Category: Technology

  • HP teams up with Universal Music & Hungama.com to launch music service

    HP teams up with Universal Music & Hungama.com to launch music service

    MUMBAI: HP has joined forces with entertainment giants Universal Music and Hungama.com to launch subscription-based music service in India called HP Connected Music.

    The service provides unlimited rental downloadable music free of charge for one year. This brand new service is available on selected HP notebooks with the imbedded Windows 8 launcher.

    With the new range of HP consumer notebooks featuring Windows 8, consumers can now enjoy music on the move – with acess to their favourite music anywhere, anytime. HP Connected Music is available in India on selected consumer notebooks.

    HP Connected Music has been introduced in India to provide HP customers exclusive content and access to Hungama.com’s and Universal Music‘s diverse catalogue which includes over 1 million songs from more than 20,000 artists from different genres inlcuding Bollywood, Devotional, Rock, Classic, Hip Hop, Jazz, Regional, R&B, Country and others.

    Consumers will have access to unique content such as previews, behind the scenes, VIP events and many more, to connect with their favourite artists, including the likes of A. R. Rehman, Sonu Nigam, Priyanka Chopra, Anoushka Shankar, Euphoria and international artists like Justin Bieber, Lady GaGa, Aerosmith, Akon among others.

    Speaking about the service, HP PPS India Head, Marketing Ranjivjit Singh said, “Our consumers have told us they want a seamless music experience, while using their device and this is exactly what HP Connected Music provides. Through its subscription service, it allows people the chance to explore a whole new world of music and exclusive content, while using their HP device.”

  • Cameron Pace Group rolls out new 3D technology

    Cameron Pace Group rolls out new 3D technology

    MUMBAI: The Cameron Pace Group debuted new 5D technology at the 2013 Winter X Games that made an irreversible dent in the barriers that have traditionally limited 3D growth.

    In the spirit of the Games, well known for their tradition of breaking records and defying limits, CAMERON | PACE Group (CPG) rolled out new technology that effectively integrates 2D and 3D content production using cost-competitive, scalable methods to improve image quality and overall viewer experience.

    Specifically, this technology addresses the broadcast industry‘s central challenge – to produce multi-format live footage without multiplying production costs. CPG co-chairman, CEO Vince Pace said, “Our engineering efforts always focus on ways to enable broadcasters to do more with less. The X Games were a milestone in demonstrating that 3D innovation can also directly augment 2D production.”

    The debut of CPG‘s new broadcast solutions built on the company‘s efforts in producing the technology and methodologies necessary to make integrated 2D and 3D (known as 5D) productions attractive and scalable options for mainstream broadcasts. To accomplish this, CPG developed products that embed 3D functionality into existing 2D production models without sacrificing flexibility or mobility.

    “Our goal at CPG is to enable broadcasters to generate top quality footage under any circumstances, adapting to any approach they select. For this year‘s X Games, we were able to do just that” explains Pace.

    The Technology: To service the X Games, CPG deployed two Shadow mobile units, each equipped with newly engineered MaxRemote automated camera rigs. MaxRemote™ technology is at the core of CPG‘s new suite of production tools and puts total control of all camera rigs in the hands of the mobile unit production team. This technology also facilitates critical functions including matching back focus and vertical lens tracking, features that are being looked at for use in standard 2D production. MaxRemote reduces the amount of personnel needed to staff cameras in the field and facilitates centralized command of 3D image acquisition and quality control

    This technology was critical for coverage of the X Games, a complex live production with camera placements in hard-to-access locations. CPG CTO Patrick Campbell said, “The key to MaxRemote™ is you can place the camera anywhere and never have to physically visit during the production. At the X Games, the cameras were essentially only visited when they were bagged for the night and unbagged in the morning.”

    CPG‘s MaxRemote technology complemented its three additional innovations in 3D image capture and playback. One of these innovations, CPG‘s Dual Convergence Controller system, facilitated more precise alignment of camera rigs, an essential capability for optimizing 3D images, while halving dependency on gear. CPG also upgraded its handheld rigs to newer, more compact and lightweight beam splitter models which use larger imagers than previous designs to provide higher quality 3D images and lens performance.

    Finally, CPG debuted a custom-built, 3D high-speed camera integrated with its latest slow motion replay technology. This system captured shots at 420 fps and produced such high quality replay footage that the X Games judges used it for scoring purposes.

  • BBC launches a second-screen app for ‘Top Gear’

    BBC launches a second-screen app for ‘Top Gear’

    MUMBAI; When the new series of ‘Top Gear UK‘ returns to TV screens on BBC channels across the world next month – just days after UK transmission – a new second-screen app from BBC Worldwide will accompany the international broadcasts for the first time in the show‘s history.

    Top Gear Bingo! was developed using UK-based Monterosa‘s LViS platform, and encourages viewers to look out for well known phrases, cars and items synonymous with the hit motoring entertainment programme, ticking them off on their screens in a similar style to a traditional bingo game. The free-to-play web app is accessed by logging into the local BBC channel‘s site where viewers can invite friends to join them through Facebook, comparing scores while playing along with the live broadcast. A new game is available with every episode.

    BBC Worldwide commercial director of ‘Top Gear‘ Duncan Gray said, “We wanted to create a free Top Gear game that enhances our international viewers‘ enjoyment of the show‘s premiere broadcast. Top Gear Bingo! does just that, allowing fans to look out for words, phrases and items that appear, competing with their friends to see who can get the highest score each week via a leaderboard if you log in with Facebook. And we hope that the unique way we‘ve been able to integrate advertisers into the proposition will be well received.”

    Monterosa commercial director Tom McDonnell said, “LViS is our versatile platform that allows us to quickly and economically develop fantastic second-screen apps that can live anywhere and scale globally. Working with BBC Worldwide, we‘re giving fans a way to enhance their viewing experience and broadcasters a new way to activate sponsorships and to create additional advertising opportunities through the second-screen. It‘s an exciting time for second-screen and we‘re proud that LViS is becoming the best way to make and deploy global apps for mainstream TV shows.”

  • Amazon’s Prime Instant Video greenlights children’s pilots for production

    Amazon’s Prime Instant Video greenlights children’s pilots for production

    MUMBAI: Amazon Studios, the movie and series production arm of online retail major Amazon.com, has announced that five children‘s test pilots have been greenlit for production. This announcement comes on the heels of the first pilot production commitment in December, which greenlit six comedy pilots, bringing the total number of Amazon Studios pilots currently in production to 11.

    Once completed, all 11 pilots will be posted on Amazon Instant Video, Prime Instant Video, Lovefilm UK and Lovefilm Germany for Amazon customers to watch for free. Viewer feedback will help determine which series Amazon Studios should produce.

    Amazon Studios director Roy Price said, “Production is already under way for the first set of comedy pilots we announced last month, and now we are excited to add even more pilots to the list-five amazing preschool children‘s series. Our children‘s series come from industry luminaries with credits such as ‘Blue‘s Clues‘, ‘Sid the Science Kid‘ and ‘Dino Dan‘. We think parents-and our very youngest customers-are going to love the magical combination of entertainment and learning that they‘ll discover in these children‘s series.”

    Angela C Santomero (Blue‘s Clues), creator and executive producer of the debut series, which is one of five children‘s series to receive a pilot order said, “We are thrilled to be working with Amazon Studios on our pilot and can‘t wait to soar into a creative arts curriculum with Creative Galaxy. We know that art can have a powerfully positive effect on children, and through our proven signature approach to preschool television, we will actively help young viewers learn how to think creatively in their own lives. Working with Amazon Studios has been fantastic, and we look forward to jumping into the production process.”

    Children‘s pilots include ‘Creative Galaxy‘ which is an animated interactive art adventure series, designed to inspire kids‘ creative thinking through crafts, story, music and dance.

    Meanwhile ‘Oz Adventures‘ is a problem solving series, Dot, Dorothy‘s daughter, goes off to Oz everyday with the children of the beloved characters from L. Frank Baum‘s classic book, The Wizard of Oz. In each episode, the yellow brick road leads Dot to a new magical location where she solves problems alongside her Oz friends.

  • Comedy Central US unveils division to create content for digital medium

    Comedy Central US unveils division to create content for digital medium

    MUMBAI: US broadcaster Comedy Central has created CC Studios, a new, in-house creative initiative that will develop content, concepts and talent for digital platforms.

    The announcement was made by Comedy Central president, content development, original programming Kent Alterman and Viacom Entertainment Group executive VP, digital media Erik Flannigan. Allison Kingsley has been named Comedy Central VP of digital development, and will oversee CC Studios and the development of original digital content for the #1 brand in comedy.

    CC Studios will serve as a destination where comedy and technology collide across multiple platforms to produce original shareable content for millennials. The goal is to provide a creative playground for the comedy community where comedians, directors, writers and animators can develop and cultivate their passion projects and further engage their peers and fans. CC Studios will offer a home for established talent, as well as strive to nurture new voices, concepts and future franchises, all with social strategies integrated into every stage of development. Kingsley and her CC Studios team are additionally responsible for developing and initiating branded entertainment projects in collaboration with Comedy Central‘s integrated marketing and sales teams.

    Alterman said, “Allison uses techy words I don‘t understand, so I know she‘s the right person for the job”. Plus, as an added bonus, she has a great comedy sensibility.”
    Flannigan said, “Allison not only gets the Comedy Central filter, but she is helping to expand it by developing content beyond video as well. CC Studios talent will be playing with everything from animated GIFs to voice mail to comic strips.”

    Kingsley said, “CC Studios is an outlet for veteran and upcoming comedians to develop and incubate their ideas for whichever platform best serves the content. We‘re excited to launch a supportive environment where the talent community can be inspired by social media and technology to create the work they love.”

    Projects currently available for viewing and in development include:

    “Couched” Host Ben Hoffman spends a weekend crashing in a house full of college dudes. Ben‘s mission: get to know the typical Comedy Central fan as he prepares for production of his own show — “The Ben Show” (debuting February 28 on Comedy Central).
    “Bro-Dependent”Michael Croner and Greg Worswick of the Groundlings comedy troupe play Zack and Anderson — best friends who are equal parts douchebag, idiot and hopeless bromantic.

    The Lucas Brothers – Co-hosts Keith and Kenny bring their laid back twist to a morning show.
    Featuring sketches, interviews and guests like NBA stars Reggie Evans, Andray Blatche and Iman Shumpert, the show will tackle the guys‘ favorite subjects – sports, music and video games.

    ‘Behind Amy Schumer’ This web series that gives “behind the scenes” insight into the life of burgeoning superstar Amy Schumer as she creates and stars in her first TV series ‘Inside Amy Schumer’ premieres on Comedy Central in April.

  • BBC Knowledge launches in Cyprus on Cablenet

    BBC Knowledge launches in Cyprus on Cablenet

    MUMBAI: BBC Worldwide Channels has signed a brand new distribution deal with Cablenet that will see the launch of BBC
    Knowledge in Cyprus for the first time from today.

    This deal follows in the footsteps of BBC Knowledge launching for the first time in Romania and Hungary in January and is the third milestone in an ambitious roll-out plan for the channel across the CEE region in 2013.

    The deal with Cablenet arrives shortly after BBC Knowledge launched for the very first time on RCS & RDS in Romania, DIGI in Hungary on 1 January and Romania’s Romtelecom on 3 January.

    BBC Knowledge will be available in the Basic package on Digital cable, reaching over 6,500 subscribers in Cyprus. BBC Entertainment and BBC World News continue to be available in the Basic package on analogue and digital cable reaching over 35,000 subscribers.

    BBC Entertainment is already shown on Cablenet in English, and BBC Knowledge will follow its lead.

    BBC Worldwide Channels SVP and GM EMEA Ian McDonough commented, “We are delighted to announce that BBC Knowledge will air in Cyprus from 1st February 2013. As we’ve already seen with recent deals in Romania and Hungary, there’s a huge appetite in the Central and Eastern European market for the kind of quality content the BBC has to offer. We are looking forward to bringing our award-winning, factual programming to viewers in Cyprus, and to this latest exciting chapter in the story of BBC channels in the CEE region.”

    Cablenet MD Nicolas Shiacolas commented, “It is our constant goal to enrich our TV bouquets with quality channels, ensuring we continually offer our customers better value. The BBC has always stood for and offered the very best in TV entertainment, so we are truly pleased that BBC Knowledge has become available for Cyprus and we can add it to our digital service.”

    BBC Knowledge showcases British factual and natural history programming. Programmes include the epic series Wonders of the Universe in which Professor Brian Cox explores the link between humanity and the origins of the universe, Richard Hammond’s Crash Course which follows the Top Gear presenter take on America’s biggest working vehicles and the major global viewing astronomical event Stargazing, an original co-commission exclusive to BBC Knowledge.

  • Ping Digital launches online music channel with

    Ping Digital launches online music channel with

    MUMBAI: Ping Digital, India’s first internet HD start up network for digital audiences, has launched a digital music channel – India Music Network (IMN Tv).

    India Music Network‘s launch is in affiliation with OKListen!- India’s first pro-musician, digital platform where consumers can purchase music legally and support the musicians they love.

    The joint venture is aimed at encouraging the new generation of musicians and artistes on its dedicated YouTube platform
    showcasing original music/melodies/compositions created especially for the IMN TV audience.

    IMN TV is Ping Digital’s second genre launched after the India Food Network.

    IMN TV and OKListen! together aim to build artiste portfolios and help them not only be seen and experienced, but also enable them to earn revenue on their talent. They strongly believe that artistes need powerful new platforms, which will in turn facilitate the growth of their talent in a manner that sustainable.

    Ping Digital co-Founder Prashanto Das said, “IMN TV is a channel for music aficionados in the fast growing digital format. A channel that aims to introduce the very best in music talent by showcasing original compositions and unreleased music, with artists earning from the revenue their music can generate. We are particularly excited about our partnership with digital music label OKListen! who share a philosophy similar to ours. Together we aim to create a much needed platform for India‘s new generation of talented musicians and indie artistes.”

    IMN‘s repertoire spans the broad range of music from semi-classical thumris to ballads. IMN scouts for promising talent and creates a top notch viewing and listening experience for music lovers and musicians across the globe. IMN videos are shot in high definition video and studio quality audio, allowing fine music across devices, including of course big screen television.

    OKListen! Founder Vijay Basrur said, “This is an exciting collaboration for us and in association with IMN TV we will encourage musicians in showcasing their talent as well as earning revenue from it. With the digital trend evolving at such a dramatic pace we want to ensure we build a tight chord with our audience through music. Our motive, other than helping music artistes gain revenue and share their talent, is also to enable music enthusiasts to discover & buy music along with supporting the musicians they love.”

  • Zoom TV launches responsive website Zoomtv.in

    Zoom TV launches responsive website Zoomtv.in

    MUMBAI: Bollywood channel Zoom has ramped up its internet presence with a new responsive website Zoomtv.in.


    Developed by Times Internet, the new website brings together the best of Bollywood entertainment content and technology to deliver it seamlessly across all devices and platform.


    A responsive website automatically adapts and resizes itself according to the resolution of a device. Hence a single site is displayed in different visual formats with flexible images and fluid grids. In today’s world of multi-screen experiences, like phones, tablets, and computers, responsive sites automatically adjust to give the best experience for each one.


    The content on the website has also undergone a strong refresh. Besides regular channel programming, the site will feature exclusive videos and unused footages from the channel to offer depth to its video content. Insider gossips, photos, blogs and articles by Zoom Star anchors and reporters will also form core content on the site. Movie trailers, promos, stills and first reports will offer variety to Bollywood fans.


    Zoom has put a major focus on reinvigorating its digital products to provide its users with readily accessible content which is relevant, fresh, multiple-format and available on all platforms.


    Times Internet CEO Satyan Gajwani said, “Times Internet prides itself in developing cutting edge digital platforms. This is our first responsive design product for the market, complemented with a very strong technology platform. As consumption becomes multi-screen, ZoOmTV.in is well positioned to serve content across devices.”


    Zoom TV CEO Avinash Kaul said, “We have been, and continue to be, very serious about the digital presence of zoOm and that’s what‘s made zoOm. The Worlds No. 1 Bollywood Destination”. We are revolutionising the way we cover and distribute Bollywood content across platforms in relevant ways that inform and entertain our users at all times.”

  • Siti consolidated Q3 loss widens 47% Q-on-Q to Rs 185.7 million

    Siti consolidated Q3 loss widens 47% Q-on-Q to Rs 185.7 million

    MUMBAI: Zee Group-promoted multi-system operator (MSO) Siti Cable continues to be in the red with the fiscal third quarter consolidated net loss widening 47 per cent to Rs 185.7 million from Rs 126.5 million a quarter earlier on rise in expenses due to digitisation.

    Siti Cable’s consolidated operating profit for the quarter, however, increased 7 per cent to Rs 202.5 million from Rs. 189.3 million a quarter earlier.

    The consolidated operating revenues for the third quarter rose 33 per cent to Rs 1.24 billion from Rs 935.3 million a quarter earlier.

    Operating revenue is primarily generated from subscriber related income, income from bandwidth charges, income from advertisements and set-top-box (STB) activation.

    Total consolidated operating expenses for the quarter stood at Rs 1.04 billion, a 23 per cent increase from Rs 850.6 million a quarter earlier.

    The company’s main operating expenses include cost of goods and services, employee costs and selling & distribution expenses.

    Major cost item was cost of goods & services recorded as Rs 768 million during the third quarter, representing 62 per cent of the total revenue. It increased 24 per cent from Rs 621.5 million a quarter earlier, when it was 60 per cent of the total revenue then.

    Siti Cable COO Anil Malhotra commented, “Siti gained further momentum in the third quarter of fiscal 2013. We were able to maintain our margins through operational efficiency improvements despite increased operating expenses.”

    Malhotra said that the company had seeded 1.5 million set top boxes (STBs) during Phase-1 of digitisation in Delhi, Mumbai and Kolkata and had added approximately 700,000 STBs during the third quarter.

    The STB seeding done by the company is under the paid scheme and the payments were realised on upfront basis, Malhotra said.

    “We are now in exciting phase of our journey as we strengthen our existing operations and expand our digital subscriber base in phase-2 cities as well. We believe that experiences gathered from Phase 1 will form the basis for phase-2 switch-over to digital, helping to speed up the exercise eventually,” he said.

  • Ortel files for Rs 1 bn IPO amid digitisation

    Ortel files for Rs 1 bn IPO amid digitisation

    MUMBAI: After tossing between a public float and a rights issue for nearly two years, Ortel Communications Ltd, Odisha‘s leading multi-system operator (MSO), is gearing up tap the market. And unlike last time, private equity fund New Silk Route will not totally exit the company.

    Ortel has filed a draft prospectus for an initial public offer (IPO) to raise Rs 1 billion to fund development and expansion of cable television, broadband and internet telephony services.

    The public offer also includes an offer for sale by NSR – PE Mauritius LLC to sell, a private equity fund, to sell half of its holding in the MSO. NSR holds 35.15 per cent stake (or 8.18 million shares) in Ortel and is offering for sale 4.09 million shares. As per the agreement with NSR, Ortel was to get listed on the exchanges by March 2012 but could not do so.

    The MSO and the private equity fund are considering a private placement of up to 3.5 million equity shares for about Rs 215 per share to raise Rs 750 million prior to the filing of the Red Herring prospectus. This pre-IPO private placement would set the benchmark for fixing the price band for the Ortel public issue to be conducted on a book building basis.
    If the private placement goes through, the MSO will reduce the offering – both fresh shares and offer for sale — in the IPO proportionately, while at the same time ensuring that the post-IPO equity share capital is held by the public (non-promoter).

    A preferential issue of 0.9 million shares was made to promoters last in April 2010 at Rs 79 per share and 16,650 shares to NSR at Rs 105 per share in August 2012.

    As of 30 September 2012, Ortel had outstanding debt of Rs 1.51 billion with respect to the secured facilities availed by it from certain banks and financial institutions.

    As of September 30, 2012, 87.81 per cent of Ortel’s customers are based in Odisha, and its revenues are primarily derived from the sale of cable television and broadband services in Odisha. It has expanded to the states of Andhra Pradesh, West Bengal and Chhattisgarh over the last five years.

    “We plan to scale up and expand our business operations in these states. We also plan to expand our business beyond our current areas of operations. Our growth strategy may involve identification of potential high-growth areas, future strategic acquisitions and partnerships,” Ortel said.

    Ortel’s business model entails control over the ‘last mile’ which requires significant capital investment. The MSO said in fiscal years 2009-10, 2010-11, 2011-12 its loss after taxation was Rs 37.38 million, Rs 172.96 million and Rs 181.36 million, respectively. Its loss after taxation for the six months ended 30 September 2012 was Rs 128.77 million, which is 71 per cent of the loss in the whole of 2011-12. The company had a net negative cash flow of Rs 218.12 million in 2011-12.

    The company also operates a teleport at Bhubaneswar. It uplinks certain channels of Odisha Television Limited, one of the group companies of Ortel, from the teleport. Both Teleport and digital satellite news gathering (DSNG) services are ancillary to Ortel’s core business and accounted for 2.41 per cent of its total income, for the six month period ended 30 September 2012.

    Ortel’s revenue generating units (cable TV, broadband and internet telephony subscribers) have grown to 480,328 in September 2012 from 319,749 in April 2010.

    The MSOs total income has grown to Rs 1,211.07 million in 2011-12 from Rs 785.31 million in 2009-10 at a CAGR of 24.18 per cent, while its profit before depreciation, interest and tax has increased to Rs 374.75 million in 2011-12 from Rs 214.66 million in 2009-10, a CAGR of 32.13 per cent.

    Ortel said, “The focus of our growth strategy has been to acquire cable television subscribers of MSOs and LCOs. Since
    April 1, 2010 to September 30, 2012, we have acquired 161,285 cable television subscribers through acquisition of 259 MSOs/ LCOs.”

    Ortel also plans to further enhance its digital cable services by offering more value-added services such as pay-per view, digital recording devices, mosaic viewing, and interactive educational offerings.

    Also read:
    IPO gone sour, Ortel eyes rights issue & PE funding