Category: News Headline

  • Funskool plays it smart this festive season

    Funskool plays it smart this festive season

    MUMBAI: Funskool India is turning up the cheer this season with ten brand-new toys and games designed to delight every age, from toddlers stacking cars to families chasing wins on the board.

    The home-grown toymaker’s latest lineup brings together some of its most loved in-house brands: Giggles, Handycrafts, and Fundough, alongside licensed international favourites from Molto, Spain. Each promises a dash of creativity, colour and festive fun.

    For the littlest hands, Giggles rolls out my first vehicle gift set, a 4-in-1 pack featuring stack-a-car, dump truck, aeroplane and caterpals, and my first playtime gift set, complete with a slide tower, shape-sorting gear box and baby action ball.

    Older kids can try their hand at the refreshed sequence classic, the timeless game of luck and logic, perfect for family nights that stretch into laughter-filled marathons.

    The crafty bunch haven’t been forgotten either. The Handycrafts diya décor kit and Fundough’s super activity kit promise to keep little fingers busy while fuelling imagination and fine motor skills.

    Adding an international flair, Molto’s colourful trucks: fire, dumper, garbage and police, come with nifty tiltable and flip-up features, tailor-made for adventure seekers aged 18 months and up.

    “Toys and games bring joy and boost imagination,” said Funskool India CEO K.A. Shabir. “This festive season, we hope to help build a generation of creative young minds who will shape India’s future.”

    With prices ranging from Rs 165 to Rs 1,549, the new toys are already lighting up store shelves, just in time to make every child’s festive wish come true.
     

  • Fixderma’s Pimple Police goes on patrol to crack down on breakouts in colleges

    Fixderma’s Pimple Police goes on patrol to crack down on breakouts in colleges

    MUMBAI: Acne beware, the Pimple Police are in town! Fixderma is taking its dermatologist-prescribed skincare to the streets (and lecture halls) with a playful new initiative aimed at educating young adults on safe, science-backed routines. The campaign, visiting 35 leading colleges across NCR and Mumbai, is turning skincare into an interactive, hands-on experience that’s as fun as it is informative.

    The concept is simple yet clever: Fixderma’s “Pimple Police” issue an ‘Arrest Warrant’ to Clear Skin, encouraging students with flawless complexions to maintain their glow while motivating those battling breakouts to achieve a clearer, healthier skin. Using mobile skincare vans, the initiative brings dermatologists and brand experts directly to students, offering live consultations, myth-busting sessions, and practical demonstrations of effective routines for acne-prone and sensitive skin.

    Fixderma founder and CEO Shaily Mehrotra explained the timing: “College is the stage where young people begin exploring skincare independently. With the Pimple Police initiative, we want to reach them at this pivotal point helping them make informed choices and understand that skincare is not a luxury, it’s self-care for life.”

    Adding to the excitement Fixderma director of marketing Anurag Sharma said, “Pimple Police is about simplifying skincare for the youth in a way that’s both educational and exciting. We’re creating conversations, not campaigns encouraging students to understand their skin rather than chase trends.”

    Dermatologists are also on board to provide credible guidance. Anuradha from Fixderma highlighted, “Many young adults experiment with products without understanding their skin’s needs. Our sessions aim to debunk myths, guide them towards mindful skincare habits, and introduce them to safe, dermatologist-approved routines.”

    With outreach support from 245 Degrees Communication, Fixderma’s Pimple Police seeks to democratise skincare, turning students into a generation of informed, confident consumers who prioritise health over hype. By merging education with entertainment, the initiative redefines how young adults perceive skincare not as a fleeting trend, but a lasting investment in their confidence and well-being.

    From witty warrants to mobile vans, the campaign is set to transform campuses into hubs of clear-skin advocacy, giving acne-prone teens the tools, knowledge, and confidence to take control of their skin. In doing so, Fixderma isn’t just fighting pimples, it’s creating a movement, one campus at a time.

     

  • Saregama and Filtercopy strike a new note with love, drama and music

    Saregama and Filtercopy strike a new note with love, drama and music

    MUMBAI: When love hits the right note, even a classroom can turn into a concert. Saregama and Filtercopy are tuning into a new frequency of music promotion with Ishq At Campus, a micro drama that doubles as a music launchpad. The project reimagines how India discovers songs, blending heart-fluttering storytelling with the rhythm of melody.

    In what’s being called an industry-first, Saregama has teamed up with Filtercopy to build a short-format narrative series around an EP marking a bold step away from traditional music videos. The collaboration spotlights Saregama’s exclusive artist Maahi and his debut EP Talab, transforming the release into a cinematic slice of college romance.

    Across 1–2 minute episodes, Ishq At Campus follows two students navigating the innocent chaos of first love as they prepare for their college fest. But this isn’t just another campus story, each episode weaves in one of the four songs from Talab (Talab, Dildaari, Rahein, and Vaari Vaari), turning everyday moments into lyrical discoveries.

    Released on October 14, 2025, Talab marks Maahi’s first foray as an EP artist under the Saregama Music label. Instead of relying on the usual promotional playbook, Saregama has chosen to embed the music into a story world where songs aren’t simply played, they’re felt.

    The concept borrows from Filtercopy’s growing expertise in micro dramas, short, binge-worthy narratives tailored for the scroll-happy attention spans of today’s audiences. Known for blending relatability with emotion, Filtercopy’s content naturally complements the breezy beats and youthful spirit of Talab.

    Together, the two powerhouses are rewriting the rules of music marketing, creating a new template for content-driven song discovery. By merging the pace of social media with the pull of storytelling, they’re turning passive listeners into engaged viewers and perhaps even hopeless romantics.

    Available now on Filtercopy’s Instagram and Youtube channels, Ishq At Campus is more than a music promo, it’s a feeling set to a soundtrack. Because in this classroom of content, every chord tells a story, and every scene hums with Talab.

     

  • McLaren races into the past as Iron Mountain fuels digital revival

    McLaren races into the past as Iron Mountain fuels digital revival

    MUMBAI: When it comes to history, McLaren’s not just leaving skid marks, it’s digitising them. The racing powerhouse has teamed up with global information management leader Iron Mountain to put its legendary past in pole position for a digital-age revival.

    Through this partnership, Iron Mountain will help McLaren Racing reimagine its vast archives transforming decades of blueprints, films, and photographs into dynamic, intelligent content. Think of it as a pit stop for history, where dusty reels and fading sketches are tuned up with AI precision and set to race into the cloud.

    The collaboration marks a major lap in McLaren’s digital heritage transformation journey. Iron Mountain’s AI-enabled platform will help unlock hidden value in the team’s storied legacy, turning nostalgia into an interactive experience for fans and partners across the globe. From the roar of Ayrton Senna’s engines to the craftsmanship behind every chassis, McLaren’s most iconic moments are set to be revived, reimagined, and relived.

    McLaren Racing, co-chief commercial officer Nick Martin said, “Our fans are at the centre of what we do, and we are passionate about sharing our storied past with them. With the integration of Iron Mountain, we will be able to bring to life more of the team’s rich history for our fans and partners as we look to shine a light on the McLaren Racing brand.”

    Beyond storytelling, the partnership also brings efficiency to the garage. Iron Mountain will support McLaren in securely managing and recycling end-of-life IT assets, a move that reinforces the team’s commitment to innovation and sustainability both on and off the track.

    Starting from the 2025 United States Grand Prix, Iron Mountain’s branding will appear on both McLaren Formula 1 race cars, along with several other touchpoints throughout the 2025 season and beyond.

    Iron Mountain executive vice president & chief commercial officer Greg McIntosh added, “We are proud to partner with the McLaren Formula 1 Team, which embodies the spirit of innovation and high performance at Iron Mountain. Our AI-enabled digital platform will help to fuel new opportunities for success and transform McLaren Racing’s iconic heritage media protecting these timeless assets for future generations.”

    By preserving its past while powering towards the future, McLaren proves that even in Formula 1, heritage doesn’t slow you down, it gives you more traction.

     

  • Wise Move by Tata Play as AI Owl and Donkey Bring Smart Savings Home

    Wise Move by Tata Play as AI Owl and Donkey Bring Smart Savings Home

    MUMBAI: Looks like wisdom has feathers and sometimes, long ears. Tata Play’s latest campaign, Samajhdar Bano, Tata Play Lagao, brings a wise owl and a witty donkey to the screen, using humour and AI-powered storytelling to help viewers make smarter entertainment choices this festive season.

    India’s leading content distribution platform has once again flipped the script on conventional advertising, embracing generative AI to create two unforgettable characters who do what humans often fail to simplify DTH pricing with clarity and wit.

    The campaign focuses on Tata Play’s Dhamaka Offer, which ensures that every rupee of the subscriber’s Rs 3,600 upfront deposit goes entirely towards content consumption. In return, subscribers also receive an HD set-top box, dish antenna, remote, and free installation essentially transforming the deposit into full-value entertainment. The films also spotlight the ease of curating one’s own channel bouquet through the Tata Play Mobile App, giving users complete control over what they watch and pay for.

    Conceptualised and executed by Ogilvy, the brand films use the banter between the owl and the donkey to cut through the clutter of jargon and confusion that often surrounds DTH offers. In their quirky yet relatable exchange, they bust myths around hidden costs, driving home Tata Play’s promise of transparency and unbeatable value.

    Tata Play head of marketing communications Krishnendu Dasgupta said, “This campaign is anchored in a simple yet powerful insight when it comes to entertainment, people crave clarity over clutter. While choices are many, the confusion is even more. Through our witty owl and donkey duo, we’re making decision-making feel effortless and fun. The use of generative AI adds an innovative layer, enhancing the storytelling Tata Play is known for.”

    The nationwide ATL rollout spans key television genres and channels, with special focus on Hindi-speaking markets, Maharashtra, West Bengal, and all four southern states. The campaign also extends across digital and social platforms, ensuring it meets viewers wherever they watch, scroll, or stream.

    Ogilvy India chief creative officer Sukesh Nayak added, “It’s smart to choose Tata Play because it truly delivers the best value for money. Our wise owl and witty donkey serve as unlikely gurus of entertainment, showing that whether you’re brainy or braying, the smart choice is Tata Play.”

    With its smart storytelling, Gen-AI magic, and genuine value proposition, Samajhdar Bano, Tata Play Lagao isn’t just another festive campaign, it’s a reminder that in the age of endless options, clarity and a little humour go a long way.

    Viewers can avail of the offer via tataplay.com, the manage section of the Tata Play Mobile App, or their nearest dealer.

  • WPP and Google forge $400m AI alliance to turbocharge marketing campaigns

    WPP and Google forge $400m AI alliance to turbocharge marketing campaigns

    CALIFORNIA: WPP and Google have announced a five-year expansion of their partnership that represents nothing short of a full-throated embrace of artificial intelligence as the defining competitive advantage in modern marketing. The creative powerhouse will pour $400m into Google technologies—cloud infrastructure, generative models, cutting-edge AI systems—betting that the combination can compress months of campaign planning, creative development and media buying into days, and unlock growth that conventional efficiency drives could never reach.

    The deal, cemented at Google’s Mountain View headquarters with WPP chief executive Cindy Rose, Google Cloud chief Thomas Kurian, and senior leadership from both organisations gathered around the table, aims to fundamentally revolutionise how brands connect with customers at scale. Rather than simply speeding up existing processes or squeezing more productivity from existing workflows, the partners plan to enable something far more radical: real-time personalisation for millions of people simultaneously, powered by bespoke AI models that learn, adapt and optimise on the fly.

    The ambition is extraordinary. WPP will receive preferred early access to Google’s latest generative models—Veo for video generation, Imagen for image creation, and a suite of others still in development—all integrated directly into WPP Open, the firm’s proprietary AI platform for marketing. The practical impact is already staggering. Campaign-ready creative assets that would traditionally take weeks to produce can now be generated in days. Efficiency gains are reaching 70 per cent. Asset utilisation is accelerating 2.5 times over. For one global retailer pilot, these aren’t abstract metrics: they translated to 98 per cent accuracy in audience targeting and an 80 per cent boost in operational efficiency, freeing entire marketing teams to focus on strategy rather than execution.

    WPP Media, the group’s media planning and buying division, will deploy bespoke audience models powered by Google DeepMind’s AI products through a new solution called Open Intelligence. The promise: build custom audience segments and deploy hyper-targeted campaigns across all channels—including Google Ad Platforms—with unprecedented speed and precision. For a multinational energy company, this looked like developing a custom AI Marketing Agent that automatically generates comprehensive marketing briefs, connects stakeholders to a single point of contact, and draws on a library of best-practice documents, past campaign performance and proven playbooks. The system works in real time, adapting to local challenges across multiple markets.

    The partnership extends into the creative layer itself. AKQA, WPP’s design and innovation company, is developing a new generation of AI-powered experiences that transform static websites into intelligent, generative platforms. The live AKQA Generative Store recreates the experience of personalised luxury retail service digitally—dynamically adapting product visuals, messaging and recommendations for each customer in real time. AKQA Generative UI, launching imminently, will instantly generate tailored, on-brand pages for users across enterprise and B2B contexts, with no manual intervention required.

    Privacy and data security thread through the entire architecture. Using InfoSum’s Bunkers technology, now integrated into WPP Open and available on Google Marketplace, WPP can enforce secure data collaboration without physically moving sensitive customer data. This allows brands to harvest deeper, richer insights for AI marketing whilst maintaining ironclad privacy protection—a crucial advantage in an era of tightening data regulation and consumer scrutiny.

    The talent dimension is equally ambitious. WPP’s Creative Technology Apprenticeship programme, which has placed more than 50 early-career technologists across WPP agencies since 2022, will expand dramatically with Google joining as the primary curriculum partner. The goal is audacious: train over 1,000 creative technologists by 2030 in a world-leading curriculum covering creative coding, generative AI and robotics. These apprentices will work on real-world challenges from major clients—L’Oréal, Unilever and others—building the next generation of marketing talent fluent in machine learning, AI prompt engineering and algorithmic thinking.

    Beyond client work, Google AI will also transform WPP’s internal operations. Automated data analysis, intelligent resource allocation and instant access to global insights will flow through WPP’s workflows, accelerating the development of solutions, sharpening team responses and ultimately delivering superior speed and value to clients worldwide. The logic is clear: make the machine fast enough and the organisation responds like an organism, not a bureaucracy.

    There is a feedback loop built into the model that gives WPP an unusual advantage. New solutions are collaborated on, tested and validated first within Google’s own marketing operations—real-world testing grounds where ideas either survive or die quickly. The insights flow back to WPP clients, who receive solutions already battle-tested against the toughest marketing challenges. In a rapidly evolving AI landscape crowded with noise and overpromise, that’s a rare competitive edge.

    Rose called it a redefinition of what’s possible for clients. Kurian framed it as harnessing generative and agentic AI to transform business outcomes. Google global marketing senior vice-president Lorraine Twohill spoke of exploring what marketing and storytelling look like in a new era.

    But beneath the corporate language lies a harder truth: the pace of marketing innovation just accelerated dramatically, and the winners will be those organisations—agencies, brands, technologists—that can think and move at machine speed. Everyone else faces a widening gap between aspiration and execution.

  • The One Show opens its doors to the insurgents

    The One Show opens its doors to the insurgents

    NEW YORK: The One Club has shaken up its awards structure in the most significant overhaul in decades, launching The One Show Indies—a dedicated competition designed to level the playing field for independent agencies, design firms and freelance creators locked out of the global creative spotlight by better-resourced rivals.

    The new category, debuting within The One Show 2026, is a direct challenge to the holding company orthodoxy that has long dominated the industry’s most prestigious accolade. Entry is restricted to truly independent outfits: at minimum 51 per cent founder or staff-owned, with no more than four physical offices. The signal is unmistakable. The One Club reckons independent shops are being starved of recognition, and it intends to rectify that.

    The One Club chief executive Kevin Swanepoel  framed the initiative as an act of creative liberation. “The One Show Indies is like a new rebel wing inside The One Show,” he said, summoning the rhetoric of insurgency. “We’re recognising independent shops and creators who make powerful work without holding company budgets and restraints.”

    The economics of entry have been designed to entice participation. Submissions are capped at a modest ten entries per eligible shop, with each piece of work allowed into no more than three categories. Entry fees come at a steep 20 per cent discount off The One Show’s regular rate, whilst burdensome case study films are restricted in their use as judging material. The combined effect is tangible: a genuine attempt to remove the financial and administrative friction that deters cash-strapped independents from throwing their hat in the ring.

    The jury will be drawn entirely from creatives at independent agencies, using the same rigorous judging standards that underpin The One Show’s reputation. Winners will claim Gold, Silver and Bronze Pencils and Merit awards, with an additional Crystal Pencil bestowed on an overall Best of Indies champion. A separate celebration event is planned, staged in casual surroundings away from the formal May ceremonies during Creative Week.

    The One Show Indies crystallises a shift in the creative industry’s consciousness. Independents have spent years grumbling about glass ceilings at award shows dominated by multinational holding companies. They’ve complained—often with justification—that the costs of entry and the judging structures inherently favour agencies with dedicated awards departments, bigger budgets, and armies of administrative staff to shepherd work through the submission process.

    This new category doesn’t solve that structural imbalance entirely. But it cracks the door open. For smaller shops punching above their weight, a One Show Pencil—even one contested exclusively amongst independents—remains a genuine prize. It offers market validation, bragging rights, and the kind of industry credibility that shapes client perceptions and staff recruitment.

    The One Club’s motives are plainly also commercial. Awards bodies thrive on volume and participation. Attracting a hitherto underserved cohort of independents will swell submission numbers and fortify The One Club’s position as the creative industry’s dominant credentialing authority.

    Entry deadlines are stacked across four rounds, with the super-early window closing 30  October  2025, offering the deepest discounts. Regular entry runs until 23 January 2026, with a final window through 20 February 2026. Judging commences in January, with winners announced in May.

    The One Club operates as a non-profit, recycling revenue from entries back into industry programming across four pillars: education, inclusion and diversity, gender equality, and creative development. That circularity—awards funding grassroots support—gives the organisation a moral sheen beyond the commercial calculus of conventional awards schemes.

    The One Show Indies lands at a moment when the creative industry is reassessing who deserves a voice. This rebel wing may just prove to be the most inclusive—and competitive—corner of the awards landscape.

  • Havas hits the accelerator as AI strategy bears fruit

    Havas hits the accelerator as AI strategy bears fruit

    PARIS: Havas is charging into the final quarter of 2025 with a spring in its step. The advertising group posted organic net revenue growth of 3.8 per cent in the third quarter, smashing expectations and vindicating its strategic pivot towards artificial intelligence and data-driven marketing. The surge in top-line performance prompted management to sharpen full-year guidance decisively upwards, signalling confidence that the worst of the economic headwinds facing the sector have passed.

    The results reveal a business in motion. North America blazed a trail with organic growth of 7.4 per cent, driven chiefly by Havas Health’s double-digit expansion and its ability to wring higher budgets out of existing clients—a rare feat in an industry where money typically flows only to new business wins. The Asia-Pacific region bounced back smartly from a tepid second quarter with 8.2 per cent growth, whilst the United Kingdom performed solidly. France, dragged down by a tough comparison with last year’s Olympic Games boost, and Latin America, battered by unfavourable currency moves, were the laggards.

    Havas now expects full-year net revenue organic growth of between 2.5 and 3.0 per cent, up from previous guidance of above 2.0 per cent. More significantly, the group reckons on an adjusted EBIT margin improvement of around 50 basis points to approximately 12.9 per cent—a meaningful lift that suggests operational leverage is kicking in. The nine-month figures show organic growth of 2.8 per cent, buoyed by cross-selling wins amongst the top 30 clients.

    The financial picture is straightforward: Havas is extracting better returns from its existing client base whilst simultaneously expanding its footprint. Operating margin expansion of this magnitude rarely happens by accident. The group has plainly succeeded in persuading clients to spend more on higher-margin services and shifted work into more profitable lines—precisely what a well-functioning agency should accomplish.

    Two strategic moves underscore management’s ambition. The majority acquisition of Tidart, a Spanish digital performance specialist, plugs gaps in Havas’ capabilities across e-commerce and performance marketing. More consequential is the formation of Horizon Global, a joint venture with Horizon Media Holdings worth a combined $20 billion in global billings. Styled as an “AI-native solution,” the venture signals that Havas’ Converged.AI strategy—the group’s bet on helping clients harness artificial intelligence across their marketing ecosystems—is moving from rhetoric into revenue-generating reality.

    Chief executive vYannick Bolloré  spoke of “impressive commercial momentum” and “notable new business wins.” Translation: the market is buying what Havas is selling.

    None of this occurs in a vacuum. Foreign exchange movements clipped 3.9 per cent from reported revenue growth, with the dollar’s recent weakness particularly stinging. Geopolitical tensions, trade pressures and political uncertainties lurk in the background. The group remains cautious about the year ahead, even as it tightens guidance.

    The broader picture for Havas: a global advertising industry grinding through modest growth and relentless margin pressure is being challenged—and beaten—by a group that has successfully positioned itself as a challenger taking share through genuine commercial innovation. Whether that momentum persists through 2026 is the question investors are asking now. For the moment, the trajectory looks encouraging.

  • Switzerland and India flow together in art

    Switzerland and India flow together in art

    MUMBAI: New Delhi shimmered in rhythm and reflection last night, as Switzerland and India found themselves ‘In the Flow’. The Embassy of Switzerland hosted an enchanting edition of Swiss Art Night 2025, transforming the capital into a confluence of sound, movement, and meaning. Themed ‘In the Flow’, the evening celebrated water, not just as nature’s lifeline but as a symbol of connection, creativity, and continuity between the two nations.

    Part of the Embassy’s sustainability with a plus initiative, the event showcased a first-of-its-kind collaboration between Bombaymami, the Swiss-Indian music sensation, and Switzerland’s acclaimed artistic swimmers Aimée Michel, Melody Halbeisen, and Anna-Sophia Aeschbacher. Together, they created a spellbinding fusion of melody and movement, a performance that quite literally flowed between art and sport.

    The evening carried extra resonance as it coincided with the Trade and Economic Partnership Agreement (TEPA) taking effect between Switzerland and India on 1 October 2025, marking a new chapter in their longstanding friendship.

    Swiss Ambassador Maya Tissafi captured the spirit of the night perfectly, saying, “Art transcends borders and reminds us of our shared humanity. Water connects us all, it nourishes, it inspires, and it teaches us to flow together. Much like the new TEPA agreement, tonight’s celebration brings Switzerland and India closer through creativity and collaboration.”

    For Bombaymami, who straddles both worlds, the performance was deeply personal. “This collaboration was a dialogue: between music, movement, and identity. It shows how art and sport share the same discipline and emotion. It’s a joy to celebrate both my cultures through creativity,” she said.

    The Swiss artistic swimmers described the experience as “an honour and a joy,” noting that their sport’s values of precision, harmony, and grace found perfect reflection in this cross-cultural exchange.

    Extending the spirit beyond the stage, the Embassy will host a special youth engagement session with around 500 students on 12 October. Led by Ambassador Tissafi, the interaction will explore creativity, inspiration, and Switzerland’s celebrated model of vocational training, a path chosen by over 60 per cent of Swiss youth.

    Since its inception in 2014, the Swiss Art Night has been a highlight on Delhi’s cultural calendar, blending artistic excellence with sustainability and social dialogue. With past themes such as In the Light, In Bloom, and In the Air, this year’s In the Flow continued the tradition of bridging art, environment, and empathy, proving that when creativity and culture meet, the world moves beautifully in sync.

  • Phoenix Marketcity Chennai dazzles with Euphoria 2025

    Phoenix Marketcity Chennai dazzles with Euphoria 2025

    MUMBAI: Phoenix Marketcity Chennai kicked off the festive season with Euphoria 2025 – A Celebration of Sorts, its spectacular annual Diwali bash. This year’s edition, themed the five elements – earth, water, fire, air, and ether, transformed the mall into a multisensory playground of fashion, music, theatre, and art.

    The highlight of the evening was a fashion extravaganza curated by India’s style guru Prasad Bidapa, showcasing designs inspired by nature’s harmony. Hindi cinema star Dino Morea stole the show as the runway’s showstopper, while soulful performances by Charu Semwal added melodic magic to the night.

    Phoenix Marketcity Chennai centre director – Phoenix Mall of Asia & marketing director – South Rituu Jai Mehhta said, “Euphoria has become one of Chennai’s most anticipated festive celebrations, bringing together fashion, culture, and entertainment. This year’s edition, part of the Phoenix Festival – 90 Days of Fun, is just the start of a season filled with creativity, joy, and immersive experiences for our patrons.”

    Prasad Bidapa added, “Designing a show in Chennai is always inspiring. With its rich tradition and modernity, from Kanchivarams to temple-border motifs, Euphoria 2025 celebrates the city’s uniqueness through fashion, performance, and storytelling.”

    The evening drew a lively crowd of shoppers, influencers, celebrities, and families, all reveling in the festive decor, capturing vibrant moments, and soaking in the magic of the season.

    With Euphoria 2025, Phoenix Marketcity reaffirmed its status as Chennai’s premier destination for lifestyle, fashion, and entertainment, where every celebration is a larger-than-life experience.