Category: Software

  • Zapak to distribute Dirt 3 game in India

    NEW DELHI: Receiving its worldwide broadcast television premiere during this year’s Summer X Games coverage on ESPN channels, Codemasters released the official ‘DiRT 3’ trailer video in HD.


    Revealing the first details on the biggest, content-rich racer ever to roar out of Codemasters Studios, the DiRT 3 trailer is now playing at www.facebook.com/dirt3game.
     
    Zapak Games will market and distribute the game in India through their retail distribution channel, ensuring a reach of DiRT 3 in 5000 retail outlets across 135 cities in the country.


    The DiRT 3 video opens with WRC driver Ken Block leading the field as his iconic Monster Energy-branded Ford Fiesta rally car kicks up a dust storm in a sundried Kenyan rally stage. Seamlessly hurtling into a torrential downpour on a muddy Finnish lakeside course, Block then jumps into a Norwegian stage that’s thick with snow. Racing onto tarmac, a Ford RS200 classic rallycross car races into view and goes head-to-head with Block and a Mitsubishi Evo X in rallycross spec in the hills above Monaco.
     
    The pace then changes as man and machine demonstrates what the very best drivers can do with a rally car in a Gymkhana-style performance. Set in the open environment of London’s disused Battersea Power Station, this skills showpiece delivers a new layer of depth to the DiRTseries’ variety of action-sports racing.


    In the new year 2011, DiRT 3 will boast more cars, more locations, more routes and more events than any other game in the series, including over 50 rally cars representing the very best from five decades of the sport. With more than double the track content of 2009’s hit, DiRT 3 will see players start at the top as a professional driver, with a top-flight career in competitive off-road racing complimented by the opportunity to express themselves in Gymkhana-style showpiece driving events.


    As players race to elevate their global standing, DiRT 3 delivers mud, sweat and gears world over: from the intense weather-beaten rally stages of Europe, Africa and the US, to executing performance driving showcases and career challenges where car control is pushed to spectacular limits. DiRT 3 is now in development at Codemasters Studios for a 2011 release for the Xbox 360 video game and entertainment system from Microsoft PLAYSTATION 3 computer entertainment system and PC Games For Windows LIVE.

  • Yahoo! to present digital media innovation award at Emvies 2010

    NEW DELHI: Yahoo! India is to present the ‘Digital Media Innovation’ Award at EMVIES 2010 to be held on August 27, in association with The Advertising Club, Mumbai.


    Among other categories, this award specifically celebrates the spirit of creativity and innovation in the digital advertising medium.


    Yahoo! is committed to redefining the Art of advertising by enhancing the creative canvas online and provide opportunities for brands to create a strong emotional connect with consumers.


    Yahoo! continues to engage with creative agencies who play a critical role in evangelizing the digital medium. 
     
    Yahoo! India Senior Director-Marketing Nitin Mathur said, “Yahoo! is committed to educate the advertising fraternity, bring global best practices and promote digital evangelists in the industry. With millions of Indians online, this medium offers a unique platform for brands to engage with consumers. We strongly believe that there is a lot of work, understanding and expertise that agencies are bringing in, which needs to be encouraged and supported.”


    He added, “The Advertising Club Mumbai is the most recognized platform of the Indian advertising sector and we are committed to partner with platforms like this to accelerate the growth of digital medium. EMVIES helps us inculcate confidence and belief amongst the Indian advertising fraternity to deliver the best and showcase the benefits of digital advertising.” 
     
    EMVIES Committee Chairman Sunil Lulla said, “EMVIES 2010 is all about celebrating the true spirit of creativity and innovation in media industry. We are pleased to associate with Yahoo! India for the Digital Media Innovation Award, which is a reiteration of the company‘s commitment in enabling the growth of the digital medium ecosystem. This year too we have seen an increase in the response on the entries and the work on the Digital category.”


    Previously, Yahoo! India has instituted the Yahoo! Big Idea Chair at the Advertising Club Mumbai’s flagship Effies event, which recognizes agencies for their creative ideas and integrated campaigns. Yahoo! India has recently commenced ‘Fresh Fridays’, a session to educate creative and media agencies on the digital medium.

  • Trilogy Studios taps Firefly platform for development of games

    MUMBAI: Social game developer Trilogy Studios has introduced its Firefly platform, an industrial strength MMO technology framework for the development of social and casual multiplayer online games.


    Trilogy has signed PlaySpan, the global leader in monetisation solutions, as its preferred partner to enable subscriptions and digital goods monetization for all properties built on the Firefly platform.


    Trilogy is developing social games using Firefly for entertainment and media companies, including both original IP and licensed content.
     
    Trilogy Studios CEO Michael Pole says, “We’ve spent the past five years building up an expertise in social and casual games, and now have a complete platform in Firefly to quickly deliver massive, immersive games for leading content publishers.”


    PlaySpan’s monetisation platform runs seamlessly on Firefly, and supports all Web browsers. The Firefly solution will take advantage of PlaySpan’s UltimatePay service, which provides over 85 global payment methods including credit card, PayPal, mobile, cash based, and the top selling Ultimate Game Card.


    PlaySpan founder and CEO Karl Mehta says, “We expect the combined service to be put in use immediately by several major studios and content publishers looking to maximize revenue opportunities in a seamless and cost effective manner.” 
     
    In addition to facilitating commerce transactions, PlaySpan will provide a developer analytics console, consolidated reporting, and monthly settlement for all payment methods to Trilogy and its clients. PlaySpan will also act as the merchant of record on behalf of Trilogy partners who use Firefly.
    The Firefly platform integrates the features of a traditional MMORPG into a very small footprint that allows nearly instantaneous access to the game through a Web browser.
    Features include:


    – Support for a variety of gameplay elements including achievements and quests, skills development and leveling, in-world gameplay such as item collection and cooperative activities, as well as integrated game instances;


    – An interactive experience that allows players to click, walk over, stand on, throw and mingle with virtually any object or character in the game;


    – Integrated monetization program, in cooperation with PlaySpan, that offers subscriptions, sponsorships, microtransactions and advertising, as well as reporting and data mining.


    – Social networking features such as integrated email, chat and messaging; users can generate content in-game and post it to their profiles.


    – Summon players across multiple servers for on-demand player interaction; track user interaction and make friend recommendations for compatible players.


    – All games built on Firefly are COPPA compliant and include built-in child safety tools such as activity monitoring, filtered Free Chat and Safe Chat, parental monitoring tools and a dedicated interface for full visibility into their child’s online play.
     

  • Reliance Communications, Universal Music in partnership

    MUMBAI: Reliance Communications today announced the signing of an exclusive strategic partnership with Universal Music to offer music-related services and content across RCOM’s GSM, CDMA, 3G Mobile and Wireless Broadband platforms.


    The agreement has been signed with a commitment of substantial investments to be made by both the parties to offer 360 degree music experience to customers across all platforms including Voice, Wap, Web, IVR, Blog and through on-ground events.


    Having successfully won the licence to offer 3G services in India, Reliance Communications, is readying a chest of services and applications as a prelude to the launch of its 3G services in India.
     
    It has got the license to offer 3G services in 13 key circles including Mumbai, Delhi & Kolkata. The agreement with Universal is a prelude to RCom’s 3G launch since Music offers the potential to provide the best consumer experience on 3G network.


    Universal will offer its entire catalogue of international and Indian music to RCOM. Universal’s music catalogue boasts of some of the best of Indian & western billboard artists such as Shaan, Sunidhi Chauhan, Bon Jovi, Bryan Adams, The Black Eyed Peas, Enrique Iglesias, Eminem and Lady Gaga.


    RCOM’s agreement with Universal Music is in line with similar deals signed by the conglomerate with other global operators across the globe including with UK Orange, SingTel, Digi Malaysia, Bouygues Telecom, France Orange, Belgium Base and other Eastern European Operators.  
     
    RCom and Universal Music will also arrange concerts with Shaan, Sunidhi Chauhan, Mohit Chauhan and others. The partners will also line-up international concert with contemporary pop singers currently ruling the billboard charts worldwide.
    Reliance Communications president marketing – wireless business Mahesh Prasad said, “Our exclusive partnership with Universal Music is among the tie-ups crafted for our customers as part of RCOM’s 3G launch. The Universal partnership will be leveraged to launch Simply Music Initiative for our 110 million mobile customers with an all around never before music experience across multiple channels and extended to 3G customers at its launch. The Simply Music Initiative will keep the customer engaged on an ongoing basis by providing exclusive and differentiated music content.”


    As part of the first consumer effort, Reliance Communications is launching Simply Music Initiative across the country. This is a holistic music pack offering services like exclusive caller tunes, ring tones, Mobile Radio Web Streaming, Full tracks etc for all Reliance customers across GSM and CDMA networks. Simply Music comprises of two unique packs – Gold and Platinum.


    The Simply Music Gold Pack will comprise 3 full length track, 3 ringtone, 4 callertune and 30 minutes mobile Radio Web streaming. This pack will be available for a monthly subscription of Rs 25.


    The Simply Music Platinum Pack will comprise 10 full length tracks, 10 ringtones, 10 callertunes and 100 minutes of mobile Radio Web streaming. The Platinum pack will be available for a monthly subscription of Rs 99 only.


    As part of its ongoing product innovation, RCOM will make Simply Music a long term customer engagement initiative by infusing dynamic novelty in the Offering on an ongoing basis.

  • Sky, Simplifydigital reveal benefits of entertainment bundles

    MUMBAI: Sky and Simplifydigital have released new data on the savings available by bundling digital TV, broadband and home phone services with a single provider.


    The latest data shows that ?760 per year can be saved by choosing the best digital bundle deal. 
     
    The data comes from a sample of 400 customers between January and May 2010. The average customer saving was ?262, while 20 per cent of customers saved more than ?577 and 10 per cent more than ?760 per year. 
     
    Simplifydigital CEO Charlie Ponsonby says, “The digital TV, broadband and home phone market is cut-throat and there has never been a better time to take advantage of the savings on offer. Bundle deals now start from as little as ?18 per month for all three services (broadband, digital TV and home phone) – plus there are some amazing introductory offers to be had on top. There really is no excuse for customers to keep wasting big money with overpriced legacy tariffs.”
    Earlier in the year, Sky was named winner of the ’Best digital TV, broadband and home phone bundle’ award in the Simplifydigital Customer Choice Awards 2010.
     

  • NDS gets Rodricks as director – ad solutions for APacs

    MUMBAI: With an increased focus on advanced advertising solutions in the Asia Pacific, NDS has appointed Darryn Rodricks as director – ad solutions for the region.


    In this new role, Rodricks will be responsible for the positioning and sale of NDS’ advanced advertising solutions to major advertisers, advertising agencies, content providers and pay-TV operators across the Asia Pacific region. 
     
    Said NDS Asia Pacific senior VP, GM Sue Taylor, “We see great potential for advanced advertising solutions in the region, and we welcome Darryn and his exceptional skill, experience and contacts in the advertising industry to the company. His appointment gives us the opportunity to broaden our reach in the market, as we expand to support more partners in the advertising value chain including advertising agencies and advertisers.”


    For the previous nine years, Rodricks held the position of VP – integrated sales and marketing with Star TV based in their Hong Kong office. In his role with Star TV, Darryn was responsible for running large integrated marketing campaigns across the region for Star TV clients. 
     
    Rodricks commented, “It is a privilege to be joining NDS at such an important growth stage in the region, and in fact the industry. Industry players are looking to new technologies to measure audiences and target viewers to maximise advertising revenues. NDS are in a key position to support growth in the advertising industry and I look forward to my part in that.”

  • Trai tariff order favours DTH players: IBF

    NEW DELHI: The Indian Broadcasting Foundation has said that the Tariff Order issued by the Telecom Regulatory Authority of India has set the clock back for the ongoing efforts towards digitalisation by micro managing the business models of stakeholders without suitably incentivising the creators of content.


    In a strong criticism of the Order, IBF said the Tariff Order sets about putting a cap on wholesale rates for content and further goes on to link it with the rates prevailing in non addressable markets instead of a healthy light touch regulation.


    Without addressing the key issue of under-declaration of subscriber base in non-addressable markets, the Tariff Order has legitimised the same by turning it into a benchmark for Tariff in addressable markets as well.


    “This is nothing short of endorsing an illegal activity on the part of cable operators and encouraging revenue loss to the exchequer,” the IBF adds.
     
    The Regulator has pegged tariff for addressable systems at 35 per cent of the rates prevailing in non addressable markets thereby even lowering the earlier ceiling of 50 per cent fixed by the sectoral tribunal. As a result, the value of content has been squeezed out of content creators for the benefit of carriage operators, thereby distorting the level playing fields.


    While broadcasters are not asking operators to subsidise the creation of content, the operators on the other hand have been demanding a sizeable subsidy from the broadcasters to sustain their business models.


    “The Regulator has clearly given in to the unjustified demands of certain DTH players who had been arguing for a hefty discount on content cost for no apparent reason. This has not only destabilized the existing arrangements between broadcasters and operators, by paving the way for reopening concluded contracts but has also brought in a degree of uncertainty within the regulatory regime itself,” the IBF says.


    Broadcasters are unanimous that such random and knee jerk changes in ground rules on the basis of grievance mongering by some isolated players in the value chain do not augur well for a nascent industry even in the short run.


    Industry watchers contend that such intrusive regulations are contrary to Trai’s own stated position of deregulating pricing in addressable platforms and altogether militates against Trai’s own findings that whole sale price regulations are altogether nonexistent in the international scenario, IBF adds.


    In most other countries, where competition in television broadcasting is much lesser as compared to India, there is no attempt to regulate price for entertainment including pay television. The average ARPUs for Pay TV range from Rs 800 to Rs 2,500 per month in other countries but is less than Rs 200 per month in India. An average person in Indian cities pays Rs 150 per movie ticket, which amounts to more than Rs 600 per family.


    In comparison, the prices are lower than Rs 200 for Pay TV which includes more than 100 television channels for the entire family for the entire month.


    In view of this, IBF has asked if there is any need to regulate this kind of pricing. There is enough competition in each genre and the prices can be easily determined by the operation of market forces viz. laws of demand and supply. The industry needs to focus on building better infrastructure for content creation, on creating more variety of content and cater to the diverse needs of the Indian consumer.


    If the price for content is regulated by putting a price cap, then there is a strong possibility of impeding the growth and creativity in the industry, the broadcasters’ body adds.


    While the broadcaster-operator pricing has been heavily regulated, the pricing between operators inter se and to the ultimate consumers have been surprisingly left to free market pricing, IBF points out. With a multitude of channels being beamed and multiple delivery platforms made available to consumers, content availability to addressable platforms or to consumers was never an issue.


    The Broadcasters in any case have an ever present need for greater “Reach”. In the absence of any market abuse or anti competitive practices, there was no case for the Regulator to have intervened in such an intrusive and regressive manner.


    The Regulator’s argument has been surprisingly that broadcasters are in any case offering substantial discounts to addressable platforms and hence a lower ceiling would do no harm. The point that is being missed is that such discounts were the results of market based negotiations between parties at equal terms which covered a host of issues ranging not only pricing but also packaging, volumes, and joint promotional and marketing spends among others.


    The regulator has only selectively picked up the aspect of discounts already available to DTH operators as a justification for further lowering the cap without however addressing the entire gamut of issues that concern the parties in market based negotiations. Also there was no reason for the regulator having intervened when by its own findings the operators were availing content at rates far below the stipulated ceiling which goes to show that market based negotiations were successful in keeping the prices at competitive rates.


    Discounts and pricing are always calibrated against volumes all over the world, but Trai has taken packaging out of the broadcaster’s narrative altogether and the content creators are now required to offer channels at a universal discount irrespective of volumes that result from the packages the operators create and sell.


    The IBF points out that ‘ironically, the present chairman of Trai who has now delinked pricing from packaging had in his earlier “avatar” as one of the presiding members of the sectoral tribunal clearly exempted “add on packs” from the 50 per cent ceiling’.


    While DTH operators have been given complete liberty to price their offerings, and also discriminate by having different region wise price formulations, this flexibility has been denied to broadcasters. Given the fact that the retails rates have more or less bottomed out, any further options for operators to renegotiate pricing from 50 per cent to 35 per cent will only serve to augment margins for operators at the cost of broadcasters without any corresponding benefits being passed on to the consumers.


    In the presence of a clear finding by Trai that television channels cannot be taken as ‘essential commodities’ and are in effect similar to ‘consumer durables’ which have been identified as “esteemed needs” as opposed to physiological needs, one fails to comprehend the rationale for such intrusive and high handed regulations more so when television channels are not inputs or intermediary products to be utilised by any other industry.


    The apparent justification for mandating an ala carte mandate is that the FCC in its “Further Report” had recommended ala carte regulation. Trai, however, has not adverted to the fact that economists, industry, consumer groups and most importantly the Government Accountability Office i.e. the investigative arm of the US Congress, had desisted FCC from acting upon the said report after research revealed that such a mandate would actually be anti consumer and anti competitive.


    The minimum retail price of 150 for ala carte offerings have all the trappings to ensure that ala carte offers by operators are illusory and the consumer will end up being compelled to subscribe to bundled offers.


    While no increase in prices is permitted within six months of subscription, the minimum subscription period for subscribing to channels on ala carte has been pegged at three months.


    Also it is high time that the question of mandatory carriage to Doordarshan channels is revisited along with the direction for mandatory sharing of sports feed.
    As has been held by Trai, retail pricing for content in India is the lowest when compared to international benchmarks. There is, thus, an urgent need for a course correction in order to assure content providers into having long-term commitments in the sector or consumers shall be the worst sufferers.


    The IBF says it is unfortunate that the Regulator has targeted broadcasters unfairly and has chosen to deprive the creators of content the legitimate monetisation of their intellectual property value that they are legally entitled to under law.


    There is urgent need to revisit the pricing norms for broadcasters, which are based on historical filing of prices with Trai and which has very little connect with operating cost of each channel.


    Today, a channel, which may cost only Rs 200 million to operate, may be priced at Rs 5 per month while another channel, which cost Rs 5 billion or more to operate, may be priced at Rs 15 per month. This is a major anomaly and needs to be urgently corrected.


    If Trai pricing norms can address and cap the pricing of content, then only it makes sense to put pricing of the end consumer product. For example, there is a clear distortion in the pricing of Sports Channels by linking the same to the historical benchmarks specially when there is a phenomenal increase in the cost of broadcasting rights. Such kind of price cap, which is based on historical pricing, is far from reality and needs immediate correction.


    As an analogy, if the regulations want to protect consumer interest (assuming that is the only objective) in other sectors and we take the case of the automobile industry, then regulation should ensure that for every category of two wheelers and four wheelers each, the price is capped and only inflation adjusted increase would be allowed each subsequent year.


    What the example above illustrates is only the impracticality of pricing norms for an industry, which focuses on entertainment. This is not an essential commodity, for which price control is essential.


    With more than 400 channels available to the Indian consumer, they can easily decide if they want to buy a channel or choose another, which is better value for money. Regulation should encourage competition to ensure that pricing would be governed only by the law of demand and supply.
     

  • Govt should make serious efforts towards digitisation

    MUMBAI: Digitisation is inevitable and the scale and potential of this business in India is huge. However, issues like fragmentation and delay in implementation is hurting the broadcasting industry on the whole. This was the consensus of the speakers at the CII Digital Media Conference that was held recently in Mumbai.


    Setting the mood, Tata Sky CEO Vikram Kaushik pointed out that every year India is seeing a 25 per cent increase in cable television homes and analogue cable can only provide a limited number of channels. As the number of channels increase, there will be pressure to digitise and increase bandwidth.
     
    “India is the only country in the world where we have six private direct-to-home (DTH) players who are in the business of volumes but not margins. We are working with ridiculous Arpus (average revenue per user),” Kaushik said.


    He argued that there is no other way for digitisation apart from making it mandatory. “There is inequality in the value chain. Because we are addressable you can tax us. This is sheer inequality,” he said.


    Everyone in the value chain is funding for themselves, but the question is till when? He also urged that government should incentivise the DTH players as they are addressable, transparent and pay tax, unlike local cable operators, who under declare their subscribers and erode the whole value chain.  
     
    Bharti Airtel director and CEO – Airtel Digital TV Ajai Puri, while speaking on the pay vs free market, agreed that unaddressability is the biggest hurdle. He said that cable today covers about 100 million homes. All channel bouquets put together cost around Rs 1,400, while the consumer pays only Rs 200-250 per month. Moreover, the money is accounted from only 10-12 million homes due to under declaration by the local cable operators, he said.


    Den Networks chairman Sameer Manchanda stressed that we are still an unstructured and predominantly analogue cable industry. “We are still to move from analogue to digital,” he said.


    MSO Alliance president Ashok Mansukhani said that 97 per cent of cable in India is non-addressable. He asked for licencing of the LCOs and urged the government not to control pricing. “Government should lift price control and allow a la carte pricing,” he said.


    Digicable MD and CEO JagJit Singh Kohli said, “If DTH would not have happened, digitisation would have been a dream.” As the industry players are working towards digitisation, it should see exponential growth, he added.

  • CBS, Comcast in 10-year carriage pact

    MUMBAI: In a ten-year agreement with Comcast Corp., CBS Corp. has allowed the former to carry programming from its television stations. The so-called retransmission consent deal expires in 2020.


    CBS and Comcast’s agreement offers flexibility for making money from shows and movies across new media, including putting programmes online for paying cable customers.
     
    The contract also provides customers of Comcast with Showtime Networks, the expanded distribution of CBS College Sports and more on-demand access to CBS and Showtime online and on TV.


    CBS chief executive officer Leslie Moonves said that the deal boosts the future prospects for retransmission fees and gives long-term stability for the Showtime pay-TV channel.
     
    CBS and Philadelphia-based Comcast were able to strike a deal without the disruption in TV service that came during other similar talks this year. “The negotiations were wrapped up a year and a half before the expiration of CBS’s prior contract with Comcast, and Showtime’s agreement was up “shortly,” Moonves said.
    CBS will likely receive 50 cents a month per subscriber from Comcast starting in 2012, making the contract worth about $75 million that year, estimates Anthony DiClemente, an analyst with Barclays Capital in New York. The fee will steadily rise to more than $1 per subscriber by 2020, he said in a report.


    Last month Comcast had pledged to US regulators that it would negotiate in good faith with TV-station owners after its planned takeover of General Electric Co.’s NBC Universal.
     

  • DTH to splurge Rs 6 bn on ads in FY’11

    MUMBAI/ BANGALORE: The plot hasn‘t changed much for the direct-to-home (DTH) operators in 2010. A gang of six private players are fighting over subscriber growth and attempting to expand the digital universe in a country where the television landscape is mostly analogue cable.


    The warfare is spreading over to the advertising world as each DTH player wants to play the volume game amid low ARPUs (average revenue per user). The usage of celebrities, whether it is Shah Rukh Khan or Aamir Khan or Hrithik Roshan or the Kareena Kapoor-Saif Ali Khan duo, in television commercials is to entice subscribers to take the DTH route. 
     
    The DTH operators are going to splurge Rs 6 billion towards marketing across TV, print and other mediums this fiscal as they aim to add 11 million subscribers due to a spate of sporting events. In terms of ad spend, Tata Sky would be leading the pack with Airtel Digital TV and Dish TV in near-distance company.


    “Tata Sky‘s ad spend will be around Rs 1.2 billion, followed by Airtel Digital TV. Dish TV will have a marketing expense of Rs 1 billion while Reliance Big TV will spend over Rs 800 million,” says an industry-tracker.


    Videocon is preparing for a bigger ad exposure for its d2h brand in the second half of the year. “We were present in the IPL and are lining up a bigger ad splash in the coming months. Our ad spend for promoting our DTH service will be Rs 800 million this fiscal,” says Videocon Group director Saurabh Dhoot.


    DTH operators were equally aggressive in the previous fiscal as they had to intensely compete among themselves and cable TV networks to acquire customers. “There would be a marginal 5 per cent increase in ad spend this fiscal. This is because there was high ad spending in the last fiscal,” says a senior official of a leading DTH company.



    DTH companies are the top ad spenders on television in the ‘services category‘ with a combined 32 per cent share, according to Tam AdEx data for the first half of the calendar year based on volumes.


    The ad volume spend by the DTH sector in the first half of 2010 is up 10 per cent over the year-ago period. In the six-month period to June-end 2009, the DTH segment had a 29 per cent share in the overall ‘services‘ category.


    Tam AdEx data shows that ‘properties/real estates‘ had a 15 per cent share in the ‘services‘ category, while ‘Internet service-general‘ follows at third place with an 11 per cent share.



    Sun Direct has edged out Tata Sky to become the leading advertiser among the DTH brands with an eight per cent share in ad volumes, according to Tam AdEx data for the first half of 2010. While Tata Sky stands second in the list with a six per cent share (same as previous year), Dish TV, Airtel Digital TV and Reliance Big TV follow with shares of five, four and three per cent of the overall service sector ad volumes on TV.


    “The ad volume growth on TV will not reflect Sun Direct‘s position as the lead ad spender. Sun uses its own channels and a sizeable part of its advertising is in the south. Tata Sky will continue to lead in ad spends,” says a media analyst.


    The rise in ad volumes is driven by three factors – entry of a sixth player (Videocon d2h), increase in the number of new product launches, and a busy sporting events year.
     
    Says Bharti Airtel CMO – DTH Sugato Banerji, “With the IPL and the Fifa World Cup standing back-to-back, the sector eagerly spent on TV for advertising their brands. Now with the festive season and the Commonwealth games coming up, buying commercials on TV from this category is only going to increase.”


    Dish TV will be increasing its ad spend in the southern states as it hopes to improve its subscriber base in the region. Says Dish TV chief operating officer Salil Kapoor, “We plan to reallocate funds towards south with a larger share of media spends to attract more subscribers from this region.”


    Bharti Airtel, also looking at attracting more subscribers from the region, has just launched a south-specific “lifetime free language pack” campaign across the Tamil, Telugu and Malayalam channels.


    “In the Southern market, language polarity is very high and since we have a weaker marker share in this region, we aim to expand our brand awareness through this campaign,” says Banerji.


    Big TV will concentrate on BTL and town-wise promotions while continuing to heavily use TV and print. Says Big TV CEO Sanjay Behl, “DTH is still an underdeveloped and low penetration category. We need to raise our ad voice.”