Category: Specials

  • OTTplay wins big at INMA Global Media Awards 2024

    OTTplay wins big at INMA Global Media Awards 2024

    Mumbai: HT Labs-backed OTTplay has scored big at the esteemed INMA Global Media Awards 2024, reaffirming its position in the digital media landscape. OTTplay has won Gold (first place) in the Best Product Iteration category and Silver (second place) in the category for Best Use of an Event to Build a News Brand.

    OTTplay’s pioneering effort in product iteration was duly recognised as it managed to beat Germany’s WeltN24 (“Revitalizing the Welt Community”) and Chile’s La Tercera (“The Match Project”) for the top spot. OTTplay’s evolution from a recommendation platform to a OTT aggregator that solves the problem of maintaining multiple subscriptions while offering a unified platform to discover and consume content from across OTTs was recognised as a novel and innovative solution. This is a validation for OTTplay’s commitment to drive consistent innovation and raise the bar for the digital industry.

    OTTplay Awards, the brand’s IP that recognises the best movies, shows, actors and makers across the country helped OTTplay win the Silver for Best Use of an Event to Build a News Brand. The first of its kind, OTTplay Awards, which turns three this year, truly celebrates the One Nation One Award philosophy allowing content across all Indian regional languages to compete for ultimate glory. This activation effort stems from the brand’s belief that great content is language agnostic and OTTplay Awards provides a democratic playing field where movies, shows and makers from all regional industries compete for top honours. This win underscores OTTplay’s strategic acumen in establishing a brand that’s determined to build audience engagement through personalising content discovery and by elevating content based on merit alone.

    “To be recognised on a prestigious and global platform like INMA is a great honour and we’re humbled to receive these awards,” said OTTplay CEO and co-founder Avinash Mudaliar. He further emphasised that this recognition is a clear testament to the sharp focus, unwavering dedication, and innovative spirit of the entire team. “This strengthens our dedication to leaving a mark on the digital media scene and discovering inventive approaches to delight our users,” Mudaliar added.

  • Buckle up for 8th Edition of The Content Hub Summit 2024

    Buckle up for 8th Edition of The Content Hub Summit 2024

    Mumbai: In an era where attention is the ultimate currency and content is king, the ever-evolving landscape of media and entertainment stands as a testament to the industry’s resilience and creativity. As the curtains rise on the 8th Edition of The Content Hub Summit 2024, industry stalwarts, visionaries, and innovators are set to converge in a symphony of ideas, insights, and forecasts, illuminating the path ahead in the realm of content creation and consumption.

    The Content Hub Summit 2024 which is scheduled to take place on 10 May 2024, The Westin Garden City, Goregaon East, will offer an exciting exploration of modern storytelling, diving into new trends, success strategies, and the future of content creation across platforms. From the silver screen to the digital domain, from theatrical experiences to immersive OTT adventures, the summit aims to unravel the mysteries, challenges, and triumphs of an industry in perpetual motion.

    Don’t miss out on the Exclusive Deal! Buy one ticket, get one free at 2500 + GST! Save big while it lasts!

    Grab an opportunity to network with Producers, Directors, Writers, and Industry representatives from India’s best platforms.

    A Stellar Lineup of Speakers:

    The summit boasts an impressive lineup of speakers, each a luminary in their respective domains, poised to share their wisdom and experiences with eager audiences:

    Shibasish Sarkar, CEO, Reliance Entertainment Studios

    Rucha Pathak, Producer, Excel Entertainment

    Aradhana Bhola, Managing Director, Fremantle India

    Anil Thadani, CEO, AA Films

    Mayank Shekhar, Film Critic, Journalist, and Author

    Anil Khera, Founder & CEO, One Take Media Co.

    Ashima Avasthi Chaudhuri, Head – Content, Zee Studios

    Sidharth Jain, Founder & Producer, House of Talkies

    Devendra Deshpande, CEO, Friday Filmworks Pvt Ltd

    Tejkarran Singh Bajaj, Head – Originals, Jio Studios

    Sunder Aaron, Co-Founder and Managing Partner, Locomotive Global Inc.

    Amogh Dusad, Head – Content, Amazon miniTV

    P.R Satheesh, Chief Executive Officer, MM TV Ltd.

    Pankaj Jaysinh, CEO – Distribution and Film Services – UFO Moviez

    Smruti Shinde, Founder and Managing Director, SOBO films

    Hitesh Kewalya – Screenwriter & Director

    Fazila Allana, Managing Director, Sol Productions

    Ravikant Sabnavis, CEO, Arha Media & Broadcasting Pvt. Ltd.

    Anil NM Wanvari, Founder, Chairman & Editor In Chief, Indiantelevision.com Group

    Yash A Patnaik – Founder & Managing Director, Inspire Films

    Rabindra Narayan, Chairman & MD, PTC Network

    Neeraj Vyas, Business Head – Sony Entertainment Television, Sony SAB, Sony PAL, and Sony MAX Movie Cluster

    Karan Taurani, Senior Vice President, Elara Capital

    Ajay Bhalwankar, Business Head, Sony Marathi

    Rohit Jugraj, Director & Producer

    Jai Basantu Singh, Writer and Director

    Vineet Singh, Head – Branding and Communications, Pocket FM

    Adityoa Suranna, Casting Director, Adityoa Suranna Inc.

    Anuraadha Tewari, Writer

    Aditi Shrivastava, Co-founder & CEO, Pocket Aces

    Anupama Mandloi, CEO & Co-Founder – India GreenSet

    Saurabh Srivastava, COO, Digital, Shemaroo Entertainment

    Sunir Kheterpal, Producer | ATHENA E&M

    Sunitha Tati, Telugu Film Producer, Founder & CEO, Guru Films

    Suyog Gothi, Head – India and New Markets, Pocket FM

    Jigyasa, Writer, Majburi Main Bandha Ek Rishta

    Robin Philip, Managing Director, Geophil

    With such a diverse and illustrious lineup, the summit is poised to be a melting pot of ideas, perspectives, and visions for the future of content creation and consumption.

    As the Content Hub Summit 2024 prepares to unfold its chapters of enlightenment and exploration, the stage is set for a transformative journey through the realms of storytelling, innovation, and creativity. With a galaxy of industry luminaries guiding the way, attendees are poised to glean insights, forge connections, and chart a course towards a future where content reigns supreme.

    The countdown has begun, and the stage is set for a day of revelation, inspiration, and celebration at The Content Hub Summit 2024. Join us as we embark on a voyage into the heart of content creation, where every word, frame, and idea holds the power to captivate, inspire, and transform.

    Event Details:

    Date: 10 May 2024 ( Friday )

    Timings: 8.30 AM Onwards

    Venue:  The Westin Mumbai Garden City, Goregaon East.

    Registration

    Link:  https://thecontenthub.in/registration2024/register.php

    Website Link: https://thecontenthub.in/ 

  • Promax India Regional 2024 Awards recognise industry leaders

    Promax India Regional 2024 Awards recognise industry leaders

    Mumbai: The Promax India Regional 2024 Awards journeyed through a whirlwind of inspiration, innovation, and celebration, culminating in a spectacular event that unfolded on 25 April 2024. Presented by Promax Asia, the highly anticipated awards ceremony brought together the entertainment industry’s trailblazers, innovators, and visionaries for an unforgettable evening. Honouring outstanding achievements in entertainment promotion, marketing, and design, the Promax India 2024 Awards recognised those who pushed the boundaries of creativity and storytelling.

    Creative minds, visionaries, and industry leaders showcased their best work, insights, and inspirations across various categories, including ‘Best Drama Promo,’ ‘Best Brand Image,’ ‘Best Original Music/Score,’ ‘Best Social Media Campaign,’ ‘Best Entertainment Promo – Above 60 Seconds,’ and ‘Best Directing – 60 Seconds or Less,’ among others. From captivating brand campaigns to engaging promos, the event celebrated the best of the best, igniting viewers into fans and driving bottom-line results for media companies across the region.

    The event streamed live on Promax India’s official Facebook page at 4:00 PM IST on April 25th. With fierce competition across multiple judging categories, the winners emerged as true champions of their craft. The Promax India Regional 2024 Awards were broadcast live on Facebook, providing a global platform for enthusiasts, professionals, and industry leaders to come together and celebrate the achievements that shape the future of entertainment marketing and design.

    Shemaroo Entertainment claimed the spotlight as the night’s biggest winner, securing 12 golds and 6 silvers awards. Following closely behind were Disney Star with 5 Gold and 6 Silver awards, along with Colors Bangla and various Zee regional channels such as Zee Biskope, Zee Bangla, and Zee Tamil, among others, clinching multiple awards for their exceptional work.

    Promax Asia conference director Andy Chua said, “In the dynamic landscape of regional entertainment, the Promax India Regional 2024 Awards serve as a beacon of excellence, spotlighting the remarkable talent and creativity that drives our industry forward. Each entry represents a story, a vision, and a testament to the power of storytelling. We are honoured to witness the evolution of regional markets and to celebrate the outstanding achievements that continue to shape the future of entertainment marketing and design.”

    The event celebrated the best in regional entertainment, where participants showcased unparalleled creativity and innovation. With its increasing popularity over the years, the Promax India Regional Awards have witnessed a significant rise in participants, signalling a promising future for the regional entertainment industry. Promax India looks forward to continuing its support and recognition of talent in the years to come.

  • Artium empowers global music talent with Artium Superstar Finale and Teachers Conclave

    Artium empowers global music talent with Artium Superstar Finale and Teachers Conclave

    Mumbai: Artium Academy, a music learning and community platform, recently wrapped up its grand Artium Superstar Finale and Teacher Conclave, a two-day extravaganza that combined music, mentorship, and camaraderie. The event pulsated with vibrant energy, showcasing Artium’s burgeoning music talent. The performances were evaluated by an esteemed panel of industry luminaries, featuring the legendary Artium Academy patron-in-chief Sonu Nigam. He was joined by his father, the illustrious singer Agam Kumar Nigam, alongside stalwarts such as Aruna Sairam, P. Unnikrishnan, Louis Banks, Raju Singh, Gino Banks, Shruti Shadolikar Katkar, and Ananth Vaidyanathan.

    The grand finale, held at St. Andrew’s Auditorium in Bandra, felt like a living tapestry of musical genres and performances. The audience was treated to breathtaking shows from teachers and students alike, with everything from soulful classical pieces to high-energy pop renditions. This display of diverse talent highlighted the creative spirit that defines the Artium community.

    Out of the 46 student performers, five singers emerged victorious, clinching the prestigious Artium Superstar. Teachers, along with musicians in Artium’s marketing and academics teams also took to the stage, demonstrating that musical brilliance isn’t just confined to the up-and-coming artists but is deeply ingrained in Artium’s educator community as well.

    The following students through their extraordinary performances were announced winners in their respective categories and felicitated by the maestros and now have an opportunity to release their singles with Artium Originals:

    Category

    Winner

    Hindustani Classical Devina Nigam
    Carnatic V Bhavana
    Popular and Film Music South, Under 16 Shreyanvi N
    Popular and Film Music South, Above 16 Samathmika K
    Popular Film Music Hindi, Under 16 Devina Nigam
    Popular and Film Music Hindi, Above 16 Gargi Saha

    The diversity of music learners at Artium across walks of life was also brought to light by a very heartwarming performance by Malti Shah, 83 and Apexa Panchal, 8, on the classic song Ek Pyaar Ka Nagma; playing along with a beautifully woven video montage of Artium’s learners from across the globe.

    Yet, the event was about much more than just performances. The preceding Teacher Conclave was a melting pot of ideas, innovations, and networking, with 148 teachers from across India coming together. The conclave focused on fostering professional growth and community, unveiling a host of new initiatives, including cutting-edge technology to enhance music education and curriculum upgrades designed to keep pace with the evolving landscape of the music industry. Amidst all the discussions, the atmosphere was electric with the shared joy of belonging to a community that values creativity and collaboration.

    Artium Academy founder and CEO Ashish Joshi expressed his enthusiasm for the event’s success, saying, “Artium is committed to providing a platform for emerging artists to shine. Our two-day extravaganza not only showcased remarkable talent but also reaffirmed our mission to foster a strong sense of community and collaboration among our educators and students.”

    Echoing Joshi’s sentiments, renowned playback singer and Artium Academy patron-in-chief Sonu Nigam noted, “Artium Superstar is more than just a competition; it’s a journey of discovery and growth for young artists. I’m honored to be a part of this initiative that’s shaping the future of music in India.”

    Artium Academy’s commitment to inclusivity is evident in its approach. By offering world-class music education online, the platform ensures that geographical boundaries do not hinder aspiring musicians from accessing top-notch training, mentorship, and performance opportunities. This open and diverse approach is helping to create a global network of artists united by their passion for music.

  • Goafest 2024 unveils the festival theme: ‘The Age of Adaptability’

    Goafest 2024 unveils the festival theme: ‘The Age of Adaptability’

    Mumbai: The Advertising Agencies Association of India (AAAI) and The Advertising Club are delighted to announce the theme for Goafest 2024 – ‘The Age of Adaptability’. This premier event, scheduled to take place from 29-31 May at Westin Powai, Mumbai, aims to highlight the resilience and innovative spirit of the advertising and marketing industries in an era defined by rapid change.

    Goafest 2024 is set to bring together the brightest minds from across advertising, marketing, media, and business to explore how adaptability is not just a skill but an essential strategy in today’s dynamic market landscape. As industries continue to face unprecedented shifts influenced by technology, consumer behavior, and global economic factors, ‘The Age of Adaptability’ will serve as a platform to showcase and discuss how embracing change is crucial for success.

    “The theme for Goafest 2024, ‘The Age Of Adaptability’, was chosen to reflect the current ethos of our industry. Adaptability is at the core of what we do – from adjusting to new media platforms to adopting innovative marketing strategies,” said Goafest organising committee chairperson Jaideep Gandhi. “This festival will not only celebrate creativity but also the ability to pivot and thrive amidst challenges.”

    “This year, at Goafest 2024, our central theme ‘The Age of Adaptability’ has a chameleon as a mascot. The chameleon is a creature known for its remarkable adaptive prowess. Like the chameleon, which adjusts its colors to match its environment, our industry too must continuously evolve its strategies and creative approaches to thrive in changing landscapes. This year’s festival will celebrate and cultivate the chameleon-like ability to adapt swiftly and effectively, ensuring our practices remain on the cutting-edge of creativity and relevance. The Age Of Adaptability concept has been created and designed by the young and very talented team at Abnormal Design Studios.” Goafest content committee chairperson Rohit Ohri.

    This year’s festival will feature a series of keynotes, panel discussions, and workshops led by international thought leaders and innovators. Attendees can look forward to gaining insightful perspectives on topics such as digital transformation, consumer engagement in the digital age, sustainable marketing practices, and the evolution of content creation.

    Moreover, Goafest 2024 will continue to host the prestigious Abby Awards, recognizing excellence and innovation in advertising. This celebration of creativity is expected to draw participants from all corners of India and beyond, setting the stage for networking opportunities and partnerships that shape the future of the industry.

    Join us at Goafest 2024 to adapt, innovate, and lead in ‘The Age Of Adaptability’.

  • Goafest 2024 and ABBY Awards by One Show 2024 to be held from 29-31 May in Mumbai

    Goafest 2024 and ABBY Awards by One Show 2024 to be held from 29-31 May in Mumbai

    Mumbai: Keeping in mind the forthcoming Lok Sabha elections, the Advertising Agencies Association of India (AAAI) and The Advertising Club (TAC) have taken a conscious and collective decision to host Goafest 2024 and ABBY Awards Powered by One Show 2024 in Mumbai. The 17th edition of the festival will take place from 29 to 31 May, 2024 at Westin Powai, Mumbai.

    Advertising Agencies Association of India (AAAI) president and GroupM, South Asia CEO Prasanth Kumar said, “We’re excited to announce that Goafest is happening in Mumbai this year, despite a few logistical challenges. Our collective decision reflects our unwavering commitment to this esteemed event, which has evolved into a cornerstone platform for shaping the future of our industry. It’s become a vital platform for industry, becoming a nexus where industry leaders converge to explore, innovate, and chart the course for a progressive journey. We’re committed to maximizing participation, curating insightful sessions, and ensuring attendees leave with invaluable knowledge. Plus, mark your calendars: Goafest returns to Goa in 2025! Join us for an unforgettable experience at Mumbai Goafest 2024!”

    The Advertising Club present and Havas India, South East and North Asia group CEO Rana Barua said, “The ABBYs has always been a platform dedicated to recognizing and celebrating outstanding achievements in the advertising and marketing industry. We look forward to honoring the best work of 2023 at the ABBY Awards Powered by One Show 2024 this May, in Mumbai. With Westin Powai as the venue we are working towards putting together a dynamic agenda that  will be announced in due course. We are grateful and thankful to the entire fraternity for their continued support and enthusiasm.”

    The Goafest organising committee extends gratitude to all partners, members, and stakeholders for their understanding and support. The Advertising Agencies Association of India (AAAI) and The Advertising Club (TAC) assure the fraternity of their commitment to replicate the Goafest experience in Mumbai.

    Agenda, speakers, and the sessions to be announced shortly.

    For more information on the festival, follow the Goafest handle at @goafestlive and for ABBY Awards Powered by One Show, follow The Advertising Club at @theadclubindia

    Entries for ABBY Awards Powered by One Show 2024 can be submitted through the following link: https://abbyawards.com/

    Stay tuned for further updates.

  • GRB Media Ranch to sell ‘Blind Dating’ format to ABY Media

    GRB Media Ranch to sell ‘Blind Dating’ format to ABY Media

    Mumbai: GRB Media Ranch president, Sophie Ferron announced the format sale of “Blind Dating” to Africa’s ABY Media and the acquisition of four-time Emmy-winning docu-series Medical Stories. Produced by Inventi Media Group and airing on PBS, this production has 39 episodes (39×30’) currently available.

    Blind Dating: In this classic studio-based dating game show, three single men and three single women must make the perfect match to win a date. In each episode, without seeing each other, the participants must find their love by answering personal questions while digging for clues – and some dirt – on social media. Watch these singles try to impress, get picked and go home with a mate. A hit show in French Canada for many years!

    Medical Stories: This acclaimed docu-series captures drama through the lens of cinematic storytelling.  It captures the experiences of medical and emergency personnel and their heroic actions and extraordinary measures taken while battling life-threatening conditions of critically ill or injured patients. Follow their emotional journeys as individuals as they navigate their way through illnesses and injuries, often unknown, from the moment of receiving an accurate diagnosis to seeking out support. In-depth commentary is included from renowned medical experts and researchers, providing valuable insight into baffling conditions and the cutting-edge techniques used in developing novel treatments. These intertwined narratives offer viewers a message of hope, empowerment, and awareness of diseases that are often overlooked both by the public and the medical community.

    Ferron stated: “The format sale of Blind Dating is especially meaningful to me. I grew up on the set of this series, as my father created and produced it in Canada. It remained a huge hit and was remade twice for new generations. He passed away last year and would be proud to see it travel. I thank GRB Media Ranch’s Liz Levenson for closing this deal with Bernard Azria of ABY Media for many African territories. We are also excited to have acquired Emmy-winning docu-series, Medical Stories which clearly underlines our commitment to delivering diverse and compelling narratives. We are here at MIP to discuss all our fantastic properties. At GRB Media Ranch, we’ve got stories.”

    Kimberley Azria of ABY Media stated “ABY Media is very happy to have acquired this special Format from our partners at GRB Media Ranch. We know that it will be a popular show in Africa with many audiences!”

    Inventi Media Group’s executive producer and director Brian Chris Capozzi stated: “Inventi Media Group is thrilled that GRB Media Ranch is representing our award-winning series Medical Stories for distribution. Their expertise in the global marketplace is well-known and respected. With them, we are confident that viewers in other parts of the world will soon be experiencing the heartfelt and dramatic stories from our series.”

    Inventi Media Group’s executive producer and director Bob Buruchian added “GRB Media Ranch’s global representation of our Medical Stories series is a source of great excitement for our team. With their esteemed expertise, we’re confident our compelling narratives will captivate audiences worldwide.”

  • MIS 2024: Screen revolution: The future of advertising on OTT & CTV

    MIS 2024: Screen revolution: The future of advertising on OTT & CTV

    Mumbai: The Media Investment Summit 2024 which is being held on 4 April at Novotel, Mumbai is a dynamic platform that aims to bring together minds from the brand, media, advertising, digital & TV fraternity to explore the ever-evolving landscape of content, Adtech, Martech, metaverse and Web 3.0, the evolution of traditional media planning and buying, data and privacy infringement and ROI on advertising.

    The day-long affair is to make sure to tantalise the thoughts of those looking for answers to myriad topics under branding, advertising, TV, digital media planning, and buying a roof.

    The session will cover a range of topics relevant to the evolving landscape of OTT and Connected TV advertising, providing an opportunity to share valuable insights and experiences on how one can achieve the right balance between the two.

    The session was chaired by GroupM Nexus Advance TV director Anooj Shetty which includes panellists – Tata CliQ director – brand marketing Shishir Kataria,   head of media, digital marketing and brand PR (India and Global COE) Marico,

    Ankit Desai, Magnite head of demand, India, Chandrahas Shetty, Kantar director- specialist Businesses, insights division Puneet Avasthi, Samsung Ads general manager & sales lead Vikram Chande.

    Here are the insights shared by industry experts regarding the overall growth observed in OTT and CTV and how it has impacted our brand and advertising strategies.

    Tata CliQ director – brand marketing Shishir Kataria

    I believe Connected TV (CTV) is an excellent channel to reach premium audiences. As we’ve been strategizing for 2025, we’ve continually questioned how to achieve 100 per cent penetration of CTV, considering that’s where our audience is. Consequently, we’ve been collaborating with media and other partners to allocate more advertising focus and budget towards TV. Another significant aspect, which I’ve observed since my days at Hotstar, is the ability to customize creative content based on the context. Unlike traditional TV, CTV and OTT platforms allow for the rapid deployment of customized creatives tailored to what consumers are watching. This capability, both from a distribution and creative perspective, is crucial.

    Hence, we anticipate a considerable shift in media investment not only from Tata Cliq but also from other premium and luxury brands towards CTV and OTT platforms.

    Marico, head of media, digital marketing and brand PR (India and Global COE) Ankit Desai

    I believe that when we talk about mass appeal, we’re essentially catering to a wide range of consumer profiles, including both premium and mass brands. As mentioned, it’s evident that different audiences require different approaches. For instance, during a recent visit to rural Rajasthan, I encountered a woman who wasn’t a Connected TV (CTV) consumer but was still accessing content via alternative means. Despite not being affluent, she was resourceful with her budget and took advantage of free data provided with the 5G launch, allowing her to consume content on her phone without needing to pay a cable operator. However, she acknowledged that this situation might change if data prices were to increase. This illustrates that targeting only affluent households is no longer sufficient. While it’s a valuable marker, it’s not the only one. We need to view TV as just the beginning of a continuum that spans multiple screens, including traditional TV, mobile, and CTV. To effectively reach consumers, we must adapt our strategies across all these screens. Additionally, while it’s not ideal to simply transfer TV ads to CTV or OTT platforms without adaptation, this presents a challenge for marketers in refining their communication paths for each platform and screen. It’s an evolving landscape with flux and change, both in consumer behaviour and media platforms, but I’m confident we’re heading towards a better understanding and adaptation.

    Samsung Ads general manager & sales lead Vikram Chande

    What’s happening now is that the concept of TV has evolved from being just a singular device to becoming a culmination of various mediums through which content is consumed. The nature of TV devices has changed significantly over the past decade, particularly in terms of hardware. Previously, not all TVs were equipped with smart operating systems or provided content recommendations. If you disconnected the cable, you would often encounter several steps to access content. However, as Ankit mentioned, today’s smart TVs offer a different experience. Even in remote areas like rural Rajasthan, individuals are now accessing content via streaming platforms, making them consumers of brands regardless of their income level.

    Smart TVs have revolutionized audience targeting strategies due to their connectivity to the internet and ability to provide data insights. This allows advertisers to tailor their strategies based on audience demographics and geographical targeting. Additionally, the shift from linear TV advertising to platforms like Connected TV (CTV) has opened up new possibilities. Advertisers can now measure incremental reach effectively, combining data from both traditional linear TV and CTV. Smart TVs can cater to advertisers’ needs, whether targeting affluent households or those with varying income levels, by providing valuable audience signals. This comprehensive approach enables advertisers to craft audience-driven strategies supported by creative content, leading to a deeper understanding of campaign deployment and impact measurement.

    Magnite head of demand, India, Chandrahas Shetty

    We’ve come a long way from where we were a couple of years back when programmatic was primarily associated with remnant inventory. Now, a significant portion of buying happens through programmatic guarantees, shifting away from the old resistance of buying through IOs to automatic buying on programmatic guarantees. This shift benefits both publishers and advertisers, with publishers achieving complete 100 per cent fill rates and advertisers gaining confidence in purchasing premium, clean inventory. The landscape of programmatic buying has evolved significantly, offering more than just the open auction format of the past. Today, there’s a wide range of buying options, including PMP buys, providing advertisers with greater flexibility and control over their campaigns. In India alone, we have over 50 platforms, and globally, the number reaches about 110, offering advertisers the option to access all inventory across OTT and CTV through a single dashboard. With programmatic growth at a staggering rate of 32 per cent according to the recent Magna report, India is gradually catching up, currently accounting for 44 per cent of digital inventory bought programmatically. This trend is driven by the increasing flexibility, control, and efficiency that programmatic buying offers, allowing advertisers to capitalise on the growing inventory available as more users switch to streaming and connected TVs.

    Kantar director- specialist Businesses, insights division, Puneet Avasthi

    By ownership itself, CTV distinguishes itself as an affluent audience. So, that in itself is a marker of affluence and upward mobility, something that tends to differentiate. But I think there are other elements to the CTV audience versus those who are still in the linear TV space. There are differences. Likely, many people who are adopting CTV are also younger. So, there is a profile element in terms of affluence and youth, and where they are in terms of their life stage. Additionally, some elements differentiate them in terms of how they consume communication or media. Data from PGI indicates that the audience who are cord cutters, and cord-cutters are not necessarily solely on CTV, but they could also be consuming content on their mobile devices or smaller form factors. Both groups are more likely to consume a larger part of the ad. As a result, those who are on linear TV are more likely to switch channels frequently, possibly because the targeting ability of the audience is sharper, leading to messages that are more relevant to their interests. This greater stickiness to the ad results in the message registering better. So, yes, there are those differences. I completely resonate with that.

  • MIS 2024: The power of personalisation: Strategies for creating a seamless customer experience

    MIS 2024: The power of personalisation: Strategies for creating a seamless customer experience

    Mumbai: The Media Investment Summit 2024 which is being held on 4 April at Novotel, Mumbai is a dynamic platform that aims to bring together minds from the brand, media, advertising, digital & TV fraternity to explore the ever-evolving landscape of content, Adtech, Martech, metaverse and Web 3.0, the evolution of traditional media planning and buying, data and privacy infringement and ROI on advertising.

    The day-long affair is to make sure to tantalise the thoughts of those looking for answers to myriad topics under the branding, advertising, TV, digital media planning, and buying roof.

    The session can provide valuable insights into the strategies, challenges, and future trends associated with creating a seamless customer experience through personalized marketing.

    The session of the event was chaired by Wavemaker India chief digital officer Sairam Ranganathan and consists of panellists including – Dr Reddy’s Laboratories India director head digital omnichannel & transformation Rupali Krishna Digrajkar, Shemaroo Entertainment COO, digital Saurabh Srivastava, MiQ MD and global board member Siddharth Dabhade, Criteo country head, India Medhavi Singh, Interactive Avenues VP, media, Priyanka Mohanty Nayudu.

    Here are the quotes from various industry experts on the power of personalisation: Strategies for creating a seamless customer experience:

    MiQ MD and global board member Siddharth Dabhade

    I think the evolution we’re witnessing involves a convergence of media and data, with companies worldwide, including those in India, consolidating functions like data science, marketing, and business priorities. Those who’ve successfully integrated these elements have outperformed because marketing can’t solely focus on one aspect; it must combine media and data. Many companies possess vast data, but it often remains fragmented. Thus, the challenge lies in consolidating this data to establish a unified consumer view. Additionally, families are accumulating more first-party data, which is crucial. Moreover, macro trends significantly influence consumer behaviour and brand perceptions. The ongoing challenge is integrating all these elements effectively. For instance, in a recent case study, we targeted consumers interested in inverter solutions while considering the macro trend of power outages driving inverter sales. It’s about merging data from various sources, deriving actionable insights, and ensuring data privacy. Another case study involves an auto player, where we analyzed dealership sales and inventory levels in real time to optimize marketing campaigns accordingly. personalisation should benefit both consumers and advertisers, enhancing relevance and efficiency.

    Shemaroo Entertainment COO, digital Saurabh Srivastava,

    One business I represent that’s highly relevant to this topic is Shemaroo, which operates a direct-to-consumer OTT business. Effective personalisation is crucial for us as it enhances consumer engagement and drives loyalty, ultimately impacting our business model, especially considering the high cost of acquiring consumers. When content is personalized based on data analysis, it sharpens our proposition and improves user engagement. For instance, our collaboration with Amazon Personalize has led to a significant shift in how users consume short-form video content, demonstrating the power of data-driven recommendations. This collaboration has become a noteworthy case study, indicating potential for further expansion beyond short-form content. Loyalty is paramount for every brand, as retaining consumers is key to maximizing lifetime value. Additionally, the OTT market in India is poised to double, creating opportunities for both global and local players. However, achieving this growth requires significant efforts in storytelling, data utilization, technology, and personalisation to meet the diverse needs of consumers. Ultimately, the collective integration of these elements will contribute to the expansion of the market, albeit with considerable effort.

    Dr Reddy’s Laboratories India director head of digital omnichannel & transformation Rupali Krishna Digrajkar

    We’re currently in the data-driven era where across various industries like pharma, media, entertainment, and telecom, customers demand both convenience and quality interactions with brands. This emphasis on convenience and expectation highlights the importance of personalisation. At Dr. Reddy’s, we engage with two main segments: B2B/B2B2C customers, such as doctors who then convey information to patients, and the over-the-counter (OTC) segment for direct consumer products. personalisation relies heavily on understanding data and deriving insights from it. Defining customer personas and understanding their needs, triggers, and barriers are essential for delivering targeted experiences to micro-segments. In our case, since we interact with diverse sets of doctors within specialities, influencing their perceptions about our products is key to driving prescriptions. This requires continuous relationship-building and content-based marketing to engage doctors effectively. While the theory is clear, executing personalisation at scale is complex and requires expertise in various elements such as data analytics and customer data management. Dr. Reddy’s is actively involved in orchestrating numerous initiatives due to the breadth of our business, which includes 74 brands. Personalisation efforts extend to content production, which must be customized and distributed modularly across different formats and geographies. Visualization plays a critical role in data-driven decision-making, and defining use cases and selecting the right toolbox are crucial aspects of implementing personalisation effectively.

    Criteo country head, India Medhavi Singh

    In today’s landscape, personalisation isn’t just about attracting more customers and boosting conversion rates. It’s also about fostering long-term customer relationships and maximizing lifetime value. Some may think personalisation is about individualising every interaction, but it’s crucial to understand that true personalisation occurs at scale. This necessitates investing in the right technologies to enable widespread personalisation efforts across various verticals. For instance, consider streaming platforms that recommend content based on users’ viewing history; this is made possible by their vast user bases. Similarly, at our company, leveraging our extensive data—over 720 million videos and 5 billion products—enables us to achieve personalisation at scale. Across the user journey, from acquisition to engagement, personalisation plays a pivotal role. For example, in collaboration with Clinique, we targeted audiences with high purchasing power, tailoring our approach to appeal to premium and luxury segments. Likewise, in the gaming vertical, we personalize ads to encourage user conversion. Personalisation extends to minute details, such as tailoring ad formats based on user preferences—be it single-window or scroll-based views. Moreover, real-time adaptation is crucial; algorithms must dynamically adjust based on user behaviour shifts, ensuring a personalized experience at every touchpoint. Therefore, creating personalised experiences at scale is paramount in today’s context.

    Interactive Avenues VP, media, Priyanka Mohanty Nayudu

    From initially attracting consumers to actively engaging with them and ultimately retaining their loyalty, personalisation plays a pivotal role throughout the entire journey. Take Spotify, for example, one of our brands during its launch in India. Globally recognised for its personalized approach, Spotify’s DNA is infused with personalisation. Therefore, our launch strategy had to emphasize personalisation from the outset, incorporating the “person, place, moment” framework along with extensive data analysis to understand our target audience’s preferences. This journey encompasses capturing audiences through media campaigns, acquiring them, engaging them with content recommendations tailored to their tastes, and retaining them by continually adapting to their usage patterns. Remarkably, leveraging personalisation has led to a significant increase in streams—up to 30 to 40 per cent more compared to regular usage. This underscores the critical role personalisation plays throughout the consumer journey.

  • MIS 2024: Catering to the digital India narrative – brands leveraging automation

    MIS 2024: Catering to the digital India narrative – brands leveraging automation

    Mumbai: The Media Investment Summit 2024 which is being held on 4 April at Novotel, Mumbai is a dynamic platform that aims to bring together minds from the brand, media, advertising, digital & TV fraternity to explore the ever-evolving landscape of content, Adtech, Martech, metaverse and Web 3.0, the evolution of traditional media planning and buying, data and privacy infringement and ROI on advertising.

    The day-long affair is to make sure to tantalise the thoughts of those looking for answers to myriad topics under the branding, advertising, TV, digital media planning, and buying roof.

    The session will cover the multifaceted role of brands leveraging automation in the digital India narrative, providing insights into the opportunities, challenges, and impact on various sectors of the economy.

    The session of the event is chaired by Publicis Groupe India CEO digital technology business Amaresh Godbole, consisting of panelists including – Kotak Life EVP & head of digital business unit Prasad Pimple, GSK associate director – customer experience Delnaaz Irani, Lenovo head, corporate citizenship, Asia Pacific Pratima Harite, Fractal ink Design Studio Pvt Ltd co-founder, COO and CBO Geeta Suthar and mFilterIt head of product Arvind Mathur.

    Talking about financial services being the most automated industry, Godbole asked Pimple about his insights, “I agree that the way the overall technology stack has been created, it has helped most of the brand and industries to build on automation into the purchase journeys as well as the overall customer experience management but we’re not as fortunate as the leaning business where it is simplified in terms of just financial underwriting based on credit score.”

    He also spoke about financial and medical underwriting still remaining unautomated, and that a lot of work has also happened in terms of the automation perspective on the customer experience part of it. He also said, “In terms of automation, significant progress has been made in enhancing customer experience throughout the marketing funnel, from building awareness to tracking it, transitioning to consideration, purchase intent, actual purchase, and finally sharing purchase information with relevant media platforms.” He also spoke a bit about CKYC, EKYC, and the UPI moment in India during the pandemic, among other topics.

    Answering Godbole’s question on the challenges in automation, in the pharma industry, Irani said, “The challenge is integrating doctors into the marketing funnel with a clear strategy for exclusive communication and validation.”

    Moving on, Harite said, “When we talking about the automation i think we should look at the work for human kind project that we looked at where we were thinking of how do you revitalise millets using technology.”

    Sharing her thoughts on automation, Suthar said, “Process optimisation has largely been digitisation. We identify things that are manually done or they’re not efficient and then we figure out ways in which to digitise them, put them on the cloud or some service somewhere and then join the dots to make everything seamless.”

    Mathur then spoke about deploying technology, including AI and generative models, to monitor and distinguish between positive and negative elements within the system. He also spoke about the guardrails that need to be made around systems.