Category: Event Coverage

  • FICCI keen on IPR awareness & enforcement to encourage innovation

    FICCI keen on IPR awareness & enforcement to encourage innovation

    NEW DELHI: Department of Industrial Policy & Promotion joint secretary Rajiv Aggarwal has said India’s IP framework was in the midst of a paradigm shift following the announcement of the National IPR Policy.

    Chairing a session on India’s IPR Policy: A Roadmap to Robust IP Ecosystem in India in a meet organized by FICCI, he said while the Department was spearheading the overall policy, specific recommendations listed in the policy were being taken up for action by concerned ministries and departments.

    He elaborated on the initiatives undertaken by DIPP and the Cell for IPR Promotion and Commercialisation (CIPAM) set up by the Government to implement the seven objectives which formed the basis of the National IPR Policy, besides bringing forth the industry’s role in ensuring the effective roll-out of these initiatives.

    FICCI, in its drive to spur growth in the Indian industry, specially manufacturing, organised in association with the International Chamber of Commerce (ICC) India, the International Conference on ‘IP: Key Enabler to Growth & Innovation’ here.

    FICCI IPR Committee chairman Narendra Sabharwal who is the former convener of Think Tank on IPR Policy and former deputy director-gneral in World Intellectual Property Organisation (WIPO) said that FICCI had a particular interest in supporting and encouraging innovation for the benefit of industry and economic growth. Consequently, FICCI was working with all stakeholders towards creating awareness about IP, its adequate enforcement, besides ensuring the effective implementation of India’s National IPR Policy recommendations.

    He said India’s IP policy gives IP the prominence it deserves as it is for the first time that IP has been brought into the mainstream of the growth process. He underlined the need to raise awareness amongst businesses on how to use IP as a tool to raise competitiveness and foster growth. While the IP policy provides the overall direction, the rest of the economic and social policies need to be tweaked to bring them in sync with the IP policy.

    Sabharwal enumerated the objectives of the IP policy as promotion and awareness of IP issue, generation of IP, legal and legislative framework, administration and management, commercialisation of IP, enforcement and adjudication and creation of human capital.

    He recommended that all industries and businesses should undertake a baseline IP survey to assess where we are and how do we move forward. He also suggested that there was need for a study on the economic contribution of IP such as a copyright-related industries survey on contribution of GDP.

    ICC Commission on Intellectual Property chairman David J Koris underlined the need of creating an ecosystem that nurtured and promoted intellectual property to fulfill its potential as a tool to spur innovation and creativity, and economic growth.

    Through its awareness-raising and advocacy initiatives, the Commission on Intellectual Property promotes the positive role of the IP system, gives guidance on how the system can be made more efficient and cost effective, helps policy makers adapt the system to new challenges, and promotes the use of IP as a business tool. It also actively contributes on issues arising from the areas of interface between intellectual property and other areas, such as the digital environment and the Internet, the environment, health, development, and competition policy.

    Koris said that for meaningful support to countries in the markets where they operate, the key imperatives were: uniform belief in the rule of law, good regulations and laws and focus on infrastructure.

    He said IP is a key driving force for growth in many companies and economies today, as the different types of intangible assets of a business are becoming increasingly important and valuable in relation to its tangible assets. The IP Commission produces publications and organizes events to support the ICC network of business organizations and chambers of commerce in their efforts to help companies use the IP system to increase their competitiveness.

    ICC India president Prashant Modi highlighted the important role of intellectual property in promoting innovation and technology diffusion, and the way technologies were disseminated in different sectors and countries globally. He observed that IP was a dynamic and constantly evolving field, which was closely tied to technological, economic, political and social changes, and the vital role that intellectual property rights (IPRs) – copyrights, patents, trademarks and similar rights upon which the lion’s share of creative and innovative products and services relied – had in helping the economies of developed and developing countries all over the world grow.

    Dr. K. S. Kardam, senior joint controller of patents and designs at Indian Patent Office, observed that, in the recent years, India was paying increasing attention to facilitate the ease of doing business in the country. With the significance of IPR as a foremost enabler now being increasingly recognized, the government was making efforts to address the concerns that the industry had in conducting business in India, and to work with the industry and other stakeholders to identify solutions towards further enhancing India’s business landscape.

    ICC India vice president Subhrakant Panda said protection of IP rights had become more important than ever following the new economic reforms initiatives introduced by the government. Innovation, he said, was the cornerstone of economic development and emphasised that India had a robust IP regime and a strong judicial system for recourse for settlement of disputes.

    The delegates at the conference deliberated on important developments in intellectual property like India’s recently announced National IPR Policy and the subsequent initiatives undertaken by the government e.g. setting up the Cell for IPR Promotion and Commercialisation (CIPAM) to oversee the implement the policy recommendations, besides bringing froth Industry’s views and perspective on these initiatives.

    Discussions also focussed on other IP-specific issues including constraints that India was facing on account of Counterfeiting and Piracy and the sustained actions needed among the stakeholders to effectively combat this global threat; the concerns of industry in areas such as CRI Guidelines, TRAI Regulations for broadcasting sector, issues with regard to SEP & FRAND terms – among other.

    One of the conference sessions was dedicated to a comparative outlook of India’s IP ecosystem vis-a-vis other jurisdictions, where the panelists undertook an assessment of where India stood on IP matters in comparison to the global standards and practices, whether India could incorporate certain relevant international IP best practices and where the country should be positioning to figure in the emerging global IP framework.

    The Conference brought together a number of leading policy makers, professionals, government officials and IP expert from India and from across the globe. A number of members of the International Chamber of Commerce (ICC) attending the ICC IP Commission meeting in India also participated in the conference, both as speakers and delegates.

  • FICCI keen on IPR awareness & enforcement to encourage innovation

    FICCI keen on IPR awareness & enforcement to encourage innovation

    NEW DELHI: Department of Industrial Policy & Promotion joint secretary Rajiv Aggarwal has said India’s IP framework was in the midst of a paradigm shift following the announcement of the National IPR Policy.

    Chairing a session on India’s IPR Policy: A Roadmap to Robust IP Ecosystem in India in a meet organized by FICCI, he said while the Department was spearheading the overall policy, specific recommendations listed in the policy were being taken up for action by concerned ministries and departments.

    He elaborated on the initiatives undertaken by DIPP and the Cell for IPR Promotion and Commercialisation (CIPAM) set up by the Government to implement the seven objectives which formed the basis of the National IPR Policy, besides bringing forth the industry’s role in ensuring the effective roll-out of these initiatives.

    FICCI, in its drive to spur growth in the Indian industry, specially manufacturing, organised in association with the International Chamber of Commerce (ICC) India, the International Conference on ‘IP: Key Enabler to Growth & Innovation’ here.

    FICCI IPR Committee chairman Narendra Sabharwal who is the former convener of Think Tank on IPR Policy and former deputy director-gneral in World Intellectual Property Organisation (WIPO) said that FICCI had a particular interest in supporting and encouraging innovation for the benefit of industry and economic growth. Consequently, FICCI was working with all stakeholders towards creating awareness about IP, its adequate enforcement, besides ensuring the effective implementation of India’s National IPR Policy recommendations.

    He said India’s IP policy gives IP the prominence it deserves as it is for the first time that IP has been brought into the mainstream of the growth process. He underlined the need to raise awareness amongst businesses on how to use IP as a tool to raise competitiveness and foster growth. While the IP policy provides the overall direction, the rest of the economic and social policies need to be tweaked to bring them in sync with the IP policy.

    Sabharwal enumerated the objectives of the IP policy as promotion and awareness of IP issue, generation of IP, legal and legislative framework, administration and management, commercialisation of IP, enforcement and adjudication and creation of human capital.

    He recommended that all industries and businesses should undertake a baseline IP survey to assess where we are and how do we move forward. He also suggested that there was need for a study on the economic contribution of IP such as a copyright-related industries survey on contribution of GDP.

    ICC Commission on Intellectual Property chairman David J Koris underlined the need of creating an ecosystem that nurtured and promoted intellectual property to fulfill its potential as a tool to spur innovation and creativity, and economic growth.

    Through its awareness-raising and advocacy initiatives, the Commission on Intellectual Property promotes the positive role of the IP system, gives guidance on how the system can be made more efficient and cost effective, helps policy makers adapt the system to new challenges, and promotes the use of IP as a business tool. It also actively contributes on issues arising from the areas of interface between intellectual property and other areas, such as the digital environment and the Internet, the environment, health, development, and competition policy.

    Koris said that for meaningful support to countries in the markets where they operate, the key imperatives were: uniform belief in the rule of law, good regulations and laws and focus on infrastructure.

    He said IP is a key driving force for growth in many companies and economies today, as the different types of intangible assets of a business are becoming increasingly important and valuable in relation to its tangible assets. The IP Commission produces publications and organizes events to support the ICC network of business organizations and chambers of commerce in their efforts to help companies use the IP system to increase their competitiveness.

    ICC India president Prashant Modi highlighted the important role of intellectual property in promoting innovation and technology diffusion, and the way technologies were disseminated in different sectors and countries globally. He observed that IP was a dynamic and constantly evolving field, which was closely tied to technological, economic, political and social changes, and the vital role that intellectual property rights (IPRs) – copyrights, patents, trademarks and similar rights upon which the lion’s share of creative and innovative products and services relied – had in helping the economies of developed and developing countries all over the world grow.

    Dr. K. S. Kardam, senior joint controller of patents and designs at Indian Patent Office, observed that, in the recent years, India was paying increasing attention to facilitate the ease of doing business in the country. With the significance of IPR as a foremost enabler now being increasingly recognized, the government was making efforts to address the concerns that the industry had in conducting business in India, and to work with the industry and other stakeholders to identify solutions towards further enhancing India’s business landscape.

    ICC India vice president Subhrakant Panda said protection of IP rights had become more important than ever following the new economic reforms initiatives introduced by the government. Innovation, he said, was the cornerstone of economic development and emphasised that India had a robust IP regime and a strong judicial system for recourse for settlement of disputes.

    The delegates at the conference deliberated on important developments in intellectual property like India’s recently announced National IPR Policy and the subsequent initiatives undertaken by the government e.g. setting up the Cell for IPR Promotion and Commercialisation (CIPAM) to oversee the implement the policy recommendations, besides bringing froth Industry’s views and perspective on these initiatives.

    Discussions also focussed on other IP-specific issues including constraints that India was facing on account of Counterfeiting and Piracy and the sustained actions needed among the stakeholders to effectively combat this global threat; the concerns of industry in areas such as CRI Guidelines, TRAI Regulations for broadcasting sector, issues with regard to SEP & FRAND terms – among other.

    One of the conference sessions was dedicated to a comparative outlook of India’s IP ecosystem vis-a-vis other jurisdictions, where the panelists undertook an assessment of where India stood on IP matters in comparison to the global standards and practices, whether India could incorporate certain relevant international IP best practices and where the country should be positioning to figure in the emerging global IP framework.

    The Conference brought together a number of leading policy makers, professionals, government officials and IP expert from India and from across the globe. A number of members of the International Chamber of Commerce (ICC) attending the ICC IP Commission meeting in India also participated in the conference, both as speakers and delegates.

  • MIPCOM 2016 sets new records

    MIPCOM 2016 sets new records

    CANNES: Record attendances at MIPJunior and MIPCOM, more World Premiere TV and International Screenings than ever, a remarkable Japan Country of Honour programme, a Personality of the Year, Shonda Rhimes, who packed delegates into her keynote interview and a tour de force opening keynote from Sony Corporation’s president and CEO Kazuo Hirai, combined to make for a highly successful and memorable MIPCOM 2016.

    MIPJunior (October 15-16) set the tone for the week with a record 1,600 participants including more than 630 buyers (+10%), 1,200 programmes in the screening library and 260 new development projects presented to potential partners. Delegates were treated to a double helping of World Premiere TV Screenings with “Splash and Bubbles” (produced by the Jim Henson Company and Herschend Enterprises) and “Grizzy and the Lemmings” from Studio Hari Production.

    Illustrating the wide international appeal of programming for kids, MIPJunior hosted presentations covering new animation from Finland, animation coproduction opportunities with India, hot kids shows in Norway, how to work in China and how to coproduce with MIPCOM Country of Honour Japan – where animation accounts for 62% of the country’s television exports.

    At the main MIPCOM event, which drew delegations from 108 countries, attendance reached some 14,000 with 4,900 buyers registered including 1,500 acquisition executives working for digital platforms and SVOD.

    In all, 2,000 exhibiting companies packed the Palais des Festivals with new national pavilions bringing together companies from Chile, New Zealand, Morocco, the Philippines, Russia and Japan. Outside the Palais des Festivals exhibition hall, ITV Studios’ revolutionary two-storey stand, made of massive containers, drew plenty of attention.

    Following the successful launch of the MIPDrama Screenings in April 2016, MIPCOM hosted a record number of major drama launches in the World Premiere TV Screenings and International Drama Screenings.

    Among the mega-productions on view, the World Premiere TV Screenings showcased ‘Mata Hari’ (presented by Red Arrow International), ‘The Halcyon’ (presented by Sony Pictures Television), ‘The Same Sky’ (presented by Beta Film), ‘The Rocky Horror Picture Show: Let’s do the Time Warp Again’ (presented by 20th Century Fox Television Distribution’) and an exclusive episode of ‘The Catch, Season 2’ (presented by Disney Media Distribution). For the first time, two of the Screenings, ‘Mata Hari’ and ‘The Rocky Horror Picture Show,’ were open to the Cannes public who reacted enthusiastically to both shows.

    “The interest in the World Premiere TV Screenings and the International Drama Screenings continues to grow and it was great to be able to invite the Cannes public to ‘Mata Hari’ and ‘The Rocky Horror Picture Show: Let’s do the Time Warp Again.’ This bodes well for our plans to expand the 2017 MIPDrama Screenings next April and helps us as we continue to look at bringing a high-end drama festival element to our future events,” noted Laurine Garaude, Director of Reed MIDEM’s Television Division.

    With Japan as MIPCOM’s Country of Honour, 500 Japanese executives from 104 companies attended MIPCOM. Japan’s Prime Minister, Shinzo Abe, sent a special video message to the international television community in Cannes welcoming the MIPCOM Country of Honour programme and the possibility to promote the best in Japanese tech skills and content.

    Delegates enthused that the Japan-themed Opening Party, complete with a host of Japanese chefs, specially-imported Japanese food and beverage and Japanese live music, was one of the most memorable MIPCOM openers in recent years. On the conference front, Sony Corporation President and CEO Kazuo Hirai, opened proceedings with his keynote during a MIPCOM which saw the spotlight turned on Japan’s tech prowess with the latest developments of HD, 4K, 8K and Virtual Reality showcased alongside the newest animation programmes coming to the international market from Japan.

    Undoubted star of MIPCOM 2016 was Personality of the Year Shonda Rhimes. In her various (and often combined) roles as Creator, Writer, Showrunner or Executive Producer, Shonda Rhimes is the driving force behind ‘Grey’s Anatomy,’ ‘Scandal,’ ‘How to Get Away With Murder’ and ‘The Catch.’

    Rhimes was honoured at the annual MIPCOM Personality of the Year gala dinner October 19, which included live and moving tributes to her from ‘The Catch’s’ Mireille Enos, Tony Goldwyn from ‘Scandal’ and fellow ‘Grey’s Anatomy’ Executive Producer Betsy Beers.

    With so much high-end drama at MIPCOM, international talent was in abundance as stars accompanied their respective shows to the market.

    Household names in Cannes included keynote speaker and actor Kiefer Sutherland with ‘Designated Survivor,’ Kyle MacLachlan promoting the new ‘Twin Peaks,’ Dennis Quaid for season 2 of ‘Fortitude,’ ‘Unreal’s’ Constance Zimmer and Shiri Appleby, ‘Conviction’s’ Hayley Atwell, ‘Victoria’ star Jenna Coleman and representing ‘Mata Hari’ Christopher Lambert and Vahina Giocante.

    As part of the Country of Honour programme, Japanese star Kento Hayashi flew in for a special screening of ‘Moribito 2: Guardian of the Spirit.’

    French thespians in town were also numerous with Leila Bekhti, Tcheky Karyo, Emma de Caunes, and Clementine Poidatz all attending MIPCOM.

    “This has been an excellent edition of MIPCOM. Through the central theme of New Television we have showcased technical innovation, discussed how to reach out to younger audiences who consume entertainment when, where and how they want and brought together traditional television leaders with newer online companies. This year has seen a combination of plentiful deal-making, celebration, exchange of knowledge and keynotes from major industry leaders,” concluded Reed MIDEM’s Laurine Garaude.

    At MIPCOM every October, industry’s major players converge in Cannes to turn every moment into an opportunity, transforming four days of meetings, screenings and conferences into deals, from blockbuster programming to ground-breaking partnerships. And MIPJunior is the leading showcase for kids programming, uniting the world’s most influential buyers, sellers and producers the weekend before MIPCOM.

    Reed MIDEM is an organiser of professional, international markets that are essential business platforms for key players in the sectors concerned. Reed MIDEM is a division of Reed Exhibitions, the world’s leading event organiser, with over 500 events in 43 countries.

  • MIPCOM 2016 sets new records

    MIPCOM 2016 sets new records

    CANNES: Record attendances at MIPJunior and MIPCOM, more World Premiere TV and International Screenings than ever, a remarkable Japan Country of Honour programme, a Personality of the Year, Shonda Rhimes, who packed delegates into her keynote interview and a tour de force opening keynote from Sony Corporation’s president and CEO Kazuo Hirai, combined to make for a highly successful and memorable MIPCOM 2016.

    MIPJunior (October 15-16) set the tone for the week with a record 1,600 participants including more than 630 buyers (+10%), 1,200 programmes in the screening library and 260 new development projects presented to potential partners. Delegates were treated to a double helping of World Premiere TV Screenings with “Splash and Bubbles” (produced by the Jim Henson Company and Herschend Enterprises) and “Grizzy and the Lemmings” from Studio Hari Production.

    Illustrating the wide international appeal of programming for kids, MIPJunior hosted presentations covering new animation from Finland, animation coproduction opportunities with India, hot kids shows in Norway, how to work in China and how to coproduce with MIPCOM Country of Honour Japan – where animation accounts for 62% of the country’s television exports.

    At the main MIPCOM event, which drew delegations from 108 countries, attendance reached some 14,000 with 4,900 buyers registered including 1,500 acquisition executives working for digital platforms and SVOD.

    In all, 2,000 exhibiting companies packed the Palais des Festivals with new national pavilions bringing together companies from Chile, New Zealand, Morocco, the Philippines, Russia and Japan. Outside the Palais des Festivals exhibition hall, ITV Studios’ revolutionary two-storey stand, made of massive containers, drew plenty of attention.

    Following the successful launch of the MIPDrama Screenings in April 2016, MIPCOM hosted a record number of major drama launches in the World Premiere TV Screenings and International Drama Screenings.

    Among the mega-productions on view, the World Premiere TV Screenings showcased ‘Mata Hari’ (presented by Red Arrow International), ‘The Halcyon’ (presented by Sony Pictures Television), ‘The Same Sky’ (presented by Beta Film), ‘The Rocky Horror Picture Show: Let’s do the Time Warp Again’ (presented by 20th Century Fox Television Distribution’) and an exclusive episode of ‘The Catch, Season 2’ (presented by Disney Media Distribution). For the first time, two of the Screenings, ‘Mata Hari’ and ‘The Rocky Horror Picture Show,’ were open to the Cannes public who reacted enthusiastically to both shows.

    “The interest in the World Premiere TV Screenings and the International Drama Screenings continues to grow and it was great to be able to invite the Cannes public to ‘Mata Hari’ and ‘The Rocky Horror Picture Show: Let’s do the Time Warp Again.’ This bodes well for our plans to expand the 2017 MIPDrama Screenings next April and helps us as we continue to look at bringing a high-end drama festival element to our future events,” noted Laurine Garaude, Director of Reed MIDEM’s Television Division.

    With Japan as MIPCOM’s Country of Honour, 500 Japanese executives from 104 companies attended MIPCOM. Japan’s Prime Minister, Shinzo Abe, sent a special video message to the international television community in Cannes welcoming the MIPCOM Country of Honour programme and the possibility to promote the best in Japanese tech skills and content.

    Delegates enthused that the Japan-themed Opening Party, complete with a host of Japanese chefs, specially-imported Japanese food and beverage and Japanese live music, was one of the most memorable MIPCOM openers in recent years. On the conference front, Sony Corporation President and CEO Kazuo Hirai, opened proceedings with his keynote during a MIPCOM which saw the spotlight turned on Japan’s tech prowess with the latest developments of HD, 4K, 8K and Virtual Reality showcased alongside the newest animation programmes coming to the international market from Japan.

    Undoubted star of MIPCOM 2016 was Personality of the Year Shonda Rhimes. In her various (and often combined) roles as Creator, Writer, Showrunner or Executive Producer, Shonda Rhimes is the driving force behind ‘Grey’s Anatomy,’ ‘Scandal,’ ‘How to Get Away With Murder’ and ‘The Catch.’

    Rhimes was honoured at the annual MIPCOM Personality of the Year gala dinner October 19, which included live and moving tributes to her from ‘The Catch’s’ Mireille Enos, Tony Goldwyn from ‘Scandal’ and fellow ‘Grey’s Anatomy’ Executive Producer Betsy Beers.

    With so much high-end drama at MIPCOM, international talent was in abundance as stars accompanied their respective shows to the market.

    Household names in Cannes included keynote speaker and actor Kiefer Sutherland with ‘Designated Survivor,’ Kyle MacLachlan promoting the new ‘Twin Peaks,’ Dennis Quaid for season 2 of ‘Fortitude,’ ‘Unreal’s’ Constance Zimmer and Shiri Appleby, ‘Conviction’s’ Hayley Atwell, ‘Victoria’ star Jenna Coleman and representing ‘Mata Hari’ Christopher Lambert and Vahina Giocante.

    As part of the Country of Honour programme, Japanese star Kento Hayashi flew in for a special screening of ‘Moribito 2: Guardian of the Spirit.’

    French thespians in town were also numerous with Leila Bekhti, Tcheky Karyo, Emma de Caunes, and Clementine Poidatz all attending MIPCOM.

    “This has been an excellent edition of MIPCOM. Through the central theme of New Television we have showcased technical innovation, discussed how to reach out to younger audiences who consume entertainment when, where and how they want and brought together traditional television leaders with newer online companies. This year has seen a combination of plentiful deal-making, celebration, exchange of knowledge and keynotes from major industry leaders,” concluded Reed MIDEM’s Laurine Garaude.

    At MIPCOM every October, industry’s major players converge in Cannes to turn every moment into an opportunity, transforming four days of meetings, screenings and conferences into deals, from blockbuster programming to ground-breaking partnerships. And MIPJunior is the leading showcase for kids programming, uniting the world’s most influential buyers, sellers and producers the weekend before MIPCOM.

    Reed MIDEM is an organiser of professional, international markets that are essential business platforms for key players in the sectors concerned. Reed MIDEM is a division of Reed Exhibitions, the world’s leading event organiser, with over 500 events in 43 countries.

  • BidSlate offers film buyers, content-owners negotiation platform

    BidSlate offers film buyers, content-owners negotiation platform

    CANNES: What if filmmakers didn’t have to rely solely on film markets and sales agents to sell content? And international film buyers had continuous access to a 24/7 international marketplace populated by an ever-growing catalog of content? Revolutionizing the process of transacting global media rights and distribution, BidSlate® offers both buyers and sellers a secure, transparent marketplace to negotiate, buy and sell film rights. With partner companies helping to simplify the sales process even further, BidSlate officially launch this October, just prior to MIPCOM. The announcement was yesterday made by co-founders Roland Rojas and Jesse Scolaro.

    Each year, thousands of high-quality independent films, documentaries, shorts, and series are produced. But the current international sales model leaves many independent distributors and filmmakers out of the loop due to excessive costs and a cumbersome, opaque process. Backed by several years of research and development and created by longtime film industry veterans, the user-friendly BidSlate platform looks to transform the process of negotiating and transacting rights by facilitating the process.

    Secure, convenient and accessible for both global buyers and content owners, BidSlate verifies all members through a quick and simple registration process. Once approved, sellers can upload their media and metadata; and, through a dynamic search engine, buyers have access to a broad content library searchable by specific purchasing needs. Transparency between parties follows, with BidSlate further simplifying the process by generating a transaction-specific, industry-standard distribution agreement, and selecting a globally-trusted cross-border payments company, Payoneer, for escrow.

    For filmmakers, BidSlate offers an A-to-Z solution, easily paving the road to distribution. And with the ability to sell territorial rights on an a la carte basis, revenues can be maximized geographically. BidSlate is in the process of finalizing agreements with some of the best post-production and delivery partners in the industry. BidSlate also offers filmmakers a one-stop solution for delivering their content to global buyers, making the entire process seamless and comprehensive.

    For buyers, BidSlate means instant access to an international film marketplace that never closes. With thousands of annual film festivals, it’s nearly impossible, costly and inefficient to access, track, negotiate and purchase content easily. But BidSlate offers content distributors numerous easy-to-use tools certain to simplify the entire rights purchase process: immediate streaming of entire films anywhere and anytime; contact sellers via the in-platform messaging system with purchase-specific questions; make bids and secure deals with sellers directly from the platform.

    “Working hand-in-hand with both buyers and sellers, we’ve spent several years working on the BidSlate platform in order to offer a secure and efficient marketplace for global film sales”, says Rojas. “Given our varied experiences in indie films, we understand the importance of supporting filmmakers and getting their films in front of the widest possible audience. Though we may be viewed as an industry disruptor, our objective is to offer a simple, transparent and cost-effective alternative to the current industry model.”

  • BidSlate offers film buyers, content-owners negotiation platform

    BidSlate offers film buyers, content-owners negotiation platform

    CANNES: What if filmmakers didn’t have to rely solely on film markets and sales agents to sell content? And international film buyers had continuous access to a 24/7 international marketplace populated by an ever-growing catalog of content? Revolutionizing the process of transacting global media rights and distribution, BidSlate® offers both buyers and sellers a secure, transparent marketplace to negotiate, buy and sell film rights. With partner companies helping to simplify the sales process even further, BidSlate officially launch this October, just prior to MIPCOM. The announcement was yesterday made by co-founders Roland Rojas and Jesse Scolaro.

    Each year, thousands of high-quality independent films, documentaries, shorts, and series are produced. But the current international sales model leaves many independent distributors and filmmakers out of the loop due to excessive costs and a cumbersome, opaque process. Backed by several years of research and development and created by longtime film industry veterans, the user-friendly BidSlate platform looks to transform the process of negotiating and transacting rights by facilitating the process.

    Secure, convenient and accessible for both global buyers and content owners, BidSlate verifies all members through a quick and simple registration process. Once approved, sellers can upload their media and metadata; and, through a dynamic search engine, buyers have access to a broad content library searchable by specific purchasing needs. Transparency between parties follows, with BidSlate further simplifying the process by generating a transaction-specific, industry-standard distribution agreement, and selecting a globally-trusted cross-border payments company, Payoneer, for escrow.

    For filmmakers, BidSlate offers an A-to-Z solution, easily paving the road to distribution. And with the ability to sell territorial rights on an a la carte basis, revenues can be maximized geographically. BidSlate is in the process of finalizing agreements with some of the best post-production and delivery partners in the industry. BidSlate also offers filmmakers a one-stop solution for delivering their content to global buyers, making the entire process seamless and comprehensive.

    For buyers, BidSlate means instant access to an international film marketplace that never closes. With thousands of annual film festivals, it’s nearly impossible, costly and inefficient to access, track, negotiate and purchase content easily. But BidSlate offers content distributors numerous easy-to-use tools certain to simplify the entire rights purchase process: immediate streaming of entire films anywhere and anytime; contact sellers via the in-platform messaging system with purchase-specific questions; make bids and secure deals with sellers directly from the platform.

    “Working hand-in-hand with both buyers and sellers, we’ve spent several years working on the BidSlate platform in order to offer a secure and efficient marketplace for global film sales”, says Rojas. “Given our varied experiences in indie films, we understand the importance of supporting filmmakers and getting their films in front of the widest possible audience. Though we may be viewed as an industry disruptor, our objective is to offer a simple, transparent and cost-effective alternative to the current industry model.”

  • Two popular BMX content creators join XTreme video multi-platform network

    Two popular BMX content creators join XTreme video multi-platform network

    CANNES: XTreme Video, the leading Multi-Platform Network (MPN) for extreme athletes and creators with over 200 million views each month and more than 50 million social followers, today announced the addition of two of YouTube’s top BMX creators, KinkBMX and Boqer123, to the XTreme Video network. Heading into MIPCOM 2016, XTreme Video’s social networks provide a space for prime cross-promotion with the creators, most of whom have already amassed a huge social following themselves before joining the XTreme Video team.

    “We are in awe of how Boqer123 and KinkBMX grew their own devoted audiences within the extreme sports fan base through their zealous use of social media and great content creation,”says Gregg Bywalski, CEO of XTreme Video. “We’re very excited to welcome our new creators to the XTreme Video family and introduce them to our passionate and international growing community. We look forward to create new opportunities with our creators to think, create and share exciting new stories tailored to their millennial audiences with broadcasters and major platforms.”

    Founded in 2011, Boqer123 is a crew that creates original BMX webisodes. Alongside his YouTube shenanigans, the founder of Boqer123, Josh James, has also launched a clothing brand. Boqer123 grew its community into one of the most followed BMX and lifestyle brand on social network channels with +320K subscribers across all social platforms.

    “I’ve used a few MCN’s before I signed with XTreme Video, and I can safely say I’ve felt used by all of them,”said James. “However, XTreme Video are completely different. They make you feel like you’re their only client, giving off a very personal feel to the relationship. Not only that, but there’s a personal level to the communication which makes you feel like friends as opposed to partners. I’ve only been signed for a short period of time, but I know it’ll be a great future together.”

    KinkBMX is a BMX bike part supplier based out of Rochester, NY who also create high-quality videos, highlighting the newest gear, tricks and the BMX lifestyle. KinkBMX has build over the years an engaged community around its brand with +512K subscribers across their social platforms.

    XTreme Video continues to discover, develop, and support independent creators by enabling them to produce and sell their work, such as video content and merchandise, through their digital distribution network, Agency and e-commerce site. XTreme Video is the number one Multi-Platform Network for extreme creators. Since 1994, XTreme Video has been the home of extreme creators capturing and documenting the culture, locations and stories of extreme activities.

  • Two popular BMX content creators join XTreme video multi-platform network

    Two popular BMX content creators join XTreme video multi-platform network

    CANNES: XTreme Video, the leading Multi-Platform Network (MPN) for extreme athletes and creators with over 200 million views each month and more than 50 million social followers, today announced the addition of two of YouTube’s top BMX creators, KinkBMX and Boqer123, to the XTreme Video network. Heading into MIPCOM 2016, XTreme Video’s social networks provide a space for prime cross-promotion with the creators, most of whom have already amassed a huge social following themselves before joining the XTreme Video team.

    “We are in awe of how Boqer123 and KinkBMX grew their own devoted audiences within the extreme sports fan base through their zealous use of social media and great content creation,”says Gregg Bywalski, CEO of XTreme Video. “We’re very excited to welcome our new creators to the XTreme Video family and introduce them to our passionate and international growing community. We look forward to create new opportunities with our creators to think, create and share exciting new stories tailored to their millennial audiences with broadcasters and major platforms.”

    Founded in 2011, Boqer123 is a crew that creates original BMX webisodes. Alongside his YouTube shenanigans, the founder of Boqer123, Josh James, has also launched a clothing brand. Boqer123 grew its community into one of the most followed BMX and lifestyle brand on social network channels with +320K subscribers across all social platforms.

    “I’ve used a few MCN’s before I signed with XTreme Video, and I can safely say I’ve felt used by all of them,”said James. “However, XTreme Video are completely different. They make you feel like you’re their only client, giving off a very personal feel to the relationship. Not only that, but there’s a personal level to the communication which makes you feel like friends as opposed to partners. I’ve only been signed for a short period of time, but I know it’ll be a great future together.”

    KinkBMX is a BMX bike part supplier based out of Rochester, NY who also create high-quality videos, highlighting the newest gear, tricks and the BMX lifestyle. KinkBMX has build over the years an engaged community around its brand with +512K subscribers across their social platforms.

    XTreme Video continues to discover, develop, and support independent creators by enabling them to produce and sell their work, such as video content and merchandise, through their digital distribution network, Agency and e-commerce site. XTreme Video is the number one Multi-Platform Network for extreme creators. Since 1994, XTreme Video has been the home of extreme creators capturing and documenting the culture, locations and stories of extreme activities.

  • INsight-Flare to produce reality competition ‘The Line’

    INsight-Flare to produce reality competition ‘The Line’

    CANNES: INsight TV has commissioned yet another new original format in Ultra HD, partnering with Flare Media to produce the reality competition The Line.

    The Line

    The premise of The Line is simple, but epic; Race 15-25 kilometers in one absolutely straight line, no matter what the terrain. The challenge is set by placing the line across cities, suburbs, swamps, factories or even golf courses.

    Two teams of nine contestants race from one end of the line to the other, starting at opposite ends. They have follow the line to the finish faster than their opponents, passing the other team along the way.

    But there is a catch:  although the line can be up to 25 kilometers long, it is only ever 25 meters wide and every time a team strays outside that boundary it is penalized.
    That means the teams have to negotiate rivers, buildings, obstacles and less than welcoming locals… just to stay inside the line.

    INsight

    Bringing the next generation of television broadcasting. INsight is an inspiring UHD TV channel created for the millennial viewer who wants to watch real trending content told through incredible stories. Watchable wherever and whenever the viewer wants. INsight is committed to pushing the boundaries of linear and non-linear broadcasting and brings first-class programs to viewers globally, all in Ultra HD. INsight commissions and broadcasts over 200 hours of brand new, original Ultra HD content per year. 

    Flare Media

    Flare Media has a wide range of formats they create from concept to final production. From reality to big game shows and from scripted to daily stripped. Flare Media produces TV shows for national and international, commercial and public broadcasters. 

    The Line is the first production under the strategic collaboration agreement between INsight and Flare Media.

  • INsight-Flare to produce reality competition ‘The Line’

    INsight-Flare to produce reality competition ‘The Line’

    CANNES: INsight TV has commissioned yet another new original format in Ultra HD, partnering with Flare Media to produce the reality competition The Line.

    The Line

    The premise of The Line is simple, but epic; Race 15-25 kilometers in one absolutely straight line, no matter what the terrain. The challenge is set by placing the line across cities, suburbs, swamps, factories or even golf courses.

    Two teams of nine contestants race from one end of the line to the other, starting at opposite ends. They have follow the line to the finish faster than their opponents, passing the other team along the way.

    But there is a catch:  although the line can be up to 25 kilometers long, it is only ever 25 meters wide and every time a team strays outside that boundary it is penalized.
    That means the teams have to negotiate rivers, buildings, obstacles and less than welcoming locals… just to stay inside the line.

    INsight

    Bringing the next generation of television broadcasting. INsight is an inspiring UHD TV channel created for the millennial viewer who wants to watch real trending content told through incredible stories. Watchable wherever and whenever the viewer wants. INsight is committed to pushing the boundaries of linear and non-linear broadcasting and brings first-class programs to viewers globally, all in Ultra HD. INsight commissions and broadcasts over 200 hours of brand new, original Ultra HD content per year. 

    Flare Media

    Flare Media has a wide range of formats they create from concept to final production. From reality to big game shows and from scripted to daily stripped. Flare Media produces TV shows for national and international, commercial and public broadcasters. 

    The Line is the first production under the strategic collaboration agreement between INsight and Flare Media.