Category: Movies

  • ‘Singham 2’ now turns ‘Singham Returns’

    ‘Singham 2’ now turns ‘Singham Returns’

    MUMBAI: The second installment of Singham which is currently being shot has a new name.

     

    The sequel of Singham which was earlier named Singham 2 will now be called Singham Returns.

     

    Coming from the makers of Golmaal series, Singham is another franchise from the actor – director duo Ajay Devgn and Rohit Shetty.

     

    The pair who is known to offer superhit entertainers, are currently shooting for the film in Mumbai.

     

    But what’s got everyone all the more excited is the ‘return’ of Kareena Kapoor with the macho men after Golmaal Returns. Ajay-Kareena pairing and chemistry has long been appreciated in both serious and comedy genre. This time again, they are set to create magic on the big screen.  

     

    Popular amongst the masses for their comedy and action packed entertainers like Golmaal series, All the best, Bol Bachchan and Singham 1, Rohit Shetty and Ajay Devgn films are one of the most sought in the box office. Considered one of the most anticipated movies of the year, Singham Returns will release in August.

  • ‘Siddharth’ wins top award at Beijing, Wong Kar-Wai takes the cake

    ‘Siddharth’ wins top award at Beijing, Wong Kar-Wai takes the cake

    NEW DELHI: India-shot Canadian film Siddharth by Richie Mehta has won the top prize at the Tiantan Award ceremony held during the closing of the fourth Beijing International Film Festival.

     

    This is the second feature by Mehta, about a father’s search for his son who has gone missing, that has won the ‘Best Feature Film’ at the second edition of the festival’s competition section.

     

    The award was presented by jury president John Woo and director Feng Xiaogang.

     

    However, renowned Wong Kar-wai’s The Grandmaster won five awards, three for ‘Best Director,’ ‘Best Actress’ (Zhang Ziyi) and ‘Best Cinematography’ (Philippe Le Sourd). This is the tenth time the actress has won for her role as a martial artist seeking revenge for the death of her father.

     

    Adding to France’s success at the ceremony, French comedy Attila Marcel picked up two awards: ‘Best Actor’ (Guillaume Gouix) and ‘Best Score.’

     

    Peter Chan’s American Dreams in China won ‘Best Screenplay,’ child actor Lee Re won ‘Best Supporting Actress’ for Lee Joon-ik’s Hope, Alan Rickman won ‘Best Supporting Actor’ for A Promise and Australia’s The Rocket won Best Special Effects.

     

  • Reliance MediaWorks bags ‘Best Laboratory of the Year’ Award for ‘Mandrake Mandrake’

    Reliance MediaWorks bags ‘Best Laboratory of the Year’ Award for ‘Mandrake Mandrake’

    MUMBAI: The field of technology for visual enhancement of filmed content is rapidly evolving in India. A company that is constantly innovating itself and working towards an enhanced cinema viewing experience is Reliance MediaWorks – the media and techno-creative solutions provider and a part of the Reliance Group.

     

    Adding to its kitty of numerous awards and accolades is the recently achieved ‘Best Laboratory Award’ in the cinematography category for the film Mandrake! Mandrake!

     

    Produced by the National Film and TV Institute of India, the diploma film is the story of a young man, who transforms a rundown warehouse into an Aladdin’s cave through the fun and frolic of the moving image, where magic, mystery and adventure become possible. Reliance MediaWorks is solely responsible for the processing of this film.

     

    Reliance MediaWorks handled the colour correction, processing and printing of the entire film. Reliance MediaWorks CEO Venkatesh Roddam said, “Awards and recognition always feel good, because it is a validation of the commitment to the industry and hard work at Reliance MediaWorks.”

     

    Added Reliance MediaWorks president, post production services Krishna Shetty, “Among other honours, a national award feels even more special since it is the highest honour instituted by the government of India and thus, yes winning this award for the lab makes me really happy. That we have been winning this award several times over the last few years, is again a reinforcement of the quality, commitment and difference that we at Reliance MediaWorks make to the process of filmmaking through our consistent efforts. Yes it is the 16th award, and the third one in a row now. In the past as well, we have won this award for successive years, once for six years in a row.”

     

    The company that recently completed 400 films has revolutionised the way films are processed in India and has worked with production houses such as Dharma Productions, Yashraj Films, Balaji Motion Pictures, Red Chillies Entertainment, Disney and Sony Pictures amongst others. Its consistent effort has helped reduce the cost of films and increases the speed of overall production.

  • Raymond Weil felicitates Prasoon joshi as part of its Global practice

    Raymond Weil felicitates Prasoon joshi as part of its Global practice

    MUMBAI: Well-known for its watchmaking excellence, creative design and high quality standards offered at unequalled price points, the famous independent Swiss watch Brand, RAYMOND WEIL strengthens its presence in Mumbai. As a Brand deeply involved in arts and music from which it draws its literary inspiration, the Swiss Brand felicitates the most celebrated lyricist, screenwriter and advertising guru- Prasoon Joshi -at the RAYMOND WEIL Boutique at Palladium,Mumbai, on May 2nd, 2014 (Today).

     

    Prasoon Joshi is considered a legend in the Indian Bollywood industry and is known for his remarkable contributions in music in various Bollywoodmovies. He has also received the best film fare lyricist award 3 times in his tenure. Prasoon is also a proud recipient of the National award for best lyricist.

     

    In the course of the felicitation, Mr. Olivier Bernheim, President of RAYMOND WEIL said: “We are extremely proud and feeling enthusiastic to celebrate our flourishing presence in Mumbaias we have the most iconic personality of the country with us today.At RAYMOND WEIL, it has always been our endeavour to cherish and share success. We would like to express our appreciation and seize the opportunity to bestow them with sober, yet elegant novelties from RAYMOND WEIL as a mark of appreciation to their contributions so far in the field of music”.

     

    RAYMOND WEIL’s collections reflect both modern innovative design and the traditional values of the Brand while maintaining attractive price positioning. They clearly demonstrate the family understanding of clients’ expectations. Consumers will appreciate the wide range of watches offered by the Brand: the very elegant and classical, fully mechanical maestro collection, with chronograph, balancier or moon phase functions; the historic and noble parsifal collection; the stylish, powerful and sleek nabucco; the urban and contemporary, sober and elegant freelancer; or the full-bodied, opulent yet delicate feminine collection noemia and jasmine.

     

    RAYMOND WEIL

    Founded in Geneva in 1976, RAYMOND WEIL is one of the last remaining Swiss independent family-owned and family-operated watchmaking companies. Based in Geneva, home of Switzerland’s most prestigious watchmakers and of the industry’s topmost expertise in component and material supply, the Brand enjoys a unique position in the exclusive world of luxury with a collection of refined timepieces that embody an elegant and contemporary blend of elements inspiring emotions with both customers and partners.

     

    Music has always been at the centre of the RAYMOND WEIL universe. This is borne out by the names of the Brand’s collections — taken from famous operas such as nabucco and parsifal, or with musical connotations, such as maestro or jasmine — and the various musical partnerships RAYMOND WEIL has signed with iconic musical venues, exclusive musical awards ceremonies, live music platforms and music related charities.

     

    Emotions, precision, performance: these are the values common to music and watchmaking that RAYMOND WEIL wishes to share with its clients.

  • ‘The Amazing Spider-Man 2’ garners highest Hollywood BO opening of all time in India

    ‘The Amazing Spider-Man 2’ garners highest Hollywood BO opening of all time in India

    NEW DELHI: Bypassing the record set by its predecessor, The Amazing Spider-Man 2 posted the highest opening in history for a Hollywood film in India.

     

    Sony Pictures India announced that the film grossed approximately Rs 41.7 crore ($ 6.92 million) in its four day opening weekend starting 1 May  with a final tally of 1523 screens – the widest release ever for a Hollywood film. 

     

    The film also registered the highest ever opening day gross for any Hollywood title when it opened on 1 May. It released in four languages – English, Hindi, Tamil and Telugu and in 3D, 2D, IMAX 3D and in Dolby Atmos where available. 

     

    Sony Pictures India MD Kercy Daruwala said, “The Amazing Spider-Man 2 once again consolidates Spider-Man’s position as a franchise that cannot be beaten. We are happy to say that the film garnered unprecedented buzz in the weeks before release. We have taken a mass marketing approach to this film with some unique and very local innovations, further amplified with the invaluable support of the entire Sony group. Thanks to these innovations, the film has the fourth highest opening amongst all films, including local titles, released in India this year.”

     

    “The film’s response has been excellent with many people calling it the best Spider-Man film ever and enjoying the spectacular 3D effects. We have some very good weeks ahead of us as we continue to reap the benefits of an open release period coupled with great word-of-mouth and repeat viewing,” he added.

     

    Sequels to The Amazing Spider-Man 2 have already been announced for release in 2016 and 2018.

     

    A report from Hong Kong said The Amazing Spider-Man 2 has set a new opening day record at the Hong Kong box office on the Labour Day holiday, making HK$9.56 million (US$1.23 million) from 720 screenings.

     

    According to figures from Hong Kong’s Motion Picture Industry Association (MPIA), the previous record holder was 2007’s Spiderman 3, which made HK$7.56 million (US$975,000) from 641 screenings on its opening day exactly seven years ago.

     

    It ends its theatrical run with HK$55 million (US$7.1 million).

     

    While Spiderman 3 was in 2-D, The Amazing Spider-man 2 has also released in 3-D and IMAX 3-D, formats that impose considerable ticket surcharges in Hong Kong.

     

    The record for the highest opening day gross for a local film still belongs to Stephen Chow’s Kung Fu Hustle (2004), which opened with HK$4.43 million (US$571,000) for a total gross of HK$61.3 million (US$7.9 million).

     

  • ‘Goynar Baksho’ gets nominated in New York Indian Film Festival

    ‘Goynar Baksho’ gets nominated in New York Indian Film Festival

    KOLKATA: Bengali film ‘Goynar Baksho’ by acclaimed filmmaker Aparna Sen has made it to the prestigious New York Indian Film Festival (NYIFF), vying for honours in three main categories.

     

    The movie focuses on oppression of widows and women emancipation and has been nominated in the Best Film, Best Director and Best Actress categories.

     

    NYIFF is the oldest and most prestigious film festival screening premieres of feature, documentary and short films made from, of and about Indian subcontinent in the independent, art-house, alternate and diaspora genres.

     

    Apart from Aparna, Anurag Kashyap, Rahul Bhatt, Mohan Agashe, Gurinder Chadha, Shahana Goswami, Madhur Jaffrey, Sakina Jaffrey are also slated to attend the festival this year.

     

    The six-day festival which started on 5 May, will showcase a total of 34 films.

  • ‘True Love Story’ from India is only Asian film in the Critics Week in Cannes

    ‘True Love Story’ from India is only Asian film in the Critics Week in Cannes

    NEW DELHI: While ‘Titli’ by Kanu Bahl is the Indian entry for Cannes official selection in Un Certain Regard, the Asian presence at the Critics’ Week of the Cannes Film Festival is confined to one short, Gitanjali Rao’s 19-minute animated romance True Love Story.

     

    Behl will also be a contender for the Camera d’Or, the award for feature directing debut.

     

    Rao describes her film, which won the Golden Conch for Best Animation at February’s Mumbai International Film Festival, as a boy-meets-girl romance between two migrant teenagers in Mumbai who re-enact Bollywood fantasies.

     

    According to Rao, “The animation industry in India is still very nascent and undefined. This is in sharp contrast with our regional film industries and Bollywood, which have strong identities and a rich history that film-makers can draw upon while they create their own works.”

     

    “That sort of identity is just not there with animation,” she said. “We just end up imitating Disney. The thing is, Bollywood copies from Hollywood, but it doesn’t imitate it. True Love Story is an attempt to create a unique visual effect that is Indian in its aesthetic.”

     

    Rao previously participated in the Critics’ Week section in 2006 with Printed Rainbow (2006) about “the loneliness of an old woman and her cat, who escape into the fantastical world of match box covers”. She was a member of its short film jury in 2011.

     

    Last year, Critics’ Week screened one Asian film, India’s The Lunchbox.

     

    “Titli” is co-produced by Yash Raj Films and DBP, the production house of cult Indian producer-director Dibakar Banerjee. The movie stars Ranveer Shorey, Amit Sial, Lalit Behl and Shivani Raghuvanshi, and introduces Shashank Arora.

     

    Set in Delhi’s underbelly, the film centers on Titli, the youngest member of a violent carjacking brotherhood, who plots to escape the “family” business.

  • Disney announces ‘ABCD 2’

    Disney announces ‘ABCD 2’

    MUMBAI: Post the success of India’s first ever 3D dance movie ABCD – Any Body Can Dance, a youthful and vibrant film which became a nation-wide phenomenon garnering critical acclaim and box office, Disney India’s studio business today announced its sequel ABCD 2, directed by Remo D’Souza.

     

    The second chapter of the movie promises to be even bigger in scale with the current heartthrobs Varun Dhawan and Shraddha Kapoor in the lead along with Prabhu Dheva. Inspired from the true story of an Indian dance troupe that participated in the world Hip Hop Championships, this movie is slated to be shot extensively in Las Vegas, with over 10 songs and extravagant dance sequences that will add grandeur to the exciting script

     

    The film will go on floors in July.

  • BO: A disastrous week

    BO: A disastrous week

    MUMBAI: It has been a week of multiple disasters at the box office. Purani Jeans, a youth oriented film shot at scenic locations, has not been able to make a mark at the box office. The film barely manages to cross the one crore mark in its first weekend by collecting Rs 1.05 crore.

     

    Angry Young Man and Kahin Hai Mera Pyar have also failed to muster enough footprints to open screenings at many places. Kya Dilli Kya Lahore has met with poor response with negligible figures of Rs 25 lakh to show for its first weekend.

     

    Kangana Ranaut starrer Revolver Rani added little to its opening weekend collections of Rs 6 crore to finish its first week with figures of Rs 8.8 crore. Samrat & Co. is very poor in its first week with collections of Rs 1.4 crore. Kaanchi fares below the mark, its title failing to suggest its theme adding to generally poor promotion of the film. The film has collected Rs 3.6 crore.

     

    Arjun Kapoor and Alia Bhatt starrer 2 States has sustained very well in its second week as well as it collected Rs 24.1 crore taking its two week tally to Rs 84.3 crore. Bootnath Returns has collected 1.2 crore in its third week to take its three week total to Rs 36.05 crore.

     

    Queen has added another Rs 20 lakh for its eighth week to take its eight week total to Rs 58.2 crore.

  • Indian Americans are succeeding in film, media and journalism

    Indian Americans are succeeding in film, media and journalism

    NEW DELHI: Doing something off the beat was the primary theme of the second annual intercollegiate South Asian Arts Festival (SAAF) in Washington with renowned actor Omi Vaidya and Indira Somani.

     

    The meet over the weekend presented an informative, inspiring, invigorating discussion on what it means to tread off the beaten path for many Indian-Americans and pursue careers in film, media and journalism.  

     

    Both Vaidya who catapulted to fame for his performance as Chatur Ramalingam in the 2009 Bollywood blockbuster ‘3 Idiots’; and Somani, an award-winning independent producer and director of documentaries, were refreshingly candid and struck a chord with the audience comprising mainly of undergraduate students at Howard University. 

     

    Vaidya, who graduated with honors from New York University Film School admitted, “I am doing something that is a risk, is different, is not a traditional field and that takes a lot of courage, not only for me, but for everybody that supports me as well!”

     

    Fortunately for him, his family has always been “very supportive”, he said. “I don’t think that I would have been able to achieve what I have so far without their help.”  Vaidya’s mother aspired to be a Bollywood actress but could not pursue a career in acting due to family pressure. She has realized her dreams through her son who dotes on her. Vaidya’s father and brother are both doctors, a profession well favoured by Indian-Americans. “Family support was really critical,” the actor underscored. “I’m doing it on my own now and it’s not easy,” he said.

     

    Encouragement from his family also meant he never had to deal with social pressure from the Indian community for choosing a career in acting. “That was there,” he recalled. “But, I was oblivious to it. I thought, my family is fine with it. I was proud of what I was doing, and I still am. I have so many more relations now than before,” he quipped.  

     

    For Somani, family support came much later, when she was in her mid 20s and working as a television news producer for CNBC and WJLA-TV, the ABC affiliate in Washington, DC. “In the initial years, I did feel that I have to prove myself,” she told the audience. “My mom tells me that my dad wasn’t speaking to me for a long time when I pursued my Masters in Journalism. I don’t remember much about our non-speaking days. But, I do know that I had to apply on my own, get financial aid on my own. I had absolutely no assistance from my parents.”  

     

    Somani grew up in a small town in Springfield, Illinois. She always had a penchant for writing and began her career by covering the Indian diaspora. “My first job in this industry was for $17,000 a year and I had student loans to repay,” she recalled. “It was the reality of what they had told us in Journalism School – to start out in a small market, make your mistakes in a small market and work your way up. By the time you get to a place like DC or New York, you don’t want to be making mistakes in a market with size.”  

     

    It is noteworthy that the driving forces behind the festival were all undergraduate students at American University – Madhavi Reddi, Anuj Gupta, Brad Korten and Palak Bhatnagar. It goes to their credit that they managed to juxtapose two interesting fields – film and journalism – in a heady discussion which kept the audience engrossed. 

     

    Vaidya recounted, “When I was in film school, they didn’t teach us that you’re not going to get jobs or have to work free forever. That was really disturbing, a shock. A lot of my friends left film and became lawyers and doctors. They couldn’t deal with it and maybe didn’t have the support. I did have the support and I was versatile in my skills. You know me as an actor. But, I am a very seasoned editor,” he told the audience.  

     

    In the initial stages of his career, Vaidya used his Indian connections to act in crossover films. “You will never see any of those films. They were terrible,” he said, with a refreshing candor. “But, I kept saying yes. I was open to anything. I just wanted to be there and do it. In some ways, I still am. I am always willing. If there is something to explore that I haven’t seen, let’s give it a try. I think a lot of it is attitude. It’s very easy to get discouraged. Sometimes, a break will come when you least expect it. Keep pushing, keep trying. You never know when opportunity knocks. It may not be the door you want to get in, but it could lead to that other door.”  

     

    During the course of the event, short clips were shown from Somani’s documentary, ‘Crossing Lines’, and Vaidya’s roles in ‘3 Idiots’ and a documentary, ‘Big in Bollywood’, made by his friends which chronicles his fairy-tale success following the release of ‘3 Idiots’