Category: Specials

  • Change in investor mindset needed for MSOs to chart growth path

    Change in investor mindset needed for MSOs to chart growth path

    GOA: While the direct-to-home (DTH) sector has managed to attract investment from private investors because of its growth, the cable industry will be able to do so only if multi-system operators (MSOs) add broadband to their services.

     

    This was the general consensus of a session on ‘Investing in Digital assets – Gems and long bets’ at the ongoing Indian Digital Operators Summit (IDOS) 2015 organised by Indiantelevision.com and Media Partners Asia.

     

    HSBC Securities and Capital Markets (India) Pvt Ltd director of analyst telecoms, media and Internet Rajiv Sharma said that DTH had gained as it has shown growth in terms of average revenue per user (ARPU), and innovation.

     

    While the stocks of cable industry initially went down, a reading of the figures of both cable and DTH showed that there was some recovery towards the end of the year. “The MSOs have not matched up to expectations, partly because of MSO-local cable operator problems,” Sharma said.

     

    In the session moderated by Castle Media ED Vynsley Fernandes, Sharma said that broadband can be the catalyst, which can bring in growth but only one or two MSOs have entered the broadband space.

     

    “The scale of growth is directly linked to attracting investments. If LCOs (local cable operators) can show that they own subscribers, they will get investment,” Sharma said. However, he was quick to add that broadband infrastructure and broadband compliant STBs (set top boxes) would help.

     

    Asked about collaborations, Sharma said that the media can learn a lot from telecom where networking and collaborations led to the government thinking in terms of letting them sell or share spectrum. “Telecoms focus on revenues to share, while the cable industry wants finance for set top boxes,” he said.

     

    Replying to a question about the slow growth of broadband in the country, he said, “Anything that is wireline will grow slowly whereas wireless will grow much faster. The consumer is willing to pay but it is for the government to facilitate this.”

     

    Sharma also added that the quality of management, profitability and network will attract investments. He regretted that the cable industry had failed to learn any lessons from the first two phases of the Digital Addressable Systems (DAS).

     

    Concurring with Sharma, MPA executive director Vivek Couto added, “Investors reward growth and DTH did exactly that.” However, he was of the opinion that the last mile operator (LMO) will consolidate under the Headend In The Sky (HITS) platform and that may change the situation. “The results will begin to show in the three to four years,” he said.

     

    Referring to NXT Digital, which was prepared to offer funding, he said that LMOs may now come forward.

     

    Couto added that while organized MSOs were doing well, investment in broadband in the short term would bring in benefits in the long term.

     

    In reply to a question, he said that India was the only country where content generation was growing. “But in all this, the cable industry was feeling lost,” he opined.

     

    Indiantelevision.com founder CEO and editor-in-chief Anil Wanvari had the last word when he said that the mindset of investors had to change as few MSOs in India could today afford the kind of growth their counterparts had shown in foreign countries.

     

    In another session, Maharashtra Cable Operators Foundation president Arvind Prabhoo and Sagar E-Technologies executive director Sudhish Kumar agreed that the cable industry had to organise itself better if it was to attract investments and grow in the digital era.

     

    Prabhoo said he had succeeded to an extent in this by getting the LCOs to be seen as the last mile operator (LMO). In an example of how the LMOs can grow, he said, “30 LMOs in Nagpur have joined together to form an MSME and were not prepared to invest in other LMOs,” he said.

     

    He added that if investors put in money to help create model services, there will be a major change in the next six months or so. “If cable operators offer other services through their STBs, there will be a churn in the industry,” he said.

     

    Kumar, who has a headend in Bangalore, lamented that finance was a major problem. “One STB cost around Rs 1500, but some of the larger MSOs sell boxes for around Rs 1000 and this forced others to sell at lower rates, which in turn results in a loss,” he said.

     

    Emphasising on the fact that MSOs were not concentrating on marketing, he said that if they did, it would help in consolidating the industry.

     

    Citing his own example, he said that he had not lost a single LMO despite having had ups and downs in his company because of the faith reposed in the company.

  • LMO – consumer collaboration is key to successful digitisation: IDOS

    LMO – consumer collaboration is key to successful digitisation: IDOS

    GOA: Collaboration is the only way for the Indian digital industry to go forward – particularly if it involves the last mile operator (LMO) as well as the subscriber. This was the core of the opening of the Indian Digital Operators Summit (IDOS) 2015 organised by Indiantelevision.com along with Media Partners Asia on the theme of ‘Defining the Digital Future.’

     

    Speakers at the summit, which is being held at The Lalit, Goa from 24 – 25 September, stressed that it was time to stop fighting with each other in courts or other forums and to move forward together since digitisation was inevitable.

     

    Speakers in the opening session of IDOS 2015 were clear that though the government was the largest gainer by way of taxes etc, it could not be depended upon and it was for the stakeholders to move forward on their own if the Phase III and IV digitisation deadlines set by the government had to be achieved. 

     

    Describing the scenario as a marathon race, Viacom Group CEO Sudhanshu Vats said it was critical for all stakeholders to collaborate and yet compete at the same time.

     

    The industry also needed to keep in mind the fact that the consumer is running ahead and everything depends and changes according to what he wants.

     

    In order for the market place to evolve, it was imperative that all stakeholders moved forward in a collaborative spirit. The policy makers, unfortunately, are the last in this race as they are slowest. So frustration will set in if everyone looks to the government as the winner.

     

    “Digitisation is being looked at myopically but it is necessary to look at it along with the consumer. Over the Top services will shortly take over in a big way. It is therefore important to realize that while each platform has a different technology, it’s important to keep pace. Players have to be pro-active and customise for all the 1.2 billion viewers,” Vats said. 

     

    Walt Disney India MD Siddharth Roy Kapur said it was important to see how consumers were rapidly moving from just a single screen scenario to usage of multiple platforms. “That is the reason why I prefer to use the expression ‘video content delivery business’ instead of television business. There is a strong need to put consumers at the centre of the whole media business,” he added.

     

    However as a result of multiple screens coming in, the level of attention span per screen has been declining. “Stakeholders have to keep this in view while planning their strategies. Content creation therefore has to change accordingly and companies need to find ways to get the consumer to value the content,” he added.

     

    He also stressed on the need for companies to look at each other as partners and move ahead to derive more value and average revenue per user (ARPU).

     

    Hinduja Group’s Grant Investrade MD Tony D’Silva said his company had carried out various studies before launching their Headend In The Sky (HITS) platform – NXT Digital. “All these studies showed that the last mile operator, who had built this industry with his sweat and blood, had to be taken along, and the consumer was a key stakeholder,” he said.

     

    It was clear that the first beneficiary through taxation, service tax, entertainment duty or licence fee was the government. However, the government has done little to support the industry. On the other hand, the second beneficiary was the broadcaster, which received 75 to 80 per cent of the revenues. “He therefore must play a key role in this journey,” D’Silva said. 

     

    Considering what these stakeholders – government and broadcasters – get, it was necessary that the two help other stakeholders if digitisation had to be achieved. 

     

    Digitisation will also help bring about transparency in a scenario where the LMOs had been declaring just around 15 – 20 per cent of their subscriber numbers.

     

    NXT Digital has been designed in a manner in which the LCO/LMO does not lose proprietorship of their business and did their own broadcasting deals as well as pricing and packaging as per market rates. The HITS platform also enabled LCOs to obtain set top boxes at their own convenience with easy funding and set up local channels in order to compete with other digital platforms like direct-to-home. NXT Digital had worked out a fee of just Rs 50 per subscriber per month and is offering 500 channels.

     

    It also ensured encryption at three stages: in the NXT system, at the LCO level and at the STB-end. GPS had been provided to the STB to ensure any movement was detected. It is therefore clear that the LCO has to be helped if Digital Addressable Systems (DAS) has to succeed. Perhaps the biggest problem was to get the consumer to pay, and the LCO needs to be aided in this task.

     

    In a presentation of the present scenario, MPA executive director Vivek Couto said that it was important for stakeholders to get their act together as digital penetration was only at 50 per cent so far. “It is also necessary to remember that Phase III and Phase IV comprise a large chunk than the first two phases,” he added.

     

    According to Couto, around 70 per cent of the content contribution was coming from players like Viacom, Sony, or Fox. Adding that the low rate of internet connectivity around the country was a major issue, he said, “The Indian pay TV business will remain competitive and reach its peak in the next three years, but research and collaboration is very critical for this.”

     

    Indiantelevision.com founder CEO and editor-in-chief Anil Wanvari said in his opening remarks that in order to meet their targets, stakeholders had to have commitments and take tough decisions. “However, the large number of legal cases and problems of agreements between various stakeholders must make them realise that DAS will not succeed in this manner,” Wanvari emphasised.

     

    At the same time, Wanvari was also of the opinion that LCOs and LMOs had to change and forge partnerships in order to move forward. 

     

    The government on its part must do something about taxation along with opening up for greater foreign direct investment (FDI).

  • FremantleMedia brings ratings winners to MIPCOM 2015

    FremantleMedia brings ratings winners to MIPCOM 2015

    MUMBAI: An exciting line up of bold and energetic titles are on their way to this year’s MIPCOM, set to grab the attention of worldwide TV buyers. 

     

    FremantleMedia director of global entertainment Rob Clark said, “I love how brilliantly diverse our formats feel this MIPCOM. Every show is a proven ratings success and has been tried and tested in some of our toughest markets. From enticing new titles set to shake up schedules to reinvigorated classics with a modern twist, I’m confident we can cater to audiences across the globe.” 

    First from the slate is La Banda, a dramatically different new music reality competition where, for the first time ever, the fans are in control. Developed by SYCO Entertainment, Saban Brands and Univision Network, La Banda’s recent launch in the US placed Univision as the No. 4 broadcast TV network – 74 per cent above Univision’s regular Sunday audience average. 

     

    Then, prepare to strap on those safety goggles for The Eureka Moment – an explosive new game show by Blue Circle that that supersizes classroom chemistry into classic prime time entertainment. The series launch on RTL4 positioned the show #1 in its timeslot and above all the #1 entertainment launch in the Netherlands in 2015. In each episode, two couples go head to head as they test their popular science knowledge and come face to face with a raft of dangerous stunts and wacky experiments, all in the bid to win a luxury holiday. 

     

    Next it’s time to play some virtual quiz tennis with fast paced game show format Rebound produced by Thames. Taking inspiration from a retro video game Rebound challenges wit, knowledge and composure as two contender’s battle it out before the iconic visual ‘Moving Bar’ creeps across the studio and eliminates them from the game. Players must respond swiftly and correctly before the bar reaches them in order to divert the Bar back towards their opponent. With large cash jackpot at stake the contestants need to think fast and beat the bar.

     

    Think you know quiz shows? Think again! Who Knew? is a brand new addition to the game show genre by UFA Show and Factual that works both stripped across the week or in a prime time slot. The celebrity panel series launched on Germany’s ARD and was #1 in its timeslot as well as landing the highest rated Saturday night game show launch in eight years. Who Knew? provides a daily dose of nutty knowledge by featuring an array of very unusual questions that unveil some crazy facts from everyday life, scientific studies, or even practical hints and tips. 

     

    Additionally, two much loved classic formats have been given a fresh injection of fun for today’s audience.Celebrity Family Feud is the USA’s highest rated new entertainment launch of the 2014/15 season and sees celebrity families compete against each other in the star-studded version of iconic game show Family FeudTo Tell The Truth is the beloved 1960’s classic hit gameshow, which has been rebooted and returns to our screens. Anarchic and funny, this format features a celebrity panel who need to guess who is telling the truth between three people all claiming to be the same person with the same incredible talent, job or achievement.

     

    To round off the new line-up, FremantleMedia presents Lords and Ladles – an entertaining lifestyle format by Mind the Gap Films that invites viewers on a historical journey celebrating the past through the wonders of food and the glories of cooking. The show is fronted by three intrepid chefs who will recreate grand feasts based on original recipe books from centuries ago. The audience is given a unique opportunity to peep behind closed doors delving into the histories of some of the grandest private homes to witness the everyday lives of the families who lived there.

  • Alfred Haber Television crisscrosses globe with numerous sales for its two series

    Alfred Haber Television crisscrosses globe with numerous sales for its two series

    MUMBAI: Having announced the acquisition of the two new series Dead Again (9 x 60’) and You Can’t Like Your Elbow (6 x 30’) earlier this year, Alfred Haber, President of Alfred Haber Television, Inc. (AHTI), today unveiled a number of key sales for both titles.  The sales cover every corner of the world from the UK to Africa, and from Latin America to Thailand.

     

    For Dead Again, the addictive, nine-episode series produced by Wolf Reality and Left/Right (Mob Wives) for A&E, sales include A&E (United Kingdom), NBC Universal (Germany), Planete Thalassa (France) and Foxtel (Australia). The series, which aired in primetime on A&E in the U.S., follows an elite team of detectives as they re-examine controversial and mysterious murder cases in which unresolved questions still linger…long after the verdict was reached

     

    You Can’t Lick Your Elbow, the remarkable, family-friendly series from producer Authentic Entertainment (Ace Of CakesToddlers & Tiaras), has seen sales success with Discovery (CEEMEA), Rogers (Canada), Discovery (Latin America), NGC Network (India), and BEC World (Thailand). You Can’t Lick Your Elbow uses familiar, ordinary examples, brought to life with cutting-edge CGI and easy-to-understand explanations, to show viewers the amazing, uncnny and often extraordinary things of which the human body is capable. Segments reveal mind-boggling techniques and cool bodytricks people can employ to help them maneuver through their day-to-day lives. 

     

    “These are two very different, yet very successful shows as evidenced by our recent sales,” commented Haber. “Between the thrilling detective stories of Dead Again and the fascinating knowledge collected in You Can’t Lick Your Elbow, these programs are truly international in their appeal and our sales from around the globe certainly support that.”

  • Nippon TV heading to Mipcom with new drama series, new entertainment series, and new format

    Nippon TV heading to Mipcom with new drama series, new entertainment series, and new format

    MUMBAI:  Marking the 10th Anniversary of its popular format Dragons’ Den (Shark Tank in the US), Nippon Television Network Corporation (NipponTV), the leading commercial broadcaster and network in Japan offering entertainment, anime, documentaries and news, announced today that the company will be heading to MIPCOM with a new drama series, Death Note (11 x 60’), a new entertainment series, MATSUKO-ROID (13 x 30’), and its newest format, the observational reality/game show The Kindergarten (13 x 30’). The announcement was made today by Yukiko Kimishima, Divisional President of International Business Development.

     

    “One of our key mottos at Nippon TV is ‘viewers come first’ and we are confident that these three news projects will be well received by our Japanese audiences, as well as viewers around the world for our format The Kindergarten,” commented Kimishima.  “We are also delighted to be celebrating the 10th Anniversary of our international format hit Dragon’s Den which continues to soar in both popularity and ratings in over 25 countries and regions.”

     

    The first title up for Nippon TV is Death Note which is based on the world-renowned comic book serialized between 2003 and 2006 that currently boasts over 30 million copies printed in Japan. This live-action drama series follows Light Yagami’s quest to kill off all criminals and create a world without bad people while using a notebook.

     

    Nippon TV – MIPCOM 2015 – New Titles2-2-2-2-2 known as Death Note.  The animation remake of this series has been broadcast and/or streamed in over 150 countries and regions and remains highly popular. In addition, two live-action movies and a musical have been produced, making it a truly multi-platform content. 

     

    Next up is the new entertainment series MATSUKO-ROID that marks the world’s first TV show where one of the hosts is an android.  The series features Japan’s most famous cross-dressing commentator Matsuko Deluxe and his life-size android Matsuko-Roid, made by cutting edge technology that was developed with the supervision of Professor Ishiguro of Osaka University. The android travels to various places, sometimes to rural areas far from Tokyo, and talks with local people. The real host in Tokyo is connected by Internet and shares his good advice with the locals. This program discusses what television and the world will be like when androids become mainstream.

     

    Rounding out the slate for Nippon TV is The Kindergarten, an observational reality/game show series.  The Kindergarten has been successful for over 17 years in primetime Japanese TV and is now being offered as a format for the first time. Utilizing fun tactics, including mysterious monsters, a quiz game, and on-camera confessions, this show captures the adorable moments of kids when cameras are placed in kindergarten classes revealing the sweet charms of children’s daily life through engaging games.

  • CASBAA 2015 forum to focus on ever-evolving satellite industry landscape

    CASBAA 2015 forum to focus on ever-evolving satellite industry landscape

    MUMBAI: CASBAA, which will be hosting its annual Satellite Industry Forum in Singapore this June, will explore the latest developments and issues affecting the satellite industry in the Asia Pacific.

     

    The CASBAA Satellite Industry Forum 2015 is a one-day event that brings together industry experts to examine a variety of topics and to exchange and discuss information critical to the development of the communications sector and related services across the Asia-Pacific.

     

    The conference has an impressive lineup of speakers and a good mix of Asian and global players in attendance. Last year around 100 companies were represented with almost half of delegates coming from the US and Europe- with most of the balance coming from Asia.

     

    “Satellite services are instrumental in delivering television signals to the bulk of viewers across the region, and the satellite sector is an integral component of the multichannel TV industry in Asia. The annual CASBAA Satellite Industry Forum is an extremely important event in our calendar, a fact that is reflected by our very active Satellite Industry Committee, as well as by the number of satellite-related companies that are CASBAA members,” said CASBAA CEO Christopher Slaughter.

     

    ITU secretary-general Houlin Zhao will deliver this year’s welcome keynote.

     

    “Zhao only took office in January this year so for many this will be the first opportunity for people to see him in this capacity,” said CASBAA programme director Kevin Jennings.

     

    In addition, Intelsat chief executive officer Stephen Spengler will also be delivering an Industry Keynote. Spengler is a satellite and telecommunications industry veteran with experience in the media, broadband, government and internet sectors and is a driving force behind Intelsat’s next generation of satellite solutions.

     

    Myanmar Communications and Information Technology deputy minister U Thaung Tin will also speak at the forum and discuss Myanmar’s plans to launch its own satellite and how the role of a sovereign satellite will impact the country.

     

    The theme for 2015 asks “Is The Satellite Game Changing?” in acknowledgement of the ever-evolving industry landscape. The agenda for this year’s forum will touch upon the challenges the industry is facing as the very definition of television changes to embrace new technologies, delivery methods and consumer habits.

     

    The roster of speakers encompasses the whole value chain of the satellite industry including: SKY Perfect JSAT Space & Satellite Bus Group exec officer Mitsutoshi Akao, SpeedCast CEO P J Beylier, Intelsat Asia Pacific Regional VP Terry Bleakley, MEASAT CEO Paul Brown-Kenyon, SSL Business Development SVP Richard Currier, ABS CEO Thomas Choi, GapSat CEO Gregg Daffner, Intelsat associate general counsel Gonzalo de Dios, Eutelsat CEO Michel de Rosen, MEASAT Space Systems Development SVP Dr. Ali Ebadi, LeoSat CEO Vern Fotheringham, ITU Space Services Department chief Yvon Henri, APT Satellite EVP Huang Baozhong, Via Sat programme manager Erwin Hudson, SES CCO Ferdinand Kayser, Eutelsat orbital resources director Ethan Lavan, SES Asia-Pacific and Middle East SVP Deepak Mathur, SpaceX commercial sales & business development SVP Barry Matsumori, Encompass Digital Media Asia MD Deepakjit Singh, Globecast Asia MD Soo Yew Weng, Sea Change International SVP& GM Dave Ulmer and AsiaSat CEO & president Bill Wade.

     

    The sponsors on-board the CASBAA Satellite Industry Forum 2015 are ABS, AsiaSat, Boeing, Eutelsat, Intelsat, JSat, Lockheed Martin, Marsh, Measat, SES, SSL, and Telstra. 

  • Popcornflix expands into 36 territories

    Popcornflix expands into 36 territories

    MUMBAI: Popcornflix has launched in 36 countries, including Latin-America, the Middle East, Russia and China, making it one of the world’s most widely available ad-supported streaming services.

     

    With this, users in over 60 countries can enjoy free movies and television across a number of platforms via Popcornflix.

     

    This recent expansion makes the service newly available on the web and mobile devices in sixteen countries in Latin America, from Mexico to Argentina, sixteen Middle-Eastern countries, including Iran, Iraq and Saudi-Arabia, as well as Poland, Russia, Turkey and China.

     

    Additionally, Popcornflix has also launched on Xbox One and Xbox 360 in the United Kingdom, marking their first foray on gaming consoles in the territory.

     

    “Today’s audiences increasingly want to watch content on their own terms, however they want, wherever they are. Popcornflix is dedicated to making our content widely available, not only across platforms, but across continents. We are enthusiastic to engage a new set of users, eager for free and easily accessible movies and television,” said Popcornflix executive vice president David Fannon.

     

    Popcornflix made the announcement at MIPTV in Cannes, France.

     

    Being an ad-supported platform, Popcornflix includes pre-roll, mid-roll and banner ads in all movies and TV shows.

  • Warner Bros. unveils 12 new show formats at MIPTV

    Warner Bros. unveils 12 new show formats at MIPTV

    MUMBAI: Warner Bros. International Television Production (WBITVP) has unveiled 12 all-new primetime formats at MIPTV. These include Repeat After Me (ABC, U.S.), The Gift (BBC One, UK), Weight for Love (in development at NBC),Backyard Survival (RTL4, Netherlands) and Our First Home (TVOne, NZ).

     

    The company will also be previewing its all-new event game show format 500 Questions (ABC, U.S.) from executive producer Mark Burnett and creator Mike Darnell at MIPTV.

     

    Inspired by a highly successful signature segment from the Emmy-winning daytime talk program The Ellen DeGeneres Show and produced by Ellen’s A Very Good Production in association with Warner Horizon Television, Repeat After Me sees Wendi McLendon-Covey instruct superstar talent, via a remote earpiece, to interact with everyday people in high-energy, comedic hidden-camera situations. Guests include Harry Connick, Jr., Usher and Justin Bieber, whose sketch reached more than 800 million users on Twitter.

     

    From the makers of worldwide success Who Do You Think You Are? comes The Gift for BBC One. This unique factual entertainment series follows the unexpected and heart-warming personal stories of ordinary people given the extraordinary opportunity to be reunited with someone who changed their life forever. The Gift premiered in February on BBC One and is the highest rated new factual format series at 9 pm on the network in 2014/15.

     

    From 5×5 Media in association with Warner Horizon Television, Weight for Love sees the emotional and physical transformation of overweight couples who commit to separate for a long period of time in order to regain their health. The couples will be documented and united in an emotional reveal, as they begin to plan the next part of their new lives.

     

    Coming soon to RTL4 (Netherlands) is Backyard Survival, from the creators of Adam Looking for Eve. The show challenges four famous faces to live and survive without shelter and food in the wilds of the nation’s countryside, revealing personal and touching stories of the stars as they attempt Backyard Survival.

     

    From the producers of The Bachelor New Zealand is Our First Home for TV One (NZ). Currently outperforming all international formats in its primetime slot, the show is feel-good and competitive. Part observational documentary and part soap opera, parents sacrifice everything for their kids, as they buy a ‘do-up’ and work together to help them with their first step on the property ladder. Competing against the clock to win big – families will be pushed to the limit in TV’s most exciting new property renovation show.

     

    The new format slate also includes the market debut of Adoption Stories (Nelonen, Finland), Bring Back Borstal (ITV, UK), Back in Time for Dinner (BBC Two, UK),Ellen’s Design Challenge (HGTV, U.S.), Push The Red Button (RTL4, Netherlands),Soundtrack of Love (YLE, Finland) and Wanted – A Very Personal Assistant (BBC Three, UK).

     

    Warner Bros. International Television Production includes new productions worldwide for The Bachelor, produced in 30 territories including ABC (U.S.) and RTL (Germany); the recently launched Adam Looking for Eve, produced in seven countries including RTL (Germany) and Cuatro (Spain); and First Dates, the top rated format created for Channel 4 (UK) and recently commissioned by NBC for a primetime US version produced by Shed Media (part of the unscripted/alternative programming department at Warner Bros.).

  • HD, premium channels, VAS help increase ARPUs for DTH: FICCI-KPMG

    HD, premium channels, VAS help increase ARPUs for DTH: FICCI-KPMG

    The growth of average revenue per user (ARPU) in the Direct To Home (DTH) sector continues, even as digital cable is still struggling to roll out channel packages. As per the FICCI- KPMG 2015 report, due to sustained increase in ARPU, the sector had a healthy revenue growth despite a muted subscriber addition in 2014.

     

    In 2014, DTH operators saw an increase of around 12 to 15 per cent in ARPUs. While some of the ARPU increase was driven by DTH operators’ ability to continue to push price hikes (there was a price increase in April 2014 of an approximate eight to nine per cent), the more promising trend is that DTH operators were able to increase collections from customers by providing additional services such as High Definition (HD) channels, premium channels and other value added services (VAS).

     

    As phase III and IV of digitisation draws near, the battle will be closely contested by MSOs and DTH operators. In phase I and II, DTH operators managed to gain 20 to 30 per cent of the subscriber base converting to digital. Two factors, namely an inherent technology advantage and stronger balance sheets, will give DTH players the bonus advantage to take on MSOs, especially the smaller players, in the year ahead. However, in order to gain a bigger piece of the pie, they will have to re-jig their channel packages, in sparsely populated areas so that it becomes affordable for subscribers in Phase III and IV.

     

    Dish TV’s sub-brand Zing is all set to tackle digital cable players at the regional level. The brand addresses various linguistic needs of subscribers and offers regional specific channels as part of all available packs, while the other channels can be added based on the customer’s choice. It has been launched West Bengal, Tripura, Odisha, Maharashtra, Telangana and Andhra Pradesh.

     

    When one compares Zing’s package prices, they are cheaper than those of digital cable. For example, the base package of Zing costs Rs 99 per month versus Rs 220 per month for digital cable. Its mid level package carries a price tag of Rs 249 versus Rs 270 per month for digital cable. Besides the content, even the advertising and other marketing activities are done in the regional languages, while customer support services will be at the local level through trade partners, similar to the cable TV model.

     

    While digital cable operators are still grappling with securing their business model right, DTH operators have focused on increasing monetisation by providing additional value to their subscribers either through innovative services or STBs, such as those with unlimited recording and technology revolution like 4K.

     

    According to the report, there are four million HD subscribers, accounting for 10 per cent of all DTH subscribers, while 15 to 20 per cent of incremental subscribers in 2014 were HD subscribers. HD adoption continues to drive ARPU growth for DTH players with the average ARPU of a HD subscriber at an approximate 1.5 to 2x the ARPU of a non-HD subscriber.

     

    Compared to 6.5 million units of panel television sets (LCD, LED and plasma TVs) sold in 2013 in India, eight million units were expected to be sold in 2014, of which 55 per cent was expected to have been HD panel TV sales. The share of HD and 4K TV sales is expected to further increase over the next five years, reaching 80 per cent by 2019. While HD adoption will continue to be a key growth driver for DTH ARPUs over the next few years, adoption of 4K STBs is expected to pick up in India, though lack of 4K content can be a major problem.

     

    Currently only Videocon d2h and Tata Sky offer 4K services. Live sports action is expected to be one of the enablers of HD adoption, with the recently concluded ICC Cricket World Cup 2015, likely to be a key trigger in 2015.

     

    All major DTH operators namely Tata Sky, Dish TV, Videocon D2H and Airtel Digital have launched ‘TV Everywhere’ apps on mobiles and tablets through, which subscribers can watch live TV, catch up TV and video on demand (VoD) for an additional monthly fee. While there are several players along the media value chain who have launched online platforms for on-demand content to capture the surging viewer base, DTH operators have a key advantage in monetising these viewers through their ‘TV Everywhere’ apps, given their already existing payment relationships with subscribers.

  • FremantleMedia to unveil new formats at MIPTV 2015

    FremantleMedia to unveil new formats at MIPTV 2015

    MUMBAI: FremantleMedia is all set for this year’s MIPTV with a range of compelling, entertaining and laughter-inducing new formats that are sure to excite audiences around the world.

     
    FremantleMedia director of global entertainment development Rob Clark said, “Our new formats for MIPTV are a real mix of original, fresh and engaging titles. We’re confident that we have something suitable for all broadcasters and are looking forward to the market.”

     
    First from the line-up is The Most Beautiful Woman, an uplifting and inspirational series, which launched on RTL Television in Germany this year and celebrates real beauty. The series invites women of all ages and backgrounds to take part in a national competition designed to recognize the many faces of beauty, and to find the most beautiful women in the country. 

     

    Throughout the series, 20 ladies take part in challenges designed to bring out their confidence, self-esteem and inner beauty. The format empowers the women themselves to choose who shines the most with inner beauty as the series heads towards the live final. During the grand finale, the finalists come together in a thrilling celebration of beauty as the audience votes to decide who is The Most Beautiful Woman.

     
    Next, things heat up in the kitchen as professional chefs dare to put their reputations on the line in Chef On The Block. Produced by FremantleMedia in Finland and Denmark, the series sees professional restaurateurs risk their reputations in a bid to be the best. Each episode features three pairs of chefs as they visit each other’s restaurants and score the restaurants’ food, décor and overall service. The restaurants with the highest score across the series meet in the grand finale as the top three battle it out for the top spot. The competition is tense but the tone is humorous as the national champion is named the Chef on the Block.

     
    Moving from food to matters of the heart, FremantleMedia’s next offering is 10 Questions You Wouldn’t Ask On A First Date, the first reality dating quiz show. Filmed on location, each blind date couple can win big money by answering questions correctly about each other. But these questions are the 10 questions you would never ask on a first date. Imagine if your date asks for your salary details, your political persuasion or… your favourite sexual position? And you have to answer! Before the flirty chat up lines can even begin, the interactive screen pings and the game is underway. Honesty is the best policy in this game as each correct answer builds your cash prize.

     
    Two worlds collide in The Trade Off, a brand new format exploring the huge lifestyle contrasts that occur when two professionals from vastly different working environments swap jobs and salaries for two weeks. The series launched on the UK’s BBC 2 earlier this year and was their #1 show for men aged 16-34. In The Trade Off, both workers will have to learn on the job, impress brand-new bosses and deal with a completely different set of customers. During their time away, the two workers are immersed in an unfamiliar community, meet the family and friends of their opposite number, and gain a unique insight into just how different life can be.

     
    Next up is an eye-opening series about man’s best friend. Dogs: Their Secret Lives provides a unique insight into the behaviour of our faithful canine friends. Commissioned by the UK’s Channel 4 from Arrow Media, the format sees a veterinary expert, take on the role of pet detective to tackle the major welfare issues that affect dogs and their owners. Using spy-cam and GoPro technology, the audience will witness the ways in which being home alone can impact on pet dogs. From issues with obesity and aggression, to neurosis – the expert reviews the surveillance and combines their expert advice with enlightening experiments to demonstrate what can be done to help treat and prevent these types of behaviour.

     
    Next up, FremantleMedia will showcase the brand new family friendly game show format Cash or Splash. An amalgamation of the hit Fuji TV formatsClock Hanger, Boxing Glove, and Run Quiz Run, the format sees teams of contestants compete for cash prizes by answering questions and completing hilarious physical challenges in order to avoid being sent for a plunge into an icy pool of water.

     
    To round off the new line-up, FremantleMedia will present Extreme Love, the fresh new dating format from Israel’s Studio Glam. Extreme Love sees romance, survival and heart-break as the show challenges a group of modern-day Prince Charming’s to prove their survival skills in order to win the hand of their princess. The men arrive with nothing but the shirts on their back. They live together in a simple compound with only the basics to get by. Each week, they must compete against nature, with success ensuring better shelter and more food. Their progress is monitored by the maiden who, located in a luxurious villa, will then chose two of the most impressive suitors to accompany her on a date so that she can get to know them better.
     

    The would-be charmers have to face further challenges to whittle down the pack with eliminations taking place each week until only two remain. Only in the finale does she then have to unveil which of the remaining two suitors has stolen her heart and become her Extreme Love.