Category: Television

  • Reuters Television expands Teletrax agreement

    Reuters Television expands Teletrax agreement

    MUMBAI: Global broadcast intelligence company Teletrax has reached agreement with news agency Reuters Television to expand its monitoring footprint in key strategic worldwide regions.

    Teletrax says that it offers the first and only digital video monitoring and content tracking service that provides vital television intelligence on a global scale to video providers such as entertainment studios, news organisations, TV syndicators, and the advertising industry.

    Teletrax is a joint venture between Phillips and Medialink.

    At NewsXchange, the international news industry conference attended by more than 400 delegates from news organisations, Teletrax executives outlined the expansion of services to be provided to Reuters and Teletrax’s development of an array of new services: software tools to watermark content in both standard-definition and high-definition formats; software upgrades for watermarking digital, broadcast-quality MPEG-2 video files and for facilitating network integration into existing production systems; an easier- to-use interface; and an enhanced underlying technology that inserts a more robust, yet still imperceptible, watermark.

    Teletrax will add more than 30 new channels to its current global monitoring capability beginning in January 2007. To service Reuters’ needs, Teletrax will build monitoring sites in Dubai, Taipei, Taiwan; Seoul, South Korea; and Istanbul, the Turkish capital. Reuters requested the additional channels to track its news broadcasts more comprehensively across the globe, with these geographic areas becoming increasingly important to its activities.

    Reuters has been using the Teletrax suite of broadcast verification services to track ssubscribers’ actual usage of its news video across the world for more than four years.

    Reuters Television MD Tony Donovan says, “We have been very pleased with the intelligence Teletrax has been providing us on the use of our news coverage, and appreciate the way that Teletrax has evolved to meet our changing needs.

    “The data we receive provides us with very valuable editorial, marketing and developmental information, and has become central to our broadcast operations. In a logical progression of our partnership, we wish to expand the territories in which we monitor video so we are able to build a more detailed, complete, and ultimately,more global picture of how broadcasters use our news content.”

    Teletrax’s technology embeds an imperceptible and indelible digital watermark into video whenever it is edited, transmitted, broadcast or duplicated. A global network of decoders, or “detectors,” then captures all occurrences of the embedded video being transmitted via satellite, cable or terrestrially and generates tracking reports for the content owners.

    Reports of individual broadcast airings are delivered online in near real-time to each client’s custom-designed portal or in data file transfers. Each client’s broadcast activity is updated dynamically, 24 hours a day, enabling clients to respond immediately to reported results such as changes in end-user preferences or detections of unauthourised use.

  • Cricinfo.com expands portfolio; signs cricket experts

    Cricinfo.com expands portfolio; signs cricket experts

    MUMBAI: Cricinfo.com, which is part of the Wisden Group and provides cricket content across online, mobile, audio, print platforms, has signed on several cricket experts. They will be a part of Cricinfo’s team.

    The experts include Ravi Shastri, Ian Chappell, Sanjay Manjrekar and Tony Greig. Cricinfo.com has bolstered its audio service. It is called Cricinfo Talk. One segment is called The round table. This is a fortnightly discussion hosted by Sanjay Manjrekar on a hot issue in cricket. Last Saturday’s round table featured all the above mentioned cricketers talking about batsmen. Then there is the Tony Greig Show. He casts his eye on the games, players, issues. There will also be a section called Turning Points.

    This offers post match analysis. The cricket experts will also contribute writing pieces to the site cricinfo.com. Wisden group CEO Tom Gleeson said, “As a leading cricket media business Cricinfo has always associated itself with the best in the cricketing world. These names bring a wealth of opinion and distinct viewpoints that are respected by cricket fans
    across the world. They also reflect our commitment to develop the Cricinfo brand into one that interacts with our audiences on multiple levels.”

    Cricinfo.com editor Sambit Bal said, “ When cricinfo.com and Wisden.com merged in 2003 it was not merely a consolidation of businesses. It was the coming together of two striong ideas. Today the website is not merely the first and last destination for news and information about cricket but has also emerged as one of the games leading voices. Signing up a panel of experts who are known for their independent
    and originality is a significant step for us.”

    “Our editorial mission is simple – if there is cricket it must be covered. But there is much more to our coverage than breadth. It is about depth. It is about speed without sacrificing accuracy. It is about balance without losing the passion,” he added.

    “Cricinfo has writers from all over the world and they have been trained to look beyond their national boundaries. We aim to provide an objective but informed view. Thanks to the Wisden Almanack archives we have a match report for every match ever played. We call ourselves the home of cricket and we try to live up to it. Our millions of users rely on us to provide the ‘big picture’ because we combine local knowledge with global perspective.”

    Recently cricinfo.com launched its blogs section. Bal points out that blogs are proliferating faster than one can say cyberspace. “However Cricinfo’s blogs hold their own due to writers like Kamran Abbhasi and Tim De Lisle. We also have ex cricketers like Tony Greig as well as a current coach Bob Woolmer. However our blogs are also about readers who get to comment on every piece written and are fast forming a vibrant community for us.

    “Blogs allows our readers to not just follow the action but also be a part of it. A feature like blogs allows us to break new ground.”

    Cricinfo adds that that the avid Indian cricket fan has helped it grow. It claims that five million people globally followed the first India versus Pakistan test earlier this year. One in four visitors is Indian. The UK, and Australia each provide 15 per cent of cricinfo’s visitors. The US with their NRIs is also a significant market for cricinfo. Cricinfo.com says that last month Indian fans read more than 212 million pages of news, scorecards, match reports and profiles.

    Globally 151 million page views were recorded from 5.6 million unique users. This refers to different individuals visiting the site during the month. Cricinfo adds that a high point came
    in 13 February 2006 when over 1.25 million people wanted news about an ODI between India and Pakistan as well as VB series final from Australia. The classic match between Australia and South Africa where the latter chased down 434 runs in an ODI got 685,000 page views for the match report.

    Sachin Tendulkar is the site’s most visited player profile page. Cricinfo says that in one year its home page has got over half a billion visits.

    The Mobile Plans: Cricinfo also recently ventured into the mobile sphere. Its short code is 2742 and delivers information and entertainment products across verticals ranging from SMS to Wap. Its site is cricinfomobile.com. It provides content in india to Hutch, Spice Telecom, Idea and Tata Indicom. The
    content that it offers includes:

    – SMS. This means live scores, wicket alerts, news trivia, statistics and contests.
    – MMS. This refers to mwallpapers, games, realtoneas and other java based applications.
    – Wap – Wap.Cricinfo,.com offers live scroes, news, statistics, ringtones etc.
    – Connected platforms. Cricinfo Genie the firm says is the first connected cricket applicatio0n in India which allows mobile consumers to watch cricket live on their phones in a simulated format.

    Cricinfo Trivia Champ meanwhile is a connected trivia game that allows subscribers to compete against thousands of other cricket fans for weekly sweepstakes. Cricinfo Mobile also has dwals with mobile operators in the UK, Australia, Sri Lanka , Pakistan and Bangaldesh. There are now plans to roll out the service in the US and the Middle East since there is a large Indian expatriate community living here.

    Now Cricinfo Mobile will also provide match analysis of India matches, the Ashes and the cricket World Cup courtesy Ravi Shastri and Tony Greig.

  • FIH event’ ratings improving

    FIH event’ ratings improving

    MUMBAI: The International Hockey Federation (FIH) has announced that it has improved its television distribution and television ratings for its major events in 2006 compared to previous years.

    This improvement, which resulted to good figures, was achieved since the FIH decided to take the television distribution ‘in-house’.

    The Champions Trophies, besides the two World Cups two other major FIH events played in 2006, achieved a strong rating. The Rabobank Champions Trophy Women, played in Amstelveen, Netherlands, was shown for the first time on the Chinese terrestrial channel CCTV5.

    The Sahara Champions Trophy men, which took place in Terrassa, Spain, achieved high figures in Pakistan. The national channel PTV1 broadcasted four matches at prime time and achieved a TV rating of 44 per cent from an average of 12.95 million viewers.

    The BDO World Cup Men, played in Monchengladbach, Germany early September, was shown in 150 countries worldwide. This is an increase of 54 countries compared to the previous World Cup in 2002. The Samsung World Cup Women, which took place in Madrid, Spain from 24 September until 8 October, was also shown in 150 countries

    This is an increase of almost 100 percent. The final of the Samsung World Cup was watched live by more than 1.5 million Dutch hockey fans through the national broadcaster of Netherlands NOS. This is a market share of 33 percent, while almost ten percent of the entire Dutch population was watching the final.

  • Educational TV has positive effects on toddlers, preschoolers

    Educational TV has positive effects on toddlers, preschoolers

    MUMBAI: A new study in the US suggests that educational television programmes are successful in broadening young children’s knowledge, affecting their racial attitudes and increasing their imaginations.

    A study has been published in the November issue of Pediatrics, the official journal of the American Academy of Pediatrics.

    Researchers Dimitri A. Christakis, Michelle M. Garrison and Rupin R. Thakkar, MD, of the Child Health Institute, conducted a systematic literature search and identified a total of 376 articles dealing with children and television. Of these, 12 met the criteria of being a controlled trial. The 12 studies were conducted between 1973 and 2000 and focused specifically on television content viewed by children under age six and its impact on learning, racial preference, aggression, pro-social behaviour, self-regulation and imagination. None of these studies looked at infant television viewing or examined the content of videos designed for
    children.

    The research found that there is evidence to suggest that educational television programs, such as Sesame Street and Mister Rogers can aid in the acquisition of general knowledge plus improve overall cognitive knowledge among young children.

    There is also evidence in the literature that children’s imaginative play can be positively affected by television content. Furthermore, there is evidence that educational television programming that emphasizes diversity can improve children’s racial attitudes.

    On the negative side, there is evidence that television viewing can increase a child’s display of aggression. Children who watch aggressive programmes and cartoons with lots of violence can be more likely to engage in aggressive behavior than those that do not.

    Dr. Christakis says, “The bottom line is that content is key — high-quality educational programming can have a positive effect on children under age six. However, much more research is needed. It was disappointing that there are so few rigorous controlled trials of something that is so important and so prevalent.”

    The study’s researchers also stress the importance of AAP recommendations that parents avoid letting their children under age 2 watch television and that parents exert caution — such as setting limits on TV viewing, helping children develop media literacy skills to questions, analyze and evaluate TV messages, and taking an active role in their children’s TV viewing — for children over age 2.

  • 2008 Champions Trophy to see 8 teams competing

    2008 Champions Trophy to see 8 teams competing

    MUMBAI: One of the problems in the recently concluded cricket Champions Trophy is that it took a while to take off. A major reason for this is that you had the minnows Zimbabwe and Bangladesh playing in the first week.

    Recognising this fact, the International Cricket Council (ICC) president Percy Sonn has announced that in the 2008 edition, which takes place in Pakistan, there will be eight teams instead of the ten for this years event. “That should increase the intensity and excitement still further. The shape of the tournament has changed on more than one occasion since its inception as the ICC Knock-out in 1998 but there is no doubt this has been the best format yet.

    “It meant there was something riding on virtually every match and that helped provide a real competitive edge to proceedings” he said.

    Sonn also thanked India for hosting what he called an ‘outstanding’ ICC Champions Trophy.
    “Although world champions Australia came through to take the spoils, this was still a tournament that, more than any other in recent memory, illustrated the unpredictability of our great game.

    “The formbook was turned upside-down on more than one occasion, and matches such as Pakistan’s win over Sri Lanka, South Africa’s great comeback against Pakistan and the West Indies’ win over Australia in the group stages were illustrations of that.

    “The ICC Champions Trophy also showed how fascinating one-day cricket can be when there is a balance between bat and ball and that balance helped define this tournament.”

    Another highlight for Sonn was the way the players embraced the ICC’s dedication of the event to the Spirit of Cricket.

    Only one player – West Indies’ Chris Gayle – was found guilty of a Code of Conduct violation in the 21 matches.

    “We called on players and officials to honour the Spirit of Cricket in this tournament and my view is that they have done just that.

    “The sight of the two sides meeting to congratulate each other after each match was not something the ICC ordered players to do; it was a spontaneous gesture that simply caught on and it was wonderful to see.

    “And incidents like the one where Australia’s Michael Clarke refused to claim a low catch during a crucial stage of the semi-final against New Zealand without any recourse to the umpires will stick in my mind for quite some time.

    “My hope now is that the spirit in which these matches were played will continue for the foreseeable future.”

  • BSkyB’s Q1 revenues up 11 %

    BSkyB’s Q1 revenues up 11 %

    MUMBAI: UK pay TV platform BSkyB has announced results for the first quarter ended 30 September 2006.

    Revenues increased by 11 per cent to £1071 million.

    DTH subscribers increased to 8.258 million, net growth of 82,000 in the quarter. Sky+ households increased by 139,000 in the quarter to 1,692,000, represtning a 20 per cent penetration of total DTH subscribers.

    Multiroom households increased by 46,000 in the quarter to 1,093,000, a 13 per cent penetration of total DTH subscribers. HD households increased to 96,000, net growth of 58,000 in the quarter.

    BSkyB CEO James Murdoch said, “This has been an important period for the company. We are building on our leadership in pay television and are becoming an increasingly well positioned challenger in the £20 billion combined industry for pay television, broadband and telephone services. Sky has delivered the highest first quarter subscriber growth for three years and is seeing high demand across our range of services.

    “One in three families in the UK and Republic of Ireland are choosing Sky for the widest choice in television and now almost a quarter of those families take at least one additional product from us as well. While it is still early, we are pleased with the progress since the launch of Sky Broadband and in just 15 weeks, we’ve seen a great response from Sky customers. Our preparations, pace of provisioning and investments in service and systems to manage demand are performing well. Our strategy is leading to an increase in revenue growth with overall revenues up 11 per cent in the quarter.

    “Our expansion into new areas is supported by continued growth and strong financial performance with pay television EBITDA up eight per cent in the quarter. A wide choice of quality programmes, innovative services like HDTV, Sky+, and broadband are not only attracting new customers, but also offering new services to existing customers. There’s never been a better time to join in.”

    The total number of DTH digital satellite subscribers in the UK and Ireland was 8,258,000, representing a net increase of 82,000 in the quarter and the highest first quarter net subscriber growth since 2003. Strong demand for Sky’s broad range of products led to an increase in gross additions of 14 per cent on the comparable period to 325,000; gross additions were 34 per cent higher than those recorded in the three months to September 2004.

    Sky+ the firm says continues to exceed expectations, with over 20 per cent of all Sky households now taking the product. At 30 September 2006, the number of households subscribing to Sky+ was 1,692,000, an increase of 139,000. During the quarter, the Group reduced the price of Sky+ for existing customers, removing the necessity to take a Multiroom subscription, and thereby allowing them to upgrade at the same attractive rates as new joiners.

    Sky HD subscribers more than doubled during the quarter to 96,000, the fastest ever customer take-up of an additional Sky product, and already representing three times the sales levels achieved by Sky+ in its first year.

  • Multi-platform distribution strategy key to media success

    Multi-platform distribution strategy key to media success

    MUMBAI: In a report on the future of the global media industry Standard & Poor’s Equity Research Services says that traditional media companies will need to develop multiple content distribution platforms to exploit the growth of digital and wireless opportunities, as well as the growth of online advertising in order to grow their businesses.

    In the study Emerging Digital Strategies For Branded Entertainment Standard and Poor’s Media and Entertainment Equity Analyst, Tuna N. Amobi, explores the intersection of different digital growth strategies for traditional media companies. While in “Old Media and New Media-Friends, Not Foes,” Standard & Poor’s Internet Software and Services equity analyst Scott Kessler examines how traditional media companies could and should monetise their
    content via partnerships with online media firms.

    Amobi says, “If traditional media and content companies want to grow their businesses and maintain their relevance in the ever-changing entertainment landscape, they need to quickly devise and systematically execute new media strategies that are highly responsive to the digital entertainment revolution.

    “Regardless if it’s through acquisition, partnership or organic growth, these companies need to leverage the growth associated with online advertising and video, as well as the various paid content, wireless and video game channels or risk the perils of a continued audience fragmentation across these emerging platforms.”

    Kessler says, “Given the exciting opportunities and notable challenges constituted by this new Internet age, traditional media companies need to think big, and think differently. They will be best served by partnering with new media companies with specialised assets and competencies, rather than going it alone to monetise their content.”

  • The Laughter epidemic rages on Star One

    The Laughter epidemic rages on Star One

    Here’s your chance to catch the ‘Golden moments’ of The Great Indian Laughter Challenge Dwitiya as Star One showcases memorable instances of the show right from it’s inception till the final on Friday, June 30 at 10:00 pm. The show raged on for 18 weeks, chronicling the successes and struggles of some of India’s and Pakistan’s best comic talents. From Rauf Lala’s famous ‘Tarzan’ joke to the Pakistani Jodi’s Tak Taka Tak, from Khayali Saharan’s satirical comedy to Dr. Tushar Shah’s subtle punches, relive the emotions, nostalgia and nail biting moments as you journey with them till the ‘Hasi Ka Shahenshah’ is announced. Cruise along with the ‘Wizards of wit’ – Navjot Singh Sidhu and Shekhar Suman and a host of celebrity judges like Bipasha Basu, Hrithik Roshan, Priyanka Chopra etc. who were part of The Great Indian Laughter Challenge ‘Dwitiya’.

     

    For all those who missed out on The Great Indian Laughter Challenge ‘Dwitiya’, no need to fret! Make sure to tune-in and catch up on the ‘double dose of inimitable humour’ on Friday, June 30 2006 only on Star ONE.

     

    About the show:
    The show has been a phenomenon in itself, bringing the entire nation to a groundbreaking experience that had taken millions of Indians voting for their favourite contestants. The show also created a grandeur platform for upcoming comedians from India and across the border who demonstrated their creativity and gained phenomenal recognition amongst the comic aficionados. The show raged on for 18 weeks before culminating into the grand finale which saw Rauf Lala from Pakistan being crowned the winner. Rajiv Nigam from Mumbai was awarded the first runner-up position and Khayali Saharan, Pratap Fauzdar jointly shared the second runner-up place.

    For more information Contact:
    Komal Lath
    Vaishnavi Corporate Communications
    9819606441
    klath@vccpl.com

  • Star Movies pays a tribute with Absolute Bond

    Star Movies pays a tribute with Absolute Bond

    THIS NOVEMBER… EXPECT HOLLYWOOD’S BEST… EVERY NIGHT!!!

    This November, Star Movies has the ultimate treat for its viewers every single day of the month! Take a trip down memory lane with the best classics, Hollywood has ever produced and watch the exclusive premieres of the latest award-winning blockbusters with the biggest stars! Brace yourself to be thrilled by the spy who has the license to kill all through the month, as Star Movies pays a tribute with Absolute Bond!

     

    Star Movies will showcase all the Bond films from Monday to Thursday all through the month! Watch Sean Connery, Roger Moore, Timothy Dalton, Pierce Brosnan, George Lazenby… all the Bonds, all the action, all bond films such as Gold Finger, Thunderball, You Only Live Twice, On Her Majesty’s Secret Service, Diamonds are Forever, Live and Let Die, The Man With The Golden Gun, The Spy Who Loved Me, Moonraker, For Your Eyes Only, Octopussy, A View To Kill, The Living Daylights, License to Kill, Golden Eye, Tomorrow Never Dies, The World Is Not Enough, Die Another Day and be a part of the non-stop bond mania!

     

    And if that’s not all … catch an exclusive sneak peek into the soon-to-release Bond movie, Casino Royale the 21st film of the James Bond franchise on Opening Night!!! The movie introduces Daniel Craig (Munich) as Bond, making him the sixth actor to play the legendary secret agent. Casino Royale is based on Ian Fleming’s book of the same name, the first one of the popular 007 series, and gives audiences a glimpse of the man before he holds his license to kill.

     

    The superstars come out every Friday night on Star Movies with box-office behemoths into your living room for the first time in India!!! Every Friday night this month, Star Movies premieres the latest Hollywood blockbusters with superstars Orlando Bloom, Liam Neeson, Brad Pitt, Angelina Jolie and Vince Vaughn. Tune in to see Hollywood’s best and brightest on Eurotrip, Kingdom of Heaven, Shattered Glass and Mr. And Mrs Smith, every Friday night, this November.

     

    So get ready for this special treat as Star Movies presents Hollywood’s best on your television sets, this November!

    About Star
    STAR is a leading media and entertainment company in Asia. STAR broadcasts over 50 television services in nine languages to more than 300 million viewers across 53 Asian countries. STAR channels cover all genres including general entertainment (Star Plus, Xing Kong, Star Chinese Channel, Star One, Star Utsav, Star World, Vijay, Phoenix Chinese), sports (ESPN, Star Sports), movies (Star Chinese Movies, Star Gold, Star Movies), music (Channel [V]), and news and current affairs (Star News, Star Ananda, Phoenix InfoNews Channel). STAR controls over 20,000 hours of Indian and Chinese programming and also owns the world’s largest contemporary Chinese film library, with more than 600 titles, featuring superstars including Jackie Chan, Chow Yun Fat and Bruce Lee. In partnership with leading companies in Asia, STAR businesses extend to filmed entertainment, television production, cable systems, direct-to-home services, terrestrial TV broadcasting, wireless and digital services. STAR is a wholly owned subsidiary of News Corporation. www.startv.com

  • Big brawl in the kids arena

    what‘s the next big thing on television? The response comes from a rather discerning bunch of little champions, kid‘s channels as a category have seen an exponential growth over the year, as 2005 saw this genre close at a 10 per cent genre share (Period: Jan – Dec 05 ; All India, TG: CS 4yrs-14yrs).

    The story this year seems to suggest that the whole category is heading further North, with the previous quarter (July, August, September 2006) clocking 15 per cent genre share.

    Year

    July – Sep 06

    Jan- June 06
    Jan- Dec 05
    Kids‘ genre share
    15
    14
    10

    Genre Share (%) of Kids‘ Channels
    TG: CS 4yrs-14yrs
    Market: All India

    Within this arena and from an all India perspective, the latest TAM data of third quarter results seem to indicate that all of the players are experiencing an upward trend except for the two from the Turner stable, which have slipped somewhat as their rivals upped their collective acts. However, Turner continues to be in the lead, with Toon Disney, which is rocking in the South, following closely behind.

    Channel / Year Jul-06 Aug-06 Sep-06
    Cartoon Network
    26
    24
    24
    Pogo
    23
    22
    21
    Toon Disney
    18
    18
    20
    Hungama TV
    17
    18
    19
    Disney Channel
    11
    11
    9
    Nickelodeon
    5
    6
    7

    Relative Shares (%) of Kids‘ Channels
    TG: CS 4yrs-14yrs
    Market: All India

    When slicing the kid‘s category and looking more specifically at the HSM segment, which is a core market for most players, the same is applicable. Cartoon Network reigns supreme but sibling Pogo appears to be battling it out with potential challenger for the pole position Hungama TV.

     

     

    Some industry observers are of the opinion that this is a landmark quarter, marking the beginning of the end of the dominance Turner has enjoyed all these years, as the carpet is being laid for other players to enter the fray. Data no doubt indicates that other players are slowly eating into the pie. Whether this is a one-off phenomena or will change the course of events for the category as a whole is yet to be determined though.

    What will be under close scrutiny is whether this will create an upheaval that may trickle into the fourth quarter of the year. But with the combination of Disney Channel, Toon Disney, which is the clear leader in the South and Hungama TV (for whom its only a matter of time before it comes under Disney‘s wing), does pose a deadly combination. Also, given the benefits that Toon Disney‘s experiment with local feeds in the South have brought to the network, it won‘t be a surprise to see Disney Channel also tread the same localization path in due course.

    However, the first international kids channel to touch Indian shores and long time leader Cartoon Network, asserts it is not threatened at all by all that is happening in its wake. Says Turner International India vice president advertising sales and networks (India & South Asia) Monica Tata, “When there‘s a successful, dominant player in the market, competition is a natural progression of a dynamic business model. Having blazed a successful trail in the kids‘ entertainment segment, it is only natural for others to see the potential. However, having said that, our biggest competitor is not other kids‘ channels, but ourselves. We are continually striving to raise the bar, build on our success, and continue to innovate and improve our array of matchless content that we offer to the discerning Indian viewer.

    “We believe it is not about shifting or changing strategies to meet competition, but to continually assess and anticipate what the audience wants and deliver in accordance with their viewing needs. As the market place changes, we will respond rapidly to the changing market dynamics. If you don‘t, then you will be left behind!”

    All said and done, the kids category is experiencing dynamic nationwide growth and capitalising on this are advertisers that see it as a worthwhile proposition to hop on board.

    Walt Disney Television International (India) director marketing and communication Tushar Shah states that currently the network has roped in 155 advertisers. Says Shah, “With the kids arena exploding, more players coming into the fray, in addition to the market growth, there are now more options available to advertisers to address kids predisposed in their own environment.”

    Counters Tata, “Cartoon Network and Pogo enjoy a lion‘s share of the advertising pie in the kids‘ television genre. We have witnessed consistent increase in ad sales revenue over the years with top International and Indian brands advertising their products and services on our channels. Moreover, both Cartoon Network and Pogo, through their leadership in reach and viewership, have also partnered with every major kids‘ marketer and several non-traditional clients like BPCL, ING-Vyasa, All-Out, Citibank, Bombay Dyeing, Red Label, amongst many others.”

    “Seeing this phenomenal growth in viewership, we believe there is still tremendous scope for advertisers to further increase their ad spends in the kids‘ genre. Cartoon Network and Pogo‘s ad sales have witnessed a 24 per cent combined growth over Jan-Sep 05 to Jan-Sep 06. The client base of Pogo grew nearly by 50 per cent from 2004 to 2005 with 56 new clients added in 2005. These include, TVS Motors, ICICI Bank, HDFC Standard Life (Insurance), McFills,” she adds.

    Apart from the traditional advertisers, several non-traditional players are also eying this option as a favourable one. Along with some of the prominent advertisers on Nick like Coca Cola, and Nestle, another strategic tie-up with the mother network Viacom sees Microsoft advertising on the channel. MTV Networks India director – Communications and Consumer products Sandeep Dahiya alludes, “This deal has given way to Viacom Brand Solutions which offers multiple integrated solutions, promoting the latest gaming console Xbox 360 on all three channels of the network. In line with this, Nick‘s show with sci-fi kid Jimmy Neutron has an Xbox segment where he provides tips on gaming.”

    Commenting on the pen brand categories that did not previously favour kids as a target as they would primarily use pencils, Hungama TV Senior VP marketing and communication Siddharth Roy said, “Presently we have close to 120 brands on board, out of which pens include Linc Pens, Add Pens, Cello Pens, and Reynolds. Predominantly pens did not advertise in the kid‘s space.”

    He added, “Reliance Infocomm first ad in the kid‘s space, Teleshopping category: a first in the kid‘s space. In the Entertainment category: all Hindi, English movies advertise on Hungama TV. It was also the first to bring in Hindi Movies to the kids space. The real significant victory for the kids space is the diversity of clients willing to experiment on it from FMCG, to banks, to insurance to telecom, to Hindi movie promos to other mass TV channels like Set, Sahara.”

    On non-traditional advertisers rationale for entering kids space, Kapur says that kids pester power now shifts to contributing to the purchasing decision in the household, which is why marketers are looking at kids space to advertise.

    “Advertisers at large recognises kids as an extremely important category within the family and therefore, be it cars, white goods, household items, etc, are also indirectly targeted at kids. The lines between a traditional and non-traditional advertiser have blurred.

    “Cartoons as brand ambassadors are gaining as much popularity as film and cricket stars! Today, an ICICI, BPCL or even an All-Out want to sign on a Tom and Jerry or a Scooby-Doo as their brand ambassador – because they realise the importance of speaking to kids and we have several brand extensions like merchandising, theme parks, etc,” says Monica Tata.

    An inevitable outgrowth of greater consumption is a rise in ad rates and industry sources opine that there has been a jump of about 10 – 15 per cent in ad rates across channels over this year. Well that‘s yet another reason for these broadcasters to be happy!

    On looking at the factors that have propelled kid‘s channels out of control, Kapur attributes Hungama TV‘s success story to three main factors – programming, marketing and distribution. Along these three parallels the channel had adopted a strategy where they play with time slots every week to give kids what they demand, when they want it, as well as on air contests like Right Here Right Now.

    On the marketing front he feels that interactivity through on ground initiatives like the Hungamathon, the Fireman Sam Safety Drive and the contest that has proved advantages as it provides the much needed feeback on their efforts, The Captains Hunt. Besides, the channel also boasts that the two Japanese acquisitions Doremon and Shinchan have done wonders for them.

    Disney‘s Shah believes that their volume of commitment to the Indian market is seen in the their efforts to create an overall Disney brand experience through a 360 degree solution to consumers via multiple touch points that includes the contribution of every one of their businesses.

    Their consumer products division supplies items from character based stationary to undergarments, to branded Disney apparel while the key drivers for their triumph include, That‘s So Raven, Mickey Mouse Club house and recent local production that the company claims is giving them good numbers Vicky Aur Vetaal. He also feels that entertainment at the ground level in India is something highly under-rated and speaks with reference to the event Disney Magic by saying, “Interactivity gives top gratification to the consumer and therefore, brand and character experience, is a turning point for entertainment in the country.”

    Also seeing the value in events, Monica Tata adds that their aim is to provide, new shows, themes, unique and fun-filled on-ground experiences – giving a 360-degree experience that is safe, enjoyable, fun and memorable. “Every year, we organise multi-city events such as Toon Cricket, Toon Yatra, Toon Games, Next Big Toon, Pogo Amazing Kids Awards, Fun Day Out, amongst others.” Recently, Cartoon Network also announced a pan-asian initiative titled Snaptoons (Short New Asia Pacific Cartoons).

    Category leader Cartoon Network forsees clear skies ahead for the kids category as a whole, “There is huge potential in the kids‘ segment and the Industry is definitely growing at a rapid pace. The viewership category has expanded. Plus, now it is not just about television/on-air programming or passive viewership – today kids‘ channels have the ability and option to offer viewers and clients multiple touch points and 360 degree solutions.”

    “This is definitely the age of the kids‘ segment and we have a bright future ahead. However, I would also like to add that even though adspends of brands targeting kids has grown over past years, this has not happened in line with the scorching viewership growth of the genre which has grown from 3.7 per cent in 2002 to 14.7 per cent in 2006, in terms of fair share of spends allocated to kids‘ channels. I am confident if advertisers targetting kids invest more on kids‘ channels than on general entertainment channels, audience deliveries will be much higher!” she adds.