Category: Regional

  • Colors Bangla all set for the World Television Premiere of Googly

    Mumbai: After heart-warming response from the audience, Soham Chakraborty and Srabanti Chatterjee starrer “Googly” is all set for its world television premiere only on Colors Bangla on 26 February at 2 pm and 9.30 pm. Directed by Abhimanyu Mukherjee and produced by Surinder Films, Googly delves into the lives of Dali and Arjun, a couple suffering from a stammering problem.

    Dali (Srabanti Chatterjee) is ridiculed by her friends and is often left alone in social gatherings because of her speech defect. Her parents are adamant on getting her married but everytime she gets rejected.  Arjun (Soham Chakraborty) and his family come to see Dali and soon, it is revealed that Arjun also stammers; however, both Dali and Arjun’s parents remain in the dark about the speech defect of prospective groom and bride. Elated, Dali and Arjun both decide to be friends and eventually they get married. The problem arises in their happy marital life when the question of having a baby arises. Their lives take an eventful turn after the birth of their son Googly, and what happens next forms the crux of the story. The movie also stars Kanchan Mullick as Arjun’s friend.

    Soham Chakraborty and Srabanti Chatterjee starrer Googly will be aired on Colors Bangla cinema subsequently on 12 March at 6 pm. The show will be heavily promoted on air and on social media for better reach and engagement.

  • MIB minister Anurag Thakur inaugurates 24X7 service of Doordarshan Himachal

    Mumbai : Information and broadcasting minister Anurag Singh Thakur inaugurated Doordarshan Kendra’s 24-hour telecast service in Shimla.

    As a result, the Himachal Doordarshan Kendra Shimla will now provide services to the people of Himachal Pradesh 24 hours a day, seven days a week,.

    The chief minister of himachal pradesh Sukhwinder Singh, was the guest of honour, and Shimla member of parliament Mukesh Agnihotri, the deputy chief minister of himachal pradesh Suresh Kashyap and Prasar Bharati CEO Gaurav Dwivedi were also present.

    In his address to the gathering, Anurag Thakur stated that, in response to the people’s long-standing demand, Doordarshan Kendra, Shimla’s telecast has been dedicated to the people round-the-clock beginning. He stated that with the start of the 24-hour telecast from DD Himachal, not only the state’s news, but also its culture and traditions, would gain national and international recognition.

    While speaking about Himachal Pradesh’s rich cultural heritage, Singh stated that the state will have the opportunity to take Himachal Pradesh’s art, culture, and literature to every nook and cranny of the world through the medium of Doordarshan. The 24×7 Channel will broadcast information about important tourist destinations, religious sites, sports, adventure, local handicraft, artisans, and stories about our brave soldiers’ lives. It will also address issues affecting the people of the state. This will be available throughout India with free DTH Dish so that Himachalis living in other parts of the country can stay in touch with their roots and culture, he added.

    The Minister stated that this is the start of a golden era for Doordarshan Himachal, which is regarded as an important link in the development of communication in the country initiated by Prime Minister Narendra Modi, and that with his inspiration, we are launching 24×7 service of Himachal Doordarshan.

    Appreciating Himachalis’ sacrifices in Indian defence forces for the country, he stated that their sacrifices have made this Dev Bhumi a land of Veer Bhumi as well.

    Thakur, who grew up watching Doordarshan’s Chitterhaar, proposed that a programme similar to the popular DD show ‘Chitrahaar,’ which features Hindi film songs, be launched on the newly launched channel to promote Himachali folk music.

    Thakur concluded his speech by praising All India Radio and Doordarshan for their efforts in raising awareness during the Covid-19 pandemic.

    Himachal Pradesh CM Sukhvinder Singh praised Thakur’s efforts and stated that the State administration is committed to ensuring that all citizens benefit from State and Central government schemes. The chief minister stated that schemes of the Central and State Governments will also be telecast through DD Himachal for maximum public awareness.

    Prasar Bharati CEO Gaurav Dwivedi stated that the channel will hire news anchors and camera operators in addition to providing employment opportunities for residents of the state. He expressed his hope that DD Himachal would live up to the expectations of the Himachal people.

    The event concluded with enchanting folk dances showcasing Himachal’s rich culture, which captivated the audience.

  • SCO film festival to commence with the world premiere of Priyadarshan’s ‘Appatha’

    SCO film festival to commence with the world premiere of Priyadarshan’s ‘Appatha’

    Mumbai: The Shanghai Cooperation Organisation festival will commence on Saturday with the world premiere of the Tamil film Appatha. The film is directed by Padma awardee filmmaker Priyadarshan while Jio Studios and Wide Angle Creations are co-producers.

    The film features actor Urvashi in the lead role and will be benchmarked as her 700th film and 51 years in the Indian film industry. Director Priyadarshan has reunited with veteran actress Urvashi after 28 years, post the film Midhunam in 1993.

    On Appatha opening at the festival, union minister of information and broadcasting Anurag Thakur said, “India’s goal of organising the festival is to showcase the diversity of films and various styles of film making from from the SCO region. We also aim to build cinematic partnerships, have exchange programmes, nurture young filmmaking talent and act as a bridge between the cultures of this unique region. We are delighted to commence the festival with the world premiere of Priyadarshan’s film Appatha. It is a touching story of love and our bond with our pets.”

    Sharing his delight at the film opening the festival, Appatha director Priyadarshan said, “We are honoured Appatha has been selected as the opening film on this prestigious occasion. I would like to thank my producers Jio Studios and Wide Angle Creations for bringing this simple and lovely story to me. It has been a pleasure collaborating on this film and wonderful to be working with a phenomenal talent like Urvashi on her milestone 700th film. Appatha is different from anything I have attempted earlier and I am looking forward to seeing how the audience reacts to it.”

  • Colors Bangla to present the world television premiere of ‘Hullor’

    Colors Bangla to present the world television premiere of ‘Hullor’

    Mumbai: Colors Bangla is all set to enthral cinephiles this festive season with the world television premiere of rib-tickling comedy drama Hullor. The movie featuring superstar Soham Chakraborty, Srabanti Chatterjee will premiere on 29 January at 2 p.m. and 9.30 p.m., respectively.

    Directed by Abhimanyu Mukherjee, the movie features some of the very popular stars of Tollywood including Srabanti Chatterjee, Soham Chakraborty, Om Sahani, Darshana Banik playing lead roles. The movie has an interesting plot which is about a grocery store in North Kolkata that stands in the way of developers who want to build a mall in that area.

    Soham is a ‘ghar jamai’ and is married to Srabanti. He dreams of being financially independent and earning the respect of his rich father-in-law. On the other hand, Om plays a young guy who is in love with Darshana Banik. Her dad owns the grocery store which is in deep debt and eyed by the realtors. The film follows the group of Soham, Srabanti, Om and Darsana as they seek to save the shop from being razed, leading to a series of hilarious events. The movie also stars Biswanath Basu, Santilal Mukherjee, Kanchan Mullick and Supriyo Dutta.

    Soham Chakraborty and Srabanti Chatterjee starrer Hullor will be aired on Colors Bangla Cinema subsequently on 12 February at 6 p.m. The show will be heavily promoted on air and on social media for better reach and engagement.

  • Asianet movies launches special Onam campaign ‘Oru Padathinu Poyalo’ inviting audiences to return to theatres

    Asianet movies launches special Onam campaign ‘Oru Padathinu Poyalo’ inviting audiences to return to theatres

    Mumbai: At a time when new releases are struggling to draw large crowds to theatres, Asianet Movies has stepped forward to support the film industry.

    ‘Oru Padathinu Poyalo’, a special onam campaign created by Asianet Movies, invites audiences to return to theatres to experience a cinematic experience available only on big screens. The campaign revolves around reminding audiences of the magic of cinema and encouraging them to watch new releases in theatres.

    This campaign was launched in collaboration with the Kerala Film Producers Association.

    Asianet executive director Kishan Kumar said, “Since inception, Asianet Movies has taken pride in Malayalam cinema and always stood for its betterment. The underlying motive for this campaign was our comprehensive understanding of the constant challenges faced by creators, artists, producers, distributors, and theatre owners.”

    He added that this is the first time a television network has launched a campaign to increase theatre attendance and combat piracy.

  • 27th Kolkata International Film Festival to be held from 25 April to 1 May

    27th Kolkata International Film Festival to be held from 25 April to 1 May

    Mumbai: The 27th edition of Kolakata International Film Festival will be held form 25 April to 1 May, according to an official notification of Information and Cultural Affairs Department.

    The film festival was earlier scheduled to take place in January, but it was postponed due to sudden rise in Covid-19 cases. 

    All the sections of the festival – competitive and retrospective – will remain as usual and its details will be announced later, an official from the film festival told PTI. “With the lifting of the restrictions, the theatres will have full capacity. There will also be more public screenings than what was planned in January,” the official said.

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  • Planet Marathi announces Marathi-Hollywood title ‘Chhatrapati Tararani’

    Planet Marathi announces Marathi-Hollywood title ‘Chhatrapati Tararani’

    Mumbai: Akshay Bardapurkar’s Planet Marathi and Piiyush Singh’s Golden Ratio Films have collaborated with UK-based independent production house Black Hangar Studios for a first-ever Marathi-Hollywood film “Moghul Mardini Chhatrapati Tararani.” Directed by Rahul Jadhav, the film will be produced in Marathi and English and it will feature Sonalee Kulkarni in the lead role. The makers are planning a Diwali 2022 release in India and overseas.

    Based on the life of the warrior queen Chhatrapati Tararani who fought against the Mughals, Nizamshahi, Aadilshahi, Qutubshahi, Dutch, British, Portuguese, and Siddis, the story of the greatness of Maratha women, Marathi pride, and Swarajya, said the statement.

    “Chhatrapati Tararani is going to be a golden page in the history of Marathi cinema. Planet Marathi and Golden Ratio are proud to take the story of the Maratha warrior queen to the world. This will be the first and one of the biggest Marathi-Hollywood films to go on floors with an international film studio,” said Planet Marathi CMD Akshay Bardapurkar. “It is too soon to reveal more details about the film but we have a talented blend of filmmakers, musicians, and artists that are working hard to bring this beautiful presentation to our Marathi audiences. I strongly believe this film has the potential to take Marathi cinema at a newer height,” he added.

    Black Hangar Studios has to its credit Hollywood productions such as “Rogue One: A Star Wars Story,” “Dark Tide,” “The Grand Tour,” and “24: Live Another Day,” as well as the Indian superhero film “Ra.One,” released in 2011. “After working with the Indian Sci-fi genre we are excited to create the experience for a historical period drama,” stated Black Hangar Studios CEO Jake Seal. “The story itself moves us and with the promise that Planet Marathi brings in filmmaking we are thrilled to see where this journey leads us. We aim to make films more engaging for global audiences irrespective of the language and medium and we are committed to making this story come alive.”

     “We are excited for the first-ever Marathi Hollywood historical film which will definitely be the most awaited one for 2022. The title itself comes with a huge responsibility to us and the entire team is working to bring out the best for the viewers,” commented Golden Ratio Films co-founder Piiyush Singh.

  • Nayattu movie review: A raw take on the Indian political circus

    Nayattu movie review: A raw take on the Indian political circus

    KERALA: At a time when police highhandedness, use of excessive force and collusion between lawmakers and lawkeepers has come under scrutiny in the US, India and other parts of the world, Malayalam political thriller Nayattu enters the fray with a story in which the ”hunter becomes the hunted”. It also examines the twin themes of truth and justice and how these notions get twisted by the powers that be to suit their interests.

    The film, whose title means ‘the hunt’, stars Joju George, Kunchakko Boban, Nimisha Sajayan, Jaffar Idukki, and Yama Gilgamesh in the lead roles. Directed by acclaimed filmmaker Martin Prakkat, Nayattu is now streaming on Netflix.

    Political agenda serves justice

    The film revolves around three police officers, Maniyan (Joju George), Praveen Michael (Kunchakko Boban), and Sunitha (Nimisha Sajayan). The movie begins at a point where Michael, a civil police officer, is assigned to the local police station, where he befriends Maniyan, the assistant sub inspector, and Sunitha, a woman police officer. 

    It is the election season in Kerala, and political parties in the state are fully focused on consolidating their voter base. Governance has taken a back seat in the heat of the electoral race, and even the chief minister is compelled to agree to the demands put forward by low-ranking cadres. At this point, Maniyan, Michael, and Sunitha get involved in a hit-and-run case, where the victim is a youngster who belongs to a political outfit that has ties with the ruling dispensation. An unexpected turn of events makes the trio the suspects of a murder case, and they soon escape from the station until the election wraps up. 

    Thus, a game of cat and mouse begins. The police start searching for the trio, who feel like they’ve sunk into a nightmare where they’re being investigated and hunted by their colleagues. The rest of the story deals with politics, survival, and how the state machinery can stifle justice from prevailing in society. 

    Several critics have been quick to pan how the movie’s climax tapers offs into an abrupt ending. However, this reviewer would like to highlight this open ending as one of the biggest strengths of Nayattu; it poses pointed questions to people who live in a society where police officers often turn into pawns of the ruling party. 

    Flawed policemen in a broken system

    The initial moments of the movie show ASI Maniyan manipulating a case where a young man is being framed for alleged trespass and murder attempt. With these scenes, the director tries to convey how the affluent class in the society is making use of police officers to manipulate the judicial system in the country. However, when police officers turn victims, they become prey of their colleagues, who have nothing much to do apart from obeying the orders from the top. 

    Nayattu: A movie made with international standards

    Nayattu is blessed with some spellbinding performances from its lead actors. Joju George excels in the role of ASI Maniyan, who tries hard to manage his personal and professional life. Kunchakko Boban, who is often labeled as a chocolate hero in the industry, proves yet again that he is an actor with unexplored mettle. He truly brings alive Praveen Michael, and deserves a special round of applause for this effort. For a brilliant actress like Nimisha Sajayan, the role of Sunitha was a cakewalk. 

    The script is penned by Shahi Kabir, who has previously written the screenplay for the acclaimed blockbuster Joseph. Being a police officer in real life, Kabir’s detailing has played a crucial role in elevating the overall mood of the film. Shyju Khalid’s cinematography and Mahesh Narayanan’s slick editing were also top-notch. 

    Final verdict: Nayattu is a take on contemporary Kerala politics where caste plays a crucial role in determining the prevalence of justice in society. Coming against the backdrop of the just concluded assembly polls, the film is sure to put the recent political events in the state into perspective. The film humanises policemen and gives a deep dive into the people and psyche beneath the khaki uniform – vulnerable, flawed and fallible, just like the rest of us.

  • “Joji’ movie review: Dileesh Pothan’s Macbeth adaptation is an insightful crime drama

    “Joji’ movie review: Dileesh Pothan’s Macbeth adaptation is an insightful crime drama

    MUMBAI: Dileesh Pothan is widely considered one of the most talented filmmakers in Mollywood. His debut movie Maheshinte Prathikaram that starred Fahadh Faasil was a critical and commercial success, and later, the duo came together to deliver another blockbuster with Thondimuthalum Driksakshiyum. And now, Fahadh and Dileesh have teamed up again with Joji, and the film had its OTT release on Amazon Prime Video on 7 April.

    Dileesh Pothan's adaptation of Macbeth

    Joji is inspired from one of Shakespeare's four major tragedies, Macbeth. In adapting the play for Indian audiences, Pothan and writer Syam Pushkaran set the story against the backdrop of a rich Christian family in south Kerala. The film primarily focuses on the three sons of a wealthy plantation owner, who are vying for their share of the inheritance after their father suffers a stroke. 

    The eldest son Jomon (Baburaj) is much like his father. He is tough, hard-working, and also an alcoholic. The second son Jaison (Joji Mundakkayam) is an ordinary man who runs the family’s ancestral business. However, the third son Joji (Fahadh Faasil) is considered a bit of a worthless person by his family members, and his father always calls him a baby born out of 'rubber milk'. 

    Even though neither Jomon nor Jaison have proper plans to inherit their share of the property, the aimless Joji has a proper plan to secure his father’s huge wealth for himself. 

    Despite being a modern-day adaptation of Macbeth, Pothan and Pushkaran have brought together elements from KG George’s emergency-era classic Irakal to construct a wholly original world of a Christian family. The writer conveys that self-interest and money define all human relationships, and if needs are not met, people may often turn violent. 

    Strong detailing supported by a stellar star cast

    The film solely belongs to Dileesh Pothan and Syam Pushkar. From the opening scene where young Popy receives an air gun from an e-commerce seller, the plot is rich in foreshadowing and building anticipation. In one scene, Bincy (Unnimaya Prasad) asks Fahadh Faasil to wear a mask, symbolic of the mystery and crookedness associated with his character. The request from Bincy also harks back to the iconic words uttered by Lady Macbeth, "Look like the innocent flower, but be the serpent under it.” 

    The dialogues are crisp, and the cinematography is atmospheric. With a runtime of just one hour and 52 minutes, Joji touches the highpoints of the thriller genre and will not bore audiences in the least. 

    When it comes to performances, Baburaj shone as Jomon. The director deserves plaudits for bringing back Sunny, whose only film performance happened a few decades back in Sphadikam. Joji Mundakkayam and Unnimaya Prasad excelled as the couple duo. Fahadh Faasil, as always, did a remarkable job and breathed life into Joji on screen. 

    Final verdict

    Joji is a complex and insightful crime drama film crafted by Pothan and masterfully delineates how society and family incite criminal traits in the mind of a person. Dileesh Pothan has scored a hat-trick by delivering three successful movies which are special in their own way.

  • Fresh Covid wave chokes Bollywood, regional industries partially safe

    Fresh Covid wave chokes Bollywood, regional industries partially safe

    NEW DELHI: After showing strong signs of flattening the curve, Covid2019 has again reared its ugly head in India. With more than 59,117 positive cases recorded on Thursday, infections of the deadly pathogen are climbing up steadily in the country, and experts are not ruling out the possibility of a second lockdown in the near future. With the pandemic returning with a vengeance, one sector which is bearing the brunt is the entertainment industry. Even though regional industries like Kollywood, Mollywood, and Tollywood are partially succeeding to bring audiences to theatres, Bollywood is struggling to keep its head above water.

    People hesitant to visit theatres

    Several studies have previously found that the SARS-CoV-2 virus has the capability to spread drastically in closed spaces, where ventilation is limited. Due to this factor, the Indian government ordered a shutdown of all cinema halls in the nation in the initial phase of the 2020 lockdown. After a few months, when cases in the country started declining, authorities gave permission to open theatres with limited capacity, and a few films were released for public screening. 

    Some of the noted films that had theatrical releases post the Coronavirus outbreak were Bollywood films Roohi and Mumbai Saga, Mammootty's Malayalam film The Priest, Vijay's Master, and Telugu movies Krack, and Uppena

    Of these, south Indian flicks like Master, The Priest, and Krack managed to draw audiences to the theatres. However, Bollywood films failed to attract viewers, especially due to the rising caseloads in Maharashtra. Even though the John Abraham and Emraan Hashmi-starrer Mumbai Saga garnered positive reviews from all corners, the film managed to collect only Rs 2.85 crore on its opening day, followed by Rs 2.4 crore on the next.

    Considering the pre-release hype generated by Mumbai Saga, the recent figures are not promising, especially at a time when Maharashtra is becoming the nation’s Covid epicentre.

    Studios planning to postpone releases

    With audiences a no-show in theatres, several top studios in the country are deferring the release of their films; some are opting for OTT premieres instead. Take for instance Drishyam 2, one of the most anticipated movies of the year which landed on Amazon Prime. Producer Antony Perumbabvoor’s decision paid off and the Mohanlal-starrer became a sensational hit on the OTT platform; in fact, it helped Amazon Prime Video expand its subscriber base with the release of this single movie. 

    As the second Covid2019 wave washes over India, notable Bollywood production houses are delaying the theatrical release of several films. It has been previously reported that Rana Daggubatti's Haathi Mere Saathi would come to theatres on 26 March 2021. But due to the rising number of cases, especially in Maharashtra, Eros International has pushed back the release of the Hindi version, while the release of the Telugu and Tamil versions will go as planned. 

    Meanwhile, Zee Studios has also announced that they have postponed the release of upcoming Punjabi movie Puaada starring Ammy Virk and Sonam Bajwa in the lead roles. 

    "Due to the rising cases of Covid2019 and new guidelines for cinemas, with weekend and night closures of theatres, we have decided to postpone our movie Puaada until further notice," said Zee Studios in a statement. 

    According to The Storytellers Fund managing partner Naveen Chandra, with 50 per cent occupancy limits and only 60 per cent theatres open pan India, there is no way big-budget films can recoup investments if they’re released now.

    "The only option is to hold the film till market conditions make for a viable release. Those that cannot hold will try and negotiate a direct OTT deal to avoid further loss of their investment. But,  audiences are hungry and waiting for good content to arrive at the theatres. So whenever the theatrical markets open fully, we should see some good collections at the box office,” stated Chandra.

    Bollywood films suffering, regional movies relatively untouched

    The decision to postpone movies by Zee Studios and Eros Entertainment comes at a time when Maharashtra accounts for nearly 60 per cent of the overall daily Coronavirus cases being reported in India. The state reported more than 28,000 cases in the past 24 hours. As most of the B-Town activities are centralised in Mumbai, industry experts believe that release of several other movies may also get pushed back if the second wave continues to wreak havoc. 

    Elara Capital vice president – research analyst (media & consumer) Karan Taurani has hinted that releases of big-budget outings like Sooryavanshi and Radhe may also get delayed if the recent spike in Covid cases carries on unabated.

    "Makers of Sooryavanshi are planning to release the movie on 30 April. The condition in Maharashtra seems very heavy when it comes to the number of cases. And I think the marketing of the film will begin by the first week of April. So, until the first week of April, if the situation does not improve, there is a high likelihood that Sooryavanshi's release may also get postponed. If the situation persists until May, the release of movies like Radhe may also get affected. It is a very big blow to cinemas, as the industry is missing April-May months when big films used to get released," Taurani told Indiantelevision.com. 

    The media veteran also talked about the dream run of Vijay's Master in theatres amid coronavirus scare. 

    "When Master was released in January, things were different as the Coronavirus curve was showing signs of flattening. However, after the success of Master, no big movies were released in Tamil, and none of the small-budget Kollywood movies that hit the theatres during this time span made an impact. Some Telugu films made with a moderate budget did make their presence felt at the box-office," added Taurani. 

    He went on to mention that ever since the shutdown of cinema halls, the condition of theatre workers is very troubling, and it will take some time before things return to normal.