Category: Event Coverage

  • South India Film Festival (SIFF) set to illuminate the cinema landscape with its inaugural edition

    South India Film Festival (SIFF) set to illuminate the cinema landscape with its inaugural edition

    Mumbai: The South India Film Festival (SIFF), heralded as a celebration of cinematic excellence and cultural diversity, proudly announces its inaugural edition set to unfold on 22 March 2024 in Hyderabad.

    This year, the festival takes immense pride in presenting a stellar line-up of luminaries from the South Indian film industry, embodying the essence of regional storytelling and artistic brilliance. Among the distinguished guests gracing the event are renowned actors, directors, producers, and industry experts, promising an unforgettable showcase of South Indian cinema.

    The festival serves as a testament to the rich heritage and creative ingenuity of South Indian cinema, bringing together visionaries from various corners of the industry to share their insights, experiences, and expertise with audiences eager to delve into the world of cinema.

    Leading the line-up is megastar Chiranjeevi, who have been awarded with The Padma Vibhushan the second-highest civilian award given in the country, whose presence promises to infuse the festival with star power and cinematic excellence. Alongside Allu Arvind, Vishwa Prasad, Shailesh R Singh, Deepak Dhar, Sujay Ray, and Shetanshu Dixit among others, audiences can look forward to engaging with a diverse array of talents, including Mayank Shekhar, Rajeev Masand…, each bringing their unique perspective and contribution to the festival.

    Check out the list of esteemed guests:

    https://southindiafilmfestival.com/

    Attendees can anticipate a captivating blend of screenings, panel discussions, and networking opportunities, offering a holistic immersion into the world of South Indian cinema. From thought-provoking debates on industry trends to insightful conversations on the future of regional cinema, the festival promises to be a dynamic platform for dialogue and exchange.

    The presence of these esteemed guests underscores the significance of the South India Film Festival as a cornerstone of the regional film industry. Their collective talent, experience, and passion for cinema will undoubtedly elevate the festival to new heights, enriching the cultural tapestry of South Indian cinema.

    Register yourself for the South India Film Festival here:

    Register yourself for the South India Film Festival here: https://in.bookmyshow.com/events/south-india-film-festival/ET00377474

    Stay tuned for more updates and announcements as we embark on this exhilarating journey of celebrating the magic of South Indian cinema at the inaugural South India Film Festival.

  • FICCI-BAF Awards 2024 recorganize of animation excellence on the global stage

    FICCI-BAF Awards 2024 recorganize of animation excellence on the global stage

    Mumbai: FICCI-BAF Awards is the most coveted Animation Awards and has grown in stature ever since the launch of FICCI-BAF Awards in 2014. BAF (Best Animated Films) recognises and celebrates the exceptional work done by the Animation studios and encompasses the work done in the arena of Animation, VFX and Gaming domain.

    Over the years, the FICCI-BAF Awards has transformed into a global platform, attracting high-calibre submissions from talented individuals and teams worldwide. The most recent edition of the FICCI-BAF Awards, held in March 2019, witnessed an impressive participation of nearly 400 entries spanning across 12 different countries.

    The FICCI-BAF Awards initiative is being co-presented by Intel, hosted by state Maharashtra and is being supported by the implementation partner Reskilll.

    The FICCI-BAF Awards has been a transformative experience for all of us involved and this ceremony is a celebration of the hard work, dedication, and perseverance of the organisations who took their time out and nominated themselves.

    FICCI-BAF Awards

  • Role of skilling, education in media and entertainment sector critical in realizing vision of Viksit Bharat: Secretary, Skill Development & Entrepreneurship, GoI

    Role of skilling, education in media and entertainment sector critical in realizing vision of Viksit Bharat: Secretary, Skill Development & Entrepreneurship, GoI

    MUMBAI: Govt of India, secretary, ministry of skill development & Entrepreneurship Atul Kumar Tiwari said that the Indian media and entertainment sector is growing rapidly and there is immense potential for skilling in this sector. This sector has been growing with a CAGR of over 13 per cent in the last few years and employes 30 lakh people directly and 55 lakh indirectly. Skilling combined with education and scaling can help India achieve the vision of Viksit Bharat 2047, there by supporting the GDP as well as establishing the prowess in India’s soft power, he added.

    Addressing the session on ‘LEAPing into the Future’, at FICCI FRAMES 2024, Tiwari said that in order for India to prosper, there is a need for creating a mass awareness about skilling. The New Education Policy (NEP) along with all government policies focuses on skilling. All sectors of the economy are recognizing that skilling is going to be a game-changer for India. With our country’s demographic advantage, having the youngest and the world’s largest number of working-age individuals, skilling will lead to a significant enhancement in productivity and employment. We have the youngest population in the world, largest number of working population and skilling them will lead to a great deal of enhancement in productivity and employment along with competitiveness, he noted.

    Tiwari also emphasized spreading awareness on ‘LEAP – Leveraging Education to Accelerate Progress’, which is the need of the hour. That nothing is more creative than making a film. The government, he said, is working to identify and bridge the skilling gap through policy initiatives along with industry and academia collaboration. “There is a need for us to identify the opportunities and create awareness among people, especially in tier 2,3 cities to attract more talent,” he emphasized.

    He further stated that the M&E sector has experienced a remarkable transformation with the advent of the internet, revolutionizing entertainment consumption. The dynamics of content creation have shifted, leading to a buzzing M&E landscape that not only entertains but also promotes and preserves cultural heritage, added Tiwari.

    He also stated that the Indian media and entertainment sector not only provides support to nation’s GDP but also promotes tourism, increase in cultural exchanges and strengthens India’s soft power.

    Whistling Woods International (WWI) filmmaker & founder and chairman Subhash Ghai highlighted the role of education and skilling in media and entertainment sector. He added that we are currently relying on memory-based education rather than skill-based education. It is crucial to develop skill-based education in the country, noted Ghai.

    FICCI, secretary general SK Pathak said, “In the 25 edition of FICCI FRAMES in 2025, we will identify the transformational changes required in the media and entertainment industry, focusing on the initiatives needed for India in 2030.”

    Ashish Kulkarni, chair, FICCI AVGC-XR Forum and Founder, Punnaryug delivered the vote of thanks.

    Hande Ercel, Turkish actress was also present during the inaugural session.

  • “Every medium, whether it’s TV or OTT, offers unique opportunities to resonate with diverse audiences”: Siddharth Kumar Tewary

    “Every medium, whether it’s TV or OTT, offers unique opportunities to resonate with diverse audiences”: Siddharth Kumar Tewary

    Mumbai: The panellists delved into the evolving landscape of transmedia storytelling, where narratives seamlessly traverse different mediums to create a rich and immersive experience for audiences. The discussion was explored around successful case studies, examining how storytelling techniques and plotlines can be intricately woven across films, books, and gaming platforms to engage audiences on multiple levels

    Speaking at the panel, Swastik Productions founder and chief creative director Siddharth Kumar Tewary said, “Deciding to tell the Mahabharat story isn’t a one-day affair; it’s a journey of over five years. I believe we should respect its timeless essence guiding our modern adaptation, as we embark on a profound exploration, embracing the evolving language and sources of our rich history. We as storytellers meticulously research for decades, spanning from academia to ancient texts, ensuring authenticity. Every medium, whether it’s TV or OTT, offers unique opportunities to resonate with diverse audiences. There are a lot of great stories and it’s a great time to create a synergy across mediums where we create our own Bharatverse while staying true to our cultural ethos. Be it adapting from book to screen or harnessing technological advancements in web series, clarity and authenticity guide our every step. Our guiding principle is to have clarity in the message, understand the characters playing crucial roles behind the story, and have a deep understanding of the narrative’s soul. In this age of evolving family dynamics, our goal is to inspire core Indian values in a contemporary, yet authentic manner. Each character’s role is pivotal, and each emotion is sacred. We delve into the depths of the text, owning its essence, and sculpting it for the screen. Through meticulous reading and interpretation, we breathe life into the pages, ensuring each adaptation resonates with the spirit of the epic.”

  • CASA BACARDÍ brings its immersive Caribbean festival to Bengaluru

    CASA BACARDÍ brings its immersive Caribbean festival to Bengaluru

    Mumbai: Continuing to bring its Caribbean roots to India, BACARDÍ is bringing CASA BACARDÍ House of Moods to Bengaluru at Pebble – ‘The jungle lounge’ on  9 March Saturday. The experience offers an immersive blend of music, dance, art, fashion, food, and mixology, promising to be the highlight of your weekend. With House of Moods, BACARDÍ creates a dynamic platform for self-expression, bringing a perpetual tropical mood to Bengaluru’s vibrant youth.

    Here’s a full list of what you can expect to go down on this Saturday:

    Get into the groove to 6 hours of nonstop Caribbean beats: Bring your dancing kicks this Saturday, as the House of Moods brings in an eclectic mix of performers to turn up the jams. The stellar lineup stars a mix of local talent and upcoming performers, including Kampai, Raka Ashok, Mary Ann, Vidur, Master Shifu, APCN (A Party Called Nanda), and DoubleT x Benkii – ensuring the peak musical mood for the night.

    From naturally dyed clothing to upcycled apparel ware, glam up your style game at the on-ground fashion pop-ups: Embrace the best in new age fashion with the curated styles of next-gen fashion brands Grandma Would Approve & The Santra Project. Featuring upcycled and ethically made couture choices, find your way here to add to your glam quotient consciously.

    Express yourself through art at the Screen Printing Workshop: Bring alive your creativity with a t-shirt as your canvas at the Screen Printing Workshop, where you can have fun with a variety of designs and flaunt them as your creations!

    Discover the fun of making Bacardi cocktails, at the Mixology Workshop:  Get your party mood on & learn how to make your favorite cocktails from BACARDÍ Trade Ambassador, Ishrat Kaur.

    Turn up the heat on the dance floor at the Dancehall workshop with Yahvi Chavan:
    Add some island-style spice to your dance game, at the Dancehall workshop. From the casual hip sway to high-energy spins, learn from Yahvi Chavan to pick up some new moves that’ll have you owning the dance floor through the night!

    Indulge in a delicious mix of scrumptious snacks and drinks: Enjoy the most delicious  & indulgent food and drink pop-ups at the House of Moods. Don’t forget to explore the delectable Bacardi cocktails at the pop-up bars  – there’s plenty to keep your tastebuds entertained.

    From music and dance to food, cocktails and fashion, the CASA BACARDÍ House of Moods is the place to be for your weekend in Bengaluru!

  • Streaming is seeing phenomenal growth in India: Prime Video India’s Sushant Sreeram

    Streaming is seeing phenomenal growth in India: Prime Video India’s Sushant Sreeram

    Mumbai: In a highly engaging panel curated on the opening day of FICCI FRAMES 2024 titled ‘Reinvent: Navigating the Future of the Media and Entertainment Industry’, Prime Video India country director Sushant Sreeram delved into the dynamic landscape of the streaming industry in India, exploring growth trends while highlighting Prime Video’s business and content commissioning strategy.

    Moderated by Ernst and Young partner Ashish Pherwani the panel began with a keynote from Ministry of Information and Broadcasting secretary Sanjay Jaju.  In addition to Sushant Sreeram, the panel saw the participation of industry leaders from multiple M&E sectors, including Prasar Bharti CEO Gaurav Dwivedi, FICCI Media and Entertainment Committee chair and Viacom18 CEO – broadcast entertainment Kevin Vaz; FICCI Media and Entertainment Committee co-chair and Meta India VP and head Sandhya Devanathan; FICCI Media and Entertainment Committee co-chair and Warner Bros Discovery general manager – India & South Asia Arjun Nohwar, and Signpost India chairman & managing director Shripad Ashtekar.

    Responding to a question on key trends across SVOD, TVOD and AVOD business models, Sushant said, “Streaming is seeing phenomenal growth in India. It has, in fact, become a dominant use-case for internet in the country, and a large part of that growth is coming from outside the metros.  We have about as many people streaming content in India, as those watching linear TV. This is a very significant inflection point for the video streaming industry in India.”

    He went on to share, “Another key point to note is that there is no one single customer for streaming, our customers sit across the spectrum of accessibility, affordability, and the languages in which they prefer to consume entertainment. Therefore, our strategy for building solutions for India has always been to focus on “AND” solutions, rather than making choices between “this” or “that”. That is exactly why Prime Video’s entertainment hub – where all the different VODs come into play, continues to do incredibly well. In fact, India is one of the frontrunners on new customer adoption for Prime Video globally. Also, our Channels proposition, where consumers get access to content from popular streaming services with add-on subscriptions, has grown well, with more than 20 partners on the service. Further, our Movie Rentals service where consumers – both Prime members and those who aren’t yet Prime Members, can rent movies ala carte, is seeing great consumer uptake across the country. Mini TV, Amazon’s free ad-supported service, also posted steady great growth in 2023. When we think about how to serve India, we prioritize what is important for customers – great value, great selection, and convenience. It is true for what we do at Amazon overall and the same holds true for Prime Video as well.”

    Responding to a question on the cost of content, Sushant spoke about the fact Amazon and Prime Video is invested for the long-term in India. Elaborating on the same, he said, “It is important to place this in context – our investment thesis is built on developing this category over a fairly long period of time. That’s the time horizon that we operate with for all our investments at Amazon, and the same holds true for Prime Video. The second is that we want to create a category of great cinematic storytelling and we know that consumers value that. We realized that creating an ecosystem across the board, not just the service, but creators and the technical ecosystem is an investment that is well made.”

    He went on to add, “The other thing about our investment thesis is that we look at it through the lens of how we bring in customers to enjoy this multi-benefit proposition for Prime, which is a unique proposition for customers and Prime Video is a part of that. That changes how customers evaluate what is value for money, and that gives us the impetus to continue to make investments. And finally, we want to make all the great stories that we can, but we realize that we can’t make all of them. We’re therefore always excited about the collaborations that we can forge, with creators, Channel partners and studios to build out a true video entertainment marketplace. The fact that Prime Video has close to 100 projects right now in various stages of production and development is a clear indication that there is appetite for great stories in the country!”

    To wrap up the highly engaging session, each participant was asked their Mantra for 2024, to which Sushant replied, “For us, it’s still Day one!” Day one is both a culture and an operating model that puts the customer at the center of everything Amazon does. Day one is about being constantly curious, nimble, and experimental.

  • FICCI FRAMES 2024: From playgrounds to pixels: Evolution and emerging trends in kids entertainment

    FICCI FRAMES 2024: From playgrounds to pixels: Evolution and emerging trends in kids entertainment

    Mumbai: The discussion traced the trajectory of this evolution, examining the impact of technology on content consumption, educational aspects, and the evolving preferences of young audiences. Emphasising the fusion of entertainment and education, the panel delved into the latest trends, such as interactive media, augmented reality, and immersive storytelling, offering valuable insights for creators, educators, and parents alike. The panel aimed to unravel the past, present, and future of kids’ entertainment, navigating the fascinating intersection of play and pixels.

    The moderator of the panel was Powerkids Entertainment CEO Manoj Mishra.

    “The essence of our content has remained consistent since the beginning. While storytelling and content creation have seen minimal alterations, there was a notable shift when I entered the industry. Initially, we relied heavily on foreign content, merely dubbing it for local audiences. However, over time, we began crafting our narratives that resonated more deeply with our audience, particularly children. The fundamental stories haven’t changed; it’s the platforms that evolve continually, and our adaptability has allowed us to broaden our horizons.” : Viacom18 kids TV network business head Anu Sikka.

    “In the future, animation will undeniably continue to hold a prominent position, Drawing insights from diverse channels, including online platforms like Netflix, and learning from the successes of digital endeavors, whether on Netflix or other platforms, we’ve adeptly tailored these achievements to suit the Indian landscape.”: Warner Bros Discovery head, kids network Uttam Pal Singh.

  • FICCI FRAMES 2024: Lights, camera, action: Golden era of storytelling

    FICCI FRAMES 2024: Lights, camera, action: Golden era of storytelling

    Mumbai: This session brought together seasoned storytellers and content creators to unravel the transformative impact of disruptive technologies on narrative formats. Delving into the shift from traditional blockbusters to the era of binge-watching, the panel explores how storytelling has evolved. Participants witnessed a dynamic discussion on changing audience dynamics, emerging platforms, and the innovative strategies employed by storytellers to captivate and engage audiences in an era marked by a constant evolution in entertainment consumption.

    The fireside chat was moderated by Indian critic and journalist Naman Ramachandran.

    “We are here to serve our audience with the most diverse & high-quality content. We find ourselves at an intriguing juncture in our streaming journey. Despite being a nascent industry, it is evolving rapidly, with people adopting it at an exceptionally fast rate.”: Netflix India VP – content Monika Shergill.

    Answering the question about the secret sauce in the theatrical business, Yash Raj Films CEO Akshaye Widhani said, “As an organisation, we don’t punish failure. That is the secret sauce at YRF.”

    Answering the second part of the question on what YRF looks for when commissioning a film or a series, Widhani said, “It is a creative business. Either you go right or wrong, but it’s about the story. The north star for us is the story. We’ve been telling stories for the last five decades and we hope we’ll keep telling stories much after that. When it comes to what we decide on how we decide to greenlight, it’s pretty much based on what that story is and how it appeals to us.”

  • FICCI FRAMES 2024: #Reinvent: Navigating the future of media and entertainment industry

    FICCI FRAMES 2024: #Reinvent: Navigating the future of media and entertainment industry

    Mumbai: The Indian media and entertainment industry is witnessing significant changes, with shifting consumer preferences for high-quality content, new broadcasting technologies, pressures on advertising spend, and the advent of AI. The #Reinvent session at FICCI Frames 2024 examined the dynamics driving this transformation and explored a range of enabling policies designed to support an industry navigating through a period of significant upheaval.

    The keynote of this session was given by Ministry of I&B secretary Sanjay Jaju, who said, “As we move forward, the Government of India’s focus is on creating a conducive environment for the Media and Entertainment industry to thrive.”

    The session was moderated by Ernst and Young partner Ashish Pherwani.

    “In the last one year, the skilling ecosystem of Maharashtra has supported 48,000 youths from Maharashtra to be trained only in media and entertainment. This was something of a record under M&E skill council. A big thank you to Mangal Prabhat ji and his government for their proactive efforts to train rural and urban youths,” FICCI India AVGC-XR Forum chair Ashish Kulkarni.

    “Globally, the media and entertainment industry is witnessing remarkable shifts with digital innovation reshaping consumption patterns and content creation dynamics,” FICCI Media and Entertainment Committee chair and Viacom18 CEO – broadcast entertainment Kevin Vaz.

    “India is a significant priority market for Meta globally. We have invested considerable time in developing products tailored to the diverse needs of the hundreds of millions of people using our platforms. We are dedicated to serving both users and businesses by continually enhancing our offerings,” FICCI Media and Entertainment committee co-chair and Meta India VP and head Sandhya Devanathan.

    “There is no one single customer. Customers sit across a spectrum of accessibility, affordability, of languages in which they want to watch their entertainment and what their entertainment needs are. For us, building solutions for India has always been about what we need to build as an end solution and not making piecemeal choices,” Amazon Prime Video country head Sushant Sreeram.

    “Free dish has been growing continuously and consistently. In 2003, when it started, the industry was at a very nascent stage and it set the context for the rest of the industry to grow and develop,” Prasar Bharati chief executive officer Gaurav Dwivedi.

    “We usually focus on the who, what and where. Who is consuming us, what kind of content they are consuming and where do they prefer to consume. I think the new dynamic that is now emerging is for us to focus on when and traditionally linear TV networks didn’t focus on that. By when, I mean consumption patterns that are arising from the situation that you are in – like in an elevator, waiting for a bus or picking your child from school. And in that 30-second to five-minute moment, do you have content form that they find engaging,” FICCI media and entertainment committee co-chair and Warner Bros Discovery Sr VP and general manager  – India & South Asia Arjun Nohwar.

    “Out-of-home advertising is playing a great role in sustenance of smart cities because when we see any social spaces – roadside shelters, libraries or any basic first mile or last mile connectivity solutions, it is the responsibility and obligation of out-of-home player where they invest in basic infrastructure. It is beyond billboards and includes investing in smarter solutions like charging points too,” Signpost India chairman & MD Shripad Ashtekar.

  • AVGC policy to facilitate investments, foster innovation and contribute to building world-class infrastructure: Sanjay Jaju, Secretary, MIB

    AVGC policy to facilitate investments, foster innovation and contribute to building world-class infrastructure: Sanjay Jaju, Secretary, MIB

    MUMBAI: Sanjay Jaju, secretary, ministry of information and broadcasting, Govt of India today said that the media and entertainment industry play a pivotal role in shaping our society, influencing our perspectives, and has a multiplier effect on our economy. “The sector is renowned for its creativity, innovation, and cultural richness. It serves as a beacon not only for our nation but also for the world,” he added.

    Addressing the ‘FICCI FRAMES 2024’,   Jaju stated that the government recognizes the pivotal role that the Indian media and entertainment sector plays in shaping our society, influencing our perspectives, and reflecting our collective efforts. “India is going through a digital transformation phase and the sector is also witnessing rapid shifts with the availability of content which is online,” he stated. We are also witnessing a rapid increase in foreign investments especially in the OTT segment which paves the way for looking at this segment as a chief contributor to India’s soft power, noted   Jaju.

    Speaking on the various government initiatives along with the AVGC policy, Jaju further emphasised that the policy is now in an advanced stage. “I can assure you that this policy is not only going to facilitate investments within our country and the states but will also foster innovation. It will ensure skill development and help protect intellectual property and will also contribute to building world-class infrastructure. We also envisage setting up of National Center of Excellence for animation, VFX, and extended reality sector along with setting up incubation centres,” he added.

    Jaju further highlighted that the government is giving a thrust for foreign filmmakers to make films in India. “The Indian media and entertainment sector not only has huge growth potential but also brings in a lot of employment. Our focus will be on creating a conducive environment for the industry to thrive. All stakeholders need to collaborate and innovate to capitalize on the huge opportunities,” he noted.

    Govt of Maharashtra minister of skill development and entrepreneurship Mangal Prabhat Lodha said that the realisation of ‘Viksit Bharat’ depends on the collective contribution of everyone, and skilling is integral to the future of our country.

    An Indian actress Rani Mukerji said that FICCI FRAMES 2024 has set the agenda for an ever-changing media and entertainment industry. “The pandemic forced us to adapt, innovate, and reimagine the ways in which we connect with audiences. As consumer preferences evolve, there is a growing demand for unique and innovative content delivery,” she added.

    FICCI and vice chairman, RPG group vice president Anant Goenka said that FICCI FRAMES 2024 has been a cornerstone over the years, significantly influencing the trajectory of India’s media and entertainment industry. The Indian media and entertainment sector has witnessed remarkable growth over the past decade, and the digital revolution has reshaped our industry.

    FICCI Media and Entertainment Committee and CEO of broadcast and entertainment, Viacom 18, chair Kevin Vaz, said that the road ahead for the industry is brimming with possibilities and challenges alike. The integration of artificial intelligence promises to reshape the landscape of content creation, distribution, and consumption, particularly generative AI, which is now an inexorable part of M&E supply chains, he added.

    AVGC-XR committee chair Ashish Kulkarni, FICCI delivered the vote of thanks.