ITV

Category: Regional

  • “The democratisation of smartphone photography is incredibly exciting.”: SS Rajamouli

    “The democratisation of smartphone photography is incredibly exciting.”: SS Rajamouli

    Mumbai: Rajamouli’s remarkable works in the cinema industry have left an indelible mark, weaving captivating narratives through frames that evoke raw human emotion. Today, we witness a convergence between parallel and commercial cinema, driven by an audience thirst for diverse narratives.

    Initiatives like the ‘OPPO Imagine IF Photography Awards’ democratise photography, empowering emerging creators to share their unique perspectives. As AI advancements reshape the photography landscape, collaborations like Rajamouli’s with OPPO India promise to advance visual storytelling, technology, and creativity, amplifying voices and enriching global conversations around photography.

    Indiantelevision.com in conversation with director & screenwriter, OPPO ambassador SS Rajamouli discussed his collab with OPPO India, convergence between parallel and commercial cinema, fusion of technology and creativity in photography and much more…

     

    Edited Excerpts:

    On perceiving parallels between filmmaking and photography in conveying emotions and narratives; do you foresee a convergence between parallel and commercial cinema today, and advocate for more diverse cinema beyond mainstream narratives

    Filmmaking and photography capture a moment in time, a single frame that can ignite many emotions. In cinema, we weave narratives through sequences of these frames, but a powerful photograph can achieve the same effect. With a camera, just as in filmmaking, it’s all about capturing light, composition, and the raw power of human emotion – a single tear, a look of joy. It’s about storytelling without words. We are witnessing a beautiful convergence between parallel and commercial cinema in contemporary filmmaking. This convergence is driven by the audience’s increasing demand for diverse narratives and experiences. Parallel cinema brings unique perspectives and artistic depth, while commercial cinema offers grandeur and entertainment value.

    OPPO’s constant innovation excites me. Their commitment empowers everyone to be storytellers, especially through initiatives like the recent ‘OPPO Imagine IF Photography Awards.’ This platform provides a space for new and established talents to share their unique perspectives, enriching the cinematic landscape and fostering inclusivity.

     

    On smartphone camera advancements democratising photography for emerging creators; why is the fusion of technology and creativity in photography exciting for professionals and aspiring creators

    The democratisation of photography through smartphones is incredibly exciting. Brands like OPPO keep innovating, pushing advancements that empower emerging creators to effortlessly translate their vision into reality. This accessibility levels the playing field, allowing anyone to explore their creativity and share their unique perspective with the world.

    This fusion of technology and creativity is a win-win for everyone. Professionals can experiment and capture fleeting moments on the go, while aspiring creators have the tools to hone their craft and build a portfolio. Initiatives like the OPPO imagine IF Photography Awards further fuel this movement by encouraging people to push the boundaries of mobile photography. It’s a fantastic time to be a storyteller, and I can’t wait to see the incredible stories these advancements will help bring to life.

     

    On initiatives like the Imagine IF Photography Awards and platforms like OPPO contributing to fostering creativity and supporting content creators through access to efficient camera technology

    I believe initiatives like the Imagine IF Photography Awards by OPPO are game-changers for nurturing creativity and supporting aspiring photographers.

    These awards recognise and celebrate exceptional mobile photography, inspiring everyday people to push their creative boundaries. The fact that it’s open to all Indians over 18 and has diverse categories like landscape, portrait, and travel, judged by a panel of expert photographers like Joseph Radhik, Arzoo Khurana, Arjun Mark, and other global juries, makes it incredibly inclusive.

    OPPO’s commitment to cutting-edge camera technology empowers these creators to capture their vision without limitations. This fosters a thriving mobile photography community, taking the art form to exciting new heights.

     

    On the role of AI advancements in shaping the photography industry, and have they influenced your own creative process

    The world of filmmaking is constantly evolving, and AI is at the forefront of this change. It has brought incredible advancements to photography, from perfecting image quality to streamlining the editing process. It’s like having a highly skilled assistant by your side. It can take care of tedious tasks like noise reduction and color correction, freeing filmmakers like myself to focus on the bigger picture: the narrative, the emotions, and the composition of the scene. This allows us to spend more time crafting the story we want to tell. I believe AI is a powerful tool that can elevate the storytelling process.

    OPPO truly understands this. By integrating AI into their smartphone cameras, they have put this powerful technology into everyone’s hands. Now, anyone can capture stunning visuals with ease. It’s a game-changer, not just for professional filmmakers like myself, but for aspiring creators and anyone who wants to capture those special moments perfectly. AI in photography is here to empower us all to be storytellers.

     

    On your collaboration with OPPO India and how do you think it will advance photography, technology, and visual storytelling

    As a filmmaker, I value the power of visual storytelling. When OPPO India invited me to become the ambassador for their Imagine IF photography competition, I was intrigued. OPPO India has been at the forefront of innovation in smartphone photography, pushing the boundaries of what’s possible in capturing moments with incredible clarity and detail.

    India is home to a rich tapestry of cultures, landscapes, and stories waiting to be told. By amplifying the voices of Indian photographers on the global stage, we can enrich the global conversation around photography and bring diverse perspectives to the forefront. As creators, we must embrace technological innovations to stay ahead of the curve and bring our creative visions to life. Hence, as an OPPO ambassador, I am always excited to see how their latest phones push the boundaries of mobile filmmaking/ photography.

  • Jio Studios & SVF Entertainment unveil “Athhoi” teaser

    Jio Studios & SVF Entertainment unveil “Athhoi” teaser

    Mumbai: Jio Studios and SVF Entertainment dropped the teaser of Bengali language film Athhoi offering a tantalizing glimpse into this eagerly anticipated cinematic experience. Capturing the essence of Shakespeare’s exploration of human emotions, Athhoi promises to be a compelling portrayal of love, deception, and rivalry in a modern setting.

    Witness the intrigue and drama unfold by watching the teaser here:

    The teaser opens with the chilling line, “Every individual harbours animosity towards one another,” setting the tone for a narrative that intricately weaves together themes of honesty and love against a backdrop of intrigue and ambition.”

    In this adaptation, Sohini Sarkar breathes life into the spirited and intelligent character of Diya, reminiscent of Desdemona, while sirector Arna Mukhopadhyay brings depth and complexity to the role of Dr. Athhoi Lodha (Othello). Anirban Bhattacharya takes on the enigmatic character of Gogo, echoing the Iago from Shakespeare’s original work, and serves as the creative director of the film.

    “Athhoi,” director Arna Mukhopadhyay remarked, “With ‘Athhoi,’ our aim is to delve deep into the complexities of human emotions and present a modern interpretation of Shakespeare’s timeless tale. Through this film, we hope to engage and provoke audiences, sparking conversations about love, jealousy, and ambition in today’s world.”

    The film is set to release on 14 June, “Athhoi” is poised to be a cinematic milestone, eagerly anticipated by audiences worldwide. Through its innovative interpretation, the film promises to offer viewers a thought-provoking exploration of jealousy, ambition and love in today’s society.

  • “Good storytelling transcends time and technology”: Akash Sagar Chopra

    “Good storytelling transcends time and technology”: Akash Sagar Chopra

    Mumbai: Sagar Pictures Entertainment is a market pioneer in the Mythological and Historical segment of the Indian programming industry. The company has delivered record-breaking Indian programming for over 20 years and has introduced trend-setting programming that has contributed to the growth and market share of leading Indian broadcasters. Sagar Pictures Entertainment is credited with producing record-breaking series and films that have accumulated over 143 billion minutes of watch time, representing 83 per cent of overall Hindi viewership across India, Southeast Asia, and the Middle East.

    For over a decade, Akash Sagar Chopra has played a pivotal role in the Indian Film and Broadcast Industry as an artist, filmmaker, showrunner, producer, and media executive. Delivering top-rated films and series, his transition into new-media programming utilizing media technologies focused on digital content production and distribution marked a significant change in Indian Media and Entertainment Landscape.

    Currently, he is leading an upcoming multimedia franchise. This franchise will feature films and series produced in collaboration with international visual effects and production partners, with a special focus on an adaptation of a popular Indian ‘Purana,’ created for IMAX 3D. As the current CEO and head of the Non-Fiction Wing of the Indian motion picture studio, media, and entertainment company Sagar Pictures Entertainment, his passion for documentary storytelling continues to drive the company’s vision for documentary originals and un-scripted content.

    Indian Television.com caught up with Chopra where he delved into the details of evolution of Sagar Pictures Entertainment, the storytelling landscape, regional cinema, literture, Ramayana and more…

    Edited excerpts

    On Sagar Pictures Entertainment adapting to the evolving landscape of the entertainment industry in India over the span of 70 years

    Sagar Pictures Entertainment is our new studio identity. The brand Sagar has seen quite a journey since the inception of the brand and banner back in 1954 by none other than my grandfather Ramanand Sagar, who wrote under the nom-de-plume ‘Sagar’. What many might not know is that this venture was officially born out of his love for storytelling after his stint at Gemini Studios. Fast forward to today, and I find myself at the helm of this legacy, alongside my father Moti Sagar, who established the brand ‘Sagar Pictures’ in 2008.

    Our journey has been nothing short of remarkable. From being primarily known for our cinematic endeavors, we’ve diversified into a dynamic media and entertainment company. Over the years, we have evolved, navigating the ever-changing landscape of the entertainment industry in India. We’ve now embraced new strategies, transitioning from traditional business-to-business models to a more direct-to-consumer approach, especially after the digital triumph of our National Award Winning feature film “1971”, helmed by Amrit Sagar.

    But amidst all the changes, one thing has remained constant: our commitment to storytelling. It’s in our DNA, rooted deeply in the literary heritage of Ramanand Sagar. We believe in the power of a good story, whether it’s told over three hours on the big screen or condensed into a 30-second reel on social media. It’s what connects us as humans.

    Good content in its root is evergreen, however, there is a generational switch in consumption and also its form. It’s inevitable and we are working towards creating content that is in pace with the shift. Even though the soul stays the same, the form has to be new, something we all resonate with. Our ambition is to take our texts and showcase them the same way we watched films from across the globe as we grew up, but without changing the soul. This material has to resonate in the heart.

    Hence, taking risks has always been part of our journey. My grandfather took a risk when he did the Ramayan on Doordarshan at the time. And with Sagar Pictures we’ve all pushed boundaries, producing over 25 TV shows in less than seven years, each one adding its own flavor to the rich tapestry of Indian entertainment while introducing so many trends in the motion picture sciences, being a first in the market. And while not every endeavor may have been a commercial success, we’ve never shied away from experimentation.

    At the heart of it all is the belief that good storytelling transcends time and technology. It’s a philosophy that has guided us through the years, even when the norms dictated otherwise. Take “1971”, for instance, a film that defied conventions with its lack of a heroine or item song. Today, it stands as a testament to our unwavering dedication to crafting narratives that resonate with audiences on a deeper level.

    So yes, our journey has been insightful, and it’s far from over. As we continue to navigate the ever-changing landscape of the entertainment industry, one thing remains clear: our passion for creating good cinematic experiences, and storytelling will always be at the forefront of everything we do.

    On the key factors that contributed to the immense popularity of Ramayana during the pandemic, particularly in comparison to other forms of entertainment

    I believe that the immense popularity of Ramayana during the pandemic can be attributed to its cinematic approach in presenting an epic body of literature. When the original series was made in 1987, television was a relatively new medium, and all the creators who worked on the series, including Ramanand Sagar, his sons, and series directors Moti Sagar and Anand Sagar, were all from the world of film and cinema.

    Their technique and ethics for creating something were cinematic in thought, and had equal amounts of passion, which resulted in the integrity and authenticity that it takes for any cinematic endeavour to be accomplished for a series like Ramayana. Ramanand Sagar, being an author and writer first, did not leave any stone unturned in his research and writing. He researched through five different versions of the text and showcased his prowess as a writer when he played with moral conflicts in his dialogues between conflicting characters. It was probably this cinematic charm in the ethos of the making of the series, which the entire cast and crew worked very hard to create, that made it so successful.

    Additionally, I believe that the series stayed true to the original material, which is often an area where many adaptations fail. When I saw the series again during the rerun of the pandemic, I realized that it was the right blend of writing, casting, direction, editing, music, and all departments that came together, working with each other in harmony on-screen. Also most importantly there was a genuine feeling of Bhakti for the subject amidst all the creators of the series. That resulted in the conviction. They weren’t trying to play to the gallery.

    The entire unit worked together for the love of the project and to create something with good creative intention, which is why the series is timeless. I think this is true not just for Ramayana, but also for any show that works perfectly together to tell a good story.

    On influence of regional cinema, literature, and culture shaping the storytelling approach of your company over the years

    I would use the term ‘Pan-Indian’ qualitative cinema, a good story told well, something that transcends the language barrier. Initially, when classics like Ramanand Sagar’s Ramayana or the Mahabharata were aired on Doordarshan, they were meticulously crafted by studios with a focus on authenticity rather than ratings. These texts require a certain understanding to be able to do justice to. However, with the advent of our series ‘Jai Shri Krishna’ on Colors TV post-2008, we observed many others following a trend of inclination towards a soap opera format, rather than retaining original philosophy of the texts.

    We try to highlight the importance of understanding the gravity of these texts and their impact on audiences. While television may have limitations due to the rat-race for ratings, contemporary mediums like movies and OTT platforms offer greater flexibility for authentic adaptations closest to the source material. We believe in studying these texts in the true academic spirit to grasp their philosophical depths and poetic essence.

    It’s crucial not to simplify our ancient texts as mere comic book fodder. Instead, they offer intense, spiritual narratives with unparalleled metaphors and poetic essence.

    Looking today at the power of regional cinema, it instills confidence in us, that truly the audiences want to watch good quality content. This is something we have strived for since 2007, with our feature ‘1971’. Today we see films like Kantara, Bhramayuagm, and Manjumal Boys. They exemplify the power of qualitative content, made with integrity and a true creative spirit, and their success is evident. This is what we also always strived for as creators.

    I would call it Pan-Indian Cinema. This concept of good content going across the language barrier plays a significant role in shaping our storytelling approach, reminding us to uphold the basic principles of script writing and feature film editing. These films, irrespective of their language, resonate across the nation due to their adherence to storytelling fundamentals. Thus, our company values the rich tapestry of pan-Indian cinema, literature, and culture, which infuses our narratives with depth and authenticity.

    On the success of Indian storytelling contributing to the rising global attention towards India’s entertainment industry

    The global acclaim for Indian storytelling, definitely has put India’s entertainment industry on the map. I’ve seen firsthand how our journey has evolved over the years. When we were premiering our documentary film in Milan and in The Hague (Netherlands), I held a workshop on the Indian M&E landscape and the first thing I said was that “we are now so much more than just a song and dance film format. Our country has truly produced greats. In the contemporaries, look at some of the films by Chaitanya Tamhankar and Amit Dutta. Such amazing work which has truly gone global.” everyone at the workshop were quite taken aback at the real reach of Indian story telling done well.

    If I take the Ramayan 1987 by Ramanand Sagar as a venture, then especially its 2020 broadcast surely caught the attention of Wall Street and others, which simply showed the reach of the next billion. The large and diverse and probably young 18-35 consumer who is now hungry for good quality Indian content. Again – honest content made with honesty and heart. This resonated in a billion hearts. This is what made it global.

    Our focus has always been on delivering stories that resonate deeply with audiences, stories that are authentic and meaningful. Whether it’s through timeless classics like “1971” or innovative new projects, we strive to uphold the values of integrity and creativity.

    As we navigate through the dynamic entertainment industry, I believe in staying true to our values while also embracing change. With each project, we aim to celebrate the rich diversity of our real Indian  ethos, through cinema and storytelling, promising a future filled with captivating content that speaks to audiences across the globe.

    On anticipating India’s storytelling industry

    Looking ahead, I foresee India’s storytelling industry continuing to play a pivotal role in shaping the global entertainment landscape. As someone deeply involved in this industry, I believe that our rich cultural heritage and diverse narratives will increasingly captivate audiences worldwide. With advancements in technology and changing audience preferences, I anticipate a blend of traditional storytelling techniques with modern innovations, creating a dynamic and immersive viewing experience.

    At Sagar Pictures Entertainment, we are committed to pushing boundaries and exploring new frontiers in storytelling. Whether it’s through groundbreaking films or engaging series, our aim is to showcase the depth and complexity of Indian narratives while resonating with audiences on a global scale. By staying true to our roots and embracing innovation, I believe that India’s storytelling industry will continue to evolve, leaving a lasting impact on the global entertainment landscape for years to come.

  • Jio Studios & Studio Green Films honor ‘Chiyaan’ Vikram with first glimpse of THANGALAAN

    Jio Studios & Studio Green Films honor ‘Chiyaan’ Vikram with first glimpse of THANGALAAN

    Mumbai: Leading Indian content studio Jio Studios and Studio Green Films, a premiere film production and distribution company owned by K.E. Gnanavelraja have joined hands for the highly anticipated and ambitious film THANGALAAN’ written and directed by Tamil cinema’s highly acclaimed filmmaker Pa. Ranjith, starring Indian cinema’s iconic actor ‘Chiyaan’ Vikram. THANGALAAN is currently in post-production and its release date shall be announced shortly. This historical adventure will release globally in cinemas in Tamil, Telugu, Malayalam, Kannada and Hindi languages in a grand manner soon.

    Amidst mounting anticipation for the film’s release, the team commemorated the occasion of ‘Chiyaan’ Vikram’s birthday today with a special treat for fans by releasing a captivating video that unveiled some glimpses of the eagerly awaited THANGALAAN, celebrating Vikram’s stunning transformation – a mesmerising tribute on his special day.

    Commenting on the tribute video on Vikram’s birthday, director Pa.Ranjith said, “Thangalaan is a vision to present a historical adventure story based on true events, backed by phenomenal effort from Vikram sir and the entire team. I am quite excited Jio Studios, India’s leading content studio is joining hands with our producer Studio Green K.E. Gnanavelraja to present the film. I am confident the film will reach the globe and the targeted audience with the might of Jio Studios. On the occasion of Vikram sir’s birthday, this tribute video is to showcase the efforts put in by Vikram sir, which helped the film to get its due attention and create huge expectations”.

    Vikram is one of the top actors in Tamil cinema with a massive fan following and is celebrated for his diverse roles. Highly decorated ‘Chiyaan’ Vikram is a National Award-winner, seven times Filmfare award winner, and won five awards from Tamil Nadu State government for his performances. Highly respected for his commitment and professionalism, Vikram is extremely popular for renowned films like ‘Sethu’, ‘Kasi’, ‘Dhill’, ‘Dhool’, ‘Gemini’, ‘Saamy’, ‘Anniyan’, ‘Pitha Magan’, ‘I’, ‘Raavanan’, ‘Deivathirumagal’, ‘Iru Mugan’, ‘Cobra’, ‘Mahaan’, ‘Ponniyin Selvan 1 & 2’.

    THANGALAAN stars ‘Chiyaan’ Vikram, Parvathy Thiruvothu, Malavika Mohanan, Pasupathi, Harikrishnan Anbudurai with music direction by G.V. Prakash Kumar. The film is produced by Jyoti Deshpande of Jio Studios and K.E. Gnanavelraja of Studio Green Films.

    Set against the backdrop of the historic Kolar Gold Fields (KGF) in the early 1900’s,  THANGALAAN is poised to captivate audiences with its compelling narrative from real-life events. It is a historical adventure that narrates the erased role of oppressed communities in the exploration of gold in South of India. Since its announcement, the film has garnered immense interest and is among the most anticipated releases in South cinema in 2024. 
     

  • Jio Studios announces Kannada debut with Kotee

    Jio Studios announces Kannada debut with Kotee

    Mumbai: Leading content studio Jio Studios announced its debut in Kannada cinema with the exciting announcement of drama thriller Kotee, featuring the talented Dhananjay and helmed by director Param. The occasion was marked with the launch of the film’s teaser at an event in Bangalore.

    One of the foremost content creators in the country, following a string of recent blockbusters including Baipan Bhari Deva (Marathi), Article 370, Teri Baaton Mein Aisa Uljha Jiya, Shaitaan, and Laapataa Ladies, Jio Studios is set to further solidify its position as a leading creative force with its foray into Kannada.

    In the upcoming Kotee, Dhananjay plays the character of a young man named ‘Kotee’, which translates to a crore in Kannada. A writer transforms his experiences into a story. An actor translates the story on to the cine screen. Dhananjay is one of those sensitive actors who lives the role, rather than enact it.

    Excited about his role and elaborating the myriad hues of Kotee’s world, Nata Rakshasa Dhananjay said, “People think if they can get a crore rupees, or are able to earn so much, they can feel settled in life. Our man Kotee thinks so too. You can find a Kotee in every home, every family, and it could be a brother or son. Such people think that by earning so much, they can solve their problems, and live happily ever after.”

    He further added, “The fun part of life is that there is a Kotee in each one of us. Playing the role allowed me to explore the layers of ‘Kotee’ hidden deep inside me. Watch the movie to discover the ‘Kotee’ in you”.

    Param, making his directorial debut with Kotee, brings a wealth of expertise in storytelling with his successful stints with TV serials and reality shows for Colors Kannada and has taken up the challenge of adapting his talent to the larger canvas.

    Commenting on his debut as a film maker, Param said, “It’s an indescribable feeling to see my vision come to life on the silver screen with ‘Kotee’. I extend my heartfelt thanks to Jio Studios and Jyoti Deshpande for believing in my story and giving me the wings to soar. Their unwavering commitment towards nurturing storytellers is not just about making films, it is about growing content, amplifying diverse voices, and shaping narratives. As Jio Studios continues to expand its footprints, we hope to recreate a similar success story in Kannada cinema as well”.

    Among the star cast, model Moksha Kushal hailing from Coorg makes her debut as leading lady opposite Dhananjay, marking a vital break for her. Ramesh Indira, who won popular acclaim as the negative character in ‘Sapta Saagaradache Ello’ plays a prominent role in the movie. Rangayana Raghu, Tara, Prithvi Shamanuru, Sardar Satya and Tanuja Venkatesh are seen in other prominent roles.

    Kotee boasts of a solid team with Vasuki Vaibhav composing music for the five songs in ‘Kotee’, three of which have been written by Yogaraj Bhat and one by Vasuki himself. The background score, set by Nobin Paul of ‘777 Charlie’ and Malayalam super hit ‘2018’ fame, which is edited by Prateek Shetty of ‘Kantara’ fame. Camera work is by Arun Brahman, who partnered Param in his small screen journey as cinematographer.

    The release of the film’s teaser has sparked widespread excitement about Dhananjay living the title role through his natural acting, and Ramesh Indira emerging as a major ‘villain’. Kotee is set to release on 14 June 2024.

  • PVR INOX unveils Bengaluru’s largest cinema

    PVR INOX unveils Bengaluru’s largest cinema

    Mumbai: PVR INOX, the largest and the most premium cinema exhibitor in India, has announced the launch of Bengaluru’s largest cinema at Phoenix Mall of Asia and its largest cinema in the South. The 14-screen Megaplex located in the largest and one of the most premium malls in Bengaluru features three premium formats – MX4D, ScreenX, and Insignia.  PVR INOX also introduces the first MX4D, the immersive 4D movie experience and ScreenX, 270-degree cinema viewing in South India.

    The new cinema will augment PVR INOX foothold in Bengaluru with 172 screens in 26 cinemas and in the state of Karnataka with 219 screens in 37 cinemas.  The company consolidate its presence in South India to a total of 572 screens in 100 properties.

    Located in the suburbs of Bangalore, the 14-screen Megaplex is the city’s most advanced cinema that includes the multi-sensory MX4D format, premium large screen format ScreenX, three auditoriums of PVR INOX’s luxury format, Insignia along with 9 premiere auditoriums with last row celebrity plush recliners. With a seating capacity of 1997 audiences, the new cinema is equipped with the best-in-class theatrical technology to offer an immersive and enhanced cinematic experience. This includes the 4K laser projection, advanced Dolby Atmos surround sound and Volfoni 3D screen.

    Commenting on the announcement, PVR INOX Ltd MD Ajay Bijli said, “The Southern region is a critical market for us with a steady supply of regional content and passionate consumer demand. We have received an overwhelming response for all our premium screen formats nationwide, prompting us to unveil our largest cinema in South with 14 screens including 3 superlative cinema formats – MX4D, Screen X and Insignia. It has been PVR INOX’s strategy to make cinemas more experiential and this Megaplex at Phoenix Mall of Asia perfectly aligns with our vision.’’

    The design harmoniously blends various shades of white, accented by a regal touch of Royal blue, imparting a luxurious ambiance. Strategic areas such as entrances and F&B spaces are elegantly emphasized using black accents amidst the whites, ensuring a delicate balance. Impressive video walls, signage, and ceiling features reflect the grandeur reminiscent of a Megaplex. By transitioning from whites to greys, the Insignia achieves a refined and opulent atmosphere. This timeless design promises a perpetually fresh appeal, welcoming customers to a comfortable and inviting environment.

    Commenting on the announcement, PVR INOX Ltd executive director Sanjeev Kumar Bijli said, “We are delighted to launch our biggest property in South India, introducing the MX4D and Screen X formats to the region. Bengaluru is a fast-changing and dynamic city in Southern region and one of India’s fast-growing economies. Leveraging on the immense potential of the city aided by proactive governance, it offers one of the most promising destinations for expansion of multiplexes. We are excited to expand our presence in Karnataka with a world-class cinema.”

  • “I am very open to remakes and reinterpretations”: Manjummel Boys director Chidambaram on IMDb series ‘On The Scene’

    “I am very open to remakes and reinterpretations”: Manjummel Boys director Chidambaram on IMDb series ‘On The Scene’

    Mumbai: Chidambaram recently appeared on the IMDb original series ‘On The Scene’ to discuss his newly released adventure-thriller directorial, Manjummel Boys. The movie is based on a true incident from 2006 and revolves around a group of friends from a small town called Manjummel near Kochi, who decide to take a vacation in Kodaikanal. The director shared interesting insights about the movie, the camaraderie between the cast, the most challenging day on the sets, and much more.

    When asked to describe the most challenging day on the sets of Manjummel Boys, the director said, “We were shooting in a high-altitude place, which is cold, and we are coastal people. Every day was hard; we had to wake up very early. When we had permission to shoot in the real Guna caves, our timing to shoot there was from 5 am to 9 am. We had to finish shooting by 9 am and get out before the tourists and the public arrived. So that was a hard part, and every day we had to take all the equipment and the crew down the caves, which is a very dangerous place. There were a lot of holes here and there. If you don’t know the exact path, it can be fatal. There was a lot of crowd control, continuity of the background actors, plus rain, and we had to be wet in that climate so early in the morning.”

    When asked to narrate a story from the sets that nobody knows about yet, Chidambaram replied, “I would say that the monkey skull that we show in the film was actually obtained when I went into the Guna cave for the first time. It almost looks like a human skull. It’s pretty terrifying. Actually, Kamal (Haasan) sir also got a monkey skull from Guna cave. And that exact skull is used by him in Hey Ram. There is a shot in the movie where three monkey skulls are placed, and that skull comes from Guna.”

    When asked if the director would consider remaking Manjummel Boys in other languages after its huge success, he remarked, “There will be a bunch of boys in every corner of the world who will end up doing something like this, and they’ll get rescued. Friendship and love are very universal things. It’s a real story, so I don’t know how it will be received. If it’s entirely fictional, will it receive as much acceptance as it is getting right now? That also I am not very sure about, but yeah, I am very open to remakes and reinterpretations. Yeah, I think that should go on its own.”  

  • Miraj Cinemas unveils a cinematic extravaganza!

    Miraj Cinemas unveils a cinematic extravaganza!

    Mumbai: Miraj Cinemas, India’s fastest-growing and third-largest national multiplex chain, joyfully unveils its maiden multiplex in Pune. Nestled strategically on the 2nd Floor of Spine City Mall, Moshi, Pimpri-Chinchwad, Pune, this avant-garde four-screen cinematic marvel signifies Miraj Cinemas’ 16th venture in the culturally rich state of Maharashtra. With this latest addition, Miraj Cinemas boasts a total of 51 screens across the state, enhancing its presence and contributing to the vibrant entertainment landscape.

    The inauguration ceremony was graced by the presence of Marathi film Jhimma 2 actors Hemant Dhome, Kshitee Jog, Sayali Sanjeev and Jack McGinn. The film, a poignant exploration of individuality, love, and bonding, promises to captivate audiences with the nuanced performances of its talented female cast. Released this Friday, Jhimma 2 is set to resonate with viewers, offering a compelling narrative brought to life by the skilled actresses involved.

    Miraj Cinemas remains steadfast in its mission to deliver an unmatched cinematic experience through its latest multiplex. Each of the four screens features a state-of-the-art projection system, promising a visual extravaganza that seamlessly aligns with the immersive Dolby Atmos sound experience. The interior design exudes sophistication and luxury, offering moviegoers a lavish and comfortable environment. As you enter, immerse yourself in the meticulously crafted lobby, where every detail has been thoughtfully designed to cultivate an inviting ambience. Its meticulously curated space captures aesthetic appeal and sets the stage for an extraordinary cinematic journey. The lobby effortlessly blends visual allure with a warm and welcoming atmosphere, elevating the overall moviegoing experience to new heights.

    Miraj Entertainment Ltd. managing director Amit Sharma shared his excitement about Miraj Cinemas’ latest venture in Pune and the brand’s commitment to providing exceptional entertainment experiences. He said, “We’re delighted to bring Miraj Cinemas to Pune, a city known for its love of entertainment. Our new four-screen multiplex at Spine City Mall is designed to deliver top-notch cinematic experiences. As we expand, we aim to offer movies and create a welcoming space for everyone. Our strategy revolves around understanding the local community’s preferences and tailoring our offerings accordingly. Miraj Cinemas aims to be more than just a movie destination; we want to be a cultural hub that resonates with the spirit of Pune.”

    “Looking ahead, our commitment remains strong. We want to continue providing quality entertainment that brings people together. Miraj Cinemas is dedicated to being a place where families, friends, and individuals can enjoy the magic of movies. Our vision is simple – to make every visit to Miraj Cinemas a memorable and enjoyable experience for our patrons,” he added.

    Upon entering, patrons are welcomed into a world of culinary delights at Miraj Cinemas’ Chef’s Corner—an innovative experience infusing a gourmet touch into the traditional movie outing. Indulge in our thoughtfully curated menu, offering a delightful fusion of flavours tailored to every palate. Additionally, Miraj Cinemas unveils the Pop Corner, where the irresistible aroma of freshly popped popcorn heightens the immersive experience. Select from an array of gourmet popcorn flavours, each perfectly harmonizing with the excitement unfolding on the big screen.

    Miraj Cinemas COO Bhuvnesh Mendiratta delved into the intricacies of operations, sharing, “Beyond the screens, we’re meticulously crafting an elevated cinematic tapestry. Envision Chef’s Corner, an alluring live food experience where culinary mastery converges with artistic finesse. Chef’s Corner can customize the culinary experience based on our guests’ desires. From savoury delights to sweet indulgences, patrons can tailor their gastronomic adventures. It’s a dynamic fusion of flavours and creativity, reflecting our dedication to providing more than just a cinematic escape — we’re curating a delightful and personalized outing for every discerning palate. Our commitment extends beyond movies; it’s about orchestrating a richly immersive journey, infusing precision and flair into every aspect of our patrons’ visit.”

  • Malayalam hit “Mayaanadhi” premieres in Hindi on Dollywood Play

    Malayalam hit “Mayaanadhi” premieres in Hindi on Dollywood Play

    Mumbai: The mesmerising world of Indian cinema is about to get much more thrilling as Dollywood Play, the celebrated OTT platform, proudly announces the release of “Mayaanadhi” in Hindi. A gripping tale of love, crime, and destiny, “Mayaanadhi” will be available on the Dollywood Play platform in the Hindi language starting from 4 November.

    This cinematic masterpiece is set to captivate the hearts of a wider audience, immersing them in a world of passion, suspense, and drama like never before.

    Mayaanadhi (Mystic River), directed and co-produced by the visionary Aashiq Abu and brilliantly written by Syam Pushkaran and Dileesh Nair, is a true cinematic gem. The movie revolves around the tumultuous love story between Tovino Thomas, who portrays a wanted criminal, and Aishwarya Lekshmi, an aspiring actress. Their love, fraught with obstacles and danger, forms the core of this riveting romantic thriller. Originally released on December 22, 2017, Mayaanadhi garnered overwhelming critical praise and was hailed for its audacious exploration of sexuality. The Hindu even recognized it as one of the top 25 Malayalam films of the decade, a testament to its exceptional storytelling and cinematic artistry.

    Speaking of this exciting release, Dollywood Play founder, promoter, and MD Aneesh Arjun Dev said, “We take immense pleasure in introducing Mayaanadhi in Hindi on Dollywood Play. This exceptional film has garnered widespread acclaim for its daring narrative and extraordinary performances. We are resolute in our commitment to ensure that all our viewers, regardless of the language they speak, have access to exceptional storytelling. The movie transcends linguistic boundaries, and we firmly believe the gripping narrative and the exceptional chemistry between the lead characters will entrance our Hindi-speaking audience.”

    Dollywood Play stands as a testament to its commitment to offering diverse and high-quality content for its subscribers. With a rich and varied content portfolio, the platform offers a mix of full-length movies, shorts, clips, and songs. Their forte lies in curating well-organized content across popular genres, including Action, Thriller, Suspense, Drama, Comedy, Romance, and Horror. Today, Dollywood Play continues to be a go-to platform for entertainment enthusiasts, ensuring there’s something for everyone in the ever-expanding world of content.

    Mark your calendars for 4 November and get ready to lose yourself in the enticing world of “Mayaanadhi,” as Dollywood Play opens its doors to a cinematic adventure like no other. This thrilling experience is bound to leave you craving for more!

  • Saregama’s Yoodlee Films teams up with Omjee’s Cine World for Punjabi film projects

    Saregama’s Yoodlee Films teams up with Omjee’s Cine World for Punjabi film projects

    Mumbai: One such exciting collaboration has been announced by two powerhouses, Saregama’s Yoodlee Films and Omjee’s Cine World Pvt Ltd. The two have joined hands for multiple Punjabi projects and they aim to work together on many interesting and unseen stories.

    Yoodlee Films is a pioneer Production house in multiple Indian languages and Omjee’s is the leading Distribution and production house from Punjab. With their experiences and legacies coming together, we can expect magic to happen on the silver screen.

    The Sr. vice president of films and events at Saregama India Ltd, Siddharth Anand Kumar said that we are extremely delighted with this new association. The company has a splendid success record in other Indian language films and is looking forward to creating the same in Punjabi films. They believe that the Punjabi market is full of interesting stories and exciting opportunities and it’s the right time to tap the audience worldwide. This collaboration is a step in the same direction and they are looking forward to the wonders together.

    Omjee’s Cine World Pvt Ltd’s Munish Sahni said that they have always believed in opening new doors for the industry and this association is a step in the same direction. It’s evident that the Punjabi market is exploding with new opportunities every day and is in its most exciting phase. Both companies strongly believe in backing content which will be a winner at the box office as well as in the hearts of audiences worldwide and we are certain that all the projects that we are planning will be a treat for the audiences!