Category: Movies

  • Scale is important; has to be focused right: Fox executive chair & CEO Lachlan Murdoch

    Scale is important; has to be focused right: Fox executive chair & CEO Lachlan Murdoch

    Mumbai: Addressing analysts during a conference call to announce the company’s Q1’23 results, Fox executive chair & CEO Lachlan Murdoch spoke about the importance of scale. Fox’s assets include the juggernaut Fox News. Fox posted revenue of $3.19 billion, up 5 per cent a year ago.

    “Look, I think you know the scale; it has to be focused right. Scale is important, and what we’ve seen amongst our media peers over the last few years is that our peers are getting bigger through mergers and acquisitions (M&A), and so I think scale lends flexibility in many ways. So, we continue to grow our business, we continue to look at M&A and be very disciplined in how we look at it, but we also do look at the importance of scale, particularly over the next couple of years when, I think, opportunities in the marketplace will emerge. They have the scale to be flexible, and how we deal with them will be important,” he said.

    In terms of a potential reunion of Fox and News Corporation, Murdoch declined to take questions. “As has been made public, both Fox and News Corporation have formed separate special committees to explore a potential combination following letters received from my father, Rupert Murdoch, and the Murdoch Family Trust. For a combination transaction to proceed, it will need the approval of both special committees and a supportive vote by the majority of the minority non-affiliated shareholders of each company.”

    He added, “The special committee has not made any determination at this time, and there can be no certainty that the company will engage in such a transaction. Given the importance of the work of the special committees, I’m not in a position to take any questions on the proposed transaction at this time.” 

    Murdoch pointed out that the company’s fiscal year is off to a good start. “The September quarter results once again highlight the strength of our leadership brands, and we are just getting started on what promises to be a banner year for Fox. We are encouraged by the operating trends across the portfolio and the early returns on our digital investments. When paired with our strong balance sheet and low leverage, the Fox story remains a differentiated one amongst its media peers. And while we continue to be mindful of how the macroeconomic environment evolves during the months ahead, Fox remains well positioned to navigate and outperform through any potential uncertainty.”

    Talking about the ad scene, he said that the ad growth in the quarter was driven by strong pricing at Fox News and Fox Sports. “Record first quarter political revenues at the local stations, and in a quarter where industry-wide digital advertising revenues appear to have been under pressure, to post standout revenue growth of almost 30 per cent.”

    He added, however, that the company recognises that there is a lot of commentary around advertising headwinds as the macro environment evolves. “Yes, the broader national advertising market is looking more fluid compared to the time of our last earnings call. However, the macro impact is not uniform across our verticals.”

    “We have observed some softness in the linear entertainment scatter marketplace. Remember that Fox does not over-index to network entertainment. So, any impact there is, is nominal to us and has been more than offset by the digital entertainment strength delivered by Tubi,” he went on.

    Murdoch said, “Additionally, despite the economic headwinds, we are seeing continued strength across our linear news and sports portfolios, led by the pharmaceutical, restaurant, and streaming categories. These dynamics underscore a flight to quality, and the importance of our focus on live content, with over two-thirds of our advertising revenue generated by live sports and news.”

    Fox News, he noted, turned in another stellar performance, finishing the fiscal first quarter as the number one channel on cable and the third most viewed network in Weekday Prime in all of television, behind only NBC and CBS.

  • Marvel’s ‘Black Panther: Wakanda Forever’ promo features Neeraj Chopra

    Marvel’s ‘Black Panther: Wakanda Forever’ promo features Neeraj Chopra

    Mumbai: Olympic champion Neeraj Chopra is featured in the upcoming Marvel film Black Panther: Wakanda Forever’s promotional teaser. He has joined the fight for Wakanda to unleash the true essence of being a warrior and fighting for one’s country. Embodying the very spirit of the celebrated Wakandan superhero, Neeraj Chopra’s journey from his humble beginnings to achieving the coveted Olympic gold has truly been inspiring and nothing short of extraordinary!

    The promotional video shows Neeraj Chopra dropping from a high-tech portal opening in the roof, landing on his feet and clenching his javelin tight. He then picks up the pace, gathering momentum to throw the javelin. When he does aim it, the javelin flies, transitioning into a spear and piercing the surface of a road. From here, the video seamlessly connects to the hair-raising trailer of Wakanda Forever. A background voice can be heard saying “dikha denge unhe ke hum kaun hai” in the promo.

    Speaking on how Black Panther has been inspirational for him to associate with, Neeraj Chopra said, “Black Panther is about a fierce warrior, a hero who is willing to give everything to fight for his people and his country. As an athlete, representing India is our biggest opportunity, and we give our best shot and fight till the end. I’m truly overjoyed that I can be a part of this journey, and just like Black Panther, I hope to inspire people around the globe to never give up on their dreams. Being a huge Marvel fan, I just cannot wait to watch the film and discover the new journey of Wakanda!”

  • James Gunn & Peter Safran to run DC Studios for Warner Bros. Discovery as co-heads

    James Gunn & Peter Safran to run DC Studios for Warner Bros. Discovery as co-heads

    Mumbai: Warner Bros. Discovery has announced that Hollywood industry veterans James Gunn and Peter Safran have been appointed to the new roles of DC Studios co-chairmen and CEOs, overseeing the overall creative direction of the DC Universe across film, TV, and animation under a single banner. Gunn and Safran will report to Warner Bros. Discovery president and CEO David Zaslav. They will work closely with Warner Bros. Film Group co-chairpersons and CEOs Mike De Luca and Pam Abdy. The appointments will be effective on 1 November 2022.

    In their new roles, Gunn and Safran will spearhead the development and execution of a long-term plan for the many properties licenced from DC Comics, focused on continuing the tradition of high-quality storytelling for the DC Universe across audio-visual media, while building a sustainable growth business out of the iconic franchise. In addition to their executive responsibilities, Gunn and Safran will develop, direct, and produce projects. In their new roles, they will also work collaboratively with Warner Bros. Television Group chairman Channing Dungey; HBO and HBO Max Content chairman & CEO Casey Bloys; US Networks Group chairman & chief content officer Kathleen Finch; Warner Bros. Discovery Consumer Products president Pam Lifford and Warner Bros. Interactive Entertainment president David Haddad.

    Both Gunn and Safran have extensive experience with the superhero genre, having brought some of the Marvel Cinematic Universe and DC Universe’s most popular characters to life in hit films and series that include: Marvel’s blockbuster Guardians of the Galaxy, and DC’s highest grossing movie, Aquaman; Shazam!; The Suicide Squad; and the HBO Max original, live-action series Peacemaker.

    Zaslav commented, “DC has among the most entertaining, powerful, and iconic characters in the world, and I am thrilled to have the singular and complementary talents of James and Peter joining our world-class team and overseeing the creative direction of the storied DC Universe. Their decades of experience in filmmaking, close ties to the creative community, and proven track record of thrilling superhero fans around the globe make them uniquely qualified to develop a long-term strategy across film, TV, and animation, and take this iconic franchise to the next level of creative storytelling.”

    Gunn and Safran commented, “We’re honoured to be the stewards of these DC characters we’ve loved since we were children. We look forward to collaborating with the most talented writers, directors, and actors in the world to create an integrated, multilayered universe that still allows for the individual expression of the artists involved. Our commitment to Superman, Batman, Wonder Woman, Aquaman, Harley Quinn, and the rest of the DC stable of characters is only equaled by our commitment to the wonder of human possibility these characters represent. We’re excited to invigorate the theatrical experience around the world as we tell some of the biggest, most beautiful, and grandest stories ever told. We’re especially enthusiastic about doing all of this with Mike, Pam, Casey, Channing, and the whole Warner Bros. Discovery team, and are grateful to David Zaslav, whose bold vision for the future of the franchise we share and which allows for this once-in-a-lifetime opportunity. Most of all, we can’t wait to bring you all into the story of the DCU.”

    De Luca and Abdy said, “We could not be more excited to have James Gunn and Peter Safran join the team and assume the leadership of the DC Universe. James is a brilliant filmmaker and storyteller and Peter is a tremendously successful and prolific producer and to have them both committing to work together to forge this new era for DC is a literal dream come true. We all share a very similar sensibility and passion for this universe, and the stars couldn’t have aligned any better. We can’t wait to get started, dig in, and collaborate with these unmatched creative minds.”

    Throughout his decades-long career, writer/director/producer James Gunn has been responsible for films and series, including: Warner Bros. live-action movies, Scooby-Doo and Scooby-Doo 2; a remake of George A. Romero’s Dawn of the Dead; the horror comedy Slither; the dark superhero comedy Super; the hugely successful Marvel films Guardians of the Galaxy and Guardians of the Galaxy Vol. 2; DC’s The Suicide Squad; and the spin-off series for HBO Max, Peacemaker. With the release of The Suicide Squad in 2021, Gunn became the first filmmaker to direct a movie for both the Marvel Cinematic Universe and the DC Universe.

    Peter Safran has produced films for Warner Bros., New Line Cinema, and other film studios, including: DC’s highest grossing movie, Aquaman and its upcoming sequel, Aquaman and the Lost Kingdom; Shazam and its upcoming sequel, Shazam: Fury of the Gods; The Suicide Squad; Annabelle; and the entire Conjuring universe, the most successful horror franchise of all time at $2B+ in worldwide box office and counting. Safran’s production company, The Safran Company, recently re-upped its long-term production deal with Warner Bros. Discovery and has four theatrical releases scheduled for 2023, including The Nun 2, which is the sequel to the highest grossing title in the Conjuring universe, The Nun. Prior to forming his own company, Safran was Brillstein-Grey Management’s president, which represented some of the biggest names in Hollywood.

  • Anand Gandhi create stunning storyboard with artificial intelligence

    Anand Gandhi create stunning storyboard with artificial intelligence

    Mumbai: Anand Gandhi, known for pushing the boundaries of ideas and possibilities in cinema, games or tech, has taken to Instagram to share something cutting-edge – images from a film storyboard that he created purely using AI technology.

    These gorgeous images are from a hard science-fiction film that he announced in 2019 called Emergence. Since 2015, he has been speculating about a pandemic that brings the world to a halt. Ironically, the film was delayed because of the Covid-19 pandemic.

    In the post, Gandhi shared, “My exposure to text to image AI happened when I visited MIT Media Lab a decade ago. Computer vision is going to inform our futures in ways I can only vaguely speculate, limited by the ceiling of my imagination.”

    His audiences and industry peers couldn’t contain their excitement at these images. Actor Vijay Verma commented, “This looks extraordinary, Anand.” Many other users also begged, “Please make this happen!”

    Whether Anand Gandhi actually intends to make this now is anybody’s guess. Regardless, we can’t wait to see what he comes up with next!

  • Nissan partners with INOX as title sponsor for ICC T20 Men’s World Cup 2022

    Nissan partners with INOX as title sponsor for ICC T20 Men’s World Cup 2022

    Mumbai: INOX Leisure has announced a partnership with Nissan India to be the official sponsor of the World Cup screening at INOX.

    The partnership will see Nissan India and INOX working across various digital media platforms including on-screen and video wall advertisements, as well as hosting live match screening sessions for their exclusive clientele and dealer partners.

    The Super 12 stage of the ICC Men’s T20 World Cup commenced from 22 October, with the finals scheduled on 13 November in Melbourne. INOX will showcase all group matches to be played by Team India starting with their first match on 23 October against Pakistan, followed by the semi-finals and the final match.

    INOX will screen the live matches at multiplexes in all major cities in India. INOX’s initiative, in partnership with Nissan, to screen live matches is a great opportunity for the fans who wish to experience the stadium-energy in a carnival-like, safe and hygienic atmosphere. Furthermore, fans will be able to enjoy INOX’s extravagant food-combos and gourmet options served at the multiplexes.

    While commenting on this partnership, INOX Leisure chief operations, sales and revenue officer Anand Vishal said, “With an aim to provide a holistic experience to our patrons, we have constantly been working on our alliances to help us elevate their cinema-going experience. The ICC Men’s T20 World Cup is one of the much-awaited cricketing events across the globe, and it is a privilege for us to screen the matches live at our cinemas. The partnership with Nissan India adds a new dimension and further strengthens our brand offering, and we invite our patrons to come and experience the unparalleled and stadium-like feeling when they watch the World Cup matches together on our giant screens cheering for Team India. We thank Nissan for partnering with us as we offer this unique experience which brings together India’s two most profound passions, cricket and cinema.”

  • Inox reports 2Q loss of Rs 22 crore

    Inox reports 2Q loss of Rs 22 crore

    Mumbai: Hit by the poor performance of Bollywood, multiplex operator Inox Leisure has reported a second quarter 2023 fiscal loss of Rs 22 crore compared with a profit after tax of Rs 51 crore in the same period of the 2020 fiscal. When compared to the same period in the 2020 fiscal, Ebitda (earnings before interest, taxes, depreciation, and amortisation) fell by 97 percent to three crore rupees.

    Revenue dropped by 27 per cent to Rs 381 crore. While the spending per head went up by 29 per cent, the number of footfalls went down by 39 per cent. Occupancy was down by 13 per cent. The average ticket price rose by 10 per cent. Inox said that the 2021 and 2022 fiscals were hit by the pandemic, and therefore it has taken the 2020 fiscal as a comparison.

    Inox had a net profit of Rs 57.09 crore in the first quarter of the 2023 fiscal. Revenue from operations was Rs 582.26 crore in the first quarter of the 2023 fiscal.

    For the first half of the 2023 fiscal, profit after tax declined by 43 per cent to Rs 53 crore compared to the same period in the 2020 fiscal. Ebitda fell by 33 per cent to Rs 134 crore. Revenue fell marginally by five per cent to Rs 970 crore.

    The company said that it expects a great turnaround in the business going forward thanks to a content lineup in the upcoming quarters with releases like Ram Setu, Thank God, Drishyam 2, Bhedia, Phone Bhoot, Cirkus, Black Adam, Black Panther: Wakanda Forever, and Avatar: The Way of Water, complimented with consumer-centric innovations. The company added 30 screens in the first half of the fiscal, which it said was the highest screen addition in the industry. The company added two new properties with 13 screens in the second quarter; a 10-screen Inox Megaplex at Emerald Mall, Lucknow and a three-screen multiplex in Srinagar. Inox revived cinema in Kashmir after a gap of 32 years with the launch of the first multiplex in Srinagar. The three-screen cinema brings the contemporary giant-screen movie watching experience back to the region.

    Furthermore, the company plans to add 11 properties and 47 screens in FY23.

    The company reported its best ever quarterly SPH, which was largely driven by the rigorous efforts around F&B. Critical additions to the menu, introduction of seasonal specialties, timely and result-oriented marketing initiatives, interactive culinary sessions and workshops and numerous process innovations have led to a solid recovery on the F&B revenues.

    Inox Leisure director Siddharth Jain said, “Pandemic has taught us to remain battle-fit and come up with answers to difficult situations. The second quarter of FY23 was impacted by the inconsistency in the content value chain, proving the importance of great quality content yet again. We are delighted with our promising performance on the F&B front, with our highest ever quarterly spend per head. Our foray into Kashmir with the region’s first multiplex marked the revival of cinemas in the valley, and we are quite upbeat about this historic launch, which underlines our desire to entertain India across its length and breadth. The spectacular content pipeline, the festive fervour and our consistent rigour will certainly mark a celebratory third quarter for us.”

  • Seven in ten urban Indians claim their frequency of going to the cinema has decreased: YouGuv

    Seven in ten urban Indians claim their frequency of going to the cinema has decreased: YouGuv

    Mumbai: New YouGov data reveals where people are watching new films and how the shift to streaming platforms may affect cinema attendance in a post-covid world.

    When asked about the change in their cinema viewing habits since the pandemic, nearly seven in ten urban Indians (69 per cent) agreed with the statement, “My frequency of going to the cinema/theatre has decreased.”

    According to data, 44 per cent of people stop visiting the cinema hall because of  streaming films online, followed by 42 per cent of people’s preference to watch films at home. Nearly a third think going to a cinema is expensive or feel there aren’t any films worth going to the cinema are 32 per cent each. North Indians were more likely to say they do not go to cinemas because of the flexibility of streaming films online. Similarly, the 40+ group prefers to watch films at home.

    When asked about the medium they have used most often to watch newly released films in the past six months, OTT platforms emerged as the most popular choice for nearly half of urban Indians. A fifth (22 per cent) said they watched new movies on TV and only 16 per cent went to the cinema or theatre to watch films during this period.

    Looking at the data by age, 57 per cent between age group of 18-29 years were most likely to watch new films on OTT/streaming platforms in the past six months, while 40+ adults than others were more likely to watch them on TV (26 per cent) or in theatres (19 per cent). Notably, residents in South India were more likely to say they watched newly released films in theatres as compared to residents of other regions (22 per cent).

    Even though OTT has gained precedence, not all hope is lost for theatres. YouGov data shows a quarter of urban Indians (26 per cent) said their frequency of visiting theatres has increased since the pandemic, with young adults between 18 and 29 years old echoing this sentiment most strongly.

    An overview of people’s cinema viewing habits shows one in six urban Indians (15 per cent) said they go to a theatre to watch a film at least once a week, while eight per cent do so once a fortnight. Just under a quarter visit a theatre at least once a month (23 per cent), and nearly half visit it once every two-three months or longer than that. This behaviour is similar across all age groups.

    Past behaviour shows cinema outings in the last 12 months have mostly been with friends or family. At 61 per cent, Bollywood films emerged as the most popular kind of cinema among people, followed by Hollywood or regional South Indian films at 45 per cent each.

    When it comes to film genres, urban Indians prefer comedy (67 per cent), followed by action (54 per cent), and thrillers (51 per cent). Specifically, thinking about how they like to watch these genres, a majority (55 per cent) said they enjoy watching comedy films on OTT or streaming platforms. 19 per cent prefer watching them in a theatre, and 26 per cent prefer both the options. The higher preference for OTT platforms is uniform across genres, except for action films, where people were more likely to say they liked watching these films in theatres than on OTT platforms.

    Commenting on the research, YouGov India GM Deepa Bhatia said, “After two years of the pandemic, theatres in India finally opened to full capacity this year. However, the rising popularity of streaming platforms remains a challenge, discouraging people to step out of their homes.”

    “While cost and home viewing habits keep many people away from the movies, it should be remembered that people go to the cinema to enjoy the experience. It is important for brands to understand the changing cinema habits and behaviours of urban Indians to re-imagine their marketing strategies and prepare themselves for this ever evolving relationship between films and consumers,” added Bhatia.

    Data was collected online among 1,004 urban Indian respondents in September 2022 by YouGov’s Omnibus using its panel of over 20 million people worldwide.

  • Poor showing by Bollywood, Hollywood drags PVR to a Q2 loss of Rs 71.23 crore

    Poor showing by Bollywood, Hollywood drags PVR to a Q2 loss of Rs 71.23 crore

    Mumbai: The July-September quarter two 2023 fiscal for PVR was affected mainly because of the poor performance of Hindi movies. Making matters worse was the fact that Hollywood was also disappointed. As a result, it slipped back into a loss of Rs 71.23 crore compared with a consolidated net profit of Rs 53.38 crore in the first quarter of the fiscal ending June 2022. However, the loss was 53 per cent less than the Rs 153.13 crore for the second quarter of the previous fiscal, which had been affected by covid. Admissions and the average ticket price during the second 2023 fiscal quarter were impacted by the weak performance of Bollywood and Hollywood movies.

    Its revenue from operations has fallen from Rs 981.40 crore in the first quarter of the fiscal to Rs 686.72 crore in the second quarter. But it is a big improvement from the revenue of Rs 120.32 crore in the second quarter of the previous covid-impacted fiscal.

    The quarter, PVR noted, was marked by the continued underperformance of Bollywood movies. With the exception of ‘Brahmastra Part One : Shiva, most of the other big budget Bollywood movies performed below expectations, like Laal Singh Chaddha, Raksha Bandhan, and Liger. Brahmastra Part One : Shiva performed exceedingly well at the box office and emerged as the highest grossing Hindi film post-pandemic for PVR, with a net box office contribution of 19 per cent. The underperformance of Hindi films could be attributed to a number of factors, including films released prior to and during the pandemic that did not resonate well with current consumer tastes; content quality driving performance as opposed to star presence; and negative social media sentiments against certain Bollywood movies and stars.

    In Hollywood, the quarter ending September 2022 was the weakest globally in almost two decades, both in terms of the number of movies released and their box office collections. Box office collections for Hollywood movies for PVR dropped by a huge 47 per cent in Q2 FY’23 as compared to Q2 FY’20. Thor: Love and Thunder was the only big tentpole that performed well at the box office as compared to successful tentpoles like The Lion King, Spiderman : Far Away From Home, and Fast and Furious: Hobbs & Shaw in Q2 FY’20.

    If there was a silver lining, it was regional. For PVR, the box office contribution of regional movies increased nicely from 28 per cent in Q2 FY’20 to 44 per cent in Q2 FY’23. Movies like Sita Ramam, Kartikeya 2, Thiruchitrambalam, Rocketry, and Vikrant Rona performed well during the quarter ended September 2022.

    The multiplex exhibition industry on 23 September celebrated “National Cinema Day.” This was envisaged as an industry-wide initiative to welcome moviegoers back to theatres. More than 11 multiplex chains with 4,000+ screens across India participated in this initiative. Customers were offered movie tickets at Rs 75 and discounts on F&B products. PVR welcomed 6.5 lakh guests on this day, which proved to be the busiest day for it in 2022 and the second highest attended day till date with an occupancy of 80 per cent. PVR added that it is also implementing other initiatives to drive admissions back to cinemas.

    PVR added that the current third quarter has started off on a great note with strong responses received to new releases like Ponniyin Selvan – Part 1, Vikram Vedha and Kantara. The content pipeline over the next three months looks extremely promising. It has Bollywood movies that are up for release, like Ram Setu, Cirkus, Thank God, Drishyam 2, Bhediya, Kisi ka Bhai Kisi ki Jaan, Pathan, etc. From Hollywood, it is hoped for a better performance given the tentpoles like Black Adam, Black Panther: Wakanda Forever, and Avatar: The Way of Water. From the regional genre, there are Shaakuntalam, Vaathi, Kushi, Honeymoon, Padavettu, etc. lined up for release.

    PVR has opened 14 screens across three cinemas in the last quarter (24 screens across five cinemas in H1 FY’23) and is fast ramping up its capex plan to open a total of 110-125 new screens by the end of the current fiscal year.

    The announced merger with Inox Leisure, it said, is progressing well. Both the companies have received their respective shareholders and secured creditors’ approval for the proposed scheme of amalgamation. We expect that the NCLT process will be completed in 3–4 months.

    PVR chairman & MD Ajay Bijli said, “We remain focused on driving admissions back to our cinemas. India’s love for movies was well demonstrated by the massive success of the ‘National Cinema Day’. I am confident of a full recovery in the business, driven by the robust content lineup for this year and the various initiatives that we are implementing to rekindle the cinema-going habit amongst our loyal patrons. As we celebrate the silver jubilee for PVR this year, we are extremely optimistic that we will continue to set and exceed even greater benchmarks in the years to come.”

    PVR’s total income rose to Rs 703.13 crore, compared with Rs 275.21 crore in the same quarter of the previous fiscal. The Ebitda for the quarter was Rs 170 crore, almost double the Rs 86.8 crore for the same quarter in the 2022 fiscal. Its total expenses rose to Rs 813.33 crore, compared with Rs 460.68 crore in the same quarter in the previous fiscal.

  • “Follow your gut’, says Siddharth Roy Kapur as he shares his success mantra at IIFTC

    “Follow your gut’, says Siddharth Roy Kapur as he shares his success mantra at IIFTC

    Mumbai: In a fireside chat at the India International Film Tourism Conclave 2022, producer Siddharth Roy Kapur gave out his success mantra to a discerning audience consisting of 20 countries who had come to pitch their locations to Indian filmmakers—’Follow your gut.’

    In a discussion with the South Swedish Film Commission head & European Film Commission Network co-president Mikael Svensson, Roy Kapur Films founder, MD Siddharth Roy Kapur said that he had always been in love with the story before he decided to produce it. Commenting on the occasion, he said, “When we decided to produce Rang De Basanti in 2005, many people warned us that the film may not work well, as in the ending, the cast dies, but we followed our gut. The success of the film paved the way for many more such projects and newcomers in the industry. Ronnie Screwvala backed talent whose stories we loved, irrespective of what the market or trade pundits might think.”

    Answering a question by Mikael Svensson on his personal favourite film as a producer, Kapur answered, “The Last Film Show,” without batting an eyelid. Continuing the conversation, he said, “The Last Film Show is one of my favourite films as it makes the viewers fall in love with cinemas. An Indian Oscar is long overdue and all of us are keeping our fingers crossed. We Indians have a special grammar in our films, unlike others, namely the song and dance sequences. Many people might not like them, but I strongly feel that they should survive. Our country has space for both international cinema, regional cinema, and Hindi language cinema—due to the large audience size and the large Indian diaspora spread globally, whenever we start a film, it is primarily the Indian audience that we keep in mind.”

    Commenting on the South Indian Film Industry, Kapur said, “The South Indian cinema is having its renaissance moment. The audiences have started accepting and appreciating such films.” On what goes behind choosing a shooting location for the film, the 48-year-old filmmaker said, “We as filmmakers, want to be true to the script and hence prefer to shoot at the actual locations as in the script. However, budget sometimes plays a role, and if we get something that may not look like a force fit but still be in our budget, then we select that location.”

    Svensson also told the audience a lesser-known fact about the ex-president of the Producers Guild of India. He used to love acting in school and college and was the head of his college dramatics society. Kapur laughingly said, “Producers are acting all the time. I enjoyed acting in school and college, but being an actor professionally is different. I realised the differences early on and became a producer, as I believed it suited me more as a person.”

    The evening was the second day of the three-day film tourism event, featuring over 50 international companies from over 20 countries coming to Bollywood, Mumbai to woo Indian filmmakers. The event saw participation from countries including Azerbaijan, Abu Dhabi, Krakow, Kazakhstan, Montenegro, Norway, Oman, Panama, Poland, Sri Lanka, Sweden, and Yas Island, to name a few.

  • Dark clouds start to clear from theatres: Inox Leisure to witness double-digit growth

    Dark clouds start to clear from theatres: Inox Leisure to witness double-digit growth

    Mumbai: It’s good! The cloud seems to be clearing up for the multiplex operator Inox as it expects to grow by double digits for Q3 FY’22. The fear of covid strained the growth of all multiplexes in the country in the last two years, and Inox was no different. As theatres have opened up, the multiplexes are leaving their gloomy days behind and maintaining a very positive outlook for the future.

    Speaking to Indiantelevision.com, Inox Leisure COO Anand Vishal said, “The box office growth for Q3 FY’22 as compared to Q3 FY’19 will happen on two accounts. Inox screens are up by 20 per cent compared with the same period in 2019. We are now at 705 screens compared to 585 screens in 2019. The plan is to add three more screens during the festive season in Delhi, Mysore and Andhra Pradesh. Ticket prices have improved by 10 per cent. It is another matrix. And with the lineup that is there, we will see strong double-digit growth in this quarter (Q3 FY’22).”

    He emphasised that the overall multiplex industry will also witness good growth. Inox had posted its best-ever performance in Q1 FY’22 due to the theatrical blockbusters from the South and growth in strong audience footfalls. It has reported a consolidated net profit of Rs 57.09 crore for Q1 FY’22, led by rising footfalls at cinema halls.

    He also noted that comparing the Q3 FY’22 quarter with Q3 FY’21 would not be a fair comparison. That is because there were capacity restrictions. In Maharashtra, for example, theatres were operating with 50 per cent capacity restrictions via alternate seating arrangements. Now there are no capacity restrictions. 

    Inox Leisure’s ad revenue growth

    The multiplexes’ advertising revenue is yet to pick up momentum as compared to 2020. He said, enumerating his views on ad revenue growth, “Advertising revenue will be nearly the same as what it was pre-pandemic. The premium categories advertise with us as they want to talk to the relevant audience.” 

    He also stated that revenue from food and beverages has increased by 30 per cent. The expectation is that per-person spending will improve by over 30 per cent in Q3 FY’22 as compared to Q3 FY’19. “These are the broader matrix for revenue mapping,” he explained.

    Earlier, Inox Leisure’s CEO Alok Tandon said that the growth in ad revenue is expected to bounce back from the Q3 FY’22 and Q4 FY’22 due to the festive season.

    Inox’s ad revenue growth has shown a declining trend recently. In Q1 FY’22, it fell to Rs 30 crore as against Rs 47 crore in Q1 FY’20. 

    The market scenario during the festive season

    In terms of markets, Vishal expects the South to take the lead in terms of ticket revenue growth during the festive season. Viewing trends in the South are higher than in the Hindi-speaking market. “But having said that, in the pre-pandemic period, consumption was also higher in the South. We expect the Hindi market to improve. The South will also improve,” he said.

    He is confident about the Hindi movie market, though some films underperformed and disappointed in Q2 FY’22. “We do not control the software. But having said that, the line-up for Hindi films is looking very good. Look at Ram Setu and Thank God, which is a Diwali release. Tamil and Telugu content over Diwali is looking very good.” 

    Other movies he pointed to which could do well include Merry Christmas and Cirkus. On the Hollywood front, he said that Avatar: The Way Of Water was big. Also, there is Black Adam and Black Panther: Wakanda Forever.

    On the promotions front, he said that the aim is to boost the inclusive movie-watching experience as Diwali is a family-gathering season and demands splurges during this time. “We will make an inclusive plan for our consumers where we give them offers and benefits to come to Inox. You can expect a Diwali bonanza for families and people who have indulged in movies.”

    Talking about the success of National Cinema Day, he said that it was done to thank loyal patrons. The pandemic disrupted business and no regular operations happened. There were three waves of covid. Lower ticket pricing was the cinema industry’s way of saying thank you to customers. “The success of National Cinema Day showed that the cinema viewing habits of the consumer are still there.” This day, he said, brought in new customers to Inox as ticket prices were drastically lowered. “A lot of people came to Inox for the first time,” Vishal mentioned. 

    Dynamic ticket pricing

    Further, he added that ticket pricing is also based on the movie, not just the timing or the day. He noted that when Brahmastra was released, the ticket prices were higher compared with other movies. “It is a product that we pay for. Let me give you an example. If Avatar: Way Of Water is playing and another movie is also playing, then the two movies will be priced very differently. If Thank God is playing and another movie is playing, then the pricing will be very different. These three movies cannot be compared to other movies.” He also added that it is important to get the weekday pricing right as the aim is to get all segments of society to watch movies at Inox. This is how dynamic pricing works. Weekday prices for Brahmastra started at Rs 100 in some places.

    He also pointed out that the premium ticket pricing for Brahmastra was a maximum of 10 per cent compared to other movies. Seeing the demand, the consumer’s elasticity is important. The price elasticity ranges from Rs 100-500 depending on the day of the week and the audience segment being targeted. Of course, Insignia screens are expensive because one Insignia seat takes up three seats on a regular screen. “The Insignia experience and service are very different, and it comes at a cost. If a regular seat costs Rs 150, then an Insignia seat will be Rs 350.” Tamil Nadu, Andhra Pradesh, Telangana, and, to an extent, Karnataka are price-capped markets. Other markets are more price dynamic. In Delhi, there are price cards and pricing slots that are approved by the authorities.” Mumbai will have pricing from Rs 100-500 depending on the location. What you charge in Nariman Point cannot be charged in Dahisar. Pricing is also a function of the location, not just the film. You also have to see the pricing of the competition theatres.” 

    Content offerings beyond movies

    He said that beyond films, Inox also targets different consumer sets. For this, it focuses on sports, music, concerts, school contact programmes and e-sports activation. The plan is to do deals to show matches from the upcoming Twenty20 World Cup and the Fifa World Cup. The good news is that this does not cannibalise the attendance of the movie-going public. The consumer of a sporting event is different from the one who consumes film content. The idea is to create a market, not cannibalise it. Why not give people the opportunity to watch sporting events on a big screen? Sports are a very integral part of our marketing plan. Music is also important. Inox is doing a screening of Coldplay on 29 October. “For e-sports, the core target age is 18–25. Inox has a partnership with the E-sports Federation of India (ESFI). These games are healthy games that have been approved and are up to international standards. Matches are screened. The aim is to also find talent to represent India on international platforms.”

    In terms of in-cinema advertising, he said that premium brands use Inox and that avoids wastage. Cinema, he said, is the answer.

    These brands are not focusing on mass reach. It is about relevant reach. Otherwise, it becomes a waste of money. Inox provides relevance for brands like Manyavar, he explains.

    “More than eyeballs, it is the quality of the footfalls we provide that counts. A mobile phone advertiser with a Rs 20k product wants to target the person who has that spending propensity. The advertiser is only targeting a certain audience segment and so it cannot go to the television all the time.” These brands use cinemas, but they will only use premium cinemas like Nariman Point and Atria. They know the target group visits these locations. The likes of Audi and BMW only pick up Insignias and premium cinemas. “The aim is to talk to the direct and relevant consumer,” he added. 

    Licensing & merchandising

    The licensing and merchandising activities started in June 2022. This, he said, is building and is about targeting a community. “Fans who are loyal to franchises like Avengers, Marvel, sports fans, and people who love Inox as a brand can buy something. We wanted to get into this space. We knew it would take time, but traction is building. We hope to do Rs 4-5 crore in sales in the next 12-15 months.” It has a partnership with Macmerise, which supplies the merchandise. They have some Hollywood rights and also some sports rights like IPL. They also develop Inox-branded products like t-shirts, cups, mugs, headphones, and watches.

    Spending on food & beverage

    Talking about the food and beverage strategy, he explains, “These spends have shown a drastic improvement for us and the industry. People are indulging in eating more food items. That is a very healthy sign. It is about what the consumer wants. Inox does have offerings beyond popcorn and Coca-Cola. It is not a blanket offer. The offering in the South is different from Gujarat and in the North. We focus on what people in a region like to eat. For instance, people in the South like to eat puffs. Samosa is very strong in the West as a market.”