Category: Year Enders

  • 2014: Cable TV’s year of missed opportunities?

    2014: Cable TV’s year of missed opportunities?

    2014 many would say has been a year of more downs than ups, especially for the cable TV industry. But, if one peels off the superficial layers and looks deep, it would be fair to say that it was indeed a year of opportunity for all the stakeholders in the cable TV ecosystem, despite all the trappings that it had of a Bollywood film with all the drama and twists and turns.

    The year began with industry regulator the Telecom Regulatory Authority of India (TRAI) cracking the whip on errant multisystem operators (MSOs) and last mile owners (LMOs) who had not implemented simple hygiene requirements such as subscriber information and billing in Digital Addressable System (DAS) phase I and II areas. 2014 probably was the most litigious one in recent memory for those in the cable TV ecosystem with the various constituents spending more time in courts or in the portals of the Telecom Disputes Settlement Appellate Tribunal (TDSAT) than in upgrading their systems or moving ahead on business models. LMOs and MSOs snapped at broadcasters and aggregators, even as the latter took swipes at them with their heavy hands. No resolution seemed in sight and hence the anti-climactic postponing of phase III and phase IV DAS to 2016 by the Information and Broadcasting (I&B) Ministry almost came as a lifeline to the industry. Some carped about the postponement, some decided to take it upon themselves to voluntarily digitise, while other LMOs just got back to squabbling once again.

    Even as international strategic and financial investors got repelled by the chaos in Indian cable TV land, domestic lay investors and equity investors too gave the sector a thumbs down. One of the leading stocks, the Sameer Manchanda-run Den Networks, which was the investors’ darling in 2013, registered a 19 per cent erosion in its share price from Rs 161.65 in early January 2014 to Rs 131.30 on 24 December. Hathway Cable & Datacom rose 25 per cent from Rs 278.75 to Rs 347.50. Both underperformed the Bombay stock Exchange Sensex which rose 28.5 per cent from 21,000 on 2 January 2014 to 27,206 on 24 December 2014. However, an exception was the stellar performer  Essel group owned Siti Cable which appreciated 80 per cent from Rs 18.15 to Rs 32.75 on the same dates. 

    November 2014 saw Star India take a big punt and play pioneer by deciding to enter into only Reference Interconnect Offer (RIO) deals with MSOs in DAS areas.  The hope was that it would push cable operators to come up with better subscriber packages and hopefully improve realisations for themselves and Star too. With ARPUs sneaking up marginally, the big MSOs and cable TV cooperatives aggressively moved ahead with the more lucrative broadband offerings to subscribers.

    The year began with the MSOs meeting in different parts of the DAS areas to ensure gross billing could be started. While Delhi and Kolkata could, at least in a few parts start gross billing, Mumbai and other phase I and II cities, even as the year comes to an end, haven’t seen bills being rolled out. The reasons for this being no consensus: on the biller’s name (whether it should be of the LCO or MSO), revenue share between the two and the pending entertainment tax case in the Bombay High Court.

     The next big development in the year was when Hathway Cable and Datacom announced a cricket pack, wherein the MSO created a separate offering consisting of all the sports channels. When the announcement was made, little did people know that the issue would be dragged to the court and would keep the TDSAT occupied for almost the rest of the year. Hathway has been one player that has been in the news throughout, mostly for its progressive moves- from launching new local cable channels, to launching DOCSIS 3 broadband technology. It also wrestled with the major broadcasters such as Star and Zee through the year on terms and conditions.

     2014 was the year of opportunities, as it opened doors for the $100 million Hinduja’s Headend In The Sky (HITS) project and the Cable Virtual Network Operator (CVNO) model. As part of this LMOs can come together and join hands with the MSO to take its infrastructure, thus giving the former the power to own their consumers. The former Indusind Media CEO and promoter of Bhima Riddhi Digital Services Nagesh Chhabria too showed his intent of getting into the cable TV market with a national MSO. A much hyped $200 million announcement – in July about his agreement with Atlas Consolidated LLC (a joint venture between Greenwich Equity Partners and Jagran Infra-Projects led by Sanjiv Mohan Gupta) – to create a national MSO it has been followed by a strange silence since.

    It was a year of opportunity, as after a gap of long seven years, the TRAI decided to defreeze prices and allowed a price hike. The regulator in March, released a notification, offering a 27.5 per cent inflation-linked hike to stakeholders in the tariff ceiling. The hike was to be implemented in two phases: 15 per cent from April 2014 and the remaining 12.5 per cent from January 2015. The move gave some hope to stakeholders to increase their Average Revenue Per User (ARPU) which was at around Rs 180 – a 20-25 per cent increase. But the industry is clearly aiming at much higher ARPUs of Rs 300-350 in the short to medium term. 

    The most important month for the cable TV industry was August. Ask why? Well, this was the month, which shocked the whole value chain.  While the LCOs were relieved, the worried ones were the broadcasters and the MSOs. The newly appointed Information and Broadcasting Minister (now former)  Prakash Javadekar, looking at the condition of phase I and II cities, which had undergone seeding of set top boxes (STBs) decided to further push the digitisation dates for phase III to December 2015 and phase IV to December 2016, from the earlier deadline of December 2014. The reason given by the Minister was that he wanted to promote indigenous STB manufacturers, who had not benefitted much from the earlier two phases.

     The news brought in some cheer for the indigenous STB manufacturers who said that this would help the indigenous manufacturing industry give employment to about 50,000 people and would attract an investment of about Rs 500 crore. The move, according to many would also generate local support facility for repair of STBs and help in smooth implementation of digitisation in the country.

    While, everyone has their own take on the decision, one should take this as an opportunity to be able to complete phase III and IV cities, which includes the small towns and villages, in a much more organised manner. Currently in phase I and II, while boxes have been seeded, no proper rollout of package and billing has happened. The stakeholders have time to ensure that along with seeding of boxes in phase III and IV cities, they can ensure that Consumer Application Forms (CAFs) are filled, the information is added in the Subscriber Management System (SMS), packages are created, offering consumers the option to choose and proper bills are rolled out, bringing in complete addressability and transparency.

     According to many, with delayed digitisation, carriage fees are once again on the rise. According to a Media Partners Asia (MPA) report, carriage fee has gone up by 14 per cent, while broadcasters and MSOs peg this at around 20-25 per cent for niche and news channels. In fact, Colors CEO Raj Nayak at this year’s India panel in MIPCOM said that carriage fees which had come down by 20 per cent are again climbing and have gone back to pre-digitisation rates. Yes, all these can be counted as the drawback of delayed digitisation, but tackling the same is broadcaster Star India’s take on the deals with MSOs.

    The case which kept TDSAT busy this year was the Hathway vs Zee and Star case. It was during this, that Star India, in order to fight discrepancy in deals with MSOs, took a firm decision of entering into only RIO deals with MSOs. While this did hit the MSOs, since their cost of content went up, it did two things. One, it nipped carriage fees and two, opened the doors for the MSOs to increase their ARPUs. In fact broadcasters, who feel that the carriage fees are headed northwards, should consider entering into RIO deals, as was also said by MPA in one of its reports.

     With the extension of digitisation dates, a number of MSOs also decided to opt for voluntary digitisation, which was a welcome move, since it showed the intent of MSOs to see the country fully digitised.

    Keeping digitisation and broadband plans in mind, the year saw a few MSOs raising funds for themselves. Considering the money spent by the MSOs in acquiring content and taking digitisation forward did not match with the on-ground collections, MSOs were left with no choice but raise more funds to complete the task in hand. So while Hathway got board approval to raise Rs 300.80 crore through preferential allotment of shares, Essel Group’s subsidiary Siti Cable Network raised Rs 600 crore through the issuance of securities. Last mile owner Ortel Communications too made its move towards getting listed. The LMO, this year, filed its draft red herring prospectus (DRHP) for its proposed initial public offering (IPO) with the securities and exchange board of India (SEBI). The IPO may raise as much as Rs 360 crore.

    The year also saw the I&B cracking its whip on a few MSOs like Digicable and Kal Cable as their licences were cancelled following refusal of security clearance by the Home Ministry. But the duo got relief from their respective state High Courts and are still up and running. Even as Tamil Nadu former Chief Minister J Jayalalithaa owned Arasu Cable struggles to get its DAS licence, Karnataka state government Minister for Information, Public Relations and Infrastructure R Roshan Baig too showed some interest in entering the cable TV business, this year.

     The cable TV industry, like every year was brought together through one forum organised by indiantelevision.com and MPA, IDOS 2014, held in Goa. The three day event threw light on some important statistics:

    ·         Of the 262 million households in the country only 162 million houses have a TV. Of this, 27 million is taken up by the free to air service providers such as Freedish via satellite and 7 million by terrestrial DD, while the rest comes under cable and satellite.

    ·         Rs 32,000 crore has been invested in digitisation since 2005 with a bulk of the investment coming from the DTH operators followed by the MSOs and LCOs since 2011. Out of this, over Rs 11000 crore in the last 24 to 30 months has been invested by MSOs and LCOs.

    ·         While the cost of all the pay channels on a wholesale basis is Rs 922 to digital platforms, the highest pack price is Rs 550 which is an anomaly and needs correction. Retail pricing is the answer to correct this. And it is competition amongst six DTH, two HITS, five national MSOs and several regional ones and the local cable ops will keep retail rates in check.

     We at indiantelevision.com hope that broadcasters, LMOs, MSOs will take a progressive view towards digitisation of their operations and also becoming transparent with their partners in 2015. The fact is there is a lot of work to be done: more than $3-4 billion are needed to digitise India’s cable TV infrastructure; a large part of these will most likely come from international players.   Many of these who were pacing the sidelines watching the developments clearly got a stomach upset and decided to park their funds elsewhere. Now it is up to the industry to restore investor confidence; that cable TV is a sector where one can see adequate returns. Failing which newer distribution technologies like OTT, video streaming and 4G might end up being good options which video lovers could end up considering.

  • 2014: An astonishing year for regional cinema

    2014: An astonishing year for regional cinema

    2014 was an interesting year. It started with a great deal of promise but at the end there is a feeling of unfulfillment too.

    What started with new films of different and interesting genres doing well at the box office ended slightly unsatisfied with some big film with a lot of expectation underperforming slightly.

    English content though continued to perform well with a lot of Hollywood’s big films doing really well at our BO. There is an increasing anticipation for these films and every year we are seeing more dubbed languages adding to the size of the release.

    Regional cinema, especially Marathi, has had an astonishing year. Audiences have clearly chosen to enjoy these films because they are telling intimate stories close to their heart. Still lessons were learnt and I think 2015 again holds great promise.

    There were also various trends in content in 2014; perhaps these trends didn’t follow through that well in the second half of the year. Content is certainly king right now and audiences are becoming very selective of the films they see. This is something that will continue, I think as prices for the content rise, people will become more and more elastic, choosing only films that they really want to see.

    I think next year has a lot of terrific looking films lined up and I expect films to build on this expectation to push audiences to the cinemas.

    Social media and the connected mediums will continue to drive a lot of reaction and indeed influence content. This trend will continue to get stronger as more and more people join the medium. Content viewing online is something that will also grow strongly. Without doubt this is an area where mobile internet will help greatly and the promise of 4G will fuel the need for content and the desire to consume it.

    I also think the trend of over-marketing films will also continue. Maybe for a short term but at the moment I truly feel marketing budgets are out of sync with the feasibility of a lot of the films they are being spent on and this is a slightly worrying trend. Sadly, there are no trends this year that have died out! I think there are always trends that die out and then slowly re-emerge as a ‘new’ trend again a few years later but I don’t think trends die out completely.

    Old wine in a new bottle is what our films are based on and I don’t think our audience will tire of that anytime soon.

    (These are purely personal views of Mukta Arts MD Rahul Puri and indiantelevision.com does not necessarily subscribe to these views.)

  • 2014: The year of big movements in the news channel space

    2014: The year of big movements in the news channel space

    MUMBAI: The year 2014 was an important year for the news channel industry, monetarily and otherwise. The bonus for the industry was the national election which not only kept them busy for the first half of the year, but also sent all the networks into profits for the first financial quarter. However, several changes took place on the people front with numerous big names moving out from their associated companies.

    The biggest shocker that hit the industry was the acquisition of Network18 by Reliance Industries’ subsidiary Independent Media Trust, putting the entire TV18 (news channels) section under the Mukesh Ambani conglomerate. Network18 founder and chairman Raghav Bahl, this year sold his baby to Ambani for a whopping Rs 4000 crore. Bahl has now set up his own new venture in the mobile space called Quintillion Media.

     

    What followed this was an upheaval of sorts, as one by one, the main pillars of the company began to fall. As soon as the meeting concluded between Bahl and the management of Network18, departures began which included group CEO B Sai Kumar, COO Ajay Chacko, CNN-IBN deputy editor Sagarika Ghose, IBN Network editor in chief Rajdeep Sardesai, Network18 Media CEO Sanjay Dua, Network18 digital CEO Durga Raghunath, Network 18 CFO RDS Binni Bawa and deputy foreign affairs editor Suhasini Haidar.

    Soon after, the discussion circled the possibilities of news manipulation by the conglomerate as well as editorial interference started cropping up. In order to assuage the racing thoughts of the employees, the newly formed management took a town hall meeting. A new set of executives joined the company including former Zee Media CEO Alok Agrawal who took charge as Network18 group COO, Umesh Upadhyay as news director, Rohit Bansal as non executive director, Hariharan Mahadevan as CFO and Deepak Parekh and Adil Zainulbhai as independent directors.

    The year also saw several people shifting loyalties due to various reasons. The biggest of them were Rajdeep Sardesai joining India Today as consulting editor and primetime anchor, Dilip Venkatraman and Savvy Venkatraman joining ITV Network as group COO of strategy and business development and group chief marketing officer respectively, former Indian Express editor in chief Shekhar Gupta moving to India Today as the vice chairman and editor in chief of news properties but within two months relinquishing his positions and becoming editorial advisor to the group and Sanjay Dua joining ITV Network as NewsX CEO and ITV network chief revenue officer.

    Months after Times Television Network MD and CEO Sunil Lulla was elevated to BCCL Group president of corporate development, he quit the company to join Grey group India as chairman and managing director.  Meanwhile, Times Now, ET Now and Zoom CEO Avinash Kaul went to IBN18 Network as CEO. ITV Network elevated CEO RK Arora to group CEO and soon after Arora quit to join News Nation as its CEO, which had been vacated by Shailesh Kumar, the former CEO and editor in chief of the channel. Kumar recently joined Focus Group as the managing editor for regional channels. Neeraj Sanan who headed distribution and marketing for MCCS that operates ABP news channels, quit and went to Focus Group as group CEO.

    News Xpress CEO and editor in chief Vinod Kapri decided to step down as well and was replaced by Prasoon Shukla. Early in the year, CNN-IBN managing editor Ashutosh quit to join the Aam Aadmi Party (AAP) and was replaced by Vinay Tewari who after several months shifted to Headlines Today as managing editor, a place left vacant by Nalin Mehta. Radhakrishnan Nair was appointed in place of Tewari.

    On the business side, Bloomberg TV India editor in chief Vivek Law quit to pursue entrepreneurial activities and the position was filled by Siddharth Zarabi. Zee News resident editor Sumit Awasthi joined IBN7 as deputy managing editor. News24 managing editor Ajit Anjum joined India TV in the same capacity. QW Naqvi who joined India TV as editorial director, left after a few months’ stint.

    On the international channels side, Naveen Jhunjhunwala replaced Preet Dhupar as BBC Global India COO while Ravi Agrawal was appointed as CNN International bureau chief for India. Bhupendra Chaubey who became executive editor of CNN-IBN, post takeover by Reliance, decided to shift his role to consulting editor. The year also saw the demise of veteran journalist Jehangir Pocha.

    The News Broadcasters Association (NBA) has been fighting tooth and nail for keeping news broadcasters out of the 12 minute ad cap. The case is still being heard in the High Court for more than a year. NDTV executive vice chairperson KVL Narayan Rao, after four years of heading the NBA as president was succeeded by India TV chairman and editor in chief Rajat Sharma. A new entity called the All India News Broadcasters Association (AINBA) was formed for the regional news channels with Azad News chairman MS Walia as its chairman.

    The other big takeover rumour that was making rounds was about the Adani group trying to stake claim in NDTV (which completed 25 years) which the company vehemently stated as a false one.

    The year also saw a few channel launches such as CNBC Bajar, News Nation UP/Uttarakhand, several regional news channels under the ETV group (now under Network18), Zee Purvaiya and Zee Kalinga which have now been converted into fully entertainment as against the earlier format of 50 per cent news and 50 per cent entertainment.

    2014 was also the year of revamps, with India TV, IBN7, NewsX, News Xpress and Zee News changing the look and feel of the channel. NDTV Profit converted into a dual channel NDTV Profit/Prime, with Prime operating as a fully sponsored channel, aimed at easing out the losses being made by Profit over the years.

    The 16th Lok Sabha general election added the much needed boost to the balance sheets of news channels that have been cribbing about high carriage fees, low subscription fees and advertising rates. CNN-IBN and Times Now came up with their election apps. The latter also tied up with north east channel News Live for poll coverage. Network18 tied up with Microsoft to set up an analytics centre for the elections while BBC used WhatsApp and WeChat for getting more traction from Indian audiences. This election season saw a new trend: that of editors moving out of the comfort zone of their studio and reporting from ground zero.

    As we approach the new year, burning issues are yet to be resolved such as the ad cap, carriage fees, paid news as well as foreign direct investment in news channels which is still stuck at 26 per cent and does not seem to have a better future any time soon.

  • 5 best social media campaigns of 2014 from India: TeamPumpkin

    5 best social media campaigns of 2014 from India: TeamPumpkin

    You must have noticed #AlexFromTarget or #IceBucketChallenge being the runaway success of 2014 on social media, both originating in America.  India also has its share of viral trends as brands and non profits spent ever increasing portion of their resources on social media to gain eyeballs and engage with their customers.

    Every day people on Facebook, Twitter and other social media channels are bombarded with new hashtags, contests and other campaigns to hook them up to brand and social causes. While some campaigns stand out as trending content or on other form of social media metric, many sink without a trace.

    Here we present Our Choice of 5 Top Social Media Campaigns of 2014. While these have top of the chart social media metrics to boast, we have limited ourselves to the uniqueness of campaign and engagement it brought with targeted audience.

     

    Nat Geo Cover Shot

    National Geographic India launched “My Nat Geo Covershot” on Facebook and amplified the contest on other platforms to gives fans a chance to use their photography skills and get featured on cover of National Geographic. Fans had to upload the photos with suitable caption and also had the chance to win travel packages. The campaign was followed up with daily updates, status and prompt winner announcements. In this period the FB page of National Geographic received millions of likes and generated buzz for the channel.

    The USP of the Campaign: Using strength of Facebook as photo showcase platform.

    Happy New Year Movie

    Shah Rukh Khan’s ‘Happy New Year’ released its trailer on social media including Whatsapp. The fans on Twitter and Facebook also interacted with SRK, Deepika Padukone, Abhishek Bachchan, Boman Irani, Sonu Sood, Vivaan Shah and Farah Khan including receiving digigraph posters from Film’s official twitter handle. The film hogged the trending topics for many days with hashtags #HNYTrailer, #HNY, #Indiawale #HNYTeamRocksHouston and other related pieces of campaigns. While the star cast was a guaranteed viral generator for the film but the execution team worked well to bring everything under one cohesive plan and generating a heightened buzz before the release. It was reported that the film grossed more than Rs 200 crore during its run.

    The USP of the Campaign: Execution of mega launch with coverage across channels and geographies.

    Pond’s Selfie Ready

    Folks at Hindustan Lever commissioned this campaign to go with latest craze – Selfie. The insight was spot on that while clicking selfies, people are most conscious of their skin. Campaign planners then executed this well by having a microsite as well as using twitter, instagram, youtube and facebook. They gave out skin care tips and kept the interest growing by having a selfie song. The campaign ran for more than a month and remained one of the best remembered social media initiative by a brand this year.

    The USP of the Campaign: Deep Brand Insight and using that to build a cohesive campaign.

    Rice Bucket Challenge

    Close on the heels of Ice Bucket Challenge, The ‘rice bucket challenge’ was the innovative idea of Hyderabad-based Manju Latha Kalanidhi who posted the challenge and asked friends to cook or buy one bucketful of rice and feed the poor in the locality. It was later known that she is a journalist and reports on rice market. “I personally think the [Ice Bucket Challenge] is ideal for the American demographic, but in India, we have loads of other causes to promote”, she elaborated to online news outlet NPR. A facebook page dedicated to the challenge gained nearly 50,000 fans within 10 days besides scores of people from all walks of life donated to the cause and joined the campaign. It was widely covered by print & TV news outlets generating unprecedented buzz for this user generated initiative.

    The USP of the Campaign: Simple message and social Good.

    Gillette #MyRoleModel

    This year father’s day belonged to P&G as it launched Gillette #MyRoleModel campaign targeting Men of 15-45 year age group. The campaign was well executed and had a 360 degree approach with Hashtag embedded TVC, Blogger outreach, Contests and giveaways. The highlight was innovativeness of the selfie campaign where Father-Son duo can put shaving foam and share the picture to win prizes. It was well supported with offline activities where cricketers interacted with fans and chatted about their father being the role models. What helped the brand is that the lead endorser of the campaign Rahul Dravid is himself a role model and a campaign like this around him was sure to generate buzz across channels.

    The USP of the Campaign: 360 degree approach.

    While now you have a list of top 5 social Media Campaigns of 2014, we can’t resist mentioning one of our in house campaigns that generated similar buzz and engagement for one of our Client.

    Tangerine’s #TangerineColorsOfLife

    Tangerine, the newest buzz in the Home Fashion Industry, decided to change its positioning to “Colors of Life” in March 2014. Across a 3 month period – April-June, tangerine organised various activities, right from videos regarding some celebs talking about “What Colors Mean to them” to a 12 week long contest asking people what Colors mean to them. The campaign received a huge buzz on social media with more than 22000 entries across Facebook, Twitter, Instagram, Whatsapp and Phone. #TangerineColorOfLife hashtag also trended on Twitter for two continuous days. The campaign helped the brand in setting its new positioning correct in the minds of their target customers and also engaged the customers to a great level.

    The USP of the campaign: Simplicity and outreach through different channels of Social Media.

     

    (These are purely personal views of teampumpkin.com co-founder Swati Nathani and indiantelevision.com does not necessarily subscribe to these views.)

  • The DTH industry’s big developments in 2014

    The DTH industry’s big developments in 2014

    MUMBAI: 2014 was the year of mixed fortunes for the direct to home television industry in India. The seven players in the industry continued to burn cash as customer acquisition costs continued to stay at high levels, at least one of the players spent a large part of the year looking for a white knight, all the players pushed ahead with their HD offerings in phase I, and II digitisation areas, leading to attractive rises in average revenues per user. The total number of registered subscribers and active subscribers, for all the six DTH players, as per the Telecom Regulatory Authority of India (TRAI) report, as on 30 June 2014 was 67.57 million and 38.24 million respectively. Close to 43.41 per cent of DTH subscribers were inactive till June 2014.

    At least two of the players have started generating positive cash flows during the year, even as new spectacular announcements of preparing launches of Ultra HD or 4K services were made during the year. Fresh debt and equity infusions, efforts to introduce new subscriber packages, and an announcement of new policy directions for licensing DTH by TRAI were the hallmark of the year.

    The DTH industry in the country saw some big innovative changes being made over the year 2014. These helped the industry in adding more subscribers while marginally increasing the average revenue per user (ARPU).

    The year began with three DTH operators, Tata Sky, Sun Direct and Reliance Digital TV being issued notices by the Information and Broadcasting Ministry (I&B) for not showing the mandatory 24 Doordarshan channels. Later on the Ministry also pulled the entire DTH industry for not paying licence fee worth Rs 2066 crore.

    The DTH ops resisted the amount stating that they had been paying the fees on the gross revenue (GR) basis while the government was extracting it on the adjusted gross revenue (AGR). A court case on the same had been pending from nearly four years and is still ongoing. However, Tata Sky and Reliance decided to challenge the same in the Telecom Disputes Settlement Appellate Tribunal (TDSAT) while Sun Direct made an application on its 2009 petition regarding AGR.

    The licence fee case was put in the backburner by the TDSAT stating that since it is relative to the telecom case on licence fee issue, it would hear that case first and then come to the DTH case. By the end of the year, however, the TDSAT agreed to hear the DTH ops separately rather than wait in line, the case is still on. Tata Sky in the meanwhile has already paid a sum of Rs 383 crore to the I&B Ministry, while Dish TV awaits court orders.

    The budget 2014 got some relief to the set top box (STB) manufacturers by reducing the excise duty from 12 per cent to 10 per cent from February to June 2014. However, they continued to fight the entertainment and service tax that was being levied on them since several years while cable operators go without paying it. Dish TV raised the issue with the finance minister Arun Jaitley and then I&B Minister Prakash Javadekar to discuss the multi layered taxes, which however didn’t lead to any conclusive solution on the same. DTH ops are subjected to licence fee, 12. 3 per cent service tax and also entertainment tax at the state level.

    The DTH Operators Association also saw a change of head with Dish TV CEO RC Venkateish replacing Tata Sky MD and CEO Harit Nagpal. Doordarshan ADG Ranjan Thakur who also headed Freedish moved out due to the expiry of his term.

    Freedish has been working on adding several Indian as well as international channels through its auctions while also setting up MPEG-4 boxes alongside MPEG-2 for the interior parts of the country.

    Several new innovations came across last year. Tata Sky introduced a new feature of Karaoke on TV while Videocon d2h came out with a headphone attached to the remote for watching TV without disturbing others. Both of them also were the first ones to introduce 4K HD TV set top boxes in the country. However, the official commercial rollout for both has yet to happen. Tata Sky even did a live telecast of one of the FIFA world cup matches on its 4K TV as a demo.

    Dish TV on the other hand, chose to go local, by introducing customised packs for regional India. A sub-brand ‘Zing’ was launched that would give localised packages in the states of West Bengal, Odisha, Tripura, Seemandhra, Telangana and Maharashtra. The oldest DTH operator also heaved a sigh of relief when after months, it received the nod from the Sri Lanka government to commence operations for its DTH project in the neighbouring country.

    With markets being more receptive, Videocon d2h, which has been planning on launching its IPO since long, went ahead with its filing to SEBI for Rs 700 crore with seven banks managing the share sale. Much of what it can raise will go towards acquiring STBs and outdoor units. Dish TV is also contemplating on starting its own manufacturing unit, though it hasn’t laid any concrete plans on it yet.

    TRAI played a big role when it came out with its DTH licencing recommendation paper which is now pending before the I&B Ministry. The paper restricted broadcasters from owning more than one DPO which is likely to affect Dish TV/Siti Cable under Zee and Sumangli Cable/Sun Direct under Sun Network.

    The paper however extended the 10 year licence period to 20 years while the one time entry has been retained at Rs 10 crore. DTH operators whose licence term expires after 10 years will be allowed to apply for a 10 year extension. The licence fee has been reduced from 10 per cent of GR to 8 per cent of AGR.

    The earlier norm of providing a bank guarantee (BG) of Rs 40 crore was change to the amount payable as a licence fee for two quarters and will have to be renewed year on year till the end of the licence period. New entrants will however have to provide a BG of Rs 5 crore for two quarters and then progress as above.

    The year ended with the Comptroller and Auditor General (CAG) of India coming out with a scathing report on the management of satellite capacity for DTH service by the Department of Space (DoS). In it, it stated that over the years the DoS has been lagging in its satellite launches that were required by DTH operators, leading to them migrating to foreign operators and loss of revenue to the government. The DoS had also goofed up on charging Sun Direct and Prasar Bharati leading to a loss. On the other hand, its commitment to Tata Sky for first right of refusal for using its Ku band transponders, led to its transponder space remaining idle for years.

  • 2014: A year of change for GECs

    2014: A year of change for GECs

    2014 was a year of change and evolution for Zee TV. The game is not over yet, I think we are still evolving everyday and so are our audiences and that is the real excitement. This year, we saw a lot of buzz and excitement on the channel, around the new properties and we are carving our own identity year-on-year in the general entertainment space.

    The channel created some extraordinary concepts in 2014 and now we are seen as a channel that has clutter-breaking ideas within the traditional format. We have launched shows with very different type of protagonists from Jamai Raja to Bandhan.

    We also came up with a weekend block of Zee Super weekends with Maharakshak Aryan and Neeli Chatri Waale and the other non-fiction shows. So, there was an attempt to provide differentiated content to the viewers and yet something that they will be familiar with very easily. This year, we have also observed a very quick traction for all our new shows. Be it for Kumkum Bhagya or Jamai Raja and even Neeli Chatri Waale which has seen strong growth within eight and nine weeks of its launch.  

    We are happy that people are attracted to the differentiated content that we are providing. 2014 was also a year of experiments in the non-fiction category, right from finding talent in India’s Best Cinestars Ki Khoj to Dil Se Naachein Indiawaale. Moreover, we are now coming back to the traditional Zee show Sa Re Ga Ma Pa Lil Champs as we enter the last leg of the year.

    The idea is to be happy with whatever you do because I think from a product and positioning point of view we have changed in the last nine months. We made a conscious shift about how we look and feel. There is certain uniformity in what we are doing and a certain sense of it coming together. The numbers have been good, so satisfied at that level. We are aligned with the legacy of Zee and yet evolving in a direction that we want to take the channel in.

    I see the same evolution being mirrored in the rest of the industry as well. Channels are providing content that is in the familiar zone but with very different types of protagonists and very different propositions. You may feel like you are watching a show which is in a genre that looks familiar but the story, characters, subjects, the way stories are presented are all different. There is a sense of innovation which broadcasters are giving and audiences are accepting. I think this is a beginning of a good phase.

    Not only Zee, but talking about the whole industry, what we as broadcasters will continue doing is living and breathing what our audiences want and giving them that.

    In 2014, we at Zee have started a new journey and it will take us to a very different place from where we were before. I hope the audiences will be with us in the journey.

    (These are purely personal views of Zee TV programming head Namit Sharma and indiantelevision.com does not necessarily subscribe to these views.)

  • 2014 – The Year of the Mobile

    2014 – The Year of the Mobile

    2014 was a new era in the rise of mobile, content marketing and big data for many businesses. Right in its embryonic stage, mobile has irrevocably transformed digital marketing. It’s been an eventful year for marketers with the rise of omni-channel, mobile-first marketing, and a rapid growth in geo-tagging management – to name, but a few. The digital marketing industry will evolve even further in 2015, bringing a new set of marketing strategies and opportunities to look forward to. Here are some recent trends marketers should be attentive to for the year ahead.

    We have already heard a lot about the mobile craze everywhere but 2014 bucked that trend. We are now going to witness major consumer transactions happening via mobile driven by mobile payment options such as paytm and freecharge. There is a perfect atmosphere of strong consumer evolution to mobility for every aspect of their lives, as well as enterprises treating mobility as a strategic advantage. We also saw mobile usage of social media overtake desktop usage. The mobile-centric Instagram, grew to over 300 million active users. There are more mobile phones (7.2 billion) on planet than number of people (7.16 billion).

    It happens very rarely that a prediction in digital industry comes true. There were a lot of talks about 2014 being a year of mobile and that statement has come true, with 2014 witnessing an enormous growth in smartphones and so will 2015. Mobile presents a huge opportunity for marketers to reach their target audiences. Google research shows that 7 per cent of mobile searches led to a purchase within 24 hours, rising to 18 per cent for local searches. Smartphones are also changing communication habits – particularly for younger generations – with 94 per cent of communication time for 12 to 15 year olds spent on text-based activities such as instant messaging and social media, and only 3 per cent spent on voice calls.

    In 2015, we will see the widely discussed mobile-first marketing approach finally develop to take advantage of these high consumption levels. Retailers will push more high-volume, low-cost products through their mobile commerce platform, to gain enhanced data on consumer behaviour, locality, adaptation, and ROI.

    In the 2014 elections, we saw most politicians using social media for campaigning. Not only Indian politicians used social media but during the presidential elections in 2008 and 2012 president Barack Obama’s team most effectively used social media campaigns. In India, we saw the Modi selfie on voting day, live rally broadcasts on mobiles, AAP using it for driving new member joinees and for getting citizen participation in its initiatives.

    Global revenue from app stores is expected to rise 62 per cent this year to $25 billion. From ecommerce companies to travel outfits to government departments, everyone is launching mobile apps and driving significant sales and user engagement through same such as paytm, free charge and other mobile centric means for micro small payments. It’s almost like a DoTcom evolution of 15 years ago – no one wants to miss the bus. The same followed by a rise in the mobile handsets sales, led by newer and fancier smartphones is a major catalyst in making 2014 an era of the mobile and paving way for the coming year. India is already the 3rd largest market for smartphones and will overtake USA shortly.

     Telecom operators have finally started to see a lot of data usage from their customers and their 3G infrastructure investments have started to show financial results. Consumers are in a happy mode with lot of choices – lot of people have more than one handset and kids and teenagers are not the only one using them for social media.

    India has emerged as the strongest market for digital companies who see a huge growth opportunity here. For Facebook, Whatsapp, Google – India is one of their top markets. Regardless of where an Internet company is launched today, India very quickly becomes a large user base for it.

    Rural India is also not untouched from this craze and has started seeing relevant information and entertainment services readily available to them via mobile. Venture capitalists and investors are willing to bet long term on sustainability of mobile led digital evolution and are pumping in millions of dollars.

    So what does all this mean as a marketer?

    1- Jump on mobile bandwagon quickly, else you will lag behind

    2- Gear Up for Big Data & analytics to play a bigger role in next phase of mobile evolution

    3- Gut based decisions will start getting replaced by more number driven decisions

    4- 3Ms need to be central to your marketing plans –i.e., Millions of people engaging with Multiple offerings on their Mobile devices.

    Mobile has started to impact almost every sector of our life – payments, healthcare, shopping, eating, travel, investments, and education etc. and it is important for marketers to understand the changing trends and design their marketing strategies accordingly. Mobiles provide a personal connect to user base and customers which helps impactful brand engagement with the audiences, which is all a brand campaign is about.  It’s an era of dialogue creation, with integrated campaigns across platforms made even more convenient via mobile. 2015 promises to ride this wave of momentum as smartphones will become more secure, more contextual, more location-aware, more targeted, and more integrated. We will witness the most engaging mobile experiences till date come to life in 2015. There will be an integration of Mobility, the cloud, and the Internet of Things creating significant opportunities for businesses to expand and for consumers to enjoy. But these opportunities will also come with newer challenges.

    (These are purely personal views of Digital Quotient chief operating officer Vinish Kathuria and indiantelevision.com does not necessarily subscribe to these views.)

  • “Thanks to fruitful elections, balance sheets look better in 2014”: Rajat Sharma

    “Thanks to fruitful elections, balance sheets look better in 2014”: Rajat Sharma

    The news industry has taken a full circle – from providing welfare information to entertainment to astrology to cricket to sensationalism and now almost pure news taking back the centre stage. In a recent phase, news channels were dominated by frivolous content and Hindi news channels stood as the main suspects. The industry has worked really hard get over it to regain its lost respect. I can now safely say that “NEWS IS BACK”.

    While the news channels have proved themselves as an effective platform for promoting culture, movies, sports and many other activities, at the same time they have played a pivotal and decisive role in tackling core issues like corruption, rape, terrorism and inflation. Relentless coverage of Delhi rape case, Anna Hazare’s Lokpal agitation, 26/11 etc. to name a few stand a testimony to that fact.

    Despite the fact that news channels comprise an enormously important element of the socio-economic and geo-political ecosystem of the country, most such channels are facing monetary issues – characterised by negative pressures on the revenue toplines and ever increasing costs. The current year though may prove to be an exception and the respective balance sheets may look better than explained, because the industry has seen a relatively long and fruitful election season.

    The carriage fees regime stemming out of the analogue pipeline (despite a couple of phases of digitisation already complete) still plagues the industry. However, with the recent developments over the last couple of years, we hope that the actual correction (from digitisation) will start happening in the near future.

    The increased bandwidth due to transition to the DAS regime, will not only push the carriage fee down, but also bring in the transparency that shall further help proper monetary compensation for the operators so that the pressure can further reduce on broadcasters. This will help boost the profitability and further the cause of more investments in developing quality content that will be dished out with better audio/video quality.

    What could have been another blow to the industry, which is already reeling under multiple pressures, a 12 min/hour advertising cap that was introduced by TRAI for all the channels. We are happy that after a series of discussions with TRAI and TDSAT, High Court has finally put a stay on the same.

    I think it’s time now that broadcasters should unite and work towards the growth of broadcasting industry that not only provides employment to thousands but is an important pillar of India’s democracy. In an example of this unity, IBF & NBA along with other industry stakeholders, have created BARC as an alternate to TAM which we are sure will be a transparent and incorruptible currency.

    (These are purely personal views of India TV chairman and editor in chief Rajat Sharma and indiantelevision.com does not necessarily subscribe to these views.)

  • 2014: The year of bold steps

    2014: The year of bold steps

    The year 2014 will go down in history as the year of bold steps.  Whether it was the postponement of digitisation, the introduction of many a forward-thinking and hard-hitting paper and regulation by government regulator Telecom Regulatory Authority of India (TRAI), the industry’s punts at experimenting with big ticket shows, the completion of the acquisition of the Network18 group by Reliance Industries and the departures that followed thereafter, the push by YouTube into creating  a platform that could disrupt audiovisual content viewing, followed by the drive by broadcast networks to build their own independent digital platforms, the increasing importance of social media for television, the introduction of Reference Interconnect Offer (RIO) deals by Star India in a bid to force the industry to speed up digitisation,  big 4K announcements by Videocon and Tata Sky, the rise and rise of Life OK and SabTV, or the slow descent of Sony (once amongst the top two Hindi general entertainment channels -GECs ) to the number sixth spot, the continuing stranglehold of Star Plus over the Hindi GEC viewer,  the industry’s total disillusionment with existing TV rating provider TAM India, and the swing towards the new industry-backed BARC, the news and niche TV channels’ battle with the the government imposed advertising cap of 10+2 in the courts, the launch of three specialised Hindi general entertainment TV channels, a gradual increase in carriage fee payouts to the cable TV sector by smaller channel owners – all these and many were formed the highlights of the television business in 2014.

    To start with, the government took a firm decision to push ahead the analogue cable TV sunset date to 2016, seeing the state of progress by India’s 60,000 cable TV operators and seven-odd so called national multi system operators (MSOs). Of course, digitisation delay led to a lot of carping by many in the trade, but then it was back to business as usual very quickly. For some, no change was more comfortable than having to reinvent thinking, processes, and also business models – which was proving painful. Those who had pressed their foot on digitisation’s accelerator eased off a bit as they had been given some breathing space.

    The new government

    public://Narendra_D_Modi.jpg2014 was the year of the big change, with the Narendra Modi led Bharatiya Janata Party (BJP) sweeping the ‘election of the century’ and coming to power.  In the new government, the mantle of Information and Broadcasting Ministry was given to Prakash Javadekar, who in his five months tenure made numerous public appearances, making major announcements. Before, the portfolio was passed on to Arun Jaitely in November, Javadekar had made some crucial changes, that of pushing the deadline for digitisation of phase III to December 2015 and of phase IV to December 2016. The move was  done in order to help the indigenous set top box (STB) manufacturers’ boost their businesses as well as allow the MSOs and cable TV operators’ enough time to do it right.

    The year saw the tech savvy Prime Minister announcing his dream of seeing a ‘Digital India’, which was followed by numerous campaigns. It was also the year, when the Media and Entertainment sector envisaged of becoming a $100 billion industry by 2020.

     

    Cable, DTH and Distribution

    public://222222.jpgIn the cable TV sector, while the tiff between the last mile owners (LMOs) and MSOs over ownership of consumers, billing and revenue share continued like in 2013, some unity could be seen amongst the MSOs with regards to voluntary digitisation after the I&B decided to push digitisation to a later date. The LMOs on the other hand united in several parts of the country to form cooperatives in a bid to get some financial muscle to be able to digitise apart from strengthening their customer base. The year saw not only Hinduja’s headend in the sky (HITS) project taking strides, a new model of distribution: Cable Virtual Network Operator (CVNO) too came up in a few cities like Mumbai and Kolkata.

    Another major development towards the end of the year was the decision of Star India to apply the RIO deal approach with the MSOs. The move while aimed at bringing in addressability and packaging in the DAS markets, saw a number of MSOs coming up with either different packages or putting the network’s channels on a-la-carte.

    With the Average Revenue Per User (ARPU) not showing much signs of improvement, a number of MSOs have started shoring up their broadband offering to customers.  The year also saw Den Networks launching its broadband service in Delhi, with plans of expansion in the coming year.  

    The direct to home (DTH) operators too were seen taking some bold steps with Dish TV launching a sub-brand Zing for the regional markets and Tata Sky and Videocon d2h announcing that they would be introducing 4K set top boxes in India. Not only this, DD Freedish too decided to seed MPEG4 STBs along with MPEG2 boxes in interior areas.

    The icing on the cake was TRAI’s regulation on unbundling, which saw distribution giants, MediaPro and TheOneAlliance parting ways. A lot of other broadcasters too were seen setting up distribution initiatives of their own. 

    Advertising

    public://bjp.JPGThe 16th Lok Sabha elections were not only fought on the ground, but political parties laid siege to the airwaves as well. This general election was the first among many, where media was so extensively (and blatantly) used by political parties.  Far from fighting shy of marketing themselves, the main players – Congress and BJP –spent nearly Rs 400 to Rs 500 crore each on publicity campaigns. An additional Rs 500 to Rs 1,000 crore was spent on related activities such as banners, hoardings, organisation of public meetings and transportation of key campaigners, among others. Not surprisingly, media agencies had estimated around 2 to 2.5 per cent of overall advertisement spends this year to come from elections.

    The year also saw the growth of the e-commerce sector as they intensified their battle. As investments rolled in, the market spends increased to woo customers. And with Finance Minister Arun Jaitley in his maiden budget announcing that manufacturing units will be allowed to sell their products through retail including e-commerce platforms without any additional approval, paving a path for the foreign direct investment (FDI) in the manufacturing sector, the upsurge is expected to continue.

                                                                                                                                                                      News Broadcasters

    public://Mukesh-Ambani-1.jpgThe first half of the year went in covering what seems the country’s biggest election. From exit polls to election result day, one thing was clear that it was a battle of individuals and not parties. And one man leading it all was none other than, BJP’s Narendra Modi.

    The news channels went all out to outdo each other as far as presentation was concerned vis-a-vis live graphics and coverage.  As per industry sources, the channels had earmarked Rs 1 crore to Rs 1.5 crore for the day, but spent a lot more. And with youth stepping out to vote, the channels went all out to social media to gather the pulse of the nation. Channels tied up with Microsoft and Google as well.

    The second big thing, which shook the industry, was when India’s largest company Reliance Industries announced its takeover of India’s largest media companies–Network 18.

    In May, RIL said it would invest about Rs 4,000 crore through Independent Media Trust, of which RIL is the sole beneficiary, to acquire 78 per cent stake in NW18 and about 9 per cent stake in TV18. Founder Raghav Bahl continues to be on the board as a non-executive director.

    The announcement saw senior level exits from the network. The CEO, CFO, COO quit in the days after it. The network’s news channels too saw famous faces like Rajdeep Sardesai moving on.

    The move did make many ask: Is this the death of media independence? But Reliance managers took quick initiative to assuage any such doubts, essentially keeping a hands-off approach from the news network.

    Programming

    public://star.jpgThe television industry saw two major appointments – Uday Shankar taking over as president of Indian Broadcasting Federation (IBF) and NP Singh being elevated as Multi Screen Media (MSM) CEO. Then his predecessor Man Jit Singh was given a US posting and global responsibility in Sony’s home entertainment division.

    As for the programming, the number one channel as per TAM TV ratings, Star Plus intensified its youth turn by launching shows like India’s Raw Star, Airlines and Everest. 

    Zee experimented with content through its new channel, Zindagi, with a slate of programming from across the border – Pakistan . A relief from daily melodramatic soaps got another boost as the country’s first genre-specific Hindi entertainment channel, Epic, finally got a nod from the MIB after more than a year-long wait. MSM too launched two new channels – Max2 and Sony Pal – to add a little more flavour to its pack.

    As industry awaits Broadcast Audience Research Council (BARC) to give out ratings, the body held roadshows across the country to share its updates with all constituents across the entire broadcast value chain, and, equally important, to receive feedback and suggestions.

    Sports

    public://kabbdi.jpgThe year saw India embracing a number of sports leagues apart from cricket, like football, tennis, kabaddi and basketball, that too in different formats. The Pro Kabaddi League, an initiative to revive India’s contact sports was a success and a surprise, not just on television but also at the stadiums, as Indian families cheered  the country’s lost sport. Bud sadly enough, advertisers decided to play a wait and watch game and missed the bus. It was initiated by Mashal Sports and broadcaster Star Sports.

    The Hero India Super League, an IPL styled football domestic tournament was a hit too, on television, social media and fans flocking to the stadiums. Conceptualised by Star Sports, IMG-Reliance and All India Football Federation (AIFF), it garnered a strong advertising support in its maiden year. While bigger brand like Hero, Puma and Amul came on board for the league as title and associate sponsors, individual franchises too drew support from brands.  With advertising and sponsorships stakes high in the Indian Premier league (IPL), these formats have allowed brands with smaller advertising budgets to have a play in the sports television business.

    While the industry did take some bold steps in the year, it hopes to reap the benefits in 2015.

  • 2014 was the year of innovations in digital advertising: CVL Srinivas

    2014 was the year of innovations in digital advertising: CVL Srinivas

    From a media perspective 2013 was the year of the perfect storm and something tells me that there is lots waiting to unfold in 2015.  Was 2014 the lull before another storm? The major event that dominated 2014 was of course the general election and the wave of optimism and hope that has been spreading ever since the new government came to power. Not only was this the most bitterly fought election from a media standpoint; it was the most well orchestrated win combining strategy with clever tactics.  Advertising was only one part of the strategy. 2014 will go down in history as the year that gave a new meaning to marketing of political parties. We now realise that the general election was only the beginning. With a slew of schemes, clever branding and initiatives that touch the common man, the government is turning out to be a very savvy marketer. One hopes the product lives up to its promise.

    The extension granted to TV digitisation was a bit of a dampener for the broadcast sector. There has been some indication that the phase III licensing for radio will soon go through. Meanwhile, India became the second biggest market for Facebook, the overall Internet penetration crossed 200 million and mobile Internet became the most dominant force of change. And yet we have bandwidth issues, call drops and sometimes feel like going back to the old faithful ‘landline’.  As a nation we need to play catch up in digital infrastructure and going forward I hope this is given the highest priority.

    As for the advertising industry, 2014 saw a 12.5 per cent growth (as per GroupM TYNY estimates) as against a global ad spend growth of 4.5 per cent. Apart from political advertising, if there was one sector that stood out was ecommerce. This sector will end up with more than 50 per cent growth over last year closing the year at Rs 2500 crore of ad spend. The upsurge in this sector is expected to continue. FMCG (which remains by far the biggest sector in terms of ad-spend contributing about a third of total advertising) continued to invest in advertising despite supply side pressures, poor volume growth and an uncertain monsoon season. We expect FMCG to end the year with 12-14 per cent growth. Auto has seen a revival both in terms of sales and ad spends. The sector is expected to see a 15-17 per cent ad spend growth in 2014. With petrol/diesel prices coming down, we expect more action in the months to come. Telecom brands are back after a lull, adding to the overall positive trend. All in all it was a good year, although anything less than 15 per cent ad spend growth still seems low for our market. As expected digital advertising grew at 35 per cent, while TV continued to do well with approximately 15 per cent growth. Regional language dailies helped grow the print sector. Cinema turned out to be the dark horse, with 25 per cent growth though on a relatively small base. Unlike the past few years, we had a clear blip during the festive season this year across all media.

    2014 saw a great deal of innovation in digital media advertising. GroupM and our agencies have been at the forefront of many exciting developments. Digital video has emerged as one of the biggest growth drivers of digital ad spend. Mashup, our digital video content unit has seen a lot of traction, we have made over 1500 pieces of digital video content in the past year. Across the industry, we saw many memorable campaigns launched first on digital media. More brands have taken to social media platforms to keep the conversation going, social listening is emerging as a key input for advertising and media planning.  We have worked with clients (like Nestle) to establish social command centers that have given our media and content planners real time insights. Mobile as a medium continues to grow and will soon account for nearly 20 per cent of the digital ad spend. Madhouse is our mobile center of excellence that is now in its third year of operation. Another emerging trend is audience planning, where digital inventory is combined with data to ensure better ROI for brands. GroupM’s Xaxis is a platform that is at the forefront of innovation in this space.

    We have lots to look forward to in 2015 including the ICC Cricket World Cup.

    Here’s wishing you all a Very Happy New Year.

    (These are purely personal views of GroupM south Asia CEO CVL Srinivas and indiantelevision.com does not necessarily subscribe to these views.)