Category: Television

  • News18 Lokmat announces ‘Mood Maharashtracha’ and ‘Maharashtrachi Tai Sahib’

    News18 Lokmat announces ‘Mood Maharashtracha’ and ‘Maharashtrachi Tai Sahib’

    Mumbai:  As Maharashtra prepares for its state elections, News18 Lokmat is stepping up its commitment to provide detailed coverage by launching two significant programs: Mood Maharashtracha and Maharashtrachi Tai Sahib. These initiatives, part of the overarching campaign Maharashtracha Mahasangram, are designed to capture the diverse sentiments and opinions of voters across the state.

    Mood Maharashtracha is dedicated to reporting from constituencies across Maharashtra. It captures ground-level opinions on critical issues such as health, infrastructure, education, and the work done by the current government. Anchored by Vishal Pardeshi, the program aims to bring forth the concerns of the common man, providing a platform for local leaders to articulate their visions for the upcoming elections.  By highlighting voters’ real concerns, Mood Maharashtracha presents an authentic view of the election landscape.

    On the other hand, Maharashtrachi Tai Sahib offers a unique angle by focusing on the viewpoints of women voters, warmly referred to as ‘Tai Sahib’. Hosted by Suvarna Joshi, the program focuses on the voices and political objectives of women from all walks of life highlighting their opinions on current issues, leadership, and development priorities.

    Over the course of 25 days,Mood Maharashtracha and Maharashtrachi Tai Sahib will travel across Maharashtra, providing region-specific in-depth analysis and insights of voter sentiment, bringing viewers a closer look at the aspects influencing the state’s political landscape.

  • TV Vision Ltd’s financial struggles deepen; loss per share stands at Rs 3.17

    TV Vision Ltd’s financial struggles deepen; loss per share stands at Rs 3.17

    Mumbai: In the vibrant world of Indian television, TV Vision Ltd. once stood as a beacon for music and regional entertainment, captivating audiences with its flagship channel, Mastiii. Known for its pulse on Hindi music and commanding viewership, Mastiii carved out a niche in the crowded airwaves, consistently topping the charts. Yet, behind the bright lights and catchy tunes lies a story of financial struggle. TV Vision’s latest quarterly results paint a somber picture—shrinking revenue, mounting costs, and a recurring cycle of losses that threaten to overshadow its legacy. As the company grapples with an uphill battle to regain its financial footing, the future of this media giant teeters on a precarious edge.

    For the quarter ending 30 September 2024, TV Vision’s consolidated income from operations fell to Rs 1,260.48 lakh, down 15 per cent from Rs 1,482.83 lakh in the same quarter last year. This downturn reflects the ongoing challenges in revenue generation, a critical weakness given the company’s extensive cost base.

    The operating expenses continue to burden the financial structure of TV Vision. The total expenditure for Q2 FY25 reached Rs 1,796.43 lakh, an 11 per cent increase from Rs 1,614.87 lakh the previous year. Of particular concern is the rise in employee benefit expenses, which, though slightly decreased quarter-on-quarter, continue to erode profit margins at Rs 104.09 lakh.

    Adding to this strain is a notable increase in depreciation costs, totaling Rs 373.30 lakh for the quarter. The consistent depreciation expense underscores an aging asset base, highlighting the limited flexibility the company faces in managing capital expenditures and reinvestment.

    The impact of these costs is clear in the bottom line. TV Vision recorded a consolidated net loss of Rs 526.73 lakh in Q2 FY25, widening from a loss of Rs 541.30 lakh in Q2 FY24. On a half-yearly basis, the figures are even more dismal, with losses amassing to Rs 1,227.45 lakh for the period. The loss per share stands at Rs 3.17, underlining the dwindling returns to shareholders and the deteriorating equity position.

    Despite a marginal improvement in cash reserves, from Rs 99.04 lakh in March 2024 to Rs 325.28 lakh in September, the company’s overall cash flow remains precarious. Financing activities reflect a significant strain, with a reduction of Rs 295.55 lakh in current borrowings. Coupled with high finance costs, which stood at Rs 30.14 lakh for the quarter, the ability to service debt without additional liquidity sources appears doubtful.

    The most alarming aspect of TV Vision’s financial state is its mounting negative equity. The company’s other equity balance plummeted to Rs 16,796.66 lakh, a stark reflection of accumulated losses that threaten long-term viability. Shareholder confidence appears eroded, and without tangible efforts to rein in costs or generate substantial revenue growth, the outlook for equity remains bleak.

    With the latest report, it is evident that TV Vision is facing a formidable set of financial obstacles. Operational inefficiencies, coupled with an inflexible cost base, leave the company in a fragile state. For investors, the need for swift and effective strategic restructuring is clear. As the broadcasting landscape grows more competitive, TV Vision’s ability to adapt could determine whether it can turn the tide on its financial woes.

    TV Vision’s second-quarter results underscore a troubling trajectory, with widening losses and limited financial flexibility casting a shadow over its future. The company faces urgent calls for a strategic overhaul, without which it risks sinking deeper into financial distress. As the challenges mount, the question lingers: can TV Vision pivot swiftly enough to ensure its survival in an unforgiving market?

     

  • Zing to launch youth-centric content for TV

    Zing to launch youth-centric content for TV

    Mumbai: Zing is set to transform television viewing by introducing digital content to traditional TV screens. Aiming to meet the evolving preferences of younger audiences, Zing combines the appeal of digital platforms with conventional television.

    As part of this initiative, Zing will launch ‘Short Storiyaan’ and ‘Series Showcase’, featuring popular shows in condensed formats tailored for today’s youth. In collaboration with production houses Natak Pictures and Content Ka Keeda, Zing curates content that reflects the interests of the younger generation.

    Starting 2 November, ‘Short Storiyaan’ will showcase award-winning short films known for their storytelling. Meanwhile, ‘Series Showcase’, launching on 17 November, will feature a selection of web series that explore themes of love, friendship, and heartbreak—topics relevant to Gen-Z. These narratives aim to entertain while resonating with the real-life experiences of today’s youth.

    Zing & FTA business head Pankaj Balhara said, “The entertainment landscape is evolving rapidly, with digital content gaining significant traction among young audiences. We are thrilled to bring these compelling stories to television screens, offering an experience that aligns with the preferences and lifestyles of today’s generation. While smart TV adoption continues to grow and streaming consumption still is prevalent on smaller screens, Zing bridges this gap by delivering high-quality content to larger television screens. This approach enhances the viewing experience and caters to our diverse audience across metropolitan and regional cities. Also, recognizing that television is inherently a family viewing experience, we have been mindful of the content we present, ensuring it is suitable and enjoyable for all viewers. At Zing, our unwavering commitment to innovation drives us to stay ahead of the curve by expecting and responding to the evolving needs and preferences of our audience. Through the continuous refinement and expansion of our offerings, we ensure that our content consistently exceeds consumer expectations, securing our position at the forefront of the entertainment industry.”

  • India Today Group sees revenue fall amid challenging market conditions

    India Today Group sees revenue fall amid challenging market conditions

    Mumbai: When a titan stumbles, the tremors are felt far beyond its own walls. Investor confidence wavers, markets shift uneasily, and a once-unshakeable reputation finds itself on thin ice. Such is the case for the India Today Group, which, in a jarring Q2 FY25 performance, posted steep declines in both revenue and profits. This downturn isn’t just a dip in the numbers; it’s a stark reminder that even the most formidable institutions can struggle against economic forces and the relentless pressure of an ever-changing media landscape. Despite efforts to trim costs and adapt, India Today’s latest results signal not progress, but troubling stagnation.

    For the quarter ending September 2024, the Group’s revenue plummeted to Rs 206.77 crores from Rs 311.79 crores in the preceding quarter, marking a sharp 33.7 per cent drop. This contraction becomes more severe when juxtaposed with the Rs 213.86 crores reported in the same quarter last year. Despite moderate operational adjustments, production costs grew by over 3 per cent, reaching Rs 24.35 crores compared to Rs 23.62 crores a year ago. Employee expenses also remained stubbornly high at Rs 81.41 crores, reflecting a challenging balance between workforce retention and profitability.

    Net profit for the quarter dwindled to Rs 8.35 crores, representing a staggering decline from Rs 51.43 crores reported in Q1 FY25. This downward spiral in profitability is exacerbated by a combination of rising costs and a limited revenue base, suggesting that the current strategic approach may lack the flexibility needed to weather industry-wide upheaval. Even more concerning is the dwindling cash flow, with net cash inflows from operations at a mere Rs 88.78 crores, down significantly from previous levels, limiting future investments and expansion.

    Television and media operations, traditionally a strong revenue stream, reported Rs 202.85 crores, down from Rs 309.22 crores in the previous quarter, reinforcing an overall industry-wide struggle to maintain viewership and advertiser interest. Radio broadcasting, a secondary but growing segment, failed to offset this decline, posting a minor increase to Rs 3.92 crores in Q2 FY25, underscoring limited diversification.

    While India Today Group continues to hold a respected position within the media industry, these financial indicators highlight urgent structural and strategic reevaluation. Moving forward, the Group must navigate the intricate dance of cost control and technological investments, all while addressing audience shifts in an age of digital-first content.

  • Sony Sports Network launches new Tamil Cricket Podcast – ‘Cricket Petta’

    Sony Sports Network launches new Tamil Cricket Podcast – ‘Cricket Petta’

    Mumbai: Sony Sports Network  announced its latest initiative, Cricket Petta, a Tamil podcast dedicated to cricket fans, a first by a sports broadcaster in India. “Cricket Petta” – translating to Cricket Locality, aims to engage Tamil-speaking cricket enthusiasts by providing entertaining and insightful discussions on various aspects of the game with a local touch. Hosted by the versatile Tamil multi-sports commentator, Arun Venugopal, the five-episode podcast offers a refreshing take on cricket’s rich legacy and beyond.

    The first episode will be released on 30 October 2024, with new episodes airing every Wednesday until 27 November 2024. The podcast will be available on all leading Podcast platforms including YouTube, JioSaavan, Apple Podcasts, Spotify, Amazon Music, Gaana, and Hungama.

    The inaugural episode, titled “Is Ashwin the Greatest Player from Tamil Nadu to Represent India?”, features a lively discussion with former India Women’s Coach as well as India and Tamil Nadu player W.V. Raman, alongside current Puducherry and Tamil Nadu cricketer Arun Karthik. They share hilarious anecdotes and insider stories from their time with Ashwin, offering fans rare glimpses into dressing room dynamics.

    Each episode will spotlight expert discussions on trending cricket topics, bringing the sport’s greatest moments and personalities to life. For instance, L. Sivaramakrishnan will compare the captaincy styles of M.S. Dhoni, Virat Kohli, and Rohit Sharma in one episode. Another will feature R. Sridhar and Vidyut Sivaramakrishnan debating iconic cricket venues such as Eden Gardens versus Wankhede Stadium.

    Sony Pictures Networks India chief revenue officer – distribution & international business and head – sports business, Rajesh Kaul said, “We are proud to launch Cricket Petta, marking our first Tamil- language podcast aimed at bringing the local flavour and rich cricketing narratives to regional audiences. Tamil Nadu has a rich cricketing history and at Sony Sports Networks we are constantly looking to bring out the stories sporting heroes to the Indian sports fans and the five-part series will only serve in fulfilling our objective of bringing communities closer through innovative sports programming. This is the first of many podcasts we intent to roll out, across sports and multiple languages in our ongoing endeavour to bring more stories to sports fans across India and the globe.”

    Venugopal said, “With Cricket Petta, we’re offering an authentic look into Tamil Nadu’s cricket culture. Each episode explores unique perspectives, fascinating stories, and deep insights into the game we all love. Whether it’s discussing Ashwin’s remarkable journey or revisiting classic cricket moments, this podcast will resonate with fans who are passionate about the sport. I’m thrilled to be a part of this initiative and bring these conversations to the Tamil-speaking audience.”

  • Six US media firms account for 51 per cent of global content spends: Ampere Analysis

    Six US media firms account for 51 per cent of global content spends: Ampere Analysis

    MUMBAI: The big media and entertainment boys are at it, despite all round murmurings that the content production business is seeing a massive slowdown. At least, that’s what new intelligence from Ampere Analysis has revealed. 

    The research firm stated that while recent market challenges have impacted the TV and film production landscape, spending across the top six global content providers – Disney, Comcast, Google, Warner Bros. Discovery, Netflix, and Paramount Global – has grown since the pandemic. Combined spending across these groups will reach a new high of $126  billion in 2024 and account for 51 per cent of the total content spend landscape, up from 47 per cent in 2020. Original content spend remains the leading spend type across these providers, accounting for over $56 billion in investment and 45 per cent of their total spending since 2022.
    Despite announced cutbacks among its linear and theatrical brands, Disney remains the largest contributor to the media landscape at 14 per cent of global investment in TV and film content in 2024. This has been supported by the full acquisition of Hulu at the beginning of 2024, adding an additional $9 billion in to Disney’s spend total.

    Netflix is the top investor in global streaming content. It has averaged a total of $14.5 billion in annual investment in original and acquired programmes since the pandemic. Further growth is expected in 2025 through the acquisition of sports tights for NFL matches and WWE entertainment.

    In total, $40 billion of the $126 billion is currently spent on these six operators’ subscription streaming services (including Disney+, Peacock, and Paramount+). This highlights the growing importance of these platforms as audiences move away from linear television in favour of the convenience and expansive catalogues available via streaming.

    Google’s contribution to the content market comes via YouTube, and investment in programming through its revenue-sharing arrangements with content creators. While a different entity to other TV and film groups, YouTube continues to build its global presence through partnership deals with major content owners, making it the third largest contributor to the content landscape.

    Despite production shutdowns caused by the US writers’ and actors’ strikes, streamers have continued to support the production landscape by pivoting towards more global strategies. International (non-US originating) programming accounts for 40 per cent of Paramount+’s and 52 per cent of Netflix’s spend in 2024. Such content is typically cheaper to produce, and effective in motivating new and niche audiences to subscribe to a platform, supporting revenues.

    “Ongoing investment by major studios and streaming platforms into new programming will be key to keeping audiences engaged and entertained. We can expect the content landscape to see low-level growth in 2024 as production schedules recover from disruptions caused by the pandemic and the writers’ and actors’ union strikes. Looking forward however, overall growth in spend is set to plateau as companies look to refocus their output. This will include limiting commissioning volumes and prioritising strategic investments and profitability to counter the current challenges of the media market,” said Ampere Analysis investment analyst Peter Ingram, in his recent analysis made public today. 

    Pix Courtesy: The Walt Disney Company

  • Hong Kong Cricket Sixes returns after seven years

    Hong Kong Cricket Sixes returns after seven years

    Mumbai: The highly anticipated Hong Kong Cricket Sixes returns from 1 to 3 November, promising thrilling matches at the Tin Kwong Road Cricket Ground with 12 teams competing in six-a-side games.

    Spectators will enjoy a unique experience with exciting performances, great music, and delicious food. The teams are divided into four pools of three, with India, led by Robin Uthappa, in Pool C alongside Pakistan and the UAE. Hosts Hong Kong face South Africa and New Zealand in Pool A, while Pool B includes Australia, England, and Nepal. Sri Lanka, Bangladesh, and Oman compete in Pool D.

    The tournament will kick off with the first match between South Africa and Hong Kong, and the highly anticipated India-Pakistan clash will also occur on the opening day. The top two teams from each pool will advance to the quarter-finals, with the winners moving to the semi-finals. Losing quarter-finalists will compete in the Plate semi-finals, and the bottom team in each pool will participate in the Bowl Competition. A total of 29 matches will take place over three days.

    A Women’s Exhibition Match is scheduled for the final day to celebrate the 75th anniversary of the founding of the People’s Republic of China.

    Tune in to Star Sports and Fancode to catch all the matches of the Hong Kong Sixes 2024, starting at 8:15 am (Hong Kong Time) and 5:45 am (IST).

  • Disney Star celebrates five wins at Digital Studios Awards 2024

    Disney Star celebrates five wins at Digital Studios Awards 2024

    Mumbai: Disney Star’s Broadcast Technology and Operations (BTO) team brought home five awards at the Digital Studios Awards 2024, underscoring its commitment to excellence in broadcast technology and operational innovation.

    At the individual level, Gajendra Tijare from Disney Star received the Excellence in Broadcast Leadership award for his visionary contributions in shaping the future of broadcast technology. The team subsequently received the Excellence in Broadcasting award, celebrating their significant advancements in broadcast processes that have enhanced operational efficiency.

    Disney Star also earned the Excellence in Broadcasting and Technology for Entertainment and Sports award, recognising exceptional delivery of broadcast experiences that resonate with audiences. Additionally, they received the Innovation in Broadcasting award for pioneering advancements in 4K UHD solutions, showcasing their commitment to cutting-edge technology. The Innovation in Post Production award further recognised Disney Star’s cloud-based post-production approach, which has set new standards in content creation.

    “We are honored to receive these prestigious awards, which recognize the hard work and dedication of our talented team at Disney Star. These awards reflect our unwavering commitment to advancing broadcast technology and our passion for delivering exceptional experiences to the audiences,” said Disney Star finance & strategy Mani Rangarajan.

     

  • Zee5 expands Manish Kalra’s role to CBO, global

    Zee5 expands Manish Kalra’s role to CBO, global

    Mumbai: Zee5 has announced the expansion of Manish Kalra’s role, extending his responsibilities to oversee Zee5’s business across global markets. In his new capacity, Kalra will spearhead the strategic growth of Zee5’s global footprint, alongside India, focusing on international audience engagement, partnerships, and market expansion.

    This leadership expansion aligns with Zee5’s vision of strengthening its position in a dynamic digital landscape by providing high-quality, relevant content to a diverse global audience. In his new role, Manish will focus on broadening the platform’s reach, enhancing user experiences, and boosting engagement. By utilizing data-driven insights, he aims to optimize content relevance, advance brand and platform metrics, and bolster both subscription and ad-based video-on-demand segments.

    With more than 20 years of experience in the online business and marketing sectors, Manish has held key leadership roles across prominent organizations. Before joining Zee5 in 2020, he spent the last decade in roles such as chief marketing officer, chief business officer, and CEO at companies like Amazon, MakeMyTrip, HomeShop18, Dell, and Craftsvilla. Manish holds a master’s in business administration from XLRI, Jamshedpur, and a Bachelor’s degree in Mechanical Engineering from the Punjab Engineering College, Chandigarh.

    This expansion of Kalra’s role reflects Zee5’s commitment to meeting the growing global demand for high-quality, culturally relevant content.

  • JioSaavn launches three months of free subscription this festive season

    JioSaavn launches three months of free subscription this festive season

    Mumbai: JioSaavn announced the launch of a special offer this festive season. Users on JioSaavn will now be able to avail three months free subscription of its premium offering, JioSaavn Pro.

    This special offer will allow new users to start their music journey on JioSaavn with unlimited music downloads in superior quality. They will be able to access JioSaavn’s wide range of audio content ad-free and also receive personalised audio content for an enriched audio experience.

    With the launch of this offer, JioSaavn aims to provide new users with a unique experience that allows them to customise their listening preferences.