Category: Special Report

  • YouTubes just the beginning for AwesomenessTV

    YouTubes just the beginning for AwesomenessTV

    CANNES: “Kids and teens are on YouTube and while adults like to eat meals, kids prefer snacks. And they can snack the whole day,” said AwesomenessTV CEO and founder Brian Robbins in his media keynote, adding, “Deliver what they want, when they want, and also constantly refresh it.”

    It was Robbins’ experience of the way his own kids consumed content that led to the launch of AwesomenessTV – a YouTube exclusive channel for kids and teens – last year. It was purchased in May this year by Jeffrey Katzenberg’s DreamWorks Animation.

    Robbins said it was important to create videos that were funny, creative and yet relevant to kids and that uploading these videos on YouTube was the best form of engaging kids.

    About the online blast, Robbins said: “What’s happening online today is similar to what happened on TV 25 years ago. We want to engage in two-way communication. Every producer should be aware of their target audience. We know who our viewers are and what they’re telling us.”

    While AwesomenessTV boasts one million subscribers and 200 million video views, YouTube is just the beginning for Robbins. “We are going to have a presence everywhere. We are currently working on a mobile app and also PlayStation access. We have a big network in UK and also see opportunity in Brazil. We are looking at creating new audiences every time,” he said.

    At the same time, Robbins sees great opportunity in starting something on YouTube and building an audience and then taking it to TV. “We are giving Dreamworks another platform to build its audience and also market its movies,” he said.

    Comparing AwesomenessTV with say a Nickelodeon, Robbins said while Nick could produce only two pilots to ensure success, they could produce multiple pilots a day. Nickelodeon apart, Robbins argued that most channels today do not create enough fresh content. “One can see only four to five hours of fresh content on the channels. Mobile gives kids options to choose from,” he said.

  • Buyers treated to Koffee with Karan

    Buyers treated to Koffee with Karan

    CANNES: Barely has Mipcom 2013 taken off and Star India seems to have sprung a huge surprise on buyers gathered at Cannes.

    It’s Koffee with Karan, being served hot and fresh at the world’s largest content fest before it returns to screens back home.

    That’s not all. The network is equipped with a host of other series and thousands of films from its library, and is particularly betting big on the epic saga – Mahabharat – which is already on air on Star Plus since 16 September.

    Star India’s ammo includes the thriller series Savdhan India and Humne Li Hai…Shapath from sister channel Life OK’s portfolio as well as Arjun which is currently being telecast on the network.

    Star India vice president Ashutosh Mordekar exults: “While we are looking at selling the Mahabharat format to countries which look at it as mythology, there is also a huge chunk of countries which think of it as a costume drama coming from India and are interested.”

    So Star India also plans to position Mahabharat, a la Korean costume dramas that are very popular with global audiences.

    “We are looking at tapping central and eastern Europe, Russia and the CIS region. We are hoping for a good Mipcom this year,” says Mordekar.

    Having succeeded in selling Life OK’s Devo Ke Dev… Mahadev to Mauritius and Eastern Europe, the network is looking at expanding the market base of the hit series.

    Nach Baliye, India’s Dancing Super Star and Channel V’s teenage crime series Gumrah are among the other show formats the network is looking to license this year. Star India will also hunt for new formats for Life OK as well as its new channel Star World Premier HD.

    About the propensity for Video on Demand (VoD), Mordekar says: “In India too, there is a huge shift from linear TV to non-linear and to VOD and we are also looking at creating content to occupy that space. We are coming up with branches to fulfill the VOD need of our viewers.”

    So while it’s early days at Mipcom, indiantelevision.com will keep a watch out for deals cracked in markets the channel plans to tap.

  • Close Koouka wins 2013 Mip Junior International Pitch

    Close Koouka wins 2013 Mip Junior International Pitch

    CANNES: Apart from content, Mip Junior’s biggest draw is an opportunity to present new intellectual properties (IPs) to a larger, more discerning audience.

    This year, of the 60 new projects vying for top honours at the international competition, Mip Junior International Pitch – New Projects for Kids TV, five made it to the final round and one of them was declared winner i.e. Koouka by Aldebaran Distribution and Vallaround, Italy.

    Presented by distributor Anna d’ Alessandro and producer Federico Vallarino, Koouka is the story of a chameleon, which changes the colour, shape and size of the things it touches. Replete with funny gags and sans any dialogue, the series’ theme is identity and how a natural desire to be accepted by others can stop people from expressing their real selves. Interestingly, there are 26 episodes, each of one minute duration.

    The other four who made it to the top five include Being Zeth by Source Animation, India; Goris the Gorilla by Split, Brazil and Chile; Nelly and Nora by Geronimo, Ireland; and The Little Train Choo Choo by JM Animation, Korea.

    The jury comprised BBC head of CBeebies production, animation and acquisition Alison Stewart; Canal+ head of children programmes and channels Laurence Blaevoet; The Walt Disney Company (South East Asia), India head of acquisitions, programming, branded media and content Anand Roy; Globosat Programadora head of content and programming Paula Taborda dos Guaranys; and Kenn Viselmann Presents CEO/owner Kenn Viselman.

    The jury looked for projects with potential for TV and multi-platform brand extensions, as well as originality and overall appeal in the storytelling technique, and Koouka bagged the award. Winners will get free access to Mip TV 2014 and a chance to interact with buyers during the main networking event on 6 October. 

  • Its Mipcom time again

    Its Mipcom time again

    CANNES: Frenzy marks Nice Airport as staff is in a tearing hurry to attend to the 1,200-odd delegates who’ve flown in from 60 countries across the globe to participate in the world’s largest content fair.

    Indeed, the city of Cannes is draped in finery as it gears up to host Mipcom 2013 and Mip Junior – the biggest event(s) in the television trade.

    Flagging off the extravaganza on 5 October at the Carlton is Mip Junior; a two-day content sale market-cum-conference whose focus is children’s content.

    A significant precursor to Mipcom, Mip Junior sees influential international buyers, sellers and producers of kids’ programmes converge to present, screen, license, discover and acquire the latest content. A platform that aims to offer maximum exposure to all participating companies, while focussing on new opportunities, business models and challenges facing the creative world, Mip Junior is a huge draw. Statistics-wise, 520 buyers, 44,000 screenings, 1,000 programmes and 700 companies certainly make it a not-to-be-missed event.

    This year, the who’s who of the animation industry will be in attendance, both their ongoing and upcoming shows in tow. So while, there will be Unicorn Black with Burka Avenger and Marvista Entertainment with Digimon and Power Rangers, they will share space with say a Kumanta Animation Studios that is bringing its all new Miles and Stones to Mip Junior.

    What’s more, a special workshop will be held on the first day to offer insights to producers and distributors as to how to make the most of the mainstream online platform.

    Day One of the 2013 edition will also see the return of the international competition for newest projects created for children. In the race are Being Zeth by Source Animation, India; Goris the Gorilla by Split, Brazil & Gong, Chile; Koouka by Aldebaran Distribution and Vallaround, Italy; Nelly and Nora by Geronimo, Ireland and The Little Train Choo Choo by JM Animation, Korea.

    Add to all this, participants will get an opportunity to understand and unveil new trends in kids’ content in Russia. Not to mention, Argentina, the country of honour this year, will be partnering with the Argentine National Film Board to showcase original animation, live action and digital series produced by independent Argentina-based producers.

    In case you thought a day of showcasing, networking, buying and selling was it, no way… Reed Midem hosts a night party to present Argentina as this year’s country of honour. So, time to get your LBD and dancing shoes out…

  • Star gears up for MIPCOM

    Star gears up for MIPCOM

    MIPCOM is where the ‘stars’ align for business. And so it is that Star India will be participating for the eighth consecutive time at MIPCOM this year, armed to its teeth with content including Hindi and regional programs.

    There’s no undermining how important MIPCOM is, even for an established entity such as Star India, whose programs have takers not only in India but all over the world. Star India vice president Ashutosh Mordekar puts it well saying: “MIPCOM is the biggest aggregation of content buyers and sellers across the globe. It provides a platform to showcase our content to buyers across the world.”

    Ashutosh Mordekar believes the market provides an opportunity to meet and transact with new as well as existing clients

    Mordekar also believes the market provides an opportunity to meet and transact with new as well as existing clients.

    Star will be focussing on markets like Central and Eastern Europe, Russia and CIS region and Central Asia.

    Coming to what’s new from the Star stable, Mordekar says: “Star is showcasing the epic Mahabharat which is the most expensive show coming from India. The show is already garnering interest across Asia and Europe, and buyers have already indicated their interest.”

    Explaining why Indian content is very well accepted in global markets, he reasons: “The world is currently opening up to Indian content in a big way. Indian content is at present just breaking out. We are at the end of stage one, where the content has been sampled in various countries through initial foothold deals and the success of these shows has created a huge interest in fresh content coming from India.”

    While it is generally felt that the production value of Indian content has gone up in recent times, is it really up-to-speed with international standards? “Yes! The last couple of years have seen a huge leap in the production value of our shows. Be it HD, Dolby 5.1 Sound etc. – the production values today are comparable to the best in the world,” quips Mordekar.

    About the platforms the network plans to target at MIPCOM, he says: “We are going to be in discussions for exploiting our content on IPTV, mobile, VOD (Voice on demand) or free-to-air platforms.”

    Optimistic about the results of participation, Mordekar is looking forward to this year’s fest.

  • Times TV: Scans Cannes for English flicks

    Times TV: Scans Cannes for English flicks

    With the recent introduction of Romedy Now to its existing portfolio of channels, the Times Television Network (TTN) will be exploring new content opportunities for its channels Movies Now and the newbie at this year’s MIPCOM.

    Set to take place in Cannes’ eponymous Palais des Festivals off the Boulevard de la Croisette between 7 and 10 October 2013, MipCom is expected to be the biggest since several years, and it appears as though the entertainment ecosystem seems to have shrugged off the economic woes that have been making news headlines in several countries worldwide.

    The scale has tilted from being a buyers’ market to a sellers’ market over the last few years stresses Ajay Trigunayat

    For TTN’s English entertainment channels CEO Ajay Trigunayat, this would be his tenth year at Cannes. Having represented Zee from 2002 to 2006 and TTN (Movies Now) from 2010-12, this year, Trigunayat will be scouting for content to be shown on Romedy Now, TTN’s newly launched romance and comedy channel.

    “I’ll be looking for movies and series and if there is something interesting, then I will have a look at that as well,” says Trigunayat, adding, “The scale has tilted from being a buyers’ market to a sellers’ market over the last few years.”

    While a cross-section of genres like romance, comedy, action, thriller and horror would be under his scrutiny, he isn’t too keen on drama movies. “We don’t buy drama because it does not have too much of traction with Indian audiences,” he emphasises. 

    For TTN, MIPCOM is more about meeting people and getting to know them on a personal level. According to Trigunayat, it’s a catalyst for meetings to happen while real deals happen later on.

    He is looking forward to meeting biggies like Fox, Warner Bros, and Regency and see what they have in store for them from this year’s releases. On the subject of budgets, he says a substantial amount of money (higher double digit crores) is kept aside for acquisitions, the discussions for which begin or end as deals at MIPCOM.

    He gives an example of how discussions were initiated with Monarchy, the production side of Regency, last year, and more than 100 titles were bought from them. He points out that his team is sticking to big titles and from major studios worldwide and Latin American films are not part of his slate as their quality and sensibilities don’t appeal to Indian viewers. 

  • Indias first HD travel channel at MIPCOM 2013

    Indias first HD travel channel at MIPCOM 2013

    Ask any traveller the meaning of a journey and he/she is likely to say it’s something where you never know how far you’ve reached till you go back to where it started.

    Indeed, this is the very core of what they call wanderlust, and who better to know it than travelxp HD, India’s first high definition travel channel.

    Presently, the channel stands strong as a premium lifestyle with 400+ hours of original HD travel content – shot across 35+ countries and growing, expanding at 150 hours each year, and covering all genres of the travel space. Shot in English, with hosts from across the globe, the channel boasts a truly international look and feel. Exactly what draws it to this year’s MIPCOM.

    travelxp now in its third year at MIPCOM, feels that exhibiting in a market like MIPCOM has added to its learning. The channel has not only tapped market demands and understood buyer requisites, but has also understood the latest trends, practices and technology which in turn have laid the guidelines for content that the channel creates in the future.

    Says travelxp HD director Nisha Chothani: “An international platform like MIPCOM is the year’s most anticipated global market for entertainment content across all mediums. Our content finds the perfect fit with the needs of travel content buyers across the globe. It provides us an opportunity to reach out to our buyers, leading to ground-breaking partnerships.”

    MIPCOM provides us an opportunity to reach out to our buyers, leading to ground-breaking partnerships, says Nisha Chothani

    So what’s the channel offering at MIPCOM 2013? It will launch five new shows including Quest, City Breaks, Bliss, Food Highway and World Spas for participants this year.

    Apart from these, travelxp HD will also present shows like XP Guide, Xplore World, Xplore India, Great Indian Hotels, Great World Hotels, Foodicted, Strictly Street, Heritage, Landmark, Best from the Rest, Bada Weekend, Hills and Valleys, and Divine Destination at the content sale market. “With this, we are looking forward to cracking deals and partnerships with our buyers.

     Also, networking with content buyers and aggregators across the globe will be an add-on,” says Chothani.

    And it’s not just travelxp HD, the entire travel industry stands to benefit from MIPCOM. “Travel content caters to a large international audience due to its geographical spread. MIPCOM provides us a platform with immense selling opportunity; it helps us to reach out to around 4,400 buyers from 100 countries across the globe. Travel content demand is growing globally, platforms like MIPCOM help two ends meet, thereby leading to the growth of the genre,” elaborates Chothani.

    Meanwhile, travelxp HD shows will be accessible to viewers on various multi-media platforms from DTH systems to in-flight screens, TV networks to IPTV networks, VOD to AVOD systems and websites to mobiles.

    The channel claims its content finds resonance with travel connoisseurs the world over.

  • Trendspotters.tv’s $2mn online gamble with OG content

    Trendspotters.tv’s $2mn online gamble with OG content

    If you think you are the stylish, fashion-forward type, then this may well be the destination for you.

    Welcome to Trendspotters.tv, India’s first online digital channel engaged in spotting trends across genres. Launched on 23 August by Smartube Entertainment, Trendspotters promises to guide you about what’s hot and what’s not on a screen near you – be it a tablet, laptop or cell phone.

    We will be aggressively investing more on creating independent video platforms and creating a lot of content for the internet audience, says Kunal Kishore Sinha

    About the venture, Trendspotters.tv founder Kunal Kishore Sinha says: “We are glad to launch India’s first digital TV, which promises to be an exciting platform for next generation consumers whose lives are driven by upcoming trends- be it fashion, music, sports or entertainment. It is a medium for bringing the next generation trends and talents to light, especially for an upwardly mobile audience. It brings out a cluster of micro trends every day for the new age audience, which takes inspiration from out-of-the-ordinary discoveries.”

    So where and how did it all start? Sinha explains that the team went through the paces; from research to coming up with a suitable name to setting up the platform. “The idea started some six months back when I realised that maximum consumption over a smart phone is on YouTube. It is more than Facebook, Twitter or any other social media platform. There are audiences that are right now looking out for comprehensible video content on the Internet and consuming it. With those facts, we started working on the platform,” he elaborates.

    Starting from the word go

    The first challenge was to get the right resources across categories including fashion and lifestyle, music, and entertainment and sub-categories such as trendsetters, discoveries, trend spotting and seasonal buzz.

    A senior content person from CNN-IBN was roped in for each category and he/she came on board as content director/head based on qualifications and relevant experience. For example, a lady who’d completed her fashion graduation from London and was working with Adidas in Dubai was hired for the fashion category. Ditto for music, where six to seven senior people were brought in, not to mention an RJ who would be associated with them.
        

    The offical website creates content specifically for the web audience; which is not be of long duration

    Next, was what should they name the initiative.  “From the very beginning, we wanted to have content which is more futuristic, also keeping in mind what is outdated and what is in. We started off saying we wanted to have something around the word ‘trend’. After brainstorming, we came up with multiple options. Somebody suggested it should be trendstocker, trendstop, but when we decided on Trendspotter, it felt apt, considering we are into the business of spotting trends across verticals,” explains Sinha.

    But what’s in it for consumers? In every category, there’s a section ‘Discoveries’, which focuses on new talent, points out Sinha, giving the example of a boy called Rameshwar, who has a small shop in Nizamuddin, Delhi, and though he isn’t very popular, still has clients like Gulzar. “Not many mainstream media would cover or discover somebody like that. Eventually, what will happen is our ‘Discovery’ section will get further populated,” says Sinha.

    Is that the broad plan, we ask, and Sinha provides: “We are spotting new trends and creating more content which can be interesting for the audience. So, the idea is to get them what is not available right now in the mainstream, maybe TV is not giving them that.”

    Wouldn’t audiences find a likeness with say YouTube? “We will be creating content specifically for the web audience; which will not be of long duration. The idea behind such content is it will cater to the web audience looking for a quick break from work,” shoots back Sinha.
        
    The website has various categories that spots new trends and creates more content which can be interesting for the audience

    And has the response been worth mentioning? Sinha feels it’s very positive considering the entertainment industry is waking up to the potential of internet media. “When you start a new media company, what happens is getting across to the right people, getting them to come on your platform takes a lot of effort. That challenge we have not faced yet, because we have shot with designers like Troy Costa,” he says.

    Coming to the most critical question – how does the team spot trends across genres on a day-to-day basis? Sinha says presently, content creation is happening in house. The plan is to get into crowd-sourcing, where creators from across the world would be contributing. Yet, the overall control of the content would lie with the company itself. 

    Sinha gives the example of how somebody sitting in Chandigarh would become a trendspotter. Also, contests on social media and on-ground to identify trend spotters across the country are on the schedule, and these in turn would help the channel identify trends there. Additionally, an internal research team would help everyone figure out what is new and interesting and worth talking about.

    Does Trendspotters trend on social media? Well, at the time of penning this article, Trendspotters.tv had managed to garner over 30,000 likes on Facebook. Whereas, the channel’s Twitter presence is being worked upon. Says Sinha: “We were thinking that we would invest just in building up the channel and once it was ready, we would then look for revenue. But what happened is we realised that brands are already ready to partner and invest in the content we are creating. As we speak, we have already started getting revenue by having brands integrated into our shows. Our revenue-stream has already started.”

    Roadmap for future

    For an endeavor so novel, what does the future entail? Plans are afoot to expand the channel’s reach into areas of general interest like automobiles, consumer technology and so on. A section called Club Review is on the anvil, where the channel would be doing video reviews of clubs across the country. The focus is on parameters like music, ambiance, crowd and drinks served etc. Sinha claims they already have sponsors for this section in an international liquor company named Premium and a music equipment company.

    In a month’s time, the official Facebook page has achieved applaudable 30,000 likes

    That said, where does Sinha see Trendspotters.tv in the general scheme of things? “We know that even brands are realising they have to go beyond platforms like Facebook and Twitter to engage with consumers. And I think that is where we are filling in the gap by creating a new platform that will give brands a new way of connecting with their consumers,” replies Sinha.

    Is it looking good hereon? “We are getting good traction from both the brand side and the consumer side. We are happy with the way things are going and going forward, we will be aggressively investing more on creating independent video platforms and creating a lot of content for the internet audience. We would ensure that in the next one year, we actually become a household name,” Sinha rounds off.

    Sinha has drawn up a warchest of $ 2million to fund his dream project. That should suffice to fund his growth needs for the next two years, he says. Basically, he has a two year window to drive trendspotters.tv into a profitable business model. 

  • Trendspotters.tv’s $2mn online gamble with OG content

    If you think you are the stylish, fashion-forward type, then this may well be the destination for you.

    Welcome to Trendspotters.tv, India’s first online digital channel engaged in spotting trends across genres. Launched on 23 August by Smartube Entertainment, Trendspotters promises to guide you about what’s hot and what’s not on a screen near you – be it a tablet, laptop or cell phone.

    We will be aggressively investing more on creating independent video platforms and creating a lot of content for the internet audience, says Kunal Kishore Sinha

    About the venture, Trendspotters.tv founder Kunal Kishore Sinha says: “We are glad to launch India’s first digital TV, which promises to be an exciting platform for next generation consumers whose lives are driven by upcoming trends- be it fashion, music, sports or entertainment. It is a medium for bringing the next generation trends and talents to light, especially for an upwardly mobile audience. It brings out a cluster of micro trends every day for the new age audience, which takes inspiration from out-of-the-ordinary discoveries.”

    So where and how did it all start? Sinha explains that the team went through the paces; from research to coming up with a suitable name to setting up the platform. “The idea started some six months back when I realised that maximum consumption over a smart phone is on YouTube. It is more than Facebook, Twitter or any other social media platform. There are audiences that are right now looking out for comprehensible video content on the Internet and consuming it. With those facts, we started working on the platform,” he elaborates.

    Starting from the word go

    The first challenge was to get the right resources across categories including fashion and lifestyle, music, and entertainment and sub-categories such as trendsetters, discoveries, trend spotting and seasonal buzz.

    A senior content person from CNN-IBN was roped in for each category and he/she came on board as content director/head based on qualifications and relevant experience. For example, a lady who’d completed her fashion graduation from London and was working with Adidas in Dubai was hired for the fashion category. Ditto for music, where six to seven senior people were brought in, not to mention an RJ who would be associated with them.

    The offical website creates content specifically for the web audience; which is not be of long duration

    Next, was what should they name the initiative.  “From the very beginning, we wanted to have content which is more futuristic, also keeping in mind what is outdated and what is in. We started off saying we wanted to have something around the word ‘trend’. After brainstorming, we came up with multiple options. Somebody suggested it should be trendstocker, trendstop, but when we decided on Trendspotter, it felt apt, considering we are into the business of spotting trends across verticals,” explains Sinha.

    But what’s in it for consumers? In every category, there’s a section ‘Discoveries’, which focuses on new talent, points out Sinha, giving the example of a boy called Rameshwar, who has a small shop in Nizamuddin, Delhi, and though he isn’t very popular, still has clients like Gulzar. “Not many mainstream media would cover or discover somebody like that. Eventually, what will happen is our ‘Discovery’ section will get further populated,” says Sinha.

    Is that the broad plan, we ask, and Sinha provides: “We are spotting new trends and creating more content which can be interesting for the audience. So, the idea is to get them what is not available right now in the mainstream, maybe TV is not giving them that.”

    Wouldn’t audiences find a likeness with say YouTube? “We will be creating content specifically for the web audience; which will not be of long duration. The idea behind such content is it will cater to the web audience looking for a quick break from work,” shoots back Sinha.

    The website has various categories that spots new trends and creates more content which can be interesting for the audience

    And has the response been worth mentioning? Sinha feels it’s very positive considering the entertainment industry is waking up to the potential of internet media. “When you start a new media company, what happens is getting across to the right people, getting them to come on your platform takes a lot of effort. That challenge we have not faced yet, because we have shot with designers like Troy Costa,” he says.

    Coming to the most critical question – how does the team spot trends across genres on a day-to-day basis? Sinha says presently, content creation is happening in house. The plan is to get into crowd-sourcing, where creators from across the world would be contributing. Yet, the overall control of the content would lie with the company itself.
    Sinha gives the example of how somebody sitting in Chandigarh would become a trendspotter. Also, contests on social media and on-ground to identify trend spotters across the country are on the schedule, and these in turn would help the channel identify trends there. Additionally, an internal research team would help everyone figure out what is new and interesting and worth talking about.

    Does Trendspotters trend on social media? Well, at the time of penning this article, Trendspotters.tv had managed to garner over 30,000 likes on Facebook. Whereas, the channel’s Twitter presence is being worked upon. Says Sinha: “We were thinking that we would invest just in building up the channel and once it was ready, we would then look for revenue. But what happened is we realised that brands are already ready to partner and invest in the content we are creating. As we speak, we have already started getting revenue by having brands integrated into our shows. Our revenue-stream has already started.”

    Roadmap for future

    For an endeavor so novel, what does the future entail? Plans are afoot to expand the channel’s reach into areas of general interest like automobiles, consumer technology and so on. A section called Club Review is on the anvil, where the channel would be doing video reviews of clubs across the country. The focus is on parameters like music, ambiance, crowd and drinks served etc. Sinha claims they already have sponsors for this section in an international liquor company named Premium and a music equipment company.

    In a month‘s time, the official Facebook page has achieved applaudable 30,000 likes

    That said, where does Sinha see Trendspotters.tv in the general scheme of things? “We know that even brands are realising they have to go beyond platforms like Facebook and Twitter to engage with consumers. And I think that is where we are filling in the gap by creating a new platform that will give brands a new way of connecting with their consumers,” replies Sinha.

    Is it looking good hereon? “We are getting good traction from both the brand side and the consumer side. We are happy with the way things are going and going forward, we will be aggressively investing more on creating independent video platforms and creating a lot of content for the internet audience. We would ensure that in the next one year, we actually become a household name,” Sinha rounds off.

    Sinha has drawn up a warchest of $ 2million to fund his dream project. That should suffice to fund his growth needs for the next two years, he says. Basically, he has a two year window to drive trendspotters.tv into a profitable business model. 

  • Watch out for Hyderabads animation booth at Mipcom

    Watch out for Hyderabads animation booth at Mipcom

    other states may do well to borrow a leaf from the Andhra Pradesh government, which is partly sponsoring the participation of Hyderabad’s animation industry at this year’s Mipcom.

    More specifically, the AP government is funding the stand fees for two Hyderabad-based companies – Green Gold Animation and Discreet Art.

    “The government is partly funding our participation at the event. And this goes up to 50 per cent of the total stand fee. It can go up beyond 50 per cent depending on the response we get,” informs Green Gold Animation vice president -business development Govinda Talluri.

    Creator of the popular animated character, Chhota Bheem, Green Gold Animation, has been participating in Mipcom since 2007. “Though we didn’t go in 2011-2012, this year, since the Andhra Pradesh government decided to support the companies based in Hyderabad for events like Mipcom, we, along with Discreet Arts and 20 (approximately) people from the AVCGI association will represent AP at Mipcom this year,” adds Talluri.

    We will be targeting European and South American countries at Mipcom, says Green Gold Animation vice president -business development Talluri

    AVCGI or Animation, VFX, Comic & Gaming Industry of AP is a recently formed association by the animation industry in Hyderabad with the aim of garnering support from the AP government for its proper functioning.

    Apart from Chhota Bheem, which is Green Gold’s biggest property, it will also take other animated characters Mighty Raju and Arjun to Mipcom. “We plan to come up with a theatrical for Mighty Raju by next year and so, will use Mipcom to create a buzz about the movie. Also Arjun, a show that we have created for Disney, will form part of our offering to buyers,” says Talluri.

     
    For all these years, Green Gold catered to Indian and South East Asian markets and recently sold its content to USA and Canada. The major is now aiming at European countries like France, Germany, Spain and South America. “This is not an exhaustive list, we want to reach out to as many markets as possible,” adds Talluri.

    Enthused by the government’s support, Green Gold aims to present its library of 8,500 minutes of original content to a global audience. “Also, with our 174-episode Chhota Bheem being sold to eight countries, we would definitely want to expand our reach and get noticed,” says Talluri.

    With the largest content sale market cum conference just 15 days away, the company is busy scheduling meetings with buyers. “Though a few meetings have already been fixed, we are also pitching in for more buyers,” he says. The company will primarily target television as the preferred platform. “Once we are there, getting to other platforms will not be difficult,” he rounds off.