Category: Specials

  • MIS 2024: Tackling the acquisition – retention juggernaut

    MIS 2024: Tackling the acquisition – retention juggernaut

    Mumbai: The Media Investment Summit 2024 which is being held on 4 April at Novotel, Mumbai is a dynamic platform that aims to bring together minds from the brand, media, advertising, digital & TV fraternity to explore the ever-evolving landscape of content, Adtech, Martech, metaverse and Web 3.0, the evolution of traditional media planning and buying, data and privacy infringement and ROI on advertising.

    The day-long affair is to make sure to tantalise the thoughts of those looking for answers to myriad topics under the branding, advertising, TV, digital media planning, and buying roof.

    The key highlights of this session encompass defining customer acquisition and retention within the framework of business strategy. This includes mapping the customer journey from awareness to conversion and retention, identifying touchpoints for continuous engagement throughout the lifecycle. The pivotal role of personalization in both acquisition and retention strategies will also be discussed. Additionally, the session will cover the utilization of various channels, encompassing digital and traditional methods, for effective customer acquisition. Lastly, the imperative for businesses to adapt acquisition and retention strategies in response to evolving market dynamics will be addressed.

    The very first-panel discussion of the event is chaired by PivotRoots – A Havas company VP – media & strategy Ashok Shinde, consisting of panelists including – mFunnel.ai co-founder and CEO Chintan Soni, Dr Reddy’s Laboratories India head – e-commerce Reethika Nair, Jio deputy general manager – marketing Shaurya Tyagi, CleverTap Sr VP partnerships (East Globe) Tapan Acharya and WebEngage director of growth and strategy Tanisha Doshi.

    Sharing the context of the session, Shinde began talking about customer acquisition, retention marketing and perhaps why do brands and marketers of businesses really need to invest and pay attention to it.

    Shinde asked his first question to Tyagi, “What are some of the key elements that are important for making a successful customer acquisition and retention marketing strategy?”

    Tyagi answered, “Whenever we look at customer acquisition, more than looking it as a funnel, I look it as a loop. Everytime we acquire a new customer, if that customer makes a transaction or makes an action on the app or website, that customer will talk about their experience or whatever action they’ve taken on the web or the app, to other people also which will further get other people also into that.

    Secondly, there would be channels that can be grouped into two buckets. One is always on channel, which will give sustained growth as you continuously optimise them over a period of time. The other one would be, the one giving you the spike when a particular offer or promotion is running for a product. If you think of Instagram as an example, the growth will come from specific events when they’re happening. That’s where you’ll get a lot of growth from existing customers.”

    Talking about retention, he added, “Retention can be actually broken down into three parts. First one is activation. For example a customer signs up on the app, that’s where the customer has actually taken an action on the app. Second is the engagement. When you think of any social media pp or any ecommerce app, you’ll have to see what core action you want the user to do and that defines the engagement. The last bit is resurrection which is actually linked to the first two. The customer downloads the app but doesn’t sign up, that means he/she is not activated and resurrecting a customer is not possible in that case. But if you see that the customer is talking daily, weekly or monthly action on your app only then you can call them as an engaged user and if that is not happening then you have to resurrect them and bring them back into the loop.”

    Moving on, Shinde asked Soni, “What has been you approach to some of the common challenges that you’ve faced and how did you overcome those?”

    Soni answered, “When you talk about acquisition, one of the biggest challenge atleast in the digital media is that there’s a reverse economy. Probably if you go from zero to ten, the acquisition cost will be stagnant but if you go from 10-100, that is where you start seeing the cost of acquisition going up. The reason that happens is that 70-80 per cent of the digital media works on the auction based economy, where you have to actually outgrade another advertiser in the poll, to win that impression.”

    He then goes on to talk about analysing the whole funnel and lead indicators in each stage of the funnel. He also spoke a bit about click through rate. Talking about customer retention he said, “Customer retention is almost like employee retention in a company. You’ve to understand why they’re not coming back to you again.”

    Moving on to his next question, Shinde asked Nair, “What would be your recommendation on how we should go about prioritizing between the two (customer acquisition & retention)?”

    Nair answered, “Firstly, a big question is ‘should you have a retention strategy?’. I think one should know what stage their brand is in. If it’s in the starting stage then forget about retention strategy and focus on whether you’ve built the right product or service to get the acquisition done in a very organic or natural fashion. People say that acquisition is five to 25 times more expensive than retention. But the fact is that acquisition becomes expensive when you want scale in very small period of time. You have to figure out ways of getting acquisition done in a cost efficient manner. The second scenario is, retention becomes critical but retention’s first big soul is your product experience. Today it’s a very difficult problem to solve because of the fragmentation that we live in.”

    She then talked about the various types of retention that a brand can have including emotional aspect or the price reason.

    Shinde then asked his next question to Acharya and Doshi, “How do you see brands leveraging to try customer acquisition or retention strategies?”

    Doshi answered, “Every customer does require personalisation to a really large extent. Being an enabler in this space, there are top three strategies that every brand can inculcate in their retention strategy. One is data is king. When we talk about data,not only online but even offline, data becomes important to merge the data between your online and offline customers so that a seamless customer journey can be created for your end customer, i.e, consolidation of data.”

    She then went on to talk about the real power of omnichannel marketing, and personalisation.

    Acharya then went on to answer the question saying, “The acquisition and retention juggernaut is actually two sides of the same coin. If you have a leaky boat where you’re acquiring and just draining then it makes no sense. Secondly, we pretty much know th CMP or the LTV formula, i.e., ‘what is one transaction making for you, what is the frequency of the transaction, what are the number of years the customer stays with you, that’s your lifetime value for the customer. Keeping these two thing in mind, if you think about acquisition an retention, the whole communication is about the maturity framework. If your integrated opinion is to have customers for life, then acquisition and retention has to be spoken in the same breath. Once that happens, then ofcourse the whole media has evolved to be bidirectional.”

    He then went on to talk about the five parts in which money can be made on the internet, that is, through technology, banking services, advertising, subscription models, and gaming platforms.

  • Something Special announces sale of two format options to Spain’s Mediawan

    Something Special announces sale of two format options to Spain’s Mediawan

    Mumbai: Something Special, Seoul-based #1 independent* international format agency announced the licensing of two formats into Spain and also announced they are taking a hot new  dating format to MIPFormats/MIPTV. Something Special’s head of international business Praise ChanMi Shin will be at MIP to present a case study of Still Alive a mystery reality game show format which the company has created with top Korean creator, Miyeon Kim and Bora Lee. The session is taking place at 10:15 am on Sunday, 7 April 2024 in the Palais des Festivals Riviera Stage.

    Spain’s Mediawan acquired two formats through its local production labels: Veranda took Something Special’s spooky format Still Alive while Boomerang took celebrity competition format Battle in the Box

    Something Special is also preparing for MIPFormats and MIPTV and will bring their hot new dating format: I AM SINGLE (aka I AM SOLO – KR title): In 2023, there were 43 dating shows airing across different channels and platforms in Korea. Among them, this show has broken records as one of the most viewed non-scripted dating shows across three streaming platforms, including Netflix. This show has also been the most searched and viral TV show of 2023.

    Something Special president & executive producer Jin Woo Hwang stated: “Something Special is pleased announce that Mediawan acquired our special formats for Spain Still Alive and Battle in the Box. We’re also excited to bring the freshest and the best Korean formats for the first time internationally during MIPTV and MIPFormats. Our head of international business- Praise, will be presenting a case study of Still Alive at MIPFormats which we are proudly representing.”

    Boomerang CEO Jorge Pezzi said, “We are delighted to announce that we have acquired the rights for Spain to Battle in the Box. We are convinced that it is a very attractive format for the Spanish public. The Boomerang TV unscripted team is experts in adapting international entertainment brands and I am convinced that they will make a great version of ‘Battle in the box’.

    Veranda Media director of non-scripted Tono Hernández stated, “We are thrilled to partner with Something Special to bring Still Alive to Spanish audiences. With its distinctive and straightforward concept, the format delivers a great deal of fun and keep everyone – contestants and viewers alike – constantly guessing and engaged.”

  • Bhilwara Sur Sangam 2024: An ode to India’s musical tradition

    Bhilwara Sur Sangam 2024: An ode to India’s musical tradition

    Mumbai: The LNJ Bhilwara Group, one of India’s leading conglomerates with diverse business interests, successfully orchestrated a mesmerizing evening of classical melodies in New Delhi with the 11th edition of its iconic Bhilwara Sur Sangam. On its opening day, Bhilwara Sur Sangam attracted more than 500 music aficionados nationwide to immerse in diverse classical melodies.

    The event commenced with a solemn lamp-lighting ceremony, followed by a special tribute to one of the finest Hindustani classical vocalists, Late Vidushi Manik Bhide, for her invaluable contribution to the world of music, a gesture that resonated deeply with the audience.

    The evening unfolded with a soul-stirring presentation by violinist Manas Kumar, who wove a tapestry of symphony with each note, casting a spell over the audience and transporting them to realms of pure musical ecstasy. The evening reached its pinnacle when legendary vocalist, Dr Ashwini Bhide Deshpande, took over the stage, enchanting the audience with her mesmerizing performance. The resonating voice of Dr Ashwini intertwined with the symphonic melodies of Indian musical instruments, ignited a profound sense of cultural pride among the attendees.

    This two-day music festival, Bhilwara Sur Sangam, stands as a testament to the LNJ Bhilwara Group’s enduring commitment to classical music and its profound impact on society. More than a musical event, it is a celebration that symbolises cultural support and artistic brilliance, inspiring future generations to cherish and sustain Indian musical heritage.

    As the final notes faded into the night, leaving behind an indelible imprint on hearts and minds alike, Bhilwara Sur Sangam once again united music lovers across boundaries. The spellbinding allure persisted on Sunday as Ustad Waseem Ahmed Khan and Pandit Budhaditya Mukherjee take the stage, ensuring an enchanting musical experience.

  • Asia’s biggest creator’s festival Creators United culminates in Mumbai

    Asia’s biggest creator’s festival Creators United culminates in Mumbai

    Mumbai: Creators United, the leading platform dedicated to influencers and infotainment, has concluded its highly anticipated event, Creators United 2024. Held at NESCO, Mumbai, this festival brought together over 1000 influencers, along with brands, agencies, and industry experts, for an unforgettable celebration of creativity and innovation.

    In its second edition, Creators United 2024 exceeded all expectations, solidifying its position as the largest creators’ festival in Asia. Organised collaboratively by Mad Influence in association with the Government of Maharashtra, the event showcased the dynamic synergy between technology and creativity, driving economic growth and innovation in the digital landscape.

    Mad Influence CEO & founder Gautam Madhavan said, “Creators United 2024 has been an exceptional platform for collaboration and innovation in the digital space. As we witness the remarkable success of this event, it reaffirms our belief in the transformative power of creativity. We are proud to be the driving force behind Asia’s largest creators’ festival and are excited about the future prospects it holds for the influencer industry.”

    Creators United advisor Varun Maloo said, “Creators United 2024 was a resounding success! The energy from the incredible lineup of creators and influencers was electric, and the collaborations on stage were truly magical. We’re so proud to have been a part of this celebration of creativity and collaboration.”

    The festival’s theme, ‘Create, Collaborate, and Celebrate’, encapsulated the spirit of the event, offering attendees a platform to engage, exchange ideas, and celebrate the achievements of digital creativity. From brand experience zones to insightful panel discussions, exclusive meet-and-greet sessions, celebrity talks, and exhilarating performances, Creators United 2024 offered a diverse range of experiences for all participants.

    The event witnessed the presence of illustrious digital celebrities such as Harsh Beniwal, Jannat Zubair, ScoutOP, Tech Burner, Mythpat, Anubhav Singh Bassi, Saurav Joshi, Sakshi Sindwani, Mumbiker Nikhil, and many more, amplifying the festival’s digital reach to nearly one billion individuals. Notably, Creators United marked a historic occasion as the first platform to unite creators from YouTube and Instagram under one grand event.

    https://thecreatorsunited.com/fest

  • The third edition of Femina and Mamaearth presents Beautiful Indians 2024

    The third edition of Femina and Mamaearth presents Beautiful Indians 2024

    Mumbai: Embracing the spirit of kindness, Femina, a leading women’s lifestyle brand, joined forces with Mamaearth to celebrate the good deeds of individuals at the third edition of Femina And Mamaearth presents Beautiful Indians 2024. The star-studded event was hosted on 19 March 2024, where individuals from diverse walks of life were honoured, reiterating the fact that there is beauty in every act of kindness. Hosted by Aparshakti Khurana, the event celebrated individuals whose charisma and expertise have not only inspired but also contributed significantly to bringing about positive change. Taking the celebrations higher pop singer Akasa Singh dazzled the audience with her power-packed performance.

    The Jury comprising prominent personalities selected the Beautiful Indians who have inspirational stories. These are ordinary people, celebrities, and content creators, who won the award in the People For Good, Creators For Good, and Special Awards categories. A jury includes Nigar Shaji – programme director, Low Earth & Planetary Platforms, ISRO; Amruta Subhash – National Award-winning actor; Bina Lashkari – co-founder and director of Door Step School; actor, producer and author Huma Qureshi; Ghazal & Varun Alagh – founders of Honasa Consumer Ltd. MamaEarth; and Ambika Muttoo, Editor-in-chief of Femina, had taken on the challenge of sorting through thousands of entries.

    Amongst the celebrations, the crowd cheered the highest when the Dhak Dhak girl Madhuri Dixit did her iconic step on the ghaghra song along with Tamannaah Bhatia and Ghazal Alagh. The latter also confessed to having started her acting career inspired by Madhuri Dixit. Furthermore, heartthrob Kartik Aaryan shook a leg on stage making the crowd go gaga over his song from his blockbuster movie along with Shilpa Shetty and Aparshakti Khurana.

    Among the recipients of the Special Awards, Tiger Shroff with his awe-inspiring action sequences, won the title of Youth Icon, while versatile actor and performer Siddhant Chaturvedi bagged the Rising Star award. Ananya Panday, who gave us a splendid performance in her recent release was declared the Standout Performer Of The Year (Female) while Kartik Aaryan received the Standout Performer Of The Year (Male) award for his performance in his latest movie.  Bobby Deol stole hearts as the Most Loved Star and his trending dance on the famous entry track in his superhit movie, while Madhuri Dixit held the spotlight as the Sensational Superstar. Tamannaah Bhatia won the title of Star in the Spotlight accolade. Entertaining us with his gimmicks, social media sensation Orry took home the award for Entertainer of the Year. Karisma Kapoor, renowned as the first Kapoor lady to make a career in films, was hailed as a trailblazer, while Manish Malhotra was honoured with the Fashion Visionary award. Sini Shetty, our dazzling Femina Miss India World 2022, was applauded for her Beauty For A Purpose. Versatile actor Shraddha Kapoor won the title as Fan Favorite, while Sobhita Dhulipala, always on top of her style game, took home the laurel for Fashion It girl.  

    The People for Good category honoured goodness ambassadors including:

    1   Prasiddhi Singh – Child Environmentalist & Social Entrepreneur, Chennai

    2   Deep Narayan Nayak – educator transforming lives across generations, West Bengal

    3   Kiran Kamdar – Parkinson’s Warrior Ensuring Hospital Patients Get Essential Nutrition, Mumbai

    4   Dwishojoyee Banerjee – young environmental activist saving The Planet, One Paper Bag At A Time, Patna

    5   Sahil Kaushar – CEO Of The Noble citizen foundation, Bihar

     Dilshad Mehershahi, Geetanjali Gaur, Beverly Louis & Gautam Lalwani of Mann – co-founders Of Mann, Mumbai

    7   Dr Meghana Pemmaiah – Wildlife veterinarian on a rescue mission, Mangaluru

    The Creators for Good recognised content creators who have leveraged their reach to bring about change for the better. The winners included:

    1   Ted The Stoner – Fervent Advocate for positive social change

    2   Aishwarya Sharma – fashion & climate change activist

    3   Anupriya Kapur – entrepreneur & inspiring role model

    4   Tarun Mishra – founder of Help Drive Foundation

    5   Gayatri Bhardwaj – Dedicated Animal Welfare Warrior

    6   Revant Himatsingka (FoodPharmer) – influencer creating positive change

    7   Barkha Singh – actor and influencer raising her voice for animal welfare

    The glamorous awards show witnessed celebrities gracing the red carpet, setting new style standards. Industry divas such as Shilpa Shetty, Madhuri Dixit, Karisma Kapoor, Ananya Panday, Shraddha Kapoor, Sunny Leone, Tamannaah Bhatia, Huma Qureshi, Kanika Kapoor set the evening afire in their stunning gowns, while Tiger Shroff, Siddhant Chaturvedi, Bobby Deol, Kartika Aryan, amongst others exuded charm in their tuxedos and suits.

    Worldwide Media director Rohit Gopakumar and CEO ZENL, BCCL TV & Digital Network, reflected on the journey of Femina and Mamaearth, stating, “Femina has a legacy of celebrating beauty which is more than just skin deep. Our longstanding commitment lies in showcasing the remarkable stories of individuals who bring about impactful change in their sphere of work. They are the true heroes of the land who inspire and motivate our audience. Beautiful Indians is an exceptional platform from Femina that shines a light on the innate goodness within every individual. The third edition of Beautiful Indians (2024) was a splendid success. Through this property, we are happy to recognise and celebrate the growing goodness around us.”

    Femina editor-in-chief Ambika Muttoo commented, “Our collaboration with Mamaearth has created a powerful platform that honours the impact of good deeds in society. Season 3 of Femina And Mamaearth Present Beautiful Indians celebrates inspiring stories of individuals who choose to spread love and positivity in their actions. This initiative highlights that true beauty lies not just in appearance but in the kindness and compassion we show to others.”

    Mamaearth co-founder & chief innovation officer Ghazal Alagh said, “After an overwhelming response for season 2, we are back with Season 3 of Femina & Mamaearth presents Beautiful Indians 2024. Built on the fundamentals of goodness inside, Mamaearth has always believed in celebrating goodness in every form.  At Mamaearth, we have always believed that beauty is beyond skin-deep, and our collaboration with Femina for Beautiful Indians is an extension of that philosophy and belief. We are delighted to partner with Femina to bring alive the stories of beautiful Indians around us and hope to continue to further strengthen this partnership through this journey of celebrating goodness.”

  • South India Film Festival set to illuminate the cinema landscape with its inaugural edition

    South India Film Festival set to illuminate the cinema landscape with its inaugural edition

    Mumbai: The inaugural South India Film Festival (SIFF), poised to be a beacon of creativity and innovation in the cinematic world, is all set to grace Hyderabad on 22 March 2024. With a fervent dedication to fostering emerging talents and uncovering the next wave of cinematic visionaries, SIFF promises an electrifying extravaganza celebrating the richness of South Indian cinema.

    VP of revenue & monetisation Nitin Burman expressed, “SIFF is not just a festival; it’s a platform for the future of Telugu cinema. We are committed to providing a dynamic stage for budding talents, offering them unparalleled opportunities to showcase their creativity and connect with industry leaders. Additionally, we would like to extend our heartfelt gratitude to all the partners who have supported us in our efforts, without whom this endeavour would not have been possible.”

    As a platform for emerging talents, SIFF is dedicated to becoming synonymous with opportunities for the next generation of content creators. “Our goal,” said Mr Burman, “is to discover and nurture the future directors who will steer Telugu cinema to national acclaim. SIFF will serve as the launchpad for their careers, propelling them onto the global stage.”

    In addition to being a springboard for emerging talent, SIFF offers exclusive insights from industry leaders, providing invaluable knowledge and guidance to aspiring filmmakers. Through panel discussions and Q&A sessions, attendees will gain unparalleled access to the inner workings of the Telugu cinema industry.

    “We are thrilled to offer a gala evening extravaganza,” added Mr Burman, “where attendees will be treated to a high-energy celebration of South Indian cinema. From captivating screenings to star-studded events, SIFF promises an immersive experience like no other.”

    Arha Media & Broadcasting Pvt Ltd CEO Ravikant Sabnavis said, “The South India Film Festival celebrates South Indian Cinema, serving as a platform dedicated to nurturing creativity and showcasing the diverse talent within the Telugu film industry. Our collaborative initiative with People Media Factory underscores our commitment to deliver unique and riveting content to our audience. This Festival is the beginning of a legacy that we are crafting for future content creators. Join us on Friday, 22 March 2024, to witness this momentous occasion.”

    With its unwavering commitment to nurturing talent, providing industry insights, and delivering unforgettable entertainment, the inaugural South India Film Festival is poised to make an indelible mark on the cinematic landscape. Join us on 22 March for a celebration of creativity, innovation, and the vibrant spirit of South Indian cinema.

    For more information and ticket bookings, please visit: https://in.bookmyshow.com/events/south-india-film-festival/ET00377474

  • South India Film Festival (SIFF) set to illuminate the cinema landscape with its inaugural edition

    South India Film Festival (SIFF) set to illuminate the cinema landscape with its inaugural edition

    Mumbai: The South India Film Festival (SIFF), heralded as a celebration of cinematic excellence and cultural diversity, proudly announces its inaugural edition set to unfold on 22 March 2024 in Hyderabad.

    This year, the festival takes immense pride in presenting a stellar line-up of luminaries from the South Indian film industry, embodying the essence of regional storytelling and artistic brilliance. Among the distinguished guests gracing the event are renowned actors, directors, producers, and industry experts, promising an unforgettable showcase of South Indian cinema.

    The festival serves as a testament to the rich heritage and creative ingenuity of South Indian cinema, bringing together visionaries from various corners of the industry to share their insights, experiences, and expertise with audiences eager to delve into the world of cinema.

    Leading the line-up is megastar Chiranjeevi, who have been awarded with The Padma Vibhushan the second-highest civilian award given in the country, whose presence promises to infuse the festival with star power and cinematic excellence. Alongside Allu Arvind, Vishwa Prasad, Shailesh R Singh, Deepak Dhar, Sujay Ray, and Shetanshu Dixit among others, audiences can look forward to engaging with a diverse array of talents, including Mayank Shekhar, Rajeev Masand…, each bringing their unique perspective and contribution to the festival.

    Check out the list of esteemed guests:

    https://southindiafilmfestival.com/

    Attendees can anticipate a captivating blend of screenings, panel discussions, and networking opportunities, offering a holistic immersion into the world of South Indian cinema. From thought-provoking debates on industry trends to insightful conversations on the future of regional cinema, the festival promises to be a dynamic platform for dialogue and exchange.

    The presence of these esteemed guests underscores the significance of the South India Film Festival as a cornerstone of the regional film industry. Their collective talent, experience, and passion for cinema will undoubtedly elevate the festival to new heights, enriching the cultural tapestry of South Indian cinema.

    Register yourself for the South India Film Festival here:

    Register yourself for the South India Film Festival here: https://in.bookmyshow.com/events/south-india-film-festival/ET00377474

    Stay tuned for more updates and announcements as we embark on this exhilarating journey of celebrating the magic of South Indian cinema at the inaugural South India Film Festival.

  • FICCI-BAF Awards 2024 recorganize of animation excellence on the global stage

    FICCI-BAF Awards 2024 recorganize of animation excellence on the global stage

    Mumbai: FICCI-BAF Awards is the most coveted Animation Awards and has grown in stature ever since the launch of FICCI-BAF Awards in 2014. BAF (Best Animated Films) recognises and celebrates the exceptional work done by the Animation studios and encompasses the work done in the arena of Animation, VFX and Gaming domain.

    Over the years, the FICCI-BAF Awards has transformed into a global platform, attracting high-calibre submissions from talented individuals and teams worldwide. The most recent edition of the FICCI-BAF Awards, held in March 2019, witnessed an impressive participation of nearly 400 entries spanning across 12 different countries.

    The FICCI-BAF Awards initiative is being co-presented by Intel, hosted by state Maharashtra and is being supported by the implementation partner Reskilll.

    The FICCI-BAF Awards has been a transformative experience for all of us involved and this ceremony is a celebration of the hard work, dedication, and perseverance of the organisations who took their time out and nominated themselves.

    FICCI-BAF Awards

  • Role of skilling, education in media and entertainment sector critical in realizing vision of Viksit Bharat: Secretary, Skill Development & Entrepreneurship, GoI

    Role of skilling, education in media and entertainment sector critical in realizing vision of Viksit Bharat: Secretary, Skill Development & Entrepreneurship, GoI

    MUMBAI: Govt of India, secretary, ministry of skill development & Entrepreneurship Atul Kumar Tiwari said that the Indian media and entertainment sector is growing rapidly and there is immense potential for skilling in this sector. This sector has been growing with a CAGR of over 13 per cent in the last few years and employes 30 lakh people directly and 55 lakh indirectly. Skilling combined with education and scaling can help India achieve the vision of Viksit Bharat 2047, there by supporting the GDP as well as establishing the prowess in India’s soft power, he added.

    Addressing the session on ‘LEAPing into the Future’, at FICCI FRAMES 2024, Tiwari said that in order for India to prosper, there is a need for creating a mass awareness about skilling. The New Education Policy (NEP) along with all government policies focuses on skilling. All sectors of the economy are recognizing that skilling is going to be a game-changer for India. With our country’s demographic advantage, having the youngest and the world’s largest number of working-age individuals, skilling will lead to a significant enhancement in productivity and employment. We have the youngest population in the world, largest number of working population and skilling them will lead to a great deal of enhancement in productivity and employment along with competitiveness, he noted.

    Tiwari also emphasized spreading awareness on ‘LEAP – Leveraging Education to Accelerate Progress’, which is the need of the hour. That nothing is more creative than making a film. The government, he said, is working to identify and bridge the skilling gap through policy initiatives along with industry and academia collaboration. “There is a need for us to identify the opportunities and create awareness among people, especially in tier 2,3 cities to attract more talent,” he emphasized.

    He further stated that the M&E sector has experienced a remarkable transformation with the advent of the internet, revolutionizing entertainment consumption. The dynamics of content creation have shifted, leading to a buzzing M&E landscape that not only entertains but also promotes and preserves cultural heritage, added Tiwari.

    He also stated that the Indian media and entertainment sector not only provides support to nation’s GDP but also promotes tourism, increase in cultural exchanges and strengthens India’s soft power.

    Whistling Woods International (WWI) filmmaker & founder and chairman Subhash Ghai highlighted the role of education and skilling in media and entertainment sector. He added that we are currently relying on memory-based education rather than skill-based education. It is crucial to develop skill-based education in the country, noted Ghai.

    FICCI, secretary general SK Pathak said, “In the 25 edition of FICCI FRAMES in 2025, we will identify the transformational changes required in the media and entertainment industry, focusing on the initiatives needed for India in 2030.”

    Ashish Kulkarni, chair, FICCI AVGC-XR Forum and Founder, Punnaryug delivered the vote of thanks.

    Hande Ercel, Turkish actress was also present during the inaugural session.

  • “Every medium, whether it’s TV or OTT, offers unique opportunities to resonate with diverse audiences”: Siddharth Kumar Tewary

    “Every medium, whether it’s TV or OTT, offers unique opportunities to resonate with diverse audiences”: Siddharth Kumar Tewary

    Mumbai: The panellists delved into the evolving landscape of transmedia storytelling, where narratives seamlessly traverse different mediums to create a rich and immersive experience for audiences. The discussion was explored around successful case studies, examining how storytelling techniques and plotlines can be intricately woven across films, books, and gaming platforms to engage audiences on multiple levels

    Speaking at the panel, Swastik Productions founder and chief creative director Siddharth Kumar Tewary said, “Deciding to tell the Mahabharat story isn’t a one-day affair; it’s a journey of over five years. I believe we should respect its timeless essence guiding our modern adaptation, as we embark on a profound exploration, embracing the evolving language and sources of our rich history. We as storytellers meticulously research for decades, spanning from academia to ancient texts, ensuring authenticity. Every medium, whether it’s TV or OTT, offers unique opportunities to resonate with diverse audiences. There are a lot of great stories and it’s a great time to create a synergy across mediums where we create our own Bharatverse while staying true to our cultural ethos. Be it adapting from book to screen or harnessing technological advancements in web series, clarity and authenticity guide our every step. Our guiding principle is to have clarity in the message, understand the characters playing crucial roles behind the story, and have a deep understanding of the narrative’s soul. In this age of evolving family dynamics, our goal is to inspire core Indian values in a contemporary, yet authentic manner. Each character’s role is pivotal, and each emotion is sacred. We delve into the depths of the text, owning its essence, and sculpting it for the screen. Through meticulous reading and interpretation, we breathe life into the pages, ensuring each adaptation resonates with the spirit of the epic.”