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Category: News Headline

  • JumpTV to beef up India operations; signs Cutting Edge Media as representative

    JumpTV to beef up India operations; signs Cutting Edge Media as representative

    MUMBAI: JumpTV, a global player in the delivery of international television over the internet, has entered into a strategic partnership with Cutting Edge Media, one of India’s independent media sales company, to expand JumpTV’s presence in South Asia.

    JumpTV will work with Cutting Edge Media to secure new broadcast agreements using internet protocol; enter into distribution agreements for JumpTV’s global TV roster with Indian cable, mobile telephony, and IPTV providers and build on JumpTV’s existing menu of South Asian television content.

    Currently, JumpTV has signed internet-broadcast agreements with Indian channels: Sony Entertainment Television Asia, India TV, Punjab Today and Balle Balle.

    Other South Asian channels the company has roped in are: OnTV, Channel i, RTV from Bangladesh;TV One and HumTV from Pakistan.

    Cutting Edge Media oversees brokering distribution, advertising and subscription deals for foreign media companies entering the Indian markets and those Indian outlets looking to grow their international audiences. Its clientele includes Cartoon Network, CNN, Reality TV, The Hallmark Channel and Channel News Asia.

    “South Asia is an incredibly vibrant media market. Television stations create and broadcast truly innovative programming, which is closely followed by a passionate viewer base living all over the world. By partnering with Cutting Edge Media, JumpTV will develop new relationships and deepen existing relationships with leading broadcasters from the sub-continent, serving as a platform to internationalize their content over the Internet,” says JumpTV’s Asia Pacific general manager, Kevin Foong.

    He adds, “While our Asian lineup of more than 25 channels includes highly popular South Asian broadcasters such as India’s SET Asia, Pakistan’s TV One and Hum TV, Jaya TV, as well as Bangladesh’s leading stations nTV and Channel i, we are always looking for new ways to serve the vast Pan-Asian communities living away from their respective homelands.”

    Cutting Edge Media CEO Murtuza Kagalwala states, “The Internet provides the ideal platform for reaching audiences scattered around the globe. The partnership with JumpTV will allow us to develop significant channel partnerships with Pan-Asian television stations, providing them with the technological platform to become part of the Internet revolution.”

  • Fifa World Cup final generates viewership of 313 million: ZenithOptimedia

    Fifa World Cup final generates viewership of 313 million: ZenithOptimedia

    MUMBAI: According to ZenithOptimedia, the Fifa World Cup final between France and Italy on 9 July generated a television viewership of 313 million viewers across 56 countries. The largest audience came from China, where viewership peaked at 71.5 million, followed by Brazil, Germany, Vietnam, Indonesia, France, Russia, the U.K., Japan and Italy.

    As per the study, Germany recorded an average match viewership of 11.8 million. The cumulative audience was 658 million, a 141-per cent increase on the 2002 World Cup. Germany’s 2-0 loss to Italy in the semi-finals was watched live by 29.7 million viewers in the host nation.

    The study revealed that four Asian nations (China, Vietnam, Indonesia and Japan) ranked in the top ten for audience totals. They accounted for 49 per cent of viewing among the top eleven. Japan recorded a 64-per cent fall compared to 2002 audience levels. In China, the cumulative audience fell 58 per cent compared to 2002, when the matches were broadcast in prime time and China had qualified for the World Cup for the first time.

    Viewership in the U.S. peaked at just 9.4 million, but the cumulative audience of 235 million was 48-percent up on 2002 and 55-percent up on 1998. This was largely the result of Univision, whose broadcast of the Argentina versus Mexico match was the most-viewed sports broadcast in the history of U.S. Spanish-language television, with 6.7 million viewers, as per the data.

    In the U.K., the BBC attracted 53 per cent of the cumulative audience, but ITV broadcast the highest-rated match: the 2-2 draw between England and Sweden, which generated an audience of 18.8 million. The BBC’s best audience was 16.3 million for the match between England and Ecuador.

    Largest World Cup television audiences in millions (2006):

    Cumulative audience/Highest audience:

    China 1,820 / 71.5

    Brazil 1,140 / 60.5

    Germany 658 / 29.7

    Vietnam 650 / 29.8

    Indonesia 589 / 23.5

    France 388 / 22.2

    Russia 369 / 12.9

    U.K. 362 / 18.8

    Japan 289 / 42.3

    Italy 278 / 23.9

    ZenithOptimedia’s specialist consultancy agency Sponsorship Intelligence (SI) is the official provider of 2006 Fifa World Cup audiences figures to both Fifa and its TV agency, Infront.

  • HC sets 1 Jan ’07 deadline for CAS implementation

    HC sets 1 Jan ’07 deadline for CAS implementation

    NEW DELHI / MUMBAI: The many meanderings the CAS (conditional access system) story, which began in 2003 with a government notification, could well have reached its final denouement.

    The Delhi High Court today passed an order that makes it imperative on the government to ensure that the three metros of Mumbai, Kolkata and the Capital itself be fully “CAS delivered” on or before 1 January 2007.

    And making clear its resolve that there be no further delays in the matter, the court declared that all pending and any new issues related to CAS raised by the government would be taken up only after the CAS’ implementation deadline of 31 December 2006. It therefore set the next date of hearing on the matter for 10 January 2007.

    The court also recorded a commitment by the joint secretary broadcasting Baijendra Kumar in this regard. The government official’s commitments were taken on record by the court as part of an order passed on 10 March 2006, which had directed the government to implement CAS in Kolkata, Delhi and Mumbai within a month’s time.

    The government also assured the court today that a new notification on CAS would be issued by 31 July 2006.

    The government’s stand on the issue means that from 1 January 2007 all pay channels will have to pass through a set-top box (STB) on a mandatory basis or else they stand to be blacked out of all cable homes in the metros.

    Multi-system operators (MSOs) have welcomed the court’s decision as addressability would make the industry transparent on subscriber numbers. “Addressability will benefit the entire industry as well as the subscribers,” said Wire and Wireless India Ltd (WWIL) CEO Jagjit Kohli.

    Hathway Cable & Datacom CEO K Jayaraman feels this time round there is a lot of clarity on pricing, STBs and choice with a regulatory framework in place. The fear among consumers that CAS pricing would be the same or even more than what is prevailing on analogue cable is unfounded.

    “Addressable pricing is set in motion by the recent TDSAT (Telecom Disputes Settlement and Appellate Tribunal) ruling in the DTH (direct-to-home) case. If that is the trendsetter, broadcasters will have to make their content available on digital cable at half the price of what they are quoting on analogue systems. The customers, thus, do not have to worry about paying more for all the channels that they are getting now. And in any case, in a CAS regime they are select the channels they want to watch,” he said.

    Besides, MSOs are making available the STBs on rental scheme. “Customers will not be locked to the boxes and can move to other services. The regulatory framework is setting things in place,” he added.

    Commenting on the development, MSO Alliance chief Ashok Mansukhani said, “We are delighted by the outcome. CAS will enable the cable industry to deliver more choice to consumers at competitive prices.”

    The industry also feels that a five-month breathing period is a practical implementation schedule. But how ready are the MSOs? “WWIL is fully prepared to roll-out STBs not only in the notified areas but throughout the country,” Kohli said. It will be using Headend in the Sky (HITS) technology which will enable it to cover the entire country with a single Digital Headend. “Our value-added boxes will enable subscribers to browse internet, chat, send & receive e-mails, on their existing TV sets without the necessity of having a personal computer. STBs will also have full triple play features including facility for VOIP digital telephone lines using their existing telephone instruments,” he added.

    Among the other features being introduced by WWIL are movie on demand (MOD) /video on demand (VOD), pay per view (PPV), interactive games, smart card based real time payment solution and e-banking, the company said in an official release.

    MSOs and independent cable operators will have to work out commercial agreements with broadcasters including fixing of channel rates. Said SET Discovery Ltd president Anuj Gandhi, “Now the focus will be on MSOs to show their preparedness for CAS. We hope to be ready with our rates in the next three months. By setting 1 January as the deadline, we will have to compress the time frame a bit.”

    A clutch of MSOs had filed a petition in the Delhi HC in 2004 alleging that the government’s stand on CAS and keeping it in abeyance has resulted in heavy financial losses to the cable industry.

  • Reuters in tie up with Airtel to offer commodity price service

    Reuters in tie up with Airtel to offer commodity price service

    MUMBAI: Reuters and mobile operator Airtel are working jointly on a pilot project to provide commodity prices through text messaging service.

    Aimed at the farmer community, subscribers can receive quick updates on the commodity market.

    The pilot project is slated to kick off in August for the Maharashtra region, Reuters South Asia managing director Samir Shah said on the sidelines of a press conference.

    The messaging service will be provided in the Marathi language. The farmers will have access to real-time information on commodity prices. This will enable them to make informed choices about when and where to sell their produce.

    “The aim is to link farmers and traders and also provide them reports on commodity prices from all major markets. By using the mobile messaging service, the farmers can obtain the market updates. They can also be informed about the international prices in their own language,” Shah said.

    Reuters is targeting early next year to launch this service on a national scale by tieing up with various mobile operators.

    Earlier addressing the press conference, Shah said Yes Bank has chosen to make prices on Reuters Trading for Foreign Exchange (RTFX).

    The bank has also signed up for Reuters leading edge pricing engine technology, Reuters Electronic Trading for Automated Dealing (RETAD), to automate its FX transactions in a real time environment over the bank’s intranet.

    Recently, Reuters had signed in Union Bank of India, the first public sector bank in India to become a market maker on Reuters Trading for Foreign Exchange (RTFX) and Reuters Trading for Bullion.

  • Samsung India launches slim mobile phones

    Samsung India launches slim mobile phones

    MUMBAI: Samsung India has unveiled a new line of the World’s slimmest mobile phones with the launch of The Ultra Edition Series in India. The company claims this Ultra Edition transcends the current market offering by presenting consumers with unparalleled breakthroughs in technology while retaining simplicity of use.

    The first model to be launched within the series is ‘The Ultra Edition 6.9’. Made with fiberglass re-infused plastic, the phone is a marvel in just 6.9mm thickness, packing along with it a 2 megapixel camera, MP3 Player, Direct TV Out function, 80 MB memory apart from a host of other features.

    Ultra Edition 12.9 (D900) – The slimmest slider phone and the Ultra Edition 9.9 (D830) – The slimmest clamshell phone will be launched in the subsequent month.

    Samsung says that the Ultra Edition series illustrates its sensitivity to consumer needs by delivering mobile phones with deceptively discreet but stylish exteriors while embedding world leading technology features inside. This path breaking slimness coupled with rich multimedia capabilities in The Ultra Edition phones is a result of Smart Surface Mounting Technology (SSMT) pioneered by Samsung worldwide.

    The Ultra Edition phones have been constructed using Titanium, Magnesium and Fibreglass re-infused plastic to impart the solid strength to these Ultra Thin breakthroughs, basis which these are made to pass strict proprietary tests to certify each product’s durability.

    Samsung India senior VP Ihn-Chul Chung said, “Samsung’s foray into Ultra Slim phones is part of the company’s aggressive global strategy to take on the leadership position in the mobile phone market. Understanding that each consumer has different needs Samsung has facilitated convergence in mobile communication with a rapid pace of technological advancement and aesthetic design”

    Samsung india MD HCRyu said, “India is a very critical market for Samsung and the launch of The Ultra Slim Series in India is a testimony to our commitment to meet the growing aspirations of consumers for sleek phones that accentuate their personality without compromising on premium multimedia capabilities”

    Samsung says that the Ultra Edition 6.9 (X820) is its commitment to create the slimmest and lightest product in the market today. Weighing a mere 66 grams and measuring a slim 6.9mm depth, the lightweight Ultra Edition 6.9 is today’s definitive tool to help users stay connected, take pictures with the 2 megapixel camera, or enjoy their favourite tunes with the music player. The Ultra Edition 6.9 balances slim elegance with a functional keypad and tops off its supreme design with a beautifully beveled cut surface for a natural grip.

    Fiberglass-infused plastic is also used to increase durability to protect the features that are compressed into the 6.9mm frame using the Smart Surface Mounting Technology (SSMT).

    Samsung claims that the Ultra Edition 9.9 (D830) raises the bar in slimness and design of clamshell handsets. The company says that the 9.9 mm ultra slim clamshell is the result of Samsung’s constant efforts to go above and beyond the boundaries of form and function. This lightweight mobile comes outfitted with a 2 megapixel camera to capture those special moments wherever the customer goes.

    The Ultra Edition 12.9 offers the latest in multimedia technology with premium slide-up design for business professionals. The 12.9mm slide-up is the thinnest slider ever designed to come equipped with a powerful 3.13 megapixel camera — leading the 3 megapixel camera phone trend in the global market this year. Unique and dynamic user interfaces enhance user’s mobile experience.

    The main screen will reflect networks and call status by displaying animated graphics to alert users of missed calls or unread messages, and imported documents can be viewed on the vivid 262K color screen. Users can also enhance the multimedia experience with the Bluetooth stereo headset. Whatever your desires may be, the Ultra Edition 12.9 will “slide up” next to the customer for his/her’s next command.

  • Channel [v] appoints Saurabh Kanwar as VP Content & Communication

    Channel [v] appoints Saurabh Kanwar as VP Content & Communication

    MUMBAI: Saurabh Kanwar has been appointed as the vice president content and communication at Channel [v]. Kumar comes from Radio City, where he was the marketing head.

    On taking up this new challenge, Saurabh Kanwar says, “Channel [v] is home to the country’s hottest creative team. It’s a real trip to get a chance to work with this gang, stretching the boundaries of irreverent, outrageous content. But, the truth is, I have this huge crush on Lola Kutty, and this is my only way of getting real close to her.”

    Commenting on Saurabh’s appointment, Channel [v] head honcho Amar K Deb said, “Bringing ground-breaking content to viewers is Channel [v]’s top priority. Saurabh, with his proven credentials and ability to deliver results, will be a tremendous addition to our team. I have no doubt he will bring a new dimension to our product development, helping us to further enhance the diversity of our offerings.”

  • Dish TV moves Supreme Court over Star channels’ pricing

    Dish TV moves Supreme Court over Star channels’ pricing

    MUMBAI: The country’s only private direct-to-home operator Dish TV has moved the Supreme Court seeking relief in regards to TDSAT’s (Telecom Disputes Settlement and Appellate Tribunal) recent ruling that Star India will have to distribute the signals of all its channels at half the price at which they are available to cable operators.

    Dish TV, in its petition filed yesterday before the apex court, has sought further modifications in the price rate for accessing Star channels.

    The petition spells out that Dish TV is open to the offer that Star India had come up with in the year 2002 for all the Star channels. According to the Dish plea, the offer then was that all the Star channels will be made available to Dish TV subscribers at one-fourth the rate at which they are available to cable operators.

    While issuing its order last Friday, TDSAT had said, “We have no basis to lay down the actual rates per channel, which we feel is the prerogative of Trai. However, to begin with, we feel that 50 per cent of the rates being charged for cable platform be made applicable to the DTH platform.”

    The ball is now in Star India’s court on how t

  • Carter appointed as president of FremantleMedia Creative Networks

    Carter appointed as president of FremantleMedia Creative Networks

    MUMBAI: FremantleMedia has appointed Gary Carter to the newly created position of president, FremantleMedia Creative Networks. It is a new division combining the currently separate departments of Worldwide Drama and Worldwide Entertainment.

    He joins the FremantleMedia operating board with immediate effect and will report to FremantleMedia CEO Tony Cohen.

    In his new role, Carter will build on FremantleMedia’s creative success in drama and entertainment programming. He will also be responsible for driving the company’s increasing emphasis on in-house programme development, working with its global network of more than 20 production companies, as well as coordinating with FremantleMedia Enterprises, which comprises its ancillary exploitation businesses, Fremantle International Distribution and FremantleMedia Licensing Worldwide.

    Carter will also continue in his role as chief creative officer, FMX (formerly known as New Platforms), part of FremantleMedia Creative Networks, working with producers to create new brands and concepts specifically for mobile, broadband, game consoles and IPTV (Internet Protocol Television).

    Carter joined Worldwide Entertainment in January 2005, having been a consultant for the company since August 2003. He worked closely with the division to set the overall strategic and creative direction and the operational agenda. He also provided central support to the development, acquisition and exploitation of entertainment formats which have international potential, and drove entertainment development activities across the company globally.

    Prior to setting up his own consulting business, he was executive director, programme affairs, at Endemol Entertainment International for five years and was responsible for the roll out of its key programme brands. Before joining Endemol, he was international business manager for Planet 24 Productions and a literary agent for Roger Hancock for almost 10 years.

    Alan Boyd, currently president of Worldwide Entertainment, will be changing his role in the company. He will take on a new role as a special advisor to Tony Cohen, where he will have particular responsibility for consulting on the Idols and The X Factor franchises, as well as consulting on creative and company issues and producer training. He will also act as a special advisor to RTL Group CEO Gerhard Zeiler, consulting on programming matters and entertainment output across the RTL Group of channels as well as creative training for group executives.

    Mike Murphy, currently President of Worldwide Drama, will also change his role. He will remain a key part of the Worldwide Drama team working on FremantleMedia serial dramas around the world, as well as focussing on building FremantleMedia’s scripted business in the US, a priority growth area for the company. He is currently executive producer on Bianca, a 20-part primetime telenovela that FremantleMedia first made in Germany and that FremantleMedia North America is now producing for US network Lifetime Television. Murphy will oversee production of the US version of Bianca in Australia.

    Cohen said, “Gary is a very talented executive and will play a crucial role in future working with our producers to build on our tremendous success in scripted and unscripted programming around the world and to drive forward our in-house programme development. Mike has made a fantastic contribution to growing our international drama business over the past few years and I am delighted that he will now focus on the vital task of building on our scripted business in the US. I am also delighted that Alan has agreed to become a special advisor to FremantleMedia and RTL Group. He has done a tremendous job of overseeing the roll-out of the Idols brand and his years of production and commissioning experience will continue to prove a great asset to the company.”

    Carter added, “I’m thrilled to have been given the opportunity to drive FremantleMedia’s creative output into the global market with our exceptional team of producers and executives in both drama and entertainment. I look forward to building on the fantastic legacy that Mike and Alan have achieved and I’m excited about the challenge of creating new hits for television as well as for new platforms and working with FremantleMedia Enterprises to ensure the company develops programmes with significant off-air, interactive and international distribution potential.”

  • Sky launches a free broadband service for customers

    Sky launches a free broadband service for customers

    MUMBAI: UK pay TV service provider BSkyB has launched free broadband for Sky customers. The company says that the launch sets new standards in quality, ease and savings.

    Unveiling its new broadband internet access service, Sky Broadband, at an event for analysts and investors the Company disclosed some information:

    Operating and Financial outlook
    • Pay-TV business on track to achieve 2010 targets
    • Clear strategy to build a scale broadband customer base, targeting revenues from high growth opportunities in online advertising, search and content and increasing penetration of additional products
    • Anticipated investment of £400 million of EBIT to be invested over the next three years
    • Broadband expected to be earnings enhancing in the year to 30 June 2010 independent of any Pay-TV benefits
    • Capital expenditure of approximately £250 million in first two years
    • Targetting broadband ROCE of 15 per cent for the year ended 2011 including initial cost of Easynet acquisition
    • Progressive dividend policy to be maintained across investment phase.

    BSkyB CEO James Murdoch said, “Sky Broadband is a compelling product which rewards our 8 million customers with a quality service offering flexibility and great value. Sky is ideally equipped to enter the large and growing markets of broadband and telephony and by pushing the boundaries of the home entertainment market, we will help our customers realise the full potential from technological convergence.

    “The business case is clear; we believe our investment will enhance top-line growth, be earnings enhancing from 2010 and with the benefits of scale, deliver increasingly attractive returns thereafter whilst offering substantial savings and compelling value to customers. This is a transformational new initiative for Sky.”

  • William Holt to oversee MTV US’ digital initiatives

    William Holt to oversee MTV US’ digital initiatives

    MUMBAI: US broadcaster MTV has announced that Courtney William Holt is the group’s executive VP of digital music and media.

    A recognised expert in the convergence of new media, music and marketing, Holt will oversee digital initiatives for MTV’s Music and Logo Group, including the MTV: Music Television, VH1 and CMT music brands; Logo, the network for the LGBT audience; and Urge, the digital music service recently launched to strong industry support.

    Holt will partner with the teams who direct the day-to-day operations of each brand’s online and wireless properties such as MTV’s Overdrive, VH1’s VSpot, mtvU’s Uber and CMT’s soon-to-launch Loaded.

    Holt joins MTV Networks from Interscope Geffen A&M, where he was executive vice president of new media, creative and strategic marketing. At Interscope Geffen A&M, Holt embraced emerging technology to break new marketing ground, galvanizing communities of fans around top musical artists.

    At MTV, Holt will be responsible for continuing to expand the reach of MTV Networks’ premier music brands, engaging audiences across a spectrum of touchpoints – on air, online, on the handset and through its new digital music service.

    MTV US president Van Toffler says, “It’s only fitting to have a creative music executive like Courtney – who started his career producing videos that appeared on our channels – join our stable of talent. Courtney’s background and experience is a perfect fit for our brands, which deliver innovative short- and long-form music entertainment that connects with our audience on many screens.