Category: Specials

  • Up In the Air bags six nominations at Golden Globe

    MUMBAI: Jason Reitman‘s Up In The Air emerged as the frontrunner with six nominations followed by Quentin Tarantino‘s Inglorious Basterds, Rob Marshall‘s Nine and James Cameron‘s Avatar with four apiece when the nominations for the 67th Golden Globe awards were announced yesterday.


    The Hurt Locker will vie for best drama with Up In The Air, Inglourious Basterds, Precious and Avatar.


    Nine competes for the musical or comedy award against 500 Days Of Summer, The Hangover, It‘s Complicated and Julie & Julia.


    Kathryn Bigelow got a best director nomination along with James Cameron for Avatar, Tarantino, Reitman and Clint Eastwood for Invictus. The first two have also been nominated for screenplay.


    The dramatic actors category features heavyweight contenders Jeff Bridges for Crazy Heart, George Clooney for Up In The Air, Colin Firth for A Single Man and Morgan Freeman for Invictus, with Brothers‘ Tobey Maguire filling the fifth spot, possibly at the expense of The Hurt Locker‘s Jeremy Renner.


    Matt Damon was nominations twice, one for best comedy or musical actor for The Informant! and the other as supporting actor for Invictus with favourite Christoph Waltz for Inglourious Basterds.


    Two actresses – Meryl Streep and Sandra Bullock have been nominated twice for acting awards. Streep dominates the musical or comedy category with It‘s Complicated and Julie & Julia, while Bullock rounds off her best ever year at the box-office with a musical or comedy nod for The Proposal and dramatic recognition for The Blind Side.


    British stars overshadow the dramatic actress category with Helen Mirren for The Last Station, breakout Carey Mulligan for An Education and Emily Blunt for The Young Victoria all up against Bullock and Gabourey Sidibe for Precious.


    Going by the studios, films from The Weinstein Company and Relativity Media drew 12 nominations apiece, followed by Universal and Paramount on seven.


    The 67th Golden Globes ceremony is scheduled to take place in Los Angeles on 17 January.
     

  • Ricky Gervais to host Golden Globe Awards

    MUMBAI: Actor Ricky Gervais will host The 67th Annual Golden Globe Awards on 17 January, 2010.


    The show, which is organised by the Hollywood Foreign Press Association (HFPA), recognises work in television and film.


    NBC and Universal Media Studios executive VP, alternative programming Paul Telegdy says, “Ricky is certainly one of the funniest people on the planet and has provided some of the most hilarious and memorable awards show moments in recent memory.


    “His unique comedic style will enhance the only awards show that brings together television and film stars to celebrate entertainment‘s biggest night of the year.”
     

  • Jennifer Aniston among three to present Golden Globe awards

    MUMBAI: MUMBAI: Jennifer Aniston, Mickey Rourke and Julia Roberts will be presenting the 67th annual Golden Globe Awards that takes place on 17 January.


    They join Robert De Niro and Leonardo DiCaprio, who will present the Cecil B. DeMille Award to Martin Scorsese.


    Roberts is also a nominee in the category of best performance by an actress in a musical or comedy for her role in Duplicity.


    The show, hosted by Ricky Gervais, will be broadcast live on NBC from the Beverly Hilton.
     

  • Golden Globes awards on 17 January

    MUMBAI: Halle Berry, Colin Farrell and Matthew Fox will present the 67th annual Golden Globe Awards on 17 January.


    They join Jennifer Aniston, Mickey Rourke and Julia Roberts. Robert De Niro and Leonardo DiCaprio, the names of whom were previously announced.


    The Hollywood Foreign Press Association‘s Cecil B. DeMille award to Martin Scorsese for his “outstanding contribution to the entertainment field.”


    The show, hosted by Ricky Gervais, will be broadcast live on NBC.


    The Annual Golden Globe Awards will be seen in more than 160 countries worldwide and is one of the few awards ceremonies that span both television and motion picture achievements.
     

  • Golden Globe nominations out

    MUMBAI: The Golden Globe Awards has released its list of nominations for the upcoming award ceremony scheduled to be held on 17 January at the Beverly Hilton.


    The nominations are:


    Best Motion Picture – Drama


    Avatar, Lightstorm Entertainment; Twentieth Century Fox


    The Hurt Locker, Voltage Pictures ; Summit Entertainment


    Inglourious Basterds, The Weinstein Company


    Precious: Lee Daniels Entertainment / Smokewood Entertainment Group Production; Lionsgate


    Up In The Air, Paramount Pictures; Paramount Pictures
    Best Performance by an Actress in a Motion Picture – Drama


    Emily Blunt, The Young Victoria


    Sandra Bullock, The Blind Side


    Helen Mirren, The Last Station


    Carey Mulligan, An Education


    Gabourey Sidibe, Precious
    Best Performance by an Actor in a Motion Picture – Drama


    Jeff Bridges, Crazy Heart


    George Clooney, Up In The Air


    Colin Firth, A Single Man


    Morgan Freeman, Invictus


    Tobey Maguire, Brothers
    Best Motion Picture – Comedy or Musical


    (500) Days of Summer, Watermark Pictures; Fox Searchlight Pictures


    The Hangover, Warner Bros. Pictures; Warner Bros. Pictures


    It‘s Complicated, Relativity Media, Scott Rudin Productions; Universal Pictures


    Julie & Julia, Columbia Pictures; Sony Pictures Releasing


    Nine, The Weinstein Company; The Weinstein Company


    Best Performance by an Actress in a Motion Picturee – Comedy or Musical


    Sandra Bullock, The Proposal


    Marion Cotillard, Nine


    Julia Roberts, Duplicity


    Meryl Streep, It‘s Complicated


    Meryl Streep, Julie & Julia
    Best Performance by an Actor in a Motion Picture – Comedy or Musical


    Matt Damon, The Informant!


    Daniel Day-Lewis, Nine


    Robert Downey Jr., Sherlock Holmes


    Joseph-Levitt, (500) Days of Summer


    Michael Stuhlbarg, A Serious Man
    Best Animated Feature Film


    Cloudy With a Chance of Meatballs, Columbia Pictures and Sony Pictures Animation; Sony Pictures Releasing


    Coraline, Laika, Inc.; Focus Features


    Fantastic Mr. Fox, American Empirical Picture; Twentieth Century Fox


    The Princess and The Frog, Walt Disney Pictures/Walt Disney Animation Studios; Walt Disney Studios Motion Pictures


    UP, Walt Disney Pictures/PIXAR Animation Studios; Walt Disney Studios Motion Pictures
    Best Foreign Language Film


    Baaria (Italy), Medusa Film; Summit Entertainment


    Broken Embraces (Spain), El Deseo SA; Sony Pictures Classics


    The Maid (Chile), (La Nana), Forastero; Elephant Eye Films


    A Prophet (France), Chic Films; Sony Pictures Classics


    The White Ribbon (Germany), (Das Weisse Band – Eine Deutsche Kindergeschichte), Wega Films; Sony Pictures Classics

  • Cricket has no losers in 2009

    Cricket has no losers in 2009

    MUMBAI: The Indian Premier League (IPL) emerged as a clear winner in 2009, but fortunately for sports broadcasters cricket had no losers. The three formats – Twenty20, ODIs and Tests – continued to have their relevance, particularly when the game engaged India.

    In a year hit by severe slowdown, sports broadcasters posted growth and raked in an advertising revenue of Rs 11 billion. The heavy load of sporting events in 2010, including T20 World Cup, the soccer World Cup and the Commonwealth Games, holds out more hope for sports broadcasters in India.

    Multi Screen Media (formerly Sony Entertainment Television) collected close to Rs 4.5 billion from the IPL telecast, setting the ball rolling for the tourney to emerge bigger. The company is already targeting an advertising revenue of Rs 7 billion this year, an almost 50 per cent jump from the second edition of the IPL.

    The IPL saga, in tune with the BCCI‘s (Board of Control for Cricket in India) propensity to extract the maximum value from its properties, had many twists and turns during the course of the year. MSM had to get back the broadcast rights from the cricket board after settling to pay more. The deal, running through till 2017, was signed for $1.6 billion and includes World Sport Group‘s global and other media rights.

    The IPL also had to seek temporary shelter in South Africa as the tournament window coincided with the general elections in India. Though this involved more costs, the brand got an international exposure. TV ratings stayed high with Max, the telecasting channel, enjoying a TVR of 4.2 from the event.

    Says Lintas Media Group Planning Sciences director Atrayuee Chakraborthy, “IPL2 in the first 20 days had captured a significant 82 million viewers as compared to 85 million in the year-ago period. TVRs had dropped because of reduced time spent as quite a few matches were scheduled on weekdays and in off-prime time. But, as per our estimates, a significant 26 per cent watched IPL2 matches out of home, which can‘t get reflected in TV household panel ratings of Tam.”

    The IPL will get more exposure in 2010 with Dubai-based Dar Capital picking up the theatrical rights. The third edition of the tournament will be screened in cinema theatres across the country.

    While the IPL has done well, the Twenty20 format does not always work. A case in point is the Champions Twenty20 League. ESPN Star Sports, which had paid $975 million for the rights, would not be happy with the ratings that the first edition got. Luckily for ESS, the Twenty20 World Cup did better with a rating of 3 although India exited early. Even the Champions Trophy did not do too badly with a rating of 1.6.

    Essel Group‘s Indian Cricket League (ICL), IPL’s poor rival, disappeared from the act. In 2009, the ICC denied the ICL official recognition. The ICC said the Board went through the application carefully, including assessing it against the criteria within the ICC regulations for approving such events. It also maintained that the event did not meet its criteria for approving as ‘unofficial cricket’.

    The BCCI, which had been waiting all along for this decision, then allowed ICL players back into its fold if they severed ties with the rebel league. Several months later, ICL responded by sending a legal notice to the ICC, BCCI and the English Cricket Board. If the ICC is toeing the BCCI‘s line, then one cannot put too much blame on them as over 80 per cent of the game‘s revenue comes from India. Financial reasons were behind the English Cricket Board’s decision to scrap plans for P20. Australia, New Zealand and South Africa are, however, looking at a joint league from 2011.

    Meanwhile the ODI and Test Cricket formats are holding their ground, at least when it comes to bilateral series featuring India.

    As far as television rights are concerned, Nimbus protected its turf by renewing its deal with the BCCI for another four years. The new deal is said to be worth Rs 20 billion but the rights do not include mobile and the Internet. The broadcaster also has to submit a bond by January 2010.

    ESS, meanwhile, renewed its rights for the English Premier League. Also, Ten Sports extended its deal for the Uefa Champions League for three more years.

    New channel launches

    On the back of the IPL, MSM is planning to launch a sports channel. With major cricket properties being locked up for the long term, it remains to be seen how MSM can build a channel with the IPL and New Zealand cricket rights.

    The sports broadcasting genre could get at least a couple of new entrants in 2010. ESPN Star Sports is waiting for permission to launch a sports news channel. Taj Television, meanwhile, has sought permission for three more channels including a Golf channel.

    Overdose of cricket can have negative impact

    Cricket’s organising bodies like the BCCI will have to decide on how much cricket is healthy and where to draw the line. An overdose can kill the golden goose.

    Advertisers are preferring bilateral rather than tri-series as the ratings are more consistent in such tournaments. Says Chakraborthy, “Test cricket is still effective in building brand saliency among the hard core cricket fans. However, the Twenty20 format allows you to target a far wider audience including the family. As the IPL gets bigger, it will suck out more money from sports advertising. Companies who spend the most on cricket come on the IPL. So while the number of categories that invest in cricket has grown over the past couple of years, other tournaments could find it hard to get in similar big outlays from other companies who do not spend as much on cricket.”

    A case in point is what happened with the BCCI team sponsorship rights. The board was forced to extend its deal with Sahara for another six months after the tender that it floated failed to get a single bid. The BCCI was looking at a price of Rs 30 million per match while Sahara is currently shelling out Rs 20 million a match.

    Some analysts say that the board went overboard in the price it was asking for. But with so much cricket happening, sponsors‘ budgets are getting cleaned out quickly and there is small space to make substantial investments in other properties.

    So what are the challenges that the bat-and-ball game faces in its aim to get in more ad revenues? Chakraborthy says that simple FCT consumption and logo exposures in cricket may not help in the long run. “Brand message integration and audience engagement are the other aspects that the game needs to crack to garner ad revenue as they move forward,” she adds.

    And what about other sports? The biggest beneficiary seems to be soccer as the appeal is spreading beyond just Goa, Kerala and West Bengal. Viewership of this sport in the metros is on the rise and it is becoming an effective medium to reach the upper class male particularly for events like the English Premier League and the Uefa Champions League. However sports like tennis and Golf are still niche in nature.

    The Piracy Menace

    Another issue that is concerning stakeholders is that of piracy. The BCCI, along with the other boards, has set up a consortium to fight against it. The areas that need to be addressed are trade mark infringement, Internet piracy and footage violation.

    Sports broadcasters, in particular, have a grouse against news channels who they feel repackage footage beyond what should be allowed. The cricket boards are also looking to work with the Sports Rights Owners Coalition (SROC) to form a legal framework for the different boards.

    2010 will see the unveiling of cricket‘s next six-year plan of fixtures, crucial to the survival of formats like Test cricket.
     

  • ‘Free sports channels from Trai pricing’-Taj Television COO Peter Hutton

    ‘Free sports channels from Trai pricing’-Taj Television COO Peter Hutton

    MUMBAI: 2009 was the year to be in a different industry. ESPN-Star‘s billion dollar investment in cricket‘s Champions League made the Dubai property market look a safe bet. The IPL riches were diverted into the pockets of South African travel agents. In the ICC‘s showpiece event, India‘s world champion 20-20 team batted so slowly they turned into the No. 1 Test team. India‘s hockey team fell so low, the world rankings needed a second page. The Commonwealth Games promises India Gold medals for bad publicity and even WWE‘s Khali lost whatever it was he‘d won the year before.

    Add that to world economic woes, rampant news channel piracy, illegal websites, Pakistan cricket, rain in the West Indies and having to move house, and you‘ve got my year to forget.

    On the positive side, 2010 is the year of the big event for Indian sports channels. The Hero Honda hockey World Cup, the IPL, the ICC 20-20, the FIFA soccer World Cup, the Commonwealth Games, India‘s tour of South Africa and the Asian Games all tumble after each other.

    The advertising incomes are looking healthier, DTH numbers are growing month on month and the range of big non cricket events can help change the perception that only cricket delivers value.

    2009 was the year when hardly any major new sports deals were done in India. The one exception was Nimbus‘s extension of the BCCI contract, a smart piece of negotiating by the Nimbus team that perhaps signifies a levelling of expectation from the cricket boards. That reality check on price is needed, but the doom and gloom on the value of Test and ODI cricket has been overplayed. The ratings still deliver remarkably consistently for meaningful cricket between well balanced teams in whatever format of the game.

    One of the less heralded legacies of the “Lalit Modi era” has been the quiet removal of the concept of each Test playing side playing each other Test playing side home and away. Zimbabwe and Bangladesh‘s best chance of seeing India these days is by booking a holiday in Goa. The BCCI is happy to travel to the smaller cricketing nations (giving Bangladesh and Zimbabwe the boost of TV and sponsor income), but they‘re not going to waste their precious home games on one-sided matches. It might not suit the ICC, but it works for both the BCCI and the other boards.

    2010 should finally see the unveiling of cricket‘s next six-year plan of fixtures, and what will hopefully see a “flight to quality”. More matches that promise even contests between well matched sides rather than meaningless three-day Tests and ODIs that are won by the toss.

    2009‘s seen plenty of talk of defending Test match cricket. My pet obsession is seeing how many Test matches are being scheduled to play Monday-Friday, as if designed to stop people watching them. The only people these matches suit are the administrators who get home for the weekend. Hopefully 2010 will see success in the pink ball, day night experiments and we will be on the way to Test cricket being played in prime time.

    The best piece of rescheduling I‘ve seen for some time is the Pakistan-Australia Tests in July 2010, which will now happen in England and will make the matches happen in prime time for the sub-continent audience. At a stroke, they become much more valuable for the sport as so many more people will be able to watch them.

    Pakistan‘s varied itinerary also saw the debut of Dubai Sports city as an international stadium. It‘s round the corner from my house, so I am slightly biased, but I believe it‘s the best cricket stadium in Asia for the viewing public. One of my hopes for 2010 is that it gets to see some regular cricket rather than sit as a dusty monument to Dubai‘s dreams.

    Away from cricket in 2009, the world hockey federation (the FIH) have shown faith in India to deliver a hockey World Cup that can revitalise the sport in the country. The evidence so far has been remarkably positive. Investment from sponsors (via the Commune agency) has poured in and the Hero Honda World Cup will be a true opportunity for the Indian game.

    The Indian team are showing signs of progress (third in the champions challenge). Hopefully, home conditions and passionate crowds can work in their favour and the final of the tournament in March will overshadow the start of the IPL on the same day.

    Zee Sports deserves full marks for bravery in their attempt to showcase Indian football. Plenty have tried and failed to turn the undoubted passion for Indian football into a marketable property. The emotion and quality on show at the Nehru Cup in 2009 is an indication that this is not a lost cause. However, the sport needs to learn from the positive qualities of the Nehru Cup. Full crowds, matches to care about, prime time content all come together as part of the equation that can make the sport work.

    International football is certainly gaining ground in some areas of India, even if the viewing figures don‘t really back that statement up. Premium Indian advertisers are beginning to spend on the UEFA Champions League, UEFA Europa League and the BPL. Wealthy Delhi and Mumbai kids all seem to have an English or Spanish football shirt in their wardrobe, and the FIFA world Cup in South Africa should be a superb event.

    The international football market is licking its lips at the prospect of an Indian audience buying more of those shirts. The research doesn‘t currently support the emotion. Premier league and UEFA Champions League figures are showing no signs of growth, but they are showing signs that people care more.

    The soccer World Cup can only help the process in 2010. I do believe ESPN-Star overpaid with their $48 million bid for three years of Premier League football from 2010-2012, but I remain very happy to watch them every weekend.

    One of the sporting stories of the year for 2009 came in a sport that I care very little about. Formula 1 tends to leave me cold, but I love an underdog. As a result Vijay Mallya‘s Force India perked even my interest with their achievements in 2009. To take a podium place and come so close to a first place was remarkable, particularly when you see the sort of funding that the big teams have. As we move towards an Indian Grand Prix and the new circuit on the edge of Delhi, then there is considerable potential for growth around Indian motorsport and its talented young drivers.

    Indian golf has some passionate supporters in the industry and 2010 promises more Asian tour events in the country as well as more Indian golfers succeeding on a world stage. Again, from a television industry perspective, we don‘t really see the numbers on a weekly basis but the passionate and committed golf viewer certainly wants more, and the current structure of Indian sports channels does not fulfil that need.

    Though sporting prowess on the field has a remarkable effect on the value of what we show, the real test for the Indian market is how quickly television sport is allowed to move away from being an advertising supported industry to a subscriber supported industry.

    The lack of accountability and the issues with collections in the cable industry has frustrated the growth of the Indian television sports business. DTH is a true sign of hope, with a viewer choosing and paying for his channel rather than a cable operator choosing for a viewer, and only occasionally paying. The closer that paying relationship between the end consumer and the sports channel, the more chance we have of justifying varied and stimulating content that people actually want to watch.

    Indian sports television has come a long way in the last 15 years since I sat watching Chinese football on Prime Sports but unable to watch the Premier league. Yet there is still huge amount of quality sport inside and outside India that is not seen on TV by an Indian audience. The World Athletics Championships, the Spanish football league, the Ultimate Fighting Championships, the European hockey league, the American NFL are all events that some people in India want to watch, but currently cannot do so. The rest of the world is now watching in HD, but India is watching in 4:3, not even in widescreen.

    Free the sports channels from the limitations of Trai (Telecom Regulatory Authority of India) pricing, and the doors will open to even better experiences. Control the piracy, encourage innovation. Allow variety of sporting experience, encourage quality of production. Filling each hour of live sport programming with advertising, squeezing back the screen every ball of a cricket match does not deliver the quality of viewing experience that an audience deserves.

    Let‘s hope that 2010 allows sports channels the legislative freedoms to offer premium products at premium prices and take Indian sports TV into the 21st century.
     

  • HAF Awards winners announced

    Hong Kong: The Hong Kong – Asia Film Financing Forum today announced the winners for the HAF awards, the Technicolor Bangkok awards, the Lacarno Open Doors awards and the Paris Project awards.


    The HAF Excellence award this year was presented to Charlie Young, director of Christmas Rose (Hong Kong), for being the first project to successfully achieve full financing at the HAF.



    Wanted by Dante Lam and The Murderer by Na Hong-jin were awarded HKD 100,000 (USD13,000 approx) each for projects originating in Hong Kong and outside of Hong Kong respectively.














    The Technicolor Bangkok awards of $20,000 (approx. HKD 156,000) each were given to Blood Maple and the Passion of the Kid (Thailand) by Chartchai Ketnust and Veritigo (Vietnam) by Chuyen Bui Thac.



    The Locarno Open Doors award – 5,000 Euros (HKD 50,000) – were presented to Help By Li Ying and Winter Vacation by Li Hong-qi. Both the projects are from the Chinese mainland. The projects will be invited to participate at the Locarno International Film Festival’s Open Door’s award section in 2009. Two round trips and hotel accommodations will be provided to each project.



    The Paris Project award –Euros 5,000 (HKD 50,000) – was presented to And Protect, Protected by Baomi Kawase (Japan). This includes one round trip and hotel accommodation at the Paris Cinema International Film Festival to participate in the Paris Project 2009.This year’s line-up included film projects from 11 territories.



    The HAF is one of the leading hubs of film-financing in Asia. This year it saw a 38 per cent increase in applicants for places in the forum, with guest registrations numbering over 900. This year’s Forum has also organised close to 500 successfully concluded meetings.

  • 5th Entertainment Expo Hong Kong opens

    Hong Kong: The opening ceremony for the fifth Entertainment Expo Hong Kong (EEHK) and the third Asian Film Awards was held yesterday evening at the Hong Kong Convention and Exhibition Centre (HKCEC).


    “Covering nine multimedia events in four critical sectors – film, television, digital entertainment and music – Entertainment Expo has firmly cast Hong Kong as the entertainment capital of Asia,” said HKTDC Chairman Jack So.



    Hong Kong Special Administrative Region Financial Secretary John Tsang said, “We will shortly establish a new office – “Create Hong Kong” (CreateHK) – to support the development of our creative industries. CreateHK will realign resources from various government departments to enable us to respond more effectively to the industries‘ demands, and better serve them through a one-stop service.”













    Jang added, “In my Budget last month, I earmarked $300 million, to support the development of our creative industries over the coming three years. This will be in addition to the existing funding schemes established to support our design and film sectors. The Government‘s total financial commitment to creative industries is currently more than $1 billion.”



    EEHK’s three founding events include the Hong Kong International Film and Television Market, or Filmart, the Hong Kong International Film Festival and the Hong Kong Film Awards Presentation Ceremony. EEHK also features six core events: the Asian Film Awards; the Hong Kong – Asia Film Financing Forum; the Hong Kong Music Fair; the IFPI Hong Kong Top Sales Music Award 2008; the Digital Entertainment Leadership Forum 2009; and the Hong Kong Independent Short Film and Video Awards.

  • Japan tops awards tally at 3rd AFA

    Hong Kong: During Hong Kong’s 100th year of movie making, Japanese films walked away with awards in five of the 13 categories at the 3rd Asian Film Awards organised by the Hong Kong International Film Festival Society.


    Tokyo Sonata, a story that portrays the breakdown of a Japanese family after its patriarch loses his job at a prominent company, was awarded Best film.



    Tokyo Sonata also received the best screenwriter award for its screenwriter trio of Kurosawa Kiyoshi, Max Mannix and Tanaka Sachiko from Japan, The Netherlands and Hong Kong respectively.



    Hirokazu won the best director award for his Still Walking, a film about a family commemorating the drowning of one of its family members.



    Oscar award winning film (Best foreign language film) Departures lead star Motoki Masahiro was awarded Best Actor for his performance in the film. In the film Motoki plays a cellist who works in a funeral parlor business after his orchestra is dissolved. India’s Akhsay Kumar was among the nominees for this category for his performance in the Hindi super-hit film Singh is Kinng.












    Japan’s Hisaishi Joe won the award for the best composer for his music composition for Ponyo on the Cliff. India’s AR Rahman composition for Jodha Akbar among other’s had also been nominated for this category.



    Zhou Xun won the best actress award for the mainland Chinese film The Equation of Love and Death. India’s Deepika Podukone was also in the reckoning for this category for her performance in Chandni Chowk to China.



    India’s Nitin Chandrasekhar was one of the nominees for best production designer award for Jodha Akbar. The award was won by Daniel Yan-kong Lee for Three Kingdoms: Resurrection of the Dragon.



    The Nielsen Box Office award was conferred on India’s Priyanka Chopra. The Edward Yang New Talent Award was conferred on Taiwanese director Wei Te-Sheng. Hong Kong director Tsui Hark and his wife Shi Nansun were presented with the Outstanding Contribution to Asia Cinema award.



    Awards for the other categories went to: Best Newcomer – Mainland China’s Yu Shaoqun (Forever Enthralled); Best Supporting Actor – South Korean Jung Woo-sung (The Good, the Bad, the Weird); Best Supporting Actress – Filipino Gina Pareno (Service);Best Cinematographer Europe’s Jola Dylewska (Tulpan) ; Best Editor South Korea’s Kim Sun-min (The Chaser);Best Visual Effects – Craig Hayes from the Chinese mainland (Red Cliff).


    The award ceremony was held at Hong Kong yesterday. Michelle Yeoh was the president of the jury that decided the awards.



    The glittering ceremony was hosted by VJ and MC Derek Li, Monaco born Hong Kong’s top model Lisa S and character actor Terence Yin. The awards ceremony was tastefully interspaced with audio visuals and performances by Justin Lo and Alan, among others.