Category: Software

  • Comedy Central US teams up with Twitter to celebrate comedy

    Comedy Central US teams up with Twitter to celebrate comedy

    MUMBAI: US broadcaster Comedy Central and Twitter have announced the launch of #ComedyFest.

    This is a celebration of comedy and comedians to be programmed on Twitter. The five day festival, which runs from 29 April 29 to 3 May, kicks off with comedic icon Mel Brooks setting up a Twitter account at an event at LA‘s Paley Center featuring comedy legend Carl Reiner and moderator Judd Apatow.

    The event will be live-streamed in Brooks‘ first tweet, and can also be viewed on CC.com. #ComedyFest will feature an all-star roster of comedic talent including 16 programmed events with more than 50 comedians. The aim of #ComedyFest is to bring the channel‘s audience – closer to comedic talents across genres and generations.

    Comedy Central president Michele Ganeless said, “Twitter has become an essential medium for comedy and comedians. #ComedyFest will exist in the twittersphere – creating comedy that lives on social media. It‘s a great extension for our brand; it‘s where our audience lives.”

    Twitter head of TV Fred Graver said, “Awesome to have @ComedyCentral on-air and on Twitter celebrating comedians and the rise of 140 character comedy. Please RT.”

    #ComedyFest events will be live on Twitter, and fans can follow at @ComedyCentral and #ComedyFest for up-to-the-minute event coverage. Additional information including festival lineup can be viewed at CC.com, CC Tumblr, and on the CC Facebook page.

  • Spuul to premier Shree online on day of theatrical release

    Spuul to premier Shree online on day of theatrical release

    MUMBAI: Online movie and television show streaming service Spuul is bringing to its users the chance to catch Hussain Kuwajerwala‘s Bollywood debut with Shree‘s premier on 26 April.

    Users world over would have the privilege to catch Shree on their laptops, desktops and mobile devices the same day for rates starting at $2.99 for 72 hours or $4.99 as a part of a monthly premium subscription plan with unlimited views; whereas movie goers in India will be able to view Shree on Spuul only after 5 June.

    Spuul co-founder S Mohan said, “Today‘s mutli-screen generation want their entertainment wherever they are and whenever they are in the mood. In this landscape, in today‘s rapidly evolving digital landscape, Spuul is well placed to meet the growing demands of movie watchers online and we are delighted to make top-quality movies easily accessible via Spuul on the web and on mobile.”

    Shree is a psychological thriller produced by Ciemme Entertainment and distributed worldwide to digital platforms by GoQuest Media Ventures. It stars Kuwajerwala (Kumkum, Indian Idol) in the title role and tells the story a common man who trades 12 hours of his life in a science experiment to earn quick money and gets entangled in a series of murders.

    Producer Vikram M Shah said, “The whole concept of having the same day and date releases online for Shree is to make sure audiences worldwide can get to consume the content in the format that fits those best at the time, especially for international audiences who have limited access movies other than big banner films. Movie makers need to understand how to better reach out to an audience through versatile platforms like Spuul.”

  • CASBAA & IBF request FM Chidambaram to roll back tax hike on tech services

    CASBAA & IBF request FM Chidambaram to roll back tax hike on tech services

    MUMBAI: The Cable & Satellite Broadcasting Association of Asia (CASBAA) and The Indian Broadcasting Foundation (IBF) have requested the Indian government to roll back the increase in taxation on royalty and fees for technical services in the hands of a non-resident as proposed in The Financial Bill 2013.

    In a letter addressed to finance minister P. Chidambaram, the two associations have stated that Section 115A of The Income Tax Act, 1961, levies gross taxes of 10 per cent on royalty and technical services. The latest proposal by the finance ministry proposes to take this up to 25 per cent. Along with surcharge and an education cess, the effective rate comes to 27.037 per cent. When grossed up with other related levies, it will actually amount to 33 per cent, they say.

    Their letter to the finance minister points out that the proposed increased levy will have an impact on the Indian and international satellite and broadcasting sectors as the services they provide come under “royalty and fees for technical services.”

    India has constrained satellite capacity and it is highly dependent on foreign satellites. A recent study has shown that international satellites are providing roughly 60 per cent of the broadcasting capacity for India’s satellite DTH broadcasters.

    The associations have reiterated in the letter that international satellite operators will per force have to pass on the increased operational cost to their Indian broadcasting and other clients, as their margins are not fat enough to absorb the impact of higher taxation. DTH operators, broadcasters who deliver channels to India’s 90 million cable TV homes and cable TV operators will also in turn, then pass on the increased costs on to their subscribers. The cascading effect could be substantial, the two associations warn.

    “We believe that a good tax policy should aim at moderate rates, particularly in industries providing an engine for India’s growth. An increase to the levels proposed in the bill would be counter-productive; it would affect not only the operators providing satellite services, but a whole host of related sectors – including broadcasting, media, telecommunications and IT, which have been spearheading India’s growth story in recent years. Hence the increase should be rolled back,” the letter highlights.

    It concludes by saying that “any future increases that might be considered should be phased in, with a transition period of at least five years, to allow taxpayers time to plan ahead and to avoid any one-off uplift which could force the closure of some small operators.”

    Will the finance minister give a kind ear to Casbaa & IBF?

  • Allahabad HC reaffirms I&B ministry role in case of STB non-availability

    Allahabad HC reaffirms I&B ministry role in case of STB non-availability

    NEW DELHI: The Allahabad high court has clarified that that the information and broadcasting ministry has been mandated under the Cable TV Networks Rules 1994 to make interim arrangements if any subscriber complains he has not been able to get a set top box from his cable operator.

    A division bench of justice Uma Nath Singh and justice Satish Chandra while dealing with a case recently, quoted from an earlier judgment in this regard to say that the rules drawn up by the ministry were clear on this issue.

    (For the consumers, this judgment implies that they are free to approach the ministry in the event of the multi-system operator or the local cable operator not fulfilling the mandate of supplying the STB. The ministry has already set up a toll free number and complaints from consumers or LCOs relating to STBs or other aspects relating to digitisation are already being passed on to the concerned MSO, I and B minister Manish Tewari told the Parliament yesterday.)

    The court dismissed as without merit a petition by the Uttar Pradesh Cable Operators Welfare Association through its president Anil Upadhyay.

    In its petition, the association had sought extension of time as it said that there was shortage of digital set top boxes even as it fully supported digital access systems. It was stated that in UP, the STBs are not available in sufficient quantity, as it is an imported item mainly from China. There is no workshop in the state for repair of the set top boxes.

    In his arguments, additional solicitor general of India K C Kaushik said that digitisation was almost complete in UP as 100 per cent work has already been done in the Districts – Ghaziabad, Meerut, Varanasi and Allahabad – and 82 to 86 per cent work had already been done in the cities of Kanpur, Lucknow and Agra up to 14 April.

    Interestingly, the court in its judgment said ‘the set top box is not compulsory but is an option for the consumer, who wants to avail the better signals or selected channels. Further for providing better (digital) signals, there are many service providers, other than the petitioners, like DTH.‘

    While dismissing the case for extension of time, the court referred to another judgment of the Court in a related case by the Lucknow Metro Cable Operators Association wherein that court had said ‘Rule 13 (5) of the Rules contains a provision that in the event of failure of the concerned operator to supply and install a Set Top Box, the respondent (information and broadcasting ministry) may, in order to protect the interest of subscribers, take interim measure to ensure supply of signals. Under Rule 14, the ministry has been empowered to resolve dispute of various kinds including arrangements for handling complaints and redressal of grievances of the subscribers. The authority may also look into the efficacy of such arrangements and issue necessary directions to the concerned parties for compliance.‘

    That order had also pointed out that it was clear that all consumers were not aware of digitisation. ‘It is natural that everybody may not be aware whether there has been proper public awareness campaign about DAS scheme or not, and whether supply and installation of set top box has been carried out as required by Rule 13 of the Rules‘, that order had said.

  • SES pioneers first Ultra HD transmission

    SES pioneers first Ultra HD transmission

    MUMBAI: Global satellite operator SES has announced that, together with its partners Harmonic, which offers video delivery infrastructure, and Broadcom which offers semiconductor solutions, it has pioneered what it says is the first Ultra HD transmission in the new HEVC standard live from an Astra satellite at 19.2 degrees East. The HEVC standard features an up to 50 per cent encoding efficiency improvement, compared to previous test broadcasts in MPEG-4 AVC (H.264).

    The end-to-end demonstration which was presented at the SES Industry Days in Luxembourg used Harmonic’s ProMedia Xpress and a HEVC decoder reference-design system based on Broadcom’s BCM7445 device for receiving HEVC encoded Ultra-HD television transmission. The signal was broadcast in DVB-S2 using a data rate of 20 Mbit/s.

    The live demonstration for the first time broadcasts a full 3840×2160 pixel Ultra HD picture in HEVC, while previous demonstrations were either broadcast in H.264 or using 4 HD pictures in parallel. SES first live-broadcast a full 3840×2160 pixel Ultra HD picture using the MPEG-4 AVC (H.264) standard at IBC 2012.

    SES VP reception systems Thomas Wrede said, “We are very proud to present the first Ultra HD demo in the HEVC standard on satellite. SES has once again taken a leadership role in the industry by broadcasting the first real Ultra HD picture in a commercially realistic bandwidth.

    “We are convinced that the HEVC standard will become the option of choice for TV operators broadcasting Ultra HD content and expect the industry to develop prototype Ultra HD receivers in the coming months. With this initiative SES will be significantly driving the Ultra HD ecosystem forward and provide a 24/7 test channel to its industry partners.”

    Harmonic senior director of emerging technology, strategy Ian Trow said, “SES has achieved an important industry first with Harmonic and Broadcom. This DVB-S2 transmission clearly demonstrates the benefit of HEVC encoding using the Harmonic ProMedia in a live to air Satellite application. A significant compression improvement has been achieved using HEVC when compared to previous Ultra HD deployments using MPEG-4 AVC (H.264)”

    Broadband Communications Group associate product line director Joseph Del Rio said, “Broadcom is working to advance the adoption of HEVC technologies – and ultimately the distribution of UltraHD content – with SES. HEVC is the catalyst that will drive UltraHD television with its telepresence-like resolution to consumers.”

  • Netflix has 36 mn subscribers; posts $3 mn profit

    Netflix has 36 mn subscribers; posts $3 mn profit

    MUMBAI: OTT subscription service Netflix has reported better than expected first quarter results resulting in its stock appreciating by over 20 per cent. It now has 36 million subscribers. During the first quarter three million were added.

    For the first time the company‘s revenue in a quarter touched $one billion. The company managed to record profits of $ one million compared to a loss of $five million during the same period last year.

    Netflix added a million streaming subscribers in its markets outside the US. It plans to launch in a new European market in the second half of the year. In the US it added 2.02 million new customers. On the content side it has discontinued its deal with Viacom. Netflix will stream content from Nickelodeon, BET and MTV till the end of next month. After that it will let the deal expire. But the company is looking at a deal where it can stream some of Viacom‘s shows. The focus of Netflix is on exclusive content.

    Netflix CEO Reed Hastings and CFO David Wells in a letter to shareholders wrote, “The launch of ‘House of Cards‘ provided a halo effect on our entire service. Customer response to the show increased our confidence in our ability to pick shows Netflix members will embrace and to pick partners skilled at delivering a great series”.

    Netflix‘s share price has crossed $200 compared to a 52 week low of $52 in August.

  • Sandesh goes on mobile; launches augmented reality app

    Sandesh goes on mobile; launches augmented reality app

    MUMBAI: Sandesh has become the first regional newspaper brand in India to bring digital content through its newspaper with the launch of Sandesh Smart – an augmented reality app.

    With this, Sandesh allows readers to use the augmented reality app to gain access to additional multimedia contents like videos, slideshows, social media connect, polls, interactive quizzes and much more by simply scanning the newspaper with their Smartphone.

    Sandesh MD Parthiv Patel said, “We are proud to be the first regional newspaper to fully integrate Sandesh Smart into our editorial workflow and bringing the print alive on reader‘s smart phones.”

    For the development of Sandesh Smart app, Sandesh has partnered with TELiBrahma, a mobile advertising solutions company specialising in augmenting real world context with digital engagements.

  • Star Jalsha and Star Utsav launch on ATN Canada

    Star Jalsha and Star Utsav launch on ATN Canada

    MUMBAI: It’s Canada Ahoy for Star Jalsha and Star Utsav, two channels from the Star Network India stable. Asian Television Network (ATN), Canada‘s largest south Asian broadcaster, has signed licensing agreements under which it has been granted exclusive rights to the two channels. STAR Utsav will complement ATN‘s five Hindi general entertainment channels and STAR Jalsha will complete its four channel strong bouquet of Bangla language channels from India and Bangladesh.

    The Canadian premiere of these two channels commenced last week on Bell Fibe TV in Metro Toronto and Montreal. The two channels will have a free preview for 60 days. In addition to the existing subscriber base, with the launch of these new channels, ATN expects to gain new subscribers through cable, satellite and IPTV platforms across Canada.

    This will expand channel bouquet that ATN Canada delivers to South Asians across the land of the maple leaf to 39.

  • DD on studio upgradation drive

    DD on studio upgradation drive

    New Delhi: A total of 39 studio centres in the country have been taken up for full digitization as part of the ongoing scheme of digitization of Doordarshan’s Network, Parliament has been informed.

    State of the art digital equipment would therefore be made available at the studio centres in the north east states on a par with other similar studio centres in the country.

    Of these 39, eleven are in the north east states: three in Assam, two in Meghalaya, and one each in Arunachal Pradesh, Manipur, Mizoram, Nagaland, Sikkim and Tripura. The others are: five in Uttar Pradesh; two each in Chhatisgarh, Jharkhand, Madhya Pradesh, Maharashtra, Odisha, and West Bengal; and one each in Andhra Pradesh, Bihar, Goa, Gujarat, Himachal Pradesh, Jammu and Kashmir, Karnataka, Kerala, Andaman and Nicobar Islands, Chandigarh and Puducherry.

    Five Digital Satellite News Gathering Units (DSNG) have also been provided at Guwahati to cater to the coverage requirements of north east states. DSNG Units are deployed at different places in north east states as per coverage requirements. As part of the ongoing schemes, four additional DSNG Units for North East States are envisaged to be procured.

    Meanwhile, Prasar Bharati sources said upgradation/modernization which includes induction of new technologies, replacement of old aging equipment and augmentation/upgradation facilities of all Doordarshan Kendras including those located in north-east region is a continuous process and schemes in this regard are formulated and implemented from time to time.

    The sources said that for the north east region there is a dedicated 24×7 North East Channel, besides Kendras in North East like DDK Guwahati, DDK Aizwal, DDK Gangtok, DDK Tura, DDK Shillong , DDK Silchar, DDK Dibrugarh, DDK Itanagar, DDK Agartala, DDK Kohima and DDK Imphal which telecast programmes in their respective regional languages.

  • Supreme court gives entertainment tax relief to DTH operators

    Supreme court gives entertainment tax relief to DTH operators

    NEW DELHI: In a major relief to direct-to-home operators in the state, the Supreme Court last week held that the Madhya Pradesh government cannot demand entertainment tax on DTH services under the Madhya Pradesh Entertainment Duty and Advertisements Tax Act, 1936.

    Justice Aftab Alam and Justice R M Lodha said in a judgment that Act ‘cannot be extended to cover DTH operations.’

    Accepting appeals by Tata Sky against a judgment of the Madhya Pradesh High Court of August 2010, the apex court said: ‘Neither the provision of section 4(1) nor any of the modes provided under section 4(2) of the Act can be made applicable for collection of duty on DTH operations. Further, it is noted above that section 8 provides rule making powers. In exercise of the powers under that provision, the Madhya Pradesh Entertainment Duty and Advertisement Tax Rules 1942 were framed. A perusal of the Rules makes it absolutely clear that the collection mechanism under the 1936 Act is based on revenue stamps stuck to the tickets issued by the proprietor for entry to the specified place where entertainment is held.’

    The Court added: ‘Under section 3 read with section 2(d) and section 2(a), the charge or levy of tax is attracted only if an entertainment takes place in a specified place or locations and persons are admitted to the place on payment of a charge to the proprietor providing the entertainment. In the present case, as DTH operation is not a place-related entertainment, it is not covered by the charging section 3 read with section 2(a) and 2(b) of the 1936 Act. Consequently, the question of going to section 2(d)(iv) does not arise.’

    The revenue department had demanded 20 per cent entertainment duty on subscription payment from the DTH operator, which had commenced services in August 2006 all over the country including Madhya Pradesh.

    Tata Sky in their appeals had contended that DTH broadcast is a notified service under the Finance Act and it is chargeable to service tax. For the purpose of levy of service tax, “broadcasting” has been defined specifically under section 65(15) of the Finance Act. The broadcasting services were brought within the purview of the service tax under section 65(105)(zk) of the Finance Act 1994 as amended with effect from 16 July 2001. Later on, DTH service was brought within the purview of the service tax with effect from 16 June 2006.

    Tata Sky contended that it does not use any infrastructure from the State for its DTH broadcasts.

    On 5 May 2008, the State Government issued a gazette notification fixing 20 per cent entertainment duty in respect of every payment made for admission to an entertainment other than cinemas, videos cassette recorders and cable service.

    The State on 1 August 2009 passed the Madhya Pradesh Entertainment Duty and Advertisements Tax (Amendment) Act, 2009. By the Amendment Act, the failure to produce accounts and documents as required by the Excise Commissioner or any officer authorized by the State Government was made a penal offence.

    However, the apex court noted that this amendment ‘did not introduce any provision in the Parent Act with respect to levy of entertainment duty on DTH broadcasting.’

    Referring to the notification of 5 May 2008, the apex court said ‘it is elementary that a notification issued in exercise of powers under the Act cannot amend the Act. Moreover, the notification merely prescribes the rate of entertainment duty at 20 per cent in respect of every payment for admission to an entertainment other than cinema, video cassette recorder and cable service. The notification cannot enlarge either the charging section or amend the provision of collection under section 4 of the Act read with the 1942 Rules. It is therefore clear that the notification in no way improves the case of the State.’

    The Court also said that the controversy in all the three appeals relates to the demand and realization of entertainment tax under the 1936 Act, which means for the period between the commencement of operation by the appellant in the year 2006 and 31 March 2011, the day prior to the coming into force of the new Act, called the Madhya Pradesh Vilasita, Manoranjan, Amod Evam Vigyapan Kar Adiniyam 2011.