Category: Television

  • Something Special licenses Battle in the Box’s US rights to UK’s Interstellar

    Something Special licenses Battle in the Box’s US rights to UK’s Interstellar

    Mumbai: Seoul-based international format agency Something Special’s president Jin Woo Hwang announced that they licensed the US rights for ‘Battle in the Box’ to UK production company, Interstellar. Interstellar produced the UK version which aired this past summer with host-comedian Jimmy Carr on U&Dave TV (owned by UKTV, a subsidiary of BBC). The show was created by Nmedia and is globally represented by Something Special. It originally aired in South Korea on MBN with top ratings.

    The program is about two celebrity teams who enter an empty box divided by a movable wall armed only with a toothbrush to live with for 24 hours. Teams earn space and luxuries by conquering physical and mental challenges. Victory expands their living area, but more room for one team means less for the other. With challenges occurring around the clock, the celebrities must be strategic to secure their space.

    Hwang stated: “Something Special is thrilled how Battle in the Box was received in the U.K. and now has an opportunity to go to the U.S. This unique game show format, created by their partner Nmedia, launched in S. Korea on MBN and was a major hit. Take two pairs of celebrities and put them in an expandable box for 24 hours, what could go wrong? We love working with Interstellar and look forward to even more versions of Battle in the Box.”

    Interstellar MD David Williams stated: “Bringing the brilliant Battle in the Box to U&Dave in the UK has been an absolute joy. We cannot wait to take everything we’ve learned about this groundbreaking reality and gameshow format and apply it to a host of new famous faces in the US. American celebrities beware, the Box is coming for you!”

  • TVH has always been a reflection of my passion and dedication: Deepmala

    TVH has always been a reflection of my passion and dedication: Deepmala

    Mumbai: Amidst the complexities of today’s communication landscape, the ability to weave impactful narratives is crucial for organizations aiming to resonate with their audiences. Innovative agencies are stepping up to the challenge, crafting messages that not only inform but also inspire action on pressing social issues.

    TVH – The Visual House, founded by Deepmala in 2010, exemplifies this commitment to meaningful storytelling. Initially launched as a film production house, it has evolved into a comprehensive integrated communication agency. With a dynamic team of over 50 professionals, TVH specializes in diverse services ranging from brand strategies and digital marketing to audio-visual production. The agency has garnered recognition for its quality work, including collaborations with notable clients like the United Nations, Tata Sky, and the Ministry of External Affairs. By focusing on social issues such as women’s empowerment and public health, TVH not only creates captivating content but also drives real change in communities.

    Indiantelevision.com’s Arth Chakraborty caught up with The Visual House founder and CEO Deepmala to discuss the agency’s evolution, the role of storytelling in social impact campaigns, and more…

    Edited Excerpts:

    On the inspiration behind starting The Visual House and its stand-out aspect

    I started The Visual House in 2010 out of my passion for filmmaking & storytelling with a desire to create impactful, purpose-driven content. I had the chance to join a media house but I decided to take the entrepreneurial route instead and start my own journey.

    From the very beginning, we have focused on addressing social issues, championing causes like women empowerment and public health, and working with development, government organizations and the corporate sector. Our approach has always been to connect deeply with our audience, ensuring that every project resonates on an emotional level. It’s this combination of heart, dedication, and a collective team effort that sets us apart from other production houses. Today, TVH is not just a production house, it is a full-fledged communications and creative agency dedicated to making a real impact through engaging and creative content.

    On overcoming the initial challenges of launching and scaling TVH

    TVH has always been a reflection of my passion and dedication. The journey to scale up wasn’t something that happened overnight, it took years of consistency, hard work, and commitment. Also, I would say, it has never been a solo mission. I firmly believe that success comes from collective effort, and I’m incredibly proud of the team that has stood by me, working together to achieve new heights.

    We started with a humble beginning, collaborating with development organizations, tackling social issues, creating impactful health campaigns, championing women empowerment, and taking on numerous CSR projects. These initiatives not only shaped the foundation of TVH but also strengthened our purpose and vision. Each step, each project, brought us closer to where we are today—growing, evolving, and making a difference.

    On your approach to creating content that drives social change

    Social change is a process that involves bringing awareness and action on a large scale. While creating content, especially in public health messaging, creativity plays a crucial role. Without a creative approach, campaigns can easily become preachy, which tends to get ignored. For clients like the UN and other public health organizations, we focus on storytelling that captivates and engages our audience while remaining informative. The goal is to spark real behavioral change by generating curiosity and leaving an impact with accessible messaging. By using innovative techniques, we ensure the message connects with the audience, motivating them to act and embrace healthier habits.

    On the role that perseverance plays in your journey as a woman entrepreneur and the most rewarding part of your journey as a business leader

    For any business leader, whether it is a man or a woman, perseverance has to be a constant. There are countless obstacles, but strength and a clear vision have helped me push through them.

    Being a woman in business, it is significant to make your presence felt and ensure your voices are heard. It is also important to build a strong support network of mentors and peers. Continuously learning and adapting to the ever-evolving media landscape has been key. Each project brings new lessons, and my biggest takeaway has been the need to evolve with time—keeping up with trends, not just following them, but using them to bring fresh ideas to our work. The most rewarding part of my journey has been seeing the impact of our work and how it resonates with people.

    On TVH adapting to industry trends, both during the COVID-19 pandemic and after it (current)

    Our industry is constantly evolving, and integrating innovative practices into creative storytelling is the key. At TVH – The Visual House, we have maneuvered new technologies like virtual reality, CGI videos, and 360-degree tours to enhance our storytelling for our clientele. We’ve also worked on sound & light shows to interactive live-streaming events, blending creativity with cutting-edge tools to keep our content fresh, engaging, and impactful.

    The pandemic was a boon to us in many ways. It opened an array of new learnings and opportunities for us to do things differently. By staying updated with media trends, we ensure our work remains relevant, inspiring, and effective for our clients.

    On balancing creativity with business acumen in media production

    In my opinion, prioritising things as they come is more effective than striving for balance. I have always believed that these two do not need to compete but can complement each other. Through prioritisation, I can align the creative projects as per clients’ needs, keeping our focus on quality, so that we manage to deliver creative content while ensuring the business side runs smoothly. It is all about fostering an environment where both creativity and strategic thinking can thrive.

    On the impact of working with global organizations like the UN on TVH’s growth

    In our field of work, each project offers us invaluable learnings. Working with global organisations like the UN was no different. It has had a huge impact on the growth of not just TVH but also the people involved with it. These collaborations have expanded our expertise, allowing us to handle larger, more complex campaigns that have a global reach. It has helped us refine our communication strategies and solidify our position as a creative agency capable of delivering meaningful content on both local and international levels.

    On current projects or collaborations that TVH is working on

    At The Visual House, we are currently working on several exciting campaigns, ranging from public health messaging to corporate projects and CSR initiatives.

    We are collaborating with Heifer on a range of projects, from IEC materials and Nukkad-nataks to radio campaigns, hoardings, flyers and various other collateral. We are also working with UNIDO, GIZ and CoFTI. Our recent projects also include digital films for Dabur’s Hajmola Mr. Aam and Shaktiman, both of which highlight our ongoing commitment to engaging narratives and impactful storytelling. These collaborations reflect our focus on creating content that not only resonates with audiences but also drives meaningful results.

    On your future plans for The Visual House, in terms of growth and impact

    We are expanding our reach and approach beyond pan-India. We have recently opened our office in UAE, and are slowly charting into new markets. We are excited about the new opportunities of working with a wider range of clients. Through all of these, we are still committed to delivering high-quality and impactful content. As we evolve, I hope TVH will make an even bigger impact, both locally and globally, through our creative and purpose-driven storytelling.

  • Zee to go the whole hog with DP World ILT20 cricket league in 2025

    Zee to go the whole hog with DP World ILT20 cricket league in 2025

    MUMBAI: Sports is what it had let go of more than a decade or so ago. Now Zee Entertainment is making a big-bang entry back into it. The entertainment giant announced today that it will be telecasting the DP World International League T20 (ILT20) on 15 of its channels, on Zee5 and on its syndicate partners’ TV and digital networks across the world from 11 January 2025 for the month long cricket fiesta. 

    Among the channels it will be telecasting the matches include: &Pictures SD, &Pictures HD, Zee Cinema HD, Zee Anmol Cinema 2, Zee Action, Zee Biskope, Zee Zest SD, Zee Cinemalu HD, Zee Telugu HD, Zee Thirai, Zee Tamil HD, Zee Kannada HD, Zee Zest HD, &Flix SD, &Flix HD. The DPL ILT20 tournament will also be free to view on one of India’s leading OTT platforms – Zee5. 

    A press release issued by the network states that the idea is to capture a viewership of 230 million just from India. What will help it get there is the fact that the tournament will be shown on its southern language channels as well, expanding its reach exponentially. 

    The matches will take place at three iconic UAE locations – Dubai, Abu Dhabi and Sharjah – starting from 11 January  to 9 February 2025.

    “Zee is delighted to present third season of DP World ILT20 to cricket fans in India and across the globe, offering an electrifying experience across our 15 linear TV channels and OTT platform, Zee5,” says Zee chief growth officer-digital & broadcast revenue. “With some of the finest players, iconic stadiums and top sporting franchises, we aim to elevate the cricket carnival experience, building on last year’s success and cementing the league’s status as the second most watched T20 cricket league globally.” 

    DP World ILT20, in its second season, drew 200,000 attendees over 34 games. The league is the second most-watched T20 cricket league globally, with a total of 348 million unique viewers from around the world, including a staggering 221 million viewers from India. With a notable 46 per cent share of female viewership and 55 per cent share of youth viewership, the league’s broad appeal in India underscores its status as household entertainment, says the press release.

    “The difference between DPL World ILT20 and IPLT20 is that each of the franchises can have more international players on the teams in our league. The IPL has by its construct more Indian players in each team,” Sehgal had told news channel Wion during an interview earlier this week. 

    The existing roster continues to be strong with the presence of players like David Warner, Sunil Narine, Andre Russell, Nicholas Pooran, Lockie Ferguson, Wanindu Hasaranga and Jake Fraser McGurk among others.

    The franchise-style tournament DP World ILT20 comprises six teams: Abu Dhabi Knight Riders (Knight Riders Group), Desert Vipers (Lancer Capital), Dubai Capitals (GMR Group), Gulf Giants (Adani Sportsline), MI Emirates (Reliance Industries), and Sharjah Warriorz (Capri Global).

    The previous edition was won by MI Emirates.

  • Subhash Ghai’s Mukta Arts inks deal for 37 films with Zee

    Subhash Ghai’s Mukta Arts inks deal for 37 films with Zee

    MUMBAI: The Shubash Ghai-promoted Mukta Arts today informed the Bombay stock exchange that is has entered into an assignment agreement and executed a term sheet with Zee Entertainment Enterprises for 37 of its films.  The deal assigns the  satellite and media rights of the films to Zee for six years, commencing 25 August 2027.

    Mukta Arts announced that the duo agreed to a 25 per cent higher fee for the rights as compared to the previous agreement. The two did not disclose what the final deal amount is.  Amongst the big films that Ghai has helmed include: Karz, Khalnayak, Hero, Ram Lakhan, Karma, Pardes, Saudagar, Taal, Yaadein, Bombay To Bangkok, Good Boy Bad Boy, Khanna & Iyer, Sham Ghanshyam.

    Mukta Arts has had a long history of working with Zee with its films being licensed to the broadcaster repeatedly. The duo signed a deal wherein the veteran film maker would make three films for Zee Studios in 2021.The first of these was 36 Farmhouse which was released in January 2022.

    Recently, Mukta Arts, Mukta A2 cinema, Zee Cinema and PVR announced that the Anil Kapoor-starrer Taal would be re-released in theatres from 27 September in the twenty-fifth year of its first release. 
     

  • BB Marathi is most talked about in Maharashtra after politics & cricket: Endemol Shine’s Ketan Mangaonkar

    BB Marathi is most talked about in Maharashtra after politics & cricket: Endemol Shine’s Ketan Mangaonkar

    Mumbai: In the vibrant realm of Bigg Boss Marathi, where drama meets cultural resonance, the latest season has captivated audiences like never before. With a commitment to simplicity and relatability, the show’s creators have masterfully intertwined Marathi sentiments into every twist and turn, keeping viewers on the edge of their seats. This season introduces groundbreaking elements like the Dilemma Room and the game-changing Pay to Stay, pushing contestants to their limits and elevating the stakes. As social media buzz amplifies viewer engagement, the innovative hosting of Riteish Deshmukh added a refreshing energy that connects deeply with audiences.

    Indiantelevision’s Suman Baidh caught up with EndemolShine India project head and creative director Ketan Mangaonkar to discuss the innovative strategies behind the latest season of Bigg Boss Marathi, exploring how they’ve enhanced viewer engagement, integrated cultural elements, and introduced exciting twists that keep audiences eagerly anticipating each episode.

    On specific strategies that you use to maintain viewer engagement and excitement throughout each episode of the season

    We try to maintain simplicity and relatability in every task or activity keeping in mind Marathi sentiments and culture. Also, what gives each episode the extra edge is the twists and turns that we bring into the mix. In short, it’s the unpredictable factor of “What is going to happen next?”, that has helped us get viewer engagement.

    On some key surprises or unexpected elements that have been particularly well-received by the audience this season

    This season we introduced a new room i.e. The Dilemma Room, where the contestant was put into a conundrum of choosing between a benefit for the house or gaining an advantage for themselves which not only kept the contestants second guessing our every move but also the viewers. Another factor that has had the biggest impact this season is the concept of ‘Pay to Stay’, wherein the contestants had to pay for basic essentials such as usage of beds, bathrooms and groceries as these had been taken for granted in the previous seasons. ‘Pay to Stay’ made the game tough for the contestants as they had to make compromises between the luxury of having a comfortable bed to sleep on or having a decent meal by being able to buy groceries.    

    On the role of digital platforms evolving in the promotion and interaction for this season compared to the previous season

    We believe that in Maharashtra, after politics and cricket the most talked about topic is Bigg Boss Marathi. All thanks to the social media platforms like Facebook, X and Instagram. This season though has seen a growth in the fan pages, be it the personal fan pages of the contestants or public fan pages about Bigg Boss Marathi. Due to the discussions and polls held on these pages, Bigg Boss Marathi has become a top trending topic not only on social media but a vast number of households across India. Also, the huge number of memes and reels posted by the fans of the show has been a driving factor in promoting the show further.    

    On specific feedback from viewers led to significant changes or enhancements in the show’s content this season

    A lot of viewers in the past felt that the contestants were having an easy time because they were living a lavish life, with access to all the luxuries in the house. Some even went far enough to state that the contestants seemed like they were on a picnic. Hence, we decided to change direction moving away from the classic format and introducing new elements that would be seen as obstacles for the contestants making the show more exciting.    

    On integrating Marathi cultural elements into the show’s format and storytelling to make it resonate more with local audiences

    We design our tasks and activities based on a lot of Marathi folklore, children’s stories, songs and culture which makes the show relatable to the Marathi audience. Also, themes from our day-to-day routine like using the ‘Chul’, and trying to get a ticket for the ST bus during the Ganapati festival to reach their home town are just a few examples of the themes that we have used that have resonated with the viewers.

    On most challenging tasks or activities designed for the contestants, this season and these challenges influence the show

    This season we reduced tasks and activities that involved endurance and physical activity and focused more on tasks that tested the contestant’s mental fortitude. Activities like ‘The Dilemma Room’ and tasks like ‘Lie Detector’ and ‘Guess the Animal’ are just a few examples that tested the contestant’s patience and intelligence. This shift broke the monotony and brought on board a lot more viewers in comparison to the previous seasons.  

    On Riteish Deshmukh’s approach to hosting differed from past hosts and new elements that he brought to the show

    Working with Mahesh Manjrekar for the previous four seasons was a humbling experience but this year we decided to change the host as we were moving away from the classic format to a new format. Having Riteish Deshmukh as the current host has brought in new energy and freshness to the show. He not only understands the essence of the show but also the pulse of the audience. Riteish maintains sophistication and elegance while hosting the show and has been brilliantly addressing critical situations and mistakes of the contestants on ‘Bhaucha Dhakka’ (Weekend Episodes).      

    On innovative concepts or themes are being explored to ensure the show remains fresh and engaging for future seasons

    This year we introduced a new theme ‘Chakravyuh’ with the tagline “If you know the game, you don’t”. We not only incorporated the theme in our tasks and activities but also in the house design which made the house look different from the previous seasons giving it a more modern look and feel. This season we have set a benchmark wherein we delivered content that exceeds our audience’s expectations which has set a tone for future seasons.  

    On selecting contestants and this selection process’ evolution over the seasons

    This show showcases different personalities and searching for the right mix of people is the biggest task while making the show. There is a tremendous amount of research and interview processes that a single celebrity must go through to become a contestant on the show.  

    On methods that you employ to keep the production smooth and efficient while adapting to the continuous demands of a daily show

    More than three hundred people working in shifts over a period of a hundred days, making it possible to ensure the smooth running of the show. We are lucky to have a skilled and technically proficient team which makes it easy to meet the continuous demands of this daily reality show. But all this has been possible due to the continuous support and backing of the group leaders Deepak Dhar and Rishi Negi.

  • CNN-News18 Town Hall brings together political bigwigs

    CNN-News18 Town Hall brings together political bigwigs

    Mumbai: The much-anticipated CNN-News18 Town Hall is set to make a grand comeback on 27 September in Mumbai. Renowned for its dynamic and thought-provoking discussions, CNN-News18 Town Hall has previously hosted editions across Delhi, Mumbai, Chennai, and Bengaluru. Over the years, the platform has seen key figures from politics, business, and entertainment converge to debate national issues and the country’s key policies.

    The theme of this edition, ‘Road to Delhi via Mumbai?’, arrives at a pivotal moment as India navigates its political landscape in the lead-up to assembly elections in Maharashtra. Previously, CNN-News18 Town Hall has featured prominent figures such as Nirmala Sitharaman, S. Jaishankar, Nitin Gadkari, Shashi Tharoor, MK Stalin, Aaditya Thackeray, along with entertainment actors like Kartik Aryan and Sameer Nigam.

    This year’s event continues this legacy with a series of engaging sessions focused on critical political and cultural topics. Maharashtra chief minister Eknath Shinde will lead a conversation on ‘Mahayuti’s Maharashtra Test’, discussing the coalition’s future in the state. Aaditya Thackeray, MLA, Maharashtra (Shiv Sena UBT), will delve into his party’s strategy in a session titled ‘Matoshree to Prove Its Might?’, while Deputy Chief Minister Devendra Fadnavis answers the question ‘Can BJP Get Its Math Right?’, as he examines the party’s electoral calculations. Supriya Sule MP, NCP (SP) will outline her party’s vision for the upcoming Assembly elections in a session titled ‘Pawar-Play: Maha ‘Binding’ Factor?’. On the other hand, Aditi Tatkare, State Minister and MLA, NCP (AP) will also share her views on the same topic. The CNN-News18 Town Hall would also see Milind Deora, MP, Rajya Sabha (Shiv Sena) and Priyanka Chaturvedi, MP, Rajya Sabha (Shiv Sena UBT) weigh in on ‘Who is the Real Shiv Sena?’ in back-to-back sessions. From the entertainment sphere, Sonakshi Sinha and Zaheer Iqbal will address “The New Reality of Theatrical vs OTT”.

    Network18 CEO – English & Business News Smriti Mehra said, “CNN-News18 has been the number one English news channel for over two consecutive years. This achievement is a testament to our commitment to delivering impactful, relevant content to our viewers. Given its stellar lineup of speakers, I have no doubt that CNN-News18 Town Hall will once again captivate our viewers and set the stage for essential conversations that will shape the nation’s future.”

    CNN-News18 managing editor Zakka Jacob added, “The CNN-News18 Town Hall was born out of a need for candid, unfiltered exchange of dialogue that goes beyond the usual political discourse. Now in its seventh edition, it remains a crucial space where the country’s most pressing issues are addressed by a diverse mix of leaders and influencers. As we bring together voices that shape policy, culture, and society, we continue to lead the national debate on what truly matters to India.” 

  • Bigg Boss Kannada 11 to premiere on 29 September

    Bigg Boss Kannada 11 to premiere on 29 September

    Mumbai: Colors Kannada is launching season 11 of Bigg Boss, one of India’s biggest reality shows. The premiere will air on 29 September at 6 pm, with daily episodes following at 9:30 pm and on Jio Cinema. This season features a ‘Hell and Heaven’ theme, where contestants are divided into two groups—one enjoying luxury and the other facing challenges without basic amenities.

    For the first time, contestants will be revealed before the show’s launch during the Raja Rani Reloaded Grand Finale on 28 September, where viewers will decide who goes to hell and who enters heaven. Kiccha Sudeep will return as host, bringing his experience and leadership to the show. This season will feature a diverse mix of celebrities and influencers, with a larger Bigg Boss house designed for elaborate games and tasks, promising drama and unexpected moments.

    Kiccha Sudeep said, “Ten seasons has been an incredible journey. Stepping into the 11th season is altogether an additional responsibility. With a refreshed format and a new concept, this season is not just another chapter—it’s a legacy we’re all building together. I’m excited for the newer lot.”

    Viacom18 president- general entertainment Alok Jain said, “Bigg Boss has always been a trailblazing property in the media and entertainment landscape, consistently breaking through the clutter with its dynamic, engaging content that resonates across languages and regions. As one of the most impactful franchises on television, it captivates millions with its high-voltage entertainment and unmatched viewer connection. Our aim is to always delight audiences and keep our promise of bringing new and exciting content to our viewers in Karnataka. This season of Bigg Boss Kannada introduces the exciting ‘Hell and Heaven’ theme, foretelling a thrilling experience for our audiences. We’re also thankful to our brand partners for being part of journey. Their association is a testament to the show’s reach and success across the region.”

    Banijay Asia and EndemolShine India founder and group CEO Deepak Dhar said, “We are excited to bring the 11th season of Bigg Boss Kannada to our viewers, packed with high-energy entertainment and drama, with the iconic Kiccha Sudeep returning as host. The overwhelming love and support from our audience year after year has driven us to raise the bar for the show once again. Our continued partnership with Colors Kannada and JioCinema promises another successful season to our beloved audiences in India & beyond. At EndemolShine India, our focus is to tailor engaging formats like Bigg Boss to resonate with linguistic & cultural preferences across regions. We are confident that this season will not only entertain but engage and thrill viewers, as Bigg Boss Kannada continues to grow stronger each year.”

    Bigg Boss Kannada Season 11 is co-powered by Freedom Refined Sunflower Oil, with special partners Sadguru Ayurveda Gram Flour Soap, Sudarshan Silks, Haier, Nirantara Divine Puja Oil, India Gate Basmati Rice, A23 Rummy, associate partner Hangyo Ice Cream and Amrutanjan, along with prize partner Confident Group and digital partner Vimal Elaichi and Sharief Bhai Biryani.

    Viewers can enjoy Bigg Boss Kannada episodes for free on Jio Cinema the day after they air, catching all the action free of cost.

  • Brands, India’s monumental chess Olympiad24 win, TV channels & OTTs

    Brands, India’s monumental chess Olympiad24 win, TV channels & OTTs

    MUMBAI: Did Indian TV sports channels, streamers and brands miss out on a great branding and monetisation opportunity last week during India’s monumental victory at the 45th Chess Olympiad 2024?  

    Some such as former sports broadcaster and an ardent chess player Harish Thawani think so. Said he on linkedin: “Nothing in the history of Indian sports/games achievement will come close to this. Indian women and men BOTH win gold at the 45th FIDE Chess Olympiad 2024. Corporate India slept on associating with this opportunity, whether out of indifference to chess or because of advisors that are only cricket focused, I can’t say.” 

    Agreed Essar chief digital officer Vinod Sivaram Krishnan: “Cliff hangers of boards, accompanied by the right production values and expert commentary would have ensured that the edge-of-the-seat action could be converted into a significant marketing opportunity.”

    According to Thawani, 10 per cent  of the global population play chess – that is about 700 million.  “India has an estimated 85 million people that play chess. That’s more people than any other sport in India except cricket. So, there is an audience, it just is not being addressed,” he pointed out on linkedin.  

    He could well be right as according to online analytics, chess.com’s second largest traffic comes from India, accounting for some 15.4 million users. Then chessbaseIndia, chess.com and gothamchess have  1.92 million,  2.05 million subs, 5.43 million active subs respectively on youtube.

    Krishnan revealed that, like millions of others, he was glued to the matches online and on Youtube. But he added that “the poor quality of coverage of the event in the mainstream media was underwhelming. I realized that the opportunity was very significant.”

     Thawani explained that the feat by both the men and the women chess players as a team was “staggering, unbelievable, a mind-bending accomplishment. To win both golds with almost 200nations participating. It’s akin to a country winning the 100/200 meters and marathon in both men’s and women’s at Olympics. Anyone who has played competitive chess even at local level will tell you that this was impossible. Until today.” 

    Echoing  many a sports broadcasting acquisition executive, who complain of low viewership for any sports apart from cricket LabIndia Instruments regional sales manager Seshu Ramakrishnan Suri said: “Chess is not an audience sport and unless one knows the game they cannot enjoy. If it is not a mass sport why will a corporate get involved as they look at reward coming out of it.” 

    To this Thawani had a sharp reply: “..audience size is not the only reason to sponsor a sport/game – quality of audience, level of involvement, national pride, brand values synergy (remember IBM and Intel’s involvement with chess?) and more.” 

    Krishnan highlighted that chess has legs as seen in the current generation of chess players who displayed “fearless play from all 10 of them in the face of the best that the world has to offer meant that the result was just the icing on the cake. Knowing that there are several other strong players waiting in the wings for each one playing today gives the same feeling of bench strength that one gets in cricket. It was so heartening to see our young stalwarts take on veterans without a shred of nervousness!”

    But all is not lost as former sports broadcast executive Deep Drona said on linkedin: “It’s time to broaden the chatter beyond the popular or most obvious in the space of sports.”

    Are the sports streamers, broadcasters and brands listening?

    Will they rise and put their might behind chess as they have done with kabaddi and football?

    (For the uninitiated, India’s men and women’s chess teams consisting of  Gukesh Dommaraju – more commonly known as Gukesh D , Rameshbabu Praggnanandhaa and Arjun Erigaisi and Harika Dronavalli, Vaishali Rameshbabu, Divya Deshmukh, Vantika Agrawal, and Tania Sachdev won the gold each in the men’s and women’s event respectively. Gukesh, Erigaisi, Deshmukh and Agrawal bagged individual gold medals on their respective boards.)

  • Studio 100 International remasters classic TV series in full HD and 16:9 for the first time

    Studio 100 International remasters classic TV series in full HD and 16:9 for the first time

    Mumbai. Studio 100 International, a children’s and family movies and series entertainment, is breathing new life into its iconic classic series. To meet growing demand and celebrate these beloved titles the company has embarked on a remastering project making these heritage series available in Full-HD and 16:9 widescreen format for the very first time.  Iconic IPs such as “Sindbad”, “Pinocchio”, “Alice in Wonderland”, “Anne of Green Gables”,  “Nils Holgersson”, “Marco”, “Vic the Viking”, “Maya the Bee”, and “Heidi” will soon captivate not only a new generation of young viewers but also evoke nostalgia among adults who grew up with these timeless classics. This initiative is part of Studio 100 International’s broader licensing campaign, “Heroes of Childhood,” which unites these treasured properties under one brand, celebrating their enduring appeal across generations.

    Studio 100 International will present this project and the first remastered episodes at this year’s  MIPCOM in Cannes, Booth R7.K17.  

    The remastering process employs cutting-edge AI technology to transform the original content from the 1970s into a vibrant and high-quality Full-HD experience. After a thorough analysis of the source material, specific optimizations are identified and addressed. AI-assisted upscaling is then applied rendering oversized frames to generate additional visual information necessary for the adaptation to 16:9 format.

    Once upscaled the material undergoes manual refinement with each scene meticulously reviewed and adjusted to ensure the integrity of the original content while achieving the optimal widescreen display in native 1920×1080 resolution. Audio tracks are also carefully reconstructed allowing for the integration of various language versions. To finalize the process localised versions of the titles and credits are produced ensuring the remastered series are ready for global distribution.

  • GoQuest Media licenses Polish drama ‘Crusade’ to Walter Presents

    GoQuest Media licenses Polish drama ‘Crusade’ to Walter Presents

    Mumbai: Global independent content distributor – GoQuest Media has licensed the Polish crime drama Crusade to Walter Presents for broadcast in the UK and Ireland. This aligns with GoQuest Media’s ongoing strategy to bring the best of Central and Eastern European (CEE) dramas to an international audience.

    Produced by Telewizja Poland (TVP), Crusade (13X45’) is a suspenseful police procedural following detective Jan ‘Manjaro’ Góra and his colleagues from the crime and criminal terror division of the Warsaw Metropolitan Police. The investigation into a series of celebrity murders quickly reveals a deeper, more intricate conspiracy involving an anti-system terrorist organization operating in Warsaw.

    Launched in 2016, Walter Presents is part of Channel 4’s streaming platform, focusing on foreign-language dramas with English subtitles. It brings award-winning international series to audiences in the UK, US, and other regions.

    GoQuest Media continues to expand its role in exporting CEE content to new markets, securing deals that place Polish and regional content on prominent global platforms.

    Walter Presents’ co-founder & curator, Walter Iuzzolino commented on the deal, “I have always been a fan of Polish drama, and Crusade is a perfect addition to our substantial and ever expanding slate of the best Eastern European titles on the market: it is an intoxicating cocktail of gritty and glamorous, fast pace and twisted – a brilliant show which will keep you glued to the screen”.

    GoQuest Media MD Vivek Lath said, “Crusade represents the latest success in our growing portfolio of internationally distributed crime dramas from the CEE. From the outset, we recognized its potential to resonate with crime genre fans worldwide. Its gripping suspense and unpredictable twists make it a standout in our catalog. We’re thrilled that Walter Presents, known for curating high-quality international content, will now feature this exceptional series.”

    GoQuest Media will present Crusade and fresh new crime dramas from their catalogue at MIPCOM later this month.