Category: Regulators

  • Telangana govt. wishes to own satellite to air TV channels

    NEW DELHI: Now, an Indian state wants to own a satellite and broadcast TV channels espousing Indian values. The Telangana government would like to have its own satellite in orbit to telecast (TV) channels with good content, state IT minister K T Rama Rao said in Hyderabad on Wednesday.

    Speaking after the launch of T-SAT network of two television channels (Vidya and Nipuna) of the state government, which telecast content on distance learning, agriculture extension, rural development, tele-medicine and e-governance, the minister, as quoted by a PTI report from Hyderabad, said, “Today, we are broadcasting two channels by using satellite technology. But, eventually the goal is…not today… we should have our own special satellite in the orbit.” 

    The state government can telecast good content by having some channels at a time when the negative impact of western culture is being seen in the society, he said as per the news agency report.

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    “Through that satellite, if necessary, not two, but the state government would work actively (on) some 10 to 12 channels. Today, we see the developments in society. We see the impact of western culture. We can do many types of programmes on behalf of the government,” Rao said, recalling that India’s space agency ISRO had recently launched a record 104 satellites in a single mission.

    Educational content used to be telecast under the brand name of ‘Mana TV’ in undivided Andhra Pradesh, but the state government sought to expand its programming, Rao said, adding that the newly launched channels aim to offer content in different areas, including health and agriculture, for the benefit of the masses, the minister added.

    Such assertions once again highlight why TRAI’s suggestions on media ownership and barring government and government-backed bodies from getting into business of broadcasting and cable TV distribution should be adopted at the earliest by the Ministry of Information and Broadcasting. Or else, soon every state in India may want to `own’ satellites, TV channels and then get into distribution, thus creating potential local monopolies, an industry observer opined.

    Sector regulator TRAI’s exhaustive set of recommendations on media ownership, issued and updated from time to time and last made in 2014, can be found here http://www.trai.gov.in/release-publication/recommendation.

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  • TRAI tariff: AIDCF impleads in Tata Sky, Airtel Digital pleas

    NEW DELHI: The Delhi High Court today allowed the All India Dgital Cable Federation to get impleaded in the direct-to-home platforms TataSky and Airtel Digital challenge to the Tariff and the Reference Interconnect Orderregulations.by the Telecom Regulatory Authority of India.

    A bench headed by Chief Justice Gita Mittal listed the matter for 16 August 2017 as the Regulations come into force from 2 September 2017. The bench permitted AIDCF to make legal submissions.

    Although the cases were listed separately, the bench had on 12 May 2017 decided to hear the matters together since similar grounds had been raised and had issued notice to TRAI.

    The Court had also issued notice on an application by the two platforms seeking a stay of the tariff order.

    The petitions are seeking an order not only for setting aside these regulations, but also some sub-sections of Section 11 of the TRAI Act 1997 as being violative of the Constitution.

    The respondents are both TRAI and Union of India.

    Indiantelevision.com had earlier reported that the primary problem arises from the fact that all stakeholders will have to abide by the rates fixed by the broadcaster according to the new tariff order.

    The DTH players are agitated not only with the fact that they pay over 85 per cent of the service tax and entertainment tax in the digitised universe, but the fact that their liberty to make their own bouquets may be taken away with the broadcasters having the say in fixing rates for individual channels.

    Apart from the Tariff order which had originally been issued on 10 October last year, the regulator also issued the DAS Interconnect Regulations which had been issued on 14 October last year, and the Standards of Quality of Service and Consumer Protection (Digital Addressable Systems) Regulations which had been issued on 10 October last year.

    TRAI had first come out with a draft tariff order in October 2016 but later issued the orders on 3 March after getting the green signal from the apex court even as a Star India and Vijay TV case was pending in the Madras High Court. The broadcasters have challenged the regulations under the Copyright Act on the ground that content does not come in the ambit of TRAI.

    The Supreme Court on 8 May stayed the operation of the regulations but asked the High Court to dispose of the casewithin four weeks. The High Court has since heard arguments by all parties and has sought written submissions on 27 July 2017.

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  • Govt aiming to reduce ‘copyright process’ time, Star favours reforms to leverage animation & game tech

    MUMBAI: The Indian Government’s priority is to streamline the copyright process and decrease the turnaround time for applications on IPR to less than three months. 

    Star India content studio president Gaurav Banerjee, participating in a discussion, emphasised the need for big-ticket reforms and sustained pace of policy change and control to leverage technological advancements in gaming, animation, design and other creative services.

    Reiterating the need for a well-regulated copyright regime in India, the controller-general of patents, designs and trademark O.P. Gupta said, “DIPP recently assumed the responsibility of (enforcing / implementing)  the Copyright Law.  At present, it takes about 16 to 18 months to close an application or assess discrepancies. We aim at decreasing this pipeline to less than three months.” 

    Gupta was speaking at ‘Copyright and the Creative Economy’ — an interactive session in Mumbai organised by the Federation of Indian Chambers of Commerce and Industries (FICCI), in association with Department of Industrial Policy and Promotion (DIPP).”

    The discussions focused on emerging trends and concerns relating to copyright, the capacity of the Indian creative sector to fuel the economic growth along with the role of regulator in rebuilding India’s creative strengths.

    “While the law is in the right direction,” Gupta said, “it is the mindset of the people that needs to evolve. To address this issue the DIPP is proactively taking steps to create awareness. To amicably change mindsets, we are rolling out programmes with school and college children.”

    The size of the Indian creative economy is expected to reach USD 34.8 billion by 2021 (FICCI EY Report – Digital Inflexion Point: Indian Media and Entertainment, 2017). India’s media and entertainment (M&E) industry is set to expand at a faster pace of 10.55 per cent CAGR, outshining the global average of 4.2 per cent CAGR, according to consulting firm PwC. In its annual sector forecast for 2017-2021, PwC said the Indian M&E sector will touch $45.1 billion by 2021, up from $27.3 billion at the end of 2016. 

    This potential can however, can only be tapped if backed by a conducive regulatory framework which incentivises creativity.

    In 2016, the National IPR Policy brought the administration of copyright under the Department of Industrial Policy and Promotion, and highlighted the intrinsic linkages between commercialization, consumer choice and creativity. Most recently, the Copyright Act was amended by the Finance Act, 2017 to subsume the Copyright Board within the Intellectual Property Appellate Board (IPAB), that also oversees aspects of trademark and patents.

    Banerjee emphasised on the need for building a case for authorship. He said, “A platform like ours has the reach of over 700 million users, and the degree of engagement is for over three hours a day. However, what are we making of this opportunity? Rather than treating television and films as fleeting fancies of youngsters, we must create a stable and lucrative model that will enable ‘power of ideas’ and commercial success that is rewarding and sustainable.”  

    FICCI deputy secretary-general Arun Chawla emphasised the need to strike a balance between the access to creative knowledge and entertainment along with rewards for copyright-holders. This need is recognised as a global challenge which has shaken the business models of pre-digital creative industries.

    The Copyright issue poses different degrees of challenges for various sectors with Media and Entertainment (M&E). The industry which is recession proof, and enables over 7.5 million jobs directly and indirectly, is often seen from the narrow lenses of protection against piracy.

    Necessitating an ecosystem approach towards the creative economy’s growth and regulation, wherein the distinctions between content and carriage are delineated and the intrinsic and positive relationship between them is understood by industry and government alike, is still debatable.

    The internet has also emerged as a new area for the enforcement of copyright. Responses to digital piracy like rights information management and encryption have in turn raised several concerns with regards to privacy, cybersecurity and the freedom of speech and expression.

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  • Modify or shift ‘double entendre’ progs, cautions broadcasting council

    NEW DELHI: Action was taken in 18 cases relating to telecast of content of indecency/obscenity/vulgarity in the last three years, the Parliament has been told. This included some general advisories issues by government. The punishment in most cases was a warning or the running of an apology scroll.

    Minister of state for information and broadcastng Rajyavardhan Rathore revealed that there had been no action in 2017.   

    The minister said apart from action taken by government, the Indian Broadcasting Foundation (IBF) had set up a Broadcasting Content Complaints Council (BCCC) to examine the complaints relating to content of television programmes.

    The council had informed the ministry that they have received complaints against usage of double meaning dialogues of sexual nature that might not be suitable for children. In such instances, BCCC has passed directions on case to case basis, either asking the channels to modify/ edit the content, not to repeat the episode, shift it to a late night slot or run an apology scroll on the channel.

    To ensure that the channels do not cross the thin line between comedy and vulgarity, the Council has also issued an advisory on 27 December 2012 to IBF’s member channels to use friendly banters without being derisive to any community, religion and individual.

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  • Govt invites entries for short film competition on ‘disability’

    NEW DELHI: Entries have been invited by the government for a ‘Short Film Competition on Divyangjan Sashaktikaran-2017’ on issues relating to disability;

    The competitive festival is being organized by the Department of Empowerment of Persons with Disabilities (Divyangjan) (DEPwD) of the Social Justice & Empowerment Ministry in association with the Directorate of Film Festivals (DFF).

    The competition is being organised in order to create awareness on Accessible India Campaign and to promote various schemes of DEPwD among common masses. The Department invites entries from common citizens. The participants may submit their entries shot with any electronic devices in HD format only.    

    The last date of submission of application is 8 August 2017. The  applications are invited in three categories viz ‘Short Documentaries’ of  up to  30 minutes duration, ‘Short Films’ of upto 5 minutes duration and ‘TV Spots’ (Television Commercials) of up to 50 seconds.

    The award function will be held tentatively on 21 September 2017 at Siri Fort Auditorium, New Delhi.

    The ‘Short Documentaries’ and ‘TV Spots’ should be based on Accessible India Campaign theme while ‘Short Films’  could be made on various schemes of DEPwD such as  Fellowship and Scholarship; Beneficiaries of Cochlear Implant, Distribution of Assistive Devices and Tri-cycle under Assistance to Disabled Persons for Purchase / Fitting of Aids and Appliances (ADIP Scheme); loan beneficiaries of National Handicapped Finance And Development Corporation (NHFDC); beneficiaries of Accessible Buildings under Scheme for Implementation of Persons with Disabilities Act (SIPDA); beneficiaries of NGOs taking grant –in-aid under Deendayal Disabled Rehabilitation Scheme (DDRS) and various skill development initiatives of the DEPwD for Persons with Disabilities.

    The ‘Short Film Competition on Divyangjan Sashaktikaran-2017’ will carry  First and Second Prize of Rs 5,00,000  and Rs 3,00,000 respectively in ‘Short Documentary’ and ‘TV Spots’  categories while ‘Short Film’ category  will carry only one prize of Rs 4,00,000 for each scheme.

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  • No pre-censorship of TV shows, reiterates MIB

    NEW DELHI: The government today reiterated in the parliament that there is no proposal for any censorship or any rules and norms for private TV channels for broadcasting their pre-recorded programmes.

    The question in the Rajya Sabha were related to pre-recorded programmes or ‘fabricated videos pretending as live telecast.’

    Minister of State for Information and Broadcasting Rajyavardhan Rathore said under the existing regulatory framework, all programmes and advertisements telecast on private satellite TV channels and transmitted/re-transmitted through the Cable TV network are required to adhere to the Programme and Advertising Codes prescribed under the Cable Television Networks (Regulation) Act, 1995 and Cable Television Network Rules, 1994 framed thereunder.

    The Act does not provide for pre-censorship of any programme and advertisement telecast on such TV channels.

    However, it prescribes that all programmes and advertisements telecast on such TV channels including regional language channels should be in conformity with the prescribed Programme Code and Advertising Code enshrined in the said Act and the rules framed thereunder, which contain a whole range of parameters to regulate programmes and advertisements including the content aimed at instigating communal violence and fear in the minds of common people on TV channels.

    Apart from this, this Ministry had issued an Advisory to news and current affairs TV channels on 20 September 2013 advising them to follow the provisions of the Programme Code scrupulously and exercise restraint and sensitivity while reporting such incidents and refrain from telecasting any material which could ignite communal passions and create law and order problem.

    The Ministry has set up Electronic Media Monitoring Centre (EMMC) to monitor the content telecast on private TV channels with reference to the violation of Programme and Advertising Codes.

    An Inter-Ministerial Committee (IMC) has also been set up in the Ministry to look into the specific complaints or suo-motu take cognizance against the violation of Programme and Advertising Codes. The IMC has representatives from the Ministries of Home Affairs, Defence, External Affairs, Law, Women and Child Development, Health & Family Welfare, Consumer Affairs, Information & Broadcasting and a representative from the industry in Advertising Standards Authority of India (ASCI). The IMC meets periodically and recommends action in respect of violation of Programme and Advertising Codes by private TV channels.

    Apart from this, the Ministry has also issued directions to States to set up District level and State level Monitoring Committees to regulate content telecast on cable TV channels.

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  • MIB asks teleport operators to give exact location in 7 days

    NEW DELHI: All teleports operators have been asked by the ministry of information and broadcasting (MIB) to provide information with regard to the exact location of their teleport alongwith the longitude and latitude details.

    This follows the decision of the ministry to prepare a GIS (Geographic Information Systems) Plotting of all teleports permitted by the ministry. Teleports have been asked to furnish the required information within seven days from the date of issue of the notice.

    In March this year, the ministry had reminded all teleports about giving information about television channels uplinked or downlinked by them and warned that permissions other than those in the report of the Teleport Operators will be considered as lapsed and action will be taken to cancel such permissions.

    The ministry said on 17 March that all teleports have to report within 15 days according to the formula attached to the notice on the ministry’s site.

    The ministry had, on 7 January 20I3, directed all the teleport operators having permission for up-linking and down-linking of TV channels to furnish the detailed list of TV Channels being uplinked from their teleport every month.

    The note said: “It has come to the notice of this Ministry that some of the teleport operators are still not furnishing the above monthly report and those who are furnishing the report, the data do not match with the permissions issued by this Ministry for uplinking/downlinking of TV channels from their respective teleports.

    The Ministry had decided that all the teleport operators having permission for up-linking and down-linking of TV channels shall immediately furnish details of the permissions issued by Ministry till date for uplinking/downlinking of TV channels from their teleports in the fixed proforma.

    Teleports who do not give such information will be presumed to be non-functional and action will be initiated for cancellation of the teleport permission.

    “Furnishing this information is mandatory and non-compliance will be construed as violation of the uplinking guidelines,” the Ministry said.

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  • No BRR implication on b’caster & DPO link flawed: Vijay TV, IBF affidavit rejected

    No BRR implication on b’caster & DPO link flawed: Vijay TV, IBF affidavit rejected

    NEW DELHI: Even as arguments concluded in the Star India and Vijay TV case challenging the jurisdiction of Telecom Regulatory Authority of India to issue tariff orders on the ground that content came under the Copyright Act, the Madras High Court directed all parties to submit written statements by 27 July 2017.

    The Court refused to accept an affidavit by the Indian Broadcasting Foundation which had neither a notary stamp nor a date. Earlier, in his arguments, TRAI counsel Saket Singh had said that IBF represented a mere 20 per cent of the broadcasters in the country. In fact, the bench expressed its annoyance at the manner in which the affidavit had been presented.

    If the written submissions are accepted by the court, it will reserve its judgment in the matter.

    Vijay TV counsel Abhishek Manu Singhvi, while presenting his rejoinder, also furnished a number of new arguments, and therefore the court wanted all these to be put into written submissions. Singhvi said that the dichotomy between copyright works and their compilations were false, and TRAIs assertion that a TV channel was a separate product was not ‘protectable.’ He said that public interest would not confer non-existent jurisdiction on TRAI.

    In any event, TRAI will continue to regulate carriage and the broadcasters business.

    Singhvi said that TRAI seemed to assert that broadcast reproduction rights did not have had anything to do with a channel but was merely a compilation of copyright works. That understanding was flawed. The impression that TRAI was not regulating content but only the manner of offering of the TV channel was completely flawed since price, manner of offering and market place were inextricably linked.

    Singhvi contended that TRAI was indulging in disguised encroachment. It might have jurisdiction on transmission but cannot extend to other sectors.

    He said the reliance on the 2009 Delhi HC judgement of Star vs Trai was completely misleading. The principles of ‘res judicata’ and ‘constructive res judicata’ would not confer jurisdiction on TRAI  to regulate content.

    In any event, the issue raised in the instant writ had never been dealt before any court/ tribunal, thus the earlier judgements could not operate as res judicata / constructive res judicata. Similarly, the reliance on NSTPL judgment was completely misplaced. He said acquiescence / estoppel / concession in law was not binding.

    TRAI’s reliance on TRAI vs BSNL decision of TDSAT to assert Star was stopped from challenging the regulations was completely misleading.

    On his points as rejoinder, he said TRAI and intervenors suggestion that broadcast came into existence only after TV channel signal reaches the set-top box and thus there was no BRR (broadcast reproduction right) implication in the arrangement between the broadcaster and the DPO was completely flawed.

    Broadcast comes into existence from the moment the TV channel is uplinked.

    TRAI’s argument that the Copyright Act only protects individual programmes as works, and a TV channel being a ‘distinct and different product’ is not protected as a whole under the Act is completely flawed, he said, adding that a TV channel is protected as a broadcast  under the Act. The owner of TV channel is granted a substantive right known as the BRR.

    The distinction between driver/ non- driver and popular/ non popular channel- while the impinged regulation and Tariff order claim to be content agnostic. TRAI has taken every effort to rely on content to justify and defend them.

    TRAI does not have the power to administer the programme code and advertising code under the Cable Networks (Regulation) Act 1995. TRAI’s role as authority under that Act is very limited. It is recognised as an authority only for the limited period of digitisation as governed under section 4A.

    The impunged regulation and Tariff directly affects subscription and advertisement revenue of broadcaster which in turn impacts the expenses that can go into curating and programming of Tv channel which in turn directly affects the price at which programmes can be acquired which is nothing but control of pricing of copyright works and content.

    Sampling of content is the norm. Bundling of content is beneficial to promote public interest. TRAI’s impugned regulations will impact the diversity and Prularity of views.

    Although the Supreme Court had in early May while staying the tariff order directed the Madras High Court to complete hearing within four weeks, the High Court had commenced the in the last week of June.

    Meanwhile, TRAI TV reference interconnect offer (RIO) and Quality of service order (QoS) came into effect from 2 May following the order of the High Court.

    Apart from the Tariff order which had originally been issued on 10 October last year, the regulator also issued the DAS Interconnect Regulations which had been issued on 14 October last year, and the Standards of Quality of Service and Consumer Protection (Digital Addressable Systems) Regulations which had been issued on 10 October last year.

    The orders can be seen at:

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    Decks cleared for TRAI tariff order implementation as HC declines stay (updated)

    Star India case questioning TRAI jurisdiction over content postponed

     

  • TRAI can only regulate transmission, not broadcast material: Star tells Mds HC

    NEW DELHI: The Telecom Regulatory Authority of India can only regulate the means of transmission and not take any decisions like pricing about the content, Star India contended today.

    In his rejoinder in the petition by Star India and Vijay TV challenging the jurisdiction of TRAI to issue tariff orders on the ground that content came under the Copyright Act, Star India counsel P Chidambaram said TRAI was free to regulate the carriage side of broadcasting right up to the consumer.

    Chidambaram was speaking after the arguments by TRAI counsel Saket Singh, and intervenors All India Digital Cable Federation counsel A R L Sundaresan and Videocon d2h counsel Vijay Raman.

    Chidambaram said that in theory, TRAI could not price even the movie channels.

    He said that the petitioners were not licencees under Section 2(1)(e) if the TRAI Act.

    Responding to points made by TRAI, he said the reliance to the 2004 judgment pf the Delhi High Court in the Star India vs TRAI case was misplaced. This was because the principles of res judicata estoppel and acquiescence do not apply to the present case since the present petition is challenging the jurisdiction of TRAI itself. Even that judgement had only directed TRAI to freeze and not to fix prices, he contended.  

    He also said that TRAI was fixing prices genre-wise in the new tariff order and not channel wise.

    While Chidambaram referred to the tariff orders of 2004 and 2007, he refrained from speaking about the tariff orders of 2012 and 2014.

    He contended that once uplinked, broadcasting was complete and TRAI did not come into the picture in broadcast re-production rights.

    Following the completion of his rejoinder, senior counsel Abhishek Manu Singhvi will present his rejoinder on behalf of Vijay TV. It is expected that the judges may reserve orders tomorrow.

    Although the Supreme Court had in early May while staying the tariff order directed the Madras High Court to complete hearing within four weeks, the High Court had commenced the in the last week of June.

    Meanwhile, TRAI TV reference interconnect offer (RIO) and Quality of service order (QoS) came into effect from 2 May following the order of the High Court.

    Apart from the Tariff order which had originally been issued on 10 October last year, the regulator also issued the DAS Interconnect Regulations which had been issued on 14 October last year, and the Standards of Quality of Service and Consumer Protection (Digital Addressable Systems) Regulations which had been issued on 10 October last year.

    The orders can be seen at:

    http://trai.gov.in/sites/default/files/Tariff_Order_English_3%20March_20…

    http://www.trai.gov.in/sites/default/files/QOS_Regulation_03_03_2017.pdf

    http://www.trai.gov.in/sites/default/files/Interconnection_Regulation_03…

    Also Read: Decks cleared for TRAI tariff order implementation as HC declines stay (updated)

    Star India case questioning TRAI jurisdiction over content postponed

     

  • Smriti Irani gets additional charge as MIB minister

    NEW DELHI: Actor-turned politician Smriti Zubin Irani has been given the additional charge of the information and broadcasting ministry following the resignation of M Venkaiah Naidu who has been nominated for the post of the country’s vice-president.

    Irani will hold this charge in addition to her main ministry, textiles. Welcoming her after the announcement was made by the prime minister Narendra Modi, minister of state Rajyavardhan Rathore tweeted: “Delighted to welcome the sharp, erudite smt. @smritiirani to @mib_india. Looking fwd to working with her in the ministry.”

    Nominated to the Rajya Sabha from Gujarat, Irani had first joined Modi’s  cabinet as Human Resource Development Minister but had been shifted to Textiles in a cabinet reshuffle.

    Irani joined the Bharatiya Janata Party in 2003. She became the vice-president of the Maharashtra Youth Wing in 2004.In the 2004 general elections for the 14th Lok Sabha, she contested unsuccessfully against Kapil Sibal from the Chandni Chowk constituency in Delhi. She was nominated as executive member of the central committee of the BJP. In early 2010, Irani was appointed National Secretary of BJP and on 24 June, she was appointed All India President of the BJP’s women’s wing, BJP Mahila Morcha.

    Irani contested the 2014 general elections against Rahul Gandhi in Amethi and lost. On 26 May 2014, Modi appointed her as the minister of human resource development in his cabinet. Her appointment was criticised by many people owing to her lack of formal higher education.

    Irani was born in Delhi to a Bengali mother and a Punjabi father, Ajay Kumar Malhotra. She is the eldest of three sisters. She has been a part of the Rashtriya Swayamsevak Sangh (RSS) from childhood as her grandfather was an RSS swayamsevak and her mother a member of Jana Sangh.

    Irani was one of the finalists of the beauty pageant Miss India 1998, along with Gauri Pradhan Tejwani. In 1998, Irani appeared in a song “Boliyan” of the album “Saawan Mein Lag Gayi Aag” with Mika Singh. 

    In 2008, Irani along with Sakshi Tanwar hosted the show Yeh Hai Jalwa, a dance based reality show featuring celebrities along with their troops on 9X. In the same year she also produced another show on Zee TV, Waaris which ended in 2009. In 2009, she appeared in a comedy show Maniben.com, aired on SAB TV. She also co-produced the show in collaboration with Contiloe Entertainment. In 2012, she worked in Bengali movie Amrita.

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