Category: Specials

  • MipCom 2015: Combating nature’s fury, and winning

    MipCom 2015: Combating nature’s fury, and winning

    MUMBAI: The world’s largest TV content market Mipcom was hit by a freak storm and floods. It all started on Saturday 5 October when late in the evening what was predicted to be an evening of gentle rain, turned out to be three hours of a raging thunderstorm. Something that had not happened in 50 years. Seven inches of rain fell in one fell swoop. Some 20 people died, and cars were swept out to sea. 

    The Hotel Martinez where MipJunior (the kids content screening and conference) was being held was the most affected. It lost power because of the flooding, internet went off and its ballrooms were water logged. As were most of Cannes and its surrounding towns.

    Reed Midem, the organiser of MipCom and MipJunior acted fast. Overnight the MipJunior screenings and conferences were shifted to the higher levels of the Palais des Festivals.

    The Palais itself was hit by the storm. The basement area (P-1), which constitutes a large part of the exhibition area and where most of the Indian exhibitors are located, had patches, which were damaged courtesy the flooding. The management of the Palais des Festivals and Reed Midem’s operations executives worked through late Saurday night and Sunday to mop up the excess water, used drying machines, changed carpeting, to get the exhibition area spic and span.

    Came Monday morning and to the astonishment of exhibitors and participants, MipCom started on time. Almost as if the resort town had not faced a natural catastrophe. There were queues at the registration desk, and queues waiting to get into the exhibition area. The rest of Cannes, was however, struggling with some areas being without power, most without internet and telephone lines. And most bank ATMs and credit machines were not working.

    In fact, the mayor of Cannes, has made an appeal to the world of film, television and the rich to contribute to get Cannes back on its feet. The town and its businesses have suffered a loss of Euro 45 million courtesy the freak rain.

    During Mipcom business deals, and alliances were struck and TV premieres held. .Hollywood and British celebrities such as Dennis Quaid, Chris Carter, Lily James, Tuppence Middleton and Stephen Rea mingled with attendees after the screenings in the Grand Auditorium. The opening party was shifted to the Carlton Hotel from the Martinez and the red carpet, however, was canceled. Sponsored by Turkey, which was the country of honour or focus, it was one of Mipcom’s finest organised parties in recent times. The food and wine flowed till past midnight.

    Overall, 13,700 executives from 112 countries did make it to Mipcom, a record of sorts. More than 150 broadcasting, production, animation, digital, content distribution, and buyers and sellers from Pakistan, Bangladesh and Sri Lanka jetted their way to Cannes – a record number for the region this year. Each probably has his or her own story on what he/she did during the deluge. We present a first person account of what one such group went through during the storm and thereafter. Read on:

    The lightning shards continuously cut through the dark incessant rain as the 500 or so guests at MipJunior’s opening night inside the tent on The Martinez Beach in Cannes partied.

    They sipped away at their glasses of wine and munched away at the entrees, exchanging business cards on programming pitches – blissfully unaware that the French Riviera village was going through its worst thunderstorm in almost 50 years.

    As the clock ticked away, the gusts of wind grew stronger, and one such blast shattered a few wine glasses, the chandeliers overhead swayed. A couple of the lights went out. Then the water from the sea outside started seeping under the tent as the angry storm pushed the waves higher.

    Jackie – the event and operations in charge of Reed Midem was worried – as she – like Laurine and Jerome and most of us attending the world’s largest content market – had heard the metro department’s report that there would be rain – but the prediction was that it would be a passing shower. Not a continuous cloud burst on account of which the village and other surrounding ones would be inflicted with the equivalent of more than a month and a half of rain in just three hours.

    The situation was getting alarming as the rain, loud thunder, lighting and wind continued. Would the tent hold? The DJ had already been told to pack his console, the wine and food put away by the stewards. And the guests, who had thinned down to 200 odd by then,  had to be kept safe. Thus a decision was taken to evacuate.

    A warning shout went up: “The entire Croisette is flooded. I tried to cross but there’s too much water.”

    But evacuate we had to. So some of us took off our shoes and jackets, packed them in the Mask of Zorro bags, which the concierge provided us, rolled up our trousers, walked out of the tent. And indeed where earlier in the evening there was beach sand, all we could see was water. Carefully, we walked through it and up the stairs to the Croisette.

    What greeted us was a sea of water all through the main street of Cannes. We stepped into it and it reached up to our knees. And it was cold, bitingly cold. But gritting our teeth and with sheer disbelief in our hearts we trudged through it across the street to the famed Hotel Martinez – which has been home to the world’s biggest celebrities. Were we in Cannes the famed beach town of France to which the world flocks every summer? Or were we in some south east Asian country or in India where such flooding is rather common?

    As we reached the Martinez Hotel we heard there were no shuttles to ferry us across to our apartments or hotel rooms. And that we were on our own. We picked up a couple of hotel umbrellas and decided to make our journey home.

    Every street, by lane and tony street was flooded. To make matters worse, the village’s sewer and drainage system had spewed and vomited out all the waste – including feaces – which its denizens had earlier through the day dumped down commodes or waste disposal systems.

    Most of the by lanes leading to the Croisette were angry torrents of fast paced water through which it was very difficult to swim, forget about walking. And yet everywhere we looked there were executives – both men and women – plodding through the knee-deep water. It was a struggle, no doubt, but move everyone had to know because the water was chilling.

    Thankfully, there were no open manholes or sewers, but we were cautious nonetheless courtesy Mumbai’s dangerous streets during the monsoons every year.

    What was even more shocking was that expensive stores, hawking the most premium brands, which line the main street opposite the Croisette were hit by the water flowing down the streets towards the sea. Many of the stores were forced to garbage some of the goods, costing thousands of euros, which were damaged by the flowing waters.

    We waded through the water, taking care not to get clothes wet. Close to our apartment building, a SUV came racing, through the flooded street and the wave hit us as well as the restaurant, which was already knee deep in water. And all my efforts to keep my trousers dry came to naught.

    Even the apartment’s stairwell was flooded. But we made our way up and thankfully our flat had power, unlike others which went without any electricity throughout the night. We took quick hot showers and sipped hot cups of coffee and it was around 1 am that we managed to get some shuteye.

     

    Posted by Larysa Wanvari on Sunday, October 4, 2015

     

     

  • Tandem to adapt Ken Follet’s ‘Code To Zero’ as TV series

    Tandem to adapt Ken Follet’s ‘Code To Zero’ as TV series

    MUMBAI: Tandem Productions has optioned thriller novel Code To Zero penned by New York Times best selling novelist Ken Follet. While attending MIPCOM in Cannes, Tandem partner and CEO Rola Bauer signed a temporary adaptation of the novel into a limited television series with worldwide distribution by Studiocanal.

     

    In this adaptation of Code to Zero, a man awakens to find himself lying on the ground in a railway station, his mind stripped bare of all recollection. He has no idea how he got there; he does not even know his own name. Slowly, he rediscovers his entire life by detective work, uncovering secrets of a conspiracy, set against the battle for global space supremacy between the US and China.

     

    “I am delighted that Tandem Productions will be making a television series of Code to Zero,” says Follett. “We have had a long and successful relationship and I am looking forward to them bringing my book to a new audience in this exciting way.”

     

    Prior to this, the production house produced two event series of Follet’s bestselling novels of the same title namely the Emmy-winning and Golden Globe-nominated, The Pillars of the Earth, which featured Eddie Redmayne, Ian McShane and Donald Sutherland; and the Emmy-winning, World Without End, starring Cynthia Nixon, Charlotte Riley and Miranda Richardson.

     

    “We have enjoyed a wonderful collaboration with Ken Follett over the years and are thrilled to be working with him again. Code to Zero lends itself beautifully to a present-day thriller that today’s audiences will find thoroughly relevant,” added Bauer.

  • FremantleMedia strikes multiple deals for ‘Simply Nigella’

    FremantleMedia strikes multiple deals for ‘Simply Nigella’

    MUMBAI: FremantleMedia International has closed deals for a new cooking show Simply Nigella and Nigella’s Christmas Special. Four major networks consisting of Prime (New Zealand), Foxtel (Australia), TV2 (Norway) and Discovery Networks (Asia-Pacific) have acquired the series, which stars internationally renowned food writer and celebrity chef Nigella Lawson. 

     

    FMI, EMEA and Asia Pacific, non scripted (UK) director Angela Neillis said, “We’re incredibly excited that Simply Nigella has had this much impact with buyers. The deals reflect the high quality of this feel-good series and Nigella’s enduring ability to resonate with audiences worldwide.”

     

    Produced by BBC Productions, Simply Nigella will see the cook create a handful of dishes per episode and showcase her talents in the kitchen. Lawson shares the story behind each meal and focuses on specific ingredients revealing what makes them her favourites as well as divulging her culinary tips to ensure cooking is as stress free as possible. She also ventures beyond the kitchen visiting local suppliers and independent food stores to source fresh quality produce to include in her recipes.

     

    In addition to the acquisition of Simply Nigella and Nigella’s Christmas Special, Discovery Networks Asia-Pacific has also picked up a comprehensive mix of lifestyle and entertainment content including Jamie’s Super Food, which sees the globally renowned chef revolutionise how we think about nutrition, popular series Project Runway S14 (16 x 60), Project Runway All Stars S5 (13 x 60), which sees the best contestants return to compete once again and Project Runway Junior S2 (10 x 60) showcasing America’s most talented young fashion designers aged 14-17 years.

  • French pubcaster snaps up FremantleMedia’s ‘No Offence’

    French pubcaster snaps up FremantleMedia’s ‘No Offence’

    MUMBAI: France is the latest international market to be captivated by Paul Abbott’s No Offence produced by AbbottVision for UK’s Channel 4.

     

    Public broadcaster France Télévisions has acquired the cop comedy-drama from FremantleMedia International. The show stars Will Mellor, Paul Ritter and Colin Salmon.

     

    Created by Abbott, the unconventional and captivating series, which last month picked up the best foreign fiction award at La Rochelle’s festival de la fiction, is set to premiere on France 2. Today’s news swells the ranks of international broadcasters lining up to take the title, with FMI having sold the show to ABC (Australia), NOP (Netherlands), Hot (Israel), DR (Denmark) and RUV (Iceland) after acquiring the rights earlier this year.

     

    EMEA head of sales and distribution Jamie Lynn said, “No Offence pushes the boundaries on so many different levels, yet its compelling storytelling and characters you genuinely care about makes this addictive viewing. With a prestigious award already under its belt, and a second season already commissioned, we’re already getting huge interest with international buyers, so I’m really excited that France Television has come on board to bring No Offence to the widest possible audience in France.”

     

    Set in a close-knit policing unit located in North West England, No Offence follows a committed team of officers as they crack down on crime and attempt to enforce the law in this chaotic community. At the helm is the sharp and savvy Inspector Vivienne Deering, played by Joanna Scanlon, alongside her ‘right hand’ women, DC Dinah Kowalska and DS Joy Freers. In addition to dealing with the daily grime, the team suddenly has their hands full when a big case involving a twisted serial killer emerges. The squad is pushed to its limit as Deering and her teams are determined to tackle this disturbing case by whatever unconventional and unorthodox means possible.

  • Keshet joins hands with Telefe Argentina for ‘Boom!’ game show

    Keshet joins hands with Telefe Argentina for ‘Boom!’ game show

    MUMBAI: Keshet International is launching an international production hub in partnership with Telefe Argentina for the game show Boom! The hub is available for use by all licensors of the format worldwide.

     

    Launched on 30 September, Telefe’s local version of Boom! became the slot leader across Argentina with an average share of 32.9 per cent. The same studio is now available to licensors along with full production crew so that international productions need only supply a cast and showrunner.

     

    This comes after KI and Telefe announced co-developing entertainment formats for global distribution on the back of the successful local adaptation of KI’s interactive talent format Rising Star, the second season of which is now on air.

     

    Boom!’s has also aired in Hungary (TV2), Kazakhstan (Channel Seven), Chile (TVN), and Uruguay (Canal 10, finished Spanish version) with a total of more than 400 episodes commissioned worldwide to date. The show has also performed well in the US on Fox. Versions for Cambodia (Bayon TV) and Peru (America TV) are in the pipeline.

     

    Boom! fuses the drama, thrill and intensity of a blockbuster action movie with the high-octane fun of a video game, creating one literally explosive trivia challenge. The show was created by Keshet, Ido Rosenblum and July August Productions.

  • Fox International Channels & Keshet strike global rights deal for ‘False Flag’

    Fox International Channels & Keshet strike global rights deal for ‘False Flag’

    MUMBAI: Fox International Channels (FIC) has inked a deal with Keshet International (KI) for the exclusive first window rights to the drama False Flag (8 x 45’).

     

    This follows from the existing format rights deal the two groups have on False Flag, whose US-adaptation is in development at FIC’s Fox International Studios in partnership with Keshet International. The acquisition of the Hebrew language series firms up FIC’s stake in the franchise and positions the group as exclusive broadcaster across its 127 country strong footprint.

     

    The sale of the original Hebrew language series is unprecedented both in the respect of it being the first ever Israeli series to be acquired by FIC and the company’s first non-English series to be acquired on a global scale. 

     

    The gripping espionage thriller, which sees five ordinary citizens implicated in a high profile kidnapping, has been much talked about internationally following its world premiere as part of a special selection at Berlinale 2015 and its award of the Grand Prize at Series Mania 2015 (The Public Prize) jointly with HBO’s Olive Kitteridge.

     

    FIC EVP scripted programming & original development Sharon Tal said, “We couldn’t be more committed to this exciting TV series. We identified this project at an early stage of development and are thrilled be in partnership with KI and own the rights of both the Israeli version and the US remake. Looking forward to bringing both to the world very soon.”

     

    Keshet International managing director – distribution Keren Shahar added, “We’re very proud of False Flag and are delighted it has found a global home on the FIC network. It’s great to see this world-class Israeli drama travelling worldwide.”

     

    The deal for the original language version was negotiated by KI sales director Cynthia Kennedy and FIC EVP global acquisitions Jason Simms.

     

    False Flag was created by Amit Cohen and Maria Feldman, directed by Oded Ruskin and produced by Liat Benasuly and Maria Feldman at Tender Productions for Keshet Broadcasting.

  • Lionsgate and Skydance Media ink global television distribution pact

    Lionsgate and Skydance Media ink global television distribution pact

    MUMBAI: Lionsgate and Skydance have formed a global television distribution pact. The launch of newly-created label Skydance International, which will feature Skydance Media’s current and emerging premium television properties around the world following their initial US broadcast, augments Lionsgate’s worldwide distribution pipeline and permits the two companies to tap opportunities across the global television marketplace.

     

    The global distribution pact will encompass programming led by Skydance’s Emmy-nominated television series Grace and Frankie and the dramaManhattan (produced in partnership with Lionsgate and Tribune Studios), as well as a number of new properties that Skydance is developing for the international television marketplace.

     

    These include Lore, which is executive produced by McG and written by Zack Stentz, and Madness of Angels, which is inspired by Kate Griffin’s six-book fantasy series. The project is executive produced by Neil Burger, who is also slated to direct, and written by rising star UK-based writer Ben Vanstone.

     

    “We’re thrilled to expand our partnership with Skydance Media, one of the hottest and most dynamic film and television studios in the industry. The Skydance brand is synonymous with big, bold, quality entertainment events, and their television slate complements our global distribution pipeline. We’re excited to partner with them on all forms of global distribution, from the traditional to the disruptive, and we’ll focus on innovative deals that reflect today’s dynamic television ecosystem,” said Lionsgate president of worldwide television & digital distribution Jim Packer.

     

    “We believe joining together with Lionsgate – one of the most cutting-edge and creative content companies in the world – will strongly position the Skydance Media brand for success as we make our debut in the international television marketplace. We’ve worked hard to create premium, branded content that will resonate with audiences worldwide, and this new partnership with Lionsgate will accelerate our ability to distribute our shows far and wide across platforms and around the globe in conjunction with the launch of Skydance International,” added Skydance Media founder and CEO David Ellison.

     

    As part of today’s announcement, Brandon Zimon has been named as Skydance Media senior vice present of international television sales and co-productions. 

     

    “In this important new role, Brandon will be responsible for collaborating with Lionsgate to expand the reach of our new and existing television properties around the world and for independently executing international television acquisitions for Skydance Media,” said Skydance COO Jesse Sisgold.

     

    Zimon joins Skydance Media from Sony Pictures Television, where he spent over a decade, most recently as vice president of international distribution.

  • SRF to license earthTV’s robotic TV show generator

    SRF to license earthTV’s robotic TV show generator

    MUMBAI: Berlin-based earthTV is all set to launch its brand new production system at MIPCOM 2015. The software system will enable broadcasters and producers, to create new shows for all platforms by re-packaging their existing content in a simple, effective and automated way 

     

    Swiss broadcaster SRF (Schweizer Radio and Fernsehen) has signed an agreement with earthTV and will be the first broadcaster to take advantage of this TV show generator.

     

    The agreement will allow SRF to create short programming using their own sports and music content.

     

    The software can also be adapted to other genres such as entertainment programming, both scripted and non-scripted,

     

    SRF head of TV programming Stefano Semeria said, “The technology fits our purposes excellently, especially our short term need for fillers, which derives from a big amount of live programming in all time slots. SRF will use EPS to automatically create shows of various lengths for programming, it will be operational by the beginning of 2016.”

     

    earthTV managing director Claudius Lohmann added, “The Robotic TV Show Generator offers more scope to provide more targeted content. Numerous scheduling gaps can  be filled with this content in  the future and will enable broadcasters to considerably enrich their schedules with up-to-the-second images  delivered instantaneously via earthTv Cloud.”

  • Is India ready to embrace 4K Ultra HD?

    Is India ready to embrace 4K Ultra HD?

    CANNES: Ever since Star Sports broadcast a few important matches in 4K Ultra HD featuring the Indian team during the ICC Cricket World Cup earlier this year, a question hovering on many a lips is: Is India ready to embrace 4K Ultra HD?

     

    On Day 1 of Mipcom 2015, a panel comprising Videocon d2h deputy CEO Rohit Jain, Indiantelevision.com founder, CEO and editor-in-chief Anil Wanvari, BT Media & Broadcast VP Mark Wilson-Dunn and Travel XP CEO Prashant Chothani precisely attempted to answer this very question.

     

    Starting out, Jain gave an overview of how the direct to home industry has grown over the years and also how Videocon d2h has been a frontrunner in the recent past in terms of contributing heavily in helping India become a completely digitised country. “The last couple of years have seen some significant changes in how the television and broadcast ecosystem has evolved. India is among the fastest growing economics, and the biggest advantage is having an audience of 670 million under the age of 25 years,” he stated.

     

    “India also has the second largest market for Pay TV connections with 150 million homes. There are challenges of over-the-top (OTT) players coming in globally and India in a big way, but that must not be a hindrance for innovators like us to continue bringing about the best changes and continue being thought leaders in our space,” he added.

     

    Continuing the discussion and bringing a more global perspective to things, BT’s Wilson-Dunn said, “I honestly believe that India is a very strong content oriented market and has the right ingredients to grow as a 4K consuming audience. With the recently successful test of waters with the Cricket World Cup in India, it has certainly given a lot of confidence to us that India and Asia as a whole is ready for 4K consumption.”

     

    The panel agreed that sports would play a major role in establishing the future of 4K as well along with other live events and movies. “We are currently investing heavily in creating only 4K content and are confident that within the next two years, 4K will be huge in India,” said a confident Chothani. “I am currently also looking for the right partners for the distribution of the channel globally and I can already see the benefits of producing in 4K initially than going back and reinvesting in migrating from HD to 4K.”

     

    Indiantelevision.com’s Wanvari was more cautious in his approach on how India will embrace 4K. “I am sure 4K is the natural progression from HD, and with players like Prashant already investing heavily on creating the content pipeline, is an encouraging sign for the future of the content roadmap of the country. Although, the transponder space, which is currently available, is a cause of major concern and could be a downer for the spirits of many content distribution platforms like a Tata Sky and Videocon d2h,” he opined.

     

    The panel also discussed how 4K would ideally be for a niche audience, which would be in a position to generate higher average revenue per users (ARPUs) for distribution platforms that are currently generating anywhere between $3-4 on a monthly basis that could go up to $10-15 with 4K being introduced.

     

    At the end, the consensus amongst the panelists was that in the next five years, India will see a sizeable growth in the number of 4K content available on linear platforms, but these are still early days and one can only play the waiting game as the bigger challenge that still lies ahead is complete digitisation and accountability of users of content in the country.

  • Japan’s Wowow acquires two shows from Sony Pictures Television & CBS

    Japan’s Wowow acquires two shows from Sony Pictures Television & CBS

    MUMBAI: Japanese pay TV broadcaster Wowow has acquired exclusive Japanese broadcast rights to two new US TV series namelyThe Player from Sony Pictures Television; and Zoo from CBS Studios International. 

     

    Set to premiere in Japan on Wowow in Spring 2016, The Player debuted in the US this month. Zoo will debut on Wowow later this year.

     

    The Player had its US network premiere on NBC on 24 September, 2015. The story tracks former FBI agent Alex Kane, who becomes a reluctant player in an age-old secret society’s perverse game of chance, where the stakes are measured in criminal acts and human lives.

     

    The lead cast of The Player includes Philip Winchester, Charity Wakefield, Damon Gupton and Wesley Snipes.

     

    The Player is written by John Rogers, who is also executive producer alongside John Davis, John Fox and director Bharat Nalluri. The series is produced by Kung Fu Monkey and Davis Entertainment in association with Sony Pictures Television.

     

    The CBS series Zoo will premiere exclusively in Japan beginning this New Year holiday season and will be presented as an ‘every night marathon,’ giving the audiences the opportunity to ‘binge view’ the popular program. Wowow will screen the 13-episode debut season over four nights – starting at 10 pm each night from 30 December to 3 January.

     

    Zoo, based on the #1 bestselling novel by James Patterson, is a global thriller about a wave of violent animal attacks against humans sweeping the planet. Among principal cast of Zoo are James Wolk, Kristen Connolly, Billy Burke, Nonso Anozie and Nora Arnezeder.

     

    Creators of Zoo are Josh Appelbaum, André Nemec, Jeff Pinkner and Scott Rosenberg, who also serve as executive producers with Michael Katleman, James Mangold, Cathy Konrad, James Patterson, Bill Robinson, Leopoldo Gout and Steve Bowen. The series is produced by CBS Television Studios and the first season aired on CBS in the US Summer 2015.