Category: Specials

  • Eutelsat to present key UHD trends at MIPCOM

    Eutelsat to present key UHD trends at MIPCOM

    MUMBAI: The television business is dramatically transforming as broadcasters scale up production of premium content and delivery of an enhanced viewing experience. As the industry lines up to adopt Ultra HD (UHD) TV, the new quality benchmark in broadcasting, Eutelsat Communications will share research at MIPCOM on consumer appetite in key European TV markets for this latest evolution.

     

    The pulse of UHD will be presented by Eutelsat today at the MIPCOM show in a ‘4k focus welcome address.’ It will include key findings of new qualitative consumer research conducted for Eutelsat by market research firm TNS, and fresh data from GfK on Ultra HD screen sales.

     

    Eutelsat head of market research and customer experience Claudia Vaccarone and Eutelsat director of marketing innovation and digital cinema Michel Chabrol will share insight on how to anticipate UHD mass-market deployment. 

     

    They will be joined by Sony Corporation senior producer, visual entertainment Joe Nakata and well-known journalist and broadcast industry expert Chris Forrester.

     

    Since its first broadcasts of Ultra HD in January 2013, Eutelsat has amassed industry-leading expertise on the conditions for successful transition to this new format. Two Eutelsat satellites are broadcasting permanent channels in Ultra HD, showing Eutelsat co-productions and content produced by independent programme-makers who have sought out Eutelsat’s satellite platforms to promote their work.

  • FremantleMedia sells ‘Deutschland 83’ to multiple countries at MIPCOM

    FremantleMedia sells ‘Deutschland 83’ to multiple countries at MIPCOM

    MUMBAI: FremantleMedia International has sold its gripping German language spy thriller Deutschland 83 (8 x 60) to multiple countries at Mipcom 2015. 

     

    So far the show has been acquired by 20 broadcasters and SVOD services around the world.

     

    Following its US success, the series has now been placed by FremantleMedia International with Channel One (Russia), Sky Italia (Italy), Hulu (US), Sundance TV (English-speaking Canada), Super Ecran (French-speaking Canada), RTE (Eire), Stan (Australia & New Zealand), Telenet (Belgium), RTL Klub (Hungary), Hotvision (Israel), TV4 (Pan-regional Scandinavia) and Kino Lorber (US – DVD and iTunes).

     

    FremantleMedia International CEO Jens Richter said, “Deutschland 83 has become the must-have European drama series of the year. Having attracted critical acclaim in the US and now the attention of this impressive list of buyers, the compelling series is all set to captivate viewers around the world.”

     

    The above acquisitions follow on from the previously reported deals with Sundance TV (US), CANAL+ (France), Channel 4/Walter Presents (UK), SVT (Sweden), NRK (Norway), DR (Denmark), YLE (Finland) and RUV (Iceland).

     

    Deutschland 83 is a suspenseful coming-of-age story set against the real culture wars and political events of Germany in the 1980s. The drama follows Martin Rauch (Jonas Nay) as the 24 year-old East Germany native is pulled from the world as he knows it and sent to the West as an undercover spy for the Stasi foreign service. Hiding in plain sight in the West German army, he must gather the secrets of NATO military strategy. Everything is new, nothing is quite what it seems and everyone he encounters is harbouring secrets, both political and personal.

     

    The series is produced by UFA Fiction, the creators of Generation War, for RTL Television in Germany. Created by Anna Winger and Joerg Winger, and executive produced by UFA Fiction’s Joerg Winger and Nico Hofmann. The series is directed by Edward Berger and Samira Radsi.

  • Cartoon Network, Turner, Disney, ABC acquire Portfolio’s ‘Freaktown’

    Cartoon Network, Turner, Disney, ABC acquire Portfolio’s ‘Freaktown’

    MUMBAI: Portfolio Entertainment has signed its first set of international sales deals for the series Freaktown (52 x 11’) with leading kids’ networks – Cartoon Network in Asia Pacific, Turner’s Kids Networks in EMEA, The Walt Disney Company Southeast Asia and ABC Australia.

     

    Freaktown is the first series to be wholly created and produced inside Portfolio’s new animation studio. The series was commissioned by TELETOON Canada and will debut in 2016. 

     

    The series will premiere on Cartoon Network in Japan, Korea, Taiwan, Australia and New Zealand. Turner France has taken the series for Boing in France and in its French-speaking territories in Europe and Africa. It has also been sold to The Walt Disney Company Southeast Asia and ABC Australia.

     

    “While still in production, Freaktown has grabbed the attention of buyers globally and we are thrilled to land international deals with world-renowned broadcasters right out of the gate. This series is crammed with laugh-out-loud moments and unpredictable twists that will perfectly complement the highly-entertaining programming available on these major kids’ networks,” said Portfolio Entertainment CEO and co-founder Joy Rosen.

     

    Freaktown, a kids 6-11 animated series, follows the adventures of skeleton Ben Bones and his freaky friends as they protect their town from takeover by Princess Boo Boo the Bouncy of Sweetlandia.

  • Fox Asia to air second season of ‘Fit for Fashion’ in January 2016

    Fox Asia to air second season of ‘Fit for Fashion’ in January 2016

    MUMBAI: Singapore-based production and distribution agency Bomanbridge Media has inked an international distribution deal with Imagine Group Entertainment, which created and produced Fit For Fashion, a transformational fashion-fitness format. Fox Channels Asia aired the initial launch season of the show in 2014 and will be premiering the second season beginning January 2016.   

     

    “Bomanbridge is constantly pushing the envelope when it comes to reality entertainment. We had the opportunity to take Fit For Fashion to broadcasters internationally, and we jumped. Fox International Channels Asia has done a tremendous job with the launch and we look forward to extending that success to other audiences,” said Bomanbridge Media CEO Sonia Fleck.

     

    Fit for Fashion is not only a reality fashion/fitness TV show but also a format. The first season was filmed in Malaysia and hosted by Louise Roe, who hosts MTV International’s Plain Jane and Fashion Star on NBC (USA). She is joined by fashion photographer and former model Todd Anthony Tyler, whose fashion credits include capturing rising stars of Asia’s freshest faces — Liu Wen, Fei Fei Sun and Kiki Kang amongst others. Roe and Tyler work with top fitness trainers Christine Bullock and Mitch Chilson to put contestants to work. 

     

    “Imagine Group has a proven track record in creating ground breaking original formats in Asia for the last decade and Fit for Fashion is one such format that will appeal to audiences around the world. We are truly excited about our partnership with Bomanbridge and are looking forward to working together with them to make Fit for Fashion an international success story. Imagine Group trusts Sonia and her team to take our format to the next level,” said Imagine Group Entertainment GM Dave Gunson.

     

    The professional team helps transform this group of ordinary men and women into extraordinary catwalk worthy versions of themselves over ten weeks. The contestants build confidence while learning to dress well, look good and feel great.

     

     “Fit for Fashion launched on StarWorld Asia as we recognized that the show would be a great fit for the discerning audience of our channel. We are thrilled that Fit For Fashion will now reach a wider audience around the world with Bomanbridge and Imagine Group. We look forward to a fantastic second season,” added Fox International Channels EVP content and communications Keertan Adyanthaya.

  • Exclusive: SPT chairman Steve Mosko plans India visit on Sony’s 20th Anniversary

    Exclusive: SPT chairman Steve Mosko plans India visit on Sony’s 20th Anniversary

    CANNES: Even as the picturesque French Riviera was hit by deadly flash floods, the global market for entertainment content across all platforms – Mipcom 2015 kicked off in Cannes. 

     

    As Sony Entertainment Television completes 20 years in India this October, Sony Pictures Television chairman Steve Mosko is planning a visit to the country.

     

    Speaking exclusively to Indiantelevision.com on the sidelines of Mipcom, Mosko said that he would be coming down to India soon to celebrate the 20th anniversary of Sony Pictures Television in the country and possibly even make a few big announcements around that time. Sony Entertainment Television (SET) launched in India in October 1995.

     

    At Mipcom this year, the company unveiled a sneak peek preview episode of Sony Pictures Television’s The Art of Morestarring Dennis Quaid, Christian Cooke, Kate Bosworth and Cary Elwes.

     

    For the Indian market, The Art of More has been acquired by Colors Infinity.  

     

    Mosko said, “This is just the beginning. There are very big plans going ahead and we are very confident that our future slate of shows is going to be loved by one and all around the world.”

     

    This new series will unveil the truth behind how the world of auctions work. Samuel Brukner (Dennis Quaid) is a man with the money and has the thirst to collect the most exquisite art from around the globe. While Graham Connor (Christian Cooke) is the man who wants to make it big in life and has to win the trust of Brukner to get there. 

     

    The preview at Mipcom was followed by a discussion by the cast along with Sony Pictures Television president – international distribution Keith Le Goy and Sony Pictures Television EVP – digital networks and Crackle GM Eric Berger.

     

    “The story was the biggest hero for me and the way my character has been written is simply amazing, I couldn’t say no,” said Quaid.

     

    The first episode, which was screened at Cannes tonight, was well received by the audience in attendance. 

     

    The stellar cast, crisp editing, gripping storytelling and a plot that keeps thickening as the show proceeds is everything that works in the favour of this series, which is set to premiere on various networks globally mid November this year.

     

    The show makers are confident that the series will be a certain hit and have major plans in rolling out more seasons based on the response received in its first season.

  • Localisation of content is key to tasting success in kids entertainment: MIPJUNIOR

    Localisation of content is key to tasting success in kids entertainment: MIPJUNIOR

    CANNES: The animation industry globally is going through a renaissance period, wherein we get to see many success stories from not just the larger well known studios like Walt Disney, DHX Media and DreamWorks Animation, but also smaller mushrooming studios who believe in creating content that is true to the roots of the country of their origin, but still hold great promise in the global front.

     

    In a session at MIPJUNIOR 2015, this was precisely what was closely looked at. Titled – ‘How to make it in the global market, the session saw a mix of content creators who are involved in not only creating original content but also taking the IP ahead into various other touch points and giving their IPs a 360 degree presence.

     

    The most pertinent question today is: How do you evolve from a local independent producer into a highly-influential studio developing global-appeal animation brands across multiple platforms This aspirational and practical workshop attempted in providing actionable takeaways for some of the successful producers.

     

    Moderating the panel was Christophe Erbes, a consultant for kids media. He was accompanied by panelists Henry Becket from Ideas at Work, a studio outfit of UK, with Victor Migel from Anima Kichent and Nazli Guney Uysal from Dusyeri Animation Studio.

     

    Becket had a few interesting stats to share to kick off proceedings, when he stated that 1 of 100 concepts actually make it to the pilot stage, 1 of those then go onto become a series and further on 1 of those 100 series gets a multi-season deal and 1 of the popular children’s property then gains the status of a brand.

     

    Uysal, on the other hand, shared the journey of her studio, which in the last seven years has grown to become a 90 man strong team providing 360 degree solutions for not just their own properties but for their clients as well.

     

    ”We began with the idea of creating original content to fill the void, which was present in the Turkish broadcast space and that is precisely what we achieved through our stories and characters,” Uysal said. On the question of overcoming resistance from kids’ broadcasters for local content, she added, ”We did face a tough time initially, but when the public broadcaster was looking to promote locally created content, we grabbed the opportunity with both hands and what followed is other kids broadcasters lining up to license our content for their channels.” 

     

    This is precisely what the Indian kids entertainment space needs to take inspiration from as currently with a publishing house, licensing arm and two animation studios, Dusyeri Animation Studio is enjoying revenue flows to the tune of a few million dollars annually.

  • The Biggest Wave Makers in the Broadcast industry descend on this year’s CASBAA convention

    The Biggest Wave Makers in the Broadcast industry descend on this year’s CASBAA convention

    MUMBAI: In a year of undeniable sea-change within the broadcast industry, the debate at this year’s CASBAA Convention at its new venue at Hong Kong’s Intercontinental Hotel promises to be hotter than ever. With the theme ‘Making Waves’, the convention has secured an impressive line up of speakers comprising of key industry players from all over the world. From global media giants such as AOL and Virgin Media to regional players such as China Media Capital, this year’s convention will waste no time in getting to the heart of the most pertinent issues facing the cable and satellite industry today.

     

    With over-the-top– or OTT – inall its forms and formats being one of the biggest stories on the broadcast industry landscape this year, the topic will take pride of place at this year’s convention. Over the course of the convention, a wide range of issues related to OTT such as content, revenue-drivers, technologies, audience behaviors and regulation will be on the agenda.

     

    “Whilst we cannot deny the role that linear TV will continue to play a role in the region, we must face the reality that OTT is here to stay and adapt accordingly,” said Christopher Slaughter, CEO, CASBAA. “The simple truth is that companies that fail to evolve will be left behind. By taking a look at some of the best practices in the industry, both in our neck of the woods and further afield, it is our belief that the CASBAA Convention will help our members find ways to navigate – and even conquer – these unchartered seas.”

     

    Following an official welcome from Carrie Lam, Chief Secretary of the Hong Kong SAR Government, AOL’s Digital Prophet, David Shing will kick-start proceedings with an overview of the ever-evolving landscape, focusing on how OTT is now permeating every aspect of the content industry. Giving a UK perspective, Tom Mockridge of Virgin Media will discuss how the broadcast and digital landscapes have become increasingly intertwined and how Virgin has become a leader in this space.

     

    With news hot off the press of his new venture with Warner Bros., Li Ruigang of China Media Capital will be giving the China keynote speech. He will discuss how his investment strategy has helped establish him as one of the major players in the region bridging both the Chinese and international media landscape. Greg Beitchman from CNN and Mark Howard from Forbes will look at driving revenue streams in what is becoming an increasingly digital landscape, while content providers AlonShtruzman from Keshet Media and Mike Hyun-dong Suh from CJ E&M will look at key trends in the content market across Asia. Covering off the latest developments in how technology is being used in the broadcast arena will be David Downey from Invidiand Sam Rogoway from Victorious.  Gwynne Shotwell from SpaceX will be boldly going where no CASBAA speaker has gone before to look at how space technology will not only revolutionize the media industry but life as we know it.

     

    This year, CASBAA will also hold an additional conference on the Monday prior to the convention at the Sheraton Hong Kong to discuss the topic ‘Making Online Advertising Click’. With a view to looking at best practices in the online advertising space, Detective Chief Superintendent, David Clark from the City of London Police Force will discuss what policies have worked for them in the UK, while Dr. Paul Watters will release some updated research on the nefarious places respectable brands can appear online. A host of other speakers from the media to welfare sectors will also take part in this session.

     

    Sponsors for the CASBAA Convention 2015include: ABS, Accedo, Akamai, AMC, APT Satellite, AsiaSat, Brightcove, Conax, France 24, Ideal Group, InvestHK, Irdeto, ITV Choice, Kantar Media,Letv, MEASAT, MediaExcel, nowTV, PwC, RTL CBS Asia, Scripps Networks Interactive, SES, Time Warner, True Visions, Turner and TV5Monde.

  • IDOS 2015: The Broadband Drive

    IDOS 2015: The Broadband Drive

    GOA: The penultimate session of the Indian Digital Operators Summit (IDOS) 2015 was a panel discussion on ‘The Broadband Drive.’ 

     

    The session was moderated by Indiantelevsion.com founder, CEO and editor-in-chief Anil Wanvari and Media Partners Asia executive director and founder Vivek Couto. The other members of the panel were Maharashtra Cable Operators Foundation (MCOF) president Arvind Prabhoo, Hathway MD & CEO Jagdish Kumar, Ortel Communications Limited head of broadband Servises Jiji John, Lukup Media founder and CEO Kallol Borah and Broadcom India MD, head – business development, India and South-East Asia Rajiv Kapur.

     

    The session began with Jagdish Kumar saying that earlier, Hathway had positioned itself as a cable company that also offered internet, and now it had started positioning itself as one that offered both cable and broadband. Hathaway had doubled its turnover from broadband as compared to last year. However, the company had yet to firm up plans for OTT, said Kumar.

     

    Kumar was of the opinion that the government should take the eight per cent revenue share from data revenue of the cable industry only after higher internet penetration levels took place after two or three years. “This has to be looked upon as an infrastructure development,” he added.

     

    “Average revenue per user (ARPU) is not the driver for broadband to be taken up as a business by MSOs or LMOs. It is margins that actually matter. The reason why MSOs and LMOs have taken up broadband is because there was a requirement,” said John.

     

    In his view, access devices have multiplied over time and with that the consumer wanted to see videos on whatever device, whenever, and wherever. “While mobile internet is the only option when one travels, it is wired broadband that offers the proper stable throughput. Systems such as DOCSIS 3.0 offered a better experience than television did,” John added.

     

    For Ortel, broadband was an important stream and DOCSIS 3 was being tested in a limited way. Ortel garnered subscriber numbers in three digits during the pilot phase revealed John. “We have now started offering video free to broadband customers,” said John.

     

    The company is looking at charging a customer approximately Rs 1000 – 1200 for 10 mbps broadband and Rs 1999 for 50 mbps. “This will subsidise content charges to broadcasters for the free video offerings to subscribers,” he said.

     

    Similarly, Hathway was also considering bundling of HD content free along with broadband, according to Kumar.

     

    India has its own unique business and environmental challenges, which include unpredictable power and last mile cable laying amongst others. However, technology was available to serve India and/or China specific solutions, said Broadcom’s Kapur. “On the subscriber side, PC penetration is low and operators saw the STB only as a live video delivery necessary evil. Some operators would proactively drive broadband, while others would react only,” he said.

     

    Emphasising that if broadband was considered as a ‘use case’ as opposed to a pipe, Kapur said that services delivered to the consumer could be quite game changing. “Broadcom is very bullish about broadband in India. Broadband is the only answer for a cable operator to retain customers as well as raise ARPUs. Progressive minded cable operators will take advantage of the fact that networks could be two way and will establish a service that would retain a customer with a higher ARPU. The higher ARPU customers were in turn needed to subsidise the lower ARPU customers. Rather than government driven, a private sector sustainable business and profitability driven long term sustainable business model is required,” Kapur opined.

     

    The pipe is already in place said MCOF’s Prabhoo. “The question is about how one utilises it. There is enough fibre waiting to be exploited for Phase III of digitisation. MCOF is educating its members about the ways to monetise the pipe. On an experimental basis, MCOF tied up with a PSU, a national ISP that brought the pipe to a particular place, and from there, over the last 20 days, we have connected 25 branches of a nationalised bank with secured leased lines. This would be scaled up to about 125 over the next few days. Over the next three months, this would further be scaled up to 525 branches across the state of Maharashtra,” he informed.

     

    This would help build LMOs confidence that they could deal with a PSU explained Prabhoo.

     

    Also, some MCOF members had established WiFi service hotspots, which had initially offered high speed internet free of charge for the first six months, and now could be availed though a voucher at a small price of Rs 5 for three hours, or Rs 10 per day from small vendors such as a ‘paan shop.’ Prabhoo claimed that through the commissions on voucher sale alone, a paan shop owner’s earnings had gone up by Rs 8000 per month. 

     

    Bullish on the broadband sector in India, Prabhoo said that he envisioned a number of innovations coming into the business.

     

    Explaining his company’s product, Lukup Media’s Borah said that it offered on-demand multiscreen TV service and operates as an OTT platform through a multiscreen home gateway that brought internet delivered content to television and other consumer devices. In the coming months, Lukup also planned to bring linear broadcast TV channels and internet access though a single connection.

     

    Questioning as to why cable companies were not sharing infrastructure in the way telcos were, Wanvari of the opinion that cable companies could compete on products. Kumar agreed that there was merit in cable companies sharing infrastructure for a lot of backend processes and expected this to evolve naturally over a period of time. On the other hand, Prabhoo said that LMOs would be willing to upgrade their infrastructure to work with telcos for providing broadband.

  • TRAI prefers industry-driven guidelines instead of mandating directives: SK Gupta

    TRAI prefers industry-driven guidelines instead of mandating directives: SK Gupta

    GOA: Even as he reiterated that there will be no further extension of date for the third phase of Digital Addressable System (DAS) slated for 31 December, 2015, Telecom Regulatory Authority of India (TRAI) principal advisor  SK Gupta stressed the need of industry-driven guidelines instead of those mandated by the regulators.

     

    Pointing out that many lessons had been learnt from implementation of the first two phases of DAS, Gupta also stressed that the consumer was king and all policy decisions including tariffs had to be made with him in mind.

     

    Addressing the concluding session of the Indian Digital Operators Summit (IDOS) 2015, through teleconferencing from Delhi, Gupta accepted a suggestion for the need of a ‘supra-body’ other than the Task Force to go into these issues and solve problems that arise during implementation. 

     

    IDOS 2015 was organised by Indiantelevision.com and Media Partners Asia from 24 to 26 September in Goa.

     

    Gupta was of the opinion that the consumer’s choice was neglected and he was forced to pay for bundling of channels or bouquets instead of a la carte rates, which may not give him the channels he wants.

     

    At the outset, he said that there the industry had seen a sizeable growth. “The number of cable households have gone up from 79 million in 2006 to over 101 million at present. The number of channels have gone up to over 800,” he said.

     

    However, he added that though the number of channels have grown to over 800 in India, the driver channels totalled to just around 50.

     

    Furthermore, he said that customer still face billing problems and it wasn’t easy for them to switch to another operator. “The stakeholders must jointly resolve these issues. It has to be understood that it will not be easy to get customer to pay more,” he said.

     

    Pointing out that the increase in average revenue per user (ARPU) is illusory, if the system was faulty, Gupta asked stakeholders to reflect on it jointly. However, he was quick to add that this may not be possible, given “the level of infighting within the sector.”

     

    Gupta also urged the broadcasting sector to take a few lessons from the telecom sector, which had also begun with lot of litigations but had then realised that collaboration was the only way to go ahead. “Today they are prepared to share and sell spectrum and have accepted mobile portability. As a result, there has been tremendous growth in the telecom sector,” he said.

     

    Speaking on broadband, Gupta said, “Lowering the price of broadband is do-able if set top boxes could provide both television and broadband. TRAI gave its recommendations in this regard to the Government in January this year. This will herald the start of a new era in broadband growth.”

     

    “Stakeholders need to realise that the concept of television or video watching is moving to mono-viewing,” he said.

     

    While it was for the stakeholders to find ways to get the customer to fill the Common Assessment Framework (CAF) forms, Gupta said that lessons learnt from the first two phases should help. TRAI would “like to see consensus,” he said.

     

    Gupta also said that while TRAI had its offices in many centres of the country, he would urge the Information and Broadcasting Ministry to send proper instructions to nodal officers in the Phase III and Phase IV areas. His remark came following a complaint that most nodal officers in smaller towns were still not clear about their role in DAS.

     

  • TV content creators keen on digital platforms but rue dearth of writers

    TV content creators keen on digital platforms but rue dearth of writers

    GOA: Producers of content for television feel that they are not creating value as the intellectual property rights go to the channels. However, they are ready to invest in creating content for digital networks and over-the-top (OTT) platforms.

     

    Addressing a session on whether the content ecosystem was ready to serve 2000 channels, these producers said serials made for television gave them money but they did not feel satisfied since they were not the owners of their creations. 

     

    Contiloe Pictures CEO Abhimanyu Singh said there was little doubt that TV got more eyeballs than cinema, but this was not totally satisfying. Singh was in fact keen to syndicate their content, which the company could then monetize in different languages.

     

    “One reason why content creators settle for the present position is because the risk lies with the broadcaster and not with the creator,” he said.

     

    In the session moderated by Indiantelevision founder CEO and editor-in-chief Anil Wanvari, Singh said that he was keen to take up the challenge of creating content for other digital platforms.

     

    Further stating that the younger generation was not coming to television but taking to other mediums, Singh lamented the shortage of good writers in the industry. “The ecosystem has to change for content creators, and this can happen when the intellectual property rights remain with the creator,” he emphasised.

     

    Concurring with Singh on the shortage of writers, Colosceum Media CEO Lalit Sharma looked upon the future as an opportunity for new people to come in. He said, “We will be ready to create content for other digital platforms.”

     

    Beyond Dreams Entertainment Ltd founder Yash Patnaik added, “We have already been doing programmes for other platforms and we have tested audiences for new formats. I am waiting for the market to open up with the entry of OTTs.”

     

    Referring to the shortage of writers, Patnaik said that the writer was also preparing himself for digital platforms. “It is an investment on losses, which may turn into profits later. Content creation needs money, which in turn will create value, which will fetch more investments,” he added. 

     

    Wanvari expressed confidence that OTT players will pay well.