Category: Specials

  • Firangi acquires 2,000 hours of content at Mipcom

    Firangi acquires 2,000 hours of content at Mipcom

    MUMBAI: SaharaOne‘s world television channel Firangi, which would air international content from across the globe, has made the best out of its visit to Mipcom.

     

    According to the channel‘s business head Rajeev Chakrabarti, the channel has acquired a whopping 2,000 hours of content, thus completing its first phase of acquisitions.

     

    “We were clearly the largest Indian buyers at Mipcom. On board we have about 2,000 hours of content, which will take care of approximately a year‘s programming needs,” says Chakrabarti.

     

    The acquired content library is across a variety of genres. “We have acquired short series primarily action thrillers, dramas, romantic comedies, telenovelas from regions like Europe, US, Latin America. There is however, no Asian content yet,” says Chakrabarti.

     

    The channel has tied up with about eight content providers worldwide. “When we conceived Firangi in June, we got in touch with international content providers and had been reviewing a host of content for the channel. Mipcom, essentially was an event for us to close our deals,” he says.

     

    Elaborating on the target audience for the channel, he says, “Our research across ten Indian cities has showed that there is large audience base, which is young in mind and waiting to see different cultures, locales, international fashion. They are waiting to consume content within their boundaries of sensibility as long as they can watch it together with their family.”

     

    Firangi will further acquire more content through international trade events like America Film Market, MipTV amongst others. The channel is slated to go on air this year.

  • Endemol to bring two format shows to India

    Endemol to bring two format shows to India

    MUMBAI: Endemol India is moving ahead aggressively with its plans. It has seven shows on the floor for various channels which are set for launch in November and December.

     

    These include the Pogo Amazing Kids Awards on Pogo. It will also be doing shows for INX and Star.

     

    In terms of introducing new formats to Indian broadcasters, Endemol is looking at two: 11 Cameras and Kids Are Alright.

     

    Speaking to Indiantelevision.com Endemol India MD Rajesh Kamath says, “We are excited about 11 Cameras. This is a non fiction modern day story told entirely from the unique viewpoint of webcams and computer desktops. 11 Cameras is inspired by today’s world in which long-distance friends and lovers have traded in their pen and ink for the ones and zeroes of e-mail and the electronic hum of 10,000 webcams. Computers are the new breeding ground for today’s relationships.

     

    The details are being finetuned in terms of how candid cameras can be used and for how long an interesting story can last. “The story will also be finetuned to syuit indian tastes. This is a story of love, sex, loneliness, fear, money woes, longing, adultery and jealousy in the digital age,” Kamath adds.

     

    Endemol International had recently acquired the format rights for the show from Oasis International for several territories including India, Australia, the US.

     

    Kids Are Alright is a show where kids are pitted against adults.

     

    Kamath adds that the aim is to have both these shows on air sometime in the March-April 2008 period.

  • Mipcom 2007 sees record attendance of 13,000+

    CANNES: It was wind down time today at the 23rd edition of the audiovisual and digital market Mipcom 2007 in Cannes, Palais des festivals.

     

    And as has been the trend over the last few years, the market saw record attendances, the biggest jump of course being witnessed by India. The Mipcom Country of Honour saw participation up a massive 392 per cent over last year with 220+ delegates present this year.

     

    With 545 stands, from 4,581 companies and 105 nations represented, the event saw attendance cross the 13,000 mark (after Day 3 it stood at 13,295).

     

    This market is of course about business, so the statistic that there was a 10 per cent increase in programme TV buyers from 3,847 to 4,237 was of course a most relevant piece of information.

     

    This year also saw 1,801 exhibiting companies from 62 countries showcasing their products.

     

    The top 10 biggest stands from across International markets included Telefilm Canada, Warner Bros. International Television, CBS Paramount International Television, The Marketplace, NBC Universal Television Distribution, TV France International, Freemantlemedia, Disney ABC International Television, Sony Pictures Television International and Discovery Communications Inc.

     

    This year, 11 new countries came to the market – Antigua, Belarus, Cuba, Fiji, Liechtenstein, Mozambique, Namibia, Niger, Puerto Rico, Senegal and Tanzania.

     

    A new featured event that was well received by all delegates was the Green TV day on 9 October. A series of conferences that hosted major international media groups – News Corp, Nat Geo, BSkyB and MTV – discussed how they were individually tackling green issues.

     

    Research company ‘The Wit‘ offered examples of Green programming from across the world and across the different genres. The Green TV Day closed with the conference ‘Pangea Day: Can Film Bring the World Together?‘

     

    Pangea Day is a global event slated for 10 May 2008 that will showcase short films from around the world. On the day, venues in Cairo, Dharamsala, Jerusalem, Kigali, London, New York City, Ramallah and Rio de Janeiro will be linked in a four-hour global broadcast featuring films, speakers and music. The event will be streamed online, on TV, in digital cinemas and on mobile phones.

     

    Reed Midem television division director Paul Johnson said this would be an endeavour actively supported by the organisation right up to ‘D Day‘ on 10 May.

     

  • Vuze opens internet publishing platform to content creators

    CANNES: Vuze, a fast-growing online entertainment platform with an established audience of 10 million viewers, has opened its publishing platform to anyone who creates high-quality digital content, including global television networks, premier and mid-size production studios, and maverick content creators.

     

    The Vuze Open Entertainment Platform creates a new business model for online distribution, and presents opportunities for everyone interested in consuming and distributing online entertainment.

     

    Publishers can offer their video, audio, and gaming content to viewers for free with ad support, or at the price they choose.
    To date, Vuze has signed 90 content partners, including A&E, BBC, CBC, G4 TV, Geneon, The History Channel, Ministry of Sound TV, National Geographic, PBS, Showtime, Starz Media, The Poker Channel, TV Guide Channel, amongst others.

     

  • Bennett Media Worldwide inks new broadcast deals

    CANNES: Bennett Media Worldwide has closed a number of licensing deals with global buyers for their catalogue of HD programming.

    HDNET (USA) has acquired HDTV and HD DVD rights for Taylor Hicks: Whomp at the Warfield and six new episodes of Bikini Destinations.

    VTR (Chile) has secured pay TV rights for Bikini Destinations, Snowology, The Extremists, Destination X, Boost Mobile Snowboarding, and Billabong’s J-Bay.

    Imagen Satelital SA (Pan Latin America) has acquired basic cable TV and direct to home rights for Mysteries.

    ABS-CBN (Phillipines) has acquired pay TV rights for Flow, Bikini Life Adventures, Stag, Destination X, Bikini Destinations, and The Wild Side.

    Tanweer Enlightenment Corporation (Middle East) has secured first negotiation TV and VoD rights for Bennett Media‘s entire library of programming.

  • Mipcom announces Mobile TV Awards winners

    CANNES: It was so near yet so far for India at the Mipcom Mobile & Internet TV Awards 2007, which were announced here today.

    Tangerine Digital Entertainment‘s entry Dancing Queen couldn‘t make it beyond the final three, losing out in the end to Hungarian entry Colorful EU.

    The international trophies were awarded earlier this evening at a well attended event hosted by British comedian, actor, singer Brian Conley. The winning titles were chosen by an international grand jury from a total of 32 nominated projects.

    Organised in partnership with Any Screen Productions, Marché du Film de Cannes and Short Film Corner, The Hollywood Reporter and Billboard, the Mipcom Mobile & Internet TV Awards 2007 received 280 entries from 38 countries, and a record number of 180 companies participated in the competition.

    Reed Midem director of digital media Ted Baracos comments: “The record participation in this year‘s awards demonstrates the growing importance of mobile and internet production to the global TV and film industries. By creating and hosting the Mobile & Internet TV Awards at Mipcom, we are actively promoting the creative and commercial development of new content formats over digital platforms.”

    The international grand jury presented a ‘Mobile & Internet TV Award‘ to the most compelling project in each category. The grand jury included the following members: President of Grand Jury, Neeraj Roy, Managing Director and CEO, Hungama Mobile (India), Miles Beckett, Co-Founder and CEO LG15 Studios (USA), Judy Gladstone, executive director, Bravo!FACT Foundation to assist Canadian TalentCTVglobemedia Inc. (Canada), Laurence Herszberg, General Manager Forum des Images and Founder Pocket Films Festival France, Mark Selby, Global Vice President Multimedia, Nokia (UK), Juha Tiihonen CEO and co-Founder, Starcut Oy (Finland), Karin Timpone, Head of Consumer & Customer Innovation, Yahoo! Inc. (USA).

    The 9 Winners of the Mipcom Mobile TV Awards 2007 are :

    1. Best short form audiovisual entertainment made for mobile and/or Internet comedy:
    Jeb‘s Jobs, Weakend Productions, UK.

    2.Best short form audiovisual entertainment made for mobile and/or Internet drama:
    Emmerdale Online Channel: Hoodlum, Australia.

    3. Best short form audiovisual entertainment made for mobile and/or Internet:lifestyle/music :
    History Rocks, A&E Television Networks, USA

    4. Best short form audiovisual entertainment made for mobile and/or Internet factual :
    The Finer things, Speedy Productions, South Africa

    5. Best mobile service for social community & UGC:
    Vringo, Vringo Inc, Israel.

    6. Best made-for-mobile or film channel:
    Toei Anime Comic, Toei Animation Co, Japan

    7. Best Cross platform & Interactive mobile TV format:
    Best Show Ever, MTV Networks International, USA

    8. Best short film originally created or repurposed for mobile:
    King Boxer-Mobisode Celestial Pictures Ltd, Hong Kong

    9. Best film shot on a mobile device:
    Colorful EU, Kodolanyi Janos University-Visual Workshop, Hungary.

    The third edition of the Mipcom Mobile & Internet TV Awards is sponsored by Mini Movie Channel, Thomson and Yahoo!.

     

  • Turner seals online deals

    CANNES: Turner Broadcasting has clinched online deals with YouTube, Joost and Dailymotion.

    The deal means that content from sister news network CNN International and Turner‘s adult-oriented television programming network Adult Swim will be available on Joost before the month is out. Turner Europe has also completed a deal that will allow users of sharing websites YouTube and DailyMotion access to clips from the two channels.

    Casey Harwood, senior vice president for digital media at Turner Broadcasting System Europe said: “Turner has a track record of actively embracing new ways of distributing our content in line with changing consumer habits. Joost is an indicator of how the next generation will access and view television in the digital space and we’re excited to be part of this innovation.”

  • Voom HD channel makes ‘Virgin’ launch into UK

    MIPCOM: Voom HD Networks has completed an agreement with Virgin Media to trial the global Voom HD channel starting in October 2007 as part Virgin Media‘s Broadband Pilot in the UK.

    The deal, brokered by international broadcaster and distributor of thematic channels Chello Zone (formerly Zonemedia), marks the initial delivery of a Voom HD channel in the UK.

    The announcement was made by Malcolm Wall, CEO of Content at Virgin Media; Greg Moyer, General Manager, Voom HD Networks; and Louise Cottrell, Chello Zone‘s vice-president, affiliate sales.

  • Consumers want control; content providers, platforms are listening

    CANNES: The biggest takeaway from this year‘s market has really been about the criticality of content to both media owners and delivery platforms.

    Somewhat ironically, it is the relentless march towards digitalisation that has brought this point front and centre in all the discussions.

    Symbiotically linked to that premise is also the centrality of the digitally enabled consumer, who more than ever controls how, when and where content is consumed.

    Throughout Wednesday, the ‘discussion baseline‘ was Multiplatform Entertainment – At Home, which examined the issue from all possible angles. Whether it was the morning keynote by Joost CEO Mike Volpi, or the Superpanel – Distribution Strategies For Major Media Owners; or the panel – Telco TV Hot Markets & Best Practices what came through was – the consumer is in control and content is critical.

    Interestingly, while the common argument in India is that in the digital regime it would be subscription that would dominate any revenue proposition, the experience for networks in mature markets like the US has been quite different.

    As MTV Networks international president global digital media Mika Salmi pointed out, of the $ 200 million in digital revenues his network made last year, most of it was advertising driven. There is Apple itunes of course, which Salmi admitted has been the best distribution deal MTV has enetered into.

    Some other points of note from the discussions:

    *Timing is key. Media owners have to work with ISPs to put as much legitimate content out there and as fast as possible.

    *Short form content is important and works better on VoD on net.

    *Intimacy with the consumer is what must be engendered in the future acorss the whole ecosystem

    *High levels of creativity to be able to interact with content

    *Innovations and new format creativity where web/TV/mobile interact

    At the end of it all though, whether it be short form or long form programming, great storytelling is what will sustain the ecosystem.

     

  • Showtime, Hydra to launch international business reality series

    CANNES: Hydra Properties, a leading Abu Dhabi-based international real estate company, has teamed up with Showtime Arabia and Infinity TV to launch a new reality-TV series, The Hydra Executives.

    This series invites 16 would-be entrepreneurs, 8 Americans and 8 Brits to Abu Dhabi, in the United Arab Emirates to compete against each other whereby at the end of the 15 week competition one winner will be entitled to get his business venture funded to the tune of $1,000,000.

    “Its entertainment, but of a different kind,” said the show’s founder and host Dr Sulaiman Al Fahim, CEO of Hydra Properties.

    “The show will further emphasize Hydra’s association with innovation and leadership in the UAE and the International real estate development arena. The show will aim to educate and entertain, while simultaneously tapping international entrepreneurial talent to start their real estate venture in the richest and fastest growing development market in the world, Abu Dhabi,” Dr Suleiman added.

    Selected contestants will fly to Abu Dhabi where they will spend their first two weeks in boot camp to learn the art of the real estate deal and how to identify various playing fields. Following this, they will be split into two mixed teams to compete in real estate business assignments for a three month period.