Category: Technology

  • IAMAI condemns removal of apps and urges Google to reinstate delisted apps

    IAMAI condemns removal of apps and urges Google to reinstate delisted apps

    Mumbai: IAMAI condemns removal of apps and urges Google to reinstate delisted apps.

    IAMAI has strongly condemned the removal of some of the most prominent consumer digital companies’ apps from the Play Store, including those of Bharatmatrimony, Info Edge, Shaadi.com, and TrulyMadly and IAMAI urges Google to reinstate the delisted apps.  

    The association’s governing council has in a statement called the delisting of apps unfair and disproportionate. The association urges Google to urgently reinstate the delisted apps and engage in consultations with the industry body or member companies to find mutually agreeable solutions till the matter is subjudice.

  • Tips to keep in mind while customising your lock screen

    Tips to keep in mind while customising your lock screen

    Mumbai: Your phone’s lock screen might seem like a small detail, but it’s the first thing you see every time you pick up the phone. Why not turn your lock screen into an interactive space that reflects your style and passions? With a few tweaks, you can transform your lock screen from dull to “wow!” So, ditch the default and personalise the space with these top tips:

    Interactive widgets:

    Choose widgets that go beyond just displaying information. Add small, glanceable widgets that allow you to perform quick actions without unlocking your device. For example, control your music, check the weather, or preview your emails or messages directly from the lock screen. Some widgets come with productivity apps, letting you access reminders, notes, and quick information from them, in a glance. Experiment with different fonts, sizes, and styles for the clock to make it stand out. You even get animated clock faces too.

    Quick glance, big impact:

    Want instant access to information without unlocking your phone or downloading multiple apps? Use the Glance Smart Lock Screen. Available on most leading Android smartphones in India, Glance brings personalised and premium content to the lock screen through the power of artificial intelligence (AI) and partnership with premium publishers. Glance is a 100 per cent ‘opt-in’ platform, empowering users to decide how they want to experience the lock screen. Users can easily opt-out at any time through the phone’s settings screen.

    Un-clutter your notifications:

    Customise how notifications appear on your lock screen to strike a balance between staying informed and maintaining privacy. Choose which apps can display sensitive information and tweak settings to avoid clutter.

    Wacky wallpapers:

    Ditch the generic and set a dynamic wallpaper carousel. This elevates your lock screen experience, adds an element of surprise, and keeps things visually interesting.

    Shortcuts to the rescue:

    You can access the camera, enable DND, QR code scanner, and video camera, and launch the torch from the lock screen. So, choose what’s important to you and enable it for super quick access.

    Privacy is the key:

    While personalisation is fun, be mindful of what information you display on your lock screen. Avoid sensitive details like your home address or banking information, especially if your phone unlocks easily.

    With all these tips you can maximise the potential of your lock screen. Tailor it to your liking and customize everything to make sure your lock screen makes your phone browsing much easier, with just a few tweaks you can ensure you’re getting all the content you want – one glance at a time!

  • London and Partners brings first-ever creative trade delegation to India

    London and Partners brings first-ever creative trade delegation to India

    Mumbai: London & Partners (L&P), the business growth and destination agency for London, will showcase the best of India’s creative tech and VFX industry to international companies looking to expand to and invest here.

    L&P’s creative delegation will take place from the 19 to 22 February with companies from the media, advertising, entertainment, and VFX sectors. Bringing together three leading creative tech ecosystems from London, Chennai, and Mumbai, the itinerary includes studio visits, panel discussions, knowledge-sharing and exclusive business speed networking sessions.

    The delegation will be immersed in India’s thriving media, advertising, gaming, and entertainment sectors. Among the impressive list of Indian companies that are excited to host the creative trade delegation are Tata Consultancy Services (TCS), Disney Star, Qube Cinema, PhantomFX, Basilic Fly Studios, iGene Media Solutions, Vajra Global, Schbang and Jio Cinema Labs.

    London and Partners country director, India Hemin Bharucha said, “India’s creative prowess coupled with its thriving startup ecosystem has garnered significant attention on the global stage, attracting many international and London-based creative tech companies. We are also seeing tremendous interest from Indian companies wanting to grow and expand into London. This Creative Trade Delegation provides a unique platform for UK and Indian companies alike to venture beyond their borders to form connections that transcend boundaries on a global scale.”

    London is a global leader in creative technology and aims to create more investment and growth opportunities in this sector.  According to a City Hall report, the creative industries are contributing more than 200,000 jobs to London’s economy in the last five years. As per last year’s Sector Vision, the UK’s government aimed to grow the creative industries by £50 billion and support a million new jobs by 2030 through creative careers.  The UK Government is committed to supporting the creative industries. For instance, it intends to strengthen the audio-visual expenditure credit, a tax relief for companies producing specific types of audio-visual content within the UK, particularly in the visual effects domain.

  • Collective Consulting launches invcent.com

    Collective Consulting launches invcent.com

    Mumbai: Collective Consulting is proud to launch invcent.com (pronounced ‘INCENT’ – the ‘V’ is silent), a global marketplace SSSP (self-serve supply platform), which shall fulfill the TV inventory buying needs of agencies and clients.

    Speaking on the platform launch, founder- Alok Rakshit, “We are at the cusp of several transformative shifts that are happening in the ever-dynamic media space. With the help of invcent.com, linear mediums can experience a rapid digitalization process, leading to accelerated growth. This inventory central platform will assist media buyers and clients in discovering new publishers, in existing as well as media-dark or unrepresented markets.”

    Due to sheer number of TV channels in India (over 800 plus), media buyers, planners and clients face the challenge of effectively reaching out to these channels or markets. Publishers in search of new clients encounter similar obstacles in both local and international markets.”  

    ‘INVCENT.COM’ simplifies access to the daily inventory and impact properties of publishers and channels.

    Invcent.com seamlessly integrates with both internal and external APIs of publishers in their respective mediums. It is a secure and transparent platform that shall appeal and aid buyers and sellers alike, maintaining utmost privacy. The platform would extend itself to digitalise other linear mediums such as radio, print, out-of-home and digitally streaming mediums.

    The core founding team consists of industry expert Joydeep Ghosh who has pioneered the digitization process for TV commercials delivery in India and is ably supported by Sagar Gholap who has worked extensively with leading media houses.

    Alok

     

  • GameCloud Technologies announces support for Apple Vision Pro

    GameCloud Technologies announces support for Apple Vision Pro

    Mumbai: In a significant development for the XR industry, GameCloud Technologies Pvt Ltd has announced its support for the Apple Vision Pro, Apple’s latest foray into spatial computing. This move marks a pivotal moment in the XR landscape, positioning GameCloud Technologies at the forefront of testing and development for cutting-edge mixed reality applications.

    The Apple Vision Pro is a groundbreaking device in the realm of mixed reality, blending AR, VR, and mixed reality (MR) to create an unparalleled user experience. With its advanced capabilities, the Vision Pro is set to revolutionize how users interact with digital content, offering immersive and interactive experiences unlike anything seen before.

    The leading XR testing and development company will offer its services for the new mixed-reality headset from Apple

    GameCloud Technologies, known for its expertise in XR testing and development through the independent division, QualityReality.com, is adding this new device in its existing VR hardware inventory to also provide its customers with access to the Vision Pro headset and its visionOS platform. This strategic move will enable the company to offer a comprehensive suite of services for developers of XR applications and games, ensuring that they can optimize their games and apps for the unique capabilities of Vision Pro.

    The company’s decision to support the Vision Pro stems from its commitment to staying at the cutting edge of XR technology. By integrating the latest hardware and software advancements into its services, GameCloud Technologies ensures that its customers are always ahead of the curve in delivering engaging and immersive XR experiences.

    “We are excited to support the Apple Vision Pro, which we believe is a game-changer for the XR industry. Our customers can rely on us to provide them with the best XR testing and development services, as well as the latest technologies and hardware. We are committed to helping our customers create immersive and engaging XR experiences that leverage the full potential of the Vision Pro and visionOS,” said GameCloud Technologies CEO Laxmikant Thipse.

    This announcement is more than just a new service offering, it’s a testament to GameCloud Technologies’ dedication to innovation and excellence in the XR domain. By aligning with Apple’s Vision Pro, the company not only expands its capabilities but also reinforces its position as a leader in the rapidly evolving world of XR.

    For developers and creators in the XR space, this collaboration presents an exciting opportunity. With GameCloud Technologies’ support, they can now explore the vast possibilities of Vision Pro, pushing the boundaries of what’s possible in AR, VR, and MR. From gaming to education, entertainment to training, the applications of this technology are virtually limitless.

    GameCloud, through QualityReality.com, is undertaking the heavy lifting by investing in the latest technologies of this kind. This approach ensures that their customers avoid the capital investment in rapidly depreciating assets and hardware that becomes outdated within a year in today’s fast-paced technological environment. Consequently, GameCloud, via QualityReality.com, guarantees that customers incur no capital expenditure (CAPEX) and only a negligible operational expenditure (OPEX) by outsourcing to QualityReality.com.

    GameCloud Technologies’ support for the Apple Vision Pro is a significant milestone in the XR industry. It paves the way for the creation of more innovative, immersive, and engaging XR experiences, harnessing the power of the latest technologies to transform how we interact with the digital world. As the XR landscape continues to evolve, GameCloud Technologies remains at the forefront, leading the charge in testing and development for the next generation of mixed reality experiences.

    The Apple Vision Pro headset, a highly anticipated mixed-reality device, is currently priced at $3,499 in the United States, where it first launched. This price is for the model with 256GB of storage, making it a premium offering in the AR headset market. In comparison, Meta’s high-performance Quest Pro VR headset is priced significantly lower, at around $999, while its Quest 3 model is even more affordable, retailing at $499. The Quest 2, another model from Meta, is available for as low as $299. This stark price difference highlights the Apple Vision Pro as a considerably more expensive option in the realm of immersive headsets. Especially for the small teams developing apps and games on VR platforms, this cost is significantly on the higher side. 

  • Unstop introduces Unstop Talent Park

    Unstop introduces Unstop Talent Park

    Mumbai: Unstop, the talent discovery, engagement, and hiring platform for students and graduates, has introduced Unstop Talent Park, a unique contest that will offer a golden opportunity for students to grow and upskill themselves.

    A chance to apply one’s knowledge to real challenges and learn more, Unstop Talent Park will provide students a chance to land internships that could lay the foundation for a successful career. Unstop Talent Park has two tracks – tech and non-tech.

    The Tech track will involve an MCQ, a coding assignment, an executive summary round, and a detailed deck submission round, before the grand finale. If you are a tech, coding, or problem-solving enthusiast, then the Tech track is the one to choose. The Non-tech track will include an aptitude assignment followed by an executive summary round, and a detailed deck submission before the finale. While all B.Tech, M.Tech, M.E., and Dual Degree students are eligible for the Tech track, the Non-tech track is open to students enrolled in any field of study in any university in the country.

    Those who crack the contest will be rewarded with a cash prize of Rs 1 lakh, alongside an internship opportunity with a stipend of up to Rs 1 lakh per month. The internship could later be converted to a full-time job offer, based on the candidate’s performance. For the first runner-up, the reward will be a cash prize of Rs 50,000, while the second runner-up will receive Rs 30,000. All participants will be awarded at the end of the contest. The deadline to register for Unstop Talent Park is 29 February 2024.  

    Unstop founder and CEO Ankit Aggarwal said, “We are delighted to introduce Unstop Talent Park, a contest that promises to unlock the potential and open doors to countless opportunities for students. With an emphasis on both technological and non-technological disciplines, this contest is meticulously crafted to facilitate participants in enhancing their skills and equipping themselves for a prosperous career. We extend a warm invitation to all students to partake in this exceptional opportunity.”

  • DashLoc introduces DashLoc 2.0

    DashLoc introduces DashLoc 2.0

    Mumbai: DashLoc, a trailblazing company in India specialising in hyperlocal discovery and growth, has announced the launch of DashLoc 2.0, a revolutionary upgrade to its dashboard platform. Building upon the success of DashLoc 1.0, this new iteration incorporates cutting-edge technology and advanced features to redefine the user experience, empowering brands with actionable insights and customizable solutions.

    DashLoc 2.0 represents a remarkable milestone in the company’s journey, leveraging insights gained over the past 18 months to develop a platform that addresses even the most minute challenges faced by brands. With state-of-the-art AI algorithms and advanced ML models, this new version empowers brands to take centre stage, leveraging data to shape their future endeavours with unparalleled precision. In addition, integration with GenAI technology enhances the platform’s functionality and effectiveness, establishing a new benchmark in hyperlocal discovery and growth solutions.

    Key features of DashLoc 2.0 include:

    ●    AI-Driven Review Management: Streamlining response generation, summarization, and automation to enhance customer engagement and satisfaction across diverse platforms.

    ●    Advanced Chatbot Feature: Offering customized flows tailored to brand interactions, reducing agent costs, and increasing conversion rates by over 26 per cent.

    ●    Intelligent Analytics with Smart Reporting: Generating advanced analytics to facilitate informed decision-making processes.

    ●    Progressive Website Theme Control: Enabling unparalleled customization of website themes to align with brand identity.

    DashLoc, co-founder and CTO Gaurav Kumar commented on the launch, saying, “We’re incredibly excited to unveil DashLoc 2.0, a culmination of our relentless pursuit of innovation and user-centric design. The Unique Selling Proposition (USP) of DashLoc 2.0 lies in its seamless blend of advanced technology with user-centric features. With this latest release, we aim to elevate the user dashboard experience as well as leverage a new tech stack for quicker and easier development of advanced features. This transition reinforces DashLoc’s dedication to offering advanced solutions and remaining at the forefront of technology and user expectations. We’re confident that DashLoc 2.0 will transform how brands engage with their audiences and navigate the ever-evolving complexities of the modern marketplace.”

    Notably, DashLoc 2.0’s multilingual features provide a strategic edge, enabling brands to engage effectively with regional consumers. With over 50 per cent of content viewed on Google Discover in Indian languages and a third of Google Assistant users in India utilizing it in an Indian language, DashLoc prioritizes providing online brand presence to multiple-tier cities. The platform’s multilingual functionalities facilitate effective communication with customers, enhancing brand visibility and engagement. Looking ahead, DashLoc aims to develop a comprehensive 360-degree platform that facilitates brand execution from search to conversion, empowering brands to achieve their business objectives efficiently.

  • VBS 2024: Driving distribution success with NexC

    VBS 2024: Driving distribution success with NexC

    Mumbai: India is in the grips of seismic changes as far as video and broadband consumption is concerned. Pay TV cord-cutting is rampant even as free TV subscriptions are on the rise and OTT buy-ins are churning with the signs up for certain platforms stagnating even as others are seeing rapid increases and some are seeing cataclysmic drops. Aggregators of OTTs are popping up on the horizon promising cheap bundles along with value-added services for cable TV and DTH. There’s a rush to set up free advertising-supported TV channels by TV set manufacturers and smart TV device makers. There’s the Jio factor where it is seeking to convert most pay TV customers to free streaming of video content by offering access to consumers at no cost. The consumer continues to demand bandwidths higher than ever imagined even as prices are dropping. Margins are under pressure as every player goes one-up on each other to acquire and retain customers.

    Clearly, the video and broadband distribution landscape has not been as vibrant as it is now… How long will this pot-boiling continue? What will the magic potion of video and broadband look and taste like? And what’s the end game? Indiantelevision.com held its 20th edition of Video and Broadband Summit better known as VBS at Sahara Star Hotel, Mumbai.

    The fireside chat on the topic: ‘Driving Distribution Success with NexC’ had Planetcast CEO Sanjay Duda in conversation with Indian Television.com group founder, chairman & editor-in-chief Anil NM Wanvari.

    Wanvari began the conversation by asking, “What are the major trends that you all see in terms of the workflows that are going on in production, acquisition, creation, and distribution?”

    Duda answered, “Largely what we’ve seen in the last 25 years and more so in the last seven years, most of the trends are being driven by the fact that on both sides, production and consumption, the creation environment is exploding. There are large, medium, and very small content creators, and they need to deliver ever-increasing profiles of people, and viewers who are viewing across multiple devices. So there are multiple options for delivery and there are multiple creators on this side. This actually is what is creating most of the pressure, it’s creating most of the direction to development. Clearly, content will always be king. It will always be the most important determinant of success. The stress right now is, how do you get your content to the right cohorts of viewers? How do you monetise your content? How do you get your money for the content that you’ve created in the most effective and efficient way? And how do you retain your viewers time after time? Slowly earlier, this whole pipeline had multiple stages, multiple players, there were three or four middlemen, so to speak. There were content creators used to provide the content to a large broadcaster and aggregator. Then they used to process that and then deliver it to the next stage for maybe creating linear channels for playout and slowly creating VOD assets. It then used to go to the next digital platform or cable platform, cable head-end or DTH head-end from where it was then distributed to final consumers who were managed by local cable operators or a DTH operator. This whole pipeline was well-oiled. There were clear business models, people were making money. But now what has happened is everything has been disrupted by the fact that the entire environment has become digital. And we are seeing that the content creator is increasingly able to see who’s viewing the content. Everything is getting driven by data. Information on who is viewing the content, how long they’ve been viewing the content, and that has created avenues for many technologies to come in. Like advertising or targeted advertising, so that you can even earn more for every viewer that you’re reaching. So this is how the overall ecosystem has changed.”

    He added, “From a production perspective, how this has now forced people, forced creators to think, innovate on how to produce your content. Content is of two to three types. One is the live content, which is actually driving this pipeline. Then there is the episodic content, user-generated content. The UGC content technologies are driven by the fact that users should be very easily able to create, curate, and deliver the content. The GECs or the episodic content or the movies, which is the library content, has its own non-linear production behaviour. There too technologies have changed. There’s a lot of VFX, a lot of virtual productions. The world is changing so that you don’t have to create one studio and then break it down and then create it for the next show. And in-between this, is the live. In the live content aggregation, there are a lot more changes. There’s a lot immersive content coming in. Now people get 360 degree cameras at the venue, creating a kind of remote viewer or an e-viewer kind of situation. Also now, data regarding the content that’s going in is also traveling with it. So there’s for sports, for example, all the information about the players is traveling along with it. A lot of the time, you can create a game. Already it’s happening, based on the performance of the players, the rating is determined on a daily basis. There’s a whole gaming industry. So these are the things that are driving the production technology at this end.”

    Wanvari then asked, “Where does your company come into play?”

    Doda replied saying, “I think all the players in this industry have seen change. Initially, there was some amount of denial and then acceptance, innovation, and then change. So we started our journey, providing essentially, distribution over satellite, bringing live videos from the arenas, be it news or sports. But largely satellite driven. We created a huge infrastructure for uplinking, DSNG services. We set up the first commercial teleport in the country and then as the media industry was growing rapidly in the country, our only thought was how do we create more teleports? How do we set up more facilities at that point of time? Then we saw that there are two things that are happening. A: people were going into a zone where they were not too sure. Earlier, most of our services were, because we needed to invest a lot of money to set up this infrastructure to provide services to our four or five customers, we used to always say five-year agreements or 10-year agreements. But as we all have stepped into a world where people have to keep trying. The viewers or the consumers have become very choice-oriented. They don’t want to watch a particular channel or a particular platform all the time. They need the right to stop the subscription and go somewhere else. Similarly, all the broadcasters, therefore, they would also like to experiment, but if they have to be tied down with three-year, five-year contracts, they won’t go there. Therefore, we also realised that we need to create solutions, which are flexible in terms of commitment from customers. And eventually, as some of these services have become robust and they’re accepted, then you’ll automatically see long-term commitments.”

    Doda added, “What we did was we expanded from very infrastructure-heavy services to a set of platform-driven services. We are moving from our on-prem to cloud. What that has done is, on cloud, there are two things you can do. One is that even your services can be flexible in terms of commitments from the customer and you can even deliver services globally anywhere. It connects the entire world and opens it up to you. Whereas infrastructure-based services are you need to set up something and they’re very regional in their influence. What NexC does is, as we have seen over the years, the content journey has four individual stages. One stage is the creation, where you’re creating the content, once you’ve created the content, the content needs to be made addressable. There is a lot of data that has to be attached, meta tagging has to be done, content has to be prepared for consumption, you’ve to check it for quality, technical quality, and SNP, to make sure it meets the content rules and regulations based on where you want to sell the content. You also then create another layer of it, which is localisation. If I’m creating content in India, and the broadcaster or the other publisher wants to deliver it in Korea, or Middle East, or Malaysia. So there’s a requirement for subtitling, dubbing, and SNP. So these are the localisation inputs that go into the client. So that part is essentially content management. Then when you’ve made the content, there is a need to create promos around it so that you’re able to market your content. Then we have the post-production, where you do on-air promotion, creating OEPs or teasers. That’s the second part of the stage that the content goes through these days.”

    Duda further added, “Once that is done, your content is essentially ready for consumption. Either it will go as a VOD asset, which is then delivered to an OTT platform or it could be archived for later use or it will be sent to a playout solution where it is converted into a linear stream. So, that is the third stage. Once it’s created into a linear stream, it is then delivered either directly to customers, or it can be delivered to a cable operator or a digital head end, or a FAST TV channel or FAST digital head end. Delivery is the other aspect of it. So essentially, the content once it’s created, moves from one stage to the other and then the to final destination, which could be your handsets where you’re watching it either on Instagram, YouTube, or Meta. So every platform has its own, technical specs, and you need to create the content for each spec, or it can be delivered to a teleport from where it can be uplinked, or it can be delivered to a digital head-end from where it is delivered through an OTT platform. These three main solutions or you can say modules. We have been involved with all of these three modules over a period of time. First, we started with essentially, delivery, then we did playouts. Maybe six to seven years ago, we got into the post-production domain. Now since we realised that we need to go global, we need to go on cloud, the need was to put it all together under a single umbrella, so to speak. What we found was that it missed only the last stage, which is the OTT. Why we did not go very aggressively initially for OTT because everybody wanted to set up their own OTTs. But we have seen over the years now and we know that it’s going to happen sooner, people will eventually want to outsource the OTT function as well. Right now every OTT has different feature sets. Every OTT player believes that their OTT is something very special, that only they know, they have created. Eventually, all OTT technology will become quite standard, and all features offered will be quite standard. That is where everybody will want to outsource it. It is just a technical platform and that’s what it is. So we therefore put together the entire set of solutions, right from acquisition to delivery to consumption, and this we’ve named NexC, where C stands for comprehensive. Incidentally, it rhymes with sexy.”

    Moving on to his next question, Wanvari asked, “Have you found customers for it so far within India and overseas?”

    Duda replied, “Yes, in fact, we had customers who were using each of these modules, anyway. So as we have started evangelizing the NexC concept, it becomes automatically an upgrade for them. We are able to upsell the other stages, and other services on either side of what they’re using. A playout or customer is ready to utilise the content aggregation. A content aggregation customer is happy to do post-production with us. So that we find a very easy-to-sell, easy-to-manage platform. In almost everything, in all these technologies, what you’ve seen is, that you think of all the problems that you’re solving, and you create a product, and once the product is used, it starts generating its own workflows, its own advantages, and it creates another set of development requirements on top of it. We are already seeing that, because everything is on a single platform, you’re saving a lot of multiple functions, be it a single sign-on, or a common database. We are able to pull a lot of metadata from various stages and eventually, it’s a part of our development plan. We will enable AI-based analytics based on all the data that we’re collecting, and that will automatically give you reports or give you advice on which content is selling better, and which content needs to be sent to which platform, and you can get literally get a real-time feedback on what is happening here.”

    Adding on to that, Duda said, “The idea is that it saves money because you are cutting out a lot of repetition of processes and at the end of the day, it is a solution you can use as long as you want. It takes in all formats. The input formats can range from MXF to MOV to any movie to any. In fact, we are using it for one of our customers, who brings in live feeds from outside. They sometimes bring the worst quality feeds and we are able to stabilise those feeds and put them back into the system. The fact is that this is nothing new. It is well tested, well used by our customers. So it’s nothing new. It’s just putting things together so that people can make better sense of what they’re doing. You’ve seen that there’s so many more questions than answers that are coming up these days. The least that you can do is make things easier and simpler.”

  • VBS 2024: Evolving content distribution landscape

    VBS 2024: Evolving content distribution landscape

    Mumbai: India is in the grips of seismic changes as far as video and broadband consumption is concerned. Pay TV cord-cutting is rampant even as free TV subscriptions are on the rise and OTT buy-ins are churning with the signs up for certain platforms stagnating even as others are seeing rapid increases and some are seeing cataclysmic drops. Aggregators of OTTs are popping up on the horizon promising cheap bundles along with value-added services for cable TV and DTH. There’s a rush to set up free advertising-supported TV channels by TV set manufacturers and smart TV device makers. There’s the Jio factor where it is seeking to convert most pay TV customers to free streaming of video content by offering access to consumers at no cost. The consumer continues to demand bandwidths higher than ever imagined even as prices are dropping. Margins are under pressure as every player goes one-up on each other to acquire and retain customers.

    Clearly, the video and broadband distribution landscape has not been as vibrant as it is now… How long will this pot-boiling continue? What will the magic potion of video and broadband look and taste like? And what’s the end game? Indiantelevision.com held its 20th edition of Video and Broadband Summit better known as VBS at Sahara Star Hotel, Mumbai.

    The very first fireside chat of the event, on the topic: ‘Evolving Content Distribution Landscape’ had Jio Platforms group CFO Saurabh Sancheti as the speaker in conversation with Indian Television.com group founder, chairman & editor-in-chief Anil NM Wanvari.

    Wanvari began the chat by asking Sacheti, how he has seen the content distribution landscape evolve over the past few years.

    Sacheti answered, “I think India is a very exciting market, and content distribution and media is like a market no other. Definitely, the last five years have been a big revolution on all fronts. So let me tell by seeing how the market is today and versus what it will be tomorrow. So today, yes, largely, even today, whatever people may say cable and DTH are very prominent platforms, they have the highest reach, they reach more than 100 million households and there’s a very big proportion, which they are serving directly as a pay TV. There’s a big business, which obviously, the free dish is having and the whole revolution on connectivity, which has changed not just the mobile, but the whole technology around, i.e., connected TVs, and large screens is there. There, we are just scratching the surface. So if I look, actually India had 350 million households, the last bottom 100 and 250 million don’t have a TV, and their only access is low-cost smartphones, for the content. If I look at the top tier, the top 50 million homes have connected TV, and many of them have a pay TV as well, which is where there are two products to the same segment, about 100 million pay-TV homes. So, the distribution landscape is changing very fast, because the numbers are not consumer time and attention is. That is what is leading to a lot of change in the mix of more choices, the customer time, definitely is now getting into multiple channels. So it’s an exciting time. I think the future is exciting for all the mediums of content distribution. Overall as the economy grows more prosperous, definitely the number of users and consumption is there to rise.”

    Moving on to the next question, Wanvari asked, “What are some of the key factors that have driven these changes in content distribution?”

    Sancheti replied, “One good thing that has happened is, definitely a lot of ecosystems are coming together. The access which was earlier very difficult is something which has been made easy. So earlier, we had it in mobility where, as a mobile subscriber, you had to pay 250 rupees a GB and therefore it was criminal to watch video on your mobile phone to now having very affordable tariffs that are less than 10 rupees a GB and everybody can afford a mobile phone with content and that opens up a huge audience. The same revolution, by the way, is also happening in phones, now almost touching 40 million internet users. It’s a very big market which is happening. What connectivity does is because it’s like the baseline infra but what it does is, it definitely changes the overall proposition. At the same time, with this opening up of the market, people are able to take exciting bets and make it really large. I mean, for example, just look at JioCinema and what has happened with digital watching on IPL, it’s like the whole model is pivoted, the whole attention has gone there. Therefore a lot of interesting experiments are happening, which is a very good thing to happen for the overall industry, because that is what maximises the consumer surplus and that really generates a lot of value for everybody in the ecosystem, not just the content producers, distributors, but the consumers as well. So it’s really exciting.”

    Wanvari then asked, “In your experience, what role do the new and emerging platforms play in reaching diverse audiences? How do you identify such platforms?”

    Sancheti then answered, “I’ll break the question into two parts. One is obviously as a content producer and then as a distribution channel. As a content producer, the good thing as I said, in India is there is no one India, there are many Indias, and overall, India is so big that even in the three Indias that I was discussing earlier, you have an opportunity of a global scale. Now, coming to the content producer angle, which is very interesting in India. So, D2C is the buzzword, that everybody’s trying to grapple with it, but the Indian consumer is kind of a high-touch consumer. So, existing relationships definitely prevail and across industries our learning is, that is definitely a winning point. Therefore, wherever you have a distribution channel, whether it be wire, a local cable operator, or a telco distribution, or any other distribution, where you have some touchpoint with the user, you have a lot of chance of getting him converted, and at least sample and if the content is of quality, definitely consume it. So, as a content producer and distributor, like I said, India is moving very fast, shifting fast, the market is growing, and it’s quite an exciting time to see how things are evolving. And if you have a great product, there is no dearth of consumers that clearly this market is showing.”

    Wanvari then added, “These days, we don’t look at a customer, we look at the lifetime value of a customer, how is that? What kind of role is that playing in terms of customer acquisition?”

    Sancheti commented saying. “I think that’s a very relevant question. The good thing is that consumers today have choices, and the bad thing is consumers ‘have’ choices. So if you are not able to take her attention at the right time with the right content, you’re lost. And that’s where I think, affordability, access, and the size of the market is a given, which everybody talks about. But content personalisation is the real secret sauce, which very few people talk about, and are working towards. I think one very important thing is unlike a lot of other categories, where the consumer is very involved in the purchase, and likes to go through the process of making the decision, entertainment is always a lean-back experience. The consumer may like to play around a bit, but the consumer doesn’t want to do a bit of big research to find the right piece of content. That’s where if you have the right content dished out at the right time, to the right consumer, the consumption obviously goes up. What I always try to remind my team is that choice is not actually a boon, it’s not certainly a gift, it’s a tax to the consumer. So the more you are making the consumer choose, you’re making them want variety. So in that sense, your variety of platforms is required but don’t expect the consumer to put a lot of effort in discovery. It should be seamless, the right content should surface and clearly, the who’s who of the world, the best people globally have this as the secret sauce. I think this is what in the whole Jio ecosystem, we have been able to do well. We have been able to segment the users, understand their needs, know what kind of content they need, and give them at the right time and price. And I think one more thing, which, I was talking to a large global techfin a couple of days back over dinner. One of the common pain points that came to them was, that digital is the sexy thing, everybody talks about it. But it’s really painful as a user because I don’t know what piece of content will appeal me where. Even if I have something in mind, I don’t know what platform it is available. It’s a lot of research. That’s I think, when we were just discussing what we have done in India, they were really blown away apart from that. So to summarise, I think the whole personalisation aspect is the aspect that is changing and which will differentiate, which will make the winners from the losers.”

    After that, Wanvari asked, “How important is the lifetime value?”

    To which Sancheti answered, “Let me explain it in a two-part equation. One part of the equation is the value derived from the users. But our principle in the business, and what I’ve learned through my own experiences here is that you should focus on the other part, which is what value you give to the user. If your product is valuable enough, and value is not only in monetary terms, it’s value in terms of giving the right thing, without the consumer having to put effort, giving it at the right price, giving it to the right user. What it does is, it adds a lot of value to the user. So the way businesses should look at it is to go beyond the LTV. That’s the internal control metric they should use, but focus more on giving and acquiring the right kinds of customer metrics. A lot of times what I’ve seen, a lot of people do is the whole process is more on vanity metrics of acquisition, and just trying to get the consumer in, and not figuring out what his or her needs are. So focusing more on the extracting part from the consumer, and focusing less on the giving part. And over a longer term, usually, the giving part is what makes the consumer stick around and, generate value. So focus on adding consumer surplus as I began with.”

    Wanvari then asked Sancheti about the challenges they have faced so far, as they’re not just looking at one port of distribution but at multi-channel distribution.

    Replying to this, Sancheti said, “I think the challenge, as I said, is that there is a large set of users today who have access to multiple channels. So it’s because a lot of things are in motion, like I explained. So it’s not like there’s only one channel, there’s only one way in which the consumer was. So if I zoom or go past 10 years back, life was very simple, because most of the consumers are either or. It’s either this kind of consumer or that kind of consumer, and when the choices are limited, it’s easier to get and retain the attention of the consumer to make him or her happy. But when there are too many choices, it’s important to first get the attention of the user and then make him or her happy. So I think what we have been trying to do is, figuring out what consumers need and at the same time, enable multiple products across the value chain for each of them. That is something that is working well for us because we have realised that rather than trying to compartmentalise the user that ‘okay, she is X kind of person, and they would need only Y kind of thing’. We are trying to give them a combination and figure out how to just serve what they want. So their attention is our currency, which we deeply track across businesses.”

    Wanvari then asked the next question “The consumer is more used to using mobile internet rather than internet at home. Is that true? Also, the fact that connected TVs are growing. Then apart from that, there’s a lot of competition amongst cable and DTH right now. There’s also free-to-air television. So what does this all mean for you? What kind of challenges do these factors pose to you?”

    Sacheti answered, “As I said, the part where we focus most on is delivering value to the user. And value is definitely dependent a lot on figuring out what the consumer wants. So at the end of the day, what you want is, the basic currency is attention of the consumer. Is the consumer spending more time with you, more attention to you, or staying with you longer, that’s all. That is the basic currency, everything else is the resultant. Therefore that is the lead indicator that we work on and analytics plays a very big part in it. So what analytics does is, in all our businesses, it plays a very important role. It helps us identify the right content for the right consumer and hypothesis testing and combine it with our tech capabilities. A lot of personalization and the whole consumer cohort strategy and dynamic cohorts are being created all by AI now. There are no longer a product manager who is standing up and saying, ‘Hey, I have five ideas, let’s test it out’, it’s the machines who are driving it, and which is helping us understand the customer better and serve it better. So if I go back to the previous one when I was talking about a multi-channel distribution strategy, a consumer has many choices. Getting their attention today is not easy. We are adapting for the new world by deeper analytics and serving them better.”

    Sancheti added, “I’ll tell you the fundamentals of business, which I have learnt. I think only one part in which people realise how to increase demand. So demand is what consumers demand. There is one part that people are overly fixated on, which is that if you make something cheaper, it increases the demand. But one thing, which is very rarely appreciated, is if you make something easier, that also increases demand. It’s not only the price thing, it’s easier and what is easier, personalised content, personalised product, something which understands me, I’ll be happy to lap it up. So that second part of the equation is often underappreciated. I’ve seen that by multiple people. That is what we focus a lot on.”

    Wanvari then asked, “In terms of content, what trends have you found that have been particularly effective in the current landscape?”

    Sachetio replied, “I’ll start with a global trend, and that is not unique to India. But what I realised is that people call some extrapolate two points and try to call it a trend. A trend is an underlying phenomenon, everything else is a resultant. So if I look at, just the underlying phenomena, for example, one thing which is given is what social media has done over the past 20 years is people’s attention spans are becoming shorter. There’s a whole boom of content and choices available. Therefore the need for gripping storytelling, something that captures attention is there. Now everything is just vying for attention. So attention span is smaller and the important or a different storyline is important. If I just extrapolate that to India, how I see things happening, I think, 10 years, if you talk about a concept, which was in the US, but you talk about in India, i.e., one season 24 or 30 episodes, the story ends and something else begins, was unheard of, and unthinkable, and it’s working very well. Or, say I think there’s a big digital audience, let me do a movie premiere on OTT people would laugh, it was not even thinkable. So all those kinds of things are definitely bringing new types of products, varieties to bring people in. I also think that, all the new formats, that have come in, and some of them are global formats, and all the new content formats, in a gripping storytelling way, which just captures the attention and imagination is there. This generates a lot of consumer surplus, because the whole consumer, which was posed to only a limited genre of content today has at least 100x more choices, if you just explore by types of subcategories. So the whole choice has exploded, the format has become shorter, and the storytelling is better and more gripping. So these are the trends and these are going to continue for the next 10 years as well.”

    Adding on to what Sancheti’s response, Wanvari said, “The audience has started participating a lot more and they’ve almost become a part of the content themselves. A lot more, as compared to if I watch what you do on JioCinema during the cricket tournament during the cricket tournaments that are going on, if I’ve watched what’s going on on Shark Tank, if I watch that the audience can actually also invest in, in those in the startup or whatever offerings they have.”

    After which, Sancheti said, “If you look at the overall piece, today audience is much more connected much more wanting to identify themselves personally with the content. And they are also very conscious about what they are about. So therefore, again, a larger variety of audience and more important, therefore to serve the right content to the right person, otherwise you end up taking away the attention or at least upsetting the consumer.”

    Wanvari then asked, “How is the entire Reliance Jio Group making sure that it stays ahead of the trends and it also stays relevant?”

    Sancheti replied, “This is something like we always remind ourselves, every day in the morning when we walk in. It’s not about what we have accomplished, but what is yet to be done. It’s still day zero. There’s a good saying which which we have in our team, that the best teacher in the universe is consumer, because especially when we are product managers, business folks, we think that we know the consumer, but consumer is the one who teaches us. Usually, those teachings come very late because we don’t realise it. So one thing which we do very rigorously is take the feedback and listen to consumer very, very intently, and look for signals where we are wrong. It’s important to know that consumer is right, and you will be wrong in multiple places. That is what we always look as a signal. We humbly accept it wherever it’s not working and we change our strategy and go ahead with that learning. So learning is is an integral part, it has always been important, but never as much as now, given the pace at which the whole industry is shifting. If you don’t learn, if you rest on your laurels, this is such a fast changing world, it will soon become mainstream. So we just keep reminding this to ourselves, and keep on putting ourselves the promise that consumer is right, maybe we are not getting it right and look for signs where we can improve.”

    Wanvari further asked, “Do we see pay TV and cable TV as well as DTH having legs because of the disruption that you’ll have been putting forth in the industry as a whole.”

    Sancheti answered, “Typically what happens is, a lot of times, people are quite pessimistic about things, but don’t see the overall opportunity and the size. So like I said, let me again, zoom into 10 years later, how do I see the market and what is going to happen in the market. 10 years later, India would have 400 million households and India would reach a per capita income of average of $5,000. That kind of per capita income, there would be a 90% penetration of TV, that’s like globally proven macroeconomic fact, which means that about 360 million households should own a TV at that point of time. Now, where are these people today? Today, those homes in contrast, are close to 350 million and 200 million only on TV. This means the overall homes which can be serviced by entertainment is going to expand significantly. I think there will be a top tier which is significantly large, which will be like about 120-150 million range, which will be fully digital, because at the end of the day, the choice and the personalisation, which can be delivered on digital will be unmatched. However, I still believe that out of the bottom 250 million left after that, or 210 million to be precise, left after that, pay TV universe would still be 100 million. The only challenge that pay TV will have will be the users who don’t have any touchpoint with the consumer. I think cable has a fantastic opportunity because you have a guy who has known the consumer for not just years, but decades. And therefore the kind of personalisation, adaptation, listening to consumer that you can do, is like nothing else. So cable definitely has a very bright future. DTH will have to reinvent itself a bit. At the end, obviously, there’s a big bottom tier about 50 to 100 million at least which will be on free dish or pay TV kind of offering. The beauty about Indian market is, it’s so big that any fun business you pick up, it’s still 100 million kind of scale, which is what you don’t even get in large countries. So the relevance definitely I see. The need for reinvention is also there. What I keep on reminding, across businesses to all our teams that, our past laurels are past laurels, but the way in which industry is changing, we need to reinvent ourselves. But I’m sure Indian organisations, our competition, or lot of people, especially Indian businesses are very smart. They will move and adapt quite quickly and we see a big market in it.”

    Wanvari then asked a question on forecasting the future, “How do we see the world of media and entertainment being aligned? Do we see three or four large players who are integrated like they are in the US, but the US has a lot more players now, because the tech giants are really driving the agenda. So what do we see happening in the marketplace as far as media and entertainment is concerned? We see a similar kind of play happening are we see telcos or do we see a software giant tech solution providers like like in the US?”

    Sacheti replied, “Out of 400 million households, 360 owning TV, I see three large markets. One is the digital-first market, which will be connected largely by telcos, who are obviously putting in a lot of money in fixed investments as well. That revolution is about to happen because even at 120 million out of 400 million, we’re at barely at 30 per cent penetration. Today, any country, of $5,000 per capita income goes higher, so that is bound to happen. Telcos will lead the distribution and digital companies, both the OTTs as well as the Internet giants, would be the media engines to them. I think the media engines of pay TV and free TV will serve the other 200 that will be there. The opportunity is so big, I do see a lot of space for everybody. That’s the beauty about India. Even if you pick up a niche, it’s 10s of millions. So the addressable market is large. The market is up for grabs and I’m extremely bullish on the future.”

    Adding on to Sancheti, Wanveri added, “India is this kind of a market, which is leapfrog a lot of things now. It’s very fertile, it’s very virginal. It’s very fertile for companies like Amazon, Microsoft, and Google to come in and make up a strong play and with the larger market that we have to come in, try to read up on acquisition strategy going forward. Do you see that happening?”

    Sancheti said, “All the global Internet giants will definitely make a mark. They have already made a mark. So it’s nothing like that. But having said that, isn’t there enough and more for Indian companies? I think the opportunity is so big that no one player, no one set of industry can take it over. It’s so big that everybody has a huge opportunity. Everybody has an opportunity to grow multi-fold from where we are.”

    Wanvari then asked, “Do you have anything to tell the cable TV or the pay TV fraternity as well as operators? Should they focus on broadband? Should they deliver video?”

    Sancheti answered, “What has been happening is, there has been a lot of pessimism and that happens in any inflection point. Anytime when things are not going as well as things are getting shaken up. A lot of self-confidence loss happens, whether it be cable fraternity or the pay TV. I think this is short-lived. This is an inflection point, this is where we can really build on our strengths. So the only thing which I’m working towards myself and my advice would be to reinvent ourselves be closer to the consumer, because there is a very big opportunity.”

    Wanvari commented saying, “But do we see the pipe or do we see wireless?”

    Sancheti said, “Everything will coexist. Look at the kind of consumption levels in India, you still are talking about a very little penetration even in wireless, the penetration levels are not the level that similar countries per capita will have when when we reach $5,000. So even wireless consumption, wired and I’ll even say the one-way medium also has a lot of flex because India has all the tiers available. When you think of yourself as a consumer, you also try to think that you are the only archetype. We are only one small portion of the archetype, there are many multiple archetypes. I have traveled to households in 75 villages and their outlook on how they consume media. That is what has opened my eyes. I found all sorts of contrast, people who move from one medium to the other. So yeah, it’s quite exciting.”

    Wanvari then wrapped up the conversation with his final question, “I think hyper localisation of content is what’s going to keep cable TV very relevant going forward apart from the bundle offerings and also even OTT is relevant at the same time. Whoever delivers more hyper localisation will also benefit apart from offering a wide diverse content offering.”

    Sancheti answered, “I couldn’t agree with you more. At the end of the day, the trend is that human beings are social animals and anything you get to them, which can correlate with their communities is going to help you. Communities are smaller, communities communities are local, they will be able to relate more they will be able to know more. I think what has not been cracked so far is a kind of economic model in which low-cost production can happen and be also telecasted or broadcasted locally, and regionally. But local and regional events is one of the key things which which will happen because that is where technology is going. It’s again a trend that is going to happen. So that suddenly will change the fortunes of cable.

  • Beyond Key’s CEO, Piyush Goel honored in 2024 Chicago Titan 100 for exceptional leadership

    Beyond Key’s CEO, Piyush Goel honored in 2024 Chicago Titan 100 for exceptional leadership

    Mumbai: Beyond Key, a leading global technology solutions provider announced the recognition of its founder and CEO, Piyush Goel, as a dignified member of the “2024 Chicago Titan 100” by the Titan CEO. This prestigious accolade honors the top 100 CEOs and C-level executives in Chicago, representing companies with a collective employment of over 325,000 individuals and an annual revenue surpassing $42 billion.

    The Titan 100 program, is an internationally recognized initiative, that celebrates exemplary leaders from the industry. These Titans of Industry are chosen for their exceptional leadership, vision, passion, and influence within their respective fields. Launched by the think tank president and Titan CEO Jaime Zawmon, the program aims to acknowledge visionary leaders who inspire the business community.

    Piyush Goel’s induction into the 2024 Chicago Titan 100 celebrated his exceptional leadership and highlighted his significant contributions to Beyond Key’s unparalleled growth and success. With a global impact on the IT industry, his leadership propelled the company and its workforce toward sustained success which showcased his ability to inspire and drive efficient development in a rapidly evolving landscape. Goel’s recognition underscores his instrumental role in shaping the trajectory of Beyond Key and solidifying its position as a leader in the technology sector.

    Under Piyush Goel’s leadership, Beyond Key has achieved remarkable growth and garnered numerous accolades, showcasing the company’s unwavering commitment to excellence, professional development with strategic expansions, and the integration of cutting-edge services like Modern BI, Snowflake, and Microsoft 365. Embracing a remote work culture, Beyond Key expanded its team to 325 domain experts. Over the past three years, Beyond Key has garnered multiple accolades, including the title of Software Company of the Year by Stevie International Business and IT Service Provider of the Year by Titan in Business Awards. Moreover, the attainment of ISO certification (ISO 27001:2013) underscored the company’s dedication to compliance and governance.

    Profiles of the 2024 honorees were exclusively showcased online and featured in a limited-edition Titan 100 book, highlighting their achievements and impact on the business landscape.

    In response to his induction, Beyond Key CEO and founder Piyush Goel expressed, “I am deeply honored to be inducted into the 2024 Chicago Titan 100. This accomplishment reflects the commitment and diligence of the entire Beyond Key team. We aim to sustain our position at the forefront of the IT industry as well as positively impact the entire business community. This recognition further motivates me and the entire team to continue the pursuit of professional excellence and success. We are excited to be a part of such recognition, Beyond Key extends its heartfelt gratitude to all its clients worldwide. “

    The highly anticipated annual Titan 100 awards ceremony took place at the Aon Grand Ballroom in Chicago’s Navy Pier, where distinguished executives from across the region gathered to celebrate their contributions to the dynamic business landscape.