Category: News Headline

  • Hinduja TMT to de-merge media, IT/BPO biz

    Hinduja TMT to de-merge media, IT/BPO biz

    MUMBAI: Hinduja TMT Ltd. will de-merge the company’s IT/BPO and media businesses into separate entities. The board of directors of the company are meeting tomorrow to provide in principle approval for this.

    The media business is likely to be brought under a holding company, a source said. HTMT has been weighing several options while deciding on separating its IT from media business. One option is to have the cable TV and broadband business under one entity while keeping the content business separate. Another possiblity could be to have a common entity for the media businesses.

    “I have nothing to comment at this stage. The board is meeting tomorrow,” HTMT MD K Thiagarajan said.

    Last month, speaking to Indiantelevision.com, Thiagarajan had admitted that de-merger was very much in the plans. “It couldn’t be done in 2005-06 fiscal because of certain taxation issues. The programme is still alive and we hope to de-merge early this fiscal. A committee of directors are looking into the issue.”

    HTMT has subsidiary companies which are into cable TV distribution, a cable movie channel, and movie financing and production. IndusInd Media & Communications Ltd (IMCL) runs cable TV through the Incablenet brand while CVIL operates CVO, a Hindi cable movie channel. IN Network Entertainment Ltd. (INEL), a wholly owned subsidiary of HTMT, is in film and content finance, production and distribution.

    Recently, Zee Telefilms had announced its plans to de-merge Siticable, a wholly owned subsidiary, into a separate company called Wire and Wireless (India) Limited (WWIL). This would bring specific focus into the cable business and be attractive to investors.

  • 74 per cent Americans use mobile phones in emergency situations: Study

    74 per cent Americans use mobile phones in emergency situations: Study

    MUMBAI: Usage of cell phones has become an internal part of today’s life all around the globe. According to Americans, their cell phones aid them during emergencies and fill in their free time. It is interesting to note that around eight per cent had used their cells to vote in contests that had appeared on television, such as American Idol.

    The findings emerge in a national survey of cell phone owners by the Pew Research Center’s Pew Internet & American Life Project, the Associated Press and AOL.

    The result indicated that many also report driving unsafely while on their cells and they say they don’t like the new intrusions and public annoyances cell phones bring to their lives – not to mention their monthly bills.

    The cell phone has become an integral and, for some, essential communications tool that has helped owners gain help in emergencies. Fully 74 per cent of the Americans who own mobile phones say they have used their hand-held device in an emergency and gained valuable help.

    Another striking impact of mobile technology is that Americans are using their cell phones to shift the way they spend their time. Some 41 per cent of cell phone owners say they fill in free time when they are traveling or waiting for someone by making phone calls.

    While 44 per cent say they wait to make most of their cell calls for the hours when they do not count against their “anytime” minutes in their basic calling plan.

    At the same time, there are new challenges associated with cell phone use. More than a quarter of cell phone owners (28 per cent) admit they sometimes do not drive as safely as they should while they use their mobile devices. Among cell phone users, men (32 per cent) are more likely than women (25 per cent) to admit they sometimes don’t drive as safely as they should.

    Furthermore, 82 per cent of all Americans and 86 per cent of cell users report being irritated at least occasionally by loud and annoying cell users who conduct their calls in public places. Indeed, nearly one in ten cell phone owners (eight per cent) admit they themselves have drawn criticism or irritated stares from others when they are using their cell phones in public.

    For some, the cell phone has become so central to their communications needs that they lose track of the expenses associated with their phones. Some 36 per cent of cell owners say they have been shocked from time to time at the size of their monthly bills.

    When it comes to the features Americans would like to add to their cell phones, the desire for maps tops the charts by a clear margin. Fully 47 per cent of cell owners say they would like this feature and 38 per cent say they would like to have instant messages from select friends sent to their cells. Some 24 per cent of cell owners say they would like to use their phones to conduct searches for services such as movie listings, weather reports, and stock quotes. And a similar 24 per cent of cell owners would like to add email to their mobile-phone functionality.

    A third of cell owners (35 per cent) already use text messaging features on their phones and another 13per cent would like to add that capacity to their phone.

    Some 19 per cent of cell owners say they would like to add the capacity to take still pictures to their cells.

    The findings provide a detailed picture of the role of the cell phone in modern life, including how the use of cell phones has helped people become more spontaneous and prolific in their communication patterns. Half the survey was conducted among cell phone owners on their cell phones – one of the largest such samples ever conducted.

    In all, 1,503 people were surveyed between March 8 and March 28 – 752 of them on their landline phones and 751 on their cell phones. Some 1,286 cell phone users were interviewed in the sample. The overall sample and the cell-phone user sample have a margin of error of plus or minus three percentage points.

    It is likely that many of the behaviors reported here will intensify in coming years as more people become attached to and reliant on their mobile phones informs the official release.

    Indeed, 23 per cent of those who currently have landline phones say they are very likely or somewhat likely to convert to being only cell phone users.

    Other overall findings – interruptions, deception, texting spam and “American Idol” In this survey of adult cell users, more than a third say their cell phones have enabled some type of unwelcome intrusion in their lives.

    24 per cent of cell-using adults report they often feel like they have to answer their cell phones even when it interrupts a meeting or a meal.
    22 per cent believe that “too many” people try to get in touch with them because others know they have a cell phone.

    The reasons for this become clear when cell owners describe how they use their phones: Fully 52 per cent of all cell owners say they keep their phone on all the time and 81 per cent of cell-only users say the device is always on. At times, mobile phones are used abet some white lies: 22 per cent of cell owners say they are not always truthful about exactly where they are when they are on the phone. Younger users are much more likely to say they are not always honest about where they are: 39 per cent of cell users ages 18-29 say that.

    Spam has invaded cell phones, too. About one in six cell owners (18 per cent) report receiving unsolicited text messages on their phones from advertisers.

    Asked if they had used their cells to vote in contests that had appeared on television, such as “American Idol,” 8 per cent of cell owners said they had done that.

    Cell phone users are split in how attuned they are to making calls at times when it is less expensive to do so. Some 41 per cent say they try to place most of their phone calls when they know the minutes they use won’t cost them extra money, while 58 per cent report they don’t concentrate the use of their phones to those off peak hours.

  • In-Stat forecasts over 400 million global broadband subscribers by 2010

    In-Stat forecasts over 400 million global broadband subscribers by 2010

    MUMBAI: With the increasing penetration of established broadband technologies like Digital Subscriber Line (DSL) service and cable modem service, the number of worldwide broadband subscribers will double over the next five years, reports the US-headquartered research firm In-Stat (http://www.in-stat.com).

    By year-end 2010, worldwide broadband subscribers will reach 413 million, it says.

    “There are several reasons behind the rapid growth in worldwide broadband subscribers, but the most important are the increasing availability of broadband services and the proliferation of new applications that rely on high-speed connections,” says In-Stat analyst Mike Paxton. “Other drivers fueling subscriber growth include a gradual, but consistent, reduction in monthly service prices, and the beginnings of effective bundling strategies that link high-speed Internet service with video and telephony services.”

    Recent research by In-Stat found the following:

    DSL remains the leading broadband access technology. On a worldwide basis, it currently accounts for 69 per cent of all broadband subscribers.

    Based on current worldwide broadband growth rates, 3.7 million new subscribers will sign up for broadband services each month this year. In the US, 670,000 new subscribers every month are projected to sign up for broadband service.

    According to In-Stat estimates, in late February 2006 the total number of worldwide broadband subscribers passed 200 million.
     

  • George Alagiah joins BBC World to present ‘NewsHour’

    George Alagiah joins BBC World to present ‘NewsHour’

    MUMBAI: George Alagiah, one of the BBC’s well-known news presenters, will join BBC World to present a brand-new programme NewsHour. Beginning in June, the programme will broadcast each weekday during peak times in the key markets around the world, including the US breakfast peak and Asia evening peak.

    Alagiah will present NewsHour at 12 PM (GMT) from Monday to Thursday. He currently co-presents the BBC’s Six O’Clock News in the UK, and will continue in that role in addition to presenting NewsHour, informs an official release.

    BBC Global News Division director Richard Sambrook says, “We are extremely pleased to have a journalist of George’s calibre on board to present our new programme. George has achieved tremendous success in the UK for his objective coverage, in-depth international knowledge, and his sharp interviewing skills. His experience and his ability to uncover the news behind each story will be crucial for the success of NewsHour, which was created to ensure that BBC World delivers continuous and authoritative news programming to its audiences in the US during peak morning hours, and in East Asia in the evening.”

    “As a foreign correspondent for a decade, I saw first-hand how people around the world turned to the BBC for its sheer breadth of coverage and the authority with which it came. Now, more than ever, American audiences are interested how global events can have an impact on their lives and Newshour will bring them the day’s international news stories from an impartial and global perspective.”

    Alagiah joined the BBC in 1989 and worked as a foreign correspondent specialising in Africa and the developing world. In March 2002, he launched BBC Four’s international news programme and began presenting BBC’s Six O’clock News in January 2003.

    He has reported on many issues and events including the famine in Somalia, the genocide in Rwanda, the civil war in Liberia, Saddam Hussein’s campaign against the Iraqi Kurds and the aftermath of the terror attacks on New York.

    Alagiah has won several awards for his reporting and has interviewed many prominent international figures including Nelson Mandela, Yasser Arafat and Tariq Aziz of Iraq.

    The introduction of NewsHour is part of the channel’s plan to establish regular NewsHour programmes throughout the day, to ensure BBC World delivers tailored news programming at the breakfast and evening peak-times across key time zones.

  • Adlabs to buy out Mukta stake in JV, pump in Rs 2 billion in twin-screen theatres

    Adlabs to buy out Mukta stake in JV, pump in Rs 2 billion in twin-screen theatres

    MUMBAI: Anil Ambani-controlled Adlabs Films Ltd is buying out Mukta Arts’ 50 per cent stake in the joint venture company, Mukta Adlabs Digital Exhibition.

    As a step up in the plan, Adlabs is earmarking an investment of Rs two billion towards acquisition of 50 old cinema theatres for conversion into “twin screens.” Part of this investment will include the installation of digital projectors in these theatres.

    “We are acquiring the entire stake of Mukta Arts. We will be investing Rs two billion to upgrade 50 cinema theatres and install digital delivery systems in them,” Adlabs Films chairman and managing director Manmohan Shetty tells Indiantelevision.com.

    Adlabs and Subhash Ghai-promoted Mukta Arts had floated a joint venture company in 2003 for digital delivery of movies. Mukta Adlabs Digital Exhibition had invested around Rs 100 million but the company had been unable to make much headway with its technology which required a server and projectors to be installed in the theatres.

    For buying out the stake, Adlabs has not paid any premium. “We have paid a little less than Rs 50 million which is the actual investments made by Mukta Arts. We didn’t want any partners as we were planning to integrate the twin-screen converted cinema threatres with the installation of digital projectors. We plan to have the 50 twin screen theatres in B-class stations over 3-4 years,” says Shetty.

    Mukta Arts, however, is not abandoning the digital delivery of movies project. “We decided to part ways with Adlabs as our plans were different. Digital distribution of movies will be very much part of our plans as we are committed to technologies of the future,” says Mukta Arts CEO Ravi Gupta.

    The new technology of digital projection through hard discs avoids the use of film prints, which costs between Rs 50,000 and Rs 60,000 to the distributor. It also enables audiences of “B” and “C” class centres to watch their favourite films on the first day itself, thereby making simultaneous worldwide release a possibility. The technology also combats against piracy.

    Anil Ambani has big plans to deliver movies to cinema theatres through Reliance Infocomm’s fibre optic network. Having designs on launching a direct-to-home (DTH) service, he may also take the satellite delivery route for distribution of movies. “Even if the current delivery sytems are changed, digital projectors will be required in the fibre or the satellite system. Our plan is to aggressively install these projectors in the theatres which we are taking up for converting into twin screens,” says Shetty.

  • Private broadcasters resist fee proposal for DD Direct+

    Private broadcasters resist fee proposal for DD Direct+

    NEW DELHI: Indian pubcaster Prasar Bharati’s bid to demand carriage fee from broadcasters to be on its DTH platform, DD Direct+, has met with initial resistance from private sector players.

    This was amply clear in a meeting that was held today at the Prasar Bharati headquarters here to discuss the fee issue with private broadcasters who are already present on DD Direct+.

    The private sector channels, which have been on DD Direct+ for over a year now, feel that the demand for a carriage fee on the pubcaster’s DTH platform is “unjustified.”

    According to a representative of a private broadcaster, “We had assisted Prasar Bharati to launch its DTH service keeping national interest in mind. Now that the service is doing well, this sudden demand is unjustified.”

    Early April, Prasar Bharati CEO KS Sarma, while making a presentation before the media during the announcement of its annual financial result, had said there is a proposal to charge private channels on DD Direct+ an annual fee of Rs. 10 million from May when the total number of channels would be increased to 51.

    The private broadcasters on DD Direct+ are understood to have argued today at the meeting that as a gesture of goodwill towards them and their contribution in the success of the DTH Platform, they should not be charged any fee.

    “If at all Prasar Bharati wishes to charge a carriage fee, it should do so from newcomers who join the platform now,” a general entertainment channel representative said.

    Prasar Bharati is India’s public service broadcaster and manages Doordarshan and All India Radio. The DTH service, which has over 900,000 subscribers as per claims made, doesn’t charge the consumer any monthly subscription fee. The hardware comes at a cost of approximately Rs. 4,000.

    Publicly funded Prasar Bharati has said there’s a long queue of Indian and foreign broadcasters waiting to hop on to DD Direct+ in an efforts to establish their presence in a market where all TV homes number over 90 million. Of this, 61 million are C&S homes.

    The proposal to levy a fee to ride the DD Direct+ bandwagon is also an effort of the pubcaster to increase its annual income, which falls much short of its total yearly expenditure. For the year 2005-06, ended 31 March, the pubcaster’s revenues stood Rs. 12.38 billion, up a whopping 67 per cent from the Rs 8.31 billion it earned previous year.

    Of this, national broadcaster Doordarshan accounted for Rs 9.6 billion riding heavily on cricket and Hindi movies. Most significant was the growth on the radio side though, with All India Radio registering a 59.6 per cent jump in revenues at Rs 2.7 billion.

  • Ekta Kapoor launches talent hunt for ‘Kyunki…’ cast

    Ekta Kapoor launches talent hunt for ‘Kyunki…’ cast

    MUMBAI: Indian television’s most successful television soap Kyunki Saas Bhi Kabhi Bahu Thi is set for a 20-year leap and the next generation of actors will be chosen from a talent hunt.

    Walk-in auditions have been planned in three northern cities: New Delhi, Chandigarh and Shimla and the hunt will kick start on 29 April.

    The leap makes way for a host of new characters to make their appearance on the small screen. The Ekta Kapoor headed creative team of Kyunki…. is stepping out of Mumbai to search for these new faces, informs an official release.

    “The highlight of this talent hunt is the search for “Krishnatulsi” who takes over the mantle of Tulsi from Smriti Irani as she takes over the mantle of Baa,” says Balaji Telefilms creative director Ekta Kapoor.

    “We are always on the look out for fresh talent but this time around it is very special. We are looking for the next generation of the Virani family. We started Kyunki… five years back with a large part of the cast selected from the masses and most of them, today, are well established artists with their own fan following. It therefore makes complete sense for us to go back to the masses to look for the next generation of the Virani family,” says Kapoor.

    The dates for audition in each city are:

    New Delhi — 29 and 30 April at Marwah Studio Noida.
    Shimla — 1 May at Chaura Maidan College.
    Chandigarh — 2 May at Dev Samaj College for Girls.

    The auditions are open to professional actors, models, theatre artists and the general public in the 18 to 25 years age group. Good diction, brilliant attitude and acting skills are factors critical in being short-listed, states the release.

  • Disney ties up with AirTel for mobisodes

    Disney ties up with AirTel for mobisodes

    MUMBAI: After Star India, it is Walt Disney Television International (India) that is exploring the mobile-enabled episode (mobisode) phenomenon.

    The company has tied up with AirTel to develop mobisodes, games, ringtones, wallpapers and animation in the ‘Disney Mobile Theatre’ featuring popular cartoons. This is the third telecom operator Walt Disney will have tied up with, the other two being in Asia.

    “It is a sunrise segment for Walt Disney. But it is rapidly growing, particularly in the East Asian markets like Japan,” The Walt Disney Company India managing director Rajat Jain said.

    AirTel will, thus, become the first provider of Disney Mobile Theatre in India providing characters like Mickey Mouse, Minnie Mouse, Donald Duck, Goofy and Pluto on the mobile.

    The wallpapers will be priced at Rs 10 per download, whereas the mobisodes, videos, ringtones and Hello Tunes have been priced at Rs 15. A Disney game can be downloaded for a charge of Rs 99. However, company officials were reluctant to divulge the revenue sharing ratio between the two for the same.

    AirTel customers can have access to six Disney animated series in the form of 30 second episodes exclusively made for mobile devices. The content can be downloaded from Airtel’s entertainment portal – Airtel Live! and music and ringtones can also be downloaded from Airtel’s Hello Tunes.

    “With voice pricing coming down, we expect this to be a significant revenue stream for us. Across the globe, telecom operators generate 12-20 per cent revenues from non voice segment,” Bharti Airtel director marketing and communications Hemant Sachdev said.

    “We have always admired the Disney brand for the difference it makes to lives across the globe – bringing millions of people fun, laughter and wholesome entertainment. We are now pleased to partner with Disney to deliver outstanding creative content and entertainment. With Disney Mobile Theatre, Airtel customers can enjoy the Disney experience on the mobile for the first time in India from wherever they are,” he added.

    Walt Disney Internet Group executive vice president and managing director international Mark Handler said, “The launch of Disney branded mobile content on Airtel, including Disney Mobile Theatre and personalisation, content and games, combines Disney’s rich story telling legacy and unparalleled brand equity with Airtel’s leadership in wireless voice and data services to create an engaging and unique mobile experience for customers.”

    Added Jain: “India is a priority for the entire company, and we are delivering on our strength to expand our presence here. We have a huge competitive advantage, thanks to the strength of the Disney brand, which is aspirational. We embrace new technology innovations in developing quality Disney entertainment and as leading content creators are best positioned to capture new ways of delivering it when and where the consumer demands. Using technology to advance our content and its distribution will play a fundamental role in securing our future.”

    The Walt Disney Internet Group has mobile content distribution in 12 other markets in the Asia Pacific region including Hong Kong, Japan, Taiwan, Korea, Singapore, China, Thailand, the Philippines, Australia, New Zealand, Malaysia and Macau. Close to 695 million mobile consumers have access to Disney mobile content in this region.

    Late last year, Star India had tied up with Hutch to create mobisodes of The Great Indian Laughter Challenge (TGILC), which aired on Star One. The price of a one time download of a mobisode of TGILC is Rs 10 per. Additionally, subscribers can also call 7827 (Star India’s short code) to listen to the TGILC jokes for Rs 6.

    Soon after, Zee Telefilms director and business head of Zee TV channel Punit Goenka had told Indiantelevision.com that the company was seriously exploring the phenomenon of mobisodes and were in the process of identifying the properties which were best suited for it.

    Now with Disney also tapping the rapidly growing mobile content and entertainment space, it won’t be long before the others too follow suit.

  • Genios secures US distribution rights to Tartan titles

    Genios secures US distribution rights to Tartan titles

    MUMBAI: The US-based producer and distributor of home entertainment products Genius Products, Inc. is adding a library of more than 60 independent films to its slate of DVD releases through an exclusive distribution agreement with Tartan Video USA.

    The deal was announced by Genius Products CEO Trevor Drinkwater and Tartan Video USA President Tony Borg.Established in September 2004, Tartan USA boasts a library of more than 60 world-renowned eclectic-and often controversial-feature length independent films. The library includes Tartan’s Asia Extreme line of horror films, a fast-growing contemporary genre featuring the best of cinema from the Far East with such cult favorites as the 2004 Cannes Grand Jury Prize winner Oldboy, A Tale Of Two Sisters, and Takashi Shimizu’s Marebito. The library generated approximately $6 million of net revenue in 2005 and is expected to grow to $9 million in 2006, states an official release.

    In addition to distributing Tartan’s library of critically acclaimed films, Genius will distribute all new releases from Tartan Video USA, the American arm of Hamish McAlpine’s Tartan Films. The first titles set for release this summer represent both the Asia Extreme and Tartan Video brands.

    “The Tartan Video library is a remarkable line-up of films that have been recognized around the world as not only entertaining and inspiring, but thought-provoking as well. The titles represent another example of the ever increasing quality of content distributed by Genius through the expanded infrastructure we created to handle major titles from The Weinstein Company. With our newly implemented Vendor Managed Inventory system, we anticipate even greater success for Tartan’s library,” says Drinkwater.

    “Our agreement allows us to expand our distribution reach with a partner whose product line complements our own. We believe our world-renowned independent films, critically acclaimed Asia Extreme catalog and future branded labels are a great match with Genius’s already impressive catalog,” adds Borg.

  • Crest Animations’ ‘Jakers!…’ wins Daytime Emmy Award for outstanding children’s animated program

    Crest Animations’ ‘Jakers!…’ wins Daytime Emmy Award for outstanding children’s animated program

    MUMBAI: Jakers! The Adventures of Piggley Winks has won a Daytime Emmy Awards for Outstanding Children’s Animated Program. Crest Animation Studios provided all the overseas services like modelling, rigging, texturing, animation, lighting, rendering and compositing for this series.

    Jakers! The Adventures of Piggley Winks is a 3D, computer animated series that follows the adventure of a spunky eight-year-old pig named Piggley and his friends Dannan the Duck and Ferny the Bull, who live on a farm in Ireland.

    The award was conferred at the 33rd Annual Creative Craft Daytime Emmy Awards on 22 April. The 33rd Annual Daytime Emmy Awards is a presentation of the National Television Academy in cooperation with the Academy of Television Arts & Sciences.

    Crest Animation Studios CEO A K Madhavan said, “It is a matter of great pride for us to be recognised for our quality of work by one of the most powerful body representing the American Television Industry. We have won accolades in the past like the BAFTA award and an ANNIE nomination for our work in Jakers! The Adventures of Piggley Winks. We have also won the Apsara Award for Tenali Rama; it is a special feeling, to be one of the best among the international players.”

    Crest is moving ahead on its way to become a globally recognized Computer Graphics Imaging (CGI) animation studio. Crest’s US-based subsidiary, RichCrest Animation (RCA), and Lions Gate Entertainment (LGE) have announced a three-picture co-production and co-financing arrangement to produce three state-of-the-art animated feature films for worldwide theatrical release.

    RCA and LGE would equally share the cost of production, as well as the profits. The rights to the first film under the agreement – Sylvester and the Magic Pebble, based on the Caldecott Medal-winning story by William Steig (the creator of the blockbuster Shrek) have been acquired, and the film is in development.