Category: News Headline

  • DreamSetGo hits the right note with ‘Sound of Sports’ for World Music Day

    DreamSetGo hits the right note with ‘Sound of Sports’ for World Music Day

    MUMBAI : DreamSetGo has dropped a rousing new digital campaign for World Music Day 2025 titled “Sound of Sports Experiences”. The 80-second music video turns the adrenaline of elite sporting moments into a rhythmic celebration — quite literally.

    Built entirely from the sounds of sport — think leather meeting willow, tennis grunts, the shriek of Formula 1 tyres, and crowd roars — the campaign blends sonic artistry with slick visuals to spotlight the emotion behind DreamSetGo’s luxury offerings across cricket, motorsport, tennis and football.

    “As someone deeply passionate about both music and sport, I’ve always found both to be that one uniting factor, the things that bring us together and make us emote together. With ‘Sound of Sports Experiences’, we’ve brought that emotion to life—an anthem for sports fans and music lovers alike. I’m thrilled with the creative output of the music video. It’s a beautiful celebration of music and a grand homage to sport,” said DreamSetG co- founder & CEO, Monish Shah

    The film, now live across the brand’s social platforms, is a sensory pitch for how sports, like music, speaks straight to the soul. With “Sound of Sports”, DreamSetGo hits a high note in storytelling that’s as immersive as its on-ground experiences.

    dreamsetgo.sports

    DreamSetGo

    DreamSetGo

  • Saumya Agarwal is appointed as vice president – Madison Media Plus

    Saumya Agarwal is appointed as vice president – Madison Media Plus

    MUMBAI: Madison Media Plus, a unit of Madison World, is delighted to announce the appointment of Saumya Agarwal as vice president. He will report to Madison Media Plus COO Mimi Deb.

    Saumya brings over 18 years of diverse experience in Integrated Marketing Communications. He has previously held leadership roles across GroupM, Dentsu and Publicis Groupe, and has worked with marquee brands such as Nykaa, HUL, Jaguar Land Rover, ICICI Group, HDFC Bank, Louis Vuitton Moët Hennessy, Allied Blenders and Spotify. Prior to joining Madison Media, he served as AVP at Starcom. Along with his deep brand-building expertise, Saumya brings a strong passion for new business initiatives, nurturing talent and crafting purpose-driven narratives.

    “As our client portfolio continues to expand and brand needs evolve, we are realigning our team structure to stay agile, strategic, and future-ready. Saumya’s addition to the leadership team marks a significant step in this direction, strengthening our capabilities to deliver impactful solutions and drive sustained business growth,” said Deb.

    Sharing his excitement, Agarwal said, “I’m excited to join Madison Media Plus at such a dynamic time of growth and transformation. The energy of the team is truly inspiring. I look forward to contributing meaningfully to our clients.”

  • Lauki meets cooker in Panchayat’s spicy Season 4 campaign blitz

    Lauki meets cooker in Panchayat’s spicy Season 4 campaign blitz

    MUMBAI: What do you get when lauki meets pressure cooker? A full-blown election dhamaka, of course. But this time, the cooker isn’t in the kitchen, it’s on billboards, in street installations, and it’s whistling louder than Phulera’s political tempers. Ahead of Panchayat Season 4’s release on June 24, Prime Video is turning up the heat with a brilliantly desi OOH campaign across cities. At Patna’s Marine Drive, Indore’s Chappan Dukan, and Lucknow’s buzzing 1090 Chauraha, unsuspecting passersby were met with massive laukis being squashed by equally massive pressure cookers or vice versa. The lauki isn’t going down without a fight.

    The high-decibel marketing complete with hoardings that blow a real seeti every few hours plays up the season’s central conflict: Kranti Devi vs. the OG Pradhan. The quirky slogan game is also strong: Banrakas ka Vaar, Ya Pradhan ka Prahaar? and Kaun Hogi Phulera Ki Queen? echo across installations, channeling every bit of small-town poll drama with spicy flair.

    It’s political theatre with a legume twist, reflecting the heartland chaos Panchayat fans love. If lauki symbolises old-school values and calm, the cooker is all pressure and power play and Phulera’s streets are the new battleground.

    Returning with its signature warmth and satire, the series stars Jitendra Kumar, Neena Gupta, Raghubir Yadav, Faisal Malik and more. Created by Deepak Kumar Mishra and Chandan Kumar, the show is ready to serve a fourth helping of heartfelt hilarity. And if the campaign is any hint, this season’s narrative will be just as cooked, crisp, and chaotic.

    So mark the date, because Panchayat isn’t just streaming, it’s steaming. 

  • Dentsu reveals it tipped off CCI in ad cartel investigation

    Dentsu reveals it tipped off CCI in ad cartel investigation

    MUMBAI: Who blew the whistle on Indian advertising’s best-kept secret? Turns out, it was the house of Dentsu. Three months after the Competition Commission of India (CCI) swooped down on the country’s top ad agencies over alleged rate-fixing, Japanese media conglomerate Dentsu has confirmed it was the one to pull the plug—filing a suo motu disclosure under CCI’s leniency framework in February 2024. The move, Dentsu claims, wasn’t about crisis control, but about triggering “reform from within.”

    In March, CCI teams raided nearly 10 locations, targeting big-league players including GroupM, Publicis, Havas, IPG, and Madison, along with industry associations like AAAI, ISA, and IBDF. The focus? Alleged cartelisation through fixing ad rates, discounts, and possibly stifling competition, an apparent violation of Section 3(3) of the Competition Act, 2002.

    While the industry speculated, Dentsu in a statement to Storyboard18 said, “We had a choice to remain passive or drive change… This was a decision to support reform from within.”

    Dentsu also claimed to have already implemented stricter audits, tighter controls, and sharper governance. “Change can’t be effected by walking away,” it added, calling this a turning point for the entire sector.

    CCI’s leniency programme, a powerful tool in its arsenal, incentivises cartel members to come forward in exchange for reduced penalties. Think immunity for honesty, if you snitch first. This has been critical in cracking covert coordination, especially in complex industries like media buying where cartels may not leave an obvious paper trail.

    Legal experts say proving cartelisation under Section 3(3) isn’t just about similar pricing, it requires evidence of intent. That can come from emails, meeting notes, or even circumstantial cues like identical bid patterns or synchronised rate shifts via industry associations.

    What’s next? If the CCI finds strong evidence, the repercussions could be seismic: hefty penalties, shattered reputations, and a fundamental reordering of media-buying norms. Already, industry stakeholders are watching this case as a litmus test for regulatory muscle in India’s high-stakes ad market.

    As one industry veteran put it off the record: “This isn’t just an investigation, it’s a wake-up call.”

    In an industry where everyone knows everyone, Dentsu’s move may have ruptured long-standing silences. Whether it ends in punishment or reform, one thing is certain: Indian advertising’s old ways just met a very public reckoning.

     

  • Hello Kitty rolls into India with cute new wheels for kids

    Hello Kitty rolls into India with cute new wheels for kids

    MUMBAI: Sanrio’s global pop icon Hello Kitty just got her own ride in India, and it’s got kids buzzing. In a purr-fect collaboration, tech-enabled Indian manufacturer Bidso has launched a new line of Hello Kitty-themed 3-wheeler scooters, designed for safety, fun, and some serious playground style.

    The range includes three delightfully designed SKUs that blend the charm of Hello Kitty with durable, child-friendly engineering. Manufactured in India and priced to please—starting at just Rs 899—the scooters promise quality without breaking the piggy bank.

    Now available exclusively on Flipkart, the launch makes it easy for families across the country to bring home some Hello Kitty joy, with doorstep delivery options and a seamless checkout experience.

    Bidso co-founder & head, Aditya Krishnakumar shared, “Partnering with Hello Kitty, a brand with a joyous global presence is an honor. At Bidso, we’re passionate about creating innovative, high-quality products, and this collaboration allows us to offer something truly special to families in India. We’re excited that these scooters will capture the hearts of both children and parents.”

    Bidso’s latest move signals its intent to become a key player in the child mobility segment, with a sharp focus on fun, affordability, and homegrown manufacturing. For Hello Kitty fans, it’s time to scoot in style.

  • Live Times clocks in as No. 1 in ATS, making news worth watching

    Live Times clocks in as No. 1 in ATS, making news worth watching

    MUMBAI: No noise, just news and viewers are tuning in longer than ever. In a remarkable broadcast milestone, Live Times, India’s first global multicast news hub, has emerged as the No. 1 channel in Average Time Spent (ATS) across six key Hindi-speaking markets, according to BARC Week 23 data (HH Universe).

    The channel recorded an impressive ATS of 59 plus minutes across Bihar/Jharkhand, Madhya Pradesh/Chhattisgarh, and Maharashtra/Goa (TG 15–21), with an overall viewership rating of 1.07 in HSM markets leaving long-standing legacy news brands trailing behind.

    In television news, where impressions often steal the spotlight, ATS is the true test of content quality and viewer loyalty. While many channels compete for eyeballs, Live Times seems to have captured hearts and attention spans. With viewers sticking around for nearly an hour, it’s clear that substance is winning over sensation.

    What makes the feat more impressive is the channel’s youth. In an arena long dominated by veteran networks, Live Times is still relatively new but it’s already made a big impression. Its formula? Fact-first journalism, minus the noise, drama, or bias. In a cluttered media landscape, Live Times is emerging as the quiet but powerful voice of truth.

    Live Times, founder Dilip Kumar Singh said, “We set out to create a news hub that puts authenticity above all else. This milestone 59 plus minutes of ATS and No. 1 position across six key markets tells us that viewers are responding to that vision.”

    With audiences clearly hungry for fact-based reporting, Live Times might just be setting the tone for a new era in Indian news: one where credibility holds attention and earns it too.

  • EV91 revs up Delhi streets with electric fleet and gender-first last-mile delivery push

    EV91 revs up Delhi streets with electric fleet and gender-first last-mile delivery push

    MUMBAI: Delhi just got a jolt of clean energy, with wheels that mean business. Ev91technologies, one of India’s fastest-scaling electric mobility startups, officially rolled out its flagship electric two-wheeler operations fleet in the capital on 23 June 2025, setting its sights on both sustainable transport and urban employment equity.

    The new centre in Delhi-NCR comes equipped with tools for real-time diagnostics, battery testing, servicing, and spare part replacements. The facility aims to offer dependable post-sales support for the startup’s growing fleet of electric vehicles and their delivery partners.

    “Delhi is a crucial market for the EV transition, and this new centre is designed to support our customers with fast, reliable, and professional service. Our aim is to not only provide exceptional vehicles but also ensure an effortless post-sales experience that builds long-term trust”, said Ev91technologies founder & CEO Arun Kumar.

    The leadership team—including Manoj Kumar (COO), Lalith Kumar (CBO), and Umesh S K (CFO)—brings a unified vision of cleaner roads and wider access to electric mobility across India. Their strategy includes not just asset deployment but creating livelihoods powered by green tech.

    Industry partners present at the launch included Vaibhav Sarda from Stride, Rishabh Deo from Gogoro, Jyotir Jain from BizDateUp, and Partha Pratim from MotoVolt—signalling strong cross-sector alignment in finance, mobility, and startup innovation.

    In a bold social impact move, EV91 is partnering with Zepto, Big Basket, Flipkart Minutes, and Apollo to provide two-wheelers on a rental model to gig workers unable to afford their own vehicles. The result? A scalable solution that helps riders earn while pushing India’s EV transition forward.

    Women riders are firmly in focus too. EV91 is already collaborating with Rapido Pink to promote women-led fleet operations. The company plans to scale up to over 5,000 vehicles in the coming months, with 1,000 earmarked for female riders.

    “Our commitment remains clear — to create dignified, green, and scalable employment for underserved women across urban India”, said Kumar.

    From buzz to business, EV91Technologies appears to be wiring its growth model not just with batteries and bytes, but with purpose. Delhi, clearly, is only the first stop.

  • “Brands don’t really push the LBTQIA conversation beyond a tokenistic approach”- Dot Media’s Danny Advani

    “Brands don’t really push the LBTQIA conversation beyond a tokenistic approach”- Dot Media’s Danny Advani

    June is Pride Month – a time when rainbows pop up across corporate India, from brand logos to Instagram grids. But behind the hashtags and the colourful symbolism, a tougher question lurks: is this genuine progress or just another seasonal PR parade?

    Over the years, India Inc. has inched forward in recognising sexual diversity. But is it truly embracing the LGBTQIA+ community, or simply ticking the inclusion box for 30 days a year? To explore this, Indiantelevision.com turned to leaders in the advertising and marketing fraternity.

    In the second part of our Executive Dossier series, Indiantelevision.com’s Rohin Ramesh had an email interaction with Danny Advani, head of business strategy at Dot Media. Previously, where Mihir’s take on Indian brands during Pride Month felt like a rainbow with a silver lining — cautiously optimistic, yet hopeful — Advani’s perspective is the thundercloud that follows. In a sharp contrast to the celebratory tone often seen in June, he lays it bare: we’ve barely scratched the surface. For him, the truth is uncomfortable — most brands are still dancing around the idea of inclusion, not walking the talk. His take sparks a necessary debate: are brands truly evolving, or are we still mistaking seasonal signaling for sustained support?

    Advani isn’t buying into the optimism. His perspective acts as a stark counterpoint — a reminder that beyond the sparkle of Pride-themed campaigns, the reality remains largely cosmetic. For him, the issue isn’t that brands are doing too little during Pride Month; it’s that they’re doing so only during Pride Month.

    The tension between these viewpoints opens up a much-needed dialogue: Is India’s brand ecosystem truly evolving in its understanding and representation of LGBTQIA+ identities, or are we still stuck in a cycle of rainbow-washing, safe tokenism, and corporate convenience?

    Excerpts from the interaction  follow.

    On brands evolving from symbolic gestures during pride month to sustained representation in product design, hiring policies, partnerships and campaigns that sparked conversation vs those that felt like rainbow-washing.

    In the Indian brand landscape, I personally haven’t come across any brand that really pushes the boundaries of the LBTQIA conversation beyond a tokenistic approach during the pride month? Where does the association disappear after June? Do we see more open conversations around them? Not yet! Are we ready as a country, not yet! Of course some brands are inclusive in conversations but is it an always on approach? Don’t think so!

    On creative, PR, and digital agencies working to ensure LGBTQ+ stories are told authentically, with lived experience and not just layered filters.

    My response remains the same above. But yes, there are agencies and organisations that do put in the effort for representation and create a safe space and welcoming environment for the community. Parmesh Sahani has been integral in doing this for Godrej now for years and I think we need more of these flag bearers to help open the archaic mindset of most organisations.

    On Indian brands showing up for the queer community throughout the year, or only when it trends.

    Let me switch my gay spotlight on and say ‘Oh honey, don’t even get me started”. Brands don’t care, most of them, they don’t care about Mothers Day, Fathers Day let alone pride. It is a trend that they ride the wave hoping they get to see the golden pot aka ROI across the rainbow.

    But I must say, some brands have at least made some inclusions in their choices of talents being used, be it as a face for commercials, or product shoots but there seems to be some movement in the positive direction.

    On the data about LGBTQ+ inclusion driving brand loyalty, especially among Gen Z and millennial consumers.

    I am not even sure if there’s a substantial data pool in the Indian landscape, but globally brands like Levis, Skittles, etc have seen proof of success in being an inclusive brand. I remember reading a paper that says skittles saw an engagement spike of 20-25 per cent during their pride campaign and as per Nielsen research paper “LGBTQ+-inclusive ads saw 23 per cent higher brand recall among Gen Z, and were 2x more likely to lead to purchase intent”. Even Close Up as a brand in India has been inclusive in their campaigns in the past and not necessarily for Pride but even during Valentines.

    On brands showing solidarity without falling into legal or cultural backlash traps, given the legal grey areas around same-sex marriage in India.

    No one is asking any brand to endorse or fight for the rights of the community by showcasing any strong statements but just have the appetite to showcase and accept the community first for who they are and stop questioning their choices. I remember an incident when X used to be Twitter and a certain Top TIer Bank had rolled out a campaign and a service for same sex couples to have a joint holder account. But when my friend applied for it, she was denied and it became a Twitter War. Pinkwashing isn’t cool!

    On the LGBT market being a big enough market in India to be targeted for products specially designed for them.

    Can’t remember any digital film, television commercial that showcased anything outside a heteronormative lens. The Indian ecosystem is too fragile and lacks awareness of anything outside the biological gender to accept or even have a conversation that could be in the benefit of the community.

    On the LGBT market being a big enough market in India to be targeted for products specially designed for them.

    Take a page from the new age fashion brands and I ain’t talking about the e-commerce giants. Brands in the fashion space today are aware of the choices that the community needs so instead they are keeping it unisex. It’s not necessarily defined by biological gender but by the design and the collection that is inclusive for all.

    On where the right attitude towards the LGBTQ+ community in an organisation truly begins — leadership, middle management, or peers.

    Oh, the chicken and the egg question! Let’s be honest, it all has to work in tandem with each other. The management can set the groundwork and help create an environment that is inclusive, but the middle management and the peers are equally responsible for you to feel it’s a safe space to work. You cannot have your leadership valuing your contributions while your peers and middle management try to tear you apart with ignorant remarks or homophobic slurs. It seems like a lot to ask but you need the majority in an organisation doing the right to silence the wrong. 
     

  • Blunt and loud: Go5 launches edgy new audio brand for India’s Gen Z

    Blunt and loud: Go5 launches edgy new audio brand for India’s Gen Z

    MUMBAI: Go5 Incorporation, the force behind TecSox and Deal99.in, has just dropped its boldest bet yet — Blunt, a new audio brand that’s unapologetically built for India’s Gen Z. Ditching dull tech and overpriced polish, Blunt speaks to creators, hustlers, gamers, and style-conscious college-goers looking for gear with guts.

    Launched with wireless neckbands, TWS earbuds, wired earphones, and Bluetooth speakers, Blunt blends punchy sound with underground design — think matte blacks, LED trims, industrial accents and attitude-heavy branding. Built-in quick charge, long battery life, and deep bass come as standard.

    Go5 Incorporation founder & promoter, Puneet Gulati said, “We saw a cultural gap where most affordable audio products were either plain functional or overpriced lifestyle gear. Blunt was born to challenge that. It’s gritty, raw, and real just like its audience.”

    The brand leans heavily into subcultures – from streetwear and indie music to gaming and hip-hop — making it as much a cultural statement as a tech offering. It’s tech that flexes.

    Backed by Go5’s success with TecSox — which sells over a million units with a sub-2 per cent return rate — Blunt enters the market with scale and street cred.

    In short, Blunt isn’t just about what you hear. It’s about how loud you live.

  • Triooh launches to bring data-driven change in OOH advertising

    Triooh launches to bring data-driven change in OOH advertising

    MUMBAI: If billboards could think, they’d probably call Triooh for a brand makeover. Launching with a bang, Triooh is the newest kid on the block aiming to shake up the Out-of-Home (OOH) advertising space not with size, but with smarts. Founded by industry veteran Anuj Bhandari, Triooh is blending creative flair with data intelligence to take media planning from guesswork to precision science.

    While traditional OOH often leaned on legacy placements and gut feel, Triooh flips the script by putting data at the heart of its planning process right from the start. “The industry was never short on creativity, but it needed smarter tools,” said Bhandari. “We’re here to make every ad placement not just visible, but valuable.”

    With services spanning media planning, buying, execution and experiential marketing, Triooh is built for modern brands seeking accountability, sharper targeting, and real-time audience insights. Whether it’s a roadside hoarding or a branded experience, the agency wants every campaign to deliver measurable impact on minds and metrics alike.

    The team is as hybrid as their approach: seasoned industry pros meet agile new talent, all working to power up performance in a rapidly evolving medium. “OOH is no longer just about billboards. It’s a data-driven ecosystem,” Bhandari said.

    Triooh is currently self-funded, but already in talks with major agency networks to raise strategic investment as it accelerates its vision. With advertisers demanding more accountability and smarter ROI from OOH formats, Triooh is positioning itself as the medium’s modern-day makeover artist where bold ideas meet bold data.

    For the OOH world, it looks like the writing’s on the wall. And this time, it’s backed by analytics.