Category: News Headline

  • TV pilot production drops 23% in Los Angeles

    TV pilot production drops 23% in Los Angeles

    MUMBAI: Los Angeles’ television pilot production during the February-May pilot season declined about 23 per cent in 2006, from 105 shows produced in 2005 to 81 this year. The drop in Los Angeles occurred as production in other regions grew significantly.

    According to the findings of a survey done by FilmL.A., Inc., while the overall number of pilots produced for the season slipped three per cent (from 124 to 120 projects), L.A.’s share of the season total fell to 68 per cent, a 21 per cent drop from the 85 per cent share in 2005.

    FilmL.A.’s second annual overview of pilot production was based on an industry-wide survey of production companies. The data shows that L.A.’s loss resulted in a gain for other locales, most notably New York City, which saw its pilot production share increase to 11 projects, from seven in 2005.

    The Canadian provinces matched NYC’s tally with 11 pilots (vs. five in 2005). Washington DC hosted three pilots, while Florida, Georgia, Louisiana and Texas each had two pilots. Massachusetts, Illinois, Tennessee, New Mexico, Rhode Island and Utah split the remainder with one pilot each. In all, 39 of this year’s 120 pilots were produced outside of Los Angeles; more than double the number recorded last year.

    FilmL.A. president Steve MacDonald says the survey’s results challenge the assumption that most pilots would be shot in Los Angeles. “Aggressive incentives from other jurisdictions have now succeeded in attracting almost a third of the season’s pilot productions. Without a significant response, we’re not likely to retain a majority share for much longer,” said MacDonald.

    As for the economic impact, MacDonald says the production shift this pilot season cost Los Angeles thousands of jobs and as much as $70 million in production spending. Approximately $216 million of this season’s $370 million production pie was spent in Los Angeles. These figures are based on industry average pilot costs of $4 million for a one-hour drama, and $2 million for a half-hour comedy or other genre episode.

    In addition to tracking pilot production, FilmL.A. also examined new series orders for the upcoming broadcast network season in order to track the production locations for these shows. The total number of pilots picked up as new and mid-season shows declined from 47 in 2005 to 39 this year, with 30 slated for the fall schedule and nine scheduled to debut mid-season. Twenty-six of the new shows will be produced in Los Angeles (13 one-hour, 13 half-hour), eight in New York (six one-hour, two half-hour), two one-hour shows in Canada and one one-hour show each in Texas, Rhode Island and a still undisclosed location. In the transition from pilot episode to picked up series, one show is moving from New York to Toronto, and another is moving from Los Angeles to New York.

    The nine mid-season replacements will include five half-hour shows produced in Los Angeles, one one-hour show each in New York and Canada, and two shows for which locations have not yet been announced. All tolled, the 26 new shows slated for production in Los Angeles represent a 67 per cent share of the new show total, down from 74 per cent in 2005 (when L.A. garnered 35 of 47 new shows).

    MacDonald says FilmL.A.’s overview of pilot and new show production provides further evidence that other locales are offering more than just tax breaks. “In addition to seeing other regions gain a bigger share of the pilot production pie, it’s clear that many have developed the infrastructure to support new shows for the long haul.”

  • Amrita TV lines up Fifa World Cup specials

    Amrita TV lines up Fifa World Cup specials

    MUMBAI: With the countdown to the 2006 Fifa World Cup fast approaching, Amrita Television, is now running a Fifa segment in its news bulletins.

    For a duration of about six minutes, the World Cup tele-clip will include, a history of World Cup, team profiles and a general item on the warm-up matches.

    A reciepient of 15 Kerala State TV Awards, Amrita TV in preparation for the big sporting event, has already profiled participating teams including Brazil, Argentina, England, Germany, Italy, France, Spain, Holland and Portugal. 

    The channels coverage of the World Cup will also feature famous personalities and celebrities selecting their favourite team, accompanying reasons for that selection.

    With the commence of the World Cup on 9 June, Amrita TV plans to invite guests on the breakfast show to analyse the game, telecast the Goal of the Day, with pop-ups on the sidelights of the day’s game. Another segment includes, Players to Watch.

    In addition, Amrita TV has also published a leaflet containing the match schedule for the World Cup, along with additional attractions on the Channel. It has been distributed free of cost, across various centres, informs an official release.

  • DTV, IPTV growth set to boost Flat Panel Display, STB, chipsets industries

    DTV, IPTV growth set to boost Flat Panel Display, STB, chipsets industries

    MUMBAI: The anticipated growth of digital television (DTV) and high-definition television (HDTV) globally is expected to positively influence the development of a range of support industries.

    A study by Frost and Sullivan Global Advances in Digital TV and HDTV Chipsets notes that these support industries include those of flat panel displays, broadcasting, telecommunications, chipset design and production, set-top box manufacturing, and software or middleware development.

    The flat panel display industry, in particular, has recorded huge revenue growth since the launch of DTV and HDTV services. Moreover, emerging display technologies such as organic light-emitting diodes (OLED) and field emission displays (FED) are being seen as a challenge to the market dominance of liquid crystal displays (LCDs) and with the recent advances in manufacturing techniques, the future for both OLED and FED look promising.

    With regard to the set-top box (STB) technology, new STB chipsets are steered toward the direction of providing a single-chip solution. The introduction of advanced compression standards such as Moving Pictures Expert Group (MPEG)-4 AVC has highly enhanced the video streaming capability of the high-end STBs, and future STBs will have more programmability and advanced functions such as a personal digital recorder. Future chipset designs are likely to focus on the convergence of TV and computer networks and the concept of a multimedia home platform (MHP).

    Technical Insights research analyst Dr. Jayson Koh notes, “Determined to lead the broadcast technologies, the Information Society Technologies (IST) and European Union (EU) have been funding numerous projects in the field of digital and high-definition television, driving the European companies and universities in this area.

    “While countries such as Greece are laying infrastructures for the digital switch over, terrestrial DTV services are already well developed in Germany and France, and Britain has also recently introduced many DTV and IPTV services.”

    The report further notes that in Asia, South Korean, Japanese and Taiwanese companies are leading the flat panel display industries, catering to the increasing demands for LCD and plasma discharge panel (PDP) TV from Europe, North America and notably, China. Also there have been a significant number of IPTV and DTV deployments in Asian countries such as Hong Kong, Taiwan, China, Singapore and South Korea.

    The Challenges: Amidst these positive trends, the high entry barrier and the lack of cost- effective techniques for mass production are the most critical issues that the new companies and technologies in the flat panel display industryface. Other obstacles that add to the entry barrier include, competing with the low average selling price of LCD, high cost of investment, lack of customer awareness, availability of raw materials and components suppliers and the distribution networks.

    “The prolonged format war between HD-DVD and Blu-ray is expected to delay the integration of new DVD standard in high-end STBs and manufacturers would prefer to wait till a common format arises.

    “In the case of new video compression standard, the H.264 would slowly take over the MPEG-2 market but face competition from both AVS and VC-1,” adds Koh.

    In the near term, STB manufacturers have to decide whether to support a certain new generation DVD format or to provide a multiple format drive. Although chipset companies are providing more multiple video compression supports in their products, the high licensing fee arises from this kind of chipsets may not be encouraging.

  • BBC kicks off Big Screen World Cup Tour in the UK

    BBC kicks off Big Screen World Cup Tour in the UK

    MUMBAI: To mark the start of the World Cup on Friday UK pubcaster the BBC has announced that its Big Screen World Cup Tour in the UK is heading to the David Beckham Academy in Greenwich, East London for a special children’s ‘Welcome to the World Cup’ party.

    Around 500 local young players and their families will be invited to the academy to watch the opening ceremony and the first game from Munich on the big screen hosted by BBC Radio Five Live as Germany take on Costa Rica on Friday 9 June.

    The big screen will be in the car park and open from 3.30 pm with an Opening Ceremony of children from the academy parading flags from all countries taking part.

    There will also be a range of on-site entertainment including giant table football, football street theatre, an interactive virtual penalty shoot-out, the BBC Sport Academy ‘Keepy Uppy’ competition as well as face painters and cheerleaders.

    BBC Live Events project director Bill Morris said, “This promises to be an exciting start to the BBC Big Screen World Cup Tour which is part of the BBC’s offering for the World Cup.

    “The screens will appear in towns and cities across the country every single day of the World Cup providing live coverage of the top match that day.”

    BBC Big Screen World Cup Tour sees two giant screens touring a range of sites from Guernsey to Glasgow and Preston to Peterborough and will set up in town squares, festival grounds and even a service station.

    Radio Five Live’s man Mark Clemmit will be in place to host screen one. Mark will link into Five Live as well as local radio stations giving fans an opportunity to voice their thoughts on the forthcoming match. BBC Sport will relay scenes from the big screens to fans watching at home

    As well as catching all the action on a huge screen, there’ll be family friendly entertainment including interactive games, crowd cams and the chance to text in comments and even give player ratings.

  • Nick US touches a ratings high in May

    Nick US touches a ratings high in May

    MUMBAI: US kids broadcaster Nickelodeon has managed its best peformance for last month since 2002.

    It managed a 3.8 rating and got 1.2 million viewers among the 2-11 age bracket. This marks a rise of seven per cent in rating and an eight per cent growth in impressions above May 2005.

    Nick adds that it dominated among kid-targeted networks among the core 2-11 demo, besting Disney (2.3 kid 2-11 rating/742,000 viewers) by 65 per cent and Cartoon (1.9 kid 2-11 rating/628,000 viewers) by 97 per cent within Nick Total Day.

    Online Nick.com recorded its second most visited month ever to the site, logging nearly 14.5 million monthly unique visitors in May. This marked an increase of 86 per cent compared to May 2005 and a nine per cent rise from April 2006. TurboNick, Nickelodeon’s broadband video service on Nick.com, had its best month ever with over 21 million video streams, beating the previous highest month, March by 23 per cent.

    The number one stream for the month was vignettes for The Fairly Odd Parents’ special Fairy Idol, which captured nearly 2 million streams. In addition, the Fairly Idol – Fast Fame! game was the number one game on Nick.com with over 5.1 game plays, contributing to the nearly 77 million total game plays on Nick.com in May.

  • BBC makes formal complaint to Egyptian authorities following assaults on journalists

    BBC makes formal complaint to Egyptian authorities following assaults on journalists

    MUMBAI: UK pubcaster The BBC has made a formal complaint to Egyptian Minister of the Interior, Habib Al-Adly, following assaults by members of the Egyptian security services on four journalists, two of whom work for the BBC.

    The assault was made in full view of uniformed Egyptian security service officers who did not intervene. The attack occurred a few days ago in the Egyptian capital Cairo. It followed the meeting of the General Assembly of the Journalists’ Syndicate. The meeting was being covered by the BBC.

    In the unprovoked incident, a car containing four journalists – including BBC staff journalists Dina Samak and Denna Gameel – was deliberately blocked by a taxi. Five men in civilian clothes left the taxi and surrounded the car. They were joined immediately by at least another 10 attackers who were waiting in the street.

    The attackers broke the front windscreen and a side window while verbally abusing the occupants. Two of the party were then dragged from the car and subjected to an assault. The attack took place in full view of uniformed security service officers who did not intervene. One of the victims, journalist Karim Al Shaer, was badly beaten. He was subsequently taken away in a police car and is still in detention.

    The journalists filed a complaint with the local police. A complaint has also been made by the Journalists’ Syndicate to the Attorney General but, so far, there has been no response or indication that an investigation has been launched.

    This incident follows another assault by a uniformed member of the security services on BBC journalist Mohamed Taha in November last year. In that case the BBC received a formal apology from the Egyptian Ambassador to the UK, Gehad Madi.

    The BBC runs a major production centre in Cairo because of its eminent position in the Arab world as a diplomatic centre and cosmopolitan centre of culture and learning.

    BBC World Service head Middle East, Africa jerry Timmins has called on the Interior Minister to investigate the incident and to give his assurance that the BBC can continue its legitimate business of journalism.

    He writes, “Over the past decades the BBC has been made to feel welcome in Egypt and we truly value the presence and the relationships we have established in your country. Incidents like these recent attacks sit uncomfortably against this backdrop and I have to be concerned at the level of hostility some of our journalists have encountered recently.

    “I would like your assurance that you will investigate this latest incident and that the BBC has your support in going about our legitimate business of journalism.”

    This incident comes in the same week as the detention by police of freelance journalist Larmine Chaim in The Gambia. Chaim, who contributes regularly to the BBC’s programmes for Africa, is being held without charge in the Gambian capital of Banjul.

  • B.A.G Films ties-up with Korean production firm Sieundesign

    B.A.G Films ties-up with Korean production firm Sieundesign

    MUMBAI: Anurradha Prasad’s B.A.G Films is pursuing opportunities in new media avenues and also eyeing the animation frontier. The company has entered into a joint venture with a Korean firm Sieundesign, which has a presence in the production, distribution and licensing of animated movies and TV series.

    The JV is proposed to be named “Sieun & B.A.G. Animation Pvt. Ltd.” with both companies holding an equal stake. The business model will involve both creation of IP for global audiences as well as servicing outsourced projects.

    Speaking about the development, Prasad shared,“This initiative represents B.A.G. Films’ entry into the exciting and strongly growing animation business. We are delighted to tie up with Sieundesign Co Ltd, which is a leading international animation player and look forward leveraging its experience to building a strong presence in India.”
    B.A.G, is already running a media school –iSOMES (International School of Media and Entertainment Studies) and through the new JV, the company will be extending into animation education too.

    “We understand that we require a huge work force and so we will be training people as a backward integration excercise. The animation course starts in October,” remarked Prasad.

    “As a content company B.A.G films has always stayed at the forefront of cutting edge technology and even in the animation JV, the idea is to create a synergy, a best of both the worlds where we will utilise India’s expertise in animation production and combine it with the Korean strength of concieving characters and content,” concluded Prasad.

    Sieundesign presently owns more than 30 IPs of cartoon character content, which include Black Jelly, Booby, Yamm, Newton, Flower Terry, Tomato, 205 Friends, Little Tinny, Mr. Cool, Dear Alice, Dennis Family, Eyeme Angel, Emily, Pumpkin Seed, Oh-Baby, Brambly and Moose Bear besides the children performance Rise Up Monster character development. It also supplies cartoon content to several Korean mobile and on line services.

    All animation and character licenses owned by Sieundesign internationally will be owned in India by the joint venture entity.

    At the same time, B.A.G. Films is also looking at initiatives including video streaming, DVD, animation and gaming, interactive content for broadband, mobisodes, wireless transmission and the internet, besides identifying new uses for existing technologies such as digital libraries, interactive story telling and distance learning, according to a posting today on the Bombay Stock Exchange (BSE).

    The company is also contemplating providing voice content including news, cricket & sports, jokes, astro forecasts, celebrity interviews, Bollywood reviews and music album reviews in four languages namely Hindi, English, Tamil and Malayalam.

    B.A.G is already working the major cellular operators Airtel and Hutch on IVR.

    On the movie front, the production house proposes to release two films during the current calendar year. Zindagi Rocks, with Sushmita Sen and Shiney Ahuja as the lead actors is directed by Tanuja Chandra with music composed by Anu Malik. Then there is a Punjabi love story directed by Gurbir S Grewal with Jimmy Shergil and Kulraj Randhawa as the lead actors.

  • Relaunch brings new shows on Channel7

    Relaunch brings new shows on Channel7

    MUMBAI: The management of Channel7 changed hands earlier this year. And the industry was watching what wonders the CNN-IBN editorial team led by Rajdeep Sardesai would work with its programming lineup when it was relaunched. News buffs will not have to wait too long as the channel is relaunching on 5 June with a new on-air look and a tag line to boot – Khabar, Har Keemat par (News, No matter what the cost).

    The new shows it is touting include News Centre, Sports Zone, Bombay Dreams and Hot Seat.

    An hour long show, News Centre will be anchored by managing editor Ashutosh and will encompass all major news from across the country and abroad providing on-ground reportage, studio interviews and in-depth analysis.

    Sports Zone will give a wrapup of key sports stories of the day. Bombay Dreams will zoom in on news from tinsel town and the world of glitz – films and entertainment. Hot Seat’s format will be the talking heads one – with those in the news being grilled one-on-one. Talk shows, debates, crime updates, breakfast shows are also part of the programming mix.

    Says Ashutosh:”We have ambitious programming plans for Channel7 including original content designed to appeal to viewers. The focus will be on building a channel that reflects the moment and engages with viewers over important issues of the day. Hard news will be our core offering as we feel sharpness in news has vanished from Hindi news channels.”

    “Channel7 and CNN-IBN will complement each other in serving robust and high quality news from every region of the country and relevant global news. Both channels share common values where, CNN-IBN’s baseline; “Whatever it takes” is balanced by Channel7’s “Khabar, Har Keemat Par.” added Channel7 & CNN-IBN editor-in-chief Rajdeep Sardesai.

    Channel7’s editorial team comprises of executive editor assignment Mrityunjay Kumar Jha; executive editor – input Prabal Pratap Singh; senior executive producer – output Sanjeev Paliwal; senior editor, bureau chief national Sumit Awasthi; chief of bureau Mumbai Sanjay Prabhakar; deputy editor, programming Rohit Lal and senior editor Prashant Tandon.

    Says Director marketing Dilip Venkatraman:“The Hindi News market is not only cluttered but challenging too. We have put in considerable effort in identifying the channel’s positioning,”Khabar, Har Keemat Par” and developed a new logo, look, programming mix that will work in tandem with the positioning to deliver a holistic world class news experience.”

    “The synergy shared between CNN-IBN and Channel7 on the positioning platform of hard news will be the key differentiating factor in breaking through the clutter. The advertiser who comes on board of TV18 will enjoy the benefits of being present in all the channels from the Group. This gives them the option of reaching various target groups across the country at the same time. We feel positive that this offering will help us accomplish our sales targets, ” director sales Rajnath Kamath concluded.

  • Intelsat ranked first among teleport service providers

    Intelsat ranked first among teleport service providers

    MUMBAI: Intelsat has announced that it placed first on the World Teleport Association’s (WTA) annual rankings of the top teleport operators. Intelsat led the list of the 2006 global top twenty.

    Intelsat is a provider of fixed satellite services.

    WTA’s global top twenty ranks companies based on revenues from all satellite-related sources which includes independents, satellite carriers, fiber carriers, and technology providers.

    Intelsat SVP global marketing Vicki Warker said, “Our leadership in this sector of the satellite industry is a testament to the growth of our hybrid GlobalConnexSM managed solutions business. Since its introduction in 2002, our GlobalConnex revenues have grown dramatically and now represent an annualised run-rate of approximately $130 million.”

    “We provide seamless, secure and easy delivery of voice, data, video and IP traffic anywhere in the world through bundling our satellite capacity with our global teleports, points of presence and ground network infrastructure,” he added.

    Intelsat’s GlobalConnex services are among its highest growth services, driven by demand for corporate data and voice over IP applications, asserts an official release.

    The offering also provides end-to-end support for media, internet trunking, WiFi hotspots, distance learning, and point-of-sale transactions. Another component of Intelsat’s teleport services includes hosting disaster recovery facilities for broadcasters and other operators, adds the release.

  • BBC World debuts in the US market

    BBC World debuts in the US market

    MUMBAI: In a bid to target a wider audience, the British Broadcasting Corporation (BBC) has launched BBC World in the US market. Though the news channel started broadcasting at the end of April, it was officially launched on 1 June. The channel can now be seen in New York. The BBC is also looking at striking deals with cable and satellite providers elsewhere in the US soon. 

    The launch coincided with the unveiling of an outdoor advertising campaign in New York to promote the service to viewers.

    In July, BBC World will launch a new breakfast programme presented by George Alagiah. “What we’re not setting out to do is carve a niche that reflects America back to the Americans. What we’re trying to do is reflect the world back to Americans,” Alagiah was quoted as saying in BBC News.

    The show, which will be based in London, will also be carried on the cable channel BBC America.

    BBC World was launched in 1995, and is funded by advertising and subscription. Apart from news bulletins, it also broadcasts the interview programme Hardtalk, motoring show Top Gear and film guide Talking Movies, amongst others.

    Although it can be seen in more than 200 countries, the channel has found it difficult to get a foothold in the US. “The American TV market is the most crowded market in the world. For cable operators to find a space for another news network has been quite difficult,” said the station’s editor Richard Porter.

    Porter also said that the channel’s coverage of global affairs has been their key selling point.

    The launch of BBC World in New York comes just four months after the station signed a distribution deal with Discovery. The channel’s main competitor in the US will be CNN International.