Category: Movies

  • Taapsee Pannu-starrer ‘Rashmi Rocket’ to directly premiere on Zee5

    Taapsee Pannu-starrer ‘Rashmi Rocket’ to directly premiere on Zee5

    Mumbai: Video streaming platform Zee5 is set to premiere Tapsee Pannu-starrer sports drama “Rashmi Rocket” on 15 October. The film is produced by Ronnie Screwvala, Neha Anand and Pranjal Khandhdiya under RSVP and Mango People Media.

    “At Zee5, we have constantly strived to bring audiences richer experiences with versatile content that is not just entertaining but also a reflection of us as a collective society,” said Zee5 India chief business officer Manish Kalra. “Rashmi Rocket is riveting, relevant, and will have you cheering, empathising, and questioning. It’s cinema that moves you.”

    Set in the salt marshes of Kutch, the film is about a young village girl who is an incredibly fast runner, nurturing the ambition of crossing the finish line some day. In the journey to fulfilling her dreams, she soon realises that the race is peppered with many hurdles, and what seems like an athletic contest turns into a personal battle for respect, honour, and identity.

    “Rashmi Rocket” is written by Nanda Periyasamy, Aniruddha Guha, and Kanika Dhillon and directed by Akarsh Khurana. The film also features Supriya Pathak, Abhishek Banerjee, Priyanshu Painyuli, and Supriya Pilgaonkar in pivotal roles.

    “So many immensely talented youth do not reach their full potential or even have opportunities owing to the obstacles the system and society throw at them. Rashmi Rocket is one such example of someone who faced those obstacles head-on and overcame them,” said RSVP’s Ronnie Screwvala on the film. “It’s a story of resilience, determination, and above all, the fighting human spirit.”

  • Prime Video to stream original film ‘Sardar Udham’ in October

    Prime Video to stream original film ‘Sardar Udham’ in October

    Mumbai: Amazon Prime Video has announced its new original film “Sardar Udham,” which will begin streaming in October.

    “With every story that we present on Amazon Prime Video, we ensure that the narrative is replete with emotions and depth that finds a place in the heart of every viewer,” said Amazon Prime Video India director and head of content Vijay Subramaniam. “Continuing a great partnership with Rising Sun Films, we are proud to present Sardar Udham, a stirring story of courage, fortitude and fearlessness, from the buried treasures of our history and culture.”

    A heart-wrenching story of retribution, “Sardar Udham” showcases the journey of a gallant man who made sure the world never forgets the lives of his beloved brethren who were brutally killed in the Jallianwala Bagh Massacre of 1919.

    “It has been exhilarating to create this film that showcases and acknowledges Udham Singh’s patriotism and deep-rooted, selfless love for his motherland,” said producer Ronnie Lahiri. “Two decades worth of research and understanding has been put by the team to present this untold story. We are glad to continue our prolific collaboration with Amazon Prime Video and are thrilled to share this historical epic story with a global audience.”

  • Viacom18 Studios, Dharma Productions ink four-film distribution deal

    Viacom18 Studios, Dharma Productions ink four-film distribution deal

    Mumbai: Viacom18 Studios on Wednesday announced its partnership with Dharma Productions on four Hindi films meant for theatrical, broadcast, and streaming distribution.

    The titles which are part of this deal are in various stages of production and are expected to release over the next 18- 24 months.

    “As Viacom18 Studios scales up and begins a new chapter, we are looking at key partnerships with creators who shape mainstream entertainment,” said Viacom18 Studios COO Ajit Andhare. “Collaborating to build a slate of films further strengthens our long-term association with Karan and Dharma Productions.”

    The film slate includes Karan Johar’s “Rocky Aur Rani Ki Prem Kahani” starring Ranveer Singh and Alia Bhatt, Raj Mehta’s “Jug Jugg Jeeyo” starring Varun Dhawan, Anil Kapoor and Kiara Advani, Shakun Batra’s next with Deepika Padukone, and Shashank Khaitan’s next directorial venture with Vicky Kaushal and Bhumi Pednekar as part of the cast.

    Dharma Productions CEO Apoorva Mehta stated that strategic alliances are the way forward for the film industry and this partnership with Viacom18 Studios is the stepping-stone to a “long-term alliance”.

    Karan Johar said this partnership will further enable Dharma productions’ commitment to entertain the film-goers world over. “In Viacom18 Studios and Ajit, we have a partner who not only shares our vision in storytelling but also our approach to differentiated cinema,” he added.

  • 2021 global cinema revenues drop to half of pre-pandemic levels

    2021 global cinema revenues drop to half of pre-pandemic levels

    Mumbai: The total revenues generated by the global cinema industry are set to reach only 50 per cent of 2019’s pre-Covid revenues according to Omdia’s latest Cross-Sector Windows report.

    Global box office revenues are still being impacted by studios experimenting with differing release windows, alternative platform distribution models i.e., SVOD and PVOD, as well as government restrictions and more recently, a change in consumer confidence due to the Delta variant.

    In addition to reacting to the global conditions, studios are also experimenting with different release strategies as a co-ordinated way to build their own platform subscriber bases. One of the major challenges faced by studios with the move towards hybrid PVOD and SVOD strategies has been the increased issue of online piracy and accessibility of titles from launch.

    Overall, in 2021 consumer spend for movies across all platforms including SVOD, traditional home entertainment and theatrical will account for $60.4bn, down $5bn from pre-pandemic levels. At the height of the pandemic, total movie spends were recorded to be just $46bn with the largest share from a growing SVOD base.

    By 2022, with cinemas in a stronger position, Omdia forecasts that total movie spend will rise to a record $80bn globally.  Mid recovery, cinema will generate just one third of consumer movie spend this year compared with over 55 per cent pre-pandemic.

     

    Within the Windows report, Omdia compared the traditional cinema and home entertainment revenue of a top 50 2019 title with how it would perform across different pandemic-era release strategies. The scenarios take into account a relative cannibalisation of traditional windows by each strategy and offers how much missing revenue needs to be made up through SVOD subscriber gain or incremental PVOD revenue. 

    The baseline transactional revenues for a typical major blockbuster are around $300m per title of which cinema revenues are $178m per title. In the US typically, 60 per cent of aggregate revenue is generated within cinemas, with 75 per cent of this generated within the first 17 days / three weekends of release into theatres.

    The biggest impacts for exhibitors from shifting windows have most certainly been the introduction of day and date release windows across both SVOD and PVOD platforms including some of the largest titles of the year.

    Day and Date releases accounted for 54 per cent of box office revenues in US cinemas up to mid-June 2021, Omdia expects that studios will predominantly migrate back to a theatrical-first strategy for major titles over the next few months. Day and Date releases have been a way to ensure that people are still viewing blockbuster films either in cinema or at home during the recovery.

    Omdia’s scenarios suggest the day and date releases to SVOD (D2C) services would have the most significant impact on a title’s box office by as much as 20 per cent. Whereas minimally cannibalistic strategies such as a 45-day exclusivity window would have impacted box office takings by closer to 5 per cent, and alternative distribution models such as Dynamic PVOD and Day and Date PVOD (D2C) also fall into this range (5-20 per cent).  However, in each scenario, traditional home entertainment revenue was put at a greater risk over theatrical.

    Omdia principal analyst Charlotte Jones commented, “The Covid-19 pandemic has had a significant effect on studio revenues and shifted the way in which movies have been released. Theatrical windows are still a key revenue generator for studios and whilst there has been experimentation with alternative platforms and distribution models, over the course of the next few months studios will return to theatrical exclusivity for key blockbuster titles before releasing on other platforms.

    Blockbusters will continue to drive the most amount of box office revenue for cinemas, however, it is the Tier 2 / Tier 3 titles that will see their window models shift, resulting in a larger decline in the traditional revenue measurement for studios. Conversely, flexibility in release windows will also admit a wider variety of content into cinemas.”

  • T-Series, Reliance Entertainment ink a 10-film deal at Rs 1K cr investment

    T-Series, Reliance Entertainment ink a 10-film deal at Rs 1K cr investment

    Mumbai: Film production houses T-Series and Reliance Entertainment have joined forces to produce more than 10 films together across varied genres with an investment of approximately Rs 1000 crore.

    The production houses together will produce big-budget tentpole projects as well as mid-small budget content-rich films ranging through different genres, production scales, talent and music, according to a statement from the studios.

    The slate includes Hindi remakes of Tamil blockbuster drama and action thrillers, a mega historic biopic, espionage thriller, courtroom drama, satire comedy, romance drama, and a film based on shocking true events, amongst others, it added.

    The upcoming films will be produced over the course of the next 24 to 36 months, with filmmakers Pushkar and Gayatri, Vikramjit Singh, Mangesh Hadawale, Srijit Mukherji and Sankalp Reddy on board to helm the projects.

    T-Series and Reliance Entertainment have previously worked together on the music marketing front for more than 100 films.

    “After working on music marketing together, this collaboration has happened on the right time and this will just strengthen our ties,” said T-Series chairman and MD Bhushan Kumar. “Shibasish and I hope to give our Hindi film audiences new and unconventional films.”

    “This partnership with Bhushan will surely mark the beginning of a great feat in Indian film industry as we move on to offer a bouquet of path-breaking and momentous films to our audience,” stated Reliance Entertainment Group CEO Shibasish Sarkar.

    As per the release, there are confirmed alignments with some of India’s biggest stars and four to five films will have a comfortable big-screen release worldwide, starting next year-2022.

  • Horror movies bring good news for global box office

    Horror movies bring good news for global box office

    Los Angeles: Movie theaters have been struggling to maintain a reopening momentum after being shuttered throughout 2020 due to the coronavirus. The problem has been magnified because many high-profile franchise films have been released in theatres and on streaming services at the same time. However, this hasn’t been the case across the board with Hollywood’s 2021 horror films, which are being shown in theatres exclusively or with delayed streaming access. 

    Horror is turning out to be good news for the box office as it is now estimated that the horror genre has generated 20 per cent of the overall theatrical revenue in North America during the pandemic. Furthermore, studies indicate that horror flicks may actually better prepare people for unsettling true-life events like a pandemic.

    While expensive, franchise-friendly tentpoles such as “Black Widow” have fallen short of expectations, the recently released, smaller $25 million budget, horror-flick “Candyman” had a solid debut earning $22 million at the US box office in its opening weekend. “Horror movies are an accountant’s and studio executive’s dream with a huge upside of profit potential due to their inherent cost-effectiveness,” said Comscore’s senior media analyst Paul Dergarabedian. “You don’t need to break the bank to make a killer scary movie and the box-office results for the genre, particularly during the pandemic, have been most impressive.”

    “A Quiet Place Part II” opened in May with $47.5 million and has earned $160 million domestically and nearly $300 million worldwide against its $60 million budget. “The Conjuring: The Devil Made Me Do It” debuted in June with $24 million domestically and went on to earn $65.5 million domestically and $201 million globally while also streaming on HBO Max. It had a budget of $40 million.

    By comparison, “Black Widow” had a production budget of $200 million and a marketing budget estimated to be around $100 million. With a worldwide box office of $370 million since its July release, which the studio splits with cinemas, the Marvel film likely won’t break even. Disney has reported some of its streaming grosses for the title, which includes an estimated $60 million opening weekend in digital sales.

    Likewise, “The Suicide Squad”, which opened in theaters in August, had a budget of $185 million and has currently collected an estimated $154.5 million in box office receipts. This film was also made available for free on HBO Max to subscribers.

    Just as horror flicks are faring better at the box office during the pandemic, a recent study out of the University of Chicago suggests fans of this genre may also cope better. According to the research team, fans of horror films are more psychologically resilient during frightening world events like the pandemic. Likewise, people who tend to watch so-called ‘prepper’ films about preparing for zombie invasions or the apocalypse reported feeling more prepared for life during the pandemic. These people also are more likely to watch pandemic-themed films during this time.

    According to Hartford HealthCare, the University of Chicago research team studied the answers of 322 American adult participants to questions related to movies, mental health, and the pandemic. Topics included film genre preferences, interest in pandemic films, their preparedness for the pandemic, and their mental health during the pandemic. They were asked if they have felt more depressed than usual, have been sleeping well, and whether they watch the news. They also had to report on their reaction to the pandemic, if they felt they knew what to buy to hunker down at home and if the pandemic itself surprised them.

    According to the team, horror fans were not necessarily more prepared or resilient in the face of the pandemic, but they were far less distressed psychologically. Fans of prepper genres were much more prepared for the pandemic and noted fewer disruptions to their day-to-day life. They were no more likely to exhibit positive resilience, however. Participants with a moderate or greater interest in watching horror films during the COVID-19 pandemic were found to have greater positive resilience in real life than those with no interest.

    “Scary movies allow viewers to practice coping with distressing emotions, such as fear, in a safe and controlled environment” said the director of the Anxiety Disorders Center, part of the Hartford HealthCare Behavioral Health Network, Dr David Tolin. “As we gain a sense of mastery over fear, real-world concerns such as the COVID pandemic become less scary to us as well.”

    The researchers concluded that while people generally watch horror films as entertainment, there are subtle lessons being delivered. Horror fiction allows its audience to practice emotion regulation skills and hone strategies for dealing with fear which may help in effective coping strategies in unusual true-world situations.

    The horror genre has helped buoy film theatres and possibly better prepared its fans to cope with the pandemic. Who would have known in early 2020 as COVID-19 began its deadly spread that watching a good horror flick might prove effective against this real-world enemy?

  • Indian Film Exporters Association renamed to include all content owners

    Indian Film Exporters Association renamed to include all content owners

    Mumbai: Indian Film Exporters Association has been renamed as Entertainment Content Owners Association of India (ECOA) to adapt with the changing times. The association has also unveiled its new contemporary logo to reflect its refreshed identity.

    “ECOA is symbolic of the changing times & acknowledges the meteoric growth of TV, OTT & digital – hence the body also wanted to bring them in their purview & expand their membership to these platforms too,” said the association in a statement on Thursday.  

    In its new avatar, ECOA will extend its membership to all the entertainment content owners of all languages, genres & formats across all audio-visual platforms, and will not be restricted to films, announced ECOA president Sushilkumar Agrawal.

    “We are extremely happy to rechristen & relaunch ourselves and outspread our services to more platforms. The landscape of entertainment has changed drastically in the current times both in terms of production & exhibition, hence bringing its own set of challenges along with it,” said Agrawal. “We at ECOA invite all to be a part of our illustrious family & trust us with our history & expertise in safeguarding the content.”

    Other than Sushilkumar Agrawal, the other committee members of ECOA are Hiren Gada (vice president), Ashok Jain (secretary), and RK Duggal (treasurer) among others. 

    Indian Film Exporters Association was formed in 1963 by Lim Billimoria & few other Indian film exporters to promote & facilitate the commerce of Indian films abroad. ECOA is also a prominent member of various important associations and apex bodies like FICCI & FFI.

    The ECOA said it will create B2B opportunities on its website & platforms for content owners to promote & monetise their content globally. It will also participate in important film markets & festivals globally & represent the objectives of the association and the interest of the Indian entertainment content owners.

    The association is planning to soon approach the information & broadcasting ministry for appointing itself as an enlisted association for content registration & other related activities.

  • Marvel’s ‘Shang-Chi’ strikes gold in theatres

    Marvel’s ‘Shang-Chi’ strikes gold in theatres

    Mumbai: The global release of Marvel Studios’ “Shang-Chi and The Legend of The Ten Rings” has grossed $127.6 million over three days. This includes domestic box office earnings of $71.4 million and international earnings of $56.2 million including the countries Brazil, France, Germany, Hong Kong, Italy, Japan, Mexico, Russia/CIS, South Korea, Spain, and the United Kingdom, according to data by Box Office Mojo.

    The film was released exclusively in theatres on 3 September unlike its predecessor “Black Widow”, which had a hybrid release and was available on Disney+ Hotstar. “Shang-Chi” premiered in six languages including English, Hindi, Kannada, Tamil, Malayalam, and Telugu. According to a statement by Star and Disney India, the film “struck gold at the box office in the opening weekend”.

    “The amazing response for Shang-Chi and Legend of the Ten Rings is a testament to the fandom Marvel and its characters enjoy in the country. Shang-Chi is a special film that truly celebrates the uniqueness and ingenuity of Marvel films. We are thrilled with the love the film has received across India,” said Star and Disney India, vice president and head of studios, Bikram Duggal.

    Helmed by Destin Daniel Cretton, “Shang-Chi and The Legend of The Ten Rings” features Simu Liu, Benedict Wong, Toby Leung, Michelle Yeoh, Fala Chen, Florian Munteanu, and Awkwafina in pivotal roles.

    The studio is gearing up for its upcoming releases including “Eternals” which is going to hit theatres during Diwali. The film directed by Academy Award winner Chloé Zhao, stars Angelina Jolie, Richard Madden, Kit Harrington, and Don Lee.

  • Need to integrate the spirit of nation-building in each citizen: I&B minister

    Need to integrate the spirit of nation-building in each citizen: I&B minister

    New Delhi: “India is a pivotal power in Asia and as a member of the BRICS consortium, we would like to play a crucial role to strengthen ties between the member countries” said union minister of Information and broadcasting Anurag Singh Thakur.

    Thakur was addressing the virtual inaugural of ‘BRICS Film Technology Symposium’, being organised by FICCI, jointly with the ministry of I&B and FTII, here on Wednesday. “India takes pride in organising the first-ever BRICS Film Technology Symposium as a part of the special event planned in the run-up to the BRICS summit to be held in India,” he said.

    According to the minister, the focus of the BRICS Film Technology symposium is to acknowledge the service sector and technicians working for the film industry. “I am sure the symposium will create opportunities for the working professionals in the field of film technology of all BRICS nations to explore the world of cinema with a new perspective and vision,” said Thakur, highlighting the need to win the hearts and minds of the people from all BRICS nations. “A film symposium is an event which brings together one and all through the medium of cinema technology.”

    “Organising the first-ever BRICS Film Technology Symposium is a step in this direction to bring the people from all member states together. Through the medium of films, art and culture we have also opened avenues for cooperation which will be supporting development and growth in the film business,” he added.

    The two-day symposium intends to form partnerships and provide a platform for technological companies and organisations promoting films and bring the film community together for better communication, cooperation and collaboration.

    “BRICS countries are significant players in the field of VFX animation, computer-generated imagery, and media outsourcing. There is a great potential for collaborating with each other to enhance the technology in film production and cinematic experiences for the world of entertainment. The BRICS Film Festival which we will be organising along with the 52nd International Film Festival of India will provide us another opportunity to interact and share the best of our Cinemas,” said MIB secretary, Apurva Chandra.

    The event is spread over two days with sessions conducted by eminent speakers from all the BRICS countries. A virtual exhibition is being held as well.

  • Kashish 2021 announces panel discussion on same-sex marriage rights

    Kashish 2021 announces panel discussion on same-sex marriage rights

    Mumbai: The 12th edition of Kashish Mumbai International Queer Film Festival – South Asia’s biggest LGBTQIA+ film festival, is underway from 19 August to 5 September, screening 221 films from 53 countries over three weekends. During the weekdays the festival is programming several interesting panel discussions and filmmaker Q&As.

    On 31 August at 6 p.m, the panel is set to discuss ‘Marriage Equality – What is the Way Forward’. The topic is especially relevant to the current times in India when the petition for same-sex marriage rights is being heard in the Delhi high court. 

    Speakers at the panel include first openly gay prince & activist Prince Manvendra Singh Gohil, gay couple & petitioners for same-sex marriage rights in Delhi HC Parag Mehta & Vaibhav Jain, transman activist Vihaan Peethambar & his wife Rajashree Raju, gay couple from Belgium Peter Strijdonk & Stijn Deklerck, and renowned Belgian author & speaker David Paternotte. The panel is moderated by former Mr Gay India and activist Suresh Ramdas.

    “It is said that marriages are made in heaven and I’m very positive that we will see heaven in India with marriage equality getting accepted and we will definitely win and I’m very optimistic about it,” said Manvendra Singh Gohil.

    “I was thinking about how in 2015 when marriage equality came to the US, it came in the evening, there was a Supreme Court judgment and president Obama had asked the White House staff to illuminate the entire building with pride colors. So I remember going with 1000s of people gathering there and cheering and it was so exciting and I looked at Parag and I said, do you think Rashtrapati Bhavan, the presidential palace in India, would ever light up like this. And he said, you know we’ll make it happen; and that’s what we’re trying to do and we hope we succeed,” said Vaibhaj Jain partner of Parag Mehta, both of whom are plaintiffs in a landmark court case before the Delhi HC which seeks to legalise same-sex marriage for 1.4 billion people in the world’s largest democracy.

    “I think for trans people in India we view marriage like everyone else. You want to marry for companionship, you want to marry for security, for stability, but above all as a means for social acceptance from a society that does everything to suppress your rights,” said transman Vihaan Peethambar who married his partner Rajashree Raju in 2019 in Kerala.

    “No one would have expected so many countries to adopt same-sex marriage in 20 years, and now it’s about 30 countries. So, the good news is that these countries are increasingly diverse – from Argentina to Taiwan and South Africa to Belgium. So these countries have nothing in common. Which means that tomorrow if India wants to adopt same sex marriage it’s possible,” said David Paternotte, renowned author from Sweden who has written books on marriage equality.

    “I really wanted to get married and I had to ask Stijn four times basically before he said yes. For me it was a celebration of love, and the thing for me was also important because I’m much older than him and I was concerned about what will happen when I’m not there anymore, so I wanted also to have the legal status, to be equal to everybody else,” said Peter Strijdonk who met his partner Stijn Deklerck in 2005, and they got married in 2011 in Antwerp, Belgium.

    “Hoping yes I wish I can have this as well, but should I go outside India to have this or can I have this in India and now that seems to be coming into some sort of reality,” said Suresh Ramdas.

    The panel is supported by the consulate general of the Kingdom of Belgium in Mumbai. The panel can be watched at http://www.youtube.com/user/KASHISHfilmfest.