarters since she was 20, and 23-year old Ashley, 19-year old Brittany and 17-year old Courtney, all of whom are following in their father’s tracks competing in the male-dominated field of high-speed drag racing. Racing is the backdrop for this true-life comedy that follows a father trying to bring his family together while also preparing for the next championship run. Driving Force is shot in HD. Produced by Schmaguuli, LLC for A&E Network.

    DOCUMENTARY FEATURES & SERIES

    Combat Diary: The Marines of Lima Company (two hours) is an unflinching look at the war in Iraq, literally seen through the eyes of the Marines of Lima Company, which was hit harder than any other combat unit in Iraq; out of a company of 183 Marines, 23 died in combat. Using footage shot by the Marines themselves, including firefights, road-side explosions, soldiers playing around in their barracks and video letters home, Combat Diary: The Marines of Lima Company tells the story of the men who died and those who survived. Shot in HD. Produced by Viewfinder Productions, Inc. for A&E Network.

    It is the oldest document of Western Civilization – a story that spans 4,000 years, and has remained secret… until now. The Book of the Dead is the first written description of any religion, the first time mankind wrote down their philosophy, the first time man expressed belief in heaven or a paradise afterlife, and is the likely source of the Ten Commandments. The Egyptian Book of the Dead (two hours) follows the ancient scroll from its creation in around 1800 BC near the site of the ancient Egyptian city of Thebes, to its re-discovery – and theft – in 1887, and the modern story its translation and resurrection. Shot in HD, the documentary features CGI and dramatic reenactments. Produced by Morningstar Entertainment for The History Channel.

    FORMATS

    Big Spender (13 x ½ hr) is a financial rescue series. Host Larry Winget, a behavioral change expert who has personally traveled the road from rags to riches, uses a combination of strategies to help couples and families move from financial wreckage to responsible spending habits. In each episode, Larry confronts a family about their problem and gets them to agree to three weeks of financial boot camp. During this time, Larry uses his “tough love” people skills to get the family to take responsibility for their actions with a myriad of activities customized to alleviate their particular situation and lead them to financial health. Larry Winget is a renowned speaker/ author/consultant, and is the author of Money Is Easy and Shut Up, Stop Whining and Get a Life. Produced by North South Productions for A&E Network.

    Confronting Justice (10 x 1 hour) is a dramatic real-life series that explores the lives of people most affected by a serious crime: the victims, their families and the offender. The story of a painful event and its consequences are told first-hand by those directly involved as they prepare for an emotionally-charged face-to-face meeting. The victims and their family members hope to find answers to painful questions and the offender may find some answers too. Confronting Justice unflinchingly reveals this emotional, yet powerful encounter, which changes the lives of those involved forever. Produced by New Line Television in association with Cinemaria for A&E Network.

  • Worldspace inks cricket rights deal with Espn Star Sports

    Worldspace inks cricket rights deal with Espn Star Sports

    MUMBAI: Worldspace Satellite Radio has signed an exclusive broadcast license agreement with Espn Star Sports to provide subscribers with live audio coverage of cricket, further enhancing its content offering and providing consumers with a truly unique listening experience.

    Under terms of the agreement, Play, the Worldspace -branded all sports channel for South Asia and the Middle East, will have exclusive broadcasting rights throughout South Asia for 12 tours and over 200 days of cricket comprising both test matches and one-day internationals.

    Three of the 12 tours include India — Worldspace Satellite Radio’s primary market in the Asia region. Coverage begins 19 November, 2006 with India’s tour of South Africa, and runs through February 2008, with conclusion of the India-Sri Lanka-Australia Triangular Series in Australia, informs an official release.

    “The exclusive acquisition of these premier cricket internationals is another demonstration of Worldspace’s continued commitment to providing the best in audio entertainment for our listeners,” said Alexander Brown, co-chief operating officer, Worldspace.

    Subscribers will have “ball-by-ball,” real-time coverage of all matches as well as a host of ancillary programming surrounding each match. The coverage will feature matches with the national teams from India, Australia, England, New Zealand, South Africa, Zimbabwe, Sri Lanka, and the West Indies, and will also include the biennial Australia-England test series, “The Ashes.” Broadcasts can be received in countries covered by the Worldspace AsiaStar satellite’s West Beam and include: Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, Sri Lanka, Bahrain, Qatar, and UAE.

  • Optimystix has format down pat; looks to widen view

    From being the first Indian production house to tie up with two international format owners to foraying into fiction, Optimystix has been experimental. The production house will be completing six years of their existence in October this year. And with a total of 11 non-fiction shows and one fiction show telecast on leading broadcasters like Star, Sony, Zee, Nick and Pogo, over six years of their existence, Optimystix this year, has its kitty full with a reality talent hunt show to be launched in October. The production house also plans to venture into film production and set up an advertising division by early next year.
    Sanjiv Sharma, cofounder of Optimystix

    On entering the Optimystix office, located at a suburb in Mumbai, the first thing that catches your eyes is the office décor, which highlights the colour used in the logo of the production house. Saffron, Blue, Green and Golden…

    Ask the “Optimistic duo” or the founders of the production house, ad film director Sanjiv Sharma and writer director Vipul Shah, about it and pat comes a reply, “It is a simple logo. Four bands of colours in the logo depict four earth colours. Saffron is the colour of India, Blue-the colour of water and sky, Golden depicts wheat and Green is nature. And as all these elements of nature don’t meet, similarly the edges on the logo don’t meet. It is symbolic to wide varieties of programmes that we have been making, which has no similarity with each other.”

    Sanjiv is quick to quote a line from Shakespeare, “Greatness is thrust upon you,” and this is what happened with Optimystix. While working on Khul ja sim sim in 2001, we got the understanding of the business. It wasn’t the hottest formats like KBC. Yet it managed to capture the Indian audience. So the point is that it is not necessary that we get the most popular formats. It’s about understanding the Indian mindset and getting the best format for adaptation.”

    Vipul adds, “Khul ja Sim Sim gave us the recognition as a production house in format business.”
    Optimystix tasted success with Indian Idol part one

    But it was Indion Idol part one in 2004 which reinforced their position in the market. At that time, Optimystix had a three-man leadership team that included Rajiv Vyas as well. Vyas joined Optimystix as its CEO in October 2003, soon after he quit cable MSO InCableNet where he was CEO. Vyas was with Optimystix till March 2006. It was during that period that the production house not only produced Indion Idol, but also struck a deal with two international format owners, Sparks Network and Zodiak International.

    Queried as to the reasons for Vyas’ departure, Sanjiv says, “He got better opportunities and decided to move on.”

    While Indian Idol was a sort of watershed landmark in Optimystix’s evolution, the production house could not be a part of the second series of Indian Idol. So the Vipul-Sanjiv duo continued their efforts to remain in the position of format owners.

    The Road To Victory:
    Founded by Sanjiv and Vipul in October 2000 with an aim of producing world class programming for Indian television, the production house has come a long way.

    Vipul started his career about a decade ago as writer with sitcom Dekh Bhai Dekh, after which he went to write popular shows like Philips Top Ten, Battle of Bollywood, Zee Horror Show, BSA Star ki Pasand and I Love You to name a few.
    It takes two to ‘tango’, Sanjiv Sharma and Vipul Shah

    Sanjiv has had a successful stint as an ad filmmaker with nearly 1,000 ad campaigns to his credit. The talented twosome met during the making of BSA Star ki Pasand and since then there has been no looking back.

    Six years down the line, the production house has undoubtly managed to attain the objective of bringing quality entertainment into the television industry.

    And when asked, why a name likes Optimystix Sanjiv says, “Why not Optimystix?” Vipul then explains the meaning. He says, “Optimystix is a combination of two words. First is Optical, which deals with optics and the second are Mystix, which means mystery. Therefore, we relate story telling as being mystical.” The camaraderie between the two is such that that you are tempted to call it endearing.

    From format shows to reality shows… including fiction, the production house has done it all. A sneak peak into Optimystix through the eyes of its creators.

    Formats: Format shows are currently in vogue in the Indian television market, with every broadcaster having one or more reality format shows running. Optimystix has also managed to carve its own space by being the first production company in India to tie up with two international format owners to exclusively market their formats in India. Both tie-ups were announced at MIPCOM, Cannes October 2005.

    One is Zodiak Television, which is a leading international TV-format distributor based in Copenhagen, Denmark. Kam Ya Zyaada launched on Zee Television on 12 December 2005 was based on a format owned by Zodiak TV, and adapted for India by Optimystix. And the other is Sparks network. But as Sanjiv puts forward. “With Sparks’s network, it was not a tie up. Rather it was getting on board with 12 independent producers from Europe and one from South America. Optimystix, being the only Asian company in its network.”
    ‘Khul ja Sim Sim’ was the first format show from Optimystix

    Some of the formats adapted from Sparks were Khul Ja Sim Sim (Let’s make a deal) on Star Plus, Kismey Kitnaa Hai Dam (Night fever) on Star Plus, Indian Idol (Pop Idol) on Sony, Dum Dum Dum on Nick and Bum Bum Bum Gir Pade Hum on Pogo.

    And this year at Cannes, they plan to go a step further by not only buying formats but selling its indigenously developed format to production houses in France and USA.

    With their shows, Kam ya Zyaada (Zee) and Jet set go (Star one) coming to an end, with a lukewarm response this year, there has been a decline in the programming hours of Optimystix.

    But in 2007, Optimystix will once again be adapting a “Zodiak Format” (Stars on the Stage), which will be launched on Star early next year, “In this show, a trained singer would train a celebrity. For instance, Sunidhi Chauhan will train Ronit Roy and both of them will perform together. They will be judged on the basis of their performance. Besides this particular format two other formats will be locked soon,” informs Sharma.
    Stills from ‘Yeh Meri Life Hai’, the first fiction show from Optimystix

    Fiction: The production house forayed into fiction with Yeh Meri Life Hai in 2004. The serial had a run of 323 episodes from May 2004 to November 2005. “It ran parallel to Jassi Jaisi koi Nahi, which was considered to be the most successful property on Sony,” says Sharma.

    Future plans on fiction: Plans are afoot to launch two fiction shows by March 2007. And each show will be targeted to a 600 episode running. As put across by Sanjiv, “Our team is already in place. Vipul, being a writer is working on the shows.”

    Film Production: In all these years, Optimystix have established themselves as major players in format shows on Indian television. With a script writer and director at home, Optimystix plans to get into film production next year. “Our objective is to be in every genre of entertainment,” asserts Sharma.

    Without revealing much, Vipul says, “There are two subjects that we have worked on. One would be a crossover film and the other film would depict a journey of a middle class girl.” But if given a chance Vipul says that, as a team they would like to make a comedy film. “A comedy film with a message-to be more precise… Something like Lage Raho Munnabhai.”

    Take on the Optimystix team:
    The optimistic team of ‘Optimystix’

    We are a team of around 40 people. “We believe in having the best people with us… not necessarily experienced, but definitely bright people. The stress is on the creative mind,” says Vipul. Sanjiv adds quickly, “As a result of which we are proud to have a fantastic team of creative people as well as a management team. And as far as the production team is concerned, since most of them are with me since my advertising days, they have an eye for detail. And all of them have a hunger to prove a point.”

    Motto: To be the best… “We work as a football team and not a cricket team. As in a football team when you know that you pass the ball down to someone… the person will try to the best of his capabilities to take it to the net. Its teamwork and trust put together. ”

    Future plans: There are three major divisions of Optimystix right now. One is the TV (India), the other is Focus (which deals with International projects and development work) and the third is the Emerging media division. Sanjiv elaborates, “Our plan is to set up an advertising division by January next year. In the next few months, say six months from now, we will tie up with Dentsu on a few productions. We will also be getting into a partnership with an Australian company Ambience Entertainment. It doesn’t stop here. It’s like an organic process. More people, more creative minds and better output at the end of it.”

    There are six ideas on which the creative team of Optimystix is working and by March end next year, Optimystix plans to have eight international properties in its kitty.

    On Cine star ki khoj 2: Zee has awarded the production duties of Cinestar Ki Khoj 2 to Optimystix. The shooting schedule has started and the show will be launched in October. We are involved largely in two key areas, “Production support and format. The set this time will be different from the one in first series. We have worked with Umang on the sets,” informs Sanjiv.

    Five years from now: Next to Walt Disney and Pixar. Sanjiv says, “Creative leadership propels the company, not the desire to amass wealth and going by our approach and vision will lead us to that position. After five years we see ourselves as an entertainment company working in association with a creative team which becomes the cynosure of media at that point of time.”
    Vipul Shah, cofounder of Optimystix in conversation

    Finally Sanjiv on Vipul:
    We are totally different but our goals and objectives are the same. When two people stand and look at a horizon and dream of reaching it one day following two different paths, the result will be unexpected. He is the man who understands the need of television as a medium better than anybody else. My advertising background gives him technical support.

    Vipul on Sanjay: It’s about aesthetics. Latitude between two people. When two sets of values cojoin to the same people… the success rate is higher.

  • Disney unveils its first branded apparel store ‘Disney Jeans’ in Mumbai

    Disney unveils its first branded apparel store ‘Disney Jeans’ in Mumbai

    MUMBAI: Disney India has the launched the first of its non-character franchise stores ‘Disney Jeans’ in Mumbai.

    This is the first of 20 exclusive ‘Disney Jeans’ stores that Disney, along with Indus Clothing plan to set up between now and end-2007

    As reported earlier, Disney and Indus Clothing have inked a licensing agreement wherein the latter would be pumping in approximately Rs 210 million towards the setting up of the stores.
    The Disney Jeans concept will soon be followed by three more stores to be launched in Delhi with another two more opening in Mumbai. next on the list are Pune, Chandigarh, Dehradun and Kanpur.

    The first phase of expansion will target the Northern and Western regions while the Southern and Eastern markets will see Disney Jeans stores by spring next year.

    The core denim range is complimented with tees, fleece, jackets, woven shirts, woven bottoms and accessories in for kids between the age of 4-14 years. Elements such as adjustable waist bands which loosen and tighten according to the child’s growth, hook buttons that are easy for children to manage, offer a casual and fun option. T-shirts and tops will be priced from Rs 99 onwards while the range of jeans will be priced between Rs 800 – 1300.

    Explaining the rationale for introducing non-character merchandise as opposed to the much loved Disney characters, Softlines – Disney Consumer Products (DCP) Regional Director Lester W Lee said, “The non character market is seven to eight times larger than the character market, comprising almost 85 per cent and therefore we see this as a big opportunity for us. From packaging, labels and tags the range will bear the Disney identification.”

    The Disney Jeans product range will however, have cartoon strips and comics on the inner pockets and undercuffs of jeans. This range will also extend to accessories lie bags, hats, socks and footware.

    “We wanted to create a non-character apparel brand that kids like. Ultimately the range will evolve, to provide a total head-to-toe fashion experience for kids through diversification into footwear, eyewear, watches and innerwear,” added Lee.

    “The launch of Disney Jeans is an exciting milestone as we continue to build the depth and breadth of Disney brand among new consumers in India,” said The Walt Disney Company (India) MD Rajat Jain. “We are focused on delivering internationally successful products that appeal and offer great quality, “fashionability” and functionality and are appropriately customized for the local consumers.”

    Eyeing the ‘tween’ market as having great potential, Lee added, “Tween consumers are a key segment, they will be the new generation of spenders as they determine the trends in the market.”

    The Kids branded Apparel and Accessories market in India was at $ 600mn in FY’05 and is estimated to grow to $ 850mn by 2010. The Softlines revenue generated from Asia is pegged at 300 million, China making up for 40 per cent and India 10 per cent of overall revenues.

    “Indus Clothing continues to be the front-runner in the organized Indian fashion business. Our mission is to lead the apparel industry through a superior product portfolio, innovative technology and an unrivalled commitment to customer driven excellence. We have aggressive marketing and promotional plans to build and strengthen our portfolio of brands in India,” said Indus Clothing managing director HP Singh.

    In addition to an extensive retail push, ICL plans innovative marketing initiatives to drive optimum product visibility for the consumers. ICL also plans to invest around 210 million rupees to set up the exclusive ‘Disney Jeans Stores’ by the end of 2007. The number of Disney Jeans Stores is expected to be increased to 50 by year 2008.

    The brand is already present in France, Italy, Spain and Belgium. The range will be launched shortly in North America and other parts of Europe. In Asia, the brand is currently available in Taiwan, Thailand, China and in Hong Kong the store as even been extended to include adult merchandise.

  • Singapore’s media industry projects unified front with ‘Singapore Media Fusion’ at MIPCOM 2006

    Singapore’s media industry projects unified front with ‘Singapore Media Fusion’ at MIPCOM 2006

    MUMBAI: The Singapore media industry will consolidate its presence in the global arena under a unified front called “Singapore Media Fusion”, showcasing the industry’s collective richness and diversity at Mipcom 2006.

    The project was initiated by Media Development Authority of Singapore (MDA) and developed in consultation with local industry players in a process spanning one year. It articulates the attributes of the media industry – the bold and creative energy inspired by the collision and fusion of different cultures in the cosmopolitan Asian city.

    This year, fifteen Singapore companies will be showcasing their products and services at the Singapore pavilion, highlighting the country’s ability to work across the entire range of media activities and genres – from creative services to post-production capabilities, from live-action documentaries to animation series.

    MDA Chairman Dr Tan Chin Nam, said, ” In addition to lending consistency to the manner in which the Singapore media industry is represented and promoted, ‘Singapore Media Fusion’ enhances Singapore’s profile at the international level by projecting a unique voice that harnesses the collective strengths of our media industry, both in the traditional and new interactive digital media space. At the same time, local industry partners can also look to ‘Singapore Media Fusion’ as a common platform to showcase their success, one that helps us to achieve our goal of becoming a global media city.”

    Commenting on the industry’s strategic positioning, Mr Tony Chow, Singapore’s Association of Independent Television Production Companies’ President said, “Singapore Media Fusion aptly describes the cultural diversity of our industry, and our position as an ideal East-West gateway.”

    Concurrently, an online portal singaporemediafusion.com will be launched to cultivate an online community of local and international media practitioners who are interested in the Singapore media scene, whether they are seeking content, co-production partners or specialised media services.

    In the last couple of years, Singapore’s media industry has made significant inroads into the international market, with a slate of co-production projects with leading international players across various platforms, and an increasing demand for made-by-Singapore content.

    Singapore’s media scene has never been more exciting. In content development, Singapore’s media companies have made strides in the global arena with leading international players including: House of Harmony, a Germany-Singapore telemovie production that premiered to close to seven million viewers in Germany on ZDF in October 2005; Secrets of Battleship Yamato, a US-Japan-Singapore television documentary which was beamed to households in US, Germany and across Asia; One Last Dance, a China-Singapore triad film thriller directed by Max Makowski and slated for release end of this year.

    Increasing awareness and demand for Singapore-made content internationally saw Singapore showcasing its productions at Tous les Cinémas du Monde (All the Cinema of the World) during April’s Cannes Film Festival; Zodiac-The Race Begins, Singapore’s first 3-D animated full-length feature, was sold to more than 20 countries since it was launched at Cannes Film Market in 2005; PS I Luv U, Asia’s first made-for-mobile phone Mandarin drama serial produced by Singapore, has been acquired by telcos in six Asian countries.

    This year, Singapore’s animation house Scrawl Studios, sold its 2-D animated TV series Nanoboy to Thailand and South Korea, while 3-D animated series Katakune, a Singapore-China co-production, has been pre-sold to China’s CCTV.

  • IBC to offer its new show, ‘VIP Passport’ at Mipcom

    IBC to offer its new show, ‘VIP Passport’ at Mipcom

    MUMBAI: Taking viewers behind the velvet ropes and into the first-class life of a jet-setter, International Broadcast Communications (IBC) is bringing LUX Entertainment’s VIP Passport to Mipcom’s global marketplace.

    VIP Passport will take viewers into the exotic lifestyle of five American jet-setters as they party at the hottest nightclubs, dine at the most exclusive restaurants, shop at the trendiest boutiques and party at the finest locales around the world.

    The 13-episode weekly series serves up extravagant settings, with intriguing plotlines—sure to leave viewers craving more.

    “The world is obsessed with the lives of today’s socialites,” says Founder and president of IBC Jon Helmrich.

    “VIP Passport allows viewers to virtually experience a fantasy lifestyle. It takes you into a world full of the hottest parties, the finest champaigne and the world’s most exotic cars. I am confident that this visually stunning show will be a hit at this year’s market.”

    Destinations for the series include Paris, Milan, Monaco, Rome, Belize, Singapore, Tokyo, Las Vegas, New York, Miami and Los Angeles among others.

    The new weekly one-hour program has been cleared on the FOX Television station group in New York, Chicago and Los Angeles and is on track to be cleared in 85% of US television households by 30 October 2006, when the first-run series debuts in broadcast syndication.

  • Philippe Cardon to head Warner’s home video ops globally

    Philippe Cardon to head Warner’s home video ops globally

    MUMBAI: US media conglomerate Time Warner has announced that Philippe Cardon will head its home video operations globally. He is Warner Home Video (WHV) president, international. The announcment was made by WHV president Ron Sanders.

    Cardon will be responsibile for all WHV territories outside the US, with the exception of Canada. This is a newly formed position for WHV.
    Cardon was earlier WHV executive VP and GM Europe, Middle East and Africa (EMEA).

    The heads of the WHV regional offices (EMEA, Asia Pacific and Latin America) and the heads of the International Functional departments (International Marketing & Sales, International Supply Chain Management, and International Finance) will now report to Cardon.

    Sanders says, “Philippe has over 20 years of industry experience and has played a central role in the growth of WHV. Aligning International under one person will improve consistency, coordination and best practices across all the countries. This is particularly important with our maturing DVD business, and in the context of the launch of new technologies like High Definition and Electronic Delivery.” Cardon will continue reporting to Sanders.

  • Star Chinese Channel to debut SPTI’s Game Show Format

    Star Chinese Channel to debut SPTI’s Game Show Format

    MUMBAI: Singapore cable TV audiences will soon be able to enjoy Sony Pictures Television International’s (SPTI) unscripted game show format Blackjack Bowling on Star Chinese Channel, a popular entertainment channel in Taiwan.

    Called Lucky Star and hosted by well-known TV personality Hu Gua, the game show’s premiere is on the back of Star Chinese Channel’s launch on StarHub on 2 October, 2006, and marks the first broadcast of the game show outside Taiwan.

    The channel will broadcast 130 episodes of the first season of Lucky Star in Singapore. When the channel first launched Lucky Star in Taiwan in June 2005, it registered an audience of 6.6 million, and a 31-percent reach in viewership in the first three months. Since then, it has consistently been ranked among the top three most watched game shows on pay TV channels in Taiwan.

    The success of the first season led Star to license 212 episodes in the second season.

    Blackjack Bowling is the only show of its kind that combines two of the world’s favorite pastimes – blackjack and bowling. Just as the two simple elements of the roulette wheel and hangman were combined to create Wheel Of Fortune, SPTI united two activities that are popular throughout the world. Blackjack Bowling’s format is flexible and can be played in either a 30-minute or 60-minute format.