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Category: Movies

  • Paramount shows the way for digital distribution

    Paramount shows the way for digital distribution

    MUMBAI: Being one of the oldest and largest Hollywood distribution studios, which has relied on 35-millimeter film to capture motion pictures, has taken a huge step for the industry. Paramount Pictures has become the first big studio to stop releasing its major movies on film in the US.

     

    The studio’s Oscar-nominated film The Wolf of Wall Street is its first movie in wide release to be distributed entirely in digital format. The studio also notified theater owners that Will Ferrell’s comedy Anchorman 2: The Legend Continues, which opened in December, was the last movie released on 35-mm film, reports revealed.

     

    The decision is likely to encourage other studios to take a leap of faith and follow suit, pushing for a complete phase-out of film in a year or two. Closer home, we already have movies releasing on the digital format and this historic move will only fuel more distribution studios to think of migrating to the digital format seriously.

     

    The major factor for film studios to still remain hesitant of going completely digital is the factor of missing out on revenues and box-office collections from theatres which are still not equipped to show digital movies and are still on film. Internationally, Paramount is still expected to ship film prints to Latin America and other foreign markets where most theaters still show movies on film.

     

    So how will Paramount benefit from this move? Well here are a few facts to ponder over: Studios prefer digital distribution because it is much cheaper. Eventually, these movies could be beamed into cinemas by satellite, saving even more on production and shipping costs. Digital technology also enables theaters to screen higher-priced 3-D films and makes it easier for them to book and program entertainment.

     

    But then what about the theatre owners, they are at a risk of going out of business if they can no longer obtain film prints of movies.
     

    The future is certainly looking bleak for distribution of movies on film to continue…

  • Producers Guild Award creates history with a tie in Outstanding Picture category

    Producers Guild Award creates history with a tie in Outstanding Picture category

    MUMBAI: On Sunday, 19 January, the Producers Guild Awards (PGA) was announced at the Beverley Hilton with a major twist. For the first time in the 25 years of PGA history, two films have won the coveted statuette. Alfonso Cuaron’s space epic Gravity and the harrowing historical drama 12 Years a Slave shared the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures.

     

    In the past week, 12 Years a Slave landed wins from the Golden Globes (drama film) and the Critics’ Choice Awards. American Hustle won the Globe (comedy film) and the SAG Ensemble prize.

     

    Gravity has been hailed as an Oscar front-runner since its release with 10 Oscar nominations in its kitty. However, it had not scored any high-profile top prizes until Sunday. The PGA win is a giant leap for the film.

     

    Frozen, Disney’s latest animated feature film which surpassed box office records worldwide, won the award for Outstanding Producer of Animated Theatrical Motion Pictures. This does not come as a surprise since it also won a Golden Globe award in the same category.

     

    On the television front, Breaking Bad won The Norman Felton Award for Outstanding Producer of Episodic Television, Drama, while Modern Family won The Danny Thomas Award for Outstanding Producer of Episodic Television, Comedy. The Michael Douglas and Matt Damon HBO movie, Behind the Candelabra won The David L. Wolper Award for Outstanding Producer of Long-Form Television.

  • Dhoom 3 still going strong at BO

    Dhoom 3 still going strong at BO

    MUMBAI: Karle Pyar Karle, a launch pad for Shiv Darshan, which afforded an ambitious release with about 1000 screens, has not been able to make any impact. A youth oriented action romance; it has failed to draw its target audience. The film opened to less than 10 per cent occupancy and has only tapered down thereafter.

     

    The other two releases – Miss Lovely and Parathe Wali Galli, failed to draw enough audience to conduct shows.

     

    Yaariyan scored on the strength of its music the mixed reactions of the viewers notwithstanding. The film has sailed to safe grounds with the first week collection figures of 26.25 crore.

     

    Dedh Ishqiya, as one gathers from the viewers’ response, fell short of expectations; most preferred the earlier version. Having opened to a lukewarm response, the film maintained on the lower side to end its first week with figures of 18.3 crore.

     

    Sholay 3-D has added 2 crore in its second week thus taking its two week total to 10.3 crore.

     

    Dhoom 3 squeezes the  box office to its last potential collecting 4.75 crore in its fourth week taking its four week tally for the Hindi version to 272.49 crore; 285.24 crore including TnT versions.

     

    The exhibition trade is again looking forward to the Republic Day weekend release, Jai Ho, the latest Salman Khan offering for at least two weeks of throbbing box office. This time, the Khans seem to have chosen a subject with a social message. The film is based on the Chiranjeevi starrer Telugu film, Stalin (2006).

  • Aamir Khan’s PK to release during Christmas

    Aamir Khan’s PK to release during Christmas

    MUMBAI: Aamir Khan fans have been waiting with bated breath for his next PK directed by Raj Kumar Hirani. When the two of them joined their hands earlier, the outcome was the blockbuster 3 Idiots. But the wait for the fans is going to be longer as an official statement reveals that the film that was supposed to be released in June, will now release during Christmas.

     

    We wonder the cause behind pushing the movie ahead by more than six months as earlier it was supposed to release in June. Is it because Aamir’s Christmas releases usually turn out to be blockbusters? It could be a possible reason.

     

    Interestingly, the Christmas week will also see the release of Anurag Kashyap’s ambitious project, Bombay Velvet starring Ranbir Kapoor and Anushka Sharma. With two big releases with similarly big stars, we just hope the industry does a good business. 

  • ’12 Years a Slave’ set to release in India on 31 January

    ’12 Years a Slave’ set to release in India on 31 January

    MUMBAI: PVR Pictures, one of the largest independent distributor of Hollywood movies in India, is all set to bring the much awaited drama 12 Years a slave to India. Based on the memoirs of Solomon Northup, the movie stars award winning actors Chiwetel Ejifor, Michael Fassbender, Benedict Cumberbatch, Paul Dano and features a special appearance by Brad Pitt. The historical drama is directed by Steve Mcqueen (Hunger) and brings on board Brad Pitt as producer.

     

    Set in the 1900’s. 12 Years a Slave is the poignant story of Solomon Northup, a free black man from upstate New York, who is abducted and sold into slavery. Facing cruelty at the hands of a malevolent slave owner, as well as unexpected kindnesses, Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon’s chance meeting with a Canadian abolitionist will forever alter his life.

     

    Commenting on the release of the movie, PVR Pictures president Kamal Gianchandani said, “12 Years a Slave is meaningful cinema and acting prowess at its best. The movie handles sensitive subjects of slavery and racial discrimination beautifully winning accolades at across film festivals and award ceremonies. We are proud to bring the movie for our Indian audiences who are certain to appreciate good cinema.” 

     

    12 Years a Slave has won Golden Globe award for the Best Picture Drama and has received nine Oscar nominations.

     

    Release Date in India – 31 January, 2013

    Director – Steve McQueen

    Writers – Matt Whitely

    Producer – Mark Hulme & Marcos A. Rodriguezs

    Starring – Chiwetel Ejifor, Lupita Nyong’o, Michael Fassbender, Benedict Cumberbatch, Paul Dano, Brad Pitt

  • Sundance Institute receives $5 million grant from Open Society Foundations

    Sundance Institute receives $5 million grant from Open Society Foundations

    Park City, Utah: Innovative documentary films addressing some of the most important issues facing the world today received a boost with a $5 million grant to the Sundance Institute. Christopher Stone, president of the Open Society Foundations, announced the dollar-for-dollar matching grant at the Sundance Film Festival.

     

    “My foundations have long supported arts and culture-especially film-as a means to build and strengthen open societies around the world,” said George Soros, Founder and Chairman of the Open Society Foundations. “This support will help bring open society issues to a wider audience.”

     

    The Sundance Institute’s Documentary Film Program advances nonfiction storytelling on a broad range of contemporary social issues and provides leading support for independent documentary filmmakers worldwide. 

     

    The Open Society Foundations in 1996 launched the Documentary Film Program, which was made part of Sundance Institute in 2002.

     

    “Documentary films profoundly impact our culture; they challenge the traditional role of journalism by illuminating stories that inform, inspire and connect us as members of a global community, said Robert Redford, Founder and President of Sundance Institute. “The continued support from George Soros and the Open Society Foundations speaks to our shared belief in the value and power of documentary film.” 

     

    Through a suite of year-round programs including direct grants to filmmakers, Labs, creative and tactical resources, and a variety of partnerships and international initiatives, the program provides a unique, global resource for contemporary independent documentary film. 

     

     “The Open Society Foundations have long been one of the world’s leading supporters of those defending and promoting human rights,” said Chris Stone, President of the Open Society Foundations. “We believe that film can intensify conversations on rights, justice, and social ills.”

     

    For nearly three decades, Sundance Institute has promoted independent storytelling to inform and inspire audiences across political, social, religious and cultural differences. Through labs, funding, special projects with key partners and the Sundance Film Festival, the Institute serves as the leading advocate for independent artists worldwide. 

     

     “As the landscape of non-fiction storytelling continues to evolve, independent documentary filmmakers are increasingly exploring new forms and formats.” said Keri Putnam, Executive Director of Sundance Institute. “With the support of Open Society Foundations, Sundance Institute will continue to seek out and support inventive artists whose work pushes the boundaries of non-fiction story telling and whose stories redefine existing notions of human rights.” 

      

    Putnam added “Sundance is also committed to providing access to platforms for artists to creatively distribute their films and inspire and engage audiences around the world.” 

     

    The Open Society Foundations, founded by George Soros, works in more than 100 countries to promote vibrant and tolerant democracies. The original Documentary Film Program paved the way for numerous contributions to storytelling and impact around human rights issues, seeding films that appeared globally in festivals, conferences, on public broadcasting and on cable and other outlets internationally, reaching millions of viewers and mainstreaming the importance of human rights considerations into prevailing social discourse. Its very existence helped establish the emerging primacy of documentary film in galvanizing and consolidating interest and action around key human rights issues, proving to be a model for other funds and initiatives. 

  • Marvel’s upcoming Batman v/s Superman pushed to 2016

    Marvel’s upcoming Batman v/s Superman pushed to 2016

    MUMBAI: Warner Bros announced on Friday, 17 January that the release of the upcoming sequel to the 2013 blockbuster superhero film, Man of Steel, will now be postponed to 7 May, 2016, nine months later than its previous 17 July, 2015 release date.

     

    As a result of this push to the release date, there’s a potential Warner Bros/DC showdown with rival Disney/Marvel. The movie will now see light of day on Mother’s Day weekend and will face off with Fox’s X-Men: Apocalypse, which comes only a week after. As it stands now, it will be Superman-Batman, X-Men the following weekend, and hot on their tail – The Amazing Spider-Man 3 from Sony.

     

    The Batman v/s Superman film is the high-profile follow-up to last summer’s Man of Steel, which grossed $668 million worldwide and rebooted the Superman franchise for Warner Bros.

     

    The follow-up movie, which also will feature The Caped Crusader, is in casting mode and has lined up Ben Affleck (Argo) as Batman and Gal Gadot (Fast & Furious franchise) as Wonder Woman in addition to Henry Cavill (Man of Steel), who is reprising his role as Superman. Jason Momoa (Game of Thrones) is in negotiations for a role as well.

     

    Zack Snyder – 300 fame – is directing the movie, which is now undergoing a rewrite by – the Oscar-winning scribe who penned Argo – Chris Terrio.  David Goyer (co-writer of Man of Steel and creator of Da Vinci’s Demons) wrote the initial draft.

  • ‘Karle Pyar Karle’, a dull fare…

    ‘Karle Pyar Karle’, a dull fare…

    MUMBAI: Karle Pyar Karle is the launch pad for the third generation Darshan, Shiv Darshan, the son of Suneel Darshan, writer, producer and director of a number of films. Shiv’s grandfather, Darshan Sabharwal, was a producer himself besides having distributed hundreds of films in Central India.

     

    Shiv is a 6’2” hulk of a lad and that limits his launch vehicle to be an action romance. Also, one does not usually expect a newcomer with such a frame to fit an emotional drama. As such, Karle Pyar Karle is designed to be so, a campus romance that soon turns into a fight for survival against a gang lord. This combination of romance and action gives Shiv an ample scope to showcase his proficiency with action, stunts and dance, things one can be trained for.

     

    Shiv and Hasleen are star-crossed lovers forced to part ways in their childhood; Hasleen as well as Shiv’s family is convinced Hasleen is bad news for Shiv because of which he keeps landing in trouble. The duo meets again after a gap of 12 years at a police station. Shiv has been arrested to messing with the city’s traffic system; no idea what is Hasleen doing there! While Shiv has recognised her, she has not despite her childhood claims that she would always recognise him whatever the time lag.

     

    That is not an issue since both happen to be in the same institution, ‘the game is on’ as they often dare each other since childhood. On the campus, there is the usual lot of a villain and his sidekicks. Shiv, now starts to woo back Hasleen till she finds out he is her childhood mate, which she soon does, thanks to a bracelet he had gifted her as a child. They are together again, much in love and it is time for the villain to create a rift between them and create a situation for the interval break.

     

    The second half is all about gangsters. Shiv getting better of each other alternately till the villains are all dead and the lead pair is almost dead! Which is a miracle since the villains are armed with everything from knives, swords, guns and rocket launchers while Shiv prefers to fight with bare hands, well, also legs?

     

    The choice of predictable story and script, among other aspects of the film, is surprising, coming as it does from Suneel Darshan, and for a launch film of his son at that! The hero starts off with a bike stunt, a dance and a fight scene within first few minutes in to the film and with that he has run out of his repertoire of qualifications.

     

    For the rest of the film, things become repetitive. Also, having licked the villain in the opening fight along with his sidekick within seconds it hardly makes any sense to have a long climax fight between the hero and the villain’s sidekick again.

     

    Shiv has limitations. Hasleen lacks screen presence. Direction is below par. For a love story, music is not up to the mark and despite five composers and as many lyric writers on its roaster, the film has just one decent tune in Teri saanson mein…

     

    Karle Pyar Karle faces poor prospects.

    Producer: Suneel Darshan.

    Director: Rajesh Pandey.

    Cast: Shiv Darshan, Hasleen Kaur.

  • President, PM condole passing away of legendary actress Suchitra Sen

    President, PM condole passing away of legendary actress Suchitra Sen

    NEW DELHI: President Pranab Mukherjee and Prime Minister Manmohan Singh have condoled the passing away of legendary actress Suchitra Sen.

     

    In a condolence message to her daughter, Moon Moon Sen, the President has said, “In the passing away of Smt. Suchitra Sen, the film industry has lost a highly talented and acclaimed actress who played memorable roles in a number of Bengali as well as Hindi films. She shall always be remembered by her countless fans for her versatile acting which brought life into the celluloid characters she played in films.”

     

    Sen was a legendary actress who ruled Bengali cinema for decades. Her powerful roles in films were highly acclaimed and will be remembered by generations of film lovers. During her illustrious career she was not only a recipient of Padma Shri Award, but also became the first Bengali actress who was awarded ‘Best Actress Award’ at an international film festival. Her sad demise is a huge loss to the Indian film industry, particularly Bengali cinema”.

     

    In his message, the Prime Minister said, “Ms. Sen had carved a special niche in the hearts of millions of Indians through her graceful cinematic presence. She was one of the first Indian artistes to win an international award at Moscow in 1963. Ms Sen’s versatility and range of performances, in a career spanning nearly three decades, mark a unique contribution to Indian cinema, and to Bengali films in particular.”

  • Cinema industry pays a tribute to Farooque Shaikh

    Cinema industry pays a tribute to Farooque Shaikh

    MUMBAI: With roles that touched the emotional chord, actor Farooque Shaikh made a special place among his fans. When the actor passed away few weeks back, his fans couldn’t help but cry. Shaikh continues to evoke much affection and respect within the film fraternity. Indian Films & TV Directors Association organised a tribute to Shaikh at the S P Jain Auditorium in Bhavan’s College yesterday, where some of India’s finest directors assembled to recall the experience of working with the remarkable actor. 

     

    The people who came to pay a tribute to the actor included MS Sathyu who introduced Sheikh in Garm Hawa in 1973, Muzaffar Ali who selected the actor to play a lead in nearly all of the films he directed, starting with Gaman (1978) to Umrao Jaan (1981) and Anjuman (1986). It was while shooting Anjuman that Sheikh became acquainted with the plight of the impoverished chikankari artisans of Lucknow. It spawned a lifelong association with the classic white embroidered kurta-pyjama that remained his unique hallmark. Interestingly, he used to order his outfits directly from the karigars.

     

    Others included veterans and new age Hindi film directors, actors and writers who worked with him including – Sagar Sarhadi, Ramesh Talwar, Raman Kumar, Pankaj Parashar, Sanjay Puran Singh Chauhan, Sanjay Tripathi, Avinash Kumar Singh, Shona Urvashi, Suhail Tatari, Javed Siddiqui and Anand Rai.

     

    Among his co-actors, Deepti Naval shared her thoughts on their long working partnership spanning Doordarshan television shows leading on to Chashme Buddoor right up to Listen Amaya last year. 

    The ceremony was organised by President of the Indian Films & TV Directors Association Ashok Pandit who said, “We thought we should invite all the directors who have worked with the late veteran actor Shaikh to share interesting moments with the actor, whether these are humorous or sensitive or simply give an insight into his unique personality. They will narrate little trivia which will be useful to those who have merely seen Shaikh on screen and want to know more about him as an actor & human being. This great actor and exceptional human being deserve to be remembered in the most dignified way. What better than inviting all his directors upon a common forum to celebrate his talent and his persona.”