Category: Software

  • Delhi High Court directs MSM to reconnect signals of Kanpur MSO

    Delhi High Court directs MSM to reconnect signals of Kanpur MSO

    New Delhi: The Delhi high court today directed Multi Screen Media to reconnect the signals of a multi-system operator in Kanpur after it was argued that Broadcast Engineering Consultants (India) Ltd (Becil) was the only authority to certify the genuineness of a digitized set up for cable television. Justice Rajiv Shakdher directed that Becil should give its report by 17 May when the case will be heard.

    Vishal Mishra of Vishal Cable Network of Kanpur had filed the case after MSM cut off the signals without any notice on the ground that the MSO had not digitized his operations.

    Vikram Singh, counsel for the MSO argued in Court that Becil was the only authority to take a decision on such issues. In any case, he said that notice should have been issued to the MSO.

  • Over 70 per cent of pay-TV subscribers in Western Europe able to receive multiscreen services

    Over 70 per cent of pay-TV subscribers in Western Europe able to receive multiscreen services

    MUMBAI: Parks Associates research finds over 70 per cent of pay-TV subscribers in Western Europe are able to receive a TV Everywhere/multiscreen service.

    In Eastern Europe, multiscreen availability topped 25 per cent of pay-TV households in early 2013. However, average revenue per user (ARPU) remains low, pushing many operators to test new business models such as a la carte pricing.

    Parks Associates president Stuart Sikes said, “Connected CE and digital media usage continues to grow in Europe, and cloud-based services, including music, video games, and storage, will drive more data across broadband provider networks.”

    “However, several challenges unique to Europe, including low margins, competition, and regulatory and economic factors, create uncertainties on the best path to boost revenues.” Sikes concluded.

  • CEA applauds New York Court ruling in Viacom Youtube copyright suit

    CEA applauds New York Court ruling in Viacom Youtube copyright suit

    MUMBAI: The Consumer Electronics Association (CEA) in the US has said that New York throwing out Viacom‘s lawsuit against Youtube is a win for Internet freedom.

    CEA senior VP, government and regulatory affairs Michael Petricone said, “Today‘s ruling is a win for Internet freedom and the innovation ecosystem. In this ruling, the Court rightly recognized the importance of safe harbors established under the Digital Millennium Copyright Act, without which many Internet-based businesses would not be viable.”

    YouTube he added is part of the fabric of daily life for millions of lawful Americans. “It offers exposure to new and upcoming artists, and provides content owners with a vast promotional and advertising platform. We urge the content industry to cease its litigation against YouTube and other new technologies, and embrace the innovative products and services that Americans want and enjoy.”

    The Consumer Electronics Association (CEA) is a trade association promoting growth in the $209 billion US consumer electronics industry.

  • IBF petition to prevent any delay of digitisation expected to be heard on Thursday

    IBF petition to prevent any delay of digitisation expected to be heard on Thursday

    New Delhi: The Supreme Court is expected to hear on 25 April a petition by the Indian Broadcasting Foundation seeking to ensure that digitisation is implemented as scheduled and without hindrance.

    The case had been listed for today, but could not be heard because of pending business. The Court is closed tomorrow because of Mahavir Jayanti.

    When the special leave petition had been mentioned before the Court on 16 April, it had declined the prayer for a stay on any of the proceedings in the various High Courts, as it was informed that the Karnataka High Court judgment on the subject was due. The bench presided over by Chief Justice Altamas Kabir therefore felt it would await the judgment of the High Court before taking up the matter.

    The Karnataka and Gujarat High Courts have since dismissed as having no merit to the petitions seeking extension of the switch-off dates for Phase II of digitisation in Bengaluru, Mysore, Ahmadabad, Rajkot, Surat and Vadodara.

    Petitions challenging digitisation are currently pending in the Madras, Andhra Pradesh and Madhya Pradesh High Courts. These will affect the cities of Chennai, Hyderabad, Visakhapatnam Bhopal, Indore, and Jabalpur.

  • Vishal Gondal quits Disney UTV Digital; Sameer Ganapathy to replace

    Vishal Gondal quits Disney UTV Digital; Sameer Ganapathy to replace

    MUMBAI: UTV Disney managing director – digital Vishal Gondal has decided it is time he should be gone from India‘s premier gaming company. Gondal took over as digital MD of the company in August 2012, almost a year after Indiagames.com a company he founded was acquired by Disney in 2011, following the buyout of media company UTV by Disney. He is serving his notice period and his last working day will be 30 June.

    The Digital team of Disney UTV combines all mobile, video, audio, broadband, ITV, games and virtual world‘s initiatives. All digital content across all brands namely Disney, Marvel, UTV, Indiagames, bindass including original content for web, mobile and games will be developed and managed by this team.

    The gaming pioneer set up Indiagames when he was just 13 in 1999 and ran it for years before a majority stake in it was acquired by Chinese gaming company Tom Online. Tom Online later sold its holdings in Indiagames to UTV. Gondal was appointed as MD of Disney UTV Digital in August 2012 after The Walt Disney Company India restructured its digital assets under a new division, Disney UTV Digital. He took over the role to drive better growth in games, video and audio services for mobile, online and interactive TV.

    Gondal is believed to be quitting the company to concentrate on his investments in startups and also to pursue entrepreneurship. He has been part of the Nokia Advisory Council for Games and actively advices Nokia on wireless and gaming technologies.

    Disney UTV executive director movie channels and channel distribution Sameer Ganapathy will now take on the business function for the digital arm of Disney UTV.

    Disney UTV MD Ronnie Screwvala said, “Vishal has been a great founder and CEO for Indiagames. As we consolidate the digital, mobile and web play for Disney UTV in India, we plan to build on our creative prowess and transform the digital business to be a direct to consumer, yet working closely with all our partners, telecom operators, OEM‘s and others. This is similar to our approach in our other verticals of movies, broadcasting and consumer products. Sameer Ganapathy brings an astute business sense and high resourcefulness to this position, which is key to meet the ever growing trajectory of the digital business in India.”

    “Indiagames had small beginnings but a big dream. I cannot help but look back with a tremendous sense of fulfillment and pride, upon the long, eventful and exciting journey. I am really proud of what the team has accomplished. Excellent support from our early investors Infinity, IL&FS, TOM Online, Adobe, Cisco and UTV and the subsequent acquisition by Walt Disney provided us the opportunity to work towards our vision of making gaming big in India. Over the last 18 months, we have spent time integrating the teams and set a platform for continued growth. Consequently, I‘ve decided to move on to pursue my dreams and passion of being an entrepreneur,” said Gondal.

  • India, China prime drivers of pay-TV revenue growth in Asia, says MPA

    India, China prime drivers of pay-TV revenue growth in Asia, says MPA

    MUMBAI: Asian tigers China and India together are expected to contribute almost 69 per cent of pay-TV revenues in the Asia Pacific from 2012 to 2020, according to findings of a new report by Singapore-based pay-TV research firm Media Partners Asia (MPA).

    MPA analysis shows that China and India will contribute 46 per cent and 23 per cent respectively to pay-TV industry revenue growth between 2012-20. Excluding China, India‘s contribution grows to 42 per cent, followed by Korea and Japan at 12 per cent and 13 per cent respectively, and Australia at 7 per cent.

    According to MPA, India‘s contribution reflects large volumes, a significant growth in accessible digital subscription revenues (distributed evenly across the value chain) and a large local advertising pie.

    In Southeast Asia, Malaysia leads with a 5.5 per cent contribution to revenue growth, driven by the growth of ARPUs and ad sales. Advertising revenues will also experience significant growth from a low base in key Southeast Asia markets such as Indonesia, Philippines, Thailand, and Vietnam.

    MPA forecasts indicate that Asia Pacific pay-TV industry revenues will grow at a 7.6 per cent CAGR between 2012 and 2020, doubling from $48 billion to $86 billion.

    Within this segment, subscription fees will grow at a 7.4 per cent CAGR, rising from $37 billion to $65 billion over the same period while net advertising revenues, calculated after estimated discounts, will grow at 8.1 per cent CAGR, reaching $21 billion in 2020 versus $11 billion in 2012, the report says.

    The digital pay-TV homes in Asia are projected to reach 696 million by 2020 from 444 million in 2012 driven by strong subscriber growth in India and China. Asia Pacific is expected to have 631 million digital pay-TV homes by 2017.

    The report adds that China and India will contribute 66 per cent and 21 per cent respectively to Asia Pacific pay-TV subscriber growth between 2012 and 2020.

    According to MPA, the Asia Pacific pay-TV subscriber growth is expected to witness robust growth with 13-14 million new subscribers added every year between 2013 and 2016, moderating thereafter though still adding close to 7 million subscribers per year by 2020.

    In Asia excluding China, India accounts for a massive 63 per cent of new subscriber growth between 2012 and 2020, underlining its huge importance to the pay-TV ecosystem, while Southeast Asia will contribute 16 per cent led by Indonesia at 7 per cent.

    Adjusting for multiple connections or homes, pay-TV penetration in Asia excluding China will grow from 53 per cent in 2012 to 61 per cent by 2020.

    Net new subscriber additions totaled 31 million in 2012, with year-on-year customer growth at 8 per cent. Excluding China, new pay-TV subscribers came in at a somewhat milder 13.4 million in 2012, taking the overall Asia ex-China subscriber base to 211 million.

    The growth in Southeast Asia was strong with 3.5 million new subscribers. India experienced a slowdown but managed to add close to 6 million new subscribers.

    Driven by digital TV (DTV) transition in China, India, Korea and Taiwan and the steady growth of DTV pay subs in Southeast Asia, MPA sees total digital subscribers growing from 257 million in 2012 to 539 million in 2017, and 626 million by 2020. Digital penetration of total pay-TV subs will grow from 58 per cent in 2012 to 90 per cent by 2020.

    After adjusting for multiple connections in a household, the MPA forecasts indicate that pay-TV penetration will climb from 51% in 2012 to 68% by 2020.

    The HD pay-TV subscriber universe is expected to rise exponentially to 160 million by 2020 from 37 million subscribers in 2012, while DVR subscribers will grow to 18 million from 6 million over the same period.

    China will be the major contributor to HD growth, followed by India, Japan, Korea, Australia, Taiwan and Malaysia, the report explains.

    The projections are published in a new report called Asia Pacific Pay-TV & Broadband Markets, an analysis of consumption, investment and revenue generation across pay-TV, broadband, digital TV and interactive value added services in 18 Asia Pacific markets.

    Commenting on the findings, MPA director Vivek Couto said, “A steady growth in population and a young demographic, combined with a rising middle class and the spread of wealth amongst local groups, is driving strategic decisions and execution in the pay-TV industry. These factors, in turn, will help boost household formation and consumer spends. This will also help grow pay-TV consumption and investment.”

    According to Couto, subscriber growth and revenue generation will be driven by: (1) Continued investment in local content, and the growth of localization among global and regional brands; (2) Digitalization in emerging markets; and (3) The growth of HD, premium and on-demand services in more mature markets.

    Significantly, the MPA report also notes: The growth of mobility and broadband penetration (with fiber expected to play a larger role in the future) is also influencing pay-TV strategy, execution and consumption.

    Fragmentation of eyeballs is growing with the proliferation of multiple devices. This is also driving consumption of illegal online video in many territories. The response of pay-TV companies has been defensive and aggressive in equal measure, the report notes.

    In 2012, TV Everywhere (TVE) type solutions with improved windows have been deployed across most of the region largely authenticated to customers with a pay-TV connection.

    Arguably, the most aggressive responses have come from content powerhouses that own most of their IP with clear packaging and a commitment to product innovation, the report concludes.

  • Digitisation penetration reaches 90 per cent, says Varma

    Digitisation penetration reaches 90 per cent, says Varma

    NEW DELHI: Three weeks after the switch-off of analogue signals in a majority of the 38 cities covered under Phase II, the level of digitisation has touched ninety per cent, according to information& broadcasting ministry secretary Uday Kumar Varma.

    The I&B ministry secretary told Indiantelevision.com that a total of fifteen cities have crossed 100 per cent digitisation, while one more city has crossed 98 per cent digitisation mark. Another three cities have crossed a level of 90 per cent, he added.

    He also asserted that there is no shortage of set top boxes (STBs) in the Phase II cities.

    The government, he said, was still in the process of collating all the figures from the nodal officers and would bring a detailed report after its review.

    He also clarified that while announcing the switch-off of analogue on 31 March, the government had said that it would watch the situation for around two weeks and was now reviewing the reports coming in on the achievement so far.

    The ministry had announced earlier this month that analogue signals has been completely switched-off in the five states of Maharashtra, Punjab, Rajasthan, West Bengal, Haryana, and the Union Territory of Chandigarh.

    Meanwhile stays continued to be in force in the cities of Bhopal, Indore, Jabalpur, Hyderabad, and Visakhapatnam. The Karnataka and Gujarat high courts had last week quashed petitions seeking extension of DAS thereby paving way for the analogue signals to be switched-off.

    Meanwhile, the Supreme Court is expected to hear tomorrow a special leave petition by the Indian Broadcasting Foundation seeking to quash all pending cases in various high courts and also ensure there is no postponement of the date of digitization.

  • Nick launches its first global mobile app

    Nick launches its first global mobile app

    MUMBAI: Kids broadcaster Nickelodeon has launched its first worldwide mobile app Teenage Mutant Ninja Turtles: Rooftop Run in more than 150 countries and eight languages.

    Available for iPhone, iPad and iPod touch devices, the app features 3D characters and environments based on the CG-animated series.

    This is a runner ninja combat game, where players run, jump and fight their way across the rooftops of New York in an attempt to save the city from the invading Kraang and ultimate destruction.

    The app will be translated into eight languages, English, Dutch, French, German, Italian, Portuguese, Spanish (Latin America) and Spanish (Spain).

  • Zee TV’s mobile app crosses ‘1 million downloads’ mark

    Zee TV’s mobile app crosses ‘1 million downloads’ mark

    MUMBAI: Zee TV‘s interactive mobile app for its non-fiction shows has crossed a milestone of one million downloads according to Mobilox Innovations.

    Leveraging the success of Zee TV‘s popular non-fiction shows like ‘Dance India Dance‘, ‘DID L‘il Masters‘ and ‘Sa Re Ga Ma Pa‘, the mobile app boasts of a wide array of interactive features that engage users, offering them a unique window of experiencing these shows.

    According to the channel, Zee TV‘s current non-fiction property ‘India‘s Best Dramebaaz‘ is delivering overwhelming response from viewers across India. Hence, the app is now titled ‘India‘s Best Dramebaaz‘ app and is available on all key digital platforms such as iOS, Android, Blackberry and Symbian.

    In one of the mobile innovations, Zee TV has converted the original mobile app created for ‘DID Season 3‘ into apps for each successive season of its ongoing non-fiction shows, thereby retaining its original user base, while adding more users with each new season.

    Zee Entertainment Enterprises marketing head-national channels Akash Chawla said, “Zee TV‘s shows have consistently topped viewership scorecards, making them the rulers of the on-air space. Even off-air, it is gratifying to note that our non-fiction shows have emerged as the front-runners of the digital space with their mobile app crossing a milestone of 1 million downloads. At a time when ‘on-demand‘ entertainment is the order of the day, we have been successful in providing our viewers with content that has kept them engrossed and engaged.”

    Following a successful collaboration for the mobile application of its previous non-fiction shows, Zee TV has continued its partnership with Mobilox Innovations to develop the WAP and app technology for ‘India‘s Best Dramebaaz‘.

    In addition to keeping the tech-savvy youth connected with their favourite shows, the app provides users with exclusive behind-the-scenes peeks into the shows, connecting them with contestants, judges and skippers. The live chats with judges and personalised dance tutorials by skippers of ‘DID L‘il Masters 2‘ have been crowd favourites while the easy voting feature has seen the contestants register a staggering number of votes on every season of Zee TV‘s non-fiction shows.

    Mobilox COO Rohit Kaul said, “A million app downloads means a million new touch-points on the most personal device these days. Just technology development wouldn‘t have made it successful. The three key factors which helped the app scale to million downloads were Strong Product Concept, App Store Optimisation and App Store Affiliations. Mobilox will continue to do the same for Zee TV and add newer innovations to Mobile App Marketing to achieve multi-million downloads in future. This new benchmark set by Zee, apart from its existing reach via TV, will create newer trends and innovations in the way audiences interact with the same brands on multiple screens.”

  • BBC America, Twitter in branded video partnership

    BBC America, Twitter in branded video partnership

    MUMBAI: As part of its strategy to go beyond 140 characters, micro-blogging site Twitter has tied up with BBC America to offer the first in-Tweet branded video synced to entertainment TV series.

    This news comes after reports that Twitter was in talks with NBCUniversal and Viacom for content. Twitter has also launched a music service.

    Twitter already has partnerships with Time Warner‘s TBS, sports broadcaster ESPN and the Weather Channel.