Category: Movies

  • Puja Gupta to feature opposite Abhay Deol in ‘SNAFU’

    Puja Gupta to feature opposite Abhay Deol in ‘SNAFU’

    MUMBAI: After a mega search for the leading lady opposite Abhay Deol in SNAFU, the makers have zeroed in on Puja Gupta. More than 50 fresh faces were auditioned over 20 days, pushing the shoot by a month. Every last member in the unit used their contacts and connections to contribute to the hunt. The director, Sethu Sriram really liked Puja for the role but had two more names in mind.  He discussed the situation with Abhay and in a joint call Puja Gupta got the highest votes.

     

    Puja essays the role of Aaniya who shares center stage with Abhay, closing business deals for him. She is an ambitious corporate highflyer who hails from a small town and moved to the city of dreams to pursue her career. After winning the Miss India crown in 2007, Puja made her debut in Bollywood with F.A.L. T.U helmed by Remo D’Souza and most recently she was seen in the zom com Go Goa Gone.

     

    Director, Sethu Sriram said, “It’s a relief that the hunt is over. This role is very critical to the storyline and the girl had to be much more than singing, dancing and looking good. After a lot of deliberations we have decided upon Puja.  Aaniya is an ambitious small town girl so we needed the vulnerability of a small towner along with high glam quotient who would be a head turner. I have auditioned a lot of promising fresh faces and a few upcoming names, some of them were brilliant but Puja fits the bill naturally.  With all humility, I want to thank Abhay who helped me in streamlining the process.”

     

    The shoot begins on 12 July and with no time left the crew is moving at a rocket speed, especially to put Puja’s fashion forward costumes together.

  • Two Indian documentaries get Asian Cinema Fund of the Busan International Filmfest

    Two Indian documentaries get Asian Cinema Fund of the Busan International Filmfest

    NEW DELHI: Two Indian documentaries including one on the journey of the Aam Admi Party have been selected to receive the Asian Network of Documentary (AND) Fund 2014 of the Busan International Film Festival.

     

    Proposition for a Revolution by Khushboo Ranka and Vinay Shukla will receive a grant of approximately $ 10,000. It is about the journey of the Aam Aadmi Party from its formation in November 2012 to the Delhi state elections in December 2013.

     

    Like Ants for Sugar by Shirley Abraham will receive approximately $ 5,000. The documentary had also been selected for the Sundance Documentary Edit and Story Lab held this month. It has also received a Development Grant under the Sundance Institute Documentary Film Programme. It chronicles the travelling tent cinemas of India.

     

    The Asian Cinema Fund (ACF) 2014 has supported 29 projects in 3 categories – Script Development Fund, Post-Production Fund, and Asian Network of Documentary (AND) Fund. A total of 161 projects were submitted from India.

     

    In script development category, Sri Lankan director Vimukthi Jayasundara’s Hair of the Dog that Bit You has been selected while Bangladeshi director Abu Shahed Emon’s Jalal’s Story will receive a grant in the post-production category. 

  • Iranian animation wins award at Viewster competition

    Iranian animation wins award at Viewster competition

    NEW DELHI: The Iranian animation film ‘Dad’s Fragile Doll’ has been awarded the top prize by the world’s only online video service, Viewster, at its film festival.

     

    The film by Ali Zare Ghanatnowi received an amount of $70,000 in the Festival on the theme of ‘Relationship Status: It’s Complicated’.

     

    The second prize of $20,000 went to ‘Wrong’ a short by South Korea’s Taegue Lim, while the third prize of $7,500 went to German short ‘Your Place’ by Sylvia Borges and the fourth prize was given to Polish short ‘Next’ by Adam Janisch, winning $2,500.

     

    The Viewster Online Film Festival is a cutting-edge worldwide event where television and film lovers as well as producers gather online to discover and share creative short films, features, web series and documentaries.

     

    The expert panel of judges included famed independent film producer Ted Hope, actress Nora Tschirner and Timo Vuorensola, director of award-winning international film, Iron Sky.

     

     The second #VOFF edition received nearly 1,000 submissions from filmmakers representing 70 countries, with 500 films ultimately accepted to compete for awards.

     

    “When we started this festival competition, we just wanted to create a place for filmmakers to showcase their work and for film fans to discover creative international content,” said Viewster CEO Kai Henniges. “The second festival edition surpassed our expectations and we consider it a great reward that that the winners represent such different global and cultural perspectives.”

     

     The VOFF is the ideal platform for film producers, independent or not, to showcase their work. Attracting roughly 500,000 online visitors. The second edition of VOFF was also the most social festival to date with tens of millions of interactions on festival content across social media.

     

     “We have seen engagement like never before this year,” said Henniges. “Viewers’ response has been overwhelming and we view the success of this festival as a sign of much greater things to come.”

  • Dharamshala Filmfest’s initiative for Himalayan film makers

    Dharamshala Filmfest’s initiative for Himalayan film makers

    NEW DELHI: The third Dharamshala International Film Festival (DIFF) has launched the DIFF Film Fellows initiative for Himalayan filmmakers to encourage young filmmakers.

     

    The festival to be held from 30 October to 2 November, will take applicants who are 25 years of age or younger and the applications have to be sent in by 31 August.

     

    Though the films can be of any genre, the programme is targeted specifically at filmmakers from the Indian Himalayan regions including Jammu and Kashmir, Himachal Pradesh, Uttarkhand, Sikkim, Arunachal Pradesh, Meghalaya, Nagaland, Manipur, Mizoram, Tripura, and the hill regions of West Bengal and Assam.

     

    Five filmmakers will be selected to attend DIFF 2014 and participate in its various events, including screenings of the best of contemporary independent cinema. Master classes and workshops will be held by visiting filmmakers and industry professionals.

     

    The selected participants will be able to engage in special one-on-one mentorship sessions with these visiting filmmakers.

     

    The programme covers train fares, food and lodging for the selected participants for the duration of the festival. 

  • ‘Humpty Sharma Ki Dulhania’ shows its charm at the BO

    ‘Humpty Sharma Ki Dulhania’ shows its charm at the BO

    MUMBAI: The week’s release, an excuse to pay a homage to Yash Raj classic hit Dilwale Dulhania Le Jayenge, is tagged as the poor man’s Dilwale Dulhania Le Jayenge which won’t stop minting some fast bucks for its makers. While Humpty Sharma Ki Dulhania opened to a fair response, it was the strong positive response from those who watched it that benefitted the collections get better on the weekend that followed.

     

    The film has collected about Rs 31 crore, a healthy take for the opening weekend, but is not expected to sustain as well as it enters the new working week.

     

    For the record, two regional films which are creating some box office records locally are the Punjabi film, Punjab 1984 and Riteish Deshmukh’s Marathi film, Lay Bhaari.

     

    Lekar Hum Deewana Dil, another third generation Kapoor clan starrer launching Armaan Jain, is very poor managing to collect just about Rs 2.5 crore in its first week. The pre-release promotion angle of the film was unimaginative to say the least.

     

    Bobby Jasoos remained poor in its first week despite being a fair entertainer even if not up to the mark. The film collected Rs 10.9 crore in first week. It will be a loser.

     

    Ek Villain is now an established hit. It also helps consolidate the standing of Shraddha Kapoor with another major hit to her name after Aashiqi 2. The film goes on to collect Rs 22.2 crore to take its two week total to Rs 99.4 crore.

     

    Humshakal has come to the end of its poor run at the box office not making its presence felt at all in its third week.

     

    Holiday: A Soldier Is Never Off Duty adds a symbolic Rs 55 lakh in its fifth week to take its total to Rs 110.77 crore.

     

  • Keira Knightley starrer ‘Begin Again’ to hit theaters on 18 July

    Keira Knightley starrer ‘Begin Again’ to hit theaters on 18 July

    MUMBAI: Bring out the romantic within you, this monsoon. PVR Director’s Rare gears up to release its latest offering, Begin Again.

     

    Starring Keira Knightley and Mark Ruffalo, the film which is written and directed by John Carney also marks the acting debut of the lead singer of pop rock band Maroon 5, Adam Levine.

     

    PVR JMD Sanjeev Kumar Bijli said, “We are glad to bring a fun, light-hearted movie like ‘Begin Again’ under the banner of PVR Director’s Rare. We are certain that the movie will not be liked just by music lovers but will strike a chord with the wider Hollywood cinema loving audience as well. By investing in such critically-acclaimed movies, we want to continue our pursuit of bringing an eclectic mix of niche and independent cinema to Indian theatres.”

     

    Begin Again is a soul-stirring comedy about what happens when lost souls meet and make beautiful music together. Greta (Keira Knightley) and her long-time boyfriend Dave (Adam Levine) are college sweethearts and songwriting partners who decamp for New York when he lands a deal with a major label. But the trappings of his new-found fame soon tempt Dave to stray and a reeling, lovelorn Greta is left, all alone. Her world takes a turn for the better when Dan (Mark Ruffalo), a disgraced record-label exec, stumbles upon her performing at an East Village stage and is immediately captivated by her raw talent. From this chance encounter emerges an enchanting portrait of a mutually transformative collaboration, set to the soundtrack of a summer in New York City.

     

    SGN Mediaworks director Kishor Shrivastav added, “SGN Mediaworks is proud to be associated with a film like Begin Again that boasts of a great star cast and such an engaging storyline. Begin Again is the kind of movie that leaves you with a smile. With our especial love for romance and music, the film is the perfect watch for the Indian audience.”

     

    A romantic musical set in New York, Begin Again will release on 18 July 2014, across the country.

  • Finding Fanny trailer crosses two million views in two days

    Finding Fanny trailer crosses two million views in two days

    NEW DELHI: The trailer of Homi Adajania’s satirical Finding Fanny has crossed two million in just two days. The upcoming English-Hindi film stars Arjun Kapoor, Deepika Padukone, Naseeruddin Shah, Pankaj Kapur and Dimple Kapadia in key roles. 

     

    Presented by Fox Star Studios, Finding Fanny is produced by Maddock Films. The film releases on 12 September.

     

    Producer Dinesh Vijan says, “The online community is king! It’s because of them that our trailer is happily galloping along and putting a smile on people’s faces.”

     

    “The response has been simply phenomenal. This does not happen with films on a regular basis and we are thrilled that Finding Fanny is getting this kind of universal positive response,” CEO Fox Star Studios Vijay Singh said. 

     

    Watch the Offical trailer

  • Zohra Sehgal – the artiste with an infectious smile, is no more

    Zohra Sehgal – the artiste with an infectious smile, is no more

    NEW DELHI: Veteran actress Zohra Sehgal – who was known for her charming smile and keen sense of timing – passed away in the capital on 10 July at 4:00 pm.

     

    Zohra, who had turned 102 on 27 April this year, felt uneasiness after dinner on 9 July night and was rushed to Max Hospital in south Delhi. Her family confirmed that she had a cardiac arrest in the afternoon.  

     

    She is survived by her son Pavan and her daughter (eminent danseuse Kiran Sehgal), and four grandchildren.

     

    Born in 1912, she started her career as a dancer in choreographer Uday Shankar’s troupe. From 1935 to 1943, she was a leading dancer with the troupe and performed across the world including the United States and Japan.

     

    As an actress, Zohra appeared in varied roles that showed her range as an artiste. She had last appeared in the 2007 film ‘Saawariya’. 

     

    She has appeared in just over 50 films and television series starting with K A Abbas’ debut film Dharti ke Lal in 1946.

     

    Some of her better remembered films are Bhaji on the Beach (1992), The Mystic Masseur (2001), Bend It Like Beckham (2002), Dil Se (1998) and Cheeni Kum (2007); Hum Dil De Chuke sanam (1999), Veer Zara (2004),  and the TV series, The Jewel in the Crown (1984), Tandoori Nights (1985–87), Amma and Family (1996).

     

    At the age of 90, she got the lead character around whom the story revolved in 2002 film Chalo Ishq Ladaaye, where she had stunt sequences, emotional scenes, etc. Considered the doyenne of Indian theatre, she acted with Indian People’s Theatre Association and Prithviraj Kapoor’s Prithvi Theatre for 14 years.

     

    Zohra received the Padma Shri in 1998, Padma Vibhushan (2010), the Kalidas Samman in 2001, and in 2004, the Sangeet Natak Akademi’s highest award, the Sangeet Natak Akademi Fellowship for lifetime achievement.

     

    Born as Sahibzadi Zohra Begum Mumtaz-ullah Khan into a traditional Muslim family in Saharanpur in Uttar Pradesh, to Mumtazullah Khan and Natiqua Begum, belonging to Rampur, Uttar Pradesh, she was the third of seven. She was a tomboy fond of climbing trees and playing games. Zohra lost vision in her left eye as she contracted glaucoma at the age of one year. She was referred to a hospital in Birmingham where she was treated.

     

    She lost her mother while still young. According to her mother’s wishes, she and her sister were sent to Queen Mary College in Lahore (then part of undivided India). Her maternal uncle Sahebzada Saeeduzzafar Khan who was based in Edinburgh arranged for her to apprentice under a British actor. In Europe, her aunt Dicta took her to try in the Mary Wigman’s ballet school in Dresden, Germany, but she had not ever danced. She got admission and became the first Indian to study at the institution. She stayed in Dresden for the next three years studying modern dance, while living in the house of Countess Liebenstein. She happened to watch the Shiv-Parvati ballet by Uday Shankar who was touring Europe and this marked a turning point. He promised her a job on return to India.

     

    But even before she came back, she received a telegram from Uday Shankar asking her to accompany on a tour to Japan. On 8 August 1935, she joined his troupe and danced across Japan, Egypt, Europe and the US, as a leading lady, along with French dancer Simkie. When Uday Shankar moved back to India in 1940, she became a teacher at the Uday Shankar India Cultural Centre at Almora.

     

    It was here that she met her future husband Kameshwar Sehgal, a young scientist, painter and dancer from Indore, eight years her junior. They married on 14 August 1942 and had two children, Kiran and Pavan. For a while the couple worked in Uday’s dance institute at Almora. Both became accomplished dancers and choreographers. Kameshwar composed a noted ballet for human puppets and choreographed the ballet Lotus Dance. When it shut down later, they migrated to Lahore and set up their own Zohresh Dance Institute.

     

    Because of the growing communal tension preceding the Partition of India, they returned to Mumbai where her sister Uzra was already working with Prithvi Theatres. She joined Prithvi Theatre in 1945 as an actress with a monthly salary of Rs 400, and toured every city across India with the group for the next 14 years.

     

    She also joined IPTA and acted in several plays, and made her film debut in IPTA’s first film production, directed by Khwaja Ahmad Abbas, Dharti Ke Lal in 1946; she followed it up with another IPTA-supported film, Chetan Anand’s Neecha Nagar which became India’s first film to go to Cannes and won the Palme d’Or at the Cannes Film Festival.

     

    She also did the choreography for several Hindi films, including Guru Dutt’s Baazi (1951) and the dream sequence song in Raj Kapoor’s film Awaara.Kameshwar, on the other hand, became art director in Hindi films and later tried his hand at film direction.

     

    After her husband’s death in 1959, Zohra first moved to Delhi and became director of the newly founded Natya Academy. She then moved to London on a drama scholarship in 1962.Her first role for British television was in a BBC adaptation of a Kipling story, The Rescue of Pluffles, in 1964. She also anchored 26 episodes of BBC TV series, Padosi (Neighbours; 1976–77).

     

    In London, Zohra got her first break in the films and was signed by Merchant Ivory Productions. She appeared in The Courtesans of Bombay directed by James Ivory in 1982. This paved way for an important role as Lady Chatterjee in the television adaptation The Jewel in the Crown (ITV, 1984). She then acted in several other films and TV series before returning to India.

     

    She returned to India in the mid-1990s and lived for a few months in Burdwan. At that time she acted in several films, plays and TV series since. She first performed poetry at a memorial to Uday Shankar organised by his brother, Ravi Shankar in 1983, and soon took it in big way; she started getting invited to perform poetry at various occasions. She even traveled to Pakistan to recite verses for “An Evening with Zohra”. Her impromptu performances of Punjabi and Urdu became a norm. After stage performances she was often requested by the audience to recite Hafeez Jullundhri’s famous nazm, Abhi To Main Jawan Hoon.

     

    In 1993, a critically acclaimed play, Ek Thi Nani, was staged in Lahore for the first time, featuring Zohra and her sister Uzra Butt now staying in Pakistan. The English version, A Granny for All Seasons, was held at UCLA in 2001. In 2008, at the United Nations Population Fund (UNPF)-Laadli Media Awards in New Delhi, she was named Laadli of the century.

     

    In 2014, she became the longest-living actor to have appeared on Doctor Who, as well as the first centenarian associated with the show. The second is Olaf Pooley, who celebrated his 100th birthday on 13 March 2014. 

  • ‘Humpty Sharma Ki Dulhania’…Join the party

    ‘Humpty Sharma Ki Dulhania’…Join the party

    MUMBAI: The title may sound confusing. Who is this Humpty Sharma? He is no legendary lover on whom tomes may have been written. It does not give away much except that the story/ scenario would obviously be set against the background of a Delhi Punjabi family. And perhaps that is something about the Dilwale Dulhania Le Jayenge to it? Why not. After all, Dil Wale Dulhania… was an all-time hit, so what’s wrong with borrowing a bit from there?

    Varun Dhawan shyly confesses that he was a very fat child and that is how he was nicknamed Humpty. Not bad considering he could have been nicknamed Sweety or Dimppy, which could be gender defying. Varun heads a gang of three including himself in a Delhi college. The other two are Gaurav Pandey and Sahil Vaid. As in all filmy colleges, you only have a campus with a loosely hung signboard declaring that the premises is a college. He is popular with girls around for no apparent reason except that he is the hero of the story. Despite being in Delhi, for a change, he is not the son of a halwai but, as he says, the only ‘waris of the famous Vidhya Book Store’ which caters to college students’ requirements.

    For a change, Varun does not find his lady love from a college coed. She is an Ambala girl, Alia Bhatt, who is in Delhi to attend her friend’s wedding. Actually, no Punjabi love story can be told without involving a wedding. There she meets Varun who wants to date her, which she does not mind until she gets married to an NRI a few week hence. A little net practice never hurt anybody.

    This is the first man Alia has ever been exposed to. All her life she has been brought up to believe in following the family tradition: marry the guy dad chooses. Dad, Ashutosh Rana, himself has had a love marriage but since then, he has had a reason not to trust such a liaison. But apart from that, Rana is okay with giving his daughter all the freedom she wants. So she takes off for Delhi to spend time with her friend, Guncha Narula, who is due to marry soon as well as to buy a Rs 5 lakh wedding dress for herself—because Guncha has bought one worth Rs 2.5 lakh!

    Producers: Hiroo Johar, Karan Johar.

    Director: Shashank Khaitan.

    Cast: Varun Dhawan, Alia Bhatt, Ashutosh Rana, Siddharth Shukla, Kenneth Desai, Gaurav Pandey, Sahil Vaid, Mahnaz Damania, Deepika Amin, Guncha Narula, Jaswant Daman.

    Varun, quite popular in college, sees this new girl in town and as is wont of any Delhi boy, piles on. Alia is the kind who can take a Delhi boy in her stride but quite enjoys Varun’s company. Varun, on his part, has fallen head over heels. The happy days are over and Alia has to return to Ambala as her NRI fiancé is due to arrive. That is when Alia also owns up to her deep love for Varun.

    Back in Ambala, Alia has only one option and that is to forget Varun and get ready for her marriage with this NRI doctor, Siddharth Shukla. Varun chases Alia to Ambala only to be beaten black and blue by her brother and his goons. Varun is unrelenting. Shukla is arriving and Rana decides to offer Varun a chance so as to avoid any tamasha during the wedding. It is five days till wedding, Varun’s job is to hang around Shukla and find some fault in him for Rana to call off Alia’s wedding with him. But, one look at the fiancé and Varun loses all hope. He is a perfect stud with no blemish at all. Since Gaurav and Sahil are also with Varun, the fun and repartees continue. 

    Despite the latter half of the film revisiting Yashraj Films’ all-time hit, Dilwale Dulhania Le Jayenge, it is all well done. The film’s writer/director deserve all the credit for coming up with a very plausible take on Dilwale…., with a taut script peppered with witty exchanges between characters. There are some loose ends like disappearance of Shukla from the scene suddenly! The film also has the advantage of some peppy numbers in ‘Saturday Saturday’…., ‘Lucky tu lucky me’…. and a melody in ‘Samjhawan’…albeit all with heavy Punjabi flavour.

    Varun along with Gaurav and Sahil make sure one stays entertained. Alia does well, not going overboard in dramatic scenes. Rana is good while Shukla makes an impact despite a brief role. The supporting cast is adequate.

    Humpty Sharma Ki Dulhania is a joyride for youth and an entertainer that also caters to other age groups. While its business may be affected to a degree due to Ramzan month, it is generally a moneymaker.

  • ‘Miss South Pacific: Beauty and the Sea’ to open Mokpo Ocean Film Fest

    ‘Miss South Pacific: Beauty and the Sea’ to open Mokpo Ocean Film Fest

    NEW DELHI: An American made documentary by Mary Lambert, Miss South Pacific: Beauty and the Sea will open the first edition of the aquatic-themed Mokpo Ocean Film Festival in South Korea.

     

    A total of 29 ocean-themed features and short films will be screened at the Festival to be held for four days from 31 July to 3 August in the coastal city of Mokpo. Festival organisers say it will be Asia’s first ocean-themed film festival although similar festivals take place in San Francisco, Hawaii, Vancouver and South Africa.

     

    Festival co-director Yoo In-taek said such an event would help develop awareness of maritime affairs. “Mokpo is a working port city, not a holiday resort for the privileged. We feel proud and honoured to be hosting such an event where people make their living directly from the sea,” said In-taek, who is also a renowned film producer.

     

    South Korea has seen a surge of film festival launches in the past few years. A mountain-themed film fest is tentatively scheduled to debut in Ulju in summer 2015.

     

    Late last month, Revolution – a true-life adventure of filmmaker Rob Stewart – had won the top award at the 40Fathoms Film Festival which is a cinematic celebration of Earth’s Oceans.

     

    Using the power of film and imagery, 40Fathoms Film Festival raises public awareness about issues facing the oceans today and provides people with the tools to make a difference. 

     

    The 40Fathoms Film Festival was conceived by the South African Shark Conservancy (SASC) to celebrate World Oceans Day. It showcases underwater filmmaking talent and emphasises marine conservation concerns and success stories on a regional and global scale. 40Fathoms was held at Hermanus in South Africa – a historic coastal village just 1.5 hours from Cape Town.