Category: News Headline

  • Gold glitters less as base metals shine brighter

    Gold glitters less as base metals shine brighter

    MUMBAI: Gold bulls blinked in October as the yellow metal slipped 0.5 per cent in rupee terms after touching record highs near Rs 1.21 lakh, while silver sparkled briefly before easing 1 per cent. After months of glitter, profit-booking and a stronger dollar dimmed the bullion buzz.

    Silver still outshone gold over the year, up 68.3 per cent versus gold’s 57.2 per cent. A supply squeeze and soaring ETF premiums kept silver in the spotlight, even as China curbed retail gold access and cut VAT exemptions from 13 per cent to 6 per cent.

    Base metals stole the show. Copper broke above Rs 1,000, riding renewed trade optimism and mine disruptions that trimmed global inventories by nearly half. LME copper stocks fell 50 per cent, while refined production rose only 4 per cent against a 6 per cent surge in demand.

    Zinc surged 4.5% as smelter shutdowns in Japan, Italy, and the US shrank supply. LME zinc stocks plunged to a two-year low of 38,000 tonnes, pushing the market into tight backwardation unseen since 1980.

    Aluminium climbed 5 per cent, buoyed by easing US-China tensions and shrinking warehouse stocks, which are down 14 per cent this year. With global demand expected to soar nearly 40 per cent by 2030, supply strains are set to linger.

    Energy markets flickered between hope and hesitation. Crude oil slipped 2.6 per cent on weaker demand despite geopolitical flare-ups, while natural gas gained 3.1 per cent as winter loomed and AI-driven power demand lifted consumption forecasts.

    Central banks held steady, with the RBI keeping rates at 5.5 per cent and trimming inflation forecasts to 3.1 per cent. The Fed paused its balance-sheet runoff after two rate cuts this year, as the US shutdown stretched past 30 days.

    From bullion dips to base metal breaks, the month painted a picture of cooling glitters and glowing grit, proof that in commodities, it’s never all gold that glitters.
     

  • AnyMind levels up consumer research game

    AnyMind levels up consumer research game

    MUMBAI: AnyMind Group and InQognito Insights have unveiled “Beyond Panels,” a pioneering cross-regional study that’s reshaping how marketers in Southeast Asia, India, and the GCC understand digital consumers. The research, presented at ESOMAR Trends Horizon 2025 in Washington D.C., dives into how in-game advertising environments can unlock richer, faster, and more authentic consumer insights.

    Breaking away from traditional research panels and static questionnaires, Beyond Panels takes a behavioural-first approach, embedding research directly within mobile gaming ecosystems. Conducted using the POKKT mobile gaming platform, the study tracked 25,000 participants across eight markets between April 2024 and August 2025, using rewarded ads, in-app intercepts, and post-game surveys to capture responses in real time.

    The findings reveal a clear shift in how consumers discover and engage with brands. In Southeast Asia, 62 per cent of respondents reported their first brand exposure through in-game ads, surpassing even OTT and YouTube. Ads delivered within a week before decision windows saw a 64 percent lift in brand recall and consideration, while the combined use of in-game ads, YouTube, and influencer videos achieved 51 per cent reach with just four exposures, proving that attention, when captured in the right moment, can be incredibly powerful.

    Speaking about the research, AnyMind Group managing director, growth markets Aditya Aima said, “In a world where attention is fleeting and fragmented, marketers can no longer rely on retrospective panels. This study is a call to evolve, from measuring after the fact to understanding behaviour as it unfolds in natural, immersive environments.”

    Echoing the sentiment, InQognito Insights research lead Smriti Singh Bhatia noted, “Traditional panels are like rear-view mirrors, they show us where we’ve been, not where the consumer is going. The era of claimed behaviour is over; it’s time to study consumers as they live, scroll, play, and shop.”

    By grounding research in the spaces where people actually spend their time, Beyond Panels signals a new era of real-time, context-rich consumer understanding. In today’s mobile-first world, insight, it seems, is no longer found in forms, it’s found in the game.

  • BigCity goes Down Under to play the loyalty game in Australia

    BigCity goes Down Under to play the loyalty game in Australia

    MUMBAI: When it comes to loyalty, BigCity just levelled up this time, all the way Down Under. BigCity Promotions, one of India’s most awarded sales promotion and loyalty agencies, has announced its entry into Australia with the launch of a new office in Sydney, marking its first international expansion in nearly two decades. The move signals the company’s ambition to replicate its India success across the Australia–New Zealand (ANZ) region, a market ripe for disruption in the loyalty and engagement space.

    Founded in 2006, BigCity has become something of a legend in India’s reward ecosystem known for turning mundane promotions into high-voltage brand experiences. With 8,000 plus programs executed for over 500 global brands, including Pepsico, Unilever, Mondelez, Coca-cola, Samsung, and Amazon, the agency has earned a reputation for blending creativity, technology, and measurable impact.

    From B2C reward programs to B2B loyalty solutions and gamification-led engagement, BigCity has redefined how brands connect with consumers and trade partners alike. Its proprietary plug-and-play platform lets brands launch campaigns within days offering faster time-to-market, reduced costs, and full creative flexibility. Built on an in-house technology and analytics stack, it also enables deep insight into consumer engagement, redemptions, and ROI, giving marketers the holy grail of modern marketing measurable loyalty.

    The Sydney office will serve as BigCity’s regional hub for Australia and New Zealand, extending its full-service suite to local and global brands in the region. The operations will be spearheaded by Gunjan Kumar country director, who brings over 27 years of global experience across telecom, banking, retail, and FMCG. Having driven client engagement and loyalty strategies across continents, Kumar is tasked with building the BigCity playbook for the ANZ market, one that blends local insight with the brand’s signature executional agility.

    “Australia is a market ripe for transformation, and our goal is to bring the same scale, creativity, and speed that have powered some of India’s biggest campaigns to brands here,” said BigCity Promotions co-founder Vikas Shah. “For nearly two decades, BigCity has redefined how brands engage through innovation, technology, and storytelling this expansion is a natural next step in that journey.”

    BigCity’s forte lies in its ability to gamify engagement, transforming passive audiences into active participants. Its campaigns often feature instant-win mechanics, leaderboards, challenges, and digital contests, all designed to boost brand love and repeat purchase intent. This gamified approach has proven especially potent in cluttered categories like FMCG and telecom, where attention spans are short but loyalty can be won with the right mix of fun and function.

    The expansion also comes at a time when the ANZ market is seeing brands look beyond conventional loyalty cards and cashback models. With digital-first consumers demanding more personalised, experiential rewards, BigCity’s data-driven, experience-centric approach may find fertile ground.

    In India, the company has long been the behind-the-scenes architect of some of the country’s most memorable campaigns, the kind that combine large-scale activation, complex fulfilment, and regulatory precision without ever losing the element of play. It’s this operational mastery that BigCity now hopes to bring to Sydney’s brandscape.

    As the company steps onto foreign shores, the move underscores how homegrown Indian marketing innovation is beginning to travel the world not as an imitator, but as an industry leader exporting expertise. For BigCity, the next game has just begun. And this time, it’s on a whole new continent.

     

  • Digitally Inspired wins Om System integrated mandate

    Digitally Inspired wins Om System integrated mandate

    MUMBAI: Talk about a picture-perfect partnership! Digitally Inspired Media has bagged the integrated communications mandate for Om System (formerly Olympus Cameras) after a keenly contested multi-agency pitch, capturing a major win in India’s imaging industry.

    The agency, celebrated for its strategic storytelling and culturally sharp campaigns, will spearhead Om System’s national rebranding journey in India. The move marks a significant milestone for the legendary 85-year-old brand as it reintroduces itself to a new generation of creators, explorers, and photography enthusiasts.

    From digital media planning and buying to influencer collaborations and PR, Digitally Inspired is crafting a holistic campaign that blends heritage with innovation. The aim is to build trust, reinforce the brand’s legacy, and position Om System as a creative powerhouse in the Indian market.

    Om Digital Solutions Corporation vice-president and head of APAC, managing director – Australia and Hong Kong Vivek Handoo said, “After a rigorous pitch process, Digitally Inspired emerged as the clear choice. Their deep understanding of Indian consumers, creative strength, and passion for storytelling align perfectly with our rebranding vision.”

    Echoing the excitement, Digitally Inspired Media co-founder and CEO Manish Kishore shared, “This partnership is more than just a campaign; it’s about reintroducing a legendary brand to a new generation. We’ve translated Om System’s global vision into a language that truly resonates with Indian audiences.”

    With this win, Digitally Inspired Media continues to sharpen its edge in the world of integrated marketing, proving that when creativity and strategy come into focus, the results are always picture-perfect.

     

  • TV9’s Manish Kumar Jha wins big as honest voice of global journalism

    TV9’s Manish Kumar Jha wins big as honest voice of global journalism

    MUMBAI: In a world where headlines often blur the line between noise and news, TV9 Bharatvarsh’s executive editor Manish Kumar Jha has made India’s voice ring clear and credible on the global stage. Jha was honoured with the ‘Honest View 2025’ International Media Award in Moscow on 29 October 2025, a distinction that celebrates truth-driven journalism in an era of polarised narratives.

    The award part of the Honest View International Competition of Information Projects for Foreign Media, now in its fourth edition recognises excellence in global journalism that champions objectivity, factual integrity, and balanced storytelling. Each year, it spotlights journalists and media projects that illuminate international affairs with nuance and honesty, particularly in their coverage of the Russian Federation’s humanitarian and global engagements.

    Jha received the award in the ‘Best Journalism & Documentary’ category for his gripping reportage on the Ukrainian Armed Forces’ shelling of the Zaporozhye Nuclear Power Plant (NPP), a story that demanded both courage and clarity. His coverage combined on-ground observation with deep geopolitical insight, presenting an unflinching account of one of the world’s most sensitive conflict zones.

    With a career spanning over two decades and 25 countries, Jha has become one of India’s most seasoned and respected voices in international relations, defence, and conflict reporting. From exclusive interviews with world leaders to ground reports from war zones, his work embodies journalism that informs, contextualises, and connects.

    Congratulating Jha on the honour, the Rossotrudnichestvo Representative Office in India extended its appreciation on X (formerly Twitter), commending his contribution to “cross-cultural understanding through truthful storytelling” and wishing him continued success in advancing ethical journalism across borders.

    TV9 Bharatvarsh, managing editor Paritosh Chaturvedi lauded the recognition, calling it “a proud moment not just for the network, but for Indian journalism at large.” He added, “Manish’s work exemplifies our newsroom ethos fearless, factual, and global in perspective. His achievement reinforces TV9 Bharatvarsh’s commitment to telling stories that matter, beyond borders and biases.”

    The accolade also reflects the growing global footprint of TV9 Network, which has steadily redefined India’s Hindi news landscape through its editorial depth, credible storytelling, and focus on international relevance. In recent years, TV9 Bharatvarsh has distinguished itself as the Hindi channel with a global outlook, delving into how geopolitics, diplomacy, and global economics shape India’s strategic position in the world.

    Its consistent emphasis on explaining, not sensationalising the news has positioned TV9 Bharatvarsh as a new-age leader in Hindi journalism, a channel that bridges the local and the global, giving audiences both context and clarity.

    For Jha, the ‘Honest View’ award is not just a personal milestone but a validation of his two-decade pursuit of stories that hold power to account while connecting humanity across borders. And for Indian journalism, it’s another reminder that integrity travels and sometimes, it brings home the world’s applause.

     

  • Birlas and Galeries Lafayette dazzle Mumbai night

    Birlas and Galeries Lafayette dazzle Mumbai night

    MUMBAI: When Paris met Mumbai, it wasn’t on a runway but at a rooftop under the stars. The Birla family, Kumar Mangalam Birla, Neerja Birla, Ananya Birla, and Aryaman Birla, hosted a glittering private soirée with Galeries Lafayette, turning an ordinary evening into a masterclass in culture, couture, and conversation.

    The night unfolded like a love letter to Parisian charm with a Mumbai heartbeat. Guests journeyed floor by floor through immersive spaces, each telling a different story of elegance.

    At La Beauté on the lower ground, beauty and wine mingled to the sound of a live cello. The Ground Floor’s La Coupole shimmered with over 800 designer bags, champagne bubbles, and decadent desserts, indulgence at its most refined. On the first floor, L’Atelier transformed into an art-meets-fashion haven, while L’Édition Femme on the second floor glowed with violin notes, couture, and champagne.

    Style took a suave turn at L’Édition Homme, where whiskey flowed and a live saxophone serenaded guests amid sharp tailoring and timeless sophistication. The energy rose at Flip Side, a denim-fuelled floor pulsing with tequila, laughter, and live guitar, proving that luxury can let its hair down too.

    The evening reached its crescendo at Turner Terrace, the rooftop finale. A breathtaking cross-cultural symphony united harpist Victor Espinola, sitar maestro Purbayan Chatterjee, Japanese violinist Suyaka Kurokichi, percussionist Satyajit Talwalkar, and drummer Shikhar Naad, a harmony of East and West under the night sky.

    The 130-year-old French maison provided the perfect backdrop for a guest list that sparkled as brightly as the chandeliers. Among those in attendance were Anil Kapoor, Juhi Chawla, Aditi Rao Hydari, Arjun Kapoor, Tamannaah Bhatia, Angad Bedi, Neha Dhupia, Armaan Malik, Anuv Jain, Shankar Mahadevan, Tarun Tahiliani, and Ahaan Shetty, all adding their own flair to the soirée’s splendour.

    An evening of Parisian poise and Mumbai magic, it was a night where art, fashion, and music converged, proving that when the Birlas host, luxury takes centre stage.
     

  • Vanity Group goes green with Pack4Good pledge

    Vanity Group goes green with Pack4Good pledge

    MUMBAI: Talk about putting the planet on the guest list! Vanity Group, the global luxury hotel amenities brand, has checked into a new kind of partnership, one that swaps glitz for green. The company has joined Canopy’s Pack4Good initiative, committing to eliminate paper sourced from Ancient and Endangered Forests and champion forest-free, circular packaging.

    The move marks another milestone in Vanity Group’s ongoing effort to redefine what luxury means in the modern age: elegant, ethical, and eco-conscious. From sleek amenity kits to hotel gift boxes, paper packaging plays a starring role in hospitality’s environmental footprint. By making the switch, the brand aims to help protect biodiversity hotspots while aligning with global sustainability standards.

    “As a leader in luxury hotel cosmetics, we believe that true beauty protects both people and the planet,” said Vanity Group global head of quality, regulatory and ESG Belinda Shu. “Partnering with Canopy allows us to take tangible steps towards responsible sourcing and forest protection, one guest experience at a time.”

    Through Pack4Good, Vanity Group joins a prestigious circle of more than 470 companies, including fashion icons, publishers, and personal care brands, all working to replace tree-based paper packaging with low-impact materials. These include recycled fibres and innovative “Next Generation” options like wheat straw, flax, and agricultural waste.

    Canopy founder and executive director Nicole Rycroft, praised the collaboration, saying, “Vanity Group is setting a new bar for modern luxury, one that’s stylish, sustainable, and planet-aligned.”

    Supplying premium products to over 10,000 hotels worldwide, Vanity Group is already known for its partnerships with Jo Loves, Hermès, Kevin Murphy, and Molton Brown, alongside its own brands such as Appelles, Biology, and Urban Skincare Co. Now, with this green pledge, the brand adds forest protection to its portfolio of sophistication. Because when it comes to luxury, Vanity Group is proving that conscious is the new chic.
     

  • Sangram Singh flexes for Inlife’s Magnesium move

    Sangram Singh flexes for Inlife’s Magnesium move

    MUMBAI: Strength meets science as Inlife Healthcare ropes in champion wrestler and motivational powerhouse Sangram Singh to spearhead its Magnesium Range. The partnership promises to pack a punch in India’s wellness space, promoting magnesium as the unsung hero of holistic health.

    Known for his discipline and resilience both inside and outside the ring, Sangram is now taking his fight beyond the mat, this time, against poor nutrition and fatigue. Inlife Healthcare, a trusted name in nutraceuticals for over five decades, believes his journey mirrors its own mantra of balance, strength, and mindful living.

    “We’re honoured to welcome Sangram to the Inlife family,” said Inlife Healthcare founder mentor and strategic director Sandeep Gupta. “His authenticity and perseverance reflect our ethos. This isn’t just an endorsement, it’s an invitation for everyone to view health as a lifelong pursuit.”

    Echoing the sentiment, co-founder Prateek Agarwal added, “Our Magnesium range is built on the belief that wellness is a necessity, not a luxury. Sangram’s charisma will help us drive home the message of preventive care and everyday vitality.”

    For Sangram, the partnership is personal. “Magnesium is vital for strength, recovery, and energy, values that define my fitness journey,” he shared. “Together, we aim to empower people to nourish both body and mind.”

    Inlife’s Magnesium Glycinate and Chelated Magnesium Glycinate Forte tablets are designed to aid muscle recovery, energy metabolism, restful sleep, and mental calm. Crafted for athletes, professionals, homemakers, and health enthusiasts alike, the range aims to fit seamlessly into modern lifestyles.

    With its enduring philosophy, ‘Live Healthy, Live Better’. Inlife Healthcare continues to merge science and trust to make wellness accessible, one supplement at a time.
     

  • Indian TV advertising takes a beating as FMCG brands tighten purse strings

    Indian TV advertising takes a beating as FMCG brands tighten purse strings

    MUMBAI: India’s television advertising market has hit the skids. The Economic Times reported that ad volumes plummeted 10 per cent year-on-year in the first nine months of 2025, according to TAM AdEx data, as fast-moving consumer goods companies—the industry’s biggest spenders—slashed budgets in response to anaemic consumer demand. Of course, the ban on real money gaming platforms in end-August added to the shrinkage in ad spends too . 
    The carnage shows up in broadcaster balance sheets. Zee Entertainment’s advertising income tumbled 11 per cent to Rs 3,591 crore. Sony Pictures Networks India posted a nine per cent drop to Rs 2,606 crore. Sun TV Network’s advertising and broadcast slot sales fell four per cent to Rs 1,440 crore. Star India, now merged with the erstwhile Viacom18, kept mum on the split between advertising and subscription revenue.
    The culprit is clear: viewers are ditching appointment viewing for on-demand convenience, leaving linear television scrambling for relevance.
    Food and beverages dominated advertising between January and September, claiming 21 per cent of total ad volume. Personal care, services, household products and retail rounded out the top categories. The top ten sectors hoovered up 88 per cent of all TV advertising—proof that consumer brands still see television as the mass-reach medium par excellence.
    TAM Media chief executive LV Krishnan explained that the “drop is largely led by softening of market conditions, whereby consumption had dipped, resulting in a cut in ad budgets. This is a pre-GST reduction period.
    Among individual advertisers, Hindustan Unilever remained the heavyweight champion, followed by Reckitt Benckiser India and Godrej Consumer Products. The top ten advertisers accounted for 42 per cent of total ad volume.
    General entertainment channels and news outlets continued to attract the lion’s share of advertising, together accounting for 57 per cent of total volume. News, movies and music saw a marginal drop compared with 2024, whilst general entertainment gained slightly—a sign that high-reach programming still packs a punch.

    Krishnan reckons the final quarter of 2025 will see year-on-year growth, thanks to GST rate cuts that kicked in on 22 September. He estimates the reforms will spur consumption and inject Rs 5,400 crore into overall advertising during the festive season, on top of organic festive growth. 

    If the green shoots turn into a proper recovery, television may yet claw back some swagger. For now, though, it’s licking its wounds.

  • MIB reboots TV ratings policy with tougher rules and wider audience lens

    MIB reboots TV ratings policy with tougher rules and wider audience lens

    MUMBAI: The Ministry of Information and Broadcasting (MIB) has turned the spotlight back on television ratings and this time, it’s rewriting the rulebook. In a move that could reshape the country’s broadcast measurement landscape, the government has released a new draft of its Policy Guidelines for Television Rating Agencies in India, introducing the sharpest set of reforms since the framework was first notified in 2014.

    In a notice dated 6 November 2025, the ministry invited public comments on the proposed amendments until 5 December 2025. Eleven years after the original guidelines and a year after a limited 2024 revision,, the latest draft signals a decisive shift towards greater transparency, accountability, and inclusivity in how India measures what its 800-million-plus television audience watches.

    The 2025 draft makes it clear that the government wants to raise the bar on both credibility and fairness. At the top of the list is a tightened eligibility criteria only companies registered under the Companies Act, 2013 can apply for registration as a rating agency. This ensures stricter oversight and legal accountability, closing loopholes that allowed loosely structured entities to operate in the past.

    The draft also raises the minimum net worth requirement from Rs 3 crore to Rs 5 crore, to be verified by a statutory auditor. The higher capital threshold aims to bring financial discipline and deter smaller, unstable firms from entering the highly sensitive ratings ecosystem, where even minor discrepancies can have major commercial implications.

    Perhaps the most impactful change is in the area of ownership and cross-holdings long seen as the Achilles heel of India’s TV measurement structure. The new draft enforces a 20 per cent cap on equity holding between broadcasters and rating agencies, extending the restriction to individuals, promoters, and associated entities. In simpler terms, no one player can own significant stakes on both sides of the table.

    This is a substantial tightening compared to earlier versions, which allowed partial overlaps subject to disclosure. The ministry’s reasoning is straightforward measurement credibility can’t coexist with commercial entanglement. In a crucial clarification, the 2025 draft exempts self-regulatory industry bodies such as BARC, recognising that such collective models function under different governance mechanisms.

    Another standout update is the focus on panel expansion. To make television measurement more representative of India’s diverse demographic and linguistic spread, the MIB has mandated a minimum panel size of 80,000 homes within six months of notification, with an increment of 10,000 homes annually until the sample reaches 1.2 lakh households. Agencies may exceed this number if their operational or business needs demand.

    This is a major leap from the 2024 proposal, which had suggested a modest 50,000–70,000 range. The expansion aims to reduce sampling bias, especially in smaller towns and rural areas where television habits differ significantly from metros.

    The policy also explicitly prohibits the inclusion of any employee, officer, or affiliate of the rating agency in the viewership panel, a new compliance safeguard designed to eliminate even the faintest hint of internal manipulation.

    In a nod to the shifting patterns of media consumption, the 2025 draft directs that all audience measurement systems must now be technology-neutral. That means ratings must include data from connected TVs, smart devices, and other digital viewing platforms, reflecting the hybrid nature of modern Indian households where linear and OTT viewing coexist seamlessly.

    The guidelines acknowledge that audience measurement today is no longer about a single screen in a living room but about a dynamic, multi-device reality, a clear move to keep pace with how India actually consumes content.

    In what could be a major relief for advertisers and rival broadcasters, the MIB has finally closed the landing page loophole. For years, channels have been accused of artificially boosting ratings by auto-playing content on viewers’ TV sets through default landing page placements.

    The new clause explicitly states that viewership from landing pages shall not be counted in official ratings, although broadcasters may continue to use such pages for marketing or promotional purposes. This measure brings India’s practices in line with international rating standards and reinforces the ministry’s commitment to clean, authentic data.

    The 2025 draft also lays down retrospective applicability, meaning that even existing agencies will have to align with the new norms once the policy is finalised. This is a departure from the 2024 version, which had proposed a transition period. The message is clear: compliance cannot wait.

    The government has also stressed that while the policy sets minimum conditions, industry bodies can adopt higher self-regulatory standards. The intention is not to micromanage, but to create a robust baseline that ensures fairness, accuracy, and accountability across all stakeholders.

    According to ministry officials, the reforms aim to make the Indian television rating system credible enough to withstand both global scrutiny and domestic scepticism. With advertising spends on TV and digital now exceeding ₹90,000 crore annually, the stakes are higher than ever.

    While the final policy is still under review, early responses from industry watchers suggest cautious optimism. Broadcasters and advertisers have welcomed the technology-neutral approach and expanded panel mandate, noting that these changes will help restore faith in ratings data after years of contention. However, smaller agencies have raised concerns about the steep jump in capital requirements, arguing that it could limit competition.

    In essence, the 2025 draft represents India’s effort to future-proof its audience measurement infrastructure. From traditional broadcast homes to connected screens, the government’s focus is on fairness, transparency, and scalability.

    When the final policy is notified, it will not only determine how ratings are gathered and reported, it will also influence how advertising money flows, how content is valued, and how credibility is built in a market where every rating point can swing millions of rupees.

    Because in today’s media economy, where screens may have multiplied but attention has shrunk, one truth remains constant: numbers tell stories and the story is only as strong as the trust behind it.