Category: Special Report

  • Media Partners Asia:  Cable the ultimate key to India’s broadband digital future

    Media Partners Asia: Cable the ultimate key to India’s broadband digital future

    This is an executive summary of a Viewpoint Paper presented to the Prime Minister’s Office on 16 March 2007. The Paper was produced by research firm Media Partners Asia (MPA), and also supported by Liberty Global, Inc; Macquarie Media Group and Star Group.

     

    The current cable industry, which already contributes 0.6 per cent directly to GDP, has the potential to increase this direct contribution exponentially, if it maximizes its broadband digital potential and attract investment. To do this, cable needs to be seen by the Government of India as the significant platform in the national economic context and as the key driving national broadband digital growth. Therefore, it needs higher priority in policy planning and a framework that allows it to maximize value.

     

    Cable today in India is the dominant last mile pipe, connected to 20 million more homes than fixed line telephony. Cable TV already connects an estimated 71 million homes and almost 60 per cent of homes that own a TV set subscribe to cable TV, with India overtaking the US in 2006 to become the second largest Cable power in the world. Projected to further establish its status as the leading last mile network, cable will, serve more than 100 million TV homes by 2010. Its size and scale, if harnessed, presents a great opportunity to drive broadband digital deployment.

     

    What is needed is an influx of capital an order of magnitude greater than currently exists. However, investors say that sentiment on broadband digital development in India is being somewhat dampened by the regulatory framework, which has grown too intrusive and harmful to long-term growth. As a result, investors are still cautious about funding long term broadband digital network upgrades when regulation imposes strict controls on the pricing of new capital intensive services. Concerns have intensified with the regulation for the deployment of digital conditional access systems or CAS in India. While all investors are agreed that CAS will provide a significant impetus to the deployment of broadband digital networks, they think it will work only in a less tightly regulated context.

     

    Shane O’Neill, Chief Strategic Officer & Board Member, Liberty Global Inc., says: “The market is very attractive in terms of sheer size and growth potential but could be held back by ‘over regulation’ in key areas such as channel rate regulation, mandated revenue shares between industry participants and FDI caps. A lighter approach might be necessary to encourage the significant investment required to develop the broadband and digital industries both of which are very important for India’s future development.”

     

    Alex Harvey, MD of Macquarie Media Group, adds, “We think India’s cable businesses, due to their ability to offer a range of converged services, will be material areas of growth and opportunity. A key element to realising these growth opportunities will be a transparent and proactive regulatory environment – this must be a priority area of government focus.”

     

    Paul Aiello, the new CEO of STAR Group says: “The stakes are high for policymakers and the regulator to get it right, ensuring progressive policies that facilitate investment and growth.”

     

    Investors are eyeing many deals in the cable broadband/digital space… one of the complications for some of the larger investor groups is how the current regulatory framework will play out – the current restrictions on revenue share, channel distribution and pricing are not optimal for investment, especially as there is no concrete signal was to when these restrictions will be lifted.

     

    (The views expressed here are those of the author and Indiantelevision.com need not necessarily subscribe to the same.)

  • News channels go the whole 22 yards

    It’s the biggest event on television this year and every news channel has spent the past few months working up a lather on how best to milk it. We don’t know if our Boys in Blue will do the impossible and bring home the Cup but news channel’s ‘programming cup of joy overflows’.

    This quarter has already seen news channels fighting it out for mindspace with budget programming and now the pitch is laid out for cricket. The kind of viewership ratings and ad revenues the channels will garner may set a trend for the year as well.

    Consider this: The World Cup in 2003 saw coverage from just a few news channels operating at the time – Star News, Zee News and Aaj Tak apart from international news channels like CNN and BBC.

    It’s a changed scenario four years on as English news channels – NDTV 24×7, CNN IBN, Times Now and Headlines Today fight it out. The big guns of the Hindi news space include the likes of Aaj Tak, Star News, NDTV India and Zee News. For CNBC TV18 and consumer channel CNBC Awaaz, it’s business as usual with them also sniffing a goldmine.

    More importantly though for news channels like Headlines Today and Times Now, special programming woven around these two events could mean a steady flow of loyal viewership over the next three months. They will be hoping that the ‘stickiness quotient” continues beyond the World Cup as well.

    Indiantelevision.com decided to do a quick round up of news channels and see what’s on offer and what it means to the news channels themselves.

    Programming on most news channels is clearly divided between weekday and weekend sessions lined up for the cricket fan. While weekday news content will focus on daily updates, statistics and numbers crunched in the news room and studios, weekend programming will concentrate on the flavor of cricket, the lighter side of the game, celebrities and loads of entertainment. 

    Howwzat!!
    Its cricket mania all the way as news channels pull out all stops in an attempt to grab viewer eyeballs.

    Aaj Tak and Headlines Today , channels from the TV Today network have a range of programming on their channels. While World Cup programming may not be new to Aaj Tak, Headlines Today slowly making a mark in the English news space will be looking forward to the World Cup. The channel was not operational during the 2003 World Cup.

    Says TV Today CEO G Krishnan, “We have an aggressive coverage plan for the World Cup. Our programming will unfold in phases. The pre world cup phase has special shows profiling cricketers and their preparation for crickets biggest tournament.”

    “We have also launched a show where we are visiting a different city everyday and giving the fans a platform to express their support for the Indian team. Similarly during the tournament we will look at pre and post match specials to analyze the day’s play.”

    “There is a huge line up of several interactive shows and contests. An interesting initiative was when viewers had to predict the final 15 member squad of the Indian team. It was heartening to see over a one lakh responses where viewers predicted the squad with 100% accuracy. Cricket is a religion in this country and as a news channel we cannot under serve the viewer,” he emphasizes.

    NDTV Media CEO Raj Nayak is also upbeat about cricket programming on their network channels. The last World Cup saw NDTV give it a miss as it was in a transitional phase between Star and setting up its own offices. But this year the channels have geared up with cricketers, contests and programming in place. Says Nayak, “Programs like Opening Spell, Turning Point, Googly, Pitch Report, Junoon will have extensive analysis pre and post the match on the days of the World Cup matches. 

    The World Cup is one of the biggest events in the sporting world this year. Our investment in this property will be in tandem with the importance and grandeur of this event. Our viewers will get the very best of the programming, in and around the World Cup matches on the NDTV network.”

    Stepping up its programming on World Cup cricket is Times Now. The channel has announced a all new spruced up daily show on sports calledThe Game in its run up to the World Cup early this year. It now has a whole range of cricketing shows collectively called Calypso Countdown.

    Says Times Now CEO Sunil Lulla, “Cricket is certainly an important aspect of the news genre. As a channel Times Now has sports programming right through the week, its daily show The Game is the leading sports show among English News channels.”

    “We will have programming from West Indies and India and reporting on all the matches; keeping viewers informed of the game sentiment as well. In the recent week Greg Chappell, Ian Chappell, Kumar Sangakkara, Monty Panesar along with Sanjay Manjrekar, Charu Sharma and Kiran More have been part of the pre-World cup,” he adds.

    Applying its philosophy of the ‘big story’ to cricket as well Lulla adds, “Times Now believes sports is about sporting action, the presentation and the big story of sports which will be live, refreshed and updated right through the World Cup.” 
    Zee News CEO Harish Doraiswamy says, “We have already started our curtain raisers on the game. One of our shows is called Vishwayudh where we have 4 experts – Zaheer, Vinod, Maninder and Nikhil Chopra- they have all been part of the World Cup at one time and so understand the pressures of the game at that level.”

    BBC World also has a refreshing set of programmes. Says BBC World Commissioning Editor Narendhra Morar, “BBC World’s Sport Today team will be providing news four times each weekday and twice at weekends.”

    Also in place is the interactive programme My Cricket World Cup. Morar tells us more, “Following the success of the interactive programme My World Cup during the Football World Cup in 2006, BBC World will be launching My Cricket World Cup to run throughout the tournament. A twice-weekly show presented by Adnan Nawaz, it will feature regular cricket fans and armchair commentators from across the world. Those who wish to interact with Adnan can do so live via webcam, email or mobile, giving them a chance to have their say about the tournament, games, teams and players.”

    While match days will see considerable viewership, the interesting factor this time would be the post match analysis since the matches will start post tea and go well into the night. Most viewers are bound to catch the results and even highlights on various channels the following morning.

    Concurs Krishnan, “There will be enough interesting content on the non-match days as well, in terms of match analyses and expert views. Also, since the second innings of all matches will end around 2 am, India time, viewers will look to news channels for the analysis of the parts they would have missed.”

    Says Nayak, “The NDTV channels had not launched when the last World Cup was held. This is our first World Cup since we launched in April 2003 and we are very excited about it. We will certainly provide all the cricketing action 24/7.”

    Star News has a wide variety of programming under its umbrella property called Cup Tak but one look at its programming line up and you realize that the focus is on entertainment.

    In fact the channel has taken a position which states, ‘Cricket will be More than just cricket on Star News.’ So what’s on offer – well a lot of entertainment!

    Jis Desh Mein Bharat Basta Hai, is a travelogue, Choolah Chauka gives the cricket fan a chance to win World Cup tickets and also allow celebrities to send across their messages to Indian players. Lage Raho India is the daily world cup update section following the fortunes of the ‘men in blue’.

    Cricket + Entertainment
    Star News cricket programming, with its strong focus on entertainment, will have Nikita Anand and Suresh Menon bringing in the humour, while sharing screen space with Dilip Vengsarkar, Sandeep Patil and Saba Karim.

    Wah Cricket! Has been positioned as Star News’ prime cricket property with Sandeep Patil and Saba Karim participating in cricket interviews and coaching camps. Dilip Vengsarkar will host queries from fans on Colonel ka Cut, while bringing in the ‘glam’ factor is former Miss India Nikita Anand bringing the viewers the daily news segment a la Mandira Bedi on another rival GEC Set Max.

    But that not the only show on Star News to woo female audiences who are presumed to be bored by all cricketing talk. The news channel has also tied up with IMG Media to present a special weekend show called Crazy Kiya Re which will feature contests to figure out the World’s Sexiest Cricketer and World’s Sexiest Cricket Team.

    The show will have prominent faces from television, films and the modeling fraternity judging the players in this World Cup. The catch of course is that the parameters have nothing to do with their playing skills. It’s all about the ‘sex appeal’.

    And if its cricket, can gossip and entertainemt be far behind. In a lighter vein, the channel has also roped in Sanjog with all the gossip in a show called Dressing Room Se and comedian Suresh Menon on Silly Point.

    If you are wondering what happened to the ‘heroes of the past World Cup’, well you are bound to catch them on the various news channels doling out their prognosis. So while Krish Srikkanth and Yashpal Sharma are TV 18’s cricketing faces, Zee has four cricket experts – Zaheer Khan, Vinod Kambli, Maninder Singh and Nikhil Chopra on board.

    TV Today aims to bring alive the memories of ’83 World Cup with experts like Kapil Dev, Syed Kirmani, Madan Lal and Arun Lal.

    “Whether it’s our love for the game or national spirit or both, we at CNN-IBN have gone through great lengths to put together an assembly of innovative, analytical, fun and informative programming for our viewers on the occasion of the World Cup,” says CNN-IBN and IBN 7 Editor-in-Chief Rajdeep Sardesai.

    “By calling in ex-cricketers as out studio experts, IBN 7 is adding credibility to its special analytical programming devised around the World Cup” added IBN 7 Managing Editor Ashutosh.

    Nayak says, “We have extensive plans for the coverage of the World Cup on NDTV India and NDTV 24X7 with some of the biggest names from the world of cricket MS Dhoni, Ajay Jadeja, Imran Khan, Dean Jones and Barry Richards besides specials with Saurav Ganguly and Rahul Dravid.”

    He further added, “In addition to this coverage of the World Cup matches, we are also offering our viewers a build up to the World Cup. This will include World Cup Special episodes of “India Questions” on NDTV 24X7 and “India Kare Sawaal” on NDTV India which are special one-hr interviews with Saurav Ganguly and Rahul Dravid.

    Viewers will be treated to a World Cup extravaganza with short programs like Mantra of Cricket, Head to Head, Hain Tayyar Hum, Team ke saath and many more action packed programs. We also have a program titled “Carribean Calling” which will be like a postcard from the West Indies on the soft features related to the venue of the World Cup.”

    Says Zee’s Doraiswamy, “You know cricket and entertainment have always been linked together and while GEC’s cash in on it in a big way roping in Bollywood or television and modeling fraternity, news is also going the same way. And I don’t see why that should be a problem. Cricket is primarily about entertainment.”

    “One must understand that bringing people live sport is not news. There is a lot more to the sport and every channel tries to innovate around it. So I don’t see a conflict in bringing celebrities and sports together.”

    Zee News’ regional channels Bengali Coubees Ghanta and Marathi Chouvees Tas are also gearing up for cricket , “As for our regional channels , the content and packaging will follow similar guidelines but we would also look at having a Vinod Kambli on Chouvees Tas , the Marathi news channel we launched early this year,” he added.

    Pitch report
    There’s live action, analysis, celebrities and entertainment. But if the viewer’s are still asking for more well there are loads of contests and live action programming to keep them hooked on to the news channels. But apart from that, this is also turning out to be the perfect time for some news channel branding given all the on ground activities and audience interaction.

    TV 18 launched the ‘Cheer for India’ initiative a specially designed float that will visit pre-determined locations in various cities in a bid to garner support for the Indian team. The floats will carry with them a giant Cricket bat replica Cricket fans and celebrities were encouraged to sign their wishes for Team India. While the Cheer for India caravans were parked at different venues, fans could also share their opinions and wishes to be aired live on the network’s various channels.

    “Cheer for India campaign is conceptualised, keeping in mind not only the Indian cricket team but also cricket crazy fans all across the country. The gamut of programming surrounding this campaign will provide an opportunity to the fans to come together to celebrate the sprit of cricket”, says CNBC-TV18 managing editor Senthil Chengalvarayan.

    The ‘Cheer for India’ campaign grand finale will take place in Mumbai after all caravans across the country come together on 13 March. A musical concert and talk show featuring cricketers such as Krish Srikkanth and Yashpal Sharma and other celebrities is also on the cards. The finale will of course be telecast as a one-hour special ‘Cheer for India – the Great Indian Bat Show ‘, on 16 March, on all four TV18 channels.

    Says TV Today’s Krishnan, “We have already created a fair amount of buzz around the World Cup with contests and pre-World Cup programming. The contests, in fact have given us overwhelming responses from viewers, indicating interest in our programming.”

    He also explains why cricket will be a strong channel driver for news this quarter. He says, “From a viewership perspective – cricket is definitely a driver. The strategy is to mount special wrap around programming before and after the matches. For the world cup since the matches will continue till very late at night. The news channels will be a preferred destination to get a quick update in the morning. Thus there will be a fair share of advertising revenue generated around cricket programming. 

    As a network we invest money from a brand building and loyalty driver point of view. We are able to drive viewership with our innovative programming and detailed analysis. Thus providing advertisers with a healthy return on their investment on our network.”

    NDTV’s Nayak explains, “We believe in creating compelling content which will drive viewership. We don’t link revenues to specific programming.”

    Says Zee’s Doraiswamy, “We’d like to make money, obviously. But as a news channel we have our limitations. For us cricket world cup is and will be about news content.”

    Net Practice
    Since a lot of viewers will be accessing the web for on the ball updates, news channels have also tied up with various cricket websites. Star’s Indya.com is the global official internet partner for the World Cup. It has also created a website www.cricketworldcup.com.

    The site will have a feature called Matchcast. This allows viewers to watch live scores, ball-by-ball updates, player profiles, team profiles etc. One interactive feature that the site will have is called Voice Of the World Cup. The contest requires participants to provide commentary to a piece of archived footage which has had its commentary removed.The winners will be judged by a public poll as well as by experts. Two winners will get to go the West Indies for the World Cup.

    Times Now had also tied up with cricinfo.com to provide exclusive insights by Kumar Sangakkara, Ian Chappell, Greg Chappell and Sanjay Manjrekar. CricInfo and Times Now are jointly producing Calypso Countdown – a run up series to the World Cup.The matches can also be viewed on the website.

    NDTV will also be running viewer contests with mobile operators. “Our cricket coverage will also be supported by our own website www.ndtv.com, which is one of India’s leading news websites for cricket score downloads during match season”, added Nayak.

    Zee’s Doraiswamy says, “We have a website called www.zeecric.com. The website will see cricketing greats and present cricketers writing in. Zeecric.com has already roped in Steve Waugh who will contribute a regular column during the World Cup.

    If it was sport’s channels and entertainment channels that cashed in last World Cup, this year the news channels have spared no effort to put together a line up of programmes that promises viewers the best in sports programming. We can’t predict how Team India will perform but do watch this space at the end of World Cup to know which news channels actually made the cut and pulled in both – viewers and ratings.

  • UTV woos ‘Bindass’ youth

    After carving out a separate space for Hungama TV in the kids genre, Zarina Mehta is at work again. Her challenge this time is to hook the youth onto a general entertainment channel.

    Finding a target group that wasn‘t specifically tapped by the other channels was her first task. She commissioned research firm PQR to help her discover what she calls “our zone.”

    Four months on, she has decided to tap the 15-24-year-olds. And within this segment, she has identified college-goers in the age group between 17-21 years as the core constituency of her channel.

    “There is a common characteristic that runs in the blood of this age group. They reflect the brand values of fun, frolic, fearlessness and freedom. They want to do things, are optimistic and find joy in being young,” says Mehta.

    Arriving at Bindass as the name of the channel was a natural extension. “We were clear that the channel would reflect the spirit of the movie Rang De Basanti. Synovate conducted a survey with 1,000 respondents and came up with the name Bindass,” she says.

    As UTV Youth venture COO, Mehta is geared up with a three phase plan and a piggy bank of Rs 1 billion (drawn from Rs 2 billion outlay over three years) devoted to the first year alone. In GENX, the joint venture company that will roll out the channel and other youth-related initiatives, Malaysia-based Astro will be a 50 per cent equity partner.

    “We will have broadcast operations but also have an extended web (communities and entertainment), mobile, gaming, events and retail play,” says Mehta.

    The age group that Mehta is targeting occupies 23 per cent of total TV viewing in India. As they constitute a large part of GEC viewing, her task will be to migrate them to a content format that is unique.

    “We have to discover our prime time. The 9-11 pm band clearly belongs to Star Plus, Zee TV and Sony.”

    Set for launch in June-July, the channel‘s content recipe is still a mystery. But there will be no music, no soap operas and no lifestyle. “There is plenty of opportunity to get this target segment. Since it is very competitive, I can‘t reveal what kind of content we are going to have in the channel,” says Mehta.

    Movies will be an essential ingredient but the channel drivers will still be shows. “We will need to have a library of 50-60 feature films aimed at this segment. The acquisition process is on,” Mehta says.

    Though the channel will also source international content, the focus will be to create “India‘s first local youth entertainment brand.” Mehta hasn‘t frozen on the full content of the channel yet, but animation may be included. “We need to be fearless and experiment. We have to take risks,” she says.

    As part of its approach, UTV seems to be adopting a multiple revenue model that old timer music channels MTV and Channel [V] have tried and tested in the market. MTV VP creative and content Ashish Patel calls this form as ‘multi-platformication’ which includes online, mobile, events, retail and merchandise.

    In order to trap this highly elusive segment of the populace, a diverse offering would be the key. What it also symbolizes is a brand building exercise that connects on multiple levels with the core TG.

    The first phase of rollout will include revenue from web play, mobile games and on-ground events. Having a spread out portfolio in areas of movies, TV content, gaming, animation and airtime sales, UTV will hope to leverage from its existing operations.

    “We have acquired a majority stake in Indiagames and will use this to extend our channel presence in terms of brand and revenues. We will also tie up with mobile operators. And to reinforce the brand, we plan to have three big events in a year,” says Mehta.

    In the second phase, Bindass will foray into the retail segment (probably with an outlet such as a coffee shop or cyber café, a highly frequented venue for youth) and simultaneously roll out merchandising activities. “Retail will be a separate investment outside Rs 1 billion. We will go with a partner for this venture and should have a presence by December. The effort is to have an integrated approach and create a holistic youth brand experience,” says Mehta.

    Though not a direct threat, music channels have been targeting a similar demographic segment. “UTV, however, seems to be having a sharper focus within that TG by eyeing programming at the 17-21-year-olds. But we are essentially music channels and having been in existence for so long, are not really worried,” says Channel [V] head honcho Amar Deb.

    Mehta is looking at a co-existential approach to the genre. “I think both MTV and Channel [V] are great brands. But they are music channels. We don’t have music, we can totally co-exist with these two channels. Even tie up with them perhaps.”

    Bindass, however, will be different from the MTV and Channel [V] brands. “At its core Bindass is Indian, no micro-miniskirts, no fleshy videos, we need to reach deeper into the core needs of the viewer and hopefully become their preferred choice,” avers Mehta.

    What do the general entertainment channels think of the core TG Bindass is targeting? “It is too narrow a segment and there will be hard pressure on scaling up revenues. The space is too niche and in any case all local GECs are tapping it in their 15-34 TG,” says SET India COO NP Singh.

    Surely, Mehta has a tough task cut out for her. Building a youth brand will require all the right ingredients and big money needs to be continuously pumped in. Deriving strong revenues from merchandising to support the youth brand has also failed against a dominant pirated market in India.

    But not many had predicted the success of Hungama TV which was pitched against multinational brands like Cartoon Network and Walt Disney. If Bindass succeeds, it will hit MTV and Channel [V] hard even as they are planning to be more than just music channels.

  • Murder by numbers…

    The brand versus sales debate has raged ever since a not so famous Greek philosopher sub let the empty seats in his ‘platonic posturing’ classroom to tired travelers who promised to conceal their mirth as he conducted semi nude experiments on the rich and the infamous. Subsequently this laid the foundation for the guesthouse business (the resting of the travelers, not the semi nude stuff), what became of the philosopher is anyone’s guess.

    “And that’s our campaign, while I must say that we see great advertising coming out of it, I also think it will do wonders in term of increasing brand equity, we will occupy a unique position in the consumers mind.” Concluded PP (the creative director of the exaggerated moustache fame), clearly pleased with the way his presentation had gone.

    There was a hushed pause across the table. The marketing head Mr Bose had a rumor of a smile on his face. His subordinate Madhukar Lele (first name, courtesy parents, the second, general public) was typically non-committal, even expressionwise. All eyes rested on the Chairman of the company, Mr Digvijay Sharma (refer ‘Monday Morning Blues’ in the archive), the doyen of the itching cream industry and the man who had virtually started from scratch, literally, figuratively and metaphorically.

    The Chairman had a metallic ear and Ram Shankar always doubted how much of anything he actually heard. He turned a little to face the agency team, the ear clanking along the way.

    “In the debate of brand versus sale, it is the brand that must always pale,” the hushed Chinese accent, the express delivery of the tea cup and Chai-La (the mystical Chinese canteen boy) had as always invisibly delivered his early morning tea cup and free consultancy with the quickness of advertisers rushing back to Ganguly, post current events.

    “The campaign might be fine, but what will it do for my sales?” enquired the Chairman in his measured tone. Pausing to emphasize every word like he was proof checking them. The agency team did what they did best at such times. They shot bewildered, urgent and enquiring looks furtively at each other. There was PP (described in an earlier bracket), Vikas (the extremely flamboyant account head), Dharti (the extremely ravishing account planning head) and Ram (the extremely ordinary account executive) in the room and classically, this was the case of someone having to start the defense.

    “Well of course it will increase the sale, this campaign will help the brand make inroads into many more homes,” began Vikas, to the background of an inward groan from PP.

    “How many homes?” asked the Chairman, gaze fixed on Vikas in a manner that suggested he had some past in third degree interrogative practices.

    “Well we can’t exactly tell you that,” started Vikas

    “Its impossible to exactly establish how much of a sales increase can be directly attributed to advertising,” cooed Dharti euphoniously in support.

    “Advertising is not an exact science in that sense,” quipped in PP

    “It is an exacting one,” interrupted the chairman with a sardonic chuckle,” considering how much we spend every year. And yet my sales have never really taken off.”

    “Sir, we need to nurture this brand for a while,” said Mr Bose, for once, trying to help the agency, “New communication and new positioning always need time to register.”

    “And what is the time it needs? I am getting tired of the same argument, I need to see more sales,” interjected the Chairman, still looking at Dharti.

    “What we need is a promotional offer,” began Madhukar Lele, and as was usually the case whenever he troubled the airwaves, was swamped by a blitzkrieg of contrasting opinion.
    “Really? that makes no sense at all,” started Dharti.

    “Lele use your head, at least once a while,” boomed PP.

    “Where are your branding fundamentals man?” enquired Vikas.

    “Can’t you for once try and see the larger picture?” remarked an irritated Mr Bose, justifying the last name sobriquet so aptly bestowed on his subordinate. Ram was silent, his eyes fixed on the Chairman.

    “You know, I like that idea” started the Chairman.

    “But the brand image?” began Dharti.

    “Our beautiful campaign?” said PP.

    “The competitive framework?” added Mr Bose.

    “Tea anyone?” asked Vikas, doing his ‘servicing’ bit, and quickly getting an eyeful from his colleagues.

    “Yes, I will have tea,” replied Madhukar Lele, and once again bore the brunt of a ‘redirected frustration’ wave.

    “Can’t you stop thinking about yourself for even a minute?” began Mr Bose.

    “This is such a huge issue and that’s all you can think about?” reprimanded Dharti, as Lele’s face fell to the floor with a thud.

    “Spare the chap,” boomed the Chairman, “he has said the only thing that has made any kind of sense in this room.”

    There was silence all around and Madhukar Lele’s face was a sight for sore eyes (well actually he was grinning from ear to ear, but still).

    “We begin this year with a sales campaign unless anyone has an objection,” roared the Chairman in a manner that unequivocally elucidated the value of silence. PP, Vikas, Dharti and Mr Bose exchanged knowing ‘lets give it up’ glances, as yet beyond the comprehension of young Ram.

    “Sir, don’t you think that given the task for this year and the fact that what we were recommending is so unique and different from the competition, we should invest in a brand campaign? If you create the right associations in the mind, the results in the market are but a logical corollary. Getting into a promotional activity at this time will only send confusing signals to the consumer, it will erode our equity.” Ram paused for breath, scarcely believing what he had said, neither did the others.

    Mr Bose’s face was an agitated purple. Vikas’s expression was that of concealed panic. Dharti’s was of a grudging envy. PP’s was that of restrained amusement. Madhukar as always was expressionless.

    “No young man, I do not invest in equity,” began the Chairman to the bemusement of everyone, “don’t trust this stock market boom. I believe in making money the old fashioned way, and now lets be gone.”

    He galvanized Mr Bose and Madhukar Lele out of the conference room and into his car to do a market visit.

    “What happened there?” asked Ram, after they had left

    “Chief you were lucky you were sitting on his wrong ‘ear’ side, so he did not hear what you were saying, but you nearly screwed us there,” said an angry Vikas as he stormed out of the room, Dharti closely following him.

    “Don’t worry about your boss, he is anally retentive,” offered PP in a surprisingly gentle tone,” I thought you made sense.”

    “But why did he decide on the promotion?” asked Ram.

    PP helplessly shrugged his shoulders and walked out.

    “If sales numbers are the acid test, the brand will be murdered and laid to rest”, these wise words of wisdom were whispered in Ram’s ear as he felt the tea cup nestle in his fingers and looked up just in time to see Chai-La disappear into a discarded pack of the itching cream in question.

  • It’s a ‘Mag’ world!

    Fresh off reading the novel The Devil wears Prada and this writer is fascinated by the world of hi- fashion, hi- gloss magazines. But special interest or niche magazines are not limited to fashion, lifestyle or women’s titles alone. In fact one look at the Indian space and you will find a title for every issue that you might conjure.

    While general news, sports, women and fashion and lifestyle magazines are more popular and catch the reader’s eye, dig a little deeper and you’ll find magazines on interiors, housekeeping, carpentry, auto, health, travel, art and design. And given the average Indian’s penchant for weddings – well even an array of wedding magazines dealing with the latest in bridal fashion and bridal jewellery.

    With so many titles in the market and the niche segment only poised to grow further,Indiantelevision.comdecides to delve further into this largely unexplored market. Such an analysis becomes even more pertinent in the light of declining readership numbers and constant ‘death of the magazine’ refrain.

     

    The special interest magazine serves two masters and there are plenty of titles in both B2B and B2C segments to choose from. The top four categories in magazine publishing measured and reported (IRS, NRS, TAM) include: general interest, women’s magazines, fashion and lifestyle and business magazines.

    Talking about the B2B sector, Infomedia special magazines general manager publishing Krishna Tewari says, “B2B segment until now has been subscription based and controlled. It is only in recent times that the segment has grown into a more professional, organized sector. The B2C magazines on the other hand have been more visible right from the start but the entry of international publishing houses has ensured better competition amongst the existing players as well.”

    The entry of international titles has only reawakened interest in this segment, despite research studies stating a decline in readership figures. In fact, throughout 2004 and for the most part of 2005, seminars and conferences held on print and publishing sounded a death knell for this industry.

    The move was largely facilitated by the government permit to allow FDI upto 26 per cent in general interest publications and 74 per cent in special interest magazines.

    Magazines have declined in reach from 9 per cent (2005) to 8 per cent (2006) over the last one year. Magazines overall show a decline in the reader base, both in urban and rural India. The reach of magazines has declined from 75 million in 2005 to 68 million in 2006. Magazines have lost 12 per cent of their reach since 2005. It must be remembered of course that this refers only to mainstream magazines. A host of niche titles that continue to be launched regularly are not fielded and their collective readership estimate is outside the purview of the study. (NRS 2006 findings)

    Despite the NRS findings there is still significant scope for growth, as ‘359 million people who can read and understand any language do not read any publication’. (NRS 2006 findings)

    So it is not just affordability that is a constraint, since 20 million of these literate non-readers belong to the upscale SEC A and B
    segments.

    This is the market that international publishers are looking to woo. Here’s a look at some on the already existing players in the field. With the first major titles already in the market many of them are now looking to expand.

    – Worldwide Media Inc, a 50:50 JV between Times Group and BBC formed Worldwide Media Inc. The first launch from its stableTopGear is an auto magazine while the company is also actively looking at women and entertainment segments to further increase their titles roster.

    – Infomedia India Limited has been a major player specializing in this category. The company set up a 51:49 joint venture with Reed Business Information called Reed Infomedia India Pvt Ltd. Reed Business Information is part of the $ 9 billion Reed Elsevier group. Their publishing activities are focused at two broad categories – special interest consumer publishing, B2B and trade publishing. Presently, it publishes 20 titles, out of which eight are consumer magazines and 12 are trade magazines. Chip, Overdrive, AV Maxare some of their flagship brands, amongst others. The publisher also tied up Disney Publishing Worldwide India in December 2006 to launch Disney Adventures, an international tweens and kids’ magazine.

    – Haymarket Publishing of UK entered India in a 50:50 joint venture with Sorabjee Automotive Communications (SAC), publishers of Autocar India and launched its second title Autocar Professional in November 2004.

    – The much awaited titles Conde Nast International’s Indian edition of Vogue and Playboy magazine from the Hefner stables are also set to hit the Indian shores this year.

    Global brands are making a splash and how. But it is also important to see what it is that these brands mean to an Indian readership. Says Starcom managing director, India – West & South Manish Porwal, “Both realistically and perceptually, India is a booming market. Although, if you had to compare the Indian special interest segment with those in the west or even some countries in Asia, you will realize that there are at least seven to 10 magazines in each genre while in India the numbers barely cross three to four. But it is the sign of a maturing audience that brings international publishers to this market.”

    The question of greater choice is also answered by the entry of these niche magazines given increasing interest in specific topics and markets. He says, “What these magazines bring to Indian audiences is a more genuine choice. So if you had to look at the technology segment, you would have magazines for the professional and magazines for the so called dummies.”

    Advertising plays a very important role in the niche market segment. If the fallout of increasing awareness of lifestyle brands led to a boom in the fashion and lifestyle magazine segment or the traveling Indian exerted himself through travel magazines, it is now the turn of markets like the auto sector or fitness and health segment that is leading the charge.

    As an example Porwal states, “One of the reasons international editions of women’s magazines and fashion and lifestyle magazines were launched was due to a burgeoning lifestyle market. “Colour cosmetics, luxury goods and most top end products are now available in India. Designer labels in apparel, beauty products, accessories and home furnishings are the obvious advertisers for many of these magazines.”

    Industry experts, however, say that niche magazines in the US and the UK have a larger circulation base through subscriptions. In comparison, in India, niche magazines have a far smaller circulation base. Given that why aren’t magazines alarmed just yet? Au contraire there are more special interest magazines set to roll out.

    Conde Nast India managing director Alex Kuruvilla rubbishes the pessimism surrounding readership and niche magazines. “There are two approaches to magazine publishing anywhere in the world – you are either a market shaper or you become a market follower. As far as Conde Nast India and Vogue are concerned, we clearly want to be market shapers. Our experience and response in China has only strengthened our belief that there is a huge market for fashion and beauty in India as well and Vogue is certainly the bible on anything to do with fashion.”

    Conde Nast India is a 100 per cent owned company of Conde Nast International a $ 2 billion publishing house. They will publish the first global title Vogue this year. “Some of the other titles in the offering and certainly relevant to India include Glamour, GQConde Nast Traveller, Vanity Fair, Wired and Brides,” says Kuruvilla.

    While excitement is rife over the number of unexplored markets niche magaziens can tap into, one genre that has made quiet inroads into the reader space is Auto Magazines.

    Auto Magazines

    Men’s magazine were the flavor of the month last season. Maxim, M and Men’s Healthlaunched last year nailing this belief. While the auto segment has traditionally been a strong player with magazines like Auto Monitor, Overdrive, Car and Bike and Autocar, the entrance of TopGear and Autocar Professionalhas given a huge fillip to this segment. India has become Asia’s auto hub and the trend is not going unnoticed. Many auto magazine heads agree that the automotive industry is not just about flashy cars. India has an equally vibrant two wheeler- bike and scooter and heavy vehicles industry.

    Porwal explains, “International magazines tend to cultivate particular brands or a special clientele even within advertisers. Some of these advertisers have entered India at the same time as the international magazines themselves and have a long standing, loyal base with them even in the European countries.”

    A look at the Tam Adex data for Sept 05 – August 06 compared to Sept 04 – August 05 shows that the auto genre has seen the highest growth in ad volumes at 48 per cent followed by men’s magazines at 31 per cent. (See table)

    The auto magazine ranks 6th according to the genres evaluated by Tam Adex just behind the other more popular categories.(See table)

    Rank Magazine Genre Ad spends (in mn)
    1 General Interest 3497
    2 Women’s 2002
    3 Fashion, Ent &Lifestyle 1389
    4 Biz & Fin 1102
    5 Infotech 336
    6 Auto 171
    7 Career & Education 124
    8 Travel 104
    9 Men’s 69
    10 Media, Ad, Mktg 54
    11 Sports 39
    12 Scientific,Engg &Sci 36
    13 Healthcare 29
    14 Telecom 8
      Total 8960

    Courtesy:Tam AdEx-Period:Sept ’05-August ’06 Ad spends based on industry estimates

    The launch of luxury vehicles like the Rolls Royce would only be an added impetus. 

    ‘Figuring’ It Out

    Take a look at the TAM AdEX figures for Sept 2005-Aug 2006 which show a 48 per cent growth in ad sales volume in the auto genre. Auto advertisers apart there are many lifestyle and luxury products who want to target the upmarket clientelle A definite thumbs up for the auto magazines who would be the top choice for many of these advertisers to reach across to their target group. (See table)

    Genres Growth in %
    Auto 48
    Men’s 31
    Fashion, Ent, Lifestyle 29
    Women’s 29
    General Interest 26
    Business/Finance 21
    Sports 11
    Scientific, Engg, Science 10

    Source: Tam Adex- Growth in Sep’05 – Aug’06 compared to Sep’04 – Aug’06

    We spoke to two auto magazines – TopGear the newest player in the B2C segment and Auto Car Professional a B2B magazine.

    Talking about the content of TopGear, editor Gautam Sen says, “The profile of the TG reader is almost 99 per cent male, upper class with an average age of around 31 years old and is usually from a multiple vehicles home. This is our core readership and our aim is to better understand and service this readership.”

    TG has been launched with an initial print run of 50,000 to 60,000 in subscription and newsstands, although Sen points out that “as for all magazines in India, the number of magazines occupying news stands is larger.”

    Comparing TG and TG UK he adds that TG UK “doesn’t cover motorsport as much since there are further niche magazines in UK and Europe covering auto sports or even auto components. However, in India we haven’t reached that level of segmentation so TGIndia focuses on this aspect due to reader interest.”

    He is, however, quick to point out that while the ratio of the local content is about 70:30, in terms of “brand, ethos and style” TGstays loyal to its international edition.

    Auto Car Professional on the other hand acts as a “bridge between the suppliers and the customers”, says editor Murali Gopalan. Haymarket publishers operate over 40 titles including Auto Car andAuto Car Professional.

    Speaking about Haymarket’s interest in India, Gopalan says, “The international publisher has certainly looked at a few key areas before entering this segment. The levels of spoken or written English, the media driven market, the free press, the buoyant economy and the synergy with publications have all led to a number of international publishers taking more than an interested look at this market.”

    While the target group for Auto Car Pro remains similar, the magazine is well aware of changing trends. “Since we are a B2B magazine, it does not mean that we are dull or unglamorous. In fact, we realized that the women today are just as interested in vehicles and are working on a ‘Women’s Day Special’ issue come May.”

    So far so good. But many of the international titles available in the market range between Rs 70 to 100. So one of the factors that international titles will have to consider is the very sensitive price factor.

    Says Tewari, “International titles like T3, which is a technology magazine is priced at Rs 100. So is Chip. But you have to take into account that a Chip magazine comes with a dual DVD pack and free licensed software that may not even be available in the country. So the price is justified by the value we provide. You cant compare a niche magazine with the free supplements you receive along with the papers. If something is free, the value is obviously lower.”

    Kuruvilla concurs when he says, “The brand awareness and brand salience of a product like Vogue is very high. So yes we are competitively priced. But then again we are not looking at mass numbers.”

    Vogue is priced at Rs 100 and is targeting the high spending community who, he maintains, spend as much on lifestyle as any other developed country.

    Says Gopalan, “While I may be talking about the B2B model based on revenue, advertising and a very discerning clientele who is ready to pay for his piece of information, the pricing for all niche magazines follows a similar principle – the reader is paying for a high value international brand and not just any magazine.”

    In fact, this is the very change in perception that international publishers have brought to the magazine market. It is no longer about copies but brands.

    Says Madison Media Group CEO Punita Arumugam, “The niche titles are not here in the game to sell in numbers. So don’t expect the niche title to set targets like 5 million copies.”

    Many also argue that apart from high pricing, easy availability of information on the net may deter magazine readers. The question is indeed relevant in European markets where internet penetration and bandwidth is huge.

    Says Sen, “The net provides one with relevant news. A magazine like Top Gear may not provide breaking stories regularly but we do provide topical stories. For instance, with the launch of Chevrolet Aveo U-VA we did provide opinion pieces on how it fared vis-a vis a Hyundai Getz. We also do interesting features like ‘Cars of Tintin’- not exactly the kind of fare newspapers or the net can provide backed with research, analysis and some great looking visuals as well.”

    He adds “Besides the shelf life of a magazine is much higher and with niche magazines very often it becomes a habit and the aim is to get a reader to be loyal to the magazine. Many of our readers have been known to purchase and collect special issues of magazines as a collectors item.”

    Apart from web properties, many of the magazines align themselves to events. TopGear associates itself with the Design awards and also uses the Times Drive supplement to woo the newspaper reader and influence him to subscribe to the magazine. In fact, the Times has increased the number of supplement pages from 4 to 6.

    Adds Arumugam, “Many of the titles coming into India are already established brands in most markets. I would imagine tha a magazine like Vogue doesn’t really have to look at marketing itself. To the consumers they are targeting, they are already a known brand.”

    Trendspotting

    So what does the future scenario look like?

    First up, its important to understand that readership and circulation figures are wrong yardsticks to measure niche magazines because in the first place, niche magazines are not really looking at mass circulation. While readership is more fluctuating for a B2C magazine, the loyal base for a B2B magazine is more pronounced. Given this contradiction, the niche segment itself is divided between these two categories.

    On the other hand, for most international publishers, the costing factor in India is very attractive. Given the low cost of production and nominally high pricing on these niche magazines, publishers are looking at attractive margins.

    Although Porwal cautions that while the advertising share of special interest magazines is likely to be around 5 to 7 per cent, readership figures for this niche segment are even lower. Yet, the market is just about warming up to this genre.

    The Indian Magazine Congress held in November 2006 pointed out that the reach of magazines in UK stood at 83 per cent. By that yard stick, Indian magazines have a lot of growing to do from the present 30 per cent.

    Another revealing figure stated that the UK market has more than 600 publishers for magazines, and in the US, the corresponding figure is more than 2,000. In India, even after so many years, 80 per cent of the advertising revenue in the entire magazine sector goes to only 17 magazines. And those 17 magazines belong to the top four or five categories. So, to that extent, all the other categories are underexploited.

    While a better picture would emerge given correct evaluation for niche magazines, the magazines themselves need to continue giving deeper, credible information irrespective of the genre, and that would help continue writing their success story.

    With increasing saturation of mainstream media, the niche segments will come into their own in the country. So far, the emphasis has been on achieving numbers which has resulted in a one-size-fits-all approach.

    Says Tewari, “In the US there are over 3,000 to 4,000 niche magazines while in India there are barely about 100. The international trend is to satisfy the readers even within the highly fragmented niche genre. So within the auto sector, there will be more niche magazines like car modeling, vintage car magazines, car components… The talk is no longer about niche magazines but super niche magazine. This is the next step that publishers both domestic and international will have to take to generate more readership.

    (Photo Courtesy: Landmark Bookstore, Infiniti Mall, Andheri (West)
    Pictures by Nidhi Jain
     )

  • What Women Want

    It’s a socio political statement that became a mass movement. Today countries across the world celebrate it. It is ironic that what started out as a protest movement to discuss the terrible working conditions and low wages for women in a textile factory in New York City has been reduced to a jamboree of commercial messages that media indulges in every year.

    So we at Indiantelevision.com, decided to step out of the circle and ask a few women in power across the board what they thought about Women’s Day and whether at the end of all the lip service paid to them and their talent, corporates were actually sensitive to their needs. A range of answers, most of them positive of course, lead us to believe that corporates are indeed sensitive to their women employees. But it is also a sign of times that most women we spoke to take pride in the fact that they have made it to the top not because of organizational support, but despite it.

     

    It’s a large talent pool out there waiting to be explored and exploited. Is it time media organizations take heed. Perhaps it is.

    Here is a look at what some power women had to say –

    Vyas Gianetti creative chairwoman and chief creative officer, Preeti Vyas Gianetti says: “The business scenario in India still works within man made structures. It is a highly competitive field and women are proving to be an important human resource. Studies indicate that women are much better at handling relationships; they are better team workers and team builders, more inclusive and surprisingly – bigger risk takers. Women are also more defiant in defeat, that is, they have an attitude that screams ‘I’ll show you… I’ll do this better next time’.”

    So are corporates recognizing this trend?

    “I would say that there is an increased appreciation of women’s talents in the corporate sphere today than ever before. But we have to admit that it is a slow process. Some corporates are agnostic to the change; some others are taking their time but are making the effort. I know that the HR policies and therefore thewomen leaders in a corporate like ICICI get a huge boost but the media is catching up too.

    “I also think that corporates would be ignoring the innate leadership capacity of a woman at their own peril. Greater acceptance needs to come in and in fact will.

    “Also the glass ceiling affect is an internal proposition and most women have already broken through it. The need to restructure corporate policies will occur but once again, these are not compromises that a corporate is making. They are merely augmenting a process that will benefit their talent at work.

    “That said, any such support by a corporate cannot be forced. That kind of culture must evolve and will evolve over a period.”

     

     

    Madison Media Group CEO Punitha Arumugam takes a clear position about why women should not ask for concessions or privileges from their organizations. “Is media woman friendly? But why should they be. I think corporates judge you by your capability and not what priorities you may or may not have. As for the whole myth of a glass ceiling, I think women broke that a long time ago. My whole point is, ‘why should corporates be held responsible for the personal choices we make.’ So sure, women might want to prioritize their family but then they will also have to fend for a back up or support system. To make an organisation responsible for it is unfair. And making work an excuse for neglecting a family or not having a family is not right either.”

    Nick VP & GM Nina Elavia Jaipuria who has experience in advertising, FMCG and media believes that there is no real gender bias or preference within the media industry, both genders are given an equal opportunity to deliver. As far as balancing work with family, it works in the same manner for males as well. 

    Jaipuria adds, “Its more about the intent, you have to prioritise. If you want it to happen, you have to make it happen. And as for juggling work and home, multi-tasking is what women do best, its comes naturally.”

     

    CNBC TV 18 anchor Shereen Bhan is a recognizable face in the field of business television. She tell us why corporates may have to look at some of their talent and provide support to them if they intend to retain them. She says, “I think with media the problem that we essentially would talk about is time. Fortunately in media we also have a ‘flexi time’. We do not keep predictable time but that also means that if we are not talking a 9 to 5 job, we are also not talking about being at work 24/7.

    “I think what corporates need to address is the question of a support system for all its employees and not based on gender alone. Should we have special privileges? Increasingly corporates do step in and look at a particular talent and see if it’s worth their while to accept certain demands. This is not a case of bias, but then you also have to prove your merit before you get special privileges.

    “Also, I think, the reason why one might notice fewer women at the top is simply because women do opt out themselves and this might have nothing to do with the organisation. You can’t be everything to everybody. So yes, in the case of some women, the glass ceiling is purely internal.”

    Times Now anchor Mini Menon gives a thumbs up to most organizations she has worked with as well. “I think when you work with professional corporate organizations you do not have to worry about gender concerns. I have worked as a reporter across organizations like BiTV, Star, CNBC and now Times Now and they have all been equally sensitive. So whether you are talking security during reportage, late nights or even living conditions while on report assignments, the news organisation has been most supportive.

    “While I was at CNBC and closer to my delivery date I was given the choice to work fewer hours or even now at Times Now I am given complete freedom. But apart from the sensitivity issue, I think most women also understand that if an organization goes that extra mile for you, you have to be equally responsible at work.”

    Red FM RJ Malishka, who has just completed a marathon shopping session gearing up for the morning Women’s Day special, huffs and pants through the conversation when she says, “Radio is at a nascent stage and although it is male dominated, being fewer in number is an advantage. Yes, there are pre set ideas and lines are drawn clearly between men and women junta at work, Red still tends to be more supportive of us women.”

    Does she ever wonder what it would be like to do the balancing act between being a mother and a cool RJ all at the same time? “You have a field like advertising and you know you will be working crazy hours there. My sister has to work crazy schedules and I always tell her to quit because really, it’s bad for the ovaries. That said, I can almost imagine a day when I will wheel in a pram into the radio on air studio and say ‘Be quiet, mama needs to go on air for the next 30 minutes’.” Cool mom, indeed.

    ShowM’s Ravina Raj Kohli says that she has never faced any such discrimination during her ongoing career in media. “It becomes a problem when you think of it as a problem,” she asserts. 

    TV 18 web property IndiWo editor Swapna Chidambaram says, “I believe that the media is one sphere that allows you to choose the hours you want to work. It gives you the freedom to be a free lancer if you should so choose.”

    “Earlier, women picked 9 to 5 jobs and were satisfied. Today they venture out, look at a vast variety of disciplines and choose to work in a competitive arena. Today you have more female photographers choosing what was once a male domain. The talent pool has increased and this is certain to contribute to even more women leaders.

    “A more important issue that I would place stress on is that women should take an equal onus to perform. In media women can prove themselves based on talent and dedication and rise based on merit alone. So today, we need to establish ourselves as expert writers, photographers or whatever our chosen domain is and NOT on account of being a “woman” in a man’s world or anything.”

    UTV broadcast COO Zarina Mehta explains that because the media industry is still new, 7-8 years old, it is largely dominated by women. “I believe everyone is given an equal chance and that just goes to show what women can do. Maybe, in other industries like banking and engineering there still exists a bias. 

    “I don’t believe in Women’s Day!” staunchly declares Mehta.

    Strong words we admit. But is it such a rosy picture after all? The predominantly female team at Indiantelevision.com thinks that’s just one more facet to a woman at work. It ain’t all good, but there’s no point complaining. As for the organizations, amidst all the celebrations and cake cutting, it would be a great time to sit back and reflect on what can be done to give women power the impetus it clearly needs.

    On that note, Happy Women’s Day!

  • Charact’o’mania

    Inching in slowly, the forces of Mickey Mouse, Power Puff Girls, SpongeBob, Barbie and many others have come together to invade the lives of every Indian kid! They are everywhere, on their toys, stationary, clothes, bed sheets and even underwear… this mighty world of characters is tracking these kidlings down, longing to be a part of the air they breathe. In the same way, kids are wholeheartedly welcoming their favourite television characters to have a frolicking time – a phenomena I would like to call “Charact‘o‘mania.”

    Turner‘s Cartoon Network & Pogo extend their merchandise to every domain of a kid‘s life

    The children‘s entertainment market is fast gaining pace in India, and apart from television and cinema, kid‘s centric broadcasters are channeling their energy towards building a strong foothold in the licensing and merchandising space. The emergence of organized retail in India has set this process in motion and is laying the foundation of a new era for kid‘s entertainers!

    There are really no boundaries to the scope for merchandising activities which can extend far beyond the cliché toys and board games to apparel, accessories, publishing, stationery, home décor and home videos. Kid‘s entertainment permeates into every aspect of a child‘s existence and capitalizing on this trend are kid‘s broadcasters that look to take their brand and characters into the daily lives of children.

     

     

    Although it is difficult to ascertain the size of this vast merchandise market in India, Cartoon Network Enterprises India and South Asia licensing director Jiggy George estimates that the size for both character and non character licensed products at organized retail would be in the region of Rs 3.5 billion.

    A manifestation of the unorganised market: A boy selling Dora and Mickey erasers on a local train

    Unfortunately, a large section of this market is swamped by several small unorganized players that rule the roost. Mattel Toys India head marketing Rahul Bhomik says that the market for licensed kids entertainment properties is still not yet fully recognized in India. Besides, the organized retail sector only comprises a mere 4-5 per cent. Hence it is difficult to arrive at an accurate figure of the size of the entire merchandise market. However, the size of the organized toy market alone is in the worth between Rs 250 -300 million.

    With two years experience in the Indian market, Walt Disney Company (India) Pvt Ltd director consumer products Roshini Bakshi applies a different approach to understanding the undersized organized sector. She says, “The market in India for character and non character based merchandise is not as large as Japan and the US, the reason for this is that generations of kids in India have not grown up with most of these characters and therefore a strong affinity and emotional connect has not yet been established.”

    But just as every cloud has a silver lining, there emerges a consensus among experts to the fact that this industry is likely to see 15-20 per cent growth year-on-year.

    “Although organized retail is still in its embryonic stage, we are beginning to see growth in this sector. Besides, organized retail will help to insure that intellectual property is respected,” adds George.

    Beyblades took the Indian toy market by storm in 2005

    In the last two years kids channels have flooded the market with a host of products in various categories. In 2005, Cartoon Network Enterprises (CNE) partnered with Funskool India to unleash a craze that swept across the toy market with Beyblade. The merchandising arm of Cartoon Network CNE, boasts of having sold over 100,000 units across the country within a month of launch in August.

    Funskool joined Disney to launch Disney Princess toys & accessories

    In the boys segment, Disney followed with the launch of Power Rangers in 2006 across toys, apparel, back to school products, home products like linen and footware, for which it partnered with a Dubai based firm New Boy. According to Bakshi, the strong action and play factor helped the product to fare well in the market. The year before that Disney tied up with Funskool for a range of girls toys around the Disney Princess theme, which has now been taken across categories to include accessories and make-up kits.

    However, not all properties can be used across product categories. George highlights the fact that Beyblade as apparel may not garner the same response it did with toys, primarily because the main protagonist is the toy itself. While properties like Power Puff Girls would work well on apparel and Dexter on knowledge based products.

    Galli Galli Sim Sim muppets all say cheese !!!

    The year 2006 also saw Turner bring the muppets of the Indian adaptation of Sesame Street, Galli Galli Sim Sim out of the TV sets and onto a whole range of apparel, publishing, plush and home furnishing products centered around their key characters Elmo, Biscuit Badshah, Bharat and Ernie. Apart from these, Pogo‘s MAD (Music, Art & Dance) launched a series that included home entertainment DVDs, six new book titles, stationery and activity kits.

    It might be true that kids crave for a touch and feel experience of their stars, however this may come at a heavy cost, drilling holes in their parents wallets. Bhomik admits that a premium will be charged for licensed products, however the price largely depends on the property. For instance, a movie property will have a short shelf life (4-5 months) and therefore will require a bigger bang. Similarly the price points will also be higher.

    Mattel‘s Fisher Price caters to the pre-school segment with an array of interactive toys

    “Prices will be higher than non licensed products but at the same time kids are willing to pay to own their favourite character,” says Funskool India marketing head David Selavaraj.

    In their
    attempts to expand their categories and products Bakshi asserts, “We continue to push our partners to reduce costs because that is where the market lies. Although some licensed products are expensive, our objective is to grow because we want to be a mass brand available to the middle class Indian. Infact, this is how we have expanded globally.”

    Cartoon Network Enterprises launches Pogo branded apparel in 2006

    What‘s interesting is that broadcasters are also engaging in channel branding through multiple categories of products. Both Pogo and Disney launched branded apparel and accessories last year. Prior to that, Pogo also launched a boy centric toy range Pogo Wheels and is targeting to expand its footprint in other categories in the summer months of 2007.

    But for this little world of fun and play to come alive, toy manufactures must feed on kids broadcasters and vice versa, both working in tandem. Bhomik says it‘s important for the channel to build a big property, while the manufacturer helps to make that world of fantasy and role play come alive. This in turn helps the channel to strengthen the bond of their brand and characters with children. In some cases when manufactures have their own flagship properties like Mattel‘s Barbie and Hot Wheels, channels are also roped in to air movies created by the company. Barbie has a series of nine movies and Hot Wheels has four.

    But is this phenomena only metro specific or is this ‘make believe universe‘ making inroads into smaller Indian towns? George says that the Turner pair does have a mass strategy in place and is looking to build up its distribution in the Southern states during the course of this year, “We do not want to be elitist in pricing and distribution.”

    An in-store product layout gives parents and kid‘s an opportunity to get a feel of the brand

    However, the biggest limitation that marketers and distributors face in smaller towns is the lack of a spacious outlet. Mattel also follows a mass distribution path including traditional ‘mom and pop‘ stores and food and grocery outlets in smaller towns, however Bhomik explains that the major constraint is the lack of space for display the products, a key marketing strategy to allow the brand to come alive. This is the one benefit that mutli-brand outlets provide.

    “In the smaller retail outlets we have to rely on the salesmanship of the guy at the counter rather than allow the consumer to experience a large visual display of the product,” adds Selvaraj.

    Large format stores provide space to create a kid‘s environment: A Disney Princess interactive zone was created during launch

    For Cartoon Network Enterprises, which set up shop in India in 2001, merchandising initiatives currently contribute to
    10 – 12 per cent revenues of its overall business. Having been around the longest in the market, George says, “For merchandising to work, you have to have a good property. It would depend on three key factors: A function of the equity of the characters, which has to be built over time by the network, the partnership deals for distribution and marketing and of course retail.”

    Eyeing the advantage that kids channels are leveraging in this sector, even SET India‘s youth lifestyle channel Animax, which has been quite silent over the past few months, is planning to enter the merchandising arena with globally relevant characters and icons in the second half of 2007. Speaking of their plans Animax manager marketing Supriya Bambawale says, “These will not be based on a given anime property but instead would be created by the channel and will lend itself to music, gaming, fashion and lifestyle.”

    Currently, a team in Los Angeles is working on the themes for these contemporary characters but Bambawale opines that they will also have a touch of Indianess with names such as Karina and Jasmine. Following the refresh initiative to change the proposition from kids to youth centric (15-32 years) in June 2006, the channel hopes to reach out to this English speaking urban audience via a full fledged merchandising activity.

    Nick kicks off it‘s merchandisng initiative with a range of party items

    While on one hand some kids channels may be apprehensive to foray into the licensing and merchandising sector, given its unreliable nature. Others may just be waiting to strengthen their properties in India before making this move. Although Viacom‘s Nick has a strong merchandise presence globally and has an International partnership with Mattel for a whole range of products, the channel has only recently started showing some activity in this category. Last year,
    the channel signed up with Bombay Dyeing for bed linen and this year the network is planning to beef up it‘s offerings with a SpongeBob PC game available at Planet M, Nick Jr‘s Dora the Explora apparel range and a whole collection of party accessories.

    From the way the India story is unfolding – the higher disposable incomes among the growing middle class in India and the increasing influence of kid‘s ‘pester power‘, it seems like the kid‘s mechandising industry via the organised retail route is poised to see an exponential growth. For those players that have only recently realised the mammoth opportunity and revenue stream that this business provides, along with other seasoned players, the whole industry is bound to explode. So brace yourself for a mass attack!

  • Global Image Re-Positioning 2007

    Suddenly, there is a new global tidal wave of change all over the Asian region, the obvious signs are people on the move, new developments and properties popping up all over the region and a nouvo-consumerism is appearing at every corner, customers are buying shiny and wonderful things with beautiful packaging and companies are addressing their hunger with massive blitzes. Unseen by the masses but clearly visible to global circumnavigators, a new storm is building, wiser and well seasoned, like homing pigeons, immigrants are returning to their homelands…soon it will cut a clear path.

    Global Re-Immigration

    Currently, there are far more opportunities mushrooming for Asians, plus the quality of life can be far greater and more economical than what’s being offered in most foreign lands. During and following WWII, in search of paradise, these immigrants originally came to the West seeking freedom, opportunities and a higher quality of life. These western societies certainly did offer all that and more. Not any longer.

     

    The West is tangled up in problems. In the US alone, tension between Republicans and Democrats demonstrate that they are not simply opposing parties, rather they are arch enemies whose ideological divide has created a deadlocked and stagnant society which would be hard to imagine a decade ago. The war issues are almost like an internal US civil war of ideologies. There is also this new issue of constant daily harassment and unjustified racial profiling all over the West, targeting each and every individual with a slight difference in skin tone, accent or culture. This has fueled the mega-movement further.

    The so-called ‘clash of civilization’ as some would like to see happen, has contributed largely to this now unstoppable movement. Almost every Muslim and most Asians are being targeted. Today in America, children are worried about their old parents being embarrassed and humiliated for being Muslim, non-white or slightly different, while the same parents worried about the future of their young children and wonder how they will ever find a promising future in such a suspicious environment. West is no longer tolerant or accommodating anything that is Muslim in origin or tradition, period.

    The trillion dollar Iraq war and the outcome of 9-11 have created a mega shift in attitudes. All this is adding nothing but fire to the re-location movements. The grassroots level ethnicity, which provided innovative colors, different languages and foreign accents, are leaving the backroom engines slowly and steadily. There is already a shortage of a highly qualified force at very economical rate all over the western economies. Immigrants knew then very well when to move in and they know now when to get out.

    Currently there are all kinds of research and studies showing steady decline in population in the west and for the first time, there are clear indicators that American youth will be looking towards Asia for greater opportunities and potentials, unlike their parents who were on the path of glory from the start.

    Global Image Re-positioning

    In order to shift perceptions en masse, it requires mega shifts of options at the ground level. The world’s latest and most advanced grand and luxurious shopping malls are erupting by the thousands in the East. India alone has a middle class larger than the entire population of USA. The land of the ‘fakirs and the snake charmers’ have an uncontrollable nouvo-consumerism, ready to devour anything that shines.

    The powerhouse image maker of the past, Hollywood is simply now old and exhausted, while Bollywood is in a $4 billion dollar-per-year frenzy. Paris the heart and soul of fashion is for the passé, as there are some 100 new fashion centers that have arisen mostly in Asia. The East is not only replacing formerly western dominated industries, they are adjusting for the latest innovation and technology resulting in far superior and dazzling ideas.

    The sunshine days for Eastern iconization are here, corporate image and brand name identities that were only using Western standards are now shifting in a big way to the East. Studies have clearly shown Asia to be the driving force behind branded goods; way over Europe and USA, obviously the wealthy population is far bigger than the west.

    The movement for creating local Asian brands is picking up heat, using latest tools of the trade and the software that is capable of spinning colors and dazzling graphics that would dwarf any top agency in New York or London . The issues of cyber-branding and corporate images are becoming very real – demanding cutting edge knowledge and very superior sets of skills.

    Amidst all this activity – is the Dubai phenomena. A fine example of what a single city can do in less than 10 years. Inspired by this great experiment there are now some 100 cities in the Middle East, India and China all poised to embrace the Dubai model of rapid growth and re-deployment of government services to attract business and opportunities. There are clear indicators that such attempts will be equally successful in most such anxious cities. Just like the earlier rapid urbanization of the US following World War II, where hundreds of cities simultaneously sprouted throughout the landscape.

    A few years ago, India adopted and proved the outsourcing model, making the biggest IThole in the US and becoming the global centre of software to the world. China became the world’s largest factory, and the Middle East is on its way to becoming the region full of luxury buyers via hundreds of world-class luxury centers of providing new standards and new benchmarks in modern living. All this combined creates a new, Eastern-oriented, mental shift to image and branding.

    Global Hyper-Acceleration

    While it took a century to brand the Eiffel tower, Coke, Disney or Benz, recreating similar icons in Asia would now take a fraction of that time. One of the main reasons being, the speed at which all interaction and information now flows in this hyper-technologically driven society.

    Here, it’s micro-miniaturization yielding premium prices. A corporate society with compulsive innovations that continuously creates smallest things for large and deep pockets. This acceleration will further mount to frenzy and will become its own revolution when a billion plus cyber-entrepreneurial-warriors hit the e-commerce highways.

     

    Mega Re-Housing Shifts

    There is an extraordinary real estate boom, all over Asia, from major cities to unheard of villages. Prices have been continuously doubling and continue to double, with no conceivable end. The re-immigration of highly experienced and qualified people returning home with liquid cash and business ideas led to explosive development in real estate.

    The approximately one million apartments being developed in Dubai and UAE alone, is a solid indication of the global desire to explore these regions as long term promises of a newer, modern and higher standard of living. The wheels have started to grind and the machine is on. This region already has billions of their own to manage plus millions coming in with cash and ideas to relocate to the East. With over 100 monumental structures under way, it is only a matter of time before Westerners become well versed with the names and locations of these massive new developments.

    Winner and Losers

    The business communities in the west will have to adjust to the HR gaps, lack of knowledge base and cost effective work force with international reach, while the business in Asia is already marching to a very dynamic tune. When the dust finally settles on this anti-Muslim and anti-ethnic chase in the west, a decade would have passed, and the global adjustment would have taken a stronghold.

    The West is very comfortable with this current outbound movement as it supposedly makes them safer. Depending on one’s location and destination, the final winners are the youth of Asia for possessing and controlling such extraordinary growth options in an endless variety, that is unmatched by any other region in the world.

  • RADIOACTIVE

    Radio Mirchi has it, Red FM has it, so too Big FM, and now Radio City has gone and got itself one too.

    We are talking about radio activation units- the latest buzz word in radio. Although new to Indian airwaves, activation units in media have been a global trend.

    Indiantelevision.com does a quick check to see how ‘active’ is radio?

    According to radio studies conducted internationally, in most markets, radio manages to garner around 4-5 per cent of the mass media spend. Compare that to the latest TAM AdEx study (total media ad market 2006) where radio clocked in at 3 per cent. It‘s important to note that, private radio in India came into being with Radio City in July 2001. That‘s only about six years into its existence and private FM players are already looking at a 58 per cent ad revenue growth across media. (Figures: 2006 versus 2005)

    So what makes radio an attractive option for advertisers?

    Given that Radio is perceived as a personal medium, radio can bring brands closer and speak to the consumer at their level. Radio has a culture of response where listeners frequently interact with their station which they see as accessible. Couple that with the fact that a below the line event would promote both the client‘s brand and the radio station connect with its audience and you have a win-win situation. No wonder then that radio stations are adapting to the expanding market by providing add on services to their advertisers in the form of ‘activations‘ or non traditional revenue (NTR).

    ‘Experiencing a product via radio‘

    While print and television still attract the advertiser, the emphasis is shifting towards activation and non-traditional media, since the clutter level in the television space is very high. Also ad avoidance by listeners in radio is almost nil in comparison with 68 per cent in newspaper and 44 per cent in TV, and local reach makes radio a very effective medium of advertisement.

    Besides, radio offers far tighter targeting which means reducing wastage or spill over. Radio brings brands closer, as listeners identify with their radio station and see it as aimed at people like them; radio is better able to communicate the tone or character of a brand.

    Radio also offers tighter timing – within a particular time band, day of week or even week of month. This time specific character of radio is helpful since listening is highest when shops are open. So one can target a Pizza Hut ad in the afternoon and follow it up with a below the line creative activity around the product and have the consumer reaching over for a pizza takeaway immediately.

    Talking about the trend of setting up activation units by radio stations, Mirchi Activations, head Gautam Shahane says, “Activation units offer a synergy between below the line and above the line advertising. It allows access to multiple touch points through multiple creatives in a focused area. It allows immediacy, and so promoting an event can be in real time. More importantly radio can monitor responses to a particular activity almost instantly and fix it whether it‘s the lack of footfalls at an event or a change in the pitch, creative or running a contest.”

    Mirchi Activations set up as a separate unit in 2005 although the FM station had been providing BTL (below the line) services even prior to this.
    Perhaps the greatest strength of a below the line activity created by radio is its understanding and relationship with a geographical area, its people and its culture.

    He says, “We see that Pune is a booming real estate sector, so we approach clients like real estate developers or builders. We would do that in Kolkatta as well as we see a demand there. But in a Bangalore we would target the BPO or IT sector since that‘s where our client and audience both connect. Similarly, we have properties that showcase different cities in a month long cultural extravaganza.”

    ATL advertsising is more strategic and planned while BTL can be more tactical and with the kind of reach we have within the A and B category towns, our activation can be converted to a pan India initiative.”
    Most radio advertisers include FMCG, durables, auto, telecom, retail, BFI‘s (insurance, tax planning etc.)

    “This quarter will see a lot of BFI‘s clamoring for BTL activities as fiscal year end approaches,” explains Shahane.

    Red FM activation unit is an in house team called Red Active. Red FM COO Abraham Thomas explains, “We approach activations in two ways. There is activation solutions for multiple brands through a single event as long as they are non competing brands. The other approach is the single- client driven ground activation. So we will have the RED FM drive where we partner with several brands. At the same time we have a auto client like Ford who approaches us and we put a spin on that campaign through car displays at a shopping mall and integrated programming around it.”

    Why would an advertiser approach a radio station and not an event management firm for activation?

    The answer is unanimous within radio circles. Most agencies or event management companies only form part of the implementation or execution part of the campaign. An activation programme by a radio station would mean being involved in every stage of the campaign right down to monitoring the footfalls and response for the client.

    Shahane insists that radio stations claim “ownership” for the entire campaign and that is why they are attractive to advertisers.

    Also radio stations own certain unique properties that can be aligned to a brand and maximize opportunities for the client. “We partner with them on each event. It is also an opportunity to showcase our brand, and we are very sensitive to this fact. We know best how to use radio to promote events, and supplement it with other media on a case to case basis. But the strengths of radio are utilized to the optimum to promote events.”

    Mirchi Activations works with a tagline that reads ‘Not Just Radio‘. With the mammoth Times Group network behind it, it isn‘t just a tall claim. But do established networks necessarily convert to more successful activities?
    Not so says Thomas. “Although we do offer 360 degree solutions to a client and will use multimedia campaigns to promote his product, we are an independent station. Besides, every media utilized by the client would cost him a separate amount. So it would depend on how cost effective we decide to make the event.”

     

    ‘Big Reach‘ for Big FM

    Big FM marketing head Anand Chakravarthy adds, “With television the reach is usually national. Our clients often complain about a spillover on television advertising. So if Surf excel is looking at targeting women in Rajkot – on television they may not find their right target audience mix. But radio can easily manage that.”

    Radio City became the latest FM channel to add ‘activation‘ to its range of brand value services after Red FM‘s Red Activ and Radio Mirchi‘s Mirchi Activation. While Red and Mirchi ‘activations‘ are in house, Radio City has announced its strategic alliance with Vibgyor Brand Services.

    Radio City marketing head Rana Barua says, “Vibgyor has a senior representative on our team and the client meetings and briefs are discussed together. So we offer a one stop solution to the client. Since we act as a one stop window to our client we offer both productivity and speed.”

    Interestingly, ad spends by print houses and television networks are also seeing an increase on radio.

    As stations become more targeted they would also evolve into strong and distinctive brands, and they would deliberately cultivate their brand values in all their on-air and off-air activities – events, contests, helplines, etc. Once the brand values are established, advertisers could leverage them to give a positive effect to their own messages.

    Big FM has lined up an advertising and marketing budget of Rs 450 million across the country until March 2007. The money will be distributed across the various Big FM stations according to their revenue generations. The FM station also plans to use all traditional media, below-the-line activities as well as have used cable and cinema spots.

    Thomas says, “Red Active is a single point contact for the advertiser. Earlier, you‘d have an event taking place in Calcutta and the sales and marketing guys in Mumbai trying to figure out the response or check if the creative was being executed according to the brief. With a Red Active in place we take over the entire process from discussing brief, to providing creative solutions to implementation to measuring response. The aim is to provide an extra bang for the client‘s buck.”

    Chakravarthy says “In Mumbai, we had taken over the entire Inorbit Mall for a month for our client Coke and had a New Year‘s carnival. Our advantage is that we have a very large network of 11 stations.” He also informs us that it is the smaller markets that now look at activations.

    Not all activations are related to advertising alone or so say radio heads. Big FM organized a New Year‘s party for the Indian army and Red FM also ties up with the Tata Cancer Research institute for spreading awareness of breast cancer.

    Then you have a few exceptions to the rule as well.

    Fever FM operating in Delhi and Mumbai used artiste management company ‘Only Much Louder‘ for activations during its own launch but has no plans to set up a separate unit so far.

    Only Much Louder, co founder, Vijay Nair details the kind of campaign they mounted for Fever FM. “Since the idea was ‘less talk, more music‘ we had people donning chef costumes or dressed up as clowns lining the streets in various parts of the city with their mouths sealed shut and placards that read ‘No recipes, only music‘ or ‘No silly jokes, only music‘.”

    Fever FM station director Mumbai Sajjad Chunawala says, “We are a very small team in marketing right now and have no plans to set up a separate activations unit. But as our clients approach us, we may take on the job or outsource it depending on the client needs.

    Judging by latest trends a lot of traditional advertisers are also ready to take the risk and try the medium.

    HLL was a predominant print and television advertiser but has now included radio in its media mix. Chakravarthy tells us that HLL‘s ad spend is now divided at a 50/ 50 mix with radio playing a huge role.

    HLL advertises almost 60 percent of its brands on radio with about 2 to 3 percent dedicated to radio advertising. Mindshare Fulcrum‘s national activations head Himanshu Shekhar opines, “We use media for kinds of effects – Incremental or Impact. Radio is still seen as a ‘impact medium‘.

    Activations help radio stations connect their brands with the audience as well.

    So Radio Mirchi benefits not only in terms of revenues but also in terms of on ground presence, visibility and an opportunity to be at a consumer touch point. Activations have truly demonstrated the power of radio in driving response or footfalls.

    Last word

    Radio offers tremendous opportunities for advertisers and media planners need to explore various options by which they can effectively use radio in their media mix. Conversely, broadcasters need to develop the market by being more responsive to the advertiser‘s needs. This will provide an opportunity for the market to arrive at the final verdict on the effectiveness of the medium.

    Chakravarthy says, “In a country size like India, it is not necessary to touch every market but everybody in a certain market. What radio activation manages to do is amplify the effect of advertising. The advantage of radio is that any ground level activity or below the line marketing becomes amplified.”
    Thomas says, “Red Active is a single point contact for the advertiser. Earlier, you‘d have an event taking place in Calcutta and the sales and marketing guys in Mumbai trying to figure out the response or check if the creative was being executed according to the brief. With a Red Active in place we take over the entire process from discussing brief, to providing creative solutions to implementation to measuring response. The aim is to provide an extra bang for the client‘s buck.”

    Barua concurs, “Advertisers no longer want just plain vanilla advertising. It‘s important that the consumer is able to feel and touch the product. Activation allows for that experiential marketing.” Although declining to discuss specific clients Barua says that briefs have been discussed and the newest player in the activation field will soon launch events and properties associated with its station.

    Shekhar brings in the planning perspective when he says, “If we had to divide the HLL radio advertising spend according to ATL and BTL advertising it would have to be 3/7. The trend is to allow for more integrated programming and content led advertising rather than just plain vanilla advertising. The Surf excel campaign which we conducted across all stations was one of the single biggest campaigns where each radio station adapted it with a different creative. In that sense, it was unique. The power of the medium to cut across all target groups and appeal to both emotions and humour is immense and this is where its strength lies.”

  • Television woos Marathi Manus

    SABTNL vice chairman and managing director Markand Adhikari assures us that his long-in-the-pipeline channel ‘Mi Marathi’ will finally be making its appearance in February 2007.

    With just two players in the GEC market – Zee Marathi and ETV Marathi – and one public broadcaster – DD Sahyadri – struggling to keep up with the onslaught of private players, the time is just right for more players to enter the niche Marathi regional market.

    It’s an open field and almost every television network has set sights on it. Like one industry gentleman mentions, “We’ve looked and looked until our eyes have watered.”
    That’s one of the more cautious players checking the scene. But what catches our interest is the launch of two new channels on the anvil. Zee News Limited is about to launch Chouvees Tas (25 January is the date that is doing the rounds), a 24 hour news channel in Marathi while Adhikari brothers Mi Marathi should launch soon too.

    Other players who are evaluating the market include TV18 and Star, although both networks declined to make any specific comment, insisting that the regional market is an unexplored territory, whether in Maharashtra or the other regional segment fast gaining interest – the south.

    BACKGROUND

    This is not the first time that channels have wooed the Marathi Manus. The first wave of Marathi channels saw DD Sahyadri, Zee Marathi, ETV Marathi, Tara Marathi and Prabhat fighting for eyeballs. DD Sahyadri was launched in 1998 and was followed by Zee Marathi in 1999. ETV Marathi, Tara and Prabhat were launched in the period between 2001-02.

    While the Rathikant Basu led Tara Marathi and Prabhat channels have long since shut shop, Zee Marathi and ETV have not only managed to hold on but have since established themselves, pushing DD Sahyadri to the third position.

    DD Sahyadri tried to resurrect itself in 2003 and even raced ahead of the two private players for a brief period. But recent figures suggest another role reversal.

    THE NUMBERS GAME

    Take into account the figures for last the three months (Oct-Dec 2006), in the CS + 4 Yrs by Tam. ETV Marathi is leading the channel share in Maharashtra by a narrow margin ahead of Zee Marathi, while DD Sahyadri is lagging behind with just 11 per cent share.

    In Mumbai, however, Zee Marathi pipped ETV Marathi to the post with a 50 per cent share.

    Two weeks into the new year (with CAS having been implemented in south Mumbai and Tam introducing its new, expanded peoplemeter panel), the data throws up a few surprises. And this time Zee Marathi is seen beating ETV Marathi by a high margin. In fact, it competes with Star Plus in the Hindi GEC and emerges a winner.

    Channels GRP
    ZEE Marathi 351
    Star Plus 319
    ETV Marathi 258

    Channel GRP in GEC
    Market:All India
    TG: CS 15+Yrs
    Source: TAM Peoplemeter

    Zee Marathi business head Nitin Vaidya is elated as he brings out the week two results. “Zee Marathi has surpassed Star Plus in the overall channel market share. Both Mumbai and all Maharastra categories show a significant lead for Zee Marathi,” says Vaidya. The data he details is clearly reflective of the channel’s hold over its Marathi speaking audiences; whether during prime time viewing or the afternoon band with a predominance of women oriented programming.

    “I’m not bothered about the Kyunki’s and Kahaani’s of the world. My competition is not restricted to the Marathi market. I want to compete at equal par with all other entertainment channels. For instance; Sa Re Ga Ma Pa hosted by Pallavi Joshi on Zee Marathi is as popular as the one on our Hindi network,” reiterates Vaidya. In fact, the channel is so confident about its show that the time slot of 10 pm coincides with Star Plus’ popular K-sagas. Despite this, the channel claims to have wide viewership amongst its Marathi viewers. While one of the reasons for Star’s slump could be attributed to Tam having increased its peoplemeter sample size to more cities and updating the number of C&S homes, the interest in Marathi market by established networks is an indicator of its mass appeal.

    The numbers also show that Marathi channels, once considered a slow moving market, are undergoing a paradigm shift. The competition is no longer restricted within the niche Marathi channel market but has spilt over to all GECs. According to industry sources, the Marathi market growth rate in 2003 was a modest 8 per cent. Compare that to the 13 to 14 per cent growth rate touted today and we get an idea of why other channels are waiting to jump into the fray.

    The general bonhomie over the Marathi market growth is also shared by other industry watchers. Vaidya estimates that the size of the Marathi regional market is Rs1 billion and will be about Rs1.2 billion by year end.

    CONTENT IS KING

    Zee Marathi has clearly ridden the success wave on the back of its programming. Zee Marathi spruced up its programming act last year with the introduction of many new shows. Currently, 11 of the top 15 shows on Marathi regional channels is by Zee Marathi. Zee Telefilms head network sales Joy Chakraborthy believes that the Zee Marathi success was due to its shift from a ‘cost centric’ to a ‘content and marketing centric’ strategy.

    Doordarshan director Satish Sonkar, who has recently replaced an unceremoniously transferred Mukesh Sharma, is confident about DD Sahyadri. “Our terrestrial reach cannot be duplicated by the private channels. Hence the CAS situation does not bother us too much.”

    DD Sahyadri:Losing the numbers game?
    Source:www.ddindia.com

    Sonkar is also gearing up to revive the sagging fortunes of Doordarshan. “Plans are on to launch a new breakfast show in the time slot between 7 to 8 in the morning moulded on the popular Subah Savere format. The emphasis throughout our programming content will be on infotainment.” The channel also wants to experiment with ‘parallel programming’; although current infrastructure does not permit it do so. Sonkar is also eager to do away with repeats on the channel and replace them with documentaries or feature shows “showcasing cultural aspects of Marathi culture like the history of Lavani”.

    Award events like Zee Gaurav Puraskar on Zee Marathi to be held on 3 February will see over 10,000 people in attendace. Sahyadri’s Hirkani Puraskar also claims a loyal viewership every year.

    Adhikari’s ‘Mi Marathi’ is likely to give the general entertainment channels a run for its collective money with its ‘bank of 3,000 programmes’. “With a tagline of Aaplya Maansanchi Aapli Vahini (our channel for our own people) and the experience of producing the most popular shows on Doordarshan we will certainly do well,” maintains Adhikari.

    AD REVENUE

    On a rough estimate, Zee Marathi takes in ad revenues to the tune of Rs 400 million to Rs 450 million while ETV Marathi would be in a similar range. DD Sahyadri claims to have already raked in Rs 300 million, the target set for 2006-2007.

    Sahyadri also switched from a sponsored to commissioned model starting Oct ’06 to eliminate the middle man. While this is on an experimental basis right now across its regional kendras, the Sahyadri channel has started this on 3-4 of its programmes and aims to extend it to all its programming by the end of this fiscal. The channel is confident that this policy called SFS (self financing scheme) will bring in the much needed ad revenue.

    But Marathi channels will have to woo the advertisers more intently. Most of the biggies in terms of advertising in Marathi channels are the FMCG companies like HLL, Reckitt, J&J, Marico, Wipro and they continue to dominate the top advertisers list over the last three years. Most of the new entrants are also from the same category with players like ITC & L’Oreal.

    GOOD ‘NEWS’

    The general news market will see the addition of a new player as Zee News’ Chouvees Tas. Zee News Limited CEO Harish Doraiswamy says, ‘Unless someone else pips us to the post, we are all set to become the first 24-hour Marathi news channel. There is certainly an equity in the Marathi news market since what is now available to a Marathi viewer is only hour on hour news at Zee Marathi, ETV Marathi and DD Sahyadri.’ The channel, which will be launched in a phased manner, is slated to cover all Maharashtra and will enter the market as a free-to-air channel.

    Does the rural- urban divide amongst Marathi viewers still exist and will this be a critical factor for Marathi channels? Doraiswamy says, “The content on the news channel will have to be tweaked to suit different categories of Marathi viewership. But by and large, the aspirations of the Marathi people are similar across geographical boundaries. In India, we may call a Latur or Sangli a small city, but judging by the population size these would be large cities had they been in the States. Going by the argument, we don’t see a disparity in our viewership. We will have agri-based programming or news specific to the community. The genres of programming will however be consistent throughout.”

    ETV Marathi focus on news
    Source:www.etv.com

    ETV Marathi first saw the potential of well packaged news and has three news bulletins – ETV Marathi news, Maharashtra Maaza and Aapli Mumbai. The channel also has an issue based talk show Vrutt Vaidh. Sahyadri also has a news bulletin in the evening called Batmya. Zee Marathi’s Zee News Marathi is now airing at regular intervals during the day along with hour-on-hour headlines, which will also be withdrawn in the run up to its 24 hour news channel.

    Clearly, the latest battle lines amongst these channels will be drawn around news since most of these channels agree that they can never match the programming budgets of some of the bigger channels. Roping in the Marathi viewer through events, awards shows, interactive game shows can be seen across the channels already.

    GRAPPLING WITH CAS

    Starcom India’s Girish Upadhyay brings in the media planner’s perspective when he says, “If we just see the one week data we have post CAS implementation one sees regional channel shares increasing by 20-25 per cent whereas some of the big mass channels have reduced in terms of share, but still these are early days.”

    He further states, “The general understanding is that niche & local regional channels do well in a CAS environment, since in such an environment people take channels which they are passionate about. But there won’t be space for too many channels to survive because a consumer ultimately has to shed money for every extra channel he takes.

    “This could give rise to two scenarios: The first entrant in the market would have an upper hand, since viewers have a habit of sticking to whatever they start watching first.

    “Consumers will also be tempted to buy a bouquet which has a mix of everything-news, movies, mass, regional. So these smaller news channels will do well if they become part of a good well-rounded bouquet of channels.”

    WAY AHEAD

    What is clear is that the ad revenue pie of the news market, with the entry of these players, is not going to increase much; in fact it will fragment the market further. Also, the big players are entering into news not because of revenue but more because they want to create an impact. Under the Cas regime, the network that offers the most variety in its bouquet is likely to win. That is precisely why one sees some of the news channels nowadays getting into the entertainment channel space which could be an added source of revenue.

    So is there room for more regional news channels? The language preference by the masses could just tip the scale in its favour. It is similar to newspaper readership across markets where vernacular is preferred over English/Hindi publications. The fact remains that in Mumbai, many of the Marathi households buy two newspapers – an English daily and a Marathi newspaper.

    Upadhyay does a comparative on the Bengali news market, which has Star and Zee amongst its players. “If we had to take the West Bengal a figure in terms of news, Star Ananda is currently ruling with a share in the range of 3 per cent while Zee’s Choubees Ghanta is in the range of 1.5 per cent, followed by the other all India players.”

    Although it would be tough to judge the Marathi market on the same basis, regional channels do have an upper edge purely due to language and cultural preferences.

    This could very well mark the second wave of Marathi regional channels and news will be the genre to watch out for.