Category: News Headline

  • Scorcese film on Dylan takes grand prize at Banff World Television Awards

    Scorcese film on Dylan takes grand prize at Banff World Television Awards

    MUMBAI: As part of the Annual Banff World Television Festival being held this year from 11 to 14 June, the 27th Annual Banff World Television Awards have announced its winners. In the Grand Prize category, Martin Scorsese’s film, No Direction Home: Bob Dylan walked away with the award.

    The Banff International Jury met prior to the Festival to screen the 18 “Best-of” category winners to decide the Grand Prize winner. This category represents countries from around the world including Belgium, Canada, Dominican Republic, Finland, France, Germany, Italy, Japan, Kenya, the Netherlands, New Zealand, Sweden, Puerto Rico, the United Kingdom and the United States.

    “The International Jury was proud to be able to choose a Grand Prize Winner from such an illustrious slate,” said Jury Chair, Loren Mawhinney. “All members of the jury felt privileged to be given both this responsibility and this opportunity to screen such wonderful television.”

    The NHK President’s Prize which recognizes excellence in the HDTV industry, was handed out to Queen of Trees. In addition, Y in Vyborg and The Rise and Fall of the Russian Oligarchs took home the Rockie Awards, which were the Special Jury Prizes. An official release stated that 2006 saw the largest number of entries submitted over the past five years. Awards were handed out in a variety of categories with 15 different countries taking home the honours.

    The list of the winners for the 27th Annual Banff World Television Award are as follows:

    Grand Prize
    No Direction Home: Bob Dylan
    Broadcaster: PBS, USA.

    Special Jury Prize
    Y in Vyborg
    Broadcaster: YLE Teema, Finland.

    Special Jury Prize
    The Rise and Fall of the Russian Oligarchs
    Broadcaster: ARTE, France, Germany, Belgium, Italy, Canada, The Netherlands, Finland.

    NHK President’s Prize
    The Queen of Trees
    Broadcaster: BBC TWO, Kenya, Japan, USA, UK, Germany.

    Category: Animation Program
    Jane and the Dragon: Shall We Dance
    Broadcaster: YTV, Canada, New Zealand.

    Category: Arts Documentary
    No Direction Home: Bob Dylan
    Broadcaster: PBS, USA.

    Category: Children’s Program
    Odd one out: Very normal, really
    Broadcaster: Z@ppelin Channel 3, The Netherlands.

    Category: Comedy
    Extras: Kate Winslet
    Broadcaster: BBC TWO, UK.

    Category: Continuing Series
    Life on Mars
    Broadcaster: BBC, UK.

    Category: Family & Youth Program
    The Hobart Shakespeareans
    Broadcaster: PBS, USA.

    Category: Feature Length Documentaries
    White Platoon, Baghdad 2004
    Broadcaster: France 2, France, Belgium.

    Category: History & Biography Program
    Speer und Er (Speer & Hitler): The Devil’s Architect
    Broadcaster: ARD, Germany.

    Category: Information – Current Affairs
    Mischief: A Dirty Weekend in Hospital
    Broadcaster: BBC THREE, UK.

    Category: Interactive
    ReGenesis II: Extended Reality Game
    Broadcaster: The Movie Network and Movie Central, Canada.

    Category: Lifestyle Programs
    Jamie’s School Dinners
    Broadcaster: Channel 4, UK.

    Category: Made for TV Movie
    Maria’s Last Journey
    Broadcaster: German Television 1 Channel, Germany.

    Category: Mini-Series
    Bleak House
    Broadcaster: BBC ONE, UK, USA.

    Category: Performance Program
    Enough Rope
    Broadcaster: SVT (Sveriges Television), Sweden.

    Category: Popular Science & Natural History Programs
    The Cyborg Revolution
    Broadcaster: NHK (Japan Broadcasting Corporation), Japan.

    Category: Social & Political Documentary
    Children of Beslan
    Broadcaster: BBC TV, UK, USA.

    Category: Sports Program
    Viva Baseball
    Broadcaster: Spike TV, USA, Dominican Republic, Puerto Rico.

    Category: Unscripted Entertainment Programs
    Young Black Farmers
    Broadcaster: Channel 4, UK.

  • eBay to add Skype phone link to listings

    eBay to add Skype phone link to listings

    MUMBAI: After paying a whopping $2.6 billion to acquire Skype last year, eBay has announced its first major business plan: to integrate the internet tele-calling service with its customer feedback system.

    Starting 19 June, sellers in 14 selected categories will be able to add a free “Skype Me” button to their listings. Potential buyers, who are looking for more information directly, can then communicate with the seller using voice, text chat, or both through the new facility.

    How does this work? Sellers will be able to embed simple “Skype Me” icons alongside product listing to allow users to contact them using a new feature, “Ask a seller a question.” The feature is free and designed to allow people to answer quick questions before completing specific purchases. When a potential buyer clicks the “Skype Me” button on the Web page, buyers can instantly be put into contact with the seller via a web-based voice call, a text message, or both.

    eBay’s North American auction business president Bill Cobb said in a statement that, the company was set to begin a trial programme on its U.S. site to evaluate how Skype can be used to connect sellers to buyers seeking product information before they buy. “Skype represents a tremendous opportunity for our sellers to connect even more closely with their buyers,” Cobb said.

    Eyebrows were raised when eBay spent such a humungous amount to acquire Skype which had revenues less than $100 million. The recent move provides part of eBay’s strategy as it targets to double Skype’s revenues.

  • MTV’s IFilm launches Fifa World Cup section

    MTV’s IFilm launches Fifa World Cup section

    MUMBAI: IFilm, the online destination for user-generated and professional short-form entertainment has launched a World Cup Soccer section, providing soccer enthusiasts and consumers alike with World Cup coverage.

    Delivering content for the full four weeks of the World Cup, the section offers video clips of the greatest World Cup and professional soccer moments, riots, celebrations and commercials as well as 2006 World Cup news, much of which will be unique to IFilm, according to an official release.

    IFilm will capture the World Cup Soccer news coverage and the online users will find video clips about their favourite soccer personalities, outrageous riots, enthusiastic celebrations and inspiring commercials as well as the most funny, peculiar and unusual events of the tournament.

    “Even if you have no interest in soccer, this is a showcase of uniquely compelling video that everyone can appreciate. Watching the World Cup through IFilm’s unique user generated perspective shows why this event is perceived as magical by billions around the globe,” IFilm VP content and programming Roger Jackson says.

    IFilm curates and programmes user generated video, music videos, movie clips, short films, TV clips, video game trailers, action sports content and its renowned ‘viral videos’ collections. 

    Through its broad network of distribution partners, IFilm content can be found on portals, social networks, blogs, consumer electronics devices, television networks, and mobile video services. The company recently launched its first television series, Web Junk 20 show, in collaboration with VH1. IFilm is owned and operated by MTV Networks.

     

  • Animation industry gung-ho on proposed mandate on local content

    Animation industry gung-ho on proposed mandate on local content

    MUMBAI: Some proposals in a draft Broadcast Bill 2006, prepared by the information and broadcasting ministry for the Union Cabinet’s consideration, has evoked mixed reaction from the industry.

    The Indian animation industry is excited that the government is mulling mandating a certain percentage of programming on TV channels to be sourced from India.

    “We are absolutely delighted. The proposed bill is a surprise and will be a catalyst for growth. I would like to however add that Cartoon Network, Nick and Disney have anyways gotten interested in local content and this regulation is a bit late, “DQ Entertainment CEO & MD Tapas Chakravarti.

    He went on to add that 15 per cent is too less and that China and Japan have close to 50 per cent of local programming share on TV channels.

    Chakravarti also reveals that the development has inspired DQ to go ahead with its investment plans in Intellectual Property (IP) in India.

    “At DQ, we have taken a decision internally almost six months back for creating Intellectual Property (IP) in India. We are planning $10 million investments on our part and our French and American partners will bring in similar numbers. The idea is to create products for global market but with Indian stories. This will be something similar to what Disney did with Jungle Book,” he explained.

    As per the draft bill, TV channels on a mandatory basis would have to have 15 per cent of their total weekly programming produced locally. It’s also being proposed the share of public service/socially relevant programme content shall not be less than 10 per cent of the total programme content of a channel broadcast during every week.

    This would mean that channels like Cartoon Network, Animax, Discovery, Animal Planet and Discovery Travel and Living would have to have a prescribed percentage of content generated from India, which has been a long-standing demand of Indian animators.

    Concurring with Chakravarti is Phoebus Media CEO Rahul Bakshi. “15 per cent is too less, but is a good start and will have a multiplier effect. It gives companies like ours conviction and confidence that we are on the right track having already invested a lot in local content,” he added.

    The industry also feels that the move will give it shelter from the rain as well as boost the job scenario.

    “Such a government move will help us get more conviction to stick to original content. Thousands of jobs will be created and more animators means more animation outsourcing also,” says Green Gold Animation CEO Rajiv Chilakalapudi.

    According to Graphiti Multimedia director Munjal Shroff, the proposed regulation could help content creators look at other markets to compliment the revenues.

    “Usually there has always been a block because TV channels find it much more economical to buy animated content from markets like Mipcom at $500 to $1000 per episode rather than commissioning new shows in India. If the bill is passed and local content does become compulsory, then it will give local content creators a space to exist and once there is a minimum local market, then content creators can always look at other markets to compliment the revenues,” says Shroff.

    Color Chips CEO Sudhish Rhambotla felt that channels would either commission local content or also have the option of shifting production of some of their shows being produced elsewhere into the country, which again would be “good for the business.”

    On their part, the kids channels expressed their readiness to make changes in their programming structure if need be.

    The Walt Disney Company India managing director Rajat Jain said, “Whatever changes have to be made, will be made in our programming according to the Broadcast Bill when it is passed. At the end of the day, one has to comply with the laws of the land.”

    When queried as to what percentage of programming on Disney Channel and Toon Disney were local presently, Jain said, “It is difficult to calculate at this point in time what the percentage of local content is.”

    Hungama TV COO Zarina Mehta says her channel already plays more than 15 per cent of local content.

    “I don’t know the exact percentage of local content that we have on the channel but currently it will definitely be more that 15 per cent. If fact, we will be the only kids channel that have that much of local content,” she says.

  • NGC is terror struck this September

    NGC is terror struck this September

    MUMBAI: Five years have passed since America got the shock of its life on 9 September 2001 when hijacked planes crashed into the twins towers in New York.

    The National Geographic Channel (NGC) will air a series of specials in September under the initiative Terror Struck Month.

    Aircrash Pal 434 airs on 3 September at 11:30 pm. It shows how on 11 December 1994, an international terrorist sneaks bomb ingredients past airport security and assembles them inside the bathroom of Pal flight 434. He calculates to make sure that his seat lies directly over the plane’s fuel tank, and plants the bomb under his seat before disembarking at a stopover in the Philippines.

    The plane takes off a second time and is headed toward Tokyo when an explosion jolts the plane, creating panicked chaos as the blast kills one, injures ten, and leaves a gaping hole in the plane’s floor. Not knowing the extent of the damage, 292 passengers pin their hopes of survival on their captain, who expertly manipulates the damaged steering system and manages a masterful landing despite all odds.

    But when new evidence links the Pal culprit to the 1993 World Trade Center bombing, investigators realize that the danger is far from over. Alarming documents reveal that Pal 434 was only practice for a more deadly plan, and that the safety of thousands rests on the success of a worldwide manhunt for the globe-trotting terrorist.

    The special Al Qeada Calling on 4 September 2006 at 10 pm notes that since 9/11, terrorism has gone global. Al Qaeda is now a brand name or logo used by anti-American Muslim extremists around the world. They don’t need Osama Bin Laden’s organisation any more to finance or organise mass attacks on civilians. And their methods don’t need to be high tech, very complex or ambitious to have a lethal impact.

    Ubiquitous technology – the mobile phone – has become a weapon of choice for some of today’s terrorists. The small handset does not only allow them to communicate, take reconnaissance pictures, but also to trigger bombs simultaneously, causing indiscriminate killing on a mass scale. Al Qaeda Calling looks in detail at the Madrid train bombings of March 2004, when 10 explosive devices triggered by mobile phones on four busy trains killed 191 commuters, only three days before the general election.

    Against the stories of survival and loss from relatives and witnesses, the special follows the frantic efforts by the police in tracking down the perpetrators of March 11th. Their key evidence: a mobile phone found in a bag in the wreckage wired up to explosives. The tiny sim card found inside soon leads police to track down the terror cell.

    The film examines the indiscriminate killing on a mass scale that Al Qaeda pioneered with simultaneous explosions in the 1990s as well as the post-9/11 terrorist cell by looking at other attacks that have shocked the world. Unique interviews with the Bali bombers illuminate the meticulous precision with which these attacks are planned, mostly with the help of mobile phones.

    As survivors and relatives come to grips with their loss and trauma, the film looks to the future, in which mobile phones will be able to do much more than detonate bombs. Soon terrorists using mobile phones will be able to become their own broadcasters – recording and transmitting live the atrocities they have engineered.

    Zero Hour on 7 September at 10 pm recounts what happened on 9/11. In the early hours of this historic morning, 19 Al Qaeda soldiers pass through airport security, ready to enact Osama bin Laden’s carefully orchestrated “Plane’s Operation”.

    The group is led by four men who have received extensive flight training and are prepared to crash passenger jets into chosen targets. Once the hijackers board and take control of their four separate planes, they begin their descent on what they perceive to be symbols of American oppression.

    At 8:46 am American Flight 11 crashes into the upper portion of the World Trade Center’s North Tower. Less than twenty minutes later, United Flight 175 crashes into the South Tower, making it clear that this is an intentional attack.

    Hundreds of lives are lost and injuries sustained as the disaster escalates—and it is about to further intensify as the other two hijacked planes rapidly approach the Pentagon and the capital city, Washington, DC.

    At 10 pm on 10 September, the channel will air Triple Cross. The two-hour documentary shows how Mohamed survived more than 14 years as Al Qaeda’s chief “mole” inside the US, helped his boss, Bin Laden, to move in and out of Afghanistan and how he helped plan the operation in Somalia that downed two US Blackhawk helicopters.

    Also shown will be how he helped plan the 1998 African embassy bombings, and even wrote part of the Al Qaeda terror manual. And finally, how Mohamed confessed to his crimes, cut a deal with the US government that has never been explained to the public and soon after, just plain disappeared. To this day Mohamed’s whereabouts are a complete mystery.  

    Before these specials, the channel will have a Second World War Week in August. One special Pearl Harbour: Legacy of Attack will air on 6 August at 10 pm. 60 years after fire and death rained from the skies as Japanese warplanes attacked American forces, NGC takes a contemporary look at the surprise raid that signalled America’s entry into World War II.

    Underwater explorer Bob Ballard combs the waters off Pearl Harbour for the remains of a secret Japanese midget submarine that could have changed history. Pearl Harbor survivors share their painful and poignant stories. National Geographic and the National Park Service also capture the first images from inside the sunken battleship U.S.S. Arizona and examine the ecological risk the sunken ship and the half a million gallons of oil that may still be contained inside it.

    On 8 August at 10 pm the channel will air a documentary on Bridge On The River Kwai. This tells the story of the greatest engineering project of World War II – the building of the Thailand to Burma railway by Allied POWs of the Japanese. While Allied soldiers slaved in miserable conditions to construct this 260 mile railway through near-impossible terrain, under the most savage working conditions and with only primitive tools, the Americans were developing a bomb called Azon – the first Allied “precision guided munition”.

    This bomb wouldn’t simply be dropped – it would be carefully guided by radio control towards the target to ensure maximum accuracy and destruction. The Azon bomb was used to destroy the remote railway and the famous Bridge over the River Kwai. The event became famous in part because of a classic film made by David Lean.

    Death Before Surrender airs on 9 August at 10 pm. This two-hour special examines the final year of World War II in the Pacific, including the rationale for using the atomic bomb, and features the first-hand recollections of both American and Japanese civilians and soldiers – even a kamikaze pilot who survived his fated mission. It gives a rare glimpse at Japanese decision-making in the waning months of the war. Emperor Hirohito had to intervene twice to break deadlocks in his war cabinet.

    The channel will also air the two part special 10 Days To Victory at 10 pm on 11 and 13 August. 10 days, 10 characters, 10 overlapping stories – coming from all points of the compass – bearing down to the same moment: the end of the biggest war the world has ever known. Combining large-scale reconstructions with traditional documentary storytelling, 10 Days to Victory evokes the climactic last moments of the Second World War. The program interweaves the stories of ten very different people caught up in the liberation of Europe from the grip of Nazi terror.

    Their diaries, letters and interviews provide an insight into the dramatic events of the days leading to the end of the war. For these individuals, as for millions of others, the German surrender on 8 May 1945 marks the end of everything that had consumed their lives for six years.

  • Yankee Group survey reveals barriers to the adoption of mobile value-added services

    Yankee Group survey reveals barriers to the adoption of mobile value-added services

    MUMBAI: The Boston-headquartered global market research firm Yankee Group has announced the results of its 2006 European Mobile Multimedia Survey, an examination of European mobile multimedia trends providing valuable insight into current consumer behavior.

    Some of the major highlights include:

    — User demand for mobile TV is modest. Only 11 per cent of respondents said they are very interested in the service. Once confronted with the reality of how much the TV service is likely to cost (i.e., EUR 15 or US $19 per month), 85 per cent of respondents said they are less interested in the service.

    — Full-track music downloads continue to dominate the headlines, while in reality user interest remains low. Only 5% of respondents are prepared to pay more than a 20% premium for full-track downloads. However, the typical premium today is 100%. Alternative music-related services are more interesting to the user and more likely to generate revenue in the short term.

    — The industry must do more to convince users that browsing and downloading is safe and affordable. Almost 40% of respondents said fears over price dissuade them from downloading more ringtones.

    However, mobile operators are overcoming the technical barriers to delivering many of their services. Picture messaging–which in the past was dogged by unreliability and poor ease-of-use–seems to have solved those problems. Respondents’ main barriers to using picture messaging are the price and they do not see any need to send pictures, states an official release.

    “The survey results illustrate that mobile operators have some pretty substantial barriers to overcome to drive growth in value-added services,” says Yankee Group Wireless/Mobile Europe senior analyst Matt Hatton. “Operators are pinning their hopes on advanced applications such as music and TV to drive revenue growth, but they still have a lot of technical, pricing and marketing issues to overcome to drive adoption. They’ll get there, but maybe not through the services they think.”

    This survey enables service providers, device manufacturers, content providers and infrastructure vendors to understand the status of mobile multimedia services in Europe today, and to identify the barriers limiting consumer adoption. It analyses customer opinions about current and forthcoming services such as mobile music (including ringtones, ringback tones and full-track downloads), video/TV, gaming, video telephony, MMS and mobile browsing, adds the release.

     

  • India now a focus market for Animax

    India now a focus market for Animax

    MUMBAI: Until now India was not as important a market for Sony Pictures Entertainment’s (SPE) anime channel Animax and that reflected in its poor and negligible ratings. But now, with the repositioning of Animax Asia, which took place on 1 June, 2006, the network will be pushing it in India will renewed vigour.

    Animax Asia has been repositioned as a lifestyle channel for the youth and will target the age group of 15 – 24-year-olds. One of the reasons for this shift was the fact that animation from Japan was moving towards a more youth-driven demographic. Hence, keeping with the pace of change, Animax too was repositioned.

    Speaking to Indiantelevision.com, SPE Networks Asia vice president Animax programming and production Betty Tsui says, “In the last couple of years, we were not very focused on the Indian market because we underestimated the Indian youth’s consumption of animation. Our focus initially was on the kids’ but now we will be targeting the youth and the Indian market with renewed focus.”

    “We are not a kids’ channel and we’re not competing with the likes of Cartoon Network and Pogo. Animax will be creating a category of its own. We are not followers. Animax will be charting out its own path,” she adds.

    Apart from the re-positioning, Tsui also informed that Animax will also be looking at targeting the youth with the gaming and mobile platforms. “We will be connecting with the youth not only with animation but also with gaming and mobile. However, it is still too early to talk about it,” she says.

    Animax is also undertaking an extensive lifestyle survey of their target audience in order to understand what’s important to them and where they get their messages from. Once the results of the survey are out, the channel will be analyzing the responses received and accordingly bring about changes in the channel and its promotions.

    Queried whether the channel was looking at going totally Hindi, unlike the Hinglish feed that it has now, Tsui says, “One of the questions in the lifestyle survey that we will be conducting will be Animax’s language preference of our target audience. Based on the results, we will take the necessary changes. South Indian languages may also be a possibility as we are open to everything.”

    The channel has streamlined its programme structure to target the youth segment and has also introduced an on-air creative campaign – Imagine Nation – to capture the minds of the youth. Imagine-Nation features popular personalities that are connected to the creative world of games, film, anime and design from the Asian region to share with viewers their success stories, aspirations and passion for their work. For starters, F1 driver Narain Karthikeyan and Indian Idol 2 winner Sandeep Acharya will be featured on this from India.

    “We will be featuring people who are successful but not necessarily in the conventional sense of the term. Our aim is to inspire our viewers to pursue their dreams, whatever they may be,” says Tsui.

    The programming line up will be spruced up with popular anime that have garnered massive followings in Japan and around the world. Animax features programmes of various genres, from action (Blood+, Trinity Blood) to sci-fi (Ghost in the Shell), romance (Paradise Kiss and Honey & Clover) to drama (Black Jack, Jigoku Shojo), and also favorites like (Dragon Ball).

    A new integrated brand campaign in India will also be rolled out in a couple of weeks.

  • Trai drafts standardised interconnect regulations

    Trai drafts standardised interconnect regulations

    NEW DELHI: In a bid to streamline the cable industry, sector regulator today released the proposed standard forms of interconnect agreements for CAS areas between broadcasters and multi system operators and between MSOs and local cable operators (LCOs).

    The reason for this being suggestions from the industry stake holders to the government that a standard form of interconnect agreements be formulated.

    On 10 March, 2006 the Delhi High Court had directed the government implement CAS in Kolkata, Delhi and Mumbai within a month’s time.

    Subsequent to this order, a series of meetings were taken by the information and broadcasting ministry.

    Taking note of suggestions emanating from the meetings, the Telecom Regulatory Authority of India (Trai) has decided to finalise a standard format for interconnection agreements for CAS in consultation with the industry.

    Accordingly, a draft of the standard forms has been placed on the website of Trai today. The draft agreements contain a number of sections and provisions.

    One of them relate to revenue sharing. The actual revenue share percentages have been left blank in the draft and are proposed to be filled up after getting comments of the stakeholders.

    Trai has also asked for feedback on the following:

    •Should there be a uniform revenue share percentage between all broadcasters and MSOs and MSOs and LCOs. If yes, what should be the revenue share percentages? What is the methodology, data and principles on which these are based?

    •Should the revenue share percentages be different for different broadcasters? If so, should the rates for different broadcasters prevailing in Chennai be adopted in other CAS notified areas?

    •Is there any other alternative method of arriving at the revenue share?

    A draft regulation has also put on the website for comments containing the provisions for the standard agreements as well as a clause for prohibiting minimum subscriber guarantee. The deadline for sending comments is 27 June.

  • BBC World to produce six programmes on nominees of ‘The World Challenge’

    BBC World to produce six programmes on nominees of ‘The World Challenge’

    MUMBAI: BBC World will produce six 30-minute programmes on each nominee of the The World Challenge – a global competition seeking to highlight and reward outstanding examples of community enterprise and innovation. The programme will examine how the initiative began, its inspiration and why it is socially and environmentally successful. 

    For The World Challenge competition in 2006, BBC World and Newsweek, the weekly global current affairs magazine, have joined with Shell to search for, highlight and reward individuals or groups that have used enterprise and innovation to the benefit of local communities.

    In an official statement issued, the six programmes will feature two finalists per programme and will be broadcast to BBC World’s weekly global audience of 65 million viewers in October and November 2006. The channel’s viewers will be invited to vote online for the most commendable and inspirational project. Full details are available online at http://www.theworldchallenge.co.uk. 

    Newsweek will mirror the programmes’ content in a six-part series of advertorials on the 12 nominees, aimed at driving its readers to the online voting site. The campaign will reach 1.5 million weekly readers across Europe, Asia and Latin America.

    The World Challenge has attracted more than 800 nominations, nearly double the amount received last year.

    Nominations for the 2006 competition closed on 7 June and a total of 816 nominations were received – a 79 per cent increase on last year’s nominations of 457. This year’s competition attracted the greatest numbers from India (159), Philippines (56), Nigeria (47), USA (34), Kenya (32), South Africa (32), England (20) and Uganda (20), states an official release.

    A panel of expert judges will now shortlist the nominations to 12 finalists that show the best examples of community-based business, development or environmental projects. The finalists will then be announced at the beginning of July.

    During The World Challenge in 2005, more than 120,000 votes were cast from around the world. The winning project, Coconets from the Philippines, was presented with a US$20,000 grant from Shell, which has been invested in further developing their system to prevent landslides using waste coconut husks.

    Once voting has closed, the winner of World Challenge 2006 will be announced at an awards ceremony in The Hague in December 2006. The winner will again receive a US$20,000 grant from Shell to invest in their project, plus the two runners-up will each receive US$10,000.

  • Ten Sports to explode with Backlash on May 14th

    Ten Sports to explode with Backlash on May 14th

    Mumbai, May 12, 2006: The Terrible Trio — Cena, Triple H and Edge – will get involved in yet another hell-raising Battle of Fury. The mayhem is all set to explode on the WWE pay-per-view, Backlash on Sunday, 14th May 2006 at 11.00 pm on Ten Sports.

    An annual WWE event, Backlash which started in 1999 has a huge fan following. Triple H is the only wrestler to have competed at every Backlash event with a win-loss record of 3-5 to date.

    But the question that rankles all — is the reigning champ, John ‘The Champ’ Cena indomitable? Though Cena has been pinned down by both Triple H and the Edge in the past, this match could just change the fortunes of the ‘Champ’. Whatever the outcome, this match will display perseverance, muscle power and ofcourse, bloodied faces, the hallmark of Backlash.

    Also present will be rivals, McMohan with son Shane who will try to beat the life out of Shawn Michaels and his divine, imaginary partner ‘God’. The ‘Kane v/s Big Show’ match could prove true to the most gory tagline of WWE : ‘an eye for an eye’ as Kane could probably make a beeline for Big Show’s eyes! Is he good at gouging? Wait and watch!

    By far, an interesting and entertaining match will be featuring the two most athletic superstars in WWE today — Rob Van Dam and Shelton Benjamin — in the Intercontinental Championship. The stakes are definitely higher in this winner-takes-it-all match.

    And not to be left behind are the female contenders to WWE. – Trish ‘Psycho’ Stratus and Mickie ‘Cat’s claws’ James – who will provide with a heady combo of brain, brawn and beauty – a match with so much edge-of-the-seat action, you’ll hardly be able to lean back in your armchair!