Category: Movies

  • Filmmaker from Bangladesh wins top award at Film Bazaar in Goa

    Filmmaker from Bangladesh wins top award at Film Bazaar in Goa

    NEW DELHI: Filmmaker Mostofa Sarwar Farooki of Bangladesh won the National Film Development Corporation’s Development Award for his project No Land’s Man on the concluding day of the NFDC Film Bazaar coinciding with the ongoing International Film Festival of India

     

    The cash award of Rs 10 Lakh ($6,000) was presented to him on the closing day of Film Bazaar in Panaji, Goa.

     

    The NFDC Development award, earlier known as the Incredible India award, is given to the best project of co-production market.

     

    Farooki, known for films like Television and Ant Story, was earlier selected for the Asian Project Market of Busan International Film Festival for his project No Land’s Man.

     

    Raam Reddy’s Thithi won the award in fiction category of Work-in-Progress lab. Khushboo Ranka and Vinay Shukla’s Proposition for a Revolution won the award in non-fiction category.

    Projects at rough cut stage are presented in the Work-in-Progress lab. The winners of this section are offered free Digital Intermediate service at Prasad Labs.

     

    Documentary films were introduced in the Work-in-Progress lab for the first time this year.

     

    Another addition to the Film Bazaar this year was Investor Pitch, an open pitching platform for films seeking gap financing. Shlok Sharma’s Haraamkhor was offered an interest free repayable loan of Rs 10 Lakh towards completion of the film by Vinod Chopra Films and Rajkumar Hirani. The project was pitched in the forum by producer Guneet Monga.

     

    Independent producer Manish Mundra also extended interest free repayable loans of Rs. 10 Lakh each to Rinku Kalsy’s For the Love of a Man and Arun Karthick’s ‘The Strange Case of Shiva (Sivapuranam)’.

  • La Famille Belier to close Black Nights Festival in Estonia

    La Famille Belier to close Black Nights Festival in Estonia

    NEW DELHI: The red carpet award ceremony of the 18th Black Nights Film Festival will close with the international premiere of La Famille Bélier by Eric Lartigau, a warmhearted comedy, on 28 November at the Nordea Concert Hall in Talinn, Estonia.

    The awards for the best films, directors and actors will be announced at the gala with an exclusive film music concert by Lenna Kuurmaa, Tanel Padar and Mart Sander’s Bel Etage swing orchestra.

    “La Famille Bélier” will be screened after the award ceremony as the international premiere.

     

    “The film world has been looking forward to this film and we are honoured to be able to present its international premiere at our closing ceremony,” says festival director Tiina Lokk.

    “La Famille Bélier” is the most anticipated French movie of this Christmas season,” comments Alexis Cassanet of SND.

    The film programme of the Black Nights runs until 30th November. Three most popular films will have additional screenings:

    29th November at 17:15 in Coca-Cola Plaza the Grand Prix awarded film.
    29th November at 19:30 Coca-Cola Plaza “Warsaw 44”.
    30th November at 21:15 Solaris “What We Do in the Shadows”

    The International Film Producers’ Association has designated Tallinn Black Nights Film Festival as a non-specialised competitive festival. Black Nights Film Festival is the 15th international film festival to be inducted to that category by FIAPF. The most influential film festival of the European North Eastern region takes place from 14th to 30th November. 

     

  • ‘Peekay (PK)’, the first Hindi film to be shot in Bruges, Belgium

    ‘Peekay (PK)’, the first Hindi film to be shot in Bruges, Belgium

    MUMBAI: Bruges, ‘the Venice of the North’, a splendid medieval art city in Flanders,  Belgium is one of the main locations of the much awaited Bollywood film Peekay (PK), the first Indian feature film to be shot in the city.

     

    The Aamir Khan, Anushka Sharma and Sushant Singh Rajput starrer Peekay (PK) directed by  Rajkumar Hirani and produced by Rajkumar Hirani Films and Vidhu VinodChopra Films in association with UTV Motion Pictures, filmed some major landmarks of Bruges. These include  the  Market  Square  and  Belfry,  Howest  Campus  Sint-Jorisstraat,  the  Beguinage (an architectural  complex  that  used  to  housed  a  semi-monastic  community  of  religious women called Beguines), plus several streets andcanals. The sequences shot in Bruges also feature a lilting romantic song “Chaar Kadam” that also beautifully captures some of the great landmarks of the town.

     

    Bruges, surrounded by an almost continuous ring of canals, is the best preserved example of medieval Flanders and is one of the premier tourist destinations of the region attracting more than 4 million visitors each year. The city boasts of numerous medieval buildings, churches, museums and art collections. It can be easily explored on foot, by boat along quiet canals, or by horse-drawn carriages over cobblestone streets. The historic center of Bruges is on the list of UNESCO World Heritage Sites and isteeming with picture perfect places of interest.

     

    PK is one of the big budget releases of 2014. The film tells the story about an Indian student living in Bruges, who wants to marry her boyfriend, but faces all kinds of obstacles. This isn’t just another typical romantic Bollywood film and the story goes deeper.

     

    Director Rajkumar Hirani decided on the destination post his visit to Bruges. He was impressed by Bruges’ alleys, picturesque canals and verdant ramparts and her elegant mysteriousness. The duo of Rajkumar Hirani and Vidhu Vinod Chopra have successfully partnered in some of the top Bollywood hits earlier including  ‘MunnaBhai MBBS’, ‘Lage Raho Munna Bhai’ and ‘3 idiots.’ Among these, ‘3 Idiots’ was the highest grosser at the box office in 2009, and the film also featured Aamir Khan among others in the star cast. PK brings this successful team back after a gap of five years.

     

    “I was spellbound by the picturesque architecture, landscapes, the strong historical background and clean refreshing environs. I decided that this is just the right place toshoot a part of the movie as it fitted in beautifully with the storyline,” said Hirani.

     

    Karl Van den Bossche, Consul General of Belgium in Mumbai said, “It has been a great experience associating with Mr. Hirani for his film PK, and we are overjoyed that people in India will get a glimpse of the beautiful city of Bruges through the film. I am sure this will inspire people to visit and experience the city and Belgium, which has so much to offer to Indian travellers. We are there to assist all tourists and travel agents with their visa requests if they want to travel to Bruges and Belgium.”

     

    Visit Flanders India representative Sunil Puri said, “Bruges is one of the four major art cities of Flanders, which is the northern federated state of the Kingdom ofBelgium. The other enchanting cities are Ghent, Antwerp and Brussels. Even though Indians are now travelling to various parts of the globe, Bruges is the brightest gemamongst the medieval cities of Europe. We look forward to welcoming more and more Indian visitors to this remarkable destination.”

     

  • ‘Dys-‘ and ‘The Cold Heart’ win Audience Awards at 2014 Cellar Door Film Festival

    ‘Dys-‘ and ‘The Cold Heart’ win Audience Awards at 2014 Cellar Door Film Festival

    NEW DELHI: Dys-, the Canadian film directed by Maude Michaud, won the Audience Award for Best Feature Film while the German ‘The Cold Heart’ (Das Kalte Herz) directed by Hannes Rall emerged with the Audience Award for Best Short Film at Ottawa’s Cellar Door Film Festival (CDFF).

    ‘Dys’- screened at the festival to an engaged audience with Montreal director Maude Michaud in attendance along with actor Alex Goldrich, make-up effects artist Sebastien Montpetit, and sound operator Maxime Boileau. The Cold Heart screened in Cellar Door’s short film programme “From the Basement of the World: So Cold and So Dark.”  

    Cellar Door Film Festival was presented by the School for Studies in Art and Culture at Carleton University and the SPARTA Film Challenge, as well as its Supporting Sponsors the Carleton University Alumni Association, GNA Heating and Cooling, The Haunted Walk of Ottawa, and Used Ottawa.

    The Cellar Door Film Festival (CDFF) aims to be Ottawa’s first showcase of speculative cinema (horror, sci-fi, and fantasy), while celebrating the creativity of the Ottawa film scene and spotlighting the city as a setting for the sinister and supernatural. CDFF encourages film culture, education, and production in Ottawa by promoting the creation, screening, and distribution of local, national and international films in the Nation’s capital.

     

  • Over 150 films in Mumbai Women Film Festival next month

    Over 150 films in Mumbai Women Film Festival next month

    NEW DELHI: ‘The Grand Seduction’ by Don Mckellar starring Taylor Kitsch (actor of X-Men Origins: Wolverine), Brendon Gleeson (actor of Edge of Tomorrow, Harry Potter, etc) is the opening film of the Mumbai Women’s International Film Festival (MWIFF) commencing from 6 December.

     
    Hosted by Maharashtra Tourism Development Corporation (MTDC) and organised by Oculus Creations, it will continue till 13 December,

     
    The six days of screening will be held at Liberty cinema, Marine Lines; Carnival Cinema, Borivali and Ravindra Natya Mandir, Prabhadevi.

     
    The festival will be showcasing 152 films judged by Jury members like writer of ‘Ladies vs. Ricky Bahl’ Devika Bhagat, editor of ‘My Name is Khan’ Deepa Bhatia, director of ‘Mujhse Fraaandship Karoge’ Nupur Asthana; Film ‘Bhool bhuliayya’ writer Manisha Korde, the ace ad filmmaker Shivendra Dungarpur and Director and producer Olivier Delahaye from France who has done films like ‘The Wooden Camera’, ‘Nothing But the Truth’, etc.

     
    “We have launched a collection of best films; documentaries, short films and feature films. The 2014 programme with a focus on German cinema will open a whole new corner of the cinematic universe to the audience. The women filmmakers will surely shine on the pink screen’, says Film Department head Ravi Hathalia announcing the schedule.

     
    The festival is also hosting a music concert on 12 December at Liberty Cinema, Marine Lines in association with MTV Indies. The festival will have independent artists and bands that are true to the music in their hearts and mainstream is not something they are drawn to.

     
    Furthermore, the festival is organising Industry Programme Conference that would highlight and provide insights to independent film makers on the most important lessons of ”Breaking In” into the movie business from the perspective of Industry Professionals.

     
    The ‘MWIFF Excellence Awards’ will celebrate the achievements of remarkable women who inspire those around them either through the media or films in their everyday lives.

     
    Apart from awarding the Women who have participated in the festival, the festival will felicitate Bollywood filmmakers from different departments.  

     

  • 10 Animated Shorts advance in Oscar Race, finale on 22 February next year

    10 Animated Shorts advance in Oscar Race, finale on 22 February next year

    NEW DELHI:  Ten animated shorts have been shortlisted by the Academy of Motion Picture Arts and Sciences today for the voting process for the 87th Academy Awards. 58 pictures had originally qualified in the category.

     

    The 10 films are listed below in alphabetical order by the title along with their production companies:

     

    1.      ‘The Bigger Picture’ director Daisy Jacobs and producer Christopher Hees. (National Film and Television School)

     

    2.      ‘Coda,’ director Alan Holly. (And Maps And Plans)

     

    3.      ‘The Dam Keeper’. Directors Robert Kondo and Dice Tsutsumi (Tonko House)

     

    4.      ‘Duet’. Director Glen Keane (Glen Keane Productions and ATAP)

     

    5.      ‘Feast’. Director Patrick Osborne and producer Kristina Reed (Walt Disney Animation Studios)

     

    6.      ‘Footprints’. Director Bill Plympton. (Bill Plympton Studio)

     

    7.      ‘Me and My Moulton’. Director Torill Kove (Mikrofilm in co-production with the National Film Board of Canada)

     

    8.      ‘The Numberlys’. Directors William Joyce and Brandon Oldenburg (Moonbot Studios)

     

    9.      ‘A Single Life’ Director Joris Oprins (Job, Joris and Marieke)

     

    10.  ‘Symphony No. 42’ Director Réka Bucsi (Moholy-Nagy University of Art and Design Budapest)

     

    The Academy’s short films and feature animation branch reviewing committee viewed all the eligible entries for the preliminary round of voting at screenings held in New York and Los Angeles. The branch members will now select three to five nominees from among the 10 titles on the shortlist.  Branch screenings will be held in Los Angeles, London, New York and San Francisco in December. The 87th Academy Awards nominations will be announced on 15 January in the Academy’s Samuel Goldwyn Theater.

    The Oscars will be held on 22 February at the Dolby Theatre at Hollywood and Highland Center in Hollywood, and will be televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

  • AGP is exploring different genres to target different audiences, says Ashvin Gidwani

    AGP is exploring different genres to target different audiences, says Ashvin Gidwani

    MUMBAI: With adult comedy being the current flavour of Bollywood, Ashvin Gidwani Productions (AGP) has certainly broken the norm by introducing the same into theatre. And Ashvin Gidwani, head honcho of AGP, has no regrets about it.

     

    The prominent theatre personality says, “Indian audiences are very open to mature content. Most of our adult comedy shows run to full houses and I’ve never seen people come out with frowns on their faces”.

     

    Ashvin Gidwani Productions has been tapping into the many genres of comedy with an aim to cater a larger spectrum of audience. It has been hugely successful with plays like ‘Battle of Da Sexes’, ‘History of India VIRitten’, ‘Blame It on Yashraj’ and more. The reason these plays are super successful is because, according to Gidwani, “Audiences see a mirror of their lives or the ones of the people they know to relate to the play.”

     

    With most of his plays being staged across the globe, Gidwani agrees the future of Indian theatre is indeed bright. He further adds “our work is adapted as we tour various cities in India as well as internationally.” Each play is customized according to the audience it is targeted at.

     

    With these efforts, AGP has set its objective of growing a niche market supported by educating the masses about original homegrown theatre. Gidwani, who has not only introduced a new genre of theatre, signs off saying “modification of content is the key to the globalisation of the Indian theatre industry.”

  • Not so ‘Happy Ending’ at the BO

    Not so ‘Happy Ending’ at the BO

    MUMBAI: Happy Ending is a reasonably funny film but opens weak as the film’s star cast lacks the draw at the box office and depends only on its public reports to sustain. During the weekend, the public reports were fair and so were the reviews, but the collections remained below par at Rs 13.5 crore for its opening weekend.

     

    The other release of the week, Titoo MBA remained very poor.

     

    Kill/Dil maintained well through the week, albeit on the lower side as appreciation was missing. Not a film befitting YRF repertoire. The film has collected Rs 30.82 crore for its first week and adding another Rs 1.54 for the second weekend.

     

    Chaar Sahibzaad (Animation) has made a record jump in its second week thanks to its Punjabi version. This should emerge as the biggest Punjabi hit on religious theme since the 1969 Punjabi film, Nanak Naam Jahaj Hai, produced by the Maheshwaris (Kalpanalok) who have a memorable Hindi hit around the same time in Kaajal, a Raajkumar starrer.

     

    The Shaukeens has added Rs 2.1 crore in its second week to take its two week total to Rs 20.6 crore. Rang Rasiya has collected Rs 75 lakh in its second week to take its two week total to Rs 4.7 crore.

     

    Super Nani has collected Rs 25 lakh in its third week to take its three week total to Rs 29.1 crore. Happy New Year has collected Rs 1.4 crore in its fourth week taking its four week tally to Rs 171.2 crore.

  • ‘Bhopal: A Prayer for Rain’ wows American audiences

    ‘Bhopal: A Prayer for Rain’ wows American audiences

    MUMBAI: Bhopal: A Prayer for Rain, the social thriller scripted around the Bhopal gas tragedy of 1984, has opened to rave reviews in American theatres. Directed by Ravi Kumar and produced by Sahara Movie Studios and Rising Star Entertainment, the film has found an emotional resonance with audiences and critics alike.

    Martin Tsai of the Los Angeles Times calls the film “a revolutionary cautionary tale” applauding how “Kumar vividly recreates the Bhopal disaster.”

    Gurinder Chadha, director of much-loved films like Bend It Like Beckham, calls Bhopal: A Prayer for Rain “outstanding, a must see film!” Kerry Kennedy, niece of former US President John F Kennedy, tweeted: “Saw Bhopal starring Martin Sheen tonight… powerful film must see for all interested in business and human rights.” Naomi Canton of Asia House called the movie “better than Slumdog Millionaire and 12 Years A Slave” while Liza Forman of Financial Times London wrote that Bhopal is “a story that needed to be told.”

    Sheen, who plays Union Carbide CEO Warren Anderson in the film says: “When I was invited to participate in the film about the Bhopal incident I felt compelled to accept.  And the response to the film here reinforces the faith I had in the subject. It has been 30 years since the tragedy but it is as relevant as ever.”

    Reacting to the overwhelming response to the film in the US, Sahara Movie Studios producer Seemanto Roy said: “We are very happy with the way the film has been received in America and now hope that Indian audiences take to the film and the youth becomes aware of the mistakes that were made in the past.”

    Bhopal: A Prayer for Rain, produced by Sahara Movie Studios and Rising Star Entertainment will release in India on 5 December 2014.

     

  • ‘Interstellar’ continues to dominate south east Asian screens

    ‘Interstellar’ continues to dominate south east Asian screens

    NEW DELHI: Filmmaker Christopher Nolan’s Interstellar topped the Greater China, Hong Kong, Taiwan and the South Korea box office for the second consecutive weekend.
     
    In South Korea, the sci-fi epic earned an additional 14.4 billion (US$13.1 million) from 1.79 million admissions, representing a 6.5 per cent week-on-week increase. After 11 days in cinemas, it has earned 38.7 billion (US$35.1 million) from 4.84 million admissions. It is already the third-highest grossing foreign film in South Korea this year.
     
    In Greater China where it opened several days later than most of the world, the sci-fi epic opened in Mainland China last Wednesday. Released in 2-D and IMAX, it earned RMB259 million (US$42.2 million) from approximately 7.19 million admissions.
     
    After a slow start, grosses picked up considerably over the weekend, earning RMB194 million (US$31.6 million) from approximately 5.38 million admissions between Friday and Sunday. It represented approximately 29.5 per cent of all screenings over the weekend.
     
    Four years ago, Nolan’s Inception (2010) made RMB101 million (US$16.5 million) in its first five days, and RMB475 million (US$77.5 million) during its theatrical run.
     
    Interstellar will have to defend the top spot from Wong Fei- hung reboot Rise of the Legend and World War II war film Fury this weekend.
     
    Interstellar also remained at the top of the box office in Taiwan, earning NT$19.9 million (US$649,000) in Taipei after a week-on-week drop of only 9 per cent. After two weekends, the sci-fi epic has made NT$56.9 million (US$1.85 million) in the capital.
     
    In Hong Kong, Interstellar had a small week-on-week drop in its second weekend. From 45 locations, it made an additional HK$11.2 million (US$1.44 million) between Thursday and Sunday, representing a week-on-week drop of only 4 per cent.

     

    After two weekends, the film has made HK$27.2 million (US$3.50 million).