Category: ICC WORLD CUP

  • Sports broadcasting: A sticky 2012 wicket

    Sports broadcasting: A sticky 2012 wicket

    It’s the festival of lights. And for many the festival of noise courtesy exploding fireworks. In the hope of reducing the number of those belonging to the latter tribe, we, at indiantelevision.com, decided to put a display of firecracker articles for visitors this Diwali. We have had many top journalists reporting, analysing, over the many years of indiantelevision.com’s existence. The articles we are presenting are representative of some of the best writing on the business of cable and satellite television and media for which we have gained renown. Read on to get a flavour and taste of indiantelevision.com over the years from some of its finest writers. And have a happy and safe Diwali!

    (Written By Ashwin Pinto in 2013. He continues to write on sports television and English Entertainment)

    Posted on : 02 Feb 2013 08:41 pm

    Sports broadcasters ensured that live sports remained attractive in 2012. Even as the revenue side looked tough, prices touched the roof as Rupert Murdoch‘s News Corp and Sony were willing to bet more. Zee-owned Ten Sports did not lose ground and retained the cricket rights that came up for renewal. Neo redrew its strategies and decided to stay away from the high-cost cricket rights.

    A number of key cricketing properties came up for grabs. In most cases, however, the incumbent broadcasters ended up retaining the rights despite strong competition.

    The entry of Multi Screen Media‘s (MSM) much awaited sports channel Sony Six only exacerbated the situation on the acquisition front.

    Owning the lucrative telecast rights for the Indian Premier League (IPL), MSM‘s keenness to add other key properties like the Board of Control for Cricket in India (BCCI), England Cricket Board (ECB) and English Premier (EPL) only helped jack up the prices.

    The keenly contested BCCI media rights were bagged by Star India for Rs 38.51 billion till 2018. MSM, which had bid Rs 37 bilion, lost the rights by a whisker.

    Another case in point is the ECB rights which were retained by ESPN Star Sports (ESS) for $200 million till 2019. ESS had earlier secured the rights for $80 million.

    However, it was not just cricket that saw record money being splurged on acquiring rights. Football, too, had its share of penny. ESS retained the English Premier League (EPL) rights for three more years but not after committing a mind-boggling $145 million. In the previous three-year cycle it had committed $46 million.

    While it is true that an aggressive Sony Six had the incumbent rights holder on its toes to retain the rights at any cost, it is also true that the sports broadcasters had the impending digitisation as part of their plan while making the bids.

    Digitisation was the key theme for sports broadcasters because subscription is the way forward. Sports broadcasters in India, like their counterparts elsewhere, are still heavily dependent on ad revenue while subscription revenue is still inadequate to correct the lopsided business model that has taken a toll on their P&L.

    While the broadcast industry will be waiting with bated breath to see which way the digitisation piece moves, no one knows better about the significance of the exercise other than the sports broadcasters.

    Even as the broadcasters splurged money on acquiring rights, certain rights like the New Zealand and Bangladesh cricket rights did not find any takers since the broadcasters saw little value in them. NZC rights were earlier held by MSM while Bangladesh rights were with Nimbus Communications.

    Away from the big properties, the new sporting leagues too found favour with broadcasters who are happy to partner the rights owners in building these leagues that have potential to become big in future.

    ESS acquired the global media rights for Hockey India League (HIL) that was launched with much fanfare as a rival to Nimbus Sport and Indian Hockey Federation‘s (IHF) World Series Hockey (WSH). The five-team HIL is a Hockey India property with the backing of International Hockey Federation.

    The IPL fever spread to other countries with Sri Lanka, Bangladesh and Pakistan coming with their own IPL-styled leagues.

    ESS, which had lost out big time by not bidding for the IPL rights in 2008, went all out to acquire the rights for Bangladesh Premier League (BPL) and Sri Lanka Premier League (SLPL). The Pakistan T20 league is expected to take off in 2013.

    Ten Sports, which has been airing local tournaments like Chennai Open and I League, acquired the rights of Elite Football League of India (EFLI) that finally kicked-off after a period of uncertainty.

    The broadcaster also holds the rights for i1 Super Series which is in limbo due to the exit of co-promoter Anjana Reddy, all thanks to the financial mess that her family-promoted media company Deccan Chronicle finds itself in.

    Ten Sports further fortified its territory by renewing rights with West Indies Cricket Board (WICB) for a period of seven years. In 2011, the sports network had renewed rights for South Africa and Zimbabwe.

    The challenge for Ten Sports would be to protect the Sri Lanka and Pakistan cricket rights in the face of an aggressive Sony Six which is looking at having some cricket properties outside the IPL.

    In line with its strategy of having specialised sports channel, Zeel launched Ten Golf, a pay-driven channel priced at Rs 200. With Ten Golf, Zeel has five sports channels in its bouquet which includes Ten Sports, Ten Cricket, Ten Action+ and Ten HD.

    Six, the sports entertainment channel from MSM, has identified Ultimate Fighting Championship (UFC) and National Basketball Association (NBA) as the properties with which it plans to build its sports channel.

    What about Neo Sports? The Nimbus Communications-promoted sports network has not thrown in the towel yet while at the same time agreeing that meeting revenue targets in an analogue environment has been challenging.

    After losing the rights for India cricket, it is focusing on non-cricket sports which saw the cricket-focussed channel Neo Cricket being rebranded as Neo Prime.

    The broadcaster had Asia Cup and Uefa Euro 2012 as its saviour as it reworked its distribution deal with TheOneAlliance.

    Neo Sports Broadcast COO Prasana Krishnan says, “We are focusing on five sports- tennis, soccer, badminton, hockey and golf. Euro was our first major non cricket event and it was a good experience. We had renewed our deal with One Alliance for two years. We had also re-branded Neo Cricket as Neo Prime. Earlier if you did not have cricket, you were switched off. However, in a digital world this content has more value which is why we are present on all the DTH platforms despite the absence of cricket.”

    Bundesliga is currently the main driver property for Neo apart from Badminton World Federation (BWF) events. The broadcaster is also experimenting with Raj Kundra and Sanjay Dutt promoted Super Fight League (SFL).

    Krishna believes that with digitisation the rights of non cricket will fetch more money as broadcasters see the opportunity to unlock value. “But we will not go madly after rights. We will take properties if it makes business sense. There is no pressure on us to acquire properties. Our current deals are long term.”

    News Corp‘s big-bang sports play in India

    The biggest development of the year was News Corp‘s acquisition of ESPN‘s 50 per cent stake in ESPN Star Sports, thereby bringing down the curtain on the 16-year old joint venture that was formed with the intention of exploiting the nascent Asian market together.

    ESPN got $335 million for its 50 per cent stake in the company that valued ESS at $770 million. The deal meant ESPN‘s exit from the Asian market with a two- year non- compete clause. ESPN‘s presence is limited to digital products like ESPNcricinfo and ESPNFC amongst others.

    The divorce saw veteran sports broadcasting executive Peter Hutton take charge of ESS replacing the long serving Manu Sawhney who moved to iconic football club Manchester United as director.

    Star India, under whose watch the sports broadcasting business is expected to fall in India, has become a formidable player in the Indian market. Minus IPL, Star and ESS own the four big ticket cricket properties like BCCI, England, Australia and ICC rights.

    Ad spend at Rs 19 billion

    On the ad revenue front, the genre degrew to Rs 19 billion from Rs 21 billion in 2011 with the absence of the 50 over World Cup. The year, however, had bi-lateral home series against New Zealand, England and Pakistan in addition to the ICC Twenty20 World Cup.

    According to GroupM Maxus Client Leader Jigar Rambhia, cricket delivered well for advertisers and the rates across the three formats held steady.

    As far as non cricket events were concerned, the Olympic Games stood out. “It helped advertisers build brand saliency. India won six medals which earlier had not been expected. So companies that were present benefited,” says Rambhia.

    The IPL saga

    For a sports broadcaster, the IPL continues to be the most lucrative property with a high return on investments (ROI).

    Even from a sponsors point of view, the IPL delivers value notwithstanding controversies happening off the field. Cola major Pepsi‘s bid of Rs 3.96 billion for the IPL title rights is a testament of IPL‘s value. The amount is almost double of what DLF, which decided not to renew the costly IPL sponsorship deal, was paying.

    In fact, it was IPL‘s value proposition that made Southern media conglomerate Sun TV bid Rs 4.25 billion for the Hyderabad team. The bidding was necessitated following the termination of Deccan Chargers from IPL after a prolonged legal battle.

    While the BCCI found itself in healthy position selling its properties at record price, the same cannot be said about the franchises except for teams like Mumbai Indians, Chennai Super Kings, and Kolkata Knight Riders.

    The King XI Punjab team, which had earlier expected to breakeven in the fourth year, will only do so next season thanks to the legal fight. The good news though is that the dispute with the BCCI has been resolved. It has to pay a fine of Rs 10 million which is basically a slap on the wrist.

    Brand Finance India director Unni Krishnan, however, maintains that the valuation is very much in keeping with the trends being seen.

    “The IPL ecosystem‘s long-term value has been steadily coming under pressure and is tracking back to its base value of $2 billion from the heights of $4 billion. Further the Deccan Chargers team had come under a cloud due to misconduct and poor governance, in a sense mirroring a lot of ills which the IPL as a whole faces,” he says.

  • Koouka wins 2013 Mip Junior International Pitch

    Koouka wins 2013 Mip Junior International Pitch

    CANNES: Apart from content, Mip Junior’s biggest draw is an opportunity to present new intellectual properties (IPs) to a larger, more discerning audience. This year, of the 60 new projects vying for top honours at the international competition, Mip Junior International Pitch – New Projects for Kids TV, five made it to the final round and one of them was declared winner i.e. Koouka by Aldebaran Distribution and Vallaround, Italy.

     

    Presented by distributor Anna d’ Alessandro and producer Federico Vallarino, Koouka is the story of a chameleon, which changes the colour, shape and size of the things it touches. Replete with funny gags and sans any dialogue, the series’ theme is identity and how a natural desire to be accepted by others can stop people from expressing their real selves. Interestingly, there are 26 episodes, each of one minute duration. The other four who made it to the top five include Being Zeth by Source Animation, India; Goris the Gorilla by Split, Brazil and Chile; Nelly and Nora by Geronimo, Ireland; and The Little Train Choo Choo by JM Animation, Korea. The jury comprised BBC head of CBeebies production, animation and acquisition Alison Stewart; Canal+ head of children programmes and channels Laurence Blaevoet; The Walt Disney Company (South East Asia), India head of acquisitions, programming, branded media and content Anand Roy; Globosat Programadora head of content and programming Paula Taborda dos Guaranys; and Kenn Viselmann Presents CEO/owner Kenn Viselman.

     

    The jury looked for projects with potential for TV and multi-platform brand extensions, as well as originality and overall appeal in the storytelling technique, and Koouka bagged the award. Winners will get free access to Mip TV 2014 and a chance to interact with buyers during the main networking event on 6 October.

  • Greymatter to debut at MIPCOM 2013

    Greymatter to debut at MIPCOM 2013

    Greymatter Entertainment – a 360 degree media company offering end-to-end creative solutions and production services for broadcast, celluloid and digital platforms – is debuting at this year’s MIPCOM with a host of new and innovative formats.

     

    For a company which produces content across genres, including reality, music, travel, lifestyle, game show and documentary, participating in the world’s largest content market is possibly a natural next step. Says Greymatter Entertainment owner Rahul Sarangi, “MIPCOM helps you network with global content buyers. The market is also a platform for companies with new formats.”

     

    So what’s on offer at the fest? “We will launch a factual documentary titled ‘Tribes of the World’, an award winning show ‘Bikini Café’, a never-seen before music reality format named ‘Remix’ and a series about unconditional love christened ‘Thanks Maa’,” Sarangi answers.

     

    For the uninitiated, Tribes of the World is a factual documentary which explores the unexplored and unseen faces of tribal India. Bikini Café is about testing one’s entrepreneurial skills of owning a shack while Thanks Maa gives mothers a chance to relive their dreams.

     

    Elaborating on his plans, Sarangi says: “We are looking at co-producing interesting formats/content under the genres we specialise. As far as selling is concerned, one of our music formats ‘Remix’ has been sold to a few markets and is distributed by Global Agency. We have also recently concluded a very successful co- production deal with Novovision on 52 x 30 min non-dialogue humour episodes for the global market.”

     

    What does Greymatter expect to achieve at MIPCOM 2013? “As you would be aware, Indian broadcasters don‘t give rights to producers, but we have figured that if we have a global partner, then we can retain rights and make it a global success. We believe most of our formats are very differentiated yet palatable to the global audience,” explains Sarangi, adding: “We expect to strike some interesting co-production, distribution or strategic partnership with global companies that suit our profile.”

     

    On the subject of markets, Sarangi says the company is open to any market, from America and Europe to the Middle East and Asia, as long as it shares Greymatter’s sensibilities. The firm will concentrate on platforms like IPTV, mobile and free to air.

  • India’s first HD travel channel at MIPCOM 2013

    India’s first HD travel channel at MIPCOM 2013

    Ask any traveller the meaning of a journey and he/she is likely to say it’s something where you never know how far you’ve reached till you go back to where it started.

    Indeed, this is the very core of what they call wanderlust, and who better to know it than travelxp HD, India’s first high definition travel channel.

     

    Presently, the channel stands strong as a premium lifestyle with 400+ hours of original HD travel content – shot across 35+ countries and growing, expanding at 150 hours each year, and covering all genres of the travel space. Shot in English, with hosts from across the globe, the channel boasts a truly international look and feel. Exactly what draws it to this year’s MIPCOM.

     

    travelxp now in its third year at MIPCOM, feels that exhibiting in a market like MIPCOM has added to its learning. The channel has not only tapped market demands and understood buyer requisites, but has also understood the latest trends, practices and technology which in turn have laid the guidelines for content that the channel creates in the future.

     

    Says travelxp HD director Nisha Chothani: “An international platform like MIPCOM is the year‘s most anticipated global market for entertainment content across all mediums. Our content finds the perfect fit with the needs of travel content buyers across the globe. It provides us an opportunity to reach out to our buyers, leading to ground-breaking partnerships.”

     

    So what’s the channel offering at MIPCOM 2013? It will launch five new shows including Quest, City Breaks, Bliss, Food Highway and World Spas for participants this year.

     

    Apart from these, travelxp HD will also present shows like XP Guide, Xplore World, Xplore India, Great Indian Hotels, Great World Hotels, Foodicted, Strictly Street, Heritage, Landmark, Best from the Rest, Bada Weekend, Hills and Valleys, and Divine Destination at the content sale market. “With this, we are looking forward to cracking deals and partnerships with our buyers. Also, networking with content buyers and aggregators across the globe will be an add-on,” says Chothani.

     

    And it’s not just travelxp HD, the entire travel industry stands to benefit from MIPCOM. “Travel content caters to a large international audience due to its geographical spread. MIPCOM provides us a platform with immense selling opportunity; it helps us to reach out to around 4,400 buyers from 100 countries across the globe. Travel content demand is growing globally, platforms like MIPCOM help two ends meet, thereby leading to the growth of the genre,” elaborates Chothani.

     

    Meanwhile, travelxp HD shows will be accessible to viewers on various multi-media platforms from DTH systems to in-flight screens, TV networks to IPTV networks, VOD to AVOD systems and websites to mobiles.

     

    The channel claims its content finds resonance with travel connoisseurs the world over.

  • Watch out for Hyderabad’s animation booth at Mipcom

    Watch out for Hyderabad’s animation booth at Mipcom

    other states may do well to borrow a leaf from the Andhra Pradesh government, which is partly sponsoring the participation of Hyderabad’s animation industry at this year’s Mipcom.

     

    More specifically, the AP government is funding the stand fees for two Hyderabad-based companies – Green Gold Animation and Discreet Art.

     

    “The government is partly funding our participation at the event. And this goes up to 50 per cent of the total stand fee. It can go up beyond 50 per cent depending on the response we get,” informs Green Gold Animation vice president -business development Govinda Talluri.

     

    Creator of the popular animated character, Chhota Bheem, Green Gold Animation, has been participating in Mipcom since 2007. “Though we didn’t go in 2011-2012, this year, since the Andhra Pradesh government decided to support the companies based in Hyderabad for events like Mipcom, we, along with Discreet Arts and 20 (approximately) people from the AVCGI association will represent AP at Mipcom this year,” adds Talluri.

     

    AVCGI or Animation, VFX, Comic & Gaming Industry of AP is a recently formed association by the animation industry in Hyderabad with the aim of garnering support from the AP government for its proper functioning.

     

    Apart from Chhota Bheem, which is Green Gold’s biggest property, it will also take other animated characters Mighty Raju and Arjun to Mipcom. “We plan to come up with a theatrical for Mighty Raju by next year and so, will use Mipcom to create a buzz about the movie. Also Arjun, a show that we have created for Disney, will form part of our offering to buyers,” says Talluri. 

     

    For all these years, Green Gold catered to Indian and South East Asian markets and recently sold its content to USA and Canada. The major is now aiming at European countries like France, Germany, Spain and South America. “This is not an exhaustive list, we want to reach out to as many markets as possible,” adds Talluri.

     

    Enthused by the government’s support, Green Gold aims to present its library of 8,500 minutes of original content to a global audience. “Also, with our 174-episode Chhota Bheem being sold to eight countries, we would definitely want to expand our reach and get noticed,” says Talluri.

     

    With the largest content sale market cum conference just 15 days away, the company is busy scheduling meetings with buyers. “Though a few meetings have already been fixed, we are also pitching in for more buyers,” he says. The company will primarily target television as the preferred platform. “Once we are there, getting to other platforms will not be difficult,” he rounds off.

  • Reliance Entertainment Digital has its eye on English entertainment content

    Reliance Entertainment Digital has its eye on English entertainment content

    Reliance Entertainment Digital CEO Manish Agarwal is pretty excited about his company’s date with MipCom this year.  Says he:  “We want to understand the market and its offering and how relevant it is for the digital business. We are always in search of some interesting and innovative content.” 

     

    For Agarwal, who is into content publishing, participation in Mipcom is likely to become an integral part of doing business, though his company is participating in it for the first time.

     

    “It gives us an opportunity to explore the large variety of content which we need for the various platforms like BigFlix, Zapak etc. We will obviously focus on networking with more content providers and aggregators across the globe,” says he.

     

     Reliance Entertainment Digital which launched its over the top (OTT) service BigFlix last year is sorted in terms of Indian programming and now wants add on international content in more genres and languages.

     

     “We want to expand our offerings to the consumer. Participating in Mipcom will help us explore more opportunities,” he says.

     

     Agarwal says that an increasing group of young Indian consumers is gorging on digitised content on hand held devices and on their PCs. “It is essential for Indian service providers to experiment with new type of content across genres and content-types. And it is just not that Indians will consume only trailers or paparazzi content, they will also look at different content and so we want to explore with a variety of content,” he highlights.

     

     The focus this year at Mipcom he emphasises will be on acquiring entertainment content – especially that which originates from English speaking nations or with English subtitles.

     

    “This will be entertainment for English speaking audiences, entertainment for masses and for kids. This is the reason we are going not only for Mipcom, but also for Mip Junior,” he informs.

     

    For those visiting Mipcom to sell gaming content, expect the Reliance Entertainment representative at your stall. “We will also look at gaming content or gaming IPs on which games can be created. So we are aiming at kids entertainment both in gaming and VOD content which caters to everyone or in niche segments in the country,” says he. “In terms of gaming IPs, since we are present across the globe, we will go for any IP which is popular. So we will be hunting for any IP across different markets in order to get a license to create mobile games

     

     The OTT service which delivers its content online to connected devices – a la NetFlix in the US – is looking at stacking up its video-on-demand (VOD) menu. “This can subsume movies-on-demand, TV-serials-on-demand and animations-on-demand. And for gaming again we are looking at the mobile platforms.”

     

    And the company is shopping cheque book in hand. So sellers will indeed be kept busy by this emerging digital giant from India.

  • MDA, Beach House Pictures join hands with Lonely Planet for TV series









    MUMBAI: Travel media outfit Lonely Planet Television (LPTV), Singapore



    -based production company Beach House Pictures (BHP) and the Media Development Authority of Singapore (MDA) announced at Mipcom the launch of a new 13-part flagship television series Lonlely Planet: Roads Less Travelled, in conjunction with broadcaster National Geographic International and distributor BBC Worldwide.


    The show is a cross-platform travel adventure franchise featuring for the first time real-life Lonely Planet authors on the job as they scour the world’s roads less travelled in search of the latest and greatest travel experiences on earth. Lonely Planet founder and independent traveller Tony Wheeler is slated to be one of the four authors featured in the new series.


    Lonely Planet Television head Laurence Billiet says, “Everybody thinks being paid to travel is one the best gigs in the world but at Lonely Planet we know it’s a really tough job. In this series for the first time on television we’ll reveal behind-the-scenes what it’s really like to be a Lonely Planet author.”









    The show will premiere on the Nat Geo Adventure channel next year in Asia, France, Germany



    , Italy, Spain, Turkey, Australia, Latin America, Africa and the Middle East. A cross-platform initiative, the new series will be supported by a website showcasing the itineraries featured in the TV series as well as complementary Lonely Planet destination content and travel services. Over time, the multi-platform franchise is expected to span DVD, mobile and web-TV.



    The series will be co-produced with Beach House Pictures, who have worked with Lonely Planet on a number of television productions since signing an agreement with LPTV in 2005 to co-produce all Lonely Planet-branded television series in Singapore.


    Beach House Pictures MD Jocelyn Little says, “We’re excited by the opportunity to join forces with the Media Development Authority of Singapore, National Geographic and BBC Worldwide for the first time on such a major flagship series. All the partners believe strongly in the potential of this unique series, and expect it to turn into an on-going multi-media franchise”.


    MDA CEO Dr Christopher Chia says, “Lonely Planet is a cultural icon well-loved by many all over the world. This is a wonderful opportunity for Beach House to co-produce with well-known international partners who share the same vision of delivering quality content on multiple platforms to the global audiences and showcase the world’s best travel experiences to the world“.

  • Discovery’s Science Channel makes ‘Brink’ available for global distribution

    Discovery’s Science Channel makes ‘Brink’ available for global distribution

    MUMBAI: Discovery has anounced at Mipcom that from the fourth quarter of 2008 and continuing throughout 2009, Science Channel will roll out a full slate of original programming designed to appeal to a worldwide audience of science enthusiasts.

     

    The US-based Science Channel announced Brink, its first original series, is available for international broadcaster distribution.

     

    Designed as the next-generation source of interactive science information on television and on the web, Brink immerses viewers on the frontlines of cutting-edge breakthroughs in technology, research, inventions, discoveries and the mysteries of the scientific world.

     

    The series explores people who are on the brink of changing our lives, and will also include content generated from scientists, organisations, universities and viewers from around the world.

     

    Discovery Enterprises International senior VP Caleb Weinstein says, “Only Discovery Communications can offer this type of high quality science programming to international broadcasters. This innovative new format allows for complete regional customization”

     

    Discovery’s Emerging Networks senior VP programming Deborah Adler Myers says, “Brink is the first of many exciting new series in our new development pipeline and something only a dedicated service like Science Channel can create.

     

    “Brink is a thought-provoking and engaging series that connects viewers with incredible science and technology stories from around the world.”

     

    Guiding viewers through the unusual mix of science information and eureka moments on the show is host Josh Zepps. The series looks to provide viewers with a clear understanding of the impact and relevance science has in our lives today, and offers significant insights into how science may profoundly change our lives tomorrow.

     

    Each half-hour episode combines short-form reports on the latest global science news with vital interviews with prominent scientists. BRINK’s innovative format will also include unusual segments covering a range of subjects from peculiar, avant-garde research to “backyard inventors” who are pushing the limits of science in their own way – such as building their own space craft.

     

    In the US the show‘s reach extends beyond the border of television with a comprehensive, fully integrated presence on sciencechannel.com. Here viewers can watch extended interviews, interact via science blogs, upload and view user generated videos, talk to Zepps and other correspondents, take quizzes and explore additional research materials.

  • ScreenWest, Singapore’s MDA partner for cross-media projects

    MUMBAI: ScreenWest, Western Australia‘s screen funding, and Singapore‘s Media Development Authority (MDA) have announced the launch of the MDA-ScreenWest Cross-Media Development Initiative.

    The aim is to encourage producers in their respective territories to jointly develop and exploit the potential of multi-platform intellectual properties.

    The initiative ininvites producers in Western Australia and Singapore to submit proposals in any of the following genres – Children’s Programming, Documentary and Animation. Three selected projects will be awarded up to a total of $90,000 in project co-development funding.

    The closing date for submissions is 1 December 2008 and the announcement of selected projects will be made at the Asia Television Forum held in Singapore from 10 to 12 December 2008.

    The MDA-ScreenWest Cross-Media Development Initiative follows the Australia-Singapore film co-production agreement signed in September 2007.

    MDA CEO Dr Christopher Chia says, “Currently, Singapore’s media companies already enjoy a strong working relationship with their counterparts in Australia and I am sure that this joint initiative with ScreenWest will spur more of such mutually-beneficial collaborations that will make their mark in the international market.

    “Content that can be commercialised on multiple platforms will enjoy a wider reach and longer lifespan and the MDA-ScreenWest Cross Media Development Initiative is a step in supporting our media companies to rise to the challenge of the new media landscape where consumers increasingly demand to enjoy content on their own terms.”

    Screenwest CEO Ian Booth said, “Screenwest is excited by this opportunity to build stronger ties between the two countries. We believe the development of three projects in the genres of children’s drama, animation and documentary will encourage further co-productions in the future.

    “The bonus of this initiative is the development of cross-platform digital media which can be made in Singapore and Australia and viewed around the world.”

    Media companies from Australia and Singapore have collaborated successfully on several fronts, yielding co-productions in recent years that include feature film The Home Song Stories, lifestyle TV programme 5 Star Insider, animation series Milly Molly and children’s sci-fi drama series Stormworld.

  • BBC Worldwide in content deal with New Zealand broadcasters








     

    MUMBAI
    : BBC Worldwide concluded content deals with New Zealand broadcasters TVNZ and Prime Television at the television trade event Mipcom in Cannes, France.

    BBC Worldwide has renewed a deal with Prime Television that will see the upcoming series of award-winning Top Gear remain with the channel.



    Top Gear is consistently Prime‘s highest-rating programme, and has aired on the network since 2004.



    Meanwhile, BBC Worldwide has also concluded a deal with TVNZ for new and returning drama, factual, and factual entertainment programming.








    New dramas included in the package include Whitechapel, The Children and Sleep with Me.



    Returning series include the third series of time-travel drama Primeval, the fifth series of New Tricks, Hotel Babylon, Mistresses and Silent Witness.