Category: Hardware

  • Q1-16: Connected Homes segment revs Technicolor revenue 57 percent

    Q1-16: Connected Homes segment revs Technicolor revenue 57 percent

    BENGALURU:  Buoyed by its Connected Homes segment which more than doubled its revenue, TechnicolorGroup (Technicolor, Group) reported a 57 percent revenue jump on constant currency basis for the quarter ended 31 March 2016 (Q1-2016, current quarter) as compared to Q1-2015. Except for its Technology segment which reported a 4.9 per cent year-on-year (YoY) decline in the current quarter vis-à-vis Q1-2015, all the other segments reported a hike in revenue.  Further, Technicolor closed the acquisitions of Cisco Connected Devices and The Mill, which had a positive impact on prior-year result comparison.

    Technicolor CEO Fredric Rose said, “Our significant customer wins in the first quarter demonstrate the successful start to integrating our 2015 acquisitions. This puts us in good stead to achieve our financial objectives.”

    Technicolor Group reported revenue of €1,262 million in Q1-2016, which as 56.7 percent more than €805 million in Q1-2015.

    Connected Home

    Connected Home revenues amounted to €698 million in Q1-2016, including a €396 million contribution of Cisco Connected Devices. Technicolor says that excluding Cisco Connected Devices, Connected Home recorded year-over-year (YoY) revenue growth in all regions, except for Latin America. Revenues in North America, EMEA and APAC regions were up 26 percent year-on-year at constant currency. Latin America revenues were impacted by the Brazilian crisis and recorded a sharp drop of 45 percent year-on-year at constant currency.

    Within Connected Home, by product, Video revenue went up by 2.65 times YoY to €428 million in Q1-2016 as compared to €164 million. Broadband revenue increased 81 percent to €270 million in the current quarter to €164 million in the corresponding year ago quarter.

    Entertainment Services

    Entertainment Services revenues amounted to €450 million in Q1-2016, up 34.6 percent at constant currency compared €338 million to Q1-2015. This performance reflected a strong double-digit growth in Production Services, including the contribution of last year’s acquisitions, combined with increased DVD Services revenues.

    Production Services revenues amounted to €179 million in Q1-2016, up by more than 50 percent at constant currency compared to the first quarter of 2015. This strong performance resulted from a double-digit organic revenue growth and the additions of OuiDo, Mikros Image and The Mill.

    The level of activity in Visual Effects for feature films was stable year-on-year as the Group started ramping up new titles in the current quarter and thus fully offset the completion of large-scale projects in Q3-2015.

    DVD Services revenues amounted to €272 million in the current quarter, up 25.2 percent at constant currency compared to Q1-2015. This performance was driven by a 24.6 percent year-on-year growth in total volumes from 271 million in Q1-2015 to 337.5 million, reflecting new customer additions secured in 2015, as well as selected key new release theatrical titles produced in the Q1-2016. During the period, DVD volumes increased by c.12 percent, while Blu-ray disc volumes were up c.26 percent compared Q1-2015. Overall Games volumes increased by c.6 percent year-on-year, as growth in Xbox One Blu-ray games volumes was tempered somewhat by the ongoing (and largely complete) shift in demand from the prior generation DVD based Xbox console. CD volumes were up substantially in the first quarter, due primarily to last year’s new customer additions.

    The company reveals that key theatrical titles produced in the current quarter included Star Wars: The Force Awakens (Disney), Spectre (Fox), as well as The Hunger Games: Mockingjay – Part 2 (Lionsgate), while key games titles included Tom Clancy’s The Division (Ubisoft) and Quantum Break (Microsoft).

    Technology

    Licensing revenues amounted to €112 million in Q1-2016, down €6 million at current currency compared to Q1-2015. This decrease was due to a €62 million decline in MPEG LA revenues, which was partially compensated by a strong quarter in Patent Licensing, driven by Video Coding and Digital TV activities. In Video Coding, the strong performance was driven by the first material licensing agreement for the use of its HEVC patent portfolio thatTechnicolor signed with a leading technology company in early February.

    In the current quarter, Technicolor slightly increased its Trademark Licensing revenues and continued to make additional progress in the dissemination of its High Dynamic Range (HDR) technology. Technicolor says that several silicon manufacturers have started to embed its technologies, for TVs or set-top boxes, and chips will be available by the end of this year.

    Click here for detailed report.

  • Q1-16: Connected Homes segment revs Technicolor revenue 57 percent

    Q1-16: Connected Homes segment revs Technicolor revenue 57 percent

    BENGALURU:  Buoyed by its Connected Homes segment which more than doubled its revenue, TechnicolorGroup (Technicolor, Group) reported a 57 percent revenue jump on constant currency basis for the quarter ended 31 March 2016 (Q1-2016, current quarter) as compared to Q1-2015. Except for its Technology segment which reported a 4.9 per cent year-on-year (YoY) decline in the current quarter vis-à-vis Q1-2015, all the other segments reported a hike in revenue.  Further, Technicolor closed the acquisitions of Cisco Connected Devices and The Mill, which had a positive impact on prior-year result comparison.

    Technicolor CEO Fredric Rose said, “Our significant customer wins in the first quarter demonstrate the successful start to integrating our 2015 acquisitions. This puts us in good stead to achieve our financial objectives.”

    Technicolor Group reported revenue of €1,262 million in Q1-2016, which as 56.7 percent more than €805 million in Q1-2015.

    Connected Home

    Connected Home revenues amounted to €698 million in Q1-2016, including a €396 million contribution of Cisco Connected Devices. Technicolor says that excluding Cisco Connected Devices, Connected Home recorded year-over-year (YoY) revenue growth in all regions, except for Latin America. Revenues in North America, EMEA and APAC regions were up 26 percent year-on-year at constant currency. Latin America revenues were impacted by the Brazilian crisis and recorded a sharp drop of 45 percent year-on-year at constant currency.

    Within Connected Home, by product, Video revenue went up by 2.65 times YoY to €428 million in Q1-2016 as compared to €164 million. Broadband revenue increased 81 percent to €270 million in the current quarter to €164 million in the corresponding year ago quarter.

    Entertainment Services

    Entertainment Services revenues amounted to €450 million in Q1-2016, up 34.6 percent at constant currency compared €338 million to Q1-2015. This performance reflected a strong double-digit growth in Production Services, including the contribution of last year’s acquisitions, combined with increased DVD Services revenues.

    Production Services revenues amounted to €179 million in Q1-2016, up by more than 50 percent at constant currency compared to the first quarter of 2015. This strong performance resulted from a double-digit organic revenue growth and the additions of OuiDo, Mikros Image and The Mill.

    The level of activity in Visual Effects for feature films was stable year-on-year as the Group started ramping up new titles in the current quarter and thus fully offset the completion of large-scale projects in Q3-2015.

    DVD Services revenues amounted to €272 million in the current quarter, up 25.2 percent at constant currency compared to Q1-2015. This performance was driven by a 24.6 percent year-on-year growth in total volumes from 271 million in Q1-2015 to 337.5 million, reflecting new customer additions secured in 2015, as well as selected key new release theatrical titles produced in the Q1-2016. During the period, DVD volumes increased by c.12 percent, while Blu-ray disc volumes were up c.26 percent compared Q1-2015. Overall Games volumes increased by c.6 percent year-on-year, as growth in Xbox One Blu-ray games volumes was tempered somewhat by the ongoing (and largely complete) shift in demand from the prior generation DVD based Xbox console. CD volumes were up substantially in the first quarter, due primarily to last year’s new customer additions.

    The company reveals that key theatrical titles produced in the current quarter included Star Wars: The Force Awakens (Disney), Spectre (Fox), as well as The Hunger Games: Mockingjay – Part 2 (Lionsgate), while key games titles included Tom Clancy’s The Division (Ubisoft) and Quantum Break (Microsoft).

    Technology

    Licensing revenues amounted to €112 million in Q1-2016, down €6 million at current currency compared to Q1-2015. This decrease was due to a €62 million decline in MPEG LA revenues, which was partially compensated by a strong quarter in Patent Licensing, driven by Video Coding and Digital TV activities. In Video Coding, the strong performance was driven by the first material licensing agreement for the use of its HEVC patent portfolio thatTechnicolor signed with a leading technology company in early February.

    In the current quarter, Technicolor slightly increased its Trademark Licensing revenues and continued to make additional progress in the dissemination of its High Dynamic Range (HDR) technology. Technicolor says that several silicon manufacturers have started to embed its technologies, for TVs or set-top boxes, and chips will be available by the end of this year.

    Click here for detailed report.

  • How 4K video bearer networks will pan out: Huawei’s view

    How 4K video bearer networks will pan out: Huawei’s view

    NEW DELHI: Video services will account for as much as 80 per cent of network traffic in the future, and 4K video, as a leading factor in the development of video services, has already become the strategic high ground on which telecom operators and online OTT video content platforms are striving to attract customers and obtain competitive advantage.

    In a white paper called The Experience-driven 4K Bearer Network released at its 2016 Global Analysts Summit in Shenzhen, Huawei said many mainstream telecom operations and OTT content providers around the world have already released 4K service strategic plans.

    Compared with traditional video services, 4K video services require higher bandwidth, lower latency, and reduced packet loss rates. With the rapid growth of 4K video traffic, however, the expansion of telecom operators’ networks is unable to meet fast growing bandwidth requirements, and the dilemma between providing a good video experience and ensuring return on network investment is becoming more distinct. The question of how to build a video service bearer network that can monitor user experience, allow service fault identification and demarcation, guarantee service quality, and benefit all parties is now of critical importance for the development of 4K services.

    The white paper focuses on two issues that have drawn considerable attention from telecommunications operators: how to ensure a good user experience for 4K video and how to bear the service. The paper presents an end-to-end target network architecture and evolution solutions for various deployment scenarios. As the industry’s first technical document to systematically set forth 4K bearer network solutions, the white paper should be of interest to telecom operators considering deployment of online 4K services  as well as establishment of  a positive business cycle in the 4K industry.

    The White Paper is claimed to be the first to systematically introduce the User, Unified, Ubiquitous-Mean Opinion Score for Video (U-vMOS) benchmark, which objectively quantifies end-user experience. It offers a guide to build an end-to-end best-experience 4K bearer networks architecture helping operators to simplify network layers, deploy gigabit access efficiently, and improve capabilities in intelligent acceleration, network perception, as well as big data analytics. Based on this proposal, operators can effectively solve problems in commercial applications of 4K videos, such as long loading time, pixelation, stalling, and even difficulties in locating reported faults.

    Creating a best-experience 4K bearer network can alleviate user experience degradation, as well as difficulties in service fault identification and demarcation. Telecom operators can provide 4K video themselves, gaining a competitive edge by their ability to offer differentiated services, or they can work together with OTT video content providers, providing them with a video distribution network that features BoD, quantifiable user experience, and manageable quality. End-users will enjoy not only top-quality 4K video, but also smooth online playback and carrier-class troubleshooting service.

    As an advocate for experience-centric network construction, Huawei says that it has actively invested in 4K UHD video bearer networks and carried out joint innovation with industry-leading operators to create 4K bearer network solutions that provide the best user experience. Huawei has also supported operators in successfully providing 4K video services and increasing the value of their fixed broadband networks. At present, Huawei’s best-experience 4K bearer network is already widely used at China Telecom, China Mobile, China Unicom and British Telecom.

     

  • How 4K video bearer networks will pan out: Huawei’s view

    How 4K video bearer networks will pan out: Huawei’s view

    NEW DELHI: Video services will account for as much as 80 per cent of network traffic in the future, and 4K video, as a leading factor in the development of video services, has already become the strategic high ground on which telecom operators and online OTT video content platforms are striving to attract customers and obtain competitive advantage.

    In a white paper called The Experience-driven 4K Bearer Network released at its 2016 Global Analysts Summit in Shenzhen, Huawei said many mainstream telecom operations and OTT content providers around the world have already released 4K service strategic plans.

    Compared with traditional video services, 4K video services require higher bandwidth, lower latency, and reduced packet loss rates. With the rapid growth of 4K video traffic, however, the expansion of telecom operators’ networks is unable to meet fast growing bandwidth requirements, and the dilemma between providing a good video experience and ensuring return on network investment is becoming more distinct. The question of how to build a video service bearer network that can monitor user experience, allow service fault identification and demarcation, guarantee service quality, and benefit all parties is now of critical importance for the development of 4K services.

    The white paper focuses on two issues that have drawn considerable attention from telecommunications operators: how to ensure a good user experience for 4K video and how to bear the service. The paper presents an end-to-end target network architecture and evolution solutions for various deployment scenarios. As the industry’s first technical document to systematically set forth 4K bearer network solutions, the white paper should be of interest to telecom operators considering deployment of online 4K services  as well as establishment of  a positive business cycle in the 4K industry.

    The White Paper is claimed to be the first to systematically introduce the User, Unified, Ubiquitous-Mean Opinion Score for Video (U-vMOS) benchmark, which objectively quantifies end-user experience. It offers a guide to build an end-to-end best-experience 4K bearer networks architecture helping operators to simplify network layers, deploy gigabit access efficiently, and improve capabilities in intelligent acceleration, network perception, as well as big data analytics. Based on this proposal, operators can effectively solve problems in commercial applications of 4K videos, such as long loading time, pixelation, stalling, and even difficulties in locating reported faults.

    Creating a best-experience 4K bearer network can alleviate user experience degradation, as well as difficulties in service fault identification and demarcation. Telecom operators can provide 4K video themselves, gaining a competitive edge by their ability to offer differentiated services, or they can work together with OTT video content providers, providing them with a video distribution network that features BoD, quantifiable user experience, and manageable quality. End-users will enjoy not only top-quality 4K video, but also smooth online playback and carrier-class troubleshooting service.

    As an advocate for experience-centric network construction, Huawei says that it has actively invested in 4K UHD video bearer networks and carried out joint innovation with industry-leading operators to create 4K bearer network solutions that provide the best user experience. Huawei has also supported operators in successfully providing 4K video services and increasing the value of their fixed broadband networks. At present, Huawei’s best-experience 4K bearer network is already widely used at China Telecom, China Mobile, China Unicom and British Telecom.

     

  • India enters niche STB global market with indigenously designed CAS system, funded by DeiTY

    India enters niche STB global market with indigenously designed CAS system, funded by DeiTY

    New Delhi: ByDesign India Pvt Ltd of Bangalore has successfully completed development of Conditional Access System (CAS) for Set Top Boxes (STBs) and enabled India to enter a niche market hitherto dominated by five big global companies.

    The Communications and Information Technology Ministry said in a note today that the CAS had been developed under a project funded by the Department of Electronics and Information Technology (DeitY) for promotion of Electronics design and manufacturing in the country.

    Prasar Bharati sources told indiantelevision.com that Doordarshan’s free-to-air DTH Freedish has also adopted a version of this design for raising the number of channel slots on the platform from 64 to 112.

    The global STB market is estimated to be about 250 Million (25 crore) STBs per annum and the CAS market is expected to be nearly $2 billion ($200 crore) per annum. The projected demand in India for completing the digitization of broadcasting network is nearly 100 Million (10 crore) STBs, thereby signifying an attractive domestic market. 

    ByDesign India Pvt Ltd, Bangalore, was selected and awarded the task for development and implementation of Indian Conditional Access System (iCASTM) in association with Centre for Development of Advanced Computing (C-DAC) in November 2014 with technical specifications that were the best in the world.

    C-DAC was responsible for design review, code review, monitoring, testing and validation of the entire project. The Development Stage of iCASTM was successfully completed on 14.11.2015 within the specified time. 

    The developed iCASTM already supports seven Indian Languages and will support fifteen more languages in the near future. The iCASTM has been tested at the Cryptography Verification Labs, accredited by NIST in the United States and has also been widely field tested under Indian conditions. 

    ByDesign is required to tie up with at least five Operators and install STB with iCASTM in atleast 2,50,000 STBs. The implementation of iCASTM in the cable networks has already started.

    More than 25,000 STBs with iCASTM have already been deployed across the country in the last two months, from Haldwani in the North to Madurai in the South and Durgapur in the East to Satara District in the West. 

    iCASTM exemplifies successful collaboration between industry and Government for R&D and IPR generation in Electronics design and manufacturing. The iCASTM is also beneficial to domestic STB manufacturers because it is available to them at a price of $ 0.5 license for a period of three years as against market price of $ 4 to 5 license for other competing products. 

  • India enters niche STB global market with indigenously designed CAS system, funded by DeiTY

    India enters niche STB global market with indigenously designed CAS system, funded by DeiTY

    New Delhi: ByDesign India Pvt Ltd of Bangalore has successfully completed development of Conditional Access System (CAS) for Set Top Boxes (STBs) and enabled India to enter a niche market hitherto dominated by five big global companies.

    The Communications and Information Technology Ministry said in a note today that the CAS had been developed under a project funded by the Department of Electronics and Information Technology (DeitY) for promotion of Electronics design and manufacturing in the country.

    Prasar Bharati sources told indiantelevision.com that Doordarshan’s free-to-air DTH Freedish has also adopted a version of this design for raising the number of channel slots on the platform from 64 to 112.

    The global STB market is estimated to be about 250 Million (25 crore) STBs per annum and the CAS market is expected to be nearly $2 billion ($200 crore) per annum. The projected demand in India for completing the digitization of broadcasting network is nearly 100 Million (10 crore) STBs, thereby signifying an attractive domestic market. 

    ByDesign India Pvt Ltd, Bangalore, was selected and awarded the task for development and implementation of Indian Conditional Access System (iCASTM) in association with Centre for Development of Advanced Computing (C-DAC) in November 2014 with technical specifications that were the best in the world.

    C-DAC was responsible for design review, code review, monitoring, testing and validation of the entire project. The Development Stage of iCASTM was successfully completed on 14.11.2015 within the specified time. 

    The developed iCASTM already supports seven Indian Languages and will support fifteen more languages in the near future. The iCASTM has been tested at the Cryptography Verification Labs, accredited by NIST in the United States and has also been widely field tested under Indian conditions. 

    ByDesign is required to tie up with at least five Operators and install STB with iCASTM in atleast 2,50,000 STBs. The implementation of iCASTM in the cable networks has already started.

    More than 25,000 STBs with iCASTM have already been deployed across the country in the last two months, from Haldwani in the North to Madurai in the South and Durgapur in the East to Satara District in the West. 

    iCASTM exemplifies successful collaboration between industry and Government for R&D and IPR generation in Electronics design and manufacturing. The iCASTM is also beneficial to domestic STB manufacturers because it is available to them at a price of $ 0.5 license for a period of three years as against market price of $ 4 to 5 license for other competing products. 

  • FY-2015: Technicolor reports improved numbers

    FY-2015: Technicolor reports improved numbers

    BENGALURU: Technicolor revenues increased 12 per cent at current currency and 4.7 per cent at constant currency for the year ended 31 December, 2015 (current year, FY-2015). The company says that its growth reflects growth across the Entertainment Services and Technology segments and broadly stable Connected Home revenues. Technicolor revenue for the current year was €3,652 million as compared to €3,332 million in FY-2014.

    Technicolor CEO Frederic Rose said, “In 2015, our teams closed successfully, and in parallel, a number of large acquisitions, while remaining focused on delivering a very strong free cash flow. Moving forward, Technicolor is a much more balanced company built on three leading operating businesses and a core licensing business underpinning our material upgrade of Drive 2020 objectives.”   

    Adjusted EBITDA from continuing operations reached €565 million in FY-2015, up 3.1 per cent at constant currency compared to 2014, representing a margin of 15.5 per cent, down by one point year-on-year (YoY). Technicolor says that the adjusted EBITDA increase reflected a solid Licensing revenue performance, combined with strong organic growth in Production Services, partially offset by a weak DVD Services performance in the first half, the impact of unfavourable € versus US$ exchange rate fluctuations on procurements for Connected Home in the second half, as well as a lower contribution from exited activities.

    Segment performance

    Connected Homes

    Connected Homes segment revenues totalled €1,451 million in FY-2015, up five per cent at current currency and, and up 0.3 per cent as compared to the reported €1,382 million in FY-2014. Excluding Cisco Connected Devices (CCD), revenue declined 1.2 per cent as reported and declined 5.7 per cent at constant currency in FY-2015 to €1,3,65 million as compared to $1,382 million in the previous fiscal.

    Technicolor says that even without the contribution of CCD, Connected Home continued to outpace the global CPE market despite adverse business conditions experienced in some regions, driven by a number of new awards and customer wins, including high-end products. The segment achieved in particular a sustained performance in Europe, Middle-East & Africa and Asia-Pacific, both regions reporting a double digit YoY growth in revenues, benefiting notably from a mix improvement associated with the introduction of new products and a further ramp up in the value chain. Connected Home faced however lower levels of activity in both North and Latin America, primarily reflecting cautious customer approach towards product orders and inventory management, due to pending industry consolidation in the US and unfavourable macroeconomic conditions in Brazil.

    Adjusted EBITDA reached €76 million in FY-2015 compared to €77 million in FY-2014, with a negative forex impact of €6 million. At constant currency, adjusted EBITDA was €82 million, up by 5.8 per cent compared to 2014, with a margin of 5.9 per cent, up by 0.3 point YoY.

    Entertainment Services

    Entertainment Services revenue, excluding exited activities, was €1,639 million, up 10 per cent YoY in FY-2015 at constant currency, resulting from strong organic growth, the contribution from recent acquisitions in Production Services and solid revenues recorded by DVD Services.

    Production Services recorded a strong double-digit increase in revenues in FY-2015 compared to FY-2014 says Technicolor. Revenues expanded by almost 40 per cent YoY at constant currency, as a result of a strong double digit organic revenue growth, mostly due to a record level of activity in Visual Effects for feature films, and the additions of Mr. X, OuiDo Productions, Mikros Images and The Mill.

    The company says that VFX for commercials and Animation activities also recorded higher revenues, resulting from increased levels of activity across facilities, while Postproduction revenues improved year-on-year.

    Technicolor provided VFX and/or Postproduction services to 10 of the top-16 grossing films of the year worldwide, including some of the best box office performers such as Furious 7 (Universal), Avengers: Age of Ultron (Disney), Spectre (Sony) and The Hunger Games: Mockingjay – Part 2 (Lionsgate).

    DVD Services revenues were generally stable at constant currency in FY-2015 compared to FY-2014, driven by resilient total Standard Definition DVD, Blu-ray and CD disc volumes, which were down less than one per cent YoY, reflecting a marked improvement compared to the 11 per cent volume decline recorded in FY-2014. Blu-ray disc volumes were up by eight per cent in FY-2015 compared to FY-2014, supported by the aforementioned factors and the ongoing growth in Xbox One games volumes, while Standard-Definition discs declined by five per cent YoY. Overall FY-2015 volume trends in Europe continued to be generally better than in North America, mostly due to regionally specific promotional activity for selected studio customers, as well as to the ongoing adoption of Blu-ray in this region (as compared to the more mature and stable US Blu-ray market).

    Total Games volumes declined by 11 per cent YoY, with ongoing erosion in prior generation video game console demand outpacing growth for the current generation Xbox One platform. Going forward, prior generation video games volumes have now reached an immaterial level and should not influence future trends to the same degree.

    Excluding exited activities, Adjusted EBITDA was €190 million, down 2.1 per cent at constant currency YoY, as the stronger Production Services contribution was almost fully offset by lower DVD Services performance. However, the free cash flow generation in DVD Services was stable year-over-year notwithstanding the adjusted EBITDA decline says the company.

    Technology

    Technology revenues excluding M-GO, which was sold in early January 2016 to Fandango, a business unit of NBCUniversal, amounted to €490 million, up 3.3 per cent year-over-year at constant currency, primarily driven by higher revenues from the MPEG LA pool, which represented 59 per cent of total Licensing revenues in FY-2015 compared to 45 per cent in FY-2014. The Group’s direct licensing programs recorded a solid performance in the first half, particularly for Digital TV, which benefited from the strong level of new contracts and contract renewals in the course of 2014. In the second half, direct licensing programs posted a lower performance as the Group did not sign any major contract renewal or new contract as some ongoing discussions with manufacturers were delayed to leverage the joint licensing program with Sony in Digital TV (DTV) and Computer Display Monitor (CDM) that was announced in September.

    Excluding M-GO, Adjusted EBITDA reached €389 million, up 3.4 per cent at constant currency year-on-year, driven by the strong contribution of the MPEG LA patent pool.

  • FY-2015: Technicolor reports improved numbers

    FY-2015: Technicolor reports improved numbers

    BENGALURU: Technicolor revenues increased 12 per cent at current currency and 4.7 per cent at constant currency for the year ended 31 December, 2015 (current year, FY-2015). The company says that its growth reflects growth across the Entertainment Services and Technology segments and broadly stable Connected Home revenues. Technicolor revenue for the current year was €3,652 million as compared to €3,332 million in FY-2014.

    Technicolor CEO Frederic Rose said, “In 2015, our teams closed successfully, and in parallel, a number of large acquisitions, while remaining focused on delivering a very strong free cash flow. Moving forward, Technicolor is a much more balanced company built on three leading operating businesses and a core licensing business underpinning our material upgrade of Drive 2020 objectives.”   

    Adjusted EBITDA from continuing operations reached €565 million in FY-2015, up 3.1 per cent at constant currency compared to 2014, representing a margin of 15.5 per cent, down by one point year-on-year (YoY). Technicolor says that the adjusted EBITDA increase reflected a solid Licensing revenue performance, combined with strong organic growth in Production Services, partially offset by a weak DVD Services performance in the first half, the impact of unfavourable € versus US$ exchange rate fluctuations on procurements for Connected Home in the second half, as well as a lower contribution from exited activities.

    Segment performance

    Connected Homes

    Connected Homes segment revenues totalled €1,451 million in FY-2015, up five per cent at current currency and, and up 0.3 per cent as compared to the reported €1,382 million in FY-2014. Excluding Cisco Connected Devices (CCD), revenue declined 1.2 per cent as reported and declined 5.7 per cent at constant currency in FY-2015 to €1,3,65 million as compared to $1,382 million in the previous fiscal.

    Technicolor says that even without the contribution of CCD, Connected Home continued to outpace the global CPE market despite adverse business conditions experienced in some regions, driven by a number of new awards and customer wins, including high-end products. The segment achieved in particular a sustained performance in Europe, Middle-East & Africa and Asia-Pacific, both regions reporting a double digit YoY growth in revenues, benefiting notably from a mix improvement associated with the introduction of new products and a further ramp up in the value chain. Connected Home faced however lower levels of activity in both North and Latin America, primarily reflecting cautious customer approach towards product orders and inventory management, due to pending industry consolidation in the US and unfavourable macroeconomic conditions in Brazil.

    Adjusted EBITDA reached €76 million in FY-2015 compared to €77 million in FY-2014, with a negative forex impact of €6 million. At constant currency, adjusted EBITDA was €82 million, up by 5.8 per cent compared to 2014, with a margin of 5.9 per cent, up by 0.3 point YoY.

    Entertainment Services

    Entertainment Services revenue, excluding exited activities, was €1,639 million, up 10 per cent YoY in FY-2015 at constant currency, resulting from strong organic growth, the contribution from recent acquisitions in Production Services and solid revenues recorded by DVD Services.

    Production Services recorded a strong double-digit increase in revenues in FY-2015 compared to FY-2014 says Technicolor. Revenues expanded by almost 40 per cent YoY at constant currency, as a result of a strong double digit organic revenue growth, mostly due to a record level of activity in Visual Effects for feature films, and the additions of Mr. X, OuiDo Productions, Mikros Images and The Mill.

    The company says that VFX for commercials and Animation activities also recorded higher revenues, resulting from increased levels of activity across facilities, while Postproduction revenues improved year-on-year.

    Technicolor provided VFX and/or Postproduction services to 10 of the top-16 grossing films of the year worldwide, including some of the best box office performers such as Furious 7 (Universal), Avengers: Age of Ultron (Disney), Spectre (Sony) and The Hunger Games: Mockingjay – Part 2 (Lionsgate).

    DVD Services revenues were generally stable at constant currency in FY-2015 compared to FY-2014, driven by resilient total Standard Definition DVD, Blu-ray and CD disc volumes, which were down less than one per cent YoY, reflecting a marked improvement compared to the 11 per cent volume decline recorded in FY-2014. Blu-ray disc volumes were up by eight per cent in FY-2015 compared to FY-2014, supported by the aforementioned factors and the ongoing growth in Xbox One games volumes, while Standard-Definition discs declined by five per cent YoY. Overall FY-2015 volume trends in Europe continued to be generally better than in North America, mostly due to regionally specific promotional activity for selected studio customers, as well as to the ongoing adoption of Blu-ray in this region (as compared to the more mature and stable US Blu-ray market).

    Total Games volumes declined by 11 per cent YoY, with ongoing erosion in prior generation video game console demand outpacing growth for the current generation Xbox One platform. Going forward, prior generation video games volumes have now reached an immaterial level and should not influence future trends to the same degree.

    Excluding exited activities, Adjusted EBITDA was €190 million, down 2.1 per cent at constant currency YoY, as the stronger Production Services contribution was almost fully offset by lower DVD Services performance. However, the free cash flow generation in DVD Services was stable year-over-year notwithstanding the adjusted EBITDA decline says the company.

    Technology

    Technology revenues excluding M-GO, which was sold in early January 2016 to Fandango, a business unit of NBCUniversal, amounted to €490 million, up 3.3 per cent year-over-year at constant currency, primarily driven by higher revenues from the MPEG LA pool, which represented 59 per cent of total Licensing revenues in FY-2015 compared to 45 per cent in FY-2014. The Group’s direct licensing programs recorded a solid performance in the first half, particularly for Digital TV, which benefited from the strong level of new contracts and contract renewals in the course of 2014. In the second half, direct licensing programs posted a lower performance as the Group did not sign any major contract renewal or new contract as some ongoing discussions with manufacturers were delayed to leverage the joint licensing program with Sony in Digital TV (DTV) and Computer Display Monitor (CDM) that was announced in September.

    Excluding M-GO, Adjusted EBITDA reached €389 million, up 3.4 per cent at constant currency year-on-year, driven by the strong contribution of the MPEG LA patent pool.

  • Sky to launch advanced Now TV box developed by Roku

    Sky to launch advanced Now TV box developed by Roku

    MUMBAI: Sky’s online TV streaming service Now TV will be launching its most advanced TV box later this year. The new Now TV Smart Box will bring together Now TV’s wide range of pay TV content and over 60 live free-to-air channels.

     

    Now TV worked with Silicon Valley based Roku Inc. to develop the new Now TV Smart Box, which will sit alongside the existing Now TV Box. The pricing details and further information will be made available later in the year. 

     

    Additionally customers with a Now TV Box will see new a brand new interface (UI) roll out to their TVs from February. The new-look UI will include a number of new features including a content-rich homepage offering editorial recommendations of what to watch across catch up TV apps and pay TV content from Now TV. A new ‘Best of Catch Up’ section, curated by content partners, will also arrive showcasing all the best shows our customers may have missed in one place.

     

    Now TV director Gidon Katz said, “The launch of our new homepage on the Now TV Box will make it easier than ever for our customers to quickly find and watch their favourite shows. And when the new Now TV Smart Box arrives later this year, it will be the perfect one-stop box to get a contract-free, flexible way of watching the best of pay TV and free-to-air content all in one place.”

  • Sky to launch advanced Now TV box developed by Roku

    Sky to launch advanced Now TV box developed by Roku

    MUMBAI: Sky’s online TV streaming service Now TV will be launching its most advanced TV box later this year. The new Now TV Smart Box will bring together Now TV’s wide range of pay TV content and over 60 live free-to-air channels.

     

    Now TV worked with Silicon Valley based Roku Inc. to develop the new Now TV Smart Box, which will sit alongside the existing Now TV Box. The pricing details and further information will be made available later in the year. 

     

    Additionally customers with a Now TV Box will see new a brand new interface (UI) roll out to their TVs from February. The new-look UI will include a number of new features including a content-rich homepage offering editorial recommendations of what to watch across catch up TV apps and pay TV content from Now TV. A new ‘Best of Catch Up’ section, curated by content partners, will also arrive showcasing all the best shows our customers may have missed in one place.

     

    Now TV director Gidon Katz said, “The launch of our new homepage on the Now TV Box will make it easier than ever for our customers to quickly find and watch their favourite shows. And when the new Now TV Smart Box arrives later this year, it will be the perfect one-stop box to get a contract-free, flexible way of watching the best of pay TV and free-to-air content all in one place.”