Category: Television

  • New Pokémon show “Pokémon Horizons: The Series” premieres on Hungama this 25 May

    New Pokémon show “Pokémon Horizons: The Series” premieres on Hungama this 25 May

    Mumbai: The Pokémon Company (TPC) has announced the launch of ‘Pokémon Horizons: The Series,’ a brand-new animated show set to premiere on Hungama on May 25th. For the first time in Pokémon’s history, the series features a female lead, Liko who alongside her partner Pokémon Myaoha will explore the exciting new world of Pokémon with another young trainer named Roy. At a press conference held today, TPC also unveiled the original opening and ending tracks composed by the music duo Vishal-Sheykhar and sung by Armaan Malik and Shirley Setia, created specially for Indian fans.

    For over two decades, Pokémon has consistently captured the imagination of kids and continues to be the preferred entertainment among fans today, solidifying Pokémon’s position as a pop-culture phenomenon. Hungama, the leading channel in the kids’ genre, has been home to the Pokémon series since 2014 and has engaged millions of fans through the years, generating 87 million views across Disney Kids Channel in India in the last year alone*.

    In addition to Liko and Roy, Pokémon Horizons: The Series also features other new characters, including interesting groups like Rising Volt Tacklers and the Explorers. There are many new Pokémon, each bringing unique abilities to the screen. Fans will see Captain Pikachu navigating the characters on daring voyages across the sea and sky.

    The Pokémon Company has also struck a one-of-its-kind collaboration with composer duo Vishal-Sheykhar to produce original opening and ending songs specifically for the series in India, bringing a local flavour to the series. This demonstrates Pokémon’s ongoing dedication to establishing a solid presence in the Indian market and fostering collaborations with local artists and enterprises.

    Sharing thoughts on the launch, Susumu Fukunaga, The Pokémon Company, remarked, “The new series comes with a brand-new storyline, new Pokémon and human characters, so there is a lot to look forward to. You will enjoy a fascinating adventure on an airship and see how secrets unfold due to the mysterious objects the main characters possess. All this is packed into a heartwarming story of friendship and self-discovery. We have also created original opening and ending tracks just for India for the very first time. This has been a challenging and interesting journey as we wanted to ensure that the music and lyrics align with Indian sensibilities. I think the songs capture the essence of Pokémon very nicely. We are also delighted to air our new series on the hugely popular Hungama channel. Their reach is bound to take our content to viewers across the entire country.”

    Disney Star business head – Kids and Infotainment,  Devika Prabhu said, “Hungama has established itself as a popular platform for Japanese anime and Pokémon, especially has been garnering immense love and appreciation over the years. With a devoted fan base of Pokémon enthusiasts in the country, our network has been their go-to destination when they want to immerse themselves in a world of captivating stories from the franchise. Through our dedicated localization efforts, we have customized the Pokémon viewing experience to align with the preferences of our audience, ensuring its continued relevance and appeal. The series and movies have consistently ranked among our top-performing content, and we are happy to introduce a new series as one of our key summer tentpoles on Hungama.”

    As the launch on 25 May approaches, Pokémon invites fans old and new to stay tuned for updates and embark on this thrilling adventure on Hungama.

    *Source: BARC | 2+ India Urban | Wk1 – Wk 52’23

  • Sima Taparia & Kian team up to find a life partner for his mother

    Sima Taparia & Kian team up to find a life partner for his mother

    Mumbai: Zee TV’s upcoming fiction offering, Main Hoon Saath Tere, introduces viewers to Janvi (played by Ulka Gupta), a single mother navigating the challenges of parenthood all by herself. Set against the backdrop of Gwalior, Janvi lives with her son, Kian (portrayed by Nihan Jain), who is the nucleus of her world. Although Kian doesn’t miss a father figure, he still feels the void of a man in his mother’s life, especially since he sees her taking care of everything single-handedly. The plot thickens when Janvi’s path intersects with Aryaman (Karan Vohra), a wealthy businessman, and they find themselves sharing the same workplace. While Aryaman expresses romantic interest in Janvi, the fate of their love story rests in the hands of little Kian. Will he approve of this match?

    To guide him in this situation and to show him the right way, renowned matchmaker Sima Taparia joined hands with him. In a one-of-its-kind collaboration, Sima with her act parameters for arranged marriage pairings and her famous one-liners, helps young Kian analyze whether Aryaman ticks all the boxes for Janvi. She looks at the profiles of Janvi and Aryaman and is surprised to see the perfect compatibility between them. With her expertise and intuition at play, she gives Aryaman a green light, and calls Janvi and Aryaman’s jodi, a match made in heaven!

     

     
     
     
     
     
     
     
     
     
     
     
     
     
     
     

    A post shared by Zee TV (@zeetv)

     

    Talking about this association, Sima Taparia said, “When Zee TV approached me with this unique concept of their upcoming show where a young kid is on the lookout for a suitable partner for his single mom, I immediately signed up for it as it is a truly unique plot. As the character of young Kian embarks on a journey of finding a suitable companion for Janvi, my years of experience in matchmaking will help him decide whether Aryaman is the right choice for her. Let’s hope this promotional collaboration helps this endearing story reach a larger audience across India.”

    While Kian will be seen testing Aryaman on whether he is the perfect match for his mother in the show, Aryaman tries everything possible to convince him. Will Janvi and Aryaman get Kian’s approval after all? It will be interesting for the viewers to watch an innocent take on love, life, and relationships, which is all set to unfold.

    Produced by Full House Media Pvt Ltd, Main Hoon Saath Tere will premiere starting 29 April, at 07:30 pm only on Zee TV!

  • “Since 2020, we have been continuing to do arm-wrestling events throughout the country”

    “Since 2020, we have been continuing to do arm-wrestling events throughout the country”

    Mumbai: In the bustling landscape of Indian sports, one league is making waves and capturing the attention of enthusiasts nationwide: the Pro Panja League. Founded by actors Parvin Dabas and Preeti Jhangiani, this innovative sporting endeavor is set to reshape the landscape of arm-wrestling with its forthcoming season, promising exciting changes ahead.

    In its inaugural season, the Pro Panja League left an incredible mark on the Indian sports landscape:

    ●   Boasting ratings that outshone similar leagues, Pro Panja League showcased its prowess in captivating audiences nationwide.

    ●   With a remarkable fivefold increase in Facebook viewership and top-notch engagement rates on both Facebook and YouTube, the league proved its digital dominance.

    Indiantelevision.com had the pleasure of engaging with Dabas and Jhangiani, where they shed light on pivotal aspects including their plans, enhancements, and preparations for the upcoming season of the Pro Panja League. Additionally, they delved into the league’s social media outreach and traction numbers, as well as offered insights into the promising future of arm-wrestling in India.

    Edited excerpts

    On improvements planned for the upcoming season of Pro Panja League to build upon the success of the inaugural season

    Jhangiani: The inaugural season of the Pro Panja League validated the vision for the sport and how we feel the audience would like to consume the sport. Arm wrestling in itself is a very thrilling and exciting game to watch. It’s very edge of the seat and although I will let Parvin answer this question because he’s the creative force behind the league and mostly all the creative decisions on how for the league are taken by him. But from what we have planned for now, I can certainly say that it’s going to be a lot of drama, I mean don’t blame us if we break a table or two. The athletes are supercharged, they’ve come back double trained this time because they’ve seen that anything halfway is not going to work. And they really supercharged her for Season 2. So, there’s going to be a lot of passion and a lot of fireworks. Of course, we planned on everything in a bigger and larger format this year.

    Dabas: Well, they say ‘Don’t fix it if it’s not broken’ so, since the inaugural season has really worked well and resonated with the masses so we don’t want to do too many changes and there are things which we continue with but maybe a few tweaks here and there. One of the major things that is going to change this year will be the challenge round is going to be even lesser than the inaugural season. Right now, it is 10 seconds but it is going to move down to 7 seconds. It is going to be even more exciting whether after somebody calls out and challenges the other players, the player whether he is able to put down his hand in 7 seconds and earn the 5 points or is he going to lose the points to his opponent. Apart from that we are also limiting the number of times each player can play, this is for two reasons – to give them more chances and also to let them recover. Apart from that, we would be doing more stuff with the background graphics and certain other stuff also, which we are planning, which we don’t want to talk about right now. And we want you to see. But one big thing always I think with Pro Panja League is what people look forward to are the promo videos. The promo videos really worked in the first season. I think this season I think the promos are going to surprise people. They’re really going to sit up and take notice. We all have very creatively thought of the other promos that we just can’t wait to shoot them on the sets. So a lot of stuff is planned for season two. I think then the biggest improvement is going to be the athletes themselves. I think they’re going to be much more settled and I think they did a fantastic job in the first season. They really brought that excitement and I think this season some of the athletes are going to be even more hungry to perform on the table and I think that’s the beauty of Pro Panja League that nobody wants to lose but only one can win. Athletes are our biggest assets and I am sure that they are going to bring even bigger and better action this season.

    On comparing the viewership data from last year’s Pro Panja League with other non-cricket private leagues in India

    Dabas: I do understand that people will always compare and of course that’s our job as well to see how well we did as compared to the other leagues but I don’t want to infer too much with the viewership data, because we just want to focus on ourselves and ensuring that we are doing the best we can rather than in relation with somebody else. But it is very heartening to see the viewership numbers that we’ve got in the inaugural season in the non-cricket segment. We are third in position to of course Pro Kabaddi and ISL. With all due respect to both of the other leagues which are a little longer in terms of match days as compared to us. Our league is there for only 17 days. That’s a really great comparison to have and to know that we have done so well in the first season as far as the viewership data is concerned. We’ve got a long way to go. This was the viewership despite the fact that out of the 17 days, 10 days there was an India vs West Indies series going on which affected some of our numbers otherwise we were tracking to do even higher. It’s just those days on which the India-West Indies series went down a bit and this series was announced a little late after we had already announced our dates. And now the insights that can be drawn from these comparisons, I would leave it to the experts. Since, I’m a big fan of sport and I really respect each and every league. I think everybody works very hard. So, I don’t want to speak well about myself at the cost of anybody else or all. All I want to say is that we’ve done well and I know other people do compare and because of that we have to make sure that we are doing the best possible and it’s always good when you know you’re doing very well in the first year. All I can say is our numbers – this is just the beginning. You’re going to see a huge leap in the next 2-3 years. There were 32,000,000 unique viewers this year and the reason we talk about unique viewers and not the reach is because reach is subjective, which can be derived in different manners. Unique viewers are very precise data points. So, if this year we had 32 Million, the next season we’re aiming for between 50 to 60 Million and in the third season we’re aiming for 100 Million. Also, we know exactly where we’re going to get those numbers from. So, we’re not just throwing them out of the top of our head. We’re not just pulling them out of my hat. We actually know where we are going to get those numbers, where our growth is going to be. Our own insights are telling us that this is where the growth is going to be coming from. So that is what we are concentrating on.

    Jhangiani: I would probably like to answer this question, in the words of Sony Sports. The viewership data has been compared to domestic cricket by Sony Sports. We are extremely thrilled with the views that we’ve got 32,000,000 unique viewers is no mean feat in our inaugural season. In fact, like everybody else presumed that we would get a lot of audience from Tier 2 & 3 cities which we did. But what was really amazing and exciting was that we got a lot of traction, in fact the maximum traction from metro cities like Mumbai and Delhi. And we all know that Bombay is a very tough market to crack because here we don’t have time for anything. It was really exciting that we managed to capture the metro cities along with the Tier 2 & 3 cities in the inaugural season. As compared to other leagues, I wouldn’t like to put down any other sport as the growing of sport helps the entire ecosystem for sport and as leagues are coming up, it’s great that the audience is showing more interest in non-cricket sport as well, but I would definitely like to say that though we’ve performed exceedingly well more than what anyone else expected and the views speak for themselves.

    Jhangiani: We’ve worked very hard on the athletes or training them on how to present themselves on screen and on various other things, how to present the sport, how to make sure that the rules are understood, which are very simple since our sport arm-wrestling is a very easy sport to understand. It has an Indian ethos and it’s truly ‘Bharat Ka Khel’. So, we had all of these points in our favor and we could certainly show everyone that this is a sport that the entire Bharat wants to watch and we were able to present in an entertaining way because at the end of the day you have to combine sport and entertainment. I think that this is something that is apart from the other leagues also and this is why our viewership was so much more than all the other non-cricket leagues, of course not barring Pro Kabaddi League for sure. But then a lot of the other non-cricket leagues, the reason being that we managed to present the sport in an entertaining, and exciting manner.

    On considering the significant social media traction during the inaugural season and other specific initiatives to further enhance the league’s presence on platforms like Facebook and YouTube

    Parvin Dabas: First of all, thank you for noticing the social media traction. It was really good and I would like to say that the specific initiatives behind it is only hard work. We’re constantly on social media and trying different things, putting the content out and always getting the athletes to speak on the videos, all kinds of things where we’re constantly adding. With social media, you’ve to try to see what’s working and what’s not. It’s not always data points, it’s just connecting with your audience. So, what we’re really trying to do is connect with the audience and I think that’s what people really like. You know it’s not fancy templates or anything else. The best thing is the sport itself has connected with the audience in the way we put it out. So, from there on we constantly look out what we are doing, what we are putting out, or how we can do better, what more stuff we can put out, how we can put it out. So, we always try to be on top of our social media. We are also building a mini studio now to do interviews and podcasts. So, the quality is always maintained and constantly reviewing and putting stuff on it. Since July 2022 we’ve crossed half a billion views on April 4th and we have hit 530 million. I would say, we’re never satisfied, but I think it’s a decent number and another thing that we are constantly doing is we regularly have other satellite events which churns out new content throughout the year and not just during the league time. That’s a big plus point as well and that is what the specific initiative is which leads us to better numbers on Facebook, Instagram, Youtube and everything. Having fresh content constantly really helps us.

    Jhangiani: I am very proud of what we are doing with Pro Panja League on Social Media especially. Our views have gone through the roof. We regularly get a million or more views on our reels or on our Facebook. It’s one of the best performing non-cricket social media so far and I can see that very confidently. Look at the traction, it’s not just during the league time but it’s throughout the year, which is something that we have worked on very hard. We continue to do smaller tournaments or to promote the sport in the league and this is what keeps our social media also going. It’s amazing what we have achieved and continue to achieve in social media and I think this is one of our strongest points and I can safely and confidently say that we are far ahead of all the other leagues in our social media outreach.

    On upcoming plans for the development of arm-wrestling in India

    Jhangiani: Since we started in 2020, we have been continuing to do arm-wrestling events throughout the country. What we have been continuing with this sport is what we’ve consumed ourselves entirely in promoting the sport. We have put the sport against iconic backdrops such as the Gwalior Fort. We had our second ranking tournament Infront of the fort and it was spectacular. We had a super match just like a UFC style Fight Night at the Gateway of India. We have set our tables at the bank of the Chambal river. We have set our tables in a boat, in the middle of the Bhopal lake. Through all of these events, we continue to take part in a lot of the larger sporting exhibitions such as the IIHF in Bombay and Delhi or the FIT Expo in Kolkata, in which we’ve been regularly representing arm-wrestling. All of these have been great successes. Recently we’ve been a part of this huge event at the Gateway of India, as a part of the Narvekar Sports Festival as well. So, we are continuing to do events throughout the year, not just setting up the table against iconic locations, but also being a part of one of the biggest sports or fitness expos all over the country, even with the federation, we are working together and doing a lot of things for arm wrestling. Wherever we go, wherever we do events, we leave tables there and we put an athlete or somebody who knows the sport and put in charge of that table and that’s how the community around that table grows, because when you puts a table somewhere that table is there and everybody wants to try and they all feel that they know they all they can win. Another thing that worked in our favor was that the sport has a very low level of financial entry point. You don’t need to have the expensive gears to perform. All you need is that arm-wrestling table which nowadays almost every gym has one. In fact, arm-wrestling academies are sprouting up all over the world, Gwalior became the first city to have an arm-wrestling academy to train athletes but now there are many such academies all around India. So, we have taken a lot of initiatives to promote the sport of arm-wrestling in India.

    Jhangiani: You know the eyes of the international world are on India today. Every athlete has seen what is happening with arm-wrestling. The boom arm-wrestling has taken in India is something exciting. Every big international athlete in the world of arm-wrestling wants to come down and has expressed interest in being part of the league or any such event happening in India. Such is the leading nature of India in the sport and I feel very proud of what we have achieved and we continue to achieve. It has raised the whole community of our arm-wrestlers. This was a community that was quite active on the amateur scene for a long time but nobody even knew that this was being done professionally till we took it up. The boom it has seen from the first ranking tournament to the second ranking tournament at Gwalior where our social media took off and then of course the sport appearing on Sony Sports. We have to give it to Sony Sports as well for their faith in us in and in the sport. The kind of views and the promos that they gave us were much more than what they were contractually obligated to do, which shows their support and their belief in the sport. From the first day onwards we had a win in our hands and this is something that’s very exciting.

    Dabas: All the plans of the arm-wrestling in India is of course on the league and growing it at grassroot level. So, it’s both the top down and the bottom up approach where we are building into. We’ve given something for the athletes to aspire to, which is the Pro Panja League as a platform. There’s a huge craze of arm-wrestling everywhere right now, and the pinnacle for them is Pro Panja League. But apart from that we do a lot of events ourselves, smaller events of course across the country and throughout the year. We also partner with other people to do events across the country again in smaller places. Also, we’re empowering also, we donate a lot of arm-wrestling tables, so we’re glad to consistently have these events throughout the year to grow the sport. We also donate tables in various places where we have events, we leave those tables behind so that it creates pockets of arm wrestling everywhere. We have empowered all of our athletes to start training other athletes all over the country. They’re training athletes online and even in their native places, they’re making money for it as well. They’re very young, but they’re also teaching the new generation. There are many layers of how we are planning on the development of the sport like doing various events or coaching. There are a lot of other plans to introduce various coaching methods. If you see, in our league there are a lot of foreign coaches and they’re empowering our coaches in India to for better training methods as well. It’s a 360-degree approach that we’ve taken to arm-wrestling and there’s a huge boom in arm-wrestling in the country. We constantly evaluate and re-evaluate what we’re doing to see where we need to do better and where we need to stretch out. There’s a lot of state championships happening right now, there’s always something happening for the athletes.

    We are also trying to reach out to more states where we may not have such a strong presence right now. Like we want to become more active in Kashmir. A lot of athletes from there have been reaching out to us for tournaments. We’re planning to do something there and other places as well. So, you keep possibly hearing about what we’re doing throughout the year and it feels good to be able to uplift a whole sport in the community of athletes belonging to that sport. The great thing is we consider each and every athlete a partner in the development of arm-wrestling and we try to empower them also to keep teaching the game along with all of us around the country. 

  • India Today Group’s ‘AI Sana’ wins INMA Global Media Awards 2024

    India Today Group’s ‘AI Sana’ wins INMA Global Media Awards 2024

    Mumbai: India Today Group’s AI anchor Sana, clinched not one but two prestigious awards, reaffirming groundbreaking contributions to the realm of journalism and artificial intelligence, at the International News Media Association Global Media Awards held in London. Sana’s innovative approach to delivering news content has captivated audiences worldwide, revolutionising the way information is disseminated and consumed.

    In a testament to the genre defining initiative of India Today Group, AI Anchor Sana secured the coveted first place in the category of ‘Best Use of AI in Customer-Facing Products’ for the entry ‘Human Collaborative AI Anchors: AI-Led Newsroom Transformation’. This recognition underscores Sana’s pivotal role in spearheading a paradigm shift in newsroom dynamics, seamlessly blending human expertise with AI innovation to deliver unparalleled news experiences.

    Furthermore, the pioneering initiative was also adjudged ‘Best in South Asia for AI-Led Newsroom Transformation’. This accolade not only celebrates the collaborative efforts of Sana and the India Today Group but also recognizes their instrumental role in driving innovation and excellence within the media landscape of the region.

    Sana’s success at the International News Media Association’s 2024 Global Media Awards serves as a testament to the transformative power of AI in shaping the future of journalism, embodying the imminent of news broadcasting. Her ability to engage audiences with accuracy, empathy, and credibility epitomizes the synergy between human ingenuity and technological advancement, heralding a new era of storytelling and information dissemination.

    As the India Today Group celebrates Sana’s remarkable achievements, it extends gratitude to the INMA World Media Congress for recognizing her outstanding contributions and to the group’s dedicated team whose unwavering commitment continues to propel us toward new horizons in media excellence.

  • News18 Network with Prime Minister Narendra Modi to telecast on Monday at 9 PM

    News18 Network with Prime Minister Narendra Modi to telecast on Monday at 9 PM

    Mumbai: The News18 Network is set to broadcast an exclusive interview with Prime Minister Narendra Modi, this Monday, on 29  April at 9 PM. This is the Prime Minister’s first interview with a TV news network during the ongoing election campaign.

    In conversation with Network18’s editor-in-chief Rahul Joshi, News18 Lokmat’s Vilas Bade, and News18 Kannada’s Hariprasad, the Prime Minister discusses BJP’s roadmap to its ‘400 paar’ goal, elaborating on what ‘Modi ki Guarantee’ means for the country. The interview also explores the prime minister’s views on the congress manifesto, wealth redistribution and inheritance tax, among other issues including BJP’s likely performance.

    It covers a wide range of topics of national importance and Prime Minister Modi’s regime, offering viewers a deeper understanding of the political landscape during the ongoing elections.

    News18 Network is India’s largest news network, consisting of 20 national and regional news channels under one umbrella. With 15 regional news channels, the network offers unparalleled reach across the country. CNN-News18 has remained the number one English news channel for over 2 years, while News18 India has been the leading Hindi news channel in the primetime hours.

    The exclusive interview of Prime Minister Narendra Modi airs across the News18 Network, this Monday, April 29 at 9 PM.
     

  • Colors Bangla Cinema shines with three wins at Promax India Regional 2024 Awards

    Colors Bangla Cinema shines with three wins at Promax India Regional 2024 Awards

    Mumbai – Viacom18’s premium regional movie channel Colors Bangla Cinema stole the spotlight at the Promax India Regional 2024 Awards held on 25 April 2024. Hosted by Promax Asia, this extravaganza celebrates the crème de la crème of entertainment promotion marketing and design, applauding the visionaries who redefine creativity and storytelling in our industry. Colors Bangla Cinema’s stellar performance marked a hat-trick victory at the awards ceremony, clinching three coveted awards:

    1   Best Brand Image Design – Gold – Colors Bangla Cinema

    2   Best Ident – Gold – Colors Bangla Cinema (Relaunch, Durga Puja, Diwali ident)

    3   Best Animation – Silver – Colors Bangla Cinema (Relaunch Ident)

    The Promax India Regional Awards brought together a diverse array of creative minds, visionaries, and industry leaders, providing a platform to showcase their best work, share insights, and inspire others in the field.

    Commenting on this remarkable achievement, Colors Bangla and Colors Bangla Cinema business head Viviek Modi stated, “We are thrilled and honoured to receive these prestigious awards at Promax India Regional 2024. This recognition underscores our commitment to innovation and creativity, highlighting our relentless pursuit of excellence in crafting captivating brand campaigns and engaging promos. We remain committed to pushing boundaries, innovating, and creating memorable experiences for our viewers.”

  • “VisualDub has been built in India by NeuralGarage using its own original research”: Mandar Natekar

    “VisualDub has been built in India by NeuralGarage using its own original research”: Mandar Natekar

    Mumbai: NeuralGarage is a technology startup in GenAI & is the brainchild of IIT Kanpur alumni Subhabrata Debnath, Subhashish Saha, Anjan Banerjee, and media & entertainment veteran Mandar Natekar. It is one of the few startups from India that is building core tech with original research and developing its own models in the audio-visual domain. The startup’s flagship technology, VisualDub, addresses a significant challenge in dubbed content — the synchronization of visual and audio cues – ensuring a harmonious viewing experience across languages through visual dubbing and lipsync.

    Since its inception in July 2021, NeuralGarage has evolved strategically. After a year dedicated to research and development, and building the technology for commercial use, the company launched VisualDub in May 2023. A successful fundraising round in October 2022 paved the way for building a robust core engineering team, leading to collaborations with more than 10 large global clients.

    Building for the world, the company targets a diverse clients & partner base, including film studios, directors, production houses, advertising agencies, OTT players, broadcast networks, and media entertainment companies. Additionally, the company engages with media outlets covering the AI space, technology, and deep tech, establishing a comprehensive outreach and strategy.

    NeuralGarage has an ambition to take VisualDub to a global audience by refining its go-to-market strategy and securing further rounds of capital to fuel expansion and innovation. The company has received notable recognition, including being ranked No. 2 at ‘Pitch Fest’ during TechSparks’23 and was a part of YourStory’s Tech30 for 2023. Other accolades include NASSCOM Emerge50 (ranked No. 1 in the media category 2023), Amazon AWS ML Elevate 2023 cohort, and NASSCOM GenerativeAI Foundry. Currently, NeuralGarage has a dedicated team of 20 professionals driving its vision and mission forward.

    Indiantelevision.com had the pleasure of conversing with Neural Garage co-founder & CEO Mandar Natekar. In this interview, he offered plenty of valuable insights into the company’s operations and vision.

    Edited excerpts

    On identifying the need for VisualDub in the audio-visual domain

    Consider for a moment that you are watching a Korean film with English audio. Your audio input is English while your visual input remains Korean since the visual spoke expression does not match the audio. VisualDub solves for this visual discord, so now when you watch a Korean film with English audio, you feel as if you are actually watching a film shot in English itself. With localization content becoming the biggest currency for the content creation industry, this problem of Visual Discord is amplified exponentially. VisualDub was built to specifically solve this at scale and make content accessible seamlessly to every single person in the world in a language of their choice and which looks truly native and authentic visually in every language.

    On the technological innovations behind VisualDub that differentiate it from existing solutions in the market

    VisualDub has been built in India by NeuralGarage using its own original research and foundation models and without using third party wrappers. This tech is completely proprietary and is patent filed. It has been built specifically to cater to high impact industries like Films, Streaming, Broadcast Networks and Advertising where preservation of resolution and sync of the original is of paramount important across temporal and spatial movements including background and talent IP. The technology delivers at 2k resolution on pre shot footage without the need to create 3D models or avataars and works across screens of every size from theatrical to mobile phones. This differentiates it completely from any other tech available.

    On the role does original research play in the development of NeuralGarage’s models for VisualDub

    Original research ensures that you are building the tech from a top-down approach, and it’s built with a single focus of specifically meeting the high capability demands of the industries you are building for. Unlike horizontal tech that meets some requirements of many industries with generalized models, VisualDub has been built as vertical SaaS to meet all mandatory requirements of key industries like Films, Streaming Platforms and Advertising. We ensure that we are at the forefront at innovation by staying focused on original research that leads to differentiated tech innovations.

    On considering the diverse applications of VisualDub in the entertainment and content creation industry

    Currently we are offering it as a service to select large customers to ensure that technology is used correctly to deliver the right results and creates a playbook for the industry. Our ultimate goal is to create a desktop version of our VisualDub that can be licensed across both individual and enterprise level solutions depending on the size of the business and the annual contracts. We are currently raising capital to be able to move in the direction.

    On NeuralGarage anticipating VisualDub revolutionizing the content creation landscape and some potential impact you foresee it having on the overall quality of dubbed content across languages

    The biggest problem in dubbed content is the visual discord that makes it unrelatable and unauthentic. Content today is monetized across multiple revenue streams, and this is achieved through dubbing. This opens up massive global geographies for content monetization. With VisualDub, dubbed content as we know it ceases to exist. Now with technology it actually gives studios, streaming platforms to create content in every language without incurring additional production cost! VisualDub will allow you to shoot in one language and recreate it authentically in every language on earth without making it look like dubbed content.

    On your aspirations in terms of market penetration and becoming the go-to solution for audio-visual synchronization in dubbed content

    VisualDub has been made in Bharat for the globe. It solves a very pertinent problem for the entire Entertainment, Media & Content industries across the world and we intend to be the default technology for the post production pipeline across these industries. We are creating a new category “Visual Dubbing” in the post production workflow and VisualDub will define this through original innovation and globally scalable use cases.

  • COLORS presents new family drama Krishna Mohini

    COLORS presents new family drama Krishna Mohini

    Mumbai: Navigating the turbulent seas of life can seem daunting with obstacles and uncertainties challenging every step one wants to take towards a chosen path. During such times, having a ‘saaRthi’ is like having a force akin to a lighthouse guiding ships through treacherous waters. ‘Krishna Mohini’ traces the journey of Krishna, who personifies the essence of sisterhood as she weathers any number of storms for her brother Mohan as his ‘saaRthi’. Breaking stereotypes, their bond transcends conventional roles, as the show promises to redefine the core of a brother-sister relationship with its belief ‘Krishna Behen Ka Farz Aise Nibhayegi…Ki Duniya Mein, Rakhi Ki Paribhasha Badal Jayegi’. Showcasing this endearing bond between a brother and sister, COLORS is all geared up to present ‘Krishna Mohini’ set against Dwarka’s scenic beauty and coastal charm. Starring Debattama Saha as Krishna, Ketaki Kulkarni as Mohan, and Fahmaan Khan as Aryaman, and produced by Susanta Das and Nispal Singh’s Boyhood Productions, ‘Krishna Mohini’ premieres on the 29 April and will air every day at 7:00 pm only on COLORS.

    Viacom18 president of general entertainment Alok Jain, said, “At COLORS, we are committed in pioneering stories that deeply resonate with our viewers’ emotions. Our new offering ‘Krishna Mohini’, is one such story that celebrates the unbreakable bond between a brother and sister, defying stereotypes and transcending the connections beyond traditional roles. The show underlines the importance of having a ‘saaRthi’ by one’s side further tracing the journey of an elder sister who is a guiding light for her brother. With this heartfelt narrative, we aim to foster a deep emotional connection that goes beyond entertainment.”

    Embodying the timeless virtues of Lord Krishna as a ‘saaRthi’ and margdarshak to Arjun, the 21-year-old Krishna portrays the role of a ‘saaRthi’ to her brother Mohan. Her journey epitomizes resilience and support, showcasing the enduring power of familial bonds. This voyage is not merely a tale of a sister serving as a steadfast guiding force in his journey, but it also anchors the journey of Krishna who is destined to meet Aryaman. He is a reticent businessman who abandoned his musical aspirations to pursue entrepreneurship and is reminded of his days as a musician, blown away by her singing prowess. With her bringing back Aryaman’s zest for life, how will fate tie him to the journey of Krishna and Mohan?

    Talking about portraying the character of Krishna, Debattama Saha says, “Bringing Krishna’s character to life in ‘Krishna Mohini’ has been an absolute privilege. Like a ‘saaRthi’ illuminating the darkest nights, Krishna’s character casts a light on her brother and is always ready to protect him from life’s tumultuous seas. The universal theme of unconditional and boundless love makes Krishna Mohini an ode to the unbreakable bond shared between brothers and sisters.”

    Fahmaan Khan playing the role of Aryaman expressed, “Having a saaRthi, a true companion is like discovering a guiding star in the vast expanse of the night sky. I’m excited to be part of ‘Krishna Mohini’ that tributes these saaRthis. In this show, I will be seen essaying the role of Aryaman, a successful businessman, hard-working and determined, however, beneath the façade of success lies a backstory that shapes his journey. As the story unfolds, the collision of Krishna and Aryaman’s worlds, each carrying their burdens and aspirations, promises to unravel a gripping tale.”

    Witness the beautifully encapsulated role of a saaRthi in ‘Krishna Mohini’ premiering on the 29 April at 7:00 pm and thereafter every day only on COLORS!

  • Long live linear TV, courtesy of NextGenTV

    Long live linear TV, courtesy of NextGenTV

    MUMBAI: Las Vegas. Normally labelled as Sin City. But in April it was all about the future of entertainment technology with the NAB Show opening with a bang. And what a bang it was. It is a hard knock for those who continue to resist the frenetic pace of technological evolution. One of these is ATSC 3.0 which is coming. Yes, even as it is spreading gradually in the US, it is being planned to come to India. That is if Sankhya Labs, Sinclair Broadcast, Doordarshan and Prasar Bharti succeed in its rollout.

    I happened to see some trial broadcasts in the Las Vegas Convention Centre and it was awesome.

    At early stages yet, ATSC 3.0 endeavours to wirelessly transmit data, video and audio, over the air without using the traditional terrestrial frequencies or the 4G, 5G or 6G spectrum. Also known as NextGen TV, it is a digital television standard developed by the Advanced Television Systems Committee (ATSC), offering features such as ultra-high-definition video, high-efficiency video coding (HEVC), high dynamic range (HDR), immersive audio, and interactive capabilities.

    Sankhya Labs has been working on developing semiconductor solutions and software for ATSC 3.0-enabled devices. These solutions encompass various aspects of ATSC 3.0 technology, including receivers, modulators, demodulators, and related software stacks. Sankhya Labs aims to offer cost-effective and scalable solutions to enable the deployment of ATSC 3.0 infrastructure and consumer devices in India and other markets. Currently, it has developed – and continues to develop –  the PCB, the software, the receiver and dongle, and set-top box designs which will then be farmed out for local manufacture.

    I happened to see the transmitter developed by Sankhya at the NAB Show which will be mounted – when the service is ripe and ready to be rolled out – next to the cellular towers which dot Indian building terraces in urban and rural India. Then there is the dongle (looking like the early device we used to get connected to the internet) which will act as the receiver and can be attached to an ordinary smartphone with basic video capabilities and receive the transmitted video at almost no cost to the customer. (Remember there are more than 500 million smartphone users in this country and even if 10 per cent of them opt for ATSC 3.0 that will be a humungous base of 50 million viewers) For the home, users will have a set-top box (which Sankhya hopes to gradually decrease in size)  that will sit next to the TV set to receive the signals for family viewing.

    As it does for FreeDish, DD is likely to auction channels to private broadcasters who can reach viewers with another linear service, thus giving traditional TV a new lease on life and advertisers another medium to target the vast masses of television viewers.  This is at a time when YouTube video, Instagram reels, free-to-air TV, and streaming services have totally disrupted satellite and cable pay TV services in India with cord-cutters, cord nevers reaching record highs. The streamers need help to retain clever viewers who are sharing passwords as well as churning when they finish watching shows that interest them in one service or another.

    How long will ATSC 3.0  take to become a reality? Broadcasters, handset manufacturers, telcos have all blackballed it saying that it is a needless platform that is being created. 

    But Sankhya Labs and the NextGenTV committee would like it to spread tomorrow itself. Work has been going on for at least the past three to four years and it might take as much time for the government-owned broadcaster to give it a clear green signal. (I’m crossing my fingers DD moves fast once a government is formed at the Centre post the elections or a private company is given the responsibility of spreading ATSC 3.0 services in a public-private partnership.)  One can be optimistic and only hope that this exciting technology which can lead to the creation of zillions of local channels monitoring local traffic conditions, weather conditions, long-distance medicine, education, etc etc comes quickly enough.

    When it does arrive, it will come with the potential to revolutionise the way we consume our entertainment once again. And oodles of other services. 

  • Zee Media partners with Greenply for Hindustan Ki Shaan Awards season two

    Zee Media partners with Greenply for Hindustan Ki Shaan Awards season two

    Mumbai: Zee Media, in partnership with Greenply Industries, is thrilled to announce the second season of the prestigious Hindustan Ki Shaan Awards. This celebration is dedicated to recognizing India’s carpenters and contractors for their exceptional contributions to the interior design industry. Following a successful inaugural season, this year’s on-ground event, scheduled to take place in Mumbai on Saturday, 27 April 2024, aims to highlight and honour the remarkable skills and creativity of these vital artisans in shaping aesthetic and functional living spaces.

    Hindustan Ki Shaan Season 2 has been an impactful initiative as it included an active participation from all professional craftsmen within the wood-panel and interior furniture sectors across India, assessing entries based on criteria including design innovation, problem-solving, and the use of environmentally friendly materials. The jury panel included prominent industry figures such as Greenply Industries chairman & MD Rajesh Mittal; Greenply Industries JMD & CEO Manoj Tulsian; Wade Asia – surface reporter founder and director Vertica Dvivedi; and Furniture & Fittings Skill Council CEO Rahul Mehta who evaluated the entries based on design excellence, innovation in craft, and the use of environmentally sustainable practices and materials. The second season of the Hindustan Ki Shaan Awards will recognize and elevate the appreciation for the craftsmanship that goes into creating bespoke furniture and innovative interior solutions, with a strong emphasis on sustainability.

    Greenply Industries CMO Yatnesh Pandey highlighted “Celebrating these craftsmen not only fosters a sense of community among them but also builds loyalty among consumers who recognize Greenply as a brand that values the backbone of its industry. Our partnership with Zee Media magnifies the impact, ensuring that the stories of these talented artisans are appreciated on a national scale. It positions Greenply strategically as a leader committed to uplifting the entire woodworking and interior design ecosystems.”

    With Zee News as its exclusive telecast partner and Zee Media as its digital partner, the event will be covered extensively across all platforms, ensuring that the achievements of these craftsmen are recognized nationwide. This strategic partnership aims to amplify the voices of India’s artisans and connect viewers across the nation to the artistry and innovation within the craftsmanship community.

    Zee Media Corp Ltd chief revenue officer Mona Jain, expressed her enthusiasm about the collaboration, highlighted “Working with Greenply for the second season of the Hindustan Ki Shaan Awards aligns perfectly with our mission to create social and economic value by spotlighting sectors of our culture that are often overlooked. We are committed to enhancing the visibility of these skilled professionals, improving their career opportunities, and fostering greater appreciation for their work. This initiative is a step towards sustainable development and recognition of these essential industries.”

    Zee Media Corp Ltd marketing head Anindya Khare further added, “We are immensely proud to collaborate with Greenply for the second season of the Hindustan Ki Shaan Awards. This partnership allows us to shine a spotlight on the extraordinary talents of India’s carpenters and contractors, who play a pivotal role in enriching our everyday living spaces with their craftsmanship and innovation. Through this initiative, we aim to foster greater recognition and appreciation of their skills, which are crucial in driving the advancement and sustainability of the interior design and construction sectors.”

    The award ceremony promises not only to be a platform for recognition but also a venue for sharing transformative stories and discussing the ongoing evolution within the sector. It will underscore the critical role these craftsmen play in not just beautifying spaces, but also in making them functionally robust and environmentally sustainable.