Category: Movies

  • IFFLA invites entries for next edition

    NEW DELHI: The ninth annual Indian Film Festival of Los Angeles (IFFLA) has invited entries for its next edition slated from 12 to 17 April, 2011, at ArcLight Hollywood.


    The festival will accept narratives, documentaries, shorts, music videos, experimental, children‘s and animated films of any length and format. Past IFFLA selections have featured everything from big-budget Bollywood musicals to internationally-produced independent shorts.


    It has been clarified that an Indo-centric subject matter is not necessary and the Festival will encourage films of any subject matter from South Asian producers, writers and directors from all over the world.


    IFFLA 2010 saw rise in attendance, publicity and increased support from major US studios. Over 7,500 attended the festival, which screened 36 films. IFFLA also provides filmmakers with exclusive access to distributors, agents, producers, and other entertainment professionals based in Hollywood.


    Submission deadline is 7 January 2011 with reduced entry fees for films submitted before 12 November, 2010.

  • Anti-piracy campaign in Australia rolls

    MUMBAI: Australian anti-piracy body the Intellectual Property Awareness Foundation (IPAF) has started rolling out a major new national advertising and public education campaign, covering print, television, radio, cinema and social media to combat the findings of a research that found that 1 out of 3 Australians are involved in film and TV content theft or piracy. 


    “Our research provided us with some shocking overall statistics such as 53% of people pirated film or TV content during the year. We also found that people think they are basically honest. We learned some Australians don’t agree with piracy and don’t think they contribute to the content theft problem while regularly doing it. People aren’t making the connection between their actions and their beliefs,” said IPAF CEO Gail Grant.


    The campaign that runs under the tagline “The Accidental Pirate,” through TV and cinema commercials is designed to make people question their actions and attitudes towards piracy and to find out more. The new campaign replaces the Australian Federation Against Copyright Theft three-year-old campaign, “What Are You Really Burning?”


    IPAF is a coalition of industry groups and others involved in the entertainment sector, the membership of which includes the Motion Picture Distributors Association of Australia, the MPA, AFACT, several pay TV operators and various cinema and home entertainment organisations.

  • Lifetime achievement award to John Woo

    MUMBAI: Director John Woo, who helmed big-budget blockbuster Mission Impossible II is preparing for a third phase of his career and wants to be a bridge between the good things of the West and the East “so that we can further our mutual knowledge and build a strong friendship.”


    The acclaimed director was awarded a Golden Lion award for Lifetime Achievement at the Venice Film Festival that recognised the director “as an innovator of the contemporary language of cinema.”


    Woo, 64, has directed more than 26 films in his nearly 30 years in the industry, beginning his career in Hong Kong in the 1970s before moving to Hollywood in the 1990s.


    He has directed notable films like Hard Target, Broken Arrow and Mission Impossible II among others.


    Venice Film Festival director Marco Mueller says that Woo‘s films are “a perfect union of the China tradition and avant-garde filmmaking. I don‘t think we are bestowing an honor. I think it was here waiting for him.


    Woo recently directed the epic period war drama Red Cliff based on a war that took place in China in the 3rd Century. He has said that it was about time to bring everything he learned over 16 years working in Hollywood, back to China.

  • Fox Star Studios to enter Tamil film industry

    MUMBAI: Having tapped the Indian market by distributing films like Slumdog Millionaire and Quick Gun Murugun and co-producing Atiti Tum Kab Jaoge, Fox Star Srudios India is now foraying into the production of Tamil Films.


    Said Fox Star CEO Vijay Singh, “This is the first Indian-language film besides Hindi that we are venturing into. As a principle, we want to do around five films a year and that could be in any Indian language. We want to make films that entertain and are commercially successful. Our constant endeavour is to focus on and pick those films, the content of which would attract the audience.”


    To begin with, the studio will produce Tamil films in association with director A R Murugadoss‘ new production house named, A R Murugadoss Productions.


    Murugadoss has directed five films namely Dheena, Ramana, Ghajini (Tamil & Hindi), Stalin and Ezham Arivu, of which four have been classified hits. Apart from the Hindi version of Ghajini, its Tamil version also received rave reviews.


    Fox Star Studios global head Sanford will visit Chennai on 5 September to officially announce the entry of Fox Star in the Tamil film industry.


    The first Tamil film to be produced under this collaboration would be directed by Murugadoss‘ long time associate Saravanan.
     

  • Siddharth Malhotra’s next a family comedy

    MUMBAI: We Are Family director Siddharth Malhotra has said that his next would be a father-daughter family comedy and would feature Rishi Kapoor as the father.


    Though the daughter‘s role is up for grabs, the director wants to create cinematic history by casting Kareena Kapoor as the daughter.


    Confirming the developments, Malhotra said, “Though I wanted to make my next with Kajol, she won‘t be doing any film for a year and a half. Hence, I‘m making a family comedy for which my script is ready. I‘ll make this family comedy before my film with Kadz.”


    About casting Shahid Kapur in the Rishi Kapoor film, Malhotra averred: “I don‘t want to commit myself to casting Shahid until Karan Johar reads my script. But I know one thing, I‘ll present the actor like no one else has done.

  • Tokyo fest to honour Bruce Lee

    MUMBAI: The 23rd Tokyo International Film Festival will honour Hong Kong actor Bruce Lee, credited for making kung fu films popular. The festival will hold a retrospective of some of Lee‘s most famous titles.


    Thirty years after his death, Lee remains a legendary figure in the worlds of both martial arts and film, the organizers of the festival said. Best known for his role in Enter the Dragon that was released after his death in 1973, Lee still continues to inspire modern movie makers. 


    “The 70th Anniversary: Bruce Lee to the Future” tribute will be part of the Winds of Asia Middle-East section at the festival, which opens at the main Roppongi Hills venue on 23 October.


    The retrospective will include a screening of the rare version of Game of Death that was distributed in Japan in 1978, as well a number of films that pay tribute to Lee, including the 2010 kung fu comedy Gallants, directed by Derek Kwok, and the Vietnam film The Legend is Alive, by Luu Huynh Luu.

  • Jafar Panahi denied Venice fest entry

    MUMBAI: Iranian filmmaker Jafar Panahi has been forbidden entry to this year‘s Venice international film festival. Panahi‘s work The Accordion opened the short film section of the festival.


    A winner of Venice‘s top film honour, the Golden Lion, for his 2000 film Circle, as well as the 1995 Camera d‘Or at Cannes, Panahi is an active participant in international film dialogue. 


    In a statement to festival officials, Panahi expressed his gratitude to fellow filmmakers, “In the most desperate moments of my imprisonment,I drew courage thinking of myself as a proud member of this community.”


    Screened yesterday at Venice, the eight-minute short film The Accordion explores the lives of two young street musicians. Filmed in Iran as part of UN-backed project Then and Now: Beyond Borders and Differences, Panahi‘s work was intended to promote ideas of tolerance and international dialogue.

  • Rakeysh Omprakash Mehra mulls biopic on Milkha Singh

    MUMBAI: Rakyesh Omprakash Mehra is in plans to make a biopic of sporting hero Milkha Singh.


    In his zeal to make the biopic, Mehra sought the advice of Amitabh Bachchan to further develop it.


    In his blog, Bachchan has said that the subject has a huge potential to turn into a film. He believes that the life and times of the athlete can make a great biopic as “it involves humanity, patriotism, history and achievement against all odds” and “it tells a story of incredible tragedy and poetic justice.


    “The inspirational story of Milkha Singh‘s life, having overcome the tragedy of watching his entire family being killed in front of his eyes during the riots in Pakistan, will make for a formidable and unforgettable masterpiece,” Bachchan adds.


    With this in mind, Bachchan has suggested the name of Akshay Kumar to essay the role of Milkha Singh.
     

  • Bleak prospects for ‘We Are Family’

    MUMBAI: The story of We Are Family is adapted from the Hollywood film, Step Mom. One wonders why borrow from there since the theme is a part of Indian folklore as well as tradition! 
     






    Producers: Hiroo Yash Johar and Karan Johar
    Director:
    Siddharth Malhotra
    Music:
    Shankar Ehasaan Loy
    Cast:
    Kajol, Kareena Kapoor, Arjun Rampal


    It is a tradition which has been used in film stories in both cases such as, when a married woman with a husband and kids is dying it is usually her sister who takes her place. Same is the case when such married women can’t beget an offspring. The tradition works other way round too, in case of a male demise as has been depicted in films like Ek Chadar Maili Si (Hindi) or Diyar Vatu (Gujarati) to name two.


    So what is different about We Are Family? We Are Family feign to be contemporary. In that the Indian family lives in a foreign land (for no apparent reason). The couple (Kajol and Arjun Rampal) with three kids is divorced but both care very much for the kids. This situation makes it convenient for the man to fall for another woman (Kareena Kapoor) and, since he cares a lot for his kids, also attempts to make his kids accept the new woman in his life. Arjun’s efforts to make his kids accept Kareena fail as the children revolt.


    The rest of the story is as predictable too. The divorced wife, Kajol, is diagnosed with Cervical Cancer and given three months to live. So now it is her wanting Kareena to enter her family and her children to accept her before her time runs out!


    With the story being so predictable, screenplay follows suit. There are no twists and turns, no surprises, nothing that would make an Indian movie lover stir! While the first half is boring, the second half adds some interest but not enough to stop the tedium setting in. The narrative is as interesting as a school kid’s zoo visit report! 


    The story requires mainly Kajol to perform, rest needed to just be their real selves. Sadly, Kajol is one-dimensional here. Her chirpy, charming self is not a part of the story; her hyper, insecure sad self runs through the film, which may be good enough for critics but not her fans.


    What is more, she looks jaded. Kareena Kapoor is okay. Arjun Rampal is a miscast; his performance is fair. Kids are cute, endearing, defiant, pests in turns, as has been seen in a hundred films. The music is noisy and wonders how many would identify with the Elvis Presley’s Jail House Rock! The film comes up with just one funny dialogue when the father-son talks. The photography is good.


    We Are Family has a sob story counting on Kajol to carry it off. She can‘t, it is just not there in the script! Prospects look below par.

  • Actor-director Dilip Roy dead

    MUMBAI: Seventy nine-year old veteran actor-director Dilip Roy died of cancer in a private hospital In Kolkata on Thursday.


    Roy, 79, left behind his wife and three sons.


    Beginning his acting career with the Bengali film Sati Behula in 1954, Roy came up with remarkable performances in the numerous roles that he essayed in his over half a century stay with celluloid. 


    Equally at ease portraying the hero or the villain, he also sparkled in a wide range of character roles with actors like Uttam Kumar, Soumitra Chatterjee, Suchitra Sen, Anil Chatterjee and Chhabi Biswas.


    Some of his well-known films are Dui Purush, Apanjan, Abhaya O Srikanta, Kshudito Pashan, Arogya Niketan, Panna Hire Chuni, Jinder Bandi and Hanshuli Banker Upakatha.


    Roy directed three movies like Devdas, Amrita Kumbher Sandhaney and Neelkantha.