Category: Technology

  • IBF petition to prevent any delay of digitisation expected to be heard on Thursday

    IBF petition to prevent any delay of digitisation expected to be heard on Thursday

    New Delhi: The Supreme Court is expected to hear on 25 April a petition by the Indian Broadcasting Foundation seeking to ensure that digitisation is implemented as scheduled and without hindrance.

    The case had been listed for today, but could not be heard because of pending business. The Court is closed tomorrow because of Mahavir Jayanti.

    When the special leave petition had been mentioned before the Court on 16 April, it had declined the prayer for a stay on any of the proceedings in the various High Courts, as it was informed that the Karnataka High Court judgment on the subject was due. The bench presided over by Chief Justice Altamas Kabir therefore felt it would await the judgment of the High Court before taking up the matter.

    The Karnataka and Gujarat High Courts have since dismissed as having no merit to the petitions seeking extension of the switch-off dates for Phase II of digitisation in Bengaluru, Mysore, Ahmadabad, Rajkot, Surat and Vadodara.

    Petitions challenging digitisation are currently pending in the Madras, Andhra Pradesh and Madhya Pradesh High Courts. These will affect the cities of Chennai, Hyderabad, Visakhapatnam Bhopal, Indore, and Jabalpur.

  • Vishal Gondal quits Disney UTV Digital; Sameer Ganapathy to replace

    Vishal Gondal quits Disney UTV Digital; Sameer Ganapathy to replace

    MUMBAI: UTV Disney managing director – digital Vishal Gondal has decided it is time he should be gone from India‘s premier gaming company. Gondal took over as digital MD of the company in August 2012, almost a year after Indiagames.com a company he founded was acquired by Disney in 2011, following the buyout of media company UTV by Disney. He is serving his notice period and his last working day will be 30 June.

    The Digital team of Disney UTV combines all mobile, video, audio, broadband, ITV, games and virtual world‘s initiatives. All digital content across all brands namely Disney, Marvel, UTV, Indiagames, bindass including original content for web, mobile and games will be developed and managed by this team.

    The gaming pioneer set up Indiagames when he was just 13 in 1999 and ran it for years before a majority stake in it was acquired by Chinese gaming company Tom Online. Tom Online later sold its holdings in Indiagames to UTV. Gondal was appointed as MD of Disney UTV Digital in August 2012 after The Walt Disney Company India restructured its digital assets under a new division, Disney UTV Digital. He took over the role to drive better growth in games, video and audio services for mobile, online and interactive TV.

    Gondal is believed to be quitting the company to concentrate on his investments in startups and also to pursue entrepreneurship. He has been part of the Nokia Advisory Council for Games and actively advices Nokia on wireless and gaming technologies.

    Disney UTV executive director movie channels and channel distribution Sameer Ganapathy will now take on the business function for the digital arm of Disney UTV.

    Disney UTV MD Ronnie Screwvala said, “Vishal has been a great founder and CEO for Indiagames. As we consolidate the digital, mobile and web play for Disney UTV in India, we plan to build on our creative prowess and transform the digital business to be a direct to consumer, yet working closely with all our partners, telecom operators, OEM‘s and others. This is similar to our approach in our other verticals of movies, broadcasting and consumer products. Sameer Ganapathy brings an astute business sense and high resourcefulness to this position, which is key to meet the ever growing trajectory of the digital business in India.”

    “Indiagames had small beginnings but a big dream. I cannot help but look back with a tremendous sense of fulfillment and pride, upon the long, eventful and exciting journey. I am really proud of what the team has accomplished. Excellent support from our early investors Infinity, IL&FS, TOM Online, Adobe, Cisco and UTV and the subsequent acquisition by Walt Disney provided us the opportunity to work towards our vision of making gaming big in India. Over the last 18 months, we have spent time integrating the teams and set a platform for continued growth. Consequently, I‘ve decided to move on to pursue my dreams and passion of being an entrepreneur,” said Gondal.

  • India, China prime drivers of pay-TV revenue growth in Asia, says MPA

    India, China prime drivers of pay-TV revenue growth in Asia, says MPA

    MUMBAI: Asian tigers China and India together are expected to contribute almost 69 per cent of pay-TV revenues in the Asia Pacific from 2012 to 2020, according to findings of a new report by Singapore-based pay-TV research firm Media Partners Asia (MPA).

    MPA analysis shows that China and India will contribute 46 per cent and 23 per cent respectively to pay-TV industry revenue growth between 2012-20. Excluding China, India‘s contribution grows to 42 per cent, followed by Korea and Japan at 12 per cent and 13 per cent respectively, and Australia at 7 per cent.

    According to MPA, India‘s contribution reflects large volumes, a significant growth in accessible digital subscription revenues (distributed evenly across the value chain) and a large local advertising pie.

    In Southeast Asia, Malaysia leads with a 5.5 per cent contribution to revenue growth, driven by the growth of ARPUs and ad sales. Advertising revenues will also experience significant growth from a low base in key Southeast Asia markets such as Indonesia, Philippines, Thailand, and Vietnam.

    MPA forecasts indicate that Asia Pacific pay-TV industry revenues will grow at a 7.6 per cent CAGR between 2012 and 2020, doubling from $48 billion to $86 billion.

    Within this segment, subscription fees will grow at a 7.4 per cent CAGR, rising from $37 billion to $65 billion over the same period while net advertising revenues, calculated after estimated discounts, will grow at 8.1 per cent CAGR, reaching $21 billion in 2020 versus $11 billion in 2012, the report says.

    The digital pay-TV homes in Asia are projected to reach 696 million by 2020 from 444 million in 2012 driven by strong subscriber growth in India and China. Asia Pacific is expected to have 631 million digital pay-TV homes by 2017.

    The report adds that China and India will contribute 66 per cent and 21 per cent respectively to Asia Pacific pay-TV subscriber growth between 2012 and 2020.

    According to MPA, the Asia Pacific pay-TV subscriber growth is expected to witness robust growth with 13-14 million new subscribers added every year between 2013 and 2016, moderating thereafter though still adding close to 7 million subscribers per year by 2020.

    In Asia excluding China, India accounts for a massive 63 per cent of new subscriber growth between 2012 and 2020, underlining its huge importance to the pay-TV ecosystem, while Southeast Asia will contribute 16 per cent led by Indonesia at 7 per cent.

    Adjusting for multiple connections or homes, pay-TV penetration in Asia excluding China will grow from 53 per cent in 2012 to 61 per cent by 2020.

    Net new subscriber additions totaled 31 million in 2012, with year-on-year customer growth at 8 per cent. Excluding China, new pay-TV subscribers came in at a somewhat milder 13.4 million in 2012, taking the overall Asia ex-China subscriber base to 211 million.

    The growth in Southeast Asia was strong with 3.5 million new subscribers. India experienced a slowdown but managed to add close to 6 million new subscribers.

    Driven by digital TV (DTV) transition in China, India, Korea and Taiwan and the steady growth of DTV pay subs in Southeast Asia, MPA sees total digital subscribers growing from 257 million in 2012 to 539 million in 2017, and 626 million by 2020. Digital penetration of total pay-TV subs will grow from 58 per cent in 2012 to 90 per cent by 2020.

    After adjusting for multiple connections in a household, the MPA forecasts indicate that pay-TV penetration will climb from 51% in 2012 to 68% by 2020.

    The HD pay-TV subscriber universe is expected to rise exponentially to 160 million by 2020 from 37 million subscribers in 2012, while DVR subscribers will grow to 18 million from 6 million over the same period.

    China will be the major contributor to HD growth, followed by India, Japan, Korea, Australia, Taiwan and Malaysia, the report explains.

    The projections are published in a new report called Asia Pacific Pay-TV & Broadband Markets, an analysis of consumption, investment and revenue generation across pay-TV, broadband, digital TV and interactive value added services in 18 Asia Pacific markets.

    Commenting on the findings, MPA director Vivek Couto said, “A steady growth in population and a young demographic, combined with a rising middle class and the spread of wealth amongst local groups, is driving strategic decisions and execution in the pay-TV industry. These factors, in turn, will help boost household formation and consumer spends. This will also help grow pay-TV consumption and investment.”

    According to Couto, subscriber growth and revenue generation will be driven by: (1) Continued investment in local content, and the growth of localization among global and regional brands; (2) Digitalization in emerging markets; and (3) The growth of HD, premium and on-demand services in more mature markets.

    Significantly, the MPA report also notes: The growth of mobility and broadband penetration (with fiber expected to play a larger role in the future) is also influencing pay-TV strategy, execution and consumption.

    Fragmentation of eyeballs is growing with the proliferation of multiple devices. This is also driving consumption of illegal online video in many territories. The response of pay-TV companies has been defensive and aggressive in equal measure, the report notes.

    In 2012, TV Everywhere (TVE) type solutions with improved windows have been deployed across most of the region largely authenticated to customers with a pay-TV connection.

    Arguably, the most aggressive responses have come from content powerhouses that own most of their IP with clear packaging and a commitment to product innovation, the report concludes.

  • Digitisation penetration reaches 90 per cent, says Varma

    Digitisation penetration reaches 90 per cent, says Varma

    NEW DELHI: Three weeks after the switch-off of analogue signals in a majority of the 38 cities covered under Phase II, the level of digitisation has touched ninety per cent, according to information& broadcasting ministry secretary Uday Kumar Varma.

    The I&B ministry secretary told Indiantelevision.com that a total of fifteen cities have crossed 100 per cent digitisation, while one more city has crossed 98 per cent digitisation mark. Another three cities have crossed a level of 90 per cent, he added.

    He also asserted that there is no shortage of set top boxes (STBs) in the Phase II cities.

    The government, he said, was still in the process of collating all the figures from the nodal officers and would bring a detailed report after its review.

    He also clarified that while announcing the switch-off of analogue on 31 March, the government had said that it would watch the situation for around two weeks and was now reviewing the reports coming in on the achievement so far.

    The ministry had announced earlier this month that analogue signals has been completely switched-off in the five states of Maharashtra, Punjab, Rajasthan, West Bengal, Haryana, and the Union Territory of Chandigarh.

    Meanwhile stays continued to be in force in the cities of Bhopal, Indore, Jabalpur, Hyderabad, and Visakhapatnam. The Karnataka and Gujarat high courts had last week quashed petitions seeking extension of DAS thereby paving way for the analogue signals to be switched-off.

    Meanwhile, the Supreme Court is expected to hear tomorrow a special leave petition by the Indian Broadcasting Foundation seeking to quash all pending cases in various high courts and also ensure there is no postponement of the date of digitization.

  • Nick launches its first global mobile app

    Nick launches its first global mobile app

    MUMBAI: Kids broadcaster Nickelodeon has launched its first worldwide mobile app Teenage Mutant Ninja Turtles: Rooftop Run in more than 150 countries and eight languages.

    Available for iPhone, iPad and iPod touch devices, the app features 3D characters and environments based on the CG-animated series.

    This is a runner ninja combat game, where players run, jump and fight their way across the rooftops of New York in an attempt to save the city from the invading Kraang and ultimate destruction.

    The app will be translated into eight languages, English, Dutch, French, German, Italian, Portuguese, Spanish (Latin America) and Spanish (Spain).

  • Zee TV’s mobile app crosses ‘1 million downloads’ mark

    Zee TV’s mobile app crosses ‘1 million downloads’ mark

    MUMBAI: Zee TV‘s interactive mobile app for its non-fiction shows has crossed a milestone of one million downloads according to Mobilox Innovations.

    Leveraging the success of Zee TV‘s popular non-fiction shows like ‘Dance India Dance‘, ‘DID L‘il Masters‘ and ‘Sa Re Ga Ma Pa‘, the mobile app boasts of a wide array of interactive features that engage users, offering them a unique window of experiencing these shows.

    According to the channel, Zee TV‘s current non-fiction property ‘India‘s Best Dramebaaz‘ is delivering overwhelming response from viewers across India. Hence, the app is now titled ‘India‘s Best Dramebaaz‘ app and is available on all key digital platforms such as iOS, Android, Blackberry and Symbian.

    In one of the mobile innovations, Zee TV has converted the original mobile app created for ‘DID Season 3‘ into apps for each successive season of its ongoing non-fiction shows, thereby retaining its original user base, while adding more users with each new season.

    Zee Entertainment Enterprises marketing head-national channels Akash Chawla said, “Zee TV‘s shows have consistently topped viewership scorecards, making them the rulers of the on-air space. Even off-air, it is gratifying to note that our non-fiction shows have emerged as the front-runners of the digital space with their mobile app crossing a milestone of 1 million downloads. At a time when ‘on-demand‘ entertainment is the order of the day, we have been successful in providing our viewers with content that has kept them engrossed and engaged.”

    Following a successful collaboration for the mobile application of its previous non-fiction shows, Zee TV has continued its partnership with Mobilox Innovations to develop the WAP and app technology for ‘India‘s Best Dramebaaz‘.

    In addition to keeping the tech-savvy youth connected with their favourite shows, the app provides users with exclusive behind-the-scenes peeks into the shows, connecting them with contestants, judges and skippers. The live chats with judges and personalised dance tutorials by skippers of ‘DID L‘il Masters 2‘ have been crowd favourites while the easy voting feature has seen the contestants register a staggering number of votes on every season of Zee TV‘s non-fiction shows.

    Mobilox COO Rohit Kaul said, “A million app downloads means a million new touch-points on the most personal device these days. Just technology development wouldn‘t have made it successful. The three key factors which helped the app scale to million downloads were Strong Product Concept, App Store Optimisation and App Store Affiliations. Mobilox will continue to do the same for Zee TV and add newer innovations to Mobile App Marketing to achieve multi-million downloads in future. This new benchmark set by Zee, apart from its existing reach via TV, will create newer trends and innovations in the way audiences interact with the same brands on multiple screens.”

  • BBC America, Twitter in branded video partnership

    BBC America, Twitter in branded video partnership

    MUMBAI: As part of its strategy to go beyond 140 characters, micro-blogging site Twitter has tied up with BBC America to offer the first in-Tweet branded video synced to entertainment TV series.

    This news comes after reports that Twitter was in talks with NBCUniversal and Viacom for content. Twitter has also launched a music service.

    Twitter already has partnerships with Time Warner‘s TBS, sports broadcaster ESPN and the Weather Channel.

  • Disney UTV launches four freemium apps

    Disney UTV launches four freemium apps

    MUMBAI: Disney UTV Digital, the digital media arm of Disney UTV, has launched four freemium apps UTV, Disney, Comedy and Devotional, for Indian mobile subscribers. Nokia Asha series has pre-embedded the UTV App on more than 2.5 million devices.

    Content in the UTV app includes movie trailers, full length movies (Bollywood and Regional), Bollywood gossip and more. The Disney App includes short form content featuring Mickey and Friends, other Disney classics such as Big Bad Wolf and Santa‘s Workshop and celebrated Pixar short form animation such as Reds Dream and Adventures of Andre and Wally B.

    The Comedy App gives users access to humorous videos like MENtals, Baba Aur Baby, Chickipedia and more. The Devotional App includes stories of Indian deities like Maa Durga, Sai Baba, Sri Krishna, and it includes the mythological epic Ramayana as well.

    These apps, which feature the breadth and depth of Disney UTV‘s content across movies, television, Hollywood and English content along with aggregated content, have already crossed the 15 million download mark in their test phase itself. The apps provide a superior streaming experience for users, even on low-bandwidth GPRS networks.

    The apps support monetisation via both ads as well as paid subscriptions enabled through Digital Disney UTV‘s mobile operator billing platform. This allows regular mobile users to access both ad-supported content as well as premium content within the same app, through a seamless one-click transaction via their mobile operator.

    Disney UTV director, celebrity and video Sameer Pitalwalla said, “Feature phones are currently the dominant data consumption devices in India. While we have a robust smartphone strategy, we wanted to provide feature phone users with an excellent video experience. We combined our great catalogue with best in breed technology and have seen both download and engagement numbers catching fire. 15 million downloads, 1.5 million active users, terabytes in streaming and millions of ad impressions prove the power of our content and experience.”

    Nokia India director developer experience Gerard Rego said, “Engagement and innovation have emerged as one of the top deciding factors in the mobile phone industry with more and more youth accessing Apps that enhance their user experience. Our association with Disney UTV has been extremely successful and, together, we continue to add value to our consumers by offering superior on-the-go video streaming. The availability of Disney UTV Digital‘s new Freemium Apps is a great milestone as users can enjoy their favourite content through fast and seamless video streaming on their Nokia Asha devices.”

  • DD plans for multiplex transmitters at 630 locations for SDTV, HDTV, and mobile TV

    DD plans for multiplex transmitters at 630 locations for SDTV, HDTV, and mobile TV

    NEW DELHI: Doordarshan has drawn up a long term plan to have a ‘multiplex‘ of five transmitters each at 630 locations to provide a competitive platform.

    Each of these multiplex transmitters will have two for standard television, two for high definition TV, and one for mobile TV services.

    Stating this in an action-taken report to the Parliametary Standing Committee on Information and Technology, the information and broadcasting ministry has said it is in discussion with the department of telecom for release of more spectrum.

    The I&B Ministry has asked the telecom department to give spectrum for various broadcasting services in the UHF Band V since the frequency band 700 MHz – that is, 698 to 806 MHz – has been earmarked for international mobile telecom services by the World radio Conference 2007.

    As part of digitisation of its terrestrial networks, DD is planning to set up 630 digital transmitters which comprise 230 high power and 400 low power transmitters. Projects for establishment of forty digital transmitters (SDTV) and four high definition digital transmitters have already been taken up under the Eleventh Plan.

    It is felt that in view of its long-term plans, the total spectrum requirement of DD will be met in Band-IV (470-582 MHz) and eight channels in Band-V (582-646 MHz).

    DD also has frequency assignment in 700 MHz band in two carriers: (745 MHz and 795 MHz each with a bandwidth of 20 MHz for mobile video link and Channel 54 (734-742 MHz) for digital terrestrial transmitters (DTT) in the four metro cities.

    Furthermore, the Ministry says it is estimated that at least 96 MHz of spectrum will be required for four operators to start mobile TV services.

    The Ministry has also pointed out that under NFAP (National Frequency Allocation Plan) 2008, the frequency band 585-806 MHz is predominantly for broadcasting services including mobile TV.

    However according to the draft India Remarks for NFAP 2011, it was suggested that the UHF Band V be bifurcated with 585-698 MHz going to digital broadcasting and 698-806 MHz be given for IMT applications.

    Following the note by the I&B Ministry not to bifurcate this frequency, a committee has been set up with officials of the department of telecom and I&B Ministry.

    When it was revealed that the frequency band 625-675 MHz is being given to the defence ministry, it was pointed out by I&B Ministry that this disturbs the entire band and therefore the defence ministry be asked to relocate its frequency beyond 646 MHz so that the broadcasting spectrum remains contiguous.This matter is now with the Empowered Group of Ministers on vacation of spectrum.

  • Mobile streaming platform Zenga TV looks to double revenues

    Mobile streaming platform Zenga TV looks to double revenues

    MUMBAI: Zenga Media, the mobile and web streaming company, has set itself an ambitious target of doubling its revenues in the current financial year.

    Zenga Media, which owns the mobile and web streaming platform Zenga TV, is promoted by former Sony TV executive Shabir Momin and Vikramjiet Roy.

    Shabir Momin, the MD and CTO of Zenga TV, says that the company‘s total revenue in the last fiscal was in the region of $2-3 million.

    According to Momin, the company has turned RoI (Return on Investment) positive in the last two fiscals and is paying for its own expenses.

    “The promoters did not have to infuse funds in the company as it is RoI positive,” he adds.

    No equity divestment is planned either, rather the aim is to grow the company before exploring fund raising avenues.

    Zenga TV is an ad-supported mobile and web streaming platform. It claims to have 22-23 million active users every month. Zenga‘s biggest differentiator, according to Momin, is that it is compatible with even feature phones and the technology is in-house.

    The digital streaming platform has content partnerships with the NDTV group, Times Television Network, BAG Network, Reliance Broadcast Network, and Raj TV Network.

    However, the big three television networks Star India, Zee Network, and MSM are missing from the platform. The Viacom18 channels too are no longer available on the platform.

    “While we don‘t have Star, Zee and Sony, we do have a lot international channels in our offering. Over and above that, we also produce content in various genres for our platform,” he avers.

    The absence of these powerful networks from Zenga TV means that the platform‘s entertainment bouquet is a a bit of a non-starter.

    However, Zenga TV has strong news offering with the presence of NDTV, Times Now, CNBC TV18, Aaj Tak and Headlines Today amongst others.

    News is one of the most consumed genres on mobile after entertainment and movies, says Momin. After news, the sports genre has a lot of traction among mobile TV consumers.

    However, the cost of acquiring sports rights makes it an unviable proposition to monetise, reveals Momin. After flirting with IPL rights in 2009, Zenga gave it up as it discovered it could not recoup its investments.

    “It‘s better to be profitable rather than taking risks with cricket rights,” he asserts.

    Zenga TV generally does 50-50 revenue share deals with broadcasters which means that its content costs is zilch. However, monetising content through advertisement is still not that easy a task.

    Reason: The ad spends on mobile are still very low compared to the kind of reach that it delivers. However, Momin is optimistic. His optimism stems from the predictions that mobile ad spends are expected to grow to Rs 3 billion by 2015 up from the current Rs 1.5 billion.

    Zenga TV plans to play the volume game by being a free content platform. Going pay is not a good option as one has to be at the mercy of telecom operators, who dictate terms to platform owners on revenue share, points out Momin.