Category: Television

  • Denver scents victory as UAE cricket’s official team partner for Asia Cup

    Denver scents victory as UAE cricket’s official team partner for Asia Cup

    MUMBAI: When cricket fever meets a whiff of confidence, the result is unmistakably bold. Denver, India’s leading men’s fragrance brand, has just struck a fresh note by becoming the official team partner of the UAE Men’s Cricket Team for the upcoming Asia Cup 2025. The 17th edition of the continental championship will light up the UAE from 9–28 September, with eight nations India, Pakistan, Sri Lanka, Bangladesh, Afghanistan, UAE, Oman and Hong Kong battling it out in the T20 International format. With India defending their crown, the tournament promises both high drama and high decibels.

    For Denver, the move isn’t just about logo placement, it’s about stepping onto the global stage. From ruling bathroom shelves across India to now backing cricket on international soil, the brand is using this partnership to celebrate the values it has long championed: success, resilience and achievement.

    Hamilton Sciences Group MD and CEO Saurabh Gupta summed it up: “Denver has always celebrated men who carve their own success story. Partnering with the UAE team at Asia Cup 2025 allows us to take this philosophy global. It’s a proud moment for us and for our consumers who’ve made Denver one of India’s most loved fragrance brands.”

    The tie-up also signals Denver’s expanding footprint in the Middle East, a region where cricket fandom runs deep and brand recognition is fast growing. For the Emirates Cricket Board (ECB), the association is equally symbolic. ECB COO Subhan Ahmad said: “Denver, with Indian origins and global aspirations, resonates with our values and the spirit of cricket. We’re confident this partnership will inspire fans across borders.”

    As the countdown to Asia Cup 2025 begins, Denver’s entry into cricket sponsorship isn’t just a brand play, it’s a reminder that ambition smells sweeter when mixed with sport, passion, and a dash of international flair.

  • Balaji rings in ‘Kutingg’: A family-first app with kadak stories

    Balaji rings in ‘Kutingg’: A family-first app with kadak stories

    MUMBAI: Talk about a ‘family kutingg’! Balaji telefilms is striking a new chord in digital entertainment with the launch of its latest family-first app, kutingg.

    Unveiled on 8 September and set to go live on 11 September, the platform promises gripping fiction, spirited non-fiction, and snackable entertainment designed for India’s mobile-first audience. Positioned as a digital destination for every member of the household, kutingg is packed with kadak stories told with authenticity and flair.

    Speaking on the launch of Kutingg, Balaji Telefilms group CEO and group CFO Sanjay Dwivedi said, “At Balaji, our journey has always been about anticipating how stories are experienced and staying ahead of audience expectations. Today’s audiences want stories that are sharper, shorter, and more personal and Kutingg is our answer to that. This is not just another entertainment app; it is a family-first destination that offers Kadak stories across fiction and non-fiction, from snackable content to immersive limited series, and even vertical formats for a new-age viewing experience. With Kutingg, we want to give audiences more than just shows. We want to deliver moments that bring families together, stories that spark conversations, and entertainment that truly stays with them.”

    The content line-up reads like a buffet of entertainment. Daily drama lovers can tune into Pyaar Kii Raahein or Saas, Bahu aur Swaad, while weekend binge-watchers get Cheerleader. There’s also a ‘superstar library’ featuring Bose and Mentalhood, and a host of chat shows from Morning Mantra to Bollywood Gapshap. Vertical video formats sit comfortably alongside long-form narratives, keeping pace with how Indians scroll, stream, and snack on stories today.

    “This is not just another entertainment app, it is a family-first destination that offers sharper, shorter, and more personal stories,” said Balaji telefilms group chief revenue officer Nitin Burman. He added that kutingg is designed as an ecosystem where content, creators, and brands can thrive together. “Our vision is to make kutingg not only India’s preferred family-first destination but also a hub for innovation in both content and commerce.”

  • Bihar call as India News Manch 2025 puts politics centre stage in Patna

    Bihar call as India News Manch 2025 puts politics centre stage in Patna

    MUMBAI: When Bihar speaks, India listens and this September, the microphone will be turned up to full volume. India News Manch 2025, the flagship political conclave from Itv Network’s India News, is set to storm into Patna’s Hotel Maurya on 12 September 2025, bringing together the who’s who of Indian politics just months ahead of the state’s high-stakes election.

    Now in its legacy-making run, the Manch has built a reputation as one of the nation’s most influential forums. This year’s edition is particularly charged, with Bihar’s verdict expected to ripple far beyond its borders, shaping alliances, governance strategies and even the national democratic roadmap.

    The conclave will see a powerhouse line-up of more than 20 leaders, including deputy CMs Samrat Chaudhary and Vijay Kumar Sinha, BJP stalwarts Ravi Shankar Prasad and Syed Shahnawaz Hussain, Congress MPs Akhilesh Prasad Singh and Rajesh Ram, RJD’s Tejashwi Prasad Yadav, VIP’s Mukesh Sahani, Jansuraaj’s Prashant Kishor, RLM’s Upendra Kushwaha, and LJPR MP Shambhavi Choudhary. From Pappu Yadav to Dilip Kumar Jaiswal, the conclave ensures every major party and ideology has a voice on stage.

    Beyond the political star power, the agenda is just as weighty: governance, economy, youth aspirations, equity, policy reform, and India’s global standing. With Patna as its stage, the forum will drill into how Bihar’s decisions could once again alter the balance of power across India.

    “The future of Bihar is inseparable from the future of India,” said India News managing editor for Input Rakesh Singh. “This Manch will bring those voices to the national stage.” Echoing him, ITV Foundation founder Aishwarya Pandit Sharma noted: “By putting leaders and citizens on one platform, we bridge the gap between governance and grassroots voices.”

    As anticipation builds, one thing is clear: this isn’t just another conclave. With Bihar at the crossroads of history, India News Manch 2025 promises fireworks, frank talk, and a front-row seat to democracy in action.

  • Sony swings for six with full throttle Asia Cup 2025 broadcast blitz

    Sony swings for six with full throttle Asia Cup 2025 broadcast blitz

    MUMBAI: Cricket’s continental carnival is back, and Sony Sports Network is rolling out the red carpet. Starting 9 September in the UAE, the Asia Cup 2025 returns for its 17th edition with eight teams India, Pakistan, Sri Lanka, Bangladesh, Afghanistan, UAE, Oman, and Hong Kong, all chasing bragging rights before the ICC Men’s T20 World Cup 2026.

    For Indian fans, the excitement begins with India’s opener against hosts UAE on 10 September, followed by a series of high-stakes encounters through the Super Four stage and the grand finale on 28 September. Every ball, boundary, and bouncer will be available live across Sony Sports Network channels and streamed on Sony Liv, with commentary in English, Hindi, Tamil, and Telugu ensuring fans can cheer in their mother tongue.

    And that’s not all. The iconic Extraaa Innings T20 makes a comeback, bringing with it a line-up of cricket royalty and sharp-tongued analysts. Ravi Shastri, Sunil Gavaskar, Sanjay Manjrekar, Robin Uthappa, Waqar Younis, Wasim Akram, Russel Arnold, Simon Doull and more will headline the World Feed in English. Hindi viewers get the firepower of Virender Sehwag, Irfan Pathan, and Ajay Jadeja, while regional fans are not left behind Tamil coverage boasts WV Raman and Bharat Arun, and Telugu commentary features stalwarts like Venkatapathy Raju and Venugopal Rao.

    Sony chief revenue officer Rajesh Kaul underlined the network’s vision: “The Asia Cup represents not just a battle for supremacy but a fusion of history, culture, and aspiration. With our #RagRagMeinBharat campaign, we’re making world-class cricket accessible from the remotest villages to the busiest metros.”

    On the cricketing front, legends are already buzzing about India’s prospects under new captain Surya Kumar Yadav, with Shubman Gill as vice-captain. Sunil Gavaskar hailed the side as a “blend of tenacity and experience” while Ravi Shastri dubbed it the “perfect mix of experience and potential,” spotlighting stars like Jasprit Bumrah, Hardik Pandya, Tilak Varma, and Harshit Rana.

    With 8 nations, 1 trophy, 20 days of action, and commentary in 4 languages, Sony’s coverage of the Asia Cup 2025 looks set to bowl over fans before the World Cup even begins.
     

  • Nat geo’s ‘postcards from Saudi Arabia’ paints a new picture of travel

    Nat geo’s ‘postcards from Saudi Arabia’ paints a new picture of travel

    MUMBAI: Talk about a trip worth writing home about. National Geographic is sending viewers on an unforgettable journey with its new four-part travel series Postcards from Saudi Arabia, streaming on Jiohotstar and airing on Nat geo channel from 6 September.

    Hosted by actor and presenter Ridhi Dogra, the series peels back the curtain on Saudi Arabia’s hidden gems, from ancient wonders to modern marvels. The show takes viewers across three Unesco world heritage sites such as Jeddah’s Al-Balad, Riyadh’s At-Turaif and Diriyah, and AlUla’s awe-inspiring Hegra.

    In Aiuia, audiences encounter iconic landmarks such as Elephant Rock and Old Town, where local crafts, music and desert luxury blend seamlessly. Jeddah offers a different rhythm with souks, vibrant street art, and sunsets over the Red Sea, while Riyadh balances tradition and innovation, showcasing bustling markets, art galleries and a city on the rise.

    For Dogra, the series carried a personal resonance. “As a woman travelling through the location, I felt an unexpected sense of freedom, warmth, and welcome,” she shared. “I hope viewers, especially women, see this as an invitation to explore freely.”

     

  • Zee packs a travel punch with MP Tourism’s influencer campaign mandate

    Zee packs a travel punch with MP Tourism’s influencer campaign mandate

    MUMBAI: Heritage walks meet hashtags and tiger trails turn into trending tales, that’s the fresh spin Madhya Pradesh Tourism is gearing up for. Zee Entertainment Enterprises Ltd. (ZEE), the content-and-tech powerhouse, has bagged the Influencer and Social Media Marketing mandate from the Madhya Pradesh Tourism Board, announced during the two-day Regional Tourism Conclave for Gwalior and Chambal on 29–30 August 2025.

    The announcement, made in the presence of chief minister Mohan Yadav, tourism & culture minister Dharmendra Singh Lodhi, and managing director of MP Tourism Board Sheo Shekhar Shukla (IAS), puts Zee at the digital helm of promoting the state’s famed wildlife parks, cultural festivals, and hidden heritage gems. Under this year-long pact, Zee will deploy its ‘dilfluencer’ initiative, a network of characters with deep audience connect to craft influencer-driven campaigns that push Madhya Pradesh’s stories beyond state borders and onto global screens.

    Zee chief sales officer for hindi GEC and FTA GEC Cluster Ali Zaidi received the agreement on behalf of the company. He called the collaboration “an opportunity to showcase the cultural richness of Madhya Pradesh through innovative influencer-led campaigns,” adding that it also “takes the dilfluencers initiative to the next level by delivering measurable value while celebrating India’s tourism potential.”

    The timing couldn’t be better. With MP’s big-ticket Travel Mart around the corner, influencer-led narratives are set to anchor the Board’s larger vision of drawing in new-age travellers through digital-first storytelling. From rural tourism and heritage trails to wildlife safaris and local festivals, every slice of Madhya Pradesh life is poised for amplification.

    Zee, which already prides itself on blending entertainment with tech-led solutions, is pitching this collaboration as more than just an ad brief, it’s a chance to shape conversations, build community-led buzz, and reframe tourism in the language of reels, stories, and viral videos. For Madhya Pradesh, it’s a step toward ensuring that when people scroll for their next adventure, the “Heart of India” pops up first on their feeds.

  • Eros back in the frame with Q3 profit of Rs 114 crore after losses

    Eros back in the frame with Q3 profit of Rs 114 crore after losses

    MUMBAI: Bollywood’s box office may be unpredictable, but Eros International Media Limited has delivered a plot twist of its own swinging back into profit in the third quarter of FY24 after a string of red numbers.

    The company’s consolidated results for the quarter ended 31 December 2024 show a net profit of Rs 114.4 crore, compared to a steep loss of Rs 528 crore in the same quarter last year. Even more telling, this turnaround follows a loss of Rs 117 crore just in the September quarter. For the nine months ended December 2024, Eros clocked Rs 1,376 crore in profit, a remarkable bounce from the Rs 1,298 crore loss recorded in the same period of FY23.

    Revenues, however, told a more modest story. Income from operations in Q3 stood at Rs 13.08 crore, down from Rs 31.57 crore a year ago. Total income came in at Rs 38.65 crore, versus Rs 254.55 crore in the previous nine-month period, suggesting the focus was less on topline growth and more on aggressive cost management.

    That cost discipline was evident in the expense sheet. Operational costs, including content amortisation, were Rs 19.76 crore, down from Rs 81.51 crore last year. Other expenses were pruned to Rs 2.82 crore in the quarter, compared to a hefty Rs 477 crore in the year-ago period. Finance costs and employee expenses also dipped, helping Eros reverse the narrative.

    Earnings per share (EPS) reflected the turnaround too, with basic EPS at Rs 11.9 for Q3 compared to a negative Rs 42.9 for FY24. Total comprehensive income for the quarter stood at Rs 370 crore, again a sharp rebound from the Rs 409 crore loss in Q3FY23.

    The board, which met on 3 September, also approved an application to extend the deadline for its annual general meeting (AGM) for FY25, even as it cleared the unaudited results reviewed by Haribhakti & Co. LLP.

    For investors, the Eros saga now reads like a redemption arc from a cliffhanger of mounting losses to a surprise happy ending in Q3. The real question is whether this revival is a one-off cameo or the start of a sustained sequel.
     

  • Teen spirit unfiltered as MO lifts the lid on Secret Lives of Teenagers

    Teen spirit unfiltered as MO lifts the lid on Secret Lives of Teenagers

    MUMBAI: When teens start talking, the world better listen. MO India Today Group’s Instagram-first Gen Z brand has rolled out a bold new experiment: Secret Lives of Teenagers (SLOT), a six-part Insta-first series that puts today’s young voices front and centre, no filters attached.

    Presented by Swiggy, the show assembles a group of outspoken, curious, and sometimes chaotic teenagers many of them students at top global universities who dive headfirst into the themes that define their generation. Think identity crises, ambition vs burnout, heartbreak and hookups, rebellion, mental health, and, of course, life lived perpetually online.

    The conversations are raw, hilarious, and painfully real, giving audiences parents, educators, marketers, and even brands, a rare peek into the psyche of Gen Z. For teens themselves, SLOT functions as a loudspeaker for experiences often sidelined: finally their truths, in their own words.

    What makes the format different is its Insta-first DNA. SLOT was born under MO, the India Today Group’s cultural playground for youth, designed to talk in the internet’s native language reels, memes, podcasts, and behind-the-scenes storytelling. With this series, MO flexes its credentials as a space where Gen Z can be messy, funny, and thoughtful, all at once.

    India Today Group vice chairperson and executive editor-in-chief Kalli Purie explained: “With SLOT, we’ve created a space that’s raw, real, and completely Gen Z no borrowed narratives. Digital-first brand MO and SLOT bring out the spontaneity of social storytelling. It doubles up as a resource for anyone wanting to understand Gen Z India.”

    Backing it, Swiggy Food Marketplace CEO Rohit Kapoor will close every episode with his take on the “Gen Z vibe” for CMOs. As he put it: “Gen Z don’t follow trends, they set them. They’ve rewritten how we eat, shop, and live online. SLOT is a front-row seat to their world raw honesty, humour, and bold perspectives. For brands or parents trying to understand Gen Z, this is the place to start.”

    From Shoshthi to shindoor khela, festivals may belong to tradition but SLOT belongs to a generation intent on rewriting the rules of growing up. And on Instagram, where attention spans shrink and stories disappear in 24 hours, these teenagers are proving their own stories might just last longer.

  • “News Must Serve People, Not Power: Credibility Is the True Currency of Journalism” — LiveTimes CEO  Dilip Singh

    “News Must Serve People, Not Power: Credibility Is the True Currency of Journalism” — LiveTimes CEO Dilip Singh

    MUMBAI: Dilip Singh is not your ordinary journo. With over 35 years in journalism and media leadership, Singh has consistently been ahead of the curve, embracing technology long before it became mainstream. From India’s first video magazines to the first private 24×7 satellite news channel, from building the country’s first private teleport to pioneering the head end in the sky  (HITS) for JainHits, Singh’s career has moved at a zippy pace. 
    Today, he is once again redefining news delivery with Live Times’ state-of-the-art multicast news hub in Noida—developed in collaboration with global tech giants to power LiveTimes, a digital First 24×7 satellite news channel across OTT, Fast, D2C, and new-age platforms.

    But Singh is not just a technocrat; he is a newsroom warrior. He has reported on terrorism, insurgencies, elections, parliamentary proceedings, and government affairs, all while building successful news organisations from the ground up. His stints at Mega Telelive and Jain TV cemented his reputation as a content architect and editorial leader before he struck out to create Live Times.

    At the heart of his legacy is an unwavering belief in journalistic integrity. Singh is vocal about “truth over TRP” and “public interest over vested interests,” pushing for meaningful debate, investigative journalism, and authentic storytelling in a media landscape often dominated by noise.

    Today, as Live Times expands its footprint from local to global, Dilip Singh says he remains a pioneer, a defender of truth, and a relentless innovator shaping the future of Indian news.

    Indiantelevision.com did an interaction with him to understand what’s keeping him and LiveTimes going on its first anniversary. Excerpts from the interaction.

    On how true democratization of news ensures diversity of voices, representation of real issues, and independence from political or corporate agendas,
    True democratisation of news means creating a space where every voice matters, not just those with power, money, or influence. It ensures that stories of ordinary citizens, marginalised communities, and real issues affecting the public take center stage. Independence from political or corporate agendas is the cornerstone of credibility—when newsrooms operate without fear or favor, they serve democracy in its purest form. Live Times is committed to this principle by giving equal representation and unbiased coverage, ensuring that news serves people, not power.

    On how Live Times is restoring trust through fact-based, unbiased journalism.
    In an age of sensationalism, Live Times has taken a strong stand for fact-based journalism. Our newsroom prioritizes verification over speed and accuracy over sensationalism. Every report goes through rigorous fact-checking before reaching the public. By consistently delivering unbiased news content, Live Times is rebuilding the trust that many feel traditional media has lost.

    On fighting misinformation and clickbait in the age of virality.
    Misinformation thrives in a world obsessed with speed and virality. Clickbait headlines may grab instant attention, but they erode trust over time. At Live Times, we have adopted a zero-tolerance policy toward fake news and misleading content. Every story is validated through multiple credible sources before publishing. We believe that while speed is important, responsibility is non-negotiable. Our editorial strategy focuses on depth, accuracy, and context rather than chasing meaningless trends.

    On how journalism is a responsibility to the public.
    Journalism is not just about breaking news; it’s a public service that comes with immense responsibility. Citizens rely on media for facts that shape their understanding of the world and influence critical decisions. Misreporting or bias can have severe consequences for society. Live Times views journalism as a duty to empower, not manipulate, the public. Our mission is to deliver news that informs, educates, and upholds democratic values, reaffirming journalism’s role as the fourth pillar of democracy.

    On sensationalism giving instant fame, while authenticity ensures lasting respect.
    Sensationalism is like a sugar rush—short-lived and damaging in the long run. While it may fetch quick ratings, it corrodes credibility. Authentic journalism, on the other hand, builds a foundation of trust and respect that endures. At Live Times, we choose authenticity over theatrics because we understand that citizens seek truth, not drama. Respect in journalism is earned through consistency, honesty, and transparency, and that’s the benchmark we aim to set.

    On balancing TRP and digital metrics with meaningful content.
    The pressure to chase TRP and engagement metrics often tempts newsrooms to prioritize sensational content over meaningful stories. Live Times refuses to compromise its core values for numbers. We believe that meaningful journalism can also drive engagement when delivered compellingly. By blending strong storytelling with factual accuracy, we ensure that our content resonates with viewers while maintaining editorial integrity. The goal is sustainable growth through credibility, not short-term spikes.

    On sensationalism vs credibility – How news channels can build credibility.
    Credibility cannot be manufactured overnight; it is earned over time through consistent honesty and transparency. News channels must make editorial integrity their north star, resisting the lure of sensational headlines for quick attention. Credibility is strengthened when journalists verify facts, acknowledge errors, and prioritize public interest over TRP games. Live Times leads by example, demonstrating that credibility and audience loyalty go hand in hand when trust is never compromised.

    On how clickbait journalism may bring short-lived attention, but credibility builds loyalty and brand.
    Clickbait may capture fleeting attention, but it undermines the very foundation of journalism—truth and integrity. Real journalism thrives on credibility because audiences rely on news not just for information, but for understanding and trust. Sensational headlines might drive quick clicks, but they erode confidence and damage the profession’s core purpose. Credibility, on the other hand, builds a loyal audience that values accuracy and depth over drama. In the long run, it’s not the loudest voice that prevails, but the most trusted one—and that is where responsible journalism creates lasting impact.

    On how Live Times is setting a benchmark in responsible journalism.
    Live Times prioritises truth over trends. We have built systems to fact-check rigorously, avoid unnecessary sensationalism, and provide context to every story. From investigative reports to citizen-centric coverage, our goal is to inform rather than inflame. By refusing to bow to political or commercial pressure, we are setting an example for the industry: credibility is the true currency of media, and we intend to preserve it.

  • Pro panja packs a punch with record 250 million viewers in season 2

    Pro panja packs a punch with record 250 million viewers in season 2

    MUMBAI: Arm-wrestling isn’t just about brute strength anymore, it’s about breaking viewership records too. Pro panja league season 2 has wrestled its way into the hearts and homes of India, smashing past its previous benchmarks with a record-shattering 250 million household reach on television and over 150 million social media views.

    The gripping tournament, co-founded by Parvinn Dabass and Preeti Jhangiani of Swen Entertainment, took things up a notch this year, leaping from 185 million TV households last season to a staggering 250 million. On social media, it flexed even harder, drawing more than 100 million followers during the tournament and setting new benchmarks in live engagement, particularly on Instagram.

    The turning point came on day five, when two fiery face-offs, Jaipur vs sher-e-Ludhiana and Rohtak vs Mumbai muscle, lit up the screens and fuelled a viral storm across platforms.

    Regionally, the strongest viewership muscles were flexed in North India (Punjab, Haryana, Himachal, Jammu & Kashmir, and Chandigarh), which made up 20 per cent of the audience. The North East followed with 24 per cent, while Maharashtra and Goa contributed 16 per cent. The league also found a stronghold in metros like Delhi, Mumbai, and Hyderabad, despite being hosted in Gwalior.

    From men’s and women’s bouts to para-arm wrestling, season 2 had something for everyone. August alone saw over 100 million Instagram views and a cumulative 150 million views across all social platforms, firmly planting arm-wrestling in the mainstream sports conversation.

    Co-founder of the league, Parvinn Dabass called the success a game-changer. “This incredible reach proves arm-wrestling isn’t just a niche sport anymore. Our vision was to give this traditional Indian sport a professional platform, and the response has gone beyond our wildest expectations. Now, we’re eyeing global expansion with international participants for Season 3.” Dabass added.

    Preeti Jhangiani, president of the people’s arm-wrestling federation India (pafi) and co-founder, added, “The overwhelming response from fans and athletes alike shows how deeply the sport resonates across the country. We are proud to take this passion and discipline to international heights while upholding the highest standards.”

    As the buzz around season 2 continues, all eyes are now on the upcoming third season, with dates and venue to be revealed soon. The league is clearly not just building champions, it’s building a global stage.