Category: Movies

  • Shemaroo gears up for digital era; adds devotional app Ibaadat

    Shemaroo gears up for digital era; adds devotional app Ibaadat

    MUMBAI: Right at the opportune time, one of India’s oldest media companies, Shemaroo Entertainment, has launched a new devotional app called Ibaadat.

    The Islamic devotional app will contain live feeds, devotional tunes, an e-commerce platform, donation service, etc. Over time, customer feedback will enrich the app’s growth.

    On the reason for picking the Islamic faith, Shemaroo Entertainment CEO Hiren Gada said, “For us, it is not about choosing a particular religion. We already have content and presence in all the major religions in India whether it’s Hinduism, Islam, Christianity, Sikhism or Jainism. In fact, we already have a Hindu app in place, Hari Om. The next biggest population is the Islamic population. So, the idea is how many more people we can help connect with their faith.”

    About five years ago, there was an inflexion point when the company realised that digital is soon going to explode. “There are a lot of changes overall as an organisation that we have been going through the last few years. We have been preparing ourselves for the digital era. Some of these initiatives which we are seeing are a result of this,” he said.

    While the company’s digital segment has grown at roughly 40 per cent y-o-y, it stands roughly around 25 per cent of the total business.

    Very recently, Shemaroo opened its US office which is still in its initial stage. Rather than making content to cater to the US audience, it will try to serve the diaspora with existing content. “First opportunity is to be able to serve the diaspora with existing content we have in a much better way because we felt that it was clearly an underserved consumer segment for us which we saw based on various platforms we were present. So that was our first target, and that itself is a large task by itself,” Gada said.

    He did not reveal any firm plan on whether the company wanted to go the OTT way any time soon.

    The Ibaadat app is free except for some services which have minimal charge. For now, it is only available on Android and the iOS version is on the way. For promoting the app, Shemaroo is targeting DTH and social media.

    The content library is a combination of outsourced as well as the content created in house. It will be tying up with more shrines in future.

    Just three months ago, Hari Om was launched where people could tune into live telecast of aartis, order Prasad at their doorstep from temples across the country, listen to teachings of top gurus and even book religious services or orders.

    Once associated with classic movies of the previous century, Shemaroo has evolved over time staying relevant to the current age. The next challenge is to make Shemaroo digital-savvy.

  • BookMyShow sells over 3.5 million tickets for Avengers: Infinity War; contributes close to 45% to its opening weekend collection in India

    BookMyShow sells over 3.5 million tickets for Avengers: Infinity War; contributes close to 45% to its opening weekend collection in India

    MUMBAI: Avengers: Infinity War set new records on BookMyShow as it became the first Hollywood film to sell an unprecedented 12 tickets a second when the bookings were at its peak on the weekend.  BookMyShow has so far sold over 3.5 million tickets for this mega blockbuster and has contributed close to 45% to the film’s opening weekend collection in India.

    The advance sales of the film were driven majorly by its English version given the high decibel buzz surrounding it. However, once the film released on April 27, 2018, BookMyShow witnessed a huge spike in the tickets sales for regional language versions of the film. 74% sales for its Hindi version happened post the release of the film indicating the massive role played by strong word of mouth.

    BookMyShow, VP- Marketing and Business Intelligence, Marzdi Kalianiwala said, “BookMyShow has received an overwhelming response for Avengers: Infinity War and combining forces with Disney India went a long way in achieving such phenomenal results. The film, with its strong fan following and powerful content and storytelling has created new records on BookMyShow. By contributing close to 45% to the film’s opening weekend Net collections, we are thrilled to have been the default movie ticketing platform for millions of Avengers fans across the country.”

    “The performance of the movie is a testament to the strength of the Marvel brand in India. Epic storytelling combined with our localization efforts has resulted in Marvel movies rewriting the box office records year-on-year. We always strive to work with the best-in class partners like BookMyShow whose efforts have enabled us to extend the experience to cinema-goers across the country,” said Bikram Duggal – Head, Studio Entertainment, Disney India.

    Avengers: Infinity War also earlier created the record for highest ever advance sales on BookMyShow among Hollywood films. It sold over 1 million tickets even before the film’s release.  BookMyShow also joined forces with Disney India to combine their digital efforts for this film and together developed a deeper understanding of consumer buying behaviour and purchase patterns. 

  • Higher numbers push up financials; ‘Padmaavat’ top grosser for PVR

    Higher numbers push up financials; ‘Padmaavat’ top grosser for PVR

    BENGALURU: Higher box office, food and beverages (F&B) and sponsorship revenues, higher occupancy, higher average ticket prices (ATP) have helped push up Indian exhibitor PVR Ltd’s (PVR) overall numbers for the quarter and year ended 31 March 2018 (Q4-2018, quarter under review, FY-2018, year under review) as compared with the corresponding year ago quarter (Q4-2017) and financial year (FY-2017) respectively. Net box office collections (NBO) at Rs 75.15 crore for Padmaavat, the top grosser for PVR in Q4-2018 were more than double the NBO of the Q4-2017 top grosser Dangal, which had netted Rs 32.23 crore. This was despite lower theatre admits in Madhya Pradesh, Rajasthan, and Gujarat which were impacted due to non-release of Padmaavat in these states, says the company.

    PVR reported 19 per cent yoy increase in consolidated revenue for the quarter under review at Rs 572.88 crore as compared to Rs 483.01 crore in Q4-2017. Profit after tax for Q4-2018 increased to Rs 25.89 crore as compared to Rs 0.01 crore in Q4-2017. EBITDA (including other income) in the quarter under review increased 60 per cent to Rs 101.93 crore from Rs 63.84 crore in the corresponding year ago quarter.

    For FY-2018, the exhibitor reported an eight per cent increase in revenue at Rs 2365.45 crore as compared to Rs 2181.68 crore in FY-2017. PAT for FY-2018 was 29 percent higher at Rs 124.02 crore as compared to Rs 95.84 crore in FY-2017. EBITDA for the year under review increased 15 per cent to Rs 433.17 crore from Rs 375.87 crore in FY-2017.

    Q4-2018 revenue numbers

    Total NBO collections increased 18 per cent yoy in Q4-2018 to Rs 312.40 crore from Rs 264.60 crore. Revenue from F&B increased 22 per cent yoy to Rs 157.10 crore from Rs 128.49 crore. Advertising revenue increased 37 per cent yoy in Q4-2018 to Rs 72 crore from Rs 52.74 crore in Q4-2017. Convenience income declined two per cent yoy to Rs 14.46 crore from Rs 15.72 crore. Other operating income declined 19 per cent yoy to Rs 13.95 crore from Rs 17.24 crore. The company says that other operating income in Q4-2017 included government subsidy of Rs 7.62 crore provided by various state governments. In Q4-2018, this component has not been accounted for on due to lack of clarity on refund mechanism for the tax exemptions under GST regime claims the company in it investor presentation. Other income declined 43 per cent yoy to Rs 2.97 crore from Rs 5.22 crore.

    FY-2018 revenue numbers

    Total NBO collections increased 11 per cent yoy in FY-2018 to Rs 1248.06 crore from Rs 1125.64 crore. Revenue from F&B increased 10 per cent to Rs 607.66 crore from Rs 550.54 crore. Advertising revenue increased 20 per cent in FY-2018 to Rs 294.86 crore from Rs 245.02 crore in Q4-2017. Convenience income increased three per cent to Rs 59.71 crore from Rs 58.15 crore. Other operating income declined 14 per cent to Rs 55.14 crore from Rs 64.26 crore. Other income declined 45 per cent to Rs 10.22 crore from Rs 18.58 crore.

    Box-office numbers

    Admits in Q4-2018 increased by five per cent to 1.90 crore from 1.82 crore in corresponding quarter of fiscal 2017. Occupancy was fractionally lower in Q4-2018 at 31.5 percent as compared to 31.6 percent in Q4-2017. ATP increased by Rs 19 during the year under review to Rs 209 as compared to Rs 190 in Q4-2017. The company says that the top five movies in Q4-2018 contributed to 52 percent of the gross box office with an occupancy rate of 38 per cent.

    Admits in FY-2018 increased by one per cent to Rs 7.61 crore from Rs 7.52 crore in fiscal 2017. Occupancy was up at 32.9 per cent in FY-2018 as compared to 31.3 per cent in the previous year. ATP increased by Rs 15 during the year under review to Rs 210 as compared to Rs 196 in FY-2017.

  • World IP Day celebration in Delhi and Mumbai

    World IP Day celebration in Delhi and Mumbai

    MUMBAI: A range of stakeholders from the local screen community united to stage a number of events in celebration of World Intellectual Property (IP) Day. This year’s theme campaigns celebrate the brilliance, ingenuity and courage of women who are driving change in the world and shaping our common future.

     The events were supported by the Motion Picture Distributors Association – India, (MPDA), the U.S. Consulate General, Mumbai, the Federation of Indian Chambers of Commerce and Industry (FICCI) – IP division, Confederation of Indian Industry (CII) and the American Center, New Delhi.

    Special Screening of Three Billboards Outside Ebbing, Missouri hosted by the U.S. Consulate General, Mumbai

    On April 26, 2018, the celebrations kicked off with an exclusive screening of Fox Star Studios’ latest film Three Billboards Outside Ebbing, Missouri, hosted by the U.S. Consulate General, Mumbai in association with MPDA, for over one hundred special invitees from the local screen community and Government officials. The event featured a welcome from U.S. Consul General Edgard Kagan and remarks by Christine Haight Farley, U.S. based IPR lawyer and Rucha Pathak, Chief Creative Officer, Fox Star Studios.

    U.S. Consul General Edgard Kagan, said,” We aren’t here today to talk just about the great movies being made in both India and the United States, but also to recognize and honor the intellectual property rights framework that allows cinematic creativity to thrive. IPR protections allow creative talents in almost all industries to reap the rewards of their labor and also spurs and incentivizes innovation. The creative, hardworking women and men who imagine and make this fantastic content deserve the support of strong intellectual property protections.”

    Rucha Pathak, Chief Creative Officer, Fox Star Studios said, “To a large extent, the new level of creativity and innovation in films and film content in India is linked to women taking risks as writers, directors, actors and producers and thereby bringing a welcome change in the landscape of Indian films over the last few years.”  

    Uday Singh, Managing Director, MPDA said, “India is at the forefront of creativity and economic growth. Women leaders and entrepreneurs are an integral part of this growth story. Their contribution continues to power ingenuity in various sectors including ours, across the world.”

    World IP Day Film Festival at the American Center, New Delhi

    Between April 27-28, MPDA in association with the American Center, New Delhi, Disney India and Fox Star Studios will host screenings of Black Panther, Three Billboards Outside Ebbing, Missouri and The Shape of Water. On April 27, the winners of Confederation of Indian Industry (CII) – US Embassy Anti-Piracy Film competition will be announced before the movie screening. The main objective of the competition is to promote the value of Intellectual Property Rights in North India. The jury for the competition comprised senior officials from the government and local industry, including MPDA, India. 

    “India and the United States both have diverse and incredibly vibrant film industries,” said Stewart Davis, North India Program Director at the U.S. Embassy in New Delhi, “And we are proud to work together with CII, MPDA-India and our partners across India to promote intellectual property rights. The creative workers in both countries deserve these protections and consumers must understand the very real negative implications of piracy on the cinema we all love.”

     “CII has been actively engaged in various IPR awareness, training and enforcement programmes in partnership with Government and local industry stakeholders. We are happy with the positive outcome of the anti-piracy filmmaking competition and are committed to strengthen efforts towards building a vibrant IP ecosystem,” said Anjan Das, Executive Director, CII.

  • Zee Cinema’s marketing mania for the world tv premiere of ‘Fukrey Returns’ on 1st April at 8 PM

    Zee Cinema’s marketing mania for the world tv premiere of ‘Fukrey Returns’ on 1st April at 8 PM

    MUMBAI: The Fukra boys Hunny, Choocha, Zafar and Lali get on with their lives after successfully getting Bholi Punjaban arrested. But they are in for a shock when she returns early from prison and tries to seek revenge. The second installment of the Fukrey franchise, Fukrey Returns which earned over 100 crores at the box office is all set for its World TV Premiere on Zee Cinema, Home of Blockbusters on Sunday, 1st April at 8 PM. Zee Cinema with its proposition Movies Masti Magic undertook a series of innovative marketing initiatives to promote the movie. To take the audience on a laughter riot and ensure that their day is packed with fun and entertainment, Zee Cinema, has declared Sunday, April 1 as ‘Fukra’s Day’ instead of Fool’s Day! #1stAprilFukraDay.

    Richa Chadda a.k.a Bholi Punjaban and Varun Sharma a.k.a Choocha visited the capital where the movie was shot and made an appearance at the Delhi Zoo to celebrate Bijli ka birthday. Bijli, is the same tiger in the film who helps the Fukrey gang find treasure worth 10 crores! Zee Cinema has also collaborated with Icekraft, an ice-cream café and has come with customized offerings of ice-creams and state of the art coffee froth printing of Fukrey characters. The coffee froth printing is one of its kind and Zee Cinema and Icekraft are the flag bearers in kick starting this innovative offering for coffee lovers. This activity will be carried out across India in multiple outlets.

    The marketing blitzkrieg spills over to the digital media as well with the channel putting forth engaging social media activities. With the  hashtag #1stAprilFukraDay, several quirky and engaging contests will be carried out on social media platforms inviting people to share their jugaad stories and people with the most unique and fun stories will be certified as You Are A Fukra! With the hashtag #AskChoocha, audiences’ favourite character of the Fukrey franchise, Choocha (Varun Sharma) took over Zee Cinema’s social media handles on 26th March and predicted the future of his fans. Choocha also answered questions by his fans and the lucky winners had a chance to interact with him on Twitter. On Facebook, Zee Cinema has created a special Fukrey Returns selfie frame where people will be encouraged to share their Fukra Gang selfies and several quirky one’s will be rewarded with Fukrey Returns merchandise. Additionally, the Fukrey gang also created special and eccentric jingles which will be played as announcements inside Mumbai Metro to spread the word on the date for the World TV Premiere of the movie.

    That’s not all! Zee Cinema has also adopted a 360 degree marketing approach including TV, Print and Outdoor Media amongst other mediums to entertain viewers across all platforms to build the premiere on the channel.

    Speaking about the success of the franchise, producer Ritesh Sidhwani, Excel Entertainment said, “Fukrey Returns received immense love & appreciation and fans of this franchise ensured in making it a huge success. This comedy genre reached out to family audiences as a wholesome entertainer. Zee Cinema has done a great job in promoting the Worldwide Television Premiere of the film in an innovative manner.”

    Speaking about the same, Ruchir Tiwari, Business Head, Zee Hindi Movies Cluster said, “Fukrey Returns is the first of the numerous blockbusters that will be premiered on Zee Cinema in the new financial year. Television is a strong medium to build the fan base and legacy of any franchise. With the premiere of Fukrey Returns on Zee Cinema, the successful Fukrey franchise will definitely reach greater heights.”

    Fukrey Returns begins a year later from where the first part ended. Bholi Punjaban (Richa Chadda) manages to come out of jail early but has to pay a price for the same. Since Bholi has to settle scores with the four Fukreys viz. Hunny (Pulkit Samrat), Choocha (Varun Sharma), Lali (Manjot Singh) and Zafar (Ali Fazal), she contacts them forthwith and asks them to think up a scheme to amass the crores required. 

  • Eros International’s Bajrangi Bhaijaan grosses over Rs.169.17 crores (USD 25.95 million) in first 10 days of release

    Eros International’s Bajrangi Bhaijaan grosses over Rs.169.17 crores (USD 25.95 million) in first 10 days of release

    MUMBAI: Eros International Media Ltd, a leading global film company in the Indian film entertainment industry, announced Producer Salman Khan Film’s Bajrangi Bhaijaan has collected over Rs. 160 crores within ten days of its release in China. More than two years since it opened in India, Bajrangi Bhaijaan released in China on March 2 this year and continues to enjoy a very strong box office performance earning Rs. 169.17 crores (USD 25.95 million) since its release.

    Marking Indian super star Salman Khan’s first ever movie to release in the China market, Eros released the film in association with China’s E Stars Films Ltd and Salman Khan Ventures. After breaking several records during its Eid release in 2015, Bajrangi Bhaijaan crosses another key threshold, with the film taking a commanding start at the Chinese box office, raking in Rs. 14.5 crores on its opening day, debuting at number 7. The Kabir Khan-directed film trended extremely well through its release, climbing to number 4 box office position on its first Monday. It crossed the Rs100 crore mark within a week of release and closed the second weekend with Rs 169.17 crore ($25.95 million) in collections, retaining the number 5 position in the Chinese box office, despite new releases over the weekend. 

    The Indian drama directed by Kabir Khan stars leading Indian film actor Salman Khan as Bajrangi, an ardent devotee of Hindu deity Hanuman, and his arduous journey to reunite a six-year-old Pakistani girl – lost in India – with her parents, back to her hometown in Pakistan.

    Speaking on the film’s performance, Eros International Media Ltd, Managing Director, Sunil Lulla said, “With the success of Bajrangi Bhaijaan and previous Indian releases, China has emerged as a key market and a major box office earner for Indian releases. We are delighted with the unstoppable run the film is enjoying and how the Chinese audiences have embraced the cross-border friendship story, its emotions, the direction and our much-loved superstar Salman Khan”.

    “We are extremely encouraged by the success of Bajrangi Bhaijaan in China and very excited about our next to roll Indo-China co-production, once again to be directed by Kabir Khan”, he continued.

    Recognizing the significant market opportunity in China, Eros and director Kabir Khan had earlier announced coming together for a travel drama, The Zookeeper (working title) which will be shot in Hindi and Mandarin languages. An A-list actor has been signed up for the project which shall be announced shortly.

  • ‘Federation of Western India Cine Employees’ conducts a successful conclave with 22 crafts union’s association

    ‘Federation of Western India Cine Employees’ conducts a successful conclave with 22 crafts union’s association

    Mumbai: The Federation of Western India Cine Employees (FWICE), the nodal body for all cine employees hosted a formal get-together and benevolence meeting with the leaders of the 22 crafts union’s associations affiliated to it on 7th March 2018 at Pathare Prabhu Hall, Andheri (West), Mumbai.FWICE President B.N. Tiwari and General Secretary Ashok Dubey with their office bearers representing the rights and privileges of cine workers had initiated this meeting over sumptuous food to discuss to the key policies pertaining to the welfare of the cine artistes, technicians and workers with film and television producers’ union leaders too.

    The gathering even witnessed union that had separated from the federation earlier like Asia’s largest film labour union, ‘Film Studios Setting & Allied Mazdoor Union’ (FSSAMU) whose ex-chairman was veteran actor Mithun Chakraborty and now is chaired by the dynamic and dashing MLA Ram Kadam. Gangeshwarlal Shrivastav a.k.a. Sanju, the brave and undaunted General Secretary of FSSAMU attended this meeting which was well received.

    T.P. Aggarwal – filmmaker and President of Indian Motion Pictures Producers’ Association (IMPPA), Ashoke Pandit – a filmmaker and social activist and the Vice President of (IMPPA) and ex-president of Indian Films & Television Directors’ Association (IFTDA), Sushant Singh – actor and General Secretary of Cine & TV Artistes Association (CINTAA), Gajendra Chauhan – actor and ex-chairman of the Film and Television Institute of India (FTII), Prabhat Pandey – secretary of Western India Film Producers’ Association (WIFPA), actor Abhimanyu Singh, Mahamandelshwar Sanjay Giri Maharaj, Ashfaque Khopekar – President of Dadasaheb Phalke Film Foundation Awards, Sharad Devram Shelar – filmmaker and hotelier and many other prominent office bearers of the association were also present on the occasion.

    The threesome viz B.N. Tiwari, Gangeshwarlal Shrivastav and Ashok Dubey took turns in felicitating and honoring all the union leaders and guest with bouquets and glory. The combination of these three men looked like a power of strength who together will successfully maneuver the herculean task of providing the rights and welfare of cine employees of FWICE and taking it to greater heights by leaving no stone unturned.

    Speaking on the occasion, B.N. Tiwari, the President of FWICE said, “We all are like a family and stay bonded. Together we have organized this mammoth gathering for harboring proper and effective communications like a joint family and help each other in their needs.” He further added, “We do not intend to harass any film or television producers. We would like to co-operate and work in hands like a team. We would not stop the shooting, but will negotiate our cine workers genuine demand and work conditions. Thus we should think of each other and come to terms.”

    Apart from the President and General Secretary of FWICE, their Senior Vice President – Raja Khan, Vice President Sangam Upadhyay, Joint Secretaries – Stalin D’souza and Rajan Singh, Treasurer – Wasim Quresh and all the respective heads of all the affiliated 22 unions came together under one roof to make the event a grand and memorable one.

  • New York Film Academy announces expansion in India to keep pace with growth of the indian film industry as well as digital media & entertainment genres

    New York Film Academy announces expansion in India to keep pace with growth of the indian film industry as well as digital media & entertainment genres

    MUMBAI: York Film Academy (NYFA) is one of the leading film schools of the world. It was founded on the philosophy that “learning by doing” combined with best industry practices is more valuable than years of theoretical study for filmmakers and actors. This educational model allows students to achieve more in less time than at all other film or acting schools in the world.

    The film school’s programs balance the study of the craft with practical experience to train students to be the best they can be. This is achieved by a rigorous schedule of classroom instruction, hands-on workshops and immediate experience.

    NYFA conducts programs at its three full-fledged USA campuses as well as at 16 locations across the globe from Australia to Europe. NYFA has enjoyed immense support from India’s film and entertainment industry. From conducting its first workshop in India in May 2011, NYFA went on to open its doors in Mumbai in 2017.

    Over the years many Indian students have been a part of the NYFA campus in New York, Los Angeles and Mumbai. Notable alumni include Kangana Ranaut (of Queen), Gauri Shinde (of English Vinglish) and Rakesh Varre (of Baahubali) among many others.

    David Klein, Senior Executive Vice President of New York Film Academy, who has taught filmmaking for over two decades, is visiting from the New York to take classes on film direction and storytelling. He also met with young students in four metros. David Klein said, “New York Film Academy is very excited to be in India. There is immense creative talent amongst the youth. We look forward to working with bright and creative young minds and fostering their talents in the new-age, digital world.The media and entertainment landscape is rapidly evolving and calls for several new skill sets which we are well placed to teach.” He went on to say that the response to NYFA Mumbai has been very encouraging. Salman Khans new discovery, Warina Hussain has just completed an acting program in Mumbai prior to her acting debut.

    David Klein added, “In response to demands from students for acting and film making workshops during the summer vacation, NYFA will hold Teen Camps for the first time in India. These programs are very popular in other markets, due to YouTube, social media and OTT platforms which offer huge scope to the youth.It gives us immense pleasure to launch this concept in India.”

    NYFA, Mumbai offers various acting and filmmaking workshops and camps for all age ranges where the subject matter covers the entire gamut of production, script writing, technicals and post-production in addition to acting and direction.

  • UTV action packs in more power for fans

    UTV action packs in more power for fans

    MUMBAI: Home to a wide-range of high-octane movies across Hollywood, Bollywood, Asian and Regional cinema, UTV ACTION is the go-to linear channel offering uninterrupted dhamakedar entertainment to film aficionados. Now, the channel is all set to offer 100 plus new, adrenaline-rushing titles to its robust library to enhance an action lover’s movie watching experience further this month.

    UTV ACTION is already home to Marvel and offers the largest collection of titles from this universe in Hindi, featuring everyone’s favourite Super Heroes including The Avengers, Iron Man, Thor, Captain America, Spider-Man and more. Now, the channel has licensed rights to a diverse range of action flicks across genres.

    For fans who enjoy high-voltage drama, there’s a new, stellar line-up of dubbed versions of ‘South Indian hits’ featuring some of the biggest stars like Darshan, Dhanush, Sai Dharam Tej, Naga Chaitanya, Sudeep, Dhruva Sarja and more.

    In the ‘Martial Arts’ genre, there’s a slew of super hits by action legends Bruce Lee, Jackie Chan and Jet Li, and latest titles in the ‘Fantasy Action/ Adventure’ series is Stephen Chow’s Journey To The West 2, whose previous films, The Mermaid and Journey To The West 1, are among the most popular movies on UTV ACTION.

    That’s not all. Be prepared for more action as thrilling titles from popular franchises like Transformers, Pirates of the Caribbean, Men in Black and Star Trek will be added to the extensive collection of UTV ACTION to keep action lovers glued to their cushy couches.

  • Why Padmaavat in 3D almost didn’t happen

    Why Padmaavat in 3D almost didn’t happen

    ​​Fans can’t stop raving about the 3D version of Padmaavat and how it drew them right into the world of Queen Padmavati. However, it is a little known fact that director Sanjay Leela Bhansali had long been considering the idea of releasing his films in 3D. “We wanted to try 3D with Guzaarish and we’d also tested a few shots for Bajirao Mastani which looked fantastic but it eventually didn’t happen,” share​d DoP Sudeep Chatterjee.​

    ​​​The splendid colour grading and stereo conversion services for Padmaavat were handed over to Prime Focus World (PFW). Jimmy Philip, PFW Stereo Supervisor worked closely with Padmaavat’s DoP – Sudeep Chatterjee and Director Sanjay Leela Bhansali to deliver the 3D version of the magnum opus.

    Sudeep also went on to reveal how Padmaavat in 3D almost didn’t happen. He said, “Padmaavat in 3D was always an idea but it was only sometime in July-August when we got a nod for 3D conversion. Although a major apprehension was that there was very less time and we weren’t sure if we’d be able to pull it off. There are many things that can go wrong during 3D conversion – ideas can shift, dimensions can shift, with one character appearing bigger than the other.  So naturally, a lot of work was put into the conversion of the film.”

    Sharing details about the behind-the-scenes efforts that went into making the 3D version a reality, ​​

    PFW Stereo Supervisor, ​​Jimmy Philip said, “There are lots of 3D moments in this scene, with floating embers, dust drifting across the battlefield and arrows flying towards camera – it’s a great sequence and a fittingly dramatic climax for the film. We leveraged our extensive elements library to recreate most of these FX elements, while also carrying out additional comping to enhance the overall effect.”

    Talking about the enormity of the task, Jimmy shared, “Over 2000 stereo shots that we delivered for the movie were completed in a tight timeframe of just 2 months.”

    As they say, hard-work always pays and Padmaavat emerged strong amidst controversies to give the audiences an unforgettable visual treat.